Academic literature on the topic '1873-1923'
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Journal articles on the topic "1873-1923"
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Walter, Franz. "1873 – 1923 – 1973." Indes 7, no. 1 (July 16, 2018): 35–55. http://dx.doi.org/10.13109/inde.2018.7.1.35.
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Göllner-Scheiding, Ursula. "Revision der afrotropischen Arten der Gattung Compseuta Stål 1873 (Insecta, Heteroptera, Tingidae, Tinginae)." Beiträge zur Entomologie = Contributions to Entomology 59, no. 1 (July 15, 2009): 191–210. http://dx.doi.org/10.21248/contrib.entomol.59.1.191-210.
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Die Gattung Compseuta Stål, 1873, umfasst die 13 afrotropischen Arten biseriata Drake, 1948, brevicarinata Schouteden, 1923, capensis (Walker, 1873), comes Drake, 1951, expleta Drake, 1955, holana Drake, 1948, lamellata Drake, 1958, latipennis Horváth, 1910, montandoni Distant, 1904, notialis Drake, 1948, ornatella (Stål, 1855), picta Schouteden, 1923, und teretis Drake, 1948, zwei weitere kommen in Asien vor. Zwei Arten, bioculata Drake, 1948, und motoensis Schouteden, 1955, erwiesen sich als Angehörige der Gattung Kapiriella. Die Art elegantula Distant, 1909, wurde schon früher in die Gattung Hegesidemus gestellt. Neun Arten und zwei Varietäten stellten sich als Synonyma heraus. Ein Bestimmungsschlüssel für die Arten, eine Liste der Arten einschließlich der Synonyma und eine Literaturliste werden erstellt.StichwörterInsecta, Heteroptera, Tingidae, Compseuta, revision, key.Nomenklatorische Handlungenbiseriata Drake, 1948 (Compseuta), stat. n. hitherto Compseuta ornatella var. biseriatabrevicarinata Schouteden, 1923 (Compseuta), stat. n. hitherto Compseuta picta var. brevicarinatacordiae Drake, 1948 (Compseuta), syn. n. of Compseuta brevicarinata Schouteden, 1923latipennis Horváth, 1910 (Compseuta), Lectotype Holotype is lostpropinqua Duarte Rodrigues, 1987 (Compseuta), syn. n. of Compseuta holana Drake, 1948sejuncta Drake, 1948 (Compseuta), syn. n. of Compseuta brevicarinata Schouteden, 1923teretis Drake, 1948 (Compseuta), stat. n. hitherto Compseuta ornatella var. teretiscarinata Drake, 1958 (Compseuta ornatella var.), syn. n. of Compseuta expleta Drake, 1955bioculata (Drake, 1948) (Kapiriella), comb. n. hitherto Compseuta bioculatamotoensis (Schouteden, 1955) (Kapiriella), comb. n. hitherto Compseuta motoensis
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Savel'ev, P. Iu, and S. V. Tiutiukin. "Iulii Osipovich Martov (1873-1923): The Man and the Politician." Russian Studies in History 45, no. 1 (June 2006): 6–92. http://dx.doi.org/10.2753/rsh1061-1983450101.
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Burmistrov, Konstantin Yu. "From Old Newspapers: an Unknown Essay by Alexander Kuprin and an Unaccounted Publication of Ivan Shmelev’s Fairy Tale." Studia Litterarum 7, no. 1 (2022): 472–93. http://dx.doi.org/10.22455/2500-4247-2022-7-1-472-493.
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The article discusses the history of publication of two works by Alexander Kuprin (1870–1938) and Ivan Shmelev (1873–1950) in “Russkaya Gazeta” (“Russian newspaper”), which is an emigrant newspaper issued in Paris in 1923–1925. Their publication remained unnoticed by modern researchers. The article examines Kuprin’s participation in this periodical, as well as the historical context of Kuprin’s article “Diaries and Letters” (1923) published in this newspaper at the beginning of 1924, and dedicated to the publication of the “Diary of Emperor Nicholas II”. In particular, the author discusses the history of the “Diary”’s publication in Berlin in 1923 and the peculiarities of the reaction to its appearance among the Russian emigration. He also discusses the history of the publication of I.S. Shmelev’s political fairy tale “Preobrazhenets” (1919–1923–1927). Particular attention is paid to the edition of this tale, which was published together with Kuprin’s article in the same issue of “Russkaya Gazeta” (January 7, 1924). For the first time, the article presents the full text of Kuprin’s article, as well as the text of Shmelev’s fairy tale in its 1923 edition, in comparison with its final version published in 1927.
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Wang, Liu, Wang, Cao, and Li. "Study on Sulfur Transfer Behavior during Refining of Rejected Electrolytic Manganese Metal." Metals 9, no. 7 (July 4, 2019): 751. http://dx.doi.org/10.3390/met9070751.
