Relevant bibliographies by topics / 1873-1939

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic '1873-1939'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "1873-1939"

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Cześniak-Zielińska, Magdalena. "Artyści żydowscy w Krakowie 1873-1939 (Katalog wystawy), opr. Natasza Styrna, Muzeum Historyczne Miasta Krakowa, Kraków 2008, ss. 248." Facta Simonidis 3, no. 1 (December 31, 2010): 289–95. http://dx.doi.org/10.56583/fs.292.

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Delgado-Blas, Víctor Hugo. "Partial revision of Scolelepis (Polychaeta: Spionidae) from the Grand Caribbean Region, with the description of two new species and a key to species recorded in the area." Contributions to Zoology 75, no. 01-02 (2006): 75–97. http://dx.doi.org/10.1163/18759866-0750102003.

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Five Scolelepisspecies from the Gulf of Mexico and Western Atlantic Ocean are reported and certain species previously synonymized with Scolelepis(S.) squamataare revised. Four species are reinstated: S.(S.) goodbodyi(Jones, 1962), S.(S.) minuta(Treadwell, 1939), S.(S.) acuta(Treadwell, 1914), and S.(S.) agilis(Verrill, 1873); and two are described as new: S.(S.) lightin. sp., and S.(S.) vossaen. sp. Scolelepis(Scolelepis) goodbodyi(Jones, 1962) n. comb., S.(S.) minuta(Treadwell, 1939) n. comb., S.(S.) acuta(Treadwell, 1914), and S.(S.) agilis(Verrill, 1873) are removed from synonymy with S.(S.) squamataMüller, 1806. The record of Scolelepis(P.) texanaFoster, 1971 from the Grand Caribbean region is confirmed. A key to all Scolelepisspecies from the Grand Caribbean is provided.
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Онищенко, Анастасія. "СТАНОВЛЕННЯ НАУКОВОГО СВІТОГЛЯДУ ПРОФЕСОРА ІРИНАРХА ЩОГОЛЕВА (1873–1939)." KELM (Knowledge, Education, Law, Management) 2, no. 8 (July 13, 2021): 77–81. http://dx.doi.org/10.51647/kelm.2020.8.2.12.

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Історична розвідка присвячена вивченню чинників, що вплинули на формування особистості, кола наукових інтересів видатного вченого, педагога та організатора сільськогосподарської дослідної справи в Україні професора Іринарха Щоголева. Джерельна база дослідження охоплює широке коло опублікованих і неопубліко- ваних матеріалів, її основу складають раніше недоступні архівні документи та наукові праці вченого. Вперше оприлюднено подробиці особистого життя вченого. Поглиблено й доповнено біографічні відомості, пов’язані з роками навчання у середніх і вищих навчальних закладів. Доведено пріоритет ученого в становлення теорети- ко-методологічних основ української ентомологічної науки, розроблення термінологічної справи, розгортання просвітницького руху на початку ХХ століття. Висвітлено активну громадську позицію І. Щоголева. Досліджено перші кроки на науковій стезі і перші вагомі здобутки.
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Wargacki, Stanisław A. "Hoffmann, Henryk: Dzieje polskich badan religioznawczych 1873-1939." Anthropos 102, no. 1 (2007): 269–70. http://dx.doi.org/10.5771/0257-9774-2007-1-269.

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Silva, Fernando A. B., and François Génier. "A new Peruvian species of Scybalocanthon Martínez, 1948 (Coleoptera, Scarabaeidae, Scarabaeinae, Deltochilini) and some remarkable intrapopulational variation in the endophallus of S. pinopterus (Kirsch, 1873)." ZooKeys 884 (October 30, 2019): 69–80. http://dx.doi.org/10.3897/zookeys.884.39322.

