Relevant bibliographies by topics / 1869-1935 Criticism and interpretation

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Academic literature on the topic '1869-1935 Criticism and interpretation'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "1869-1935 Criticism and interpretation"

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Vorova, T. P. "Peculiarities of the Structure and Distinctive Features of the Interpretation in “Motley Tales with Witticisms” by V. F. Odoyevsky." International Letters of Social and Humanistic Sciences 67 (March 2016): 18–26. http://dx.doi.org/10.18052/www.scipress.com/ilshs.67.18.

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Prince V.F. Odoyevsky (1803-1869) was the Russian writer, philosopher, musicologist and subtle musical critic, public figure, founder of «Society of philosophy-lovers» and author of «Motley Tales with Witticisms», fascinating monument of native culture; the book was published only once during the life of the writer and afterwards was not republished as the cycle. In literary criticism «Motley Tales» as the unified and important cycle by V.F. Odoyevsky were given scant coverage, although this literary work marked the beginning of new period in the writer’s oeuvre; an image of narrator Homoseyko
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Afifatul, Asmi, and Asep Sulaiman. "Perkembangan Persatuan Ummat Islam (Pui) di Cianjur Tahun 1935-2014." Historia Madania: Jurnal Ilmu Sejarah 3, no. 2 (2020): 183–200. http://dx.doi.org/10.15575/hm.v3i2.9175.

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PUI is a fusion (combined) organization of two other organizations, namely the Islamic Community Engagement of Majalengka led by KH Abdul Halim and the Indonesian Islamic Community Association (PUII) of Sukabumi led by KH Ahmad Sanusi. In this research, the writer focuses on PUI Cianjur regency because Cianjur has a fairly long history with this organization and Cianjur has also become one of the PUI branches that has the most members. To find out the problems in this study, there are several points that will be explained, namely the social and religious conditions of the people of Cianjur dis
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Vasic, Aleksandar. "Literature on music in the Southslavic Choral Union Herald (1935-1938)." Muzikologija, no. 21 (2016): 185–200. http://dx.doi.org/10.2298/muz1621185v.

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During 1935, 1936. and 1938, in Belgrade was published a monthly magazine The Southslavic Choral Union Herald [Vesnik Juznoslovenskog pevackog saveza]. Three years represent 16 issues or 119 articles, or 216 pages. The first editor was Milenko Zivkovic (1901-1964), a Serbian composer of the younger generation, the chief secretary of the Southslavic Choral Union. The magazine was conceived as a newsletter. Choral societies, members of the South Slavic Choral Association, were given the opportunity to stay informed about the work of the Union and the activities of choral societies throughout the
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Liani, Lulu, and Asep Ahmad Hidayat. "Rubrik Moerangkalih dalam Surat Kabar Sipatahoenan sebagai Sarana Edukasi pada Tahun 1935." Historia Madania: Jurnal Ilmu Sejarah 4, no. 1 (2020): 73–106. http://dx.doi.org/10.15575/hm.v4i1.9187.

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The development of the press cannot be separated from the emergence of the idealism of the nation's struggle to achieve independence. One effort to achieve this is by publishing appropriate readings for the nation's successors. This was done by the Pagoejoeban Pasoendan organization which published a special rubric named moerangkalih in the Sipatahoenan newspaper. This study aims to determine the history of the establishment of the Sipatahoenan newspaper in 1922-1935 and find out the educational discourse in the rubric of Moerangkalih Sipatahoenan newspaper in 1935. The method used is a histor
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Hidayat, Angga Pusaka, and Widyo Nugrahanto. "DINA MANGSA TAHAPAN KATILU: BIOGRAFI POLITIK EMMA POERADIREDJA, 1935-1941." Patanjala : Jurnal Penelitian Sejarah dan Budaya 10, no. 3 (2018): 385. http://dx.doi.org/10.30959/patanjala.v10i3.422.