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A slag treatment method was proposed to recycle rejected electrolytic manganese metal. To improve the sulfur removal ratio, computational fluid dynamics and experimental studies of the sulfur transfer behavior during the refining process were carried out. Experiments of slag-metal reaction for desulfurization were carried out using an electric resistance furnace at temperatures ranging from 1773 K to 1923 K. A transient three-dimensional coupled numerical model was established to represent the three-phase flow, heat and mass transfer in the experiment. The desulfurization rate was described by a metallurgical kinetics module, which was related to the slag composition, the interfacial tension coefficient, the flow and the temperature of the melt. The predicted sulfur content agreed reasonably well with the measured data. The temperature of the fluids at the outer side of the crucible was higher than that at the center, resulting in a larger sulfur partition ratio and a more vigorous flow. The sulfur transfer rate was higher at the outer edge of the molten slag–molten manganese interface. The sulfur removal ratio increased from 51.4% to 85.1% with a change in heating temperature from 1773 K to 1873 K, and slightly dropped to 83.3% when the heating temperature increased to 1923 K. The heating temperature of 1873 K is the optimal choice for recycling in the present work.
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GUÉORGUIEV, BORISLAV, and HONGBIN LIANG. "Revision of the Palaearctic and Oriental representatives of Lachnocrepis LeConte and Oodes Bonelli (Coleoptera: Carabidae), with special account on Chinese species." Zootaxa 4850, no. 1 (September 8, 2020): 1–89. http://dx.doi.org/10.11646/zootaxa.4850.1.1.
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In order to investigate the Chinese representatives from two genera of the tribe Oodini LaFerté-Sénectère, 1851, twenty-three Palaearctic and Oriental species of the genera Lachnocrepis LeConte, 1853 and Oodes Bonelli, 1810 are taxonomically reviewed. Because the species in question share a high degree of morphological similarity they are grouped in the “Oodes generic group”. The character-analysis showed that seven species belong to Oodes, including five species to Oodes s.str. and two species to Lachnocrepis (downgraded to subgenus). The remaining sixteen species are classified in three genera: ten species in Pseudoodes gen. n. (type species: Oodes cribristernis Bates, 1892), two species in Sundaoodes gen. n. (type species: Sundaoodes hainanensis sp. n.), and four species in Nothoodes gen. n. (type species: Oodes angustatus Lorenz, 2005). The taxa of Oodes s.str. and Pseudoodes gen. n. are arranged in two and four species groups, respectively. Eleven species from three genera, including six new to science, are found in China: Oodes (Oodes) echigonus Habu & Baba, 1960, Oodes (Lachnocrepis) desertus Motschulsky, 1858, Oodes (Lachnocrepis) japonicus (Bates, 1873), Pseudoodes cribristernis (Bates, 1892) (first record for China), Pseudoodes rambouseki (Jedlička, 1931), Pseudoodes ampliusculus, sp. n. (type locality: Mingfenggu Valley, Jiangfengling Mountains, Hainan), Pseudoodes emeishanicus, sp. n. (type locality: Xixinsuo Temple, Emei Shan, Leshan City, Sichuan), Pseudoodes hunanensis, sp. n. (type locality: Xiaozhuangping, Tianping Shan, Sangzhi County, Hunan), Pseudoodes leigongshanicus, sp. n. (type locality: Xijiang Town, Leigong Shan, Leishan County, Guizhou), Pseudoodes tianlinensis, sp. n. (type locality: Cenwanglao Shan, Tianlin County, Guangxi), and Sundaoodes hainanensis, sp. n. (type locality: Nada Town, Danzhou City, Hainan). Two further new species, Sundaoodes kalimantanensis, sp. n. (type locality: Bukit Liang Mount, West Kalimantan Province, Indonesia) and Nothoodes bharat, sp. n. (type locality: Dwarakapuram Village, Naidupet Mandal, Nellore District, Andhra Pradesh, India), are also described. The following new synonymies are proposed: Oodes parallelus Motschulsky, 1858, syn. n. of Oodes helopioides (Fabricius, 1792); Oodes parallelogrammus Motschulsky, 1858, syn. n. of Oodes helopioides (Fabricius, 1792); Oodes prolixus Bates, 1873, syn. n. of Oodes desertus Motschulsky, 1858; Simous viridissimus Louwerens, 1951, syn. n. of Pseudoodes coelestinus (Chaudoir, 1882). The synonymy of Oodes hahni Reitter, 1908 with Oodes desertus Motschulsky, 1858 is confirmed. Also, the following new combinations are introduced: Oodes japonicus (Bates, 1873), comb. n. of Lachnocrepis japonica Bates, 1873; Pseudoodes vicarius (Bates, 1873), comb. n. of Oödes vicarius Bates, 1873; Pseudoodes coelestinus (Chaudoir, 1882), comb. n. of Oodes coelestinus Chaudoir, 1882; Pseudoodes subcoriaceus (Chaudoir, 1882), comb. n. of Oodes subcoriaceus Chaudoir, 1882; Pseudoodes cribristernis (Bates, 1892), comb. n. of Oodes cribristernis Bates, 1892; Pseudoodes rambouseki (Jedlička, 1931), comb. n. of Holosoma rambouseki Jedlička, 1931; Nothoodes taprobanae (Andrewes, 1923), comb. n. of Oodes taprobanae Andrewes, 1923; Nothoodes longus (Andrewes, 1940), comb. n. of Oodes longus Andrewes, 1940; Nothoodes angustatus (Lorenz, 1998), comb. n. of Oodes angustatus Lorenz, 1998. Lectotypes are designated for Oodes parallelus Motschulsky, 1858, Oodes parallelogrammus Motschulsky, 1858, Oodes desertus Motschulsky, 1858, Oodes cribristernis Bates, 1892, Oodes hahni Reitter, 1908, Oodes thessalonicensis Schatzmayr, 1909, Oodes helopioides var. fiorii Porta, 1923, and Holosoma rambouseki Jedlička, 1931. A key to the species, diagnoses, descriptions, notes on type specimens, relationships, distribution, bionomics when available, and figures of body, genitalia and other characters useful for taxonomy are provided. Numerous new records, including first country records for Romania, Israel, Nepal, China, Thailand, Laos, Vietnam, Brunei, and Indonesia, are registered.