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Scybalocanthon asheisp. nov. from Madre de Dios, Peru, is described based on differences in external and male genital morphology. Its diagnostic characters and an updated identification key to the species of the genus are provided as well as new distributional data for the following species: S. acrianus Silva & Valois, 2019, S. aereus (Schmidt, 1922), S. kaestneri (Balthasar, 1939) and S. pinopterus (Kirsch, 1873).
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WANG, LONG, CHEN REN, and QIN-ER YANG. "Ligularia phoenicochaeta (Franchet) Liu (1987) is a later isonym of L. phoenicochaeta (Franchet) Handel-Mazzetti (1925)." Phytotaxa 297, no. 3 (March 1, 2017): 287. http://dx.doi.org/10.11646/phytotaxa.297.3.9.

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Senecio phoenicochaetus Franchet (1892: 295; “phaenicochaetus”) was described on the basis of two collections, J.M. Delavay 2191 (P) and J.M. Delavay 2473 (A, K, P), from Lijiang, northwestern Yunnan, China. It was recognized as a distinct species either in Cremanthodium Bentham (1873: 37) (Good 1929, Handel-Mazzetti 1936, Hu 1966, Wu 1984, Min 2014) or in Ligularia Cassini (1816: 198) (Handel-Mazzetti 1925, Liu 1987, 1989, Chen & Li 1994, Liu & Illarionova 2011) by all the later authors but Kitamura (1939), who treated it as Senecillis phoenicochaeta (Franchet) Kitamura (1939: 87; “phaenicochaeta”). Senecillis Gaertner (1791: 453), however, was later sunk as a section of Ligularia, i.e. L. sect. Senecillis (Gaertner) Kitamura (1942: 187).
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Greasley, David, and Les Oxley. "REFRIGERATION AND DISTRIBUTION: NEW ZEALAND LAND PRICES AND REAL WAGES 1873-1939." Australian Economic History Review 45, no. 1 (March 2005): 23–44. http://dx.doi.org/10.1111/j.1467-8446.2005.00126.x.

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Arriaga-Jiménez, Alfonsina, Fernando Escobar-Hernández, Matthias Rös, and Bert Kohlmann. "The establishment of the Onthophagus anthracinus (Coleoptera: Scarabaeidae) species complex and the description of a new species." Canadian Entomologist 152, no. 1 (December 16, 2019): 1–17. http://dx.doi.org/10.4039/tce.2019.62.

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AbstractThe Onthophagus anthracinus Harold, 1873 (Coleoptera: Scarabaeidae: Scarabaeinae: Onthophagini) species complex of the Onthophagus landolti Harold, 1880 species group is established and analysed. A new species, O. etlaensis, is described from this group. Onthophagus mextexus Howden and Cartwright, 1970 is considered a valid species and O. knulli Howden and Cartwright, 1963 is placed in synonymy with O. durangoensis Balthasar, 1939 new synonymy. A key for the O. anthracinus species complex is presented along with photographs and illustrations of the main taxonomic differences. An update of the O. landolti species group is presented.
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Ćurčić, Božidar P. M., George O. Poinar, and Serban M. Sarbu. "New and little-known species of Chthoniidae and Neobisiidae (Pseudoscorpiones, Arachnida) from the Movile Cave in southern Dobrogea, Romania." Bijdragen tot de Dierkunde 63, no. 4 (1993): 221–41. http://dx.doi.org/10.1163/26660644-06304002.

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Two species of Roncus L. Koch, 1873 (Neobisiidae), new to science (R. ciobanmos n. sp. and R. dragobeten. sp.), and one species of Neobisium Chamberlin, 1930 [N. (N). biharicum Beier, 1939], collected in the Movile Cave, southern Dobrogea, Romania, have been described, diagnostic characters illustrated, and their geographic distribution analyzed. In addition, the description of Chthonius (Chthonius) monicae Boghean, 1989 (Chthoniidae), otherwise known only from two females, has been amended. The possible relationships of these species are discussed in view of the importance of some diagnostic characters and of the evolution of their cave habitat.
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Lays Silva Santos e Rafael R. de Almeida, Roberto Sávio Rosa, Gianluca Cuozzo,. "Quando a embarcação do Novo Colombo encostou às margens do São Francisco: Wilson Lins e a recepção de Nietzsche no sertão baiano." Dramaturgias, no. 10 (May 30, 2019): 382–403. http://dx.doi.org/10.26512/dramaturgias.v0i10.24938.