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Tulisan ini bermaksud menunjukkan pemikiran dan peranan Émma Poeradiredja dalam pergerakan politik perempuan Indonesia. Émma Poeradiredja merupakan perempuan Sunda yang terlibat dalam pergerakan perempuan Indonesia sejak tahun 1920-an. Dia dikenal sebagai salah satu pendiri dan ketua Pasundan Istri, serta merupakan perempuan Sunda pertama yang terpilih sebagai anggota gemeenteraad. Penelitian ini menggunakan metode sejarah. Metode sejarah mencakup tahapan menemukan dan mengumpulkan sumber serta data (heuristic), kritik sumber, interpretasi dan historiografi. Pendekatan sejarah politik digunaka
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Gumelar, Faujian Esa, and R. M. Mulyadi. "POLEMIK A. HASSAN DAN MUCHTAR LUTHFI MENGENAI PAHAM KEBANGSAAN (1929-1935)." Patanjala : Jurnal Penelitian Sejarah dan Budaya 10, no. 3 (2018): 523. http://dx.doi.org/10.30959/patanjala.v10i3.420.

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Penelitian ini dilatarbelakangi oleh ketertarikan peneliti kepada Ahmad Hassan, karena ketokohannya bisa membawa Persis yang merupakan organisasi yang relatif kecil secara keanggotaan, dapat memiliki pengaruh yang luas lewat perdebatan dan penerbitan yang dilakukannya. A. Hassan banyak melakukan polemik dengan berbagai tokoh penggerak paham kebangsaan seperti Soekarno dan Muchtar Luthfi. Topik yang banyak diperdebatkannya adalah mengenai paham kebangsaan. Metode yang digunakan dalam penelitian ini adalah metode historis yang meliputi empat tahapan, yaitu: 1) heuristik, 2) kritik sumber, 3) int
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Arismunandar, Andi, Reiza D. Dienaputra, and Raden Muhammad Mulyadi. "DARI PASANGGRAHAN HINGGA GRAND HOTEL: AKOMODASI PENGINAPAN UNTUK TURIS PADA MASA HINDIA-BELANDA DI PRIANGAN (1869-1942)." Patanjala: Journal of Historical and Cultural Research 12, no. 2 (2020): 159. http://dx.doi.org/10.30959/patanjala.v12i2.571.

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Pada periode akhir masa kolonial Belanda di Hindia, justru semakin banyak turis yang berkunjung. Priangan yang merupakan primadona kunjungan wisata pada masa itu, tentunya harus menata diri sebagai persiapan menyambut dan melayani para turis yang berkunjung. Akomodasi penginapan dalam dunia pariwisata adalah hal yang pokok untuk tersedia dan memadai di lokasi-lokasi yang akan dituju oleh para turis. Berbagai kisah menarik mengenai perkembangan akomodasi penginapan membawa nilai positif bagi para turis yang berkunjung ke Priangan berdasarkan sumber-sumber yang ditemukan oleh penulis. Maka, untu
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Perović, Željko. "Was Saint Bishop Nicholai a Fascist? A Review of His Addresses from March 1935 to April 1941." Nicholai Studies: International Journal for Research of Theological and Ecclesiastical Contribution of Nicholai Velimirovich I, no. 2 (2021): 395–434. http://dx.doi.org/10.46825/nicholaistudies/ns.2021.1.2.395-434.

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Abstract: The author addresses the issue of Nicholai Velimirovich’s attitude towards fascism, responding to the criticism of Bishop Nicholai as a sympathizer of Adolph Hitler’s policy and the interpretation of Velimirovich’s thoughts that enabled such constructions. In the present article, special attention is paid to the public addresses of Nicholai Velimirovich during the period of the rise of the Nazi state, i.e. from 1935 to 1941. The main topic of this article is to deconstruct the great myth of Bishop Nicholai’s critics, which reads: Saint Bishop Nicholai is a fascist because he received
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Høirup, Henning. "Nekrolog over Uffe Hansen." Grundtvig-Studier 46, no. 1 (1995): 18–25. http://dx.doi.org/10.7146/grs.v46i1.16174.

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Uffe Hansen 14.12. 1894 - 11.9. 1994By Henning HøirupThe obituary begins with a description of Uffe Hansen’s background as an Independent Congregation clergyman (from 1925) to the Grundtvigian Independent Congregation (Danish valgmenighed, i.e. a congregation within the National Church, claiming the right to employ their own minister) of Ubberup, where the prominent clergymen V.J.Hoff and Carl Koch were his predecessors. Carl Koch’s extensive writings, theologically erudite, but .popular. in their language, and thus accessible to the layman, were to become the model for Uffe Hansen’s studies i
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Gale, S. J., and C. O. Hunt. "The Stratigraphy of Kirkhead Cave, an Upper Palaeolithic Site in Northern England: Discussion." Proceedings of the Prehistoric Society 56 (1990): 51–56. http://dx.doi.org/10.1017/s0079497x00005028.