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Poggi, Gianfranco, and Giovanni Busino. "L'Italia di Vilfredo Pareto: Economia e Societa in un carteggio del 1873-1923." Contemporary Sociology 20, no. 2 (March 1991): 227. http://dx.doi.org/10.2307/2072927.
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Syzonenko, Iryna. "Obrazy Stanisława Żukowskiego (1873-1944) w państwowych i prywatnych kolekcjach dzieł sztuki Imperium Rosyjskiego." Roczniki Humanistyczne 70, no. 4 (May 16, 2022): 163–83. http://dx.doi.org/10.18290/rh22704.7.
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W okresie pobytu polskiego malarza Stanisława Żukowskiego (1873-1944) w Rosji (1892-1923) jego twórczość mogła rozwijać się dzięki pomocy wielu mecenasów i kolekcjonerów sztuki. Druga połowa XIX i początek XX wieku zostały określone jako „złoty wiek mecenatu rosyjskiego”, czas powstania muzeów i galerii o znaczeniu europejskim. W XX wieku, jeszcze za czasów Imperium Rosyjskiego, obrazy Stanisława Żukowskiego pojawiły się w rosyjskich prywatnych i państwowych galeriach. W gronie jego mecenasów i kolekcjonerów znaleźli się przedstawiciele rodów arystokratycznych Imperium Rosyjskiego, a także przedstawiciele kręgów kupieckich, przemysłowych i bankowych ówczesnego społeczeństwa rosyjskiego.
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LEE, SANGMI, RONALD W. HODGES, and RICHARD L. BROWN. "Checklist of Gelechiidae (Lepidoptera) in America North of Mexico." Zootaxa 2231, no. 1 (September 15, 2009): 1–39. http://dx.doi.org/10.11646/zootaxa.2231.1.1.
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A checklist of Gelechiidae in America north of Mexico is provided based on additions of new taxa and nomenclatorial changes in publications since 1978. This checklist includes the addition of 253 new species and 8 new genera, 30 species and 5 genera previously unrecorded from North America, 4 species inadvertently omitted in the previous checklist, and many nomenclatorial changes. Ymeldia Hodges, 1963 is transferred to Oecophoridae. The following new synonymies are established: Neoschema Povolny, 1967, n. syn. of Gnorimoschema Busck, 1900; Scrobipalpulopsis Povolný, 1987, n. syn. of Scrobipalpula Povolný; 1964, Tuta Kieffer & Jörgensen, 1910, rev. syn. of Phthorimaea Meyrick, 1902; Eupolella Fletcher, 1940, n. syn. of Dichomeris Hübner, [1818]; Eupolis Meyrick, 1923, n. syn. of Dichomeris Hübner, [1818]; Aristotelia nigrobasiella Clarke, 1932, n. syn. of Aristotelia isopelta Meyrick, 1929; Aristotelia intermediella (Chambers, 1879), n. syn. of Aristotelia pudibundella (Zeller, 1873); Gelechia brumella Clemens, 1864, n. syn. of Chionodes continuella (Zeller, 1839); Anacampsis bidiscomaculella (Chambers, 1874), rev. syn. of Anacampsis fullonella (Zeller, 1873); Aroga trachycosma (Meyrick, 1923), n. syn. of Aroga elaboratella (Braun, 1923); and Dichomeris caryaefoliella (Chambers, 1872), n. syn. of Dichomeris georgiella (Walker, 1866). The following new combinations are made: Monochroa pullusella (Chambers, 1874), n. comb., Monochroa robusta (Braun, 1921), n. comb., Gnorimoschema klotsi (Povolný, 1967), n. comb., Gnorimoschema powelli (Povolný, 1998a), n. comb., Scrobipalpuloides chiquitella (Busck, 1910), n. comb., Scrobipalpuloides chiquitelloides (Powell & Povolný, 2001), n. comb., Scrobipalpuloides elaborata (Povolný, 2000), n. comb., Scrobipalpuloides insularis (Powell & Povolný, 2001) n. comb., Scrobipalpuloides isolata (Povolný, 2000) n. comb., Scrobipalpuloides spinosa (Povolný, 2000), n. comb., Scrobipalpuloides totalis (Povolný, 2000), n. comb., Scrobipalpuloides truncata (Povolný, 2000), n. comb., Scrobipalpula lutescella (Clarke, 1934), n. comb., Scrobipalpula lycii (Powell & Povolný, 2001), n. comb., Scrobipalpula physaliella (Chambers, 1872), n. comb., and Scrobipalpa arenaceariella (Powell & Povolný, 2001), n. comb. New records for the Nearctic Region are given for Carpatolechia fugitivella (Zeller), Carpatolechia notatella (Hübner), Carpatolechia proximella (Hübner), and Altenia perspersella (Wocke). This checklist also provides the type localities of species based on examination of specimens and published references. Subfamilies have been divided into tribes, which has required rearrangement of genera. References that include new taxa or nomenclatorial changes since 1978 are provided.