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O texto se caracteriza como contribuição à história da filosofia no Brasil e tem como objetivo geral analisar a obra de Wilson Lins, considerando-a de fundamental importância para os estudos referentes à recepção das ideias de Nietzsche no Brasil, a partir da Bahia. A metodologia de investigação se caracteriza como do tipo bibliográfica e conceitual. Em linhas gerais apresenta um estudo a respeito da produção filosófica de Nietzsche considerando o pe- ríodo compreendido entre os anos de 1869 a 1873 e, no que diz respeito à recepção e compreensão hodierna dos conceitos em território brasileiro investiga a produção visionária de Wilson Lins de 1939 a 1959, a partir de dois escritos: (1) Zaratustra me contou... (1939), que permite associar e fixar os desdobramentos dos estudos em filosofia, literatura, antropologia e arte; (2) 12 Ensaios de Nietzsche (1945), escritos relacionados à estética do pensador alemão.
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Dissertations / Theses on the topic "1873-1939"

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Dahab, Farida Elizabeth. "Ford Madox Ford (1873-1939) et la France." Paris 4, 1987. http://www.theses.fr/1987PA040456.

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Le but de cette thèse est d'étudier Ford Madox Ford, né Hueffer, romancier anglais, dans les rapports multiples qu'il entretint avec la France. Ce travail se constitue de deux parties : dans la première partie - elle consiste en quatre chapitres -, nous étudions la revue internationale que Ford fonda et édita à Paris en 1924. Cette revue s'intitule la revue translatlantique (janvier 1924-decembre 1924). Conçue dans le but de promouvoir l'internationalisme dans les lettres, elle contient des publications françaises, anglaises et américaines. Dans la deuxième partie de ce travail (3 chapitres), nous étudions "Ford et la provence" : la présence de cette dernière dans le meilleur roman de Ford, The Good Soldier (1915), l'image que Ford se faisait de la Provence avant son expatriation (1922) et après y avoir vécu (entre 1922 et 1939), et la place qu'occupe la Provence dans le cadre de la vision de Ford du monde contemporain
The aim of this thesis is to study Ford Madox Ford, né Hueffer, in his various relations with France where he exiled himself since 1922 until the day of his death. The first part of this study (4 chapters) consists of an attempt to study the international review Ford founded and edited in Paris in 1924. The aim of this review which lasted 12 months, was to promote internationalism in the world of letters. Entitled the transatlantic review, it published french, english and american writers at a time where there was a large number of american expatriates in Paris. In the second part of this work, we investigate Ford's relations with Provence, this part of France where he lived for long stretches of time. It consists of three chapters, the first one of which is an analysis of the presence of Provence in Ford's best novel. The good soldier (1915). Follows a study of the type of vision Ford had of this part of France, as well as an analytical study of the place of Provence in the larger context of ford's vision of the world in which he lived
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Dahab-Maguire, Farida Elizabeth. "Ford Madox Ford (1873-1939) et la France." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376041687.

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Dahab-Maguire, Farida Elizabeth. "Ford Madox Ford (1873-1939) et la France." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37607599b.

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Botes, Hendrik Jacobus. "Ds. L.E. Brandt (1873 - 1939) as kerklike leier en bouer." Thesis, University of Pretoria, 1989. http://hdl.handle.net/2263/65108.