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Volume 52 of the Proceedings of the Prehistoric Society contained two articles (Salisbury 1986; Tipping 1986) critical of our paper ‘The stratigraphy of Kirkhead Cave, an upper palaeolithic site in northern England’ (Gale and Hunt 1985). Here we reply.Before dealing with the criticisms made by Salisbury, we correct the factual errors in his paper.1. Bolton and Morris ‘… excavated through, and ultimately removed some 5 to 7 metres of cave earth…’ (Salisbury 1986, 321). In fact, the reports indicate a maximum depth of excavation of 7 ft (2.1 m) (Bolton 1864, cclii) or 8 ft (2.4 m) (Morris 1865–6
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Dissertations / Theses on the topic "1869-1935 Criticism and interpretation"

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Razak, Ajmal M. "The concept of mystery in Edwin Arlington Robinson's murder mystery poems : between knowing and not knowing." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/862272.

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This study demonstrates that Edwin Arlington Robinson's keen interest in mystery is reflected in his poetry. However, he creates an unusual subgenre--the unresolved mystery. Definitions from the Oxford English Dictionary, religious treatises, and philosophical works, helped formulate a working definition of the word mystery. I then selected eight murder poems from The Collected Poems -- "The Tavern," "The Whip," "Stafford's Cabin," "Haunted House," "Avon's Harvest," "Cavender's House," "The Glory of the Nightingales," and "The March of the Cameron Men" and three poems from the Uncollected Poe
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Jordan, Linda. "German science-fiction magazines of Hugo Gernsback, 1926-1935." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65493.

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Kanaganayakam, Chelvanayakam. "Paradigms of absence : the writings of Zulfikar Ghose." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25817.

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The primary objective of this thesis is to study the writings of the contemporary poet, short story writer, novelist and critic Zulfikar Ghose. In some respects Ghose is a "difficult" and "unclassifiable" writer who refuses to be confined to traditional categories. He calls himself "Indo-Pakistani" and "native-alien" -- terms which recall his experience of displacement and exile after the Independence and Partition of India in 1947. Although the trauma of marginalisation does not constitute the overt subject matter of the bulk of his writings, I have argued that the theme of native-alien exper
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Léger, Ariane. "Le maître à écrire selon Valéry, Pessoa et Jaccottet /." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115622.

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The main objective of this study is to understand how Valery, Pessoa and Jaccottet created or recreated the figure of the master. This figure has truly made its entry into the literary scene in the second half of the nineteenth century, and it contributed to impose a profane and more egalitarian vision of writing. In the writing of the three authors studied, the master is still seen as a strategy to develop a concept of creation, since it allows the writers to define their poetic. It is therefore a matter of maitres a penser (literally "thinking masters") or, better yet, maitres a ecrire ("wri
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Ingham, David Keith. "Mediation and the indirect metafiction of Randolph Stow, M. K. Joseph, and Timothy Findley." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25819.

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In order to explore the range of indirect metafiction as presented in three exemplary novels, this dissertation begins by examining how the assumptions of "realism" on the one hand and "postmodernism" on the other relate to the paradigmatic triad of story-teller, story, and audience. From this context emerges the view that the range of metafiction is determined by how it reveals the processes and nature of fiction according to a spectrum of mediation: that of the writer between his "raw materials" and the text, that of the text between writer and reader, and that of the reader between the text
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Liboiron, Paul Adrien. "The transformation of plot in the couplet of the Urdu Ghazal : an examination of narrative." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/30140.

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This thesis examines a selection of verses taken from the Urdu divan of Mirza Asadullah Khan Ghalib. Ghalib is considered by many to be the preeminent writer of the classical Urdu ghazal (circa 1750-1850). Although the examination is restricted to Ghalib's verse, the problem it investigates is broader in nature and involves questions which some aspects of the ghazal raise with respect to the reader's involvement. An essential feature of the ghazal form is the fact that, although the ghazal poem consists of a set of couplets, each couplet of a ghazal is itself a complete text with respect to it
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Milton, Laura. "Aspekte van die erotiek in enkele romans van André P Brink." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1002094.