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Burr, Christina. "Some Adventures of the Boys: Enniskillen Township's "Foreign Drillers," Imperialism, and Colonial Discourse, 1873-1923." Labour / Le Travail 51 (2003): 47. http://dx.doi.org/10.2307/25149332.
Full textDissertations / Theses on the topic "1873-1923"
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Carpisassi, Daniela. "La strategia discorsiva dell'ironia nella narrativa "muliebre" agli inizi del XX secolo : Clelia Pellicano (Jane Grey) e Gabrielle Willy (Collette)." Paris 3, 2008. http://www.theses.fr/2008PA030169.
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Ce travail présente la réflexion sur la comparaison de la stratégie de l'ironie dans les oeuvres des deux auteures du début du XX siècle l'italienne Clelia Romano Pellicano et la française Colette. Nous avons comparé le cycle des Claudine de cette dernière avec les recueils de nouvelles Coppie et Novelle calabresi signées par Pellicano, retraçant aussi une biographie de cette femme écrivain méconnue. Pour cette étude, une notion sexuée d'ironie et d'humour au féminin a été créée, reconstituant le cadre des théories existantes que l'on a mis en relation aux études sur les dimensions interdiscursives et relationnelles propres à l'ironie littéraire. Notre discours a aussi été contextualisé par une reconstruction des aspects dominants de l'esprit de la Belle Époque. Nous avons identifié les termes du débat sur la surabondance et la qualité de la littérature féminine, qui était (dis)qualifiée de « muliebre » ; débat dans lequel Colette figurait comme élément principal de comparaison par rapport aux auteures italiennes. L'ironie de Pellicano et Colette s'est révélée être la stratégie discursive qui amorce un conflit (amoureux) avec l'Autre. Par l'ironie elles ont dénoncé les contradictions de leur temps et évoqué des sujets sensibles ou considérés scabreux (dans la relation entre les deux sexes, par exemple). Elles se sont aussi rapportées au canon littéraire réaliste de façon désacralisée ; aspect que nous avons étudié en analysant la relation de l'ironie au naturalisme-vérisme. Les auteures ont, en outre, instauré une relation de complicité avec leurs lecteurs notamment grâce à l'ironie et à l'auto-ironie dont elles font preuve quant à leur propre statut d'écrivainesWe have compared how irony was used by two women writers at the beginning of the 20th century: the French Colette and the Italian Clelia Romano Pellicano. We have examined the navels of Claudine's series by Colette, and the two collections of short-stories Coppie and Novelle calabresi by Pellicano. The missing biography of the Italian writer has also been reconstructed. For this analysis we have revised the notion of feminine irony (and humor) and of women's comedy, reconstrueting the panorama of the existing theories and reconsidering some studies about the interdiscursive and relational dimensions proper of literary irony. We have historically contextualised our analysis identifying the characteristics of Belle Epoque's esprit and the relationship between caricatures and literary charge. We have picked out the ternis of the debate of this period about the excess and the quality of that female literature disqualified by the adjective « muliebre ». In this debate Colette has appeared as term of comparison for the works of the Italian women witers. Pellicano and Colette's irony emerges as a discursive strategy through which it is possible to inaugurate a "caring" conflict with the Other, in order to uncover the contradictions of their time and to deal with delicated subjets or themes considered awkward (i. E. The authorities' corruption or the relationship between sexes). Both women writers were related to the literary realistic model of their time by an irreverent way. We have studied it also reflecting upon the relationship between irony and Naturalism. Through irony and even self-irony about their status as women writers, they have created a relation with their readers
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Danjoux, Chantal. "La femme seule à travers Colette et Katherine Mansfield." Paris 4, 1985. http://www.theses.fr/1985PA040107.
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Joubert, Claire. "La lectrice dans le texte : écriture et lecture au féminin dans les oeuvres de Dorothy Richardson, Katherine Mansfield et Jean Rhys, 1919-1939." Paris 3, 1993. http://www.theses.fr/1994PA030015.
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Ce travail explore le domaine d'intersection entre le texte et la sexualite, en proposant d'etudier l'inscription d'une subjectivite feminine au sein des recits de dorothy richardson (pilgrimage), katherine mansfiels (the collected short stories), et jean rhys (the left bank, quartet, after leaving mr mackenzie, et good morning, midnight). Il s'appuie sur les theories lacaniennes de l'ordre langagier pour faire apparaitre dans ces ecritures feminines des modeles enonciatifs particuliers, fondes sur une pratique de la litterature comme espace de lecture. La figure de la lectrice dans le texte surgit dans ces textes comme le trope revelateur de la nature discursive de la feminite qui s'articule a la sexuation des proces de la signification. Dorothy richardson, katherine mansfield et jean rhys, en textualisant la femme, orientent d'ecriture vers un deficit semantique, et, de diverses manieres, presentent la lecture comme un discours (du) femininThis study explores the field of intersection between text and sexuality, as it proposes to examine the inscription of a feminine subjectivity within the fictional writings of dorothy richardson (pilgrimage), katherine mansfield (the collected short stories), and jean rhys (the left bank, quartet, after leaving mr mackenzie, and good morning, midnight). This analysis of gender takes root in the lacanian theories of the symbolic order of language in order to identify particular enunciative patterns, based on the practice of literature as a reading activity. The figure of the female reader in the text appears in these texts as the narrative locus for the exposition of the discursive nature of feminity and of gender identity, bound up with the sexual implications of signifying processes. By writing feminity into their texts, dorothy richardson, katherine mansfield and jean rhys direct the writing activity toward a semantic loss, and, through diferrent narrative strategies, offer a vision of reading as a feminine form of discourse, as the discourse of the female gender
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Bedouret, Philippe. "Barrès, Maurras et Péguy face au germanisme : 1870-1914." Paris, EPHE, 2005. http://www.theses.fr/2005EPHE4023.