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Afrikaans: Louis Ernst Brandt wat op 21 Oktober 1873 te Zoeterwoude in Nederland gebore is, het tussen 1904 en 1939 'n groat bydrae tot die Suid-Afrikaanse kerklike en openbare lewe gemaak. Hy het onder besonder bevoorregte omstandighede in Velp groat geword, waar sy vader die amp van burgemeester beklee het. Sy skoolopleiding ontvang hy tuis en aan die Stedelike Gimnasium van Arnhem. Vanaf 1893 tot 1898 studeer hy teologie aan die Universiteit van Utrecht, waar hy in aanraking kom met 'n teologie wat grootliks deur die Nederlandse etiese rigting van die negentiende eeu bepaal is. Prof J J P Valeton jr ( 1848 - 1912) was een van sy vernaamste mentors. Brandt was 'n eminente student wat veral op kulturele en sportgebied uitstaande prestasies gelewer het. Na voltooiing van sy universit~re studie word hy die eerste voltydse sekretaris van die NCSV waarvan hy 'n leidinggewende stigterslid was. Vanaf 1900 tot 1903 is hy predikant van die Nederlandse Hervormde Kerk, gemeente Niezijl. Op 28 Augustus 1902, tree hy in die huwelik met Johanna van Warmelo van Transvaal, 'n gevierde Afrikaner-heldin gedurende die Engelse Oorlog van 1899 - 1902. In 1904 verhuis die gesin na Transvaal waar Brandt agtereenvolgens Nederduitsch in die volgende gemeentes van die Hervormde Kerk van Afrika dien:- Zoutpansberg/Waterberg, Johannesburg, Vereeniging/Heilbron en Kensington/Turffontein. Sy bydrae wat hy gelewer het tot opbou van die Kerk na die ontwrigting van die oorlog en die bewo~ twintiger en dertiger jare wat daarop gevolg het, kan nie te hoog waardeer word nie. Afgesien van talle kerklike kommissies waarop hy gedien het, was hy vir 21 jaar voorsitter van die Algemene Kerkvergadering. Die vernaamste vrugte van sy ewewigtige leierskap was die vestiging van 'n deeglike kerklike infrastruktuur, die teologiese fakul tei t aan UP en sendingwerk onder die heidene. Hy vereenselwig hom volkome met Afrikaner-nasionalisme. Onvermoeid bevorder hy die ideaal op die terrein van die onderwys, kul tuur en ekonomiese opheffing. Hy beywer hom doelbewus vir die verbetering van tussen-kerklike betrekkinge en speel in die verband 'n beduidende rol. Op 23 Junie 1939 sterf hy op 66-jarige ouderdom.
English: Louis Ernst Brandt who was born at Zoeterwoude in the Netherlands on October 21, 1873, made noteworthy contributions between 1904 and 1939 in Church and public life in South Africa. He was brought up under very favourable circumstances in Velp where his father was mayor. He received his schooling at home and at the City Gymnasium of Arnhem. From 1893 to 1898 he studied theology at the University of Utrecht where he carne into contact with a theology which was mainly determined by the Netherlands Ethical direction of the nineteenth century. Prof. J J P Valeton jr (1848 - 1912) was one of his most important mentors. Brandt was an eminent student who produced outstanding performances especially in the cultural and sports areas. After completion of his University studies he became the first full-time secretary of the NCSV - an organisation of which he was a founder member. From 1900 to 1903 he was minister of the Netherlands Reformed Church in the parish of Niezijl. On August 28, 1902 he married Johanna van Warmelo of Transvaal, a famous Afrikaner heroine during the English war of 1899 to 1902. During 1904 the family moved to the Tra~svaal where Brandt consecutively served the Nederduitsch Hervormde Kerk in the following parishes: Zoutpansberg/Waterberg, Johannesburg, Vereeniging/Heilbron, Kensington/Turffontein. His contribution to the restructure of the church after the disruption of the war and the miserable twenties and thirties which followed, cannot be overestimated. Apart from his service on numerous Church Commissions he was chairman of the General Assembly for 21 years. The most important fruits of his well-balanced leadership were the founding of a thorough church infrastructure,the theological faculty at Pretoria University and mission work amongst the heathen. He identified himself completely with Afrikaner nationalism. Tirelessly he furthered this ideal in the fields of education, culture and economic upliftment. He purposely did his best to improve inter-church relations.
Thesis (DDiv)--University of Pretoria, 1989.
Church History and Church Policy
DDiv
Unrestricted
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Jones, Gwenyth Ann. "Urban narratives in Hungarian literature : the prose fiction of Budapest, 1873-1939." Thesis, University College London (University of London), 2006. http://discovery.ucl.ac.uk/1445705/.