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Die doel van hierdie studie is om ondersoek in te stel na aspekte van die erotiek in enkele romans van André P. Brink. Die studie bestaan uit twee afsonderlike dele: genoem 'teorie' en 'praktyk'. In die teoretiese deel sal daar eerstens kortliks gekyk word na 'n definiering van enkele kernbegrippe - onder andere 'seksualiteit', 'erotiek' en 'pornografie'. Daar word nie gepoog om algemeen-geldende definisies te formuleer nie, maar eerder definisies wat nuttig is vir die doel van hierdie studie. Daarna sal ondersoek ingestel word na Brink self se teoretiese formulerings met betrekking tot die er
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Jackson, Joyce (Joyce Ann). "The Quest for Love and Happiness in Selected Novels of Françoise Sagan." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500244/.

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The primary purpose of this study is to demonstrate that the most consistent themes in the selected novels are love and happiness. The novels are: Bonjour tristesse, 1954; Un certain sourire, 1956; La chamade, 1965; Les merveilleux nuages, 1961; Un profil perdu, 1974; Aimez-vous Brahms, 1959; Le garde du coeur, 1968; and De guerre lasse, 1985. Sagan challanges her heroines, and her readers, to find happiness. Each of the heroines handles the individual search for love and happiness in her own specific way. Throughout the novels, love represents pain and suffering as Sagan describes the emptine
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Tannenbaum, Peter M. S. "Schoenberg's theories on the evolution of music applied to three works by Alban Berg." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66139.

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Baldwin, Ruth Margaret Anne. "Redeeming flesh : portrayals of women and sexuality in the work of four contemporary Catholic novelists." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/NQ46315.pdf.

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Books on the topic "1869-1935 Criticism and interpretation"

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Nāhīda, Nusarata. Mirzā G̲h̲āliba, 1797-1869. Malika Buksa, 1992.

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Lev Tolstoĭ, 1852-1869. OGI, 2000.

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Nāhīda, Nusarata. Mirzā G̲h̲āliba, 1797-1869. Malika Buksa, 1992.

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Grandesso, Stefano. Pietro Tenerani (1789-1869). Silvana, 2003.

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Wivel, Ole. Anna Ancher: 1859-1935. Stok-Art, 1994.

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Jahira Rāẏahāna, 1935-1972. Bāṃlā Ekāḍemī, 1988.

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Sapio, Colomba. Sir Edwin Lutyens: Architetto 1869-1944. A. Pontecorboli, 2009.

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Sir Edwin Lutyens: Architetto 1869-1944. A. Pontecorboli, 2009.

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Krastin̦š, Jānis. Arhitekts Jānis Alksnis, 1869-1939: Jānis Alksnis, 1869-1939 : architect. ADD projekts, 2009.

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Ayala, Iván Ruiz. Poética vanguardista westphaleana: 1933-1935. Pontificia Universidad Católica del Perú, Fondo Editorial, 1997.

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Book chapters on the topic "1869-1935 Criticism and interpretation"

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"Max Havelaar: Multatuli’s Timeless Book, 1869–1935." In Cultural Criticism in the Netherlands, 1933-1940. Brill | Rodopi, 2020. http://dx.doi.org/10.1163/9789004426627_030.

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Hesketh, Ian. "Evolution, Ethics, and the Metaphysical Society, 1869–1875." In The Metaphysical Society (1869-1880). Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198846499.003.0009.

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This chapter seeks to chart the lively debate about the evolutionary origins and development of morality as it occurred at the Metaphysical Society, a debate that began with the first paper delivered at the Society in 1869 and, after the intervention of several subsequent papers on the topic, came to an end in 1875. Proponents of an evolutionary ethics included the Darwinians John Lubbock and William Kingdon Clifford, while the critics included the journalist and editor Richard Holt Hutton, the classicist Alexander Grant, and the moral philosopher Henry Sidgwick. Much of the debate focused on competing interpretations of the historical record and the nature of historical evidence itself. For the critic of an evolutionary morality, the evidence for the origins and development of morality had to be sought in written records; for the proponent, the evidence needed to be sought much further back in time, in the era known as ‘prehistory’. This important distinction brought to the fore a related area of contention, namely the relationship between civilized European and contemporary aboriginal societies, and what that relationship meant for understanding the deep history of human moral development. The debate largely came to an end when Sidgwick challenged the unjustifiable normative claims that were often embedded in evolutionary descriptions of the origins and development of morality. He showed that a supposedly naturalist account of ethical principles was just as fraught as was the intuitionist account it sought to critique.
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