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La période 1870-1914 met en exergue un saisissant contraste négatif d'images entre une Allemagne victorieuse et une France vaincue. L'étude du "germanisme" comme représentation psychologique de ce contraste, permet de déconstruire le lien de causalité qui existe entre celui-ci et la naissance en France du nationalisme "post-Sedan" dominé par Barrès, Maurras et Péguy. Par une approche psychologique le "germanisme" est exploré chez ces trois auteurs du processus au produit, puis il est comparé. Il est possédé par l'angoisse d'une France affaiblie face à une Allemagne caractérisée par la puissance de l'abstraction pour Barrès, la consécration de "l'homme allemand des origines" pour Maurras et la brutalité de la modernité pour Péguy. Si les processus sont hétérogènes et reflètent bien la diversité de ces auteurs, les produits sont plutôt homogènes dans le rejet des valeurs allemandes. Le "germanisme" en entraînant une même réaction psychologique dans un "refus de subir" et une volonté "d'affirmation de soi" pour une "France redéfinie" déclenche, puis régule le nationalisme "post-Sedan". Cette idéologie apparaît alors comme une méthode de conditionnement social de la France, en voulant exercer une action de "renforcement" qui commence prioritairement par l'intérieur. La différence de personnalité de ces auteurs se retrouve aussi dans l'hétérogénéité du nationalisme "post-Sedan", dont le but commun essentiel réside dans cette volonté frénétique et obsessionnelle : "il faut faire la guerre à l'Empire allemand, la gagner, et le dissoudre"The period 1870-1914 highlight a striking negative contrast between images of a victorious Germany and images of a defeated France. The study of “Germanism” as a psychological representation of this contrast allows us to “deconstruct” the causal relation existing between the latter and the birth of the “post-Sedan” nationalism dominated by Barrès, Maurras and Péguy. Through a psychological approach, "Germanism" as seen by these three authors is examined from process to product, then compared. For Barrès, it is dominated by the anguish of weakened France opposed to Germany which is characterised by the power of abstraction; for Mauras, it is dominated by the recognition of the “original German man”; and for Péguy, it is dominated by a brutal modernity. Whereas these processes are heterogeneous and do show the differences between these authors, the products are rather homogeneous in that they all reject the German values. “Germanism”, which results in the same psychological reaction, that is a “refusal to suffer” and a desire for a “self-assertion for a “redefined France”, starts then regulates the “post-Sedan” nationalism. This ideology aiming at carrying out a “strengthening” action that first starts from the inside thus appears as a method of social conditioning of France. The different personalities of these authors can also be found in the heterogeneity of the “post-Sedan” nationalisme, whose main common aim lies in this frenzied and obsessional willingness: “we must wage war against the German empire, win this war and break up the Empire”
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Pfister, Alice. "De l’impression d'enfance à l’expression adulte : l’enfance poétique comme modèle implicite d’une esthétique narrative moderne chez Pierre Loti, Marcel Proust, Colette, Virginia Woolf et Katherine Mansfield." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040188.