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This thesis examines ways in which Hungarian writers depicted their capital city, Budapest, in the years between the creation of Budapest in 1873 and the beginning of the Second World War in 1939, and discusses ways in which these literary representations of the city contributed to wider constructions of identity and difference. During this period, at the same time as Hungarian society became increasingly dominated by its rapidly expanding capital city, it also became more receptive to anti-urban sentiments. The late nineteenth-century explosion in population and publishing created a substantial body of new writing. Budapest came to represent everything that was new, and formed the context for broader discussions of morality, belonging, assimilation, race, and the nature and purpose of art. A thematic approach traces the development of urban narratives and tropes over time, and in each chapter, I discuss a number of works in social and literary- historical context. My argument is that Hungarian authors, despite their best efforts, failed to write the city in convincingly simplistic terms: the greater the urge to impose a form of logic or an ideology on the city, the less successful its realisation.
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Bernot, Marine. "Ford Madox Ford (1873-1939) en quête d'identité : chroniques et vagabondages impressionnistes." Electronic Thesis or Diss., Toulon, 2017. http://www.theses.fr/2017TOUL3001.

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Madox Ford est une des grandes figures, non seulement de la littérature d’expressionanglaise, mais de la vie culturelle et artistique d’Europe occidentale dans le premier tiersdu XXe siècle. Il est très lié à Henry James et à Conrad (avec qui il écrit trois romans),joue un rôle de premier plan comme éditeur et contribue au développement del’impressionnisme littéraire et à l’instauration du « modernisme ». Cosmopolite par sesantécédents (anglais, allemand, français), grand voyageur partagé entre l’Angleterre, lesEtats-Unis et la France (surtout la Provence, sa terre d’élection et Toulon), Ford estl’auteur d’une oeuvre considérable qui compte plus de 80 ouvrages. Marine Bernot achoisi d’analyser plus particulièrement une dizaine de récits de souvenirs de toutes sorteset deux récits de voyage qu’il publie de 1904 à 1937. On y découvre toute une époque, unécrivain original et une personnalité d’une rare complexité – politiquement avancé,féministe et libertaire, écologiste avant la lettre, quelque peu visionnaire, un homme quiparle aux gens d’aujourd’hui
Ford Madox Ford is one of the most important figures, not only of English literature butof the Western European cultural and artistic world of the twentieth century. Closelyconnected with Henry James and Joseph Conrad (with whom he wrote three novels incollaboration), Ford played a vital role as editor, contributor to literary impression and aspioneer of “modernism”. Cosmopolitan by birth (English, German, French), this tirelessvoyager, torn between England, the United States and France (especially Provence, hischosen domain and Toulon), Ford is the author of a voluminous sum of publicationsmade up of more than 80 books and other items. The author of this thesis, Marine Bernot,has chosen to concentrate on a dozen or so memoirs covering the years going from 1904to 1937, focusing particularly on two travel ‘novels’, Provence and The Great TradeRoute. These works, which give an original insight into the first half of the twentiethcentury, introduce the reader to an original and complex personality – politicallyadvanced, feminist, non-conformist, ecologist ahead of his times, visionary –, a man inharmony with contemporary preoccupations
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Bernot, Marine. "Ford Madox Ford (1873-1939) en quête d'identité : chroniques et vagabondages impressionnistes." Thesis, Toulon, 2017. http://www.theses.fr/2017TOUL3001.

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Madox Ford est une des grandes figures, non seulement de la littérature d’expressionanglaise, mais de la vie culturelle et artistique d’Europe occidentale dans le premier tiersdu XXe siècle. Il est très lié à Henry James et à Conrad (avec qui il écrit trois romans),joue un rôle de premier plan comme éditeur et contribue au développement del’impressionnisme littéraire et à l’instauration du « modernisme ». Cosmopolite par sesantécédents (anglais, allemand, français), grand voyageur partagé entre l’Angleterre, lesEtats-Unis et la France (surtout la Provence, sa terre d’élection et Toulon), Ford estl’auteur d’une oeuvre considérable qui compte plus de 80 ouvrages. Marine Bernot achoisi d’analyser plus particulièrement une dizaine de récits de souvenirs de toutes sorteset deux récits de voyage qu’il publie de 1904 à 1937. On y découvre toute une époque, unécrivain original et une personnalité d’une rare complexité – politiquement avancé,féministe et libertaire, écologiste avant la lettre, quelque peu visionnaire, un homme quiparle aux gens d’aujourd’hui
Ford Madox Ford is one of the most important figures, not only of English literature butof the Western European cultural and artistic world of the twentieth century. Closelyconnected with Henry James and Joseph Conrad (with whom he wrote three novels incollaboration), Ford played a vital role as editor, contributor to literary impression and aspioneer of “modernism”. Cosmopolitan by birth (English, German, French), this tirelessvoyager, torn between England, the United States and France (especially Provence, hischosen domain and Toulon), Ford is the author of a voluminous sum of publicationsmade up of more than 80 books and other items. The author of this thesis, Marine Bernot,has chosen to concentrate on a dozen or so memoirs covering the years going from 1904to 1937, focusing particularly on two travel ‘novels’, Provence and The Great TradeRoute. These works, which give an original insight into the first half of the twentiethcentury, introduce the reader to an original and complex personality – politicallyadvanced, feminist, non-conformist, ecologist ahead of his times, visionary –, a man inharmony with contemporary preoccupations
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Lemarchal, Dominique. "Contribution a une redecouverte de l'oeuvre de ford madox ford (1873-1939) : les ecrits autobiographiques." Paris 4, 1987. http://www.theses.fr/1986PA040272.

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Sous le pseudonyme de ford madox ford se cache un ecrivain anglais meconnu de ses compatriotes bien que son oeuvre ne compte pas moins de quatre vingt volumes publies, romans, poemes, essais, critique, journalisme et autobiographie. L'oeuvre romanesque de ford que dominent deux chefs d'oeuvre: the good soldier (1915) et parade's end (1928) a suscite un vif interet aux etats unis sans pour autant troubler l'indifference des anglais a l'egard d'un auteur en qui ils ne voient generalement que le collaborateur de conrad. Les ecrits autobiographiques revelent un homme las de la reserve pronee outre-manche qui etabli en provence dans les annees vingt choisit la lumiere et la volubilite meridionales. L'etude de ces ecrits dans leur integralite - alors qu'en angleterre seuls de courts extraits en sont disponibles - permet de mieux cerner les causes des reticences de la critique anglaise envers ce chantre du sud
Though they usually acknowledge that such novels as the good soldier (1915) and parade's end (1928) are masterpieces, the british have chosen to see in ford madox ford not a master, but a writer whose main claim to glory is that he was, at one time, conrad's collaborator. Over half a century, from 1891 until the year of his death, 1939, he published over eighty books, novels, essays, poetry, criticism and autobiographies. The study of his autobiographies - of which the english reader can only read excerpts - throws some light on ford's long standing alienation from any genuine critical appraisal in his own country
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Photinos, Christie. "Villainous vagrants, hard-travelin' hoboes, and sisters of the road : the figure of the tramp in American literature, 1873-1939 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9984303.

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Becquet, Alexandra. "Ford Madox Ford et les arts : peinture, musique et arts du spectacle dans l'oeuvre romanesque." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030166.