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Cette thèse se propose d’explorer les rapports entre enfance et sentiment poétique pour considérer la manière dont l’impression enfantine peut se faire le modèle, en filigrane, d’une esthétique narrative moderne. Un corpus composé de récits de Pierre Loti, Marcel Proust, Colette, Virginia Woolf et Katherine Mansfield permet d’analyser l’inscription fictionnelle de personnages enfants pour montrer la similitude de caractéristiques supposément enfantines et de traits relevant d’une certaine conception du récit moderne, au tournant des XIXe et XXe siècles : le primat de la subjectivité, une pénétration du texte par le sentiment poétique et une esthétique de la discontinuité cristallisant le récit sur des moments privilégiés. L’analyse convoque également des représentations de l’enfant, tant scientifiques que littéraires, du XVIIIe au XXe siècle. Les écrits des premiers psychologues de l’enfance, les textes romantiques mettant en scène des enfants poètes, et l’affirmation baudelairienne qui fait du génie une « enfance retrouvée » sont interrogés pour mettre au jour les conceptions fantasmatiques de l’enfant implicitement activées par les auteurs de ces récits. La croyance et l’imagination proverbiales de l’enfant, la supposée authenticité d’un âge proche des origines, sont autant de projections utopiques que charrie la littérature, et que cautionnent, dans une certaine mesure, les pensées philosophiques et scientifiques jusqu’au premier tiers du XXe siècle. Cette étude sonde les sources et les enjeux de ces représentations pour comprendre ce qui les motive et explorer leurs résonances avec certaines modalités d’écriture, entre poésie, mysticisme et impressionnismeThis thesis explores the relationship between childhood and poetical feeling to consider how childhood impressions can implicitly model a modern narrative aesthetics. A corpus of narratives by Pierre Loti, Marcel Proust, Colette, Virginia Woolf and Katherine Mansfield serves to analyse the fictional inscription of child characters and show the likeness between allegedly childish characteristics and traits related to a certain conception of the modern narrative, at the corner of the 19th and 20th centuries. Among these characteristics : the predominance of subjectivity, a poetical feeling pervading the text, and a discontinuous narrative focusing on moments of being. The analysis summons both literary and scientific representations of the child, from 18th to 20th century. It convokes the theories of the first child-psychologists along with Romantic texts figuring child poets and questions the premise, according to Baudelaire, that genius is based on « childhood recovered ». In doing so it means to shed light on the phantasmatic conceptions of the child implicitly activated by the authors of these narratives. The child’s proverbial imagination and credulity, the presumed authenticity of an age closer to origins are as many utopic projections conveyed by literature and cautioned, to a certain point, by philosophic and scientific thoughts until the first third of the 20th century. This study examines their sources and their stakes to understand what accounts for them and to investigate their resonance with certain writing dimensions, such as poetry, mysticism and impressionism
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Millet, Anne. "Évolution de la cure analytique à travers ses conflits et ses crises : les enjeux d'une bataille." Paris 7, 2008. http://www.theses.fr/2008PA070113.
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Plus de cent ans après son invention, où en est la psychanalyse ? On annonce régulièrement sa crise, voire sa disparition, mais est-ce la psychanalyse en tant que discipline qui se voit menacée ou bien plutôt sa pratique : la méthode thérapeutique forgée par Freud au tournant du 20eme siècle et qui perdure, depuis, sous la forme dite de la « cure type » ? Bien que relativement inchangée, cette méthode a fait l'objet de nombreux conflits dans son Histoire. Conflits violents entre Freud et deux de ses disciples, Rank et Ferenczi, dans les années 20. Conflits passionnels autour de Jacques Lacan et de sa révolution analytique à partir des années 50. A chaque fois, et en filigrane, ce sont les mêmes interrogations qui font retour : le pouvoir de la méthode, son efficacité thérapeutique, les implications du transfert, la finalité de la cure. Autant de thèmes qui traduisent les difficultés techniques et les impasses rencontrées. Autant de failles qui mettent enjeu l'analyste dans sa fonction et dans son rôle. Les débats ont-ils été d'autant plus virulents qu'ils portaient sur cet aspect de la question ? Si les réponses apportées furent différentes selon les époques, le mouvement dans l'ensemble fut celui de la préservation de l'invention. Aux propositions des uns de modifier la technique (Rank, Ferenczi, Viderman, Roustang), a répondu le souci de la communauté de défendre la pureté de la méthode. A quel prix, selon quels enjeux et avec quelles conséquences ?More than a hundred years after its invention, where is psychoanalysis now? Its crisis, even its disappearance, is regularly announced, but is it psychoanalysis as a subject which is threatened, or rather its practice : the therapeutic method forged by Freud at the turn of the 20th century and which bas endured since then, under the form called "the typical cure"? Although relatively unchanged, this method was the source of many conflicts in its history : violent conflicts between Freud and two of his disciples, Rank and Ferenczi, in the twenties, passionate conflicts around Jacques Lacan and his analytic revolution from the fifties. Each time, and implicitly, the same interrogations are back : the power of the method, its efficiency, the implication of the transfer, and the purpose of the cure. So many themes which convey the technical difficulties and the dead ends which were reached. So many flaws which involved the analyst in his/her function and in his/her role. Have the debates been more virulent when concerning this aspect of the question? If the answers have been different according to the times, the global movement has been the preservation of the invention. To the propositions made by some to modify the technique (Rank, Ferenczi, Viderman, Roustang), was answered the concern of the community to stand up for the purity of the method. At what price, depending on which stakes and with which consequences ?
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Dang, Benjamin. "Bouffons des temps modernes : figures de morosophes dans les oeuvres théâtrales d'Alfred Jarry, Michel de Ghelderode, Samuel Beckett, Roland Dubillard & Alain Badiou." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMC013.
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Malgré l’ancienneté du personnage populaire, la notion de bouffon a tardé à entrer dans le vocabulaire critique des études littéraires. Pourtant le bouffon, qui s’appréhende à travers la fonction sociale de critique dont il s’acquitte, peut se définir par le prisme de l’histoire de la folie, qui implique une réflexion anthropologique et sociologique, et de l’histoire du spectacle, à la croisée de la littérature et des arts. Le présent travail élucide donc, à travers leurs représentations au théâtre, les attributs et les fonctions des bouffons du XXe siècle. Le XXe siècle a été choisi comme cadre temporel car ce siècle est marqué par deux transformations majeures. D’une part, il est frappé par ce que Jean-François Mattéi appelle une « crise du sens », phénomène global de mise en péril de la signification et de l’orientation de l’existence dans une ère post-métaphysique. Le bouffon pouvant être considéré comme un vecteur de critique socio-politique et de médiation métaphysique, interroger son insertion dans une telle crise permet de mettre en lumière les aspects saillants de sa définition. D’autre part et concomitamment, le siècle connaît aussi une révolution théâtrale opérée grâce à la libération des codes langagiers, à l’avènement de l’espace dans la théorie et la pratique théâtrales, et à l’exploitation des moyens électriques nouveaux qui promeuvent l’art de la scénographie. En tant qu’outil d’exploration esthétique, la figure du bouffon permet de mettre en lumière les caractéristiques de cette révolution, et vice-versa. Il s’agit donc ici de questionner le réinvestissement moderne de la figure traditionnelle du bouffon comme reflet de la révolution théâtrale et, par conséquent, comme réponse à la crise du sens. Le corpus réunit une sélection parmi les œuvres théâtrales d’Alfred Jarry, Michel de Ghelderode, Samuel Beckett, Roland Dubillard et Alain Badiou. La période s’étend de 1896, année marquée par la création d’Ubu roi, à 2018, date à laquelle le dernier chapitre de la saga d’Ahmed est proposé à la scène. L’étude repose majoritairement sur l’étude de texte en s’appuyant au maximum sur la réalisation scénique, par l’entremise de témoignages ou d’articles de presse. La première partie est consacrée à un parcours historique du bouffon depuis l’Antiquité afin de mieux mettre en perspective sa modernité dans la deuxième partie, où il fait l’objet d’une typologie. On y voit alors que les bouffons modernes se réapproprient toutes les traditions dans un grand syncrétisme. La troisième partie met l’accent sur les spécificités modernes dans l’inventivité langagière, dans l’exploitation du comique burlesque et dans la promotion d’un humour empreint de tragique. La dernière partie peut alors clarifier les réponses socio-politiques, métaphysiques et théâtrales apportées par ces bouffons qui accèdent au titre de « morosophes », c’est-à-dire de « fous sages »Even if jesters are very popular characters, the very concept barely exists in critical vocabulary. Jesters, which play an important role in every society, can be defined throughout the history of madness, implicating a sociological and anthropological approach, as well as throughout the history of theater, located at the cross-section of arts and literature. This research sheds light on the characteristics and functions of jesters in the 20th century. The 20th century was a post-metaphysical age marked by two significant transformations. First, a “crisis of purpose” defined by Jean-François Mattéi as a loss of meaning in life. Since jesters invite us into a socio-political and a metaphysical critique, it only makes sense to question their role in that matter. Secondly, the 20th century was home to a revolution in drama, seen through linguistic experimentations, the introduction of space in theatrical theory and practice, and the exploitation of new electrical technologies that advanced the art of scenography. As natural explorers of new aesthetic forms, jesters had a great role to play in this revolution. This research questions the use of jesters in the modern times, showing how they echo the dramatic revolution, and therefore help society to overcome the crisis of purpose. The corpus is a selection of theatrical works from Alfred Jarry, Michel de Ghelderode, Samuel Beckett, Roland Dubillard and Alain Badiou. The period of investigation stretches from 1896, the year in which Alfred Jarry’s Ubu Roi premiered, to 2018, marked by the debut of the final segment of Alain Badiou’s saga Ahmed. This study is primarily based on textual analysis, relying heavily on stage performances documented through interviews and press articles. The first section deals with the history of jesters, from Antiquity to the beginning of the 20th century, in order to understand their role in modernity, in contrast. It allows us, in the second part, to show how jesters reappropriated symbolic attributes in modern times, under the form of a typology. The third part returns to the fundamentals of madness, insisting on linguistic creativity and on a complex form of humour, a mix of burlesque and tragic effects. Only with this understanding of jesters can we begin to uncover how they came to be named “morosophs”, meaning “wise fools”, and how they can provide solutions to the crises of modern times
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Gu, Ting-Shiuan, and 古庭瑄. "George Leslie Mackay''s Establishment of the Kap-Tsu-Lan Churches and the Reasons for their Quantity Change(1873-1923)." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/91842286064887618243.
Full textAbstract:
碩士淡江大學
歷史學系碩士班
98
Because of Christ’s command ─“ Go into all the world and preach the good news to all creation”, George Leslie Mackay went to Northern Taiwan in the late nineteenth century. In 1873, Mackay began to preach the gospel in Kap-tsu-lan. During 1882~1900, a large amount of Kavalans turned to believe in Jesus Christ. Evangelical missions in Northern Taiwan was very successful. But, after Mackay passed away, Kavalan churches began to fade away. The purpose of this study is to understand Kavalans’ life in the Christian faith and the historical context that they were in and explore the reasons for the decline in the number of churches in Kap-tsu-lan. Findings of this study are summarized as follows： According to statistics, Mackay’s missions in Kavalan can be divided into three periods：They are Dissemination (1873~1882), Increase (1883~1894), and Decline (1895~1900, end in 1923) periods. During these periods, Mackay set up at least 24 churches, and led 2,500 people to Christ. However, since 1895, the number of Kavalan Church gradually decreased. By 1900, it was reduced to 20~22 churches, and continued to reduce and finally disappeared in 1923. . Reasons for the decline of the Kavalan churches are, first, Kavalans’ massive and fast conversion to the Christ made a large number of followers in need of care. Because of Mackay didn’t want to dispatch foreign missionaries, there were not sufficient co-workers for Mackay. It made him busy running around all over Northern Taiwan, and he was too busy to train them. Since Mackay didn’t stay in Kap-tsu-lan for a long period, training and education usually were assumed by local preachers from Taiwan. However, they also lacked the capacity to take care of the Kavalan Christians. On average, per local preacher needed to educate at least one hundred believers. As a result, the believers did not develop strong foundations in faith. Second, the environment in the 19th century for the Kavalan was too fluctuating for churches to develop stably. Because the protective policies of the land that the Qing Dynasty (Manching government) set for the Kavalan have no real protective effect, Kavalans started to move toward Sanxing and Hualien areas from 1840 to 1850. In 1895, the Manching government ceded Taiwan to Japan expedited the change of the Kavalan society. After Taiwanese armed uprisings, natural disasters, and the reformation of land investigation, the economic environment became harsher for Kavalans, there were more and more people moving away from Kap-tsu-lan. The Kavalan churches set by Mackay then became ruins. After Mackay passed away, Presbyterian church leaders decided to set up churches in the Han society. As a result, the Kavalan churches gradually disappeared. The Kavalan Christians were not steeped in their faith. After moving into the Han society, their church-going activity was irregular, and many were married to non-believers which affect their belief. As a consequence, the Kavalan churches disappeared.
Books on the topic "1873-1923"
1
Critchley, Georgette. Baptêmes, 1873 à 1923, Saint-François-du-Lac. Québec?: s.n., 2002.
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2
Virk, D. S. Indian postal history, 1873-1923: Gleanings from post office records. New Delhi: Army Postal Service Association, 1991.
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3
Allan, John. The story of the Rangers: Fifty years of football, 1873-1923. Westcliff-on-Sea: Desert Island Books, 1996.
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4
Hnati͡uk, V. M. Naukove tovarystvo imeny Shevchenka: Z nahody 50-litti︠a︡ ĭoho zasnovanni︠a︡ (1873-1923). Lʹviv: Nakl. Naukovoho t-va im. Shevchenka, 1985.
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5
Busino, Giovanni. L' Italia di Vilfredo Pareto: Economia e società in un carteggio del 1873-1923. Milano: Banca commerciale italiana, 1989.
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6
Coal men and coal towns: Development of the smokeless coalfields of southern West Virginia, 1873-1923. New York: Garland, 1989.
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López, Manuel-Carlos Palomeque. Derecho del trabajo e ideología: Medio siglo de formación ideológica del Derecho español del trabajo (1873-1923). 3rd ed. Madrid: Tecnos, 1987.
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López, Manuel-Carlos Palomeque. Direito do trabalho e ideologia: Meio século de formação ideológica do direito do trabalho espanhol, 1873-1923. Coimbra: Almedina, 2001.
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Rebellion in the borderlands: Anarchism and the Plan of San Diego, 1904-1923. Norman: University of Oklahoma Press, 1992.
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Modernist short fiction by women: The liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Burlington, VT: Ashgate, 2011.
Find full textBook chapters on the topic "1873-1923"
1
Walter, Franz. "1873 – 1923 – 1973." In Zäsuren, 35–55. Göttingen: Vandenhoeck & Ruprecht, 2018. http://dx.doi.org/10.13109/9783666310676.35.
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Boscaro, Adriana. "Japanese Teachers at the Royal School of Commerce (1873-1923)." In 150 Years of Oriental Studies at Ca’ Foscari. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-252-9/016.
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Only five years after the Royal Superior School of Commerce (the present Ca’ Foscari University) was founded in 1868, the School introduced, for the first time in Italy, Japanese language courses taught by native speakers. The classes started in 1873 and continued until 1888, and were again part of the curriculum from 1909 to 1923. In those years a little number of very active Japanese teachers (interprets, linguists, sculptors and painters) contributed to shaping the education in Japanese of Italian students, who in turn went on to direct Japanese instruction in Italy. Their guiding spirit was Guglielmo Berchet, a tireless promoter of Italo-Japanese relations.
Conference papers on the topic "1873-1923"
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"The Three-Hundred-Year Demographic History of Ekaterinburg: Sources and Historiography." In XII Ural Demographic Forum “Paradigms and models of demographic development”. Institute of Economics of the Ural Branch of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.17059/udf-2021-1-12.
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The paper presents the results of the historical study of the population formation in Ekaterinburg over a 300-year period. Historical sources and the process of accumulating knowledge about the number of city residents were examined. Analysis of population data revealed that the process of collecting demographic information on Russia (and, accordingly, on Ekaterinburg) took a century and a half (from the 18th century until almost the 1870s). The role of the head of the Ekaterinburg mining plants, academician I. F. Herman, in the development of population tables is shown. Since 1873, when the first one-day census of the city’s population was conducted, and then 1887, statistical and demographic information has become representative. The main source for examining the population formation of the city were the censuses of 1897, 1920, 1923, 1926, 1931, 1937, 1939, 1959, 1979, 1989, 2002, 2010, as well as the current population records. A brief review of historical literature showed that the study of the population of Ekaterinburg is in its infancy.