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Ford Madox Ford est un écrivain impressionniste qui se veut historien de son temps et paraît représenter la vie moderne grâce à un texte envisagé à partir du visuel pour faire voir. Il encourage ainsi le rapprochement de son écriture avec l’art des peintres français du XIXème siècle, mais il engage dans ses récits une multitude d’arts et d’esthétiques afin de produire son impression suivant sa pensée originale et singulière. Celle-ci soutient l’accumulation et l’association artistiques mises en œuvre dans les romans en brisant les cadres esthétiques établis pour fusionner arts et esthétiques dans une forme qui s’adapte au réel afin d’en structurer l’informe et de le révéler pour en offrir une expérience au lecteur. Soumis au pictural et au théâtral pour se donner à voir dans des tableaux et des scènes, le récit dévoile en fait comment la modernité résiste à l’illusion mimétique. Peinture et théâtre figurent donc non le visible mais sa perte, et les romans sont poussés par leur objet à la dé-figuration proprement moderne que l’esthétique fordienne promeut et que le cinéma porte. Celui-ci donne alors accès à la vision d’un monde fragmenté et en mouvement par sa totalisation dans la métamorphose continue du filmique, qui en outre invite l’identification visuelle. Mais le cinématographique n’ouvre pas à la totalisation du roman, ni à ce dialogue que l’auteur entend engager avec son lecteur sym-pathique pour lui transférer son œuvre. Ce transfert se fait bien par le texte et sa structure mais en définitive hors de la figuration, grâce à la musique du roman qui à la fois gouverne, rassemble et abolit la représentation, les arts et le texte pour faire com-prendre l’œuvre
Ford Madox Ford is an impressionist writer who purports to be a historian of his own time and seems to represent modern life in a text conceived visually to make you see. He thus encourages a parallel between his writing and the nineteenth-century French painters’ art to be drawn ; yet he draws on a vast array of arts and aesthetics in his narratives to forge his impression according to his original and singular conception of art. That conception supports the artistic accumulation and association exercised in the novels while it shatters established aesthetic frameworks to merge arts and aesthetics in a form which adapts to reality to structure its formlessness and reveals it to offer an experience of it to the reader. In obeying pictorial and theatrical norms to be seen as pictures or in scenes, the narrative in fact discloses how modernity resists mimetic illusion. So painting and the theatre do not represent visibility but its loss, and the novels are forced by their object to embrace a thoroughly modern de-figuration which Fordian aesthetics endorses and the cinema realises. The latter then grants access to the vision of a fragmented and moving world totalled by the continuous metamorphosis of film, which besides encourages visual identification. However the cinema does not lead to the totalisation of the novel, nor to the dialog which the writer intends to have with his sympathetic reader in order to transfer his artwork onto him. That transfer does happen by means of the text and its structure but ultimately without figuration, through the music of the novel which at once governs, unites and abolishes representation, the arts and the text so the artwork be com-prehended
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Books on the topic "1873-1939"

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Moser, Carl. Carl Moser, 1873-1939. Pont-Aven: Musée de Pont-Aven, 1995.

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Kirschl, Wilfried. Carl Moser, 1873-1939. Innsbruck: Haymon, 1989.

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Hoffmann, Henryk. Dzieje polskich badań religioznawczych 1873-1939. Kraków: Wydawn. Uniwersytetu Jagiellońskiego, 2004.

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Hoffmann, Henryk. Dzieje polskich badan religioznawczych 1873-1939. Krakow: Wydawnictwo Uniwersytetu Jagiellonskiego, 2004.

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Styrna, Natasza. Artyści żydowscy w Krakowie 1873-1939: Katalog wystawy = Jewish artists in Kraków 1873-1939 : exhibition catalogue. Kraków: Muzeum Historyczne Miasta Krakowa, 2008.

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Goldschmidt, Moses. Mein Leben als Jude in Deutschland, 1873-1939. Hamburg: Ellert & Richter, 2004.

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Cunningham, Jo. Homer Laughlin china: A giant among dishes, 1873-1939. Atglen, PA: Schiffer Pub., 1998.

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Wolny, Konstanty. Polityk przyjaciel autorytet: Rzecz o Wojciechu Korfantym (1873-1939). Katowice: "Śląsk" Sp. z o. o. Wydawn. Naukowe, 2012.

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Llera, Luis de. Entre repúblicas (1873-1939): Doce ensayos de historia intelectual. Madrid: Ediciones 19, 2022.

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Mizener, Arthur. The saddest story: A biography of Ford Madox Ford. New York: Carroll & Graf, 1985.

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Book chapters on the topic "1873-1939"

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Rasmussen, P. Nørregaard. "Warming, Jens (1873–1939)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1482-1.

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Nørregaard Rasmussen, P. "Warming, Jens (1873–1939)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1482-2.

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Nørregaard Rasmussen, P. "Warming, Jens (1873–1939)." In The New Palgrave Dictionary of Economics, 14503–4. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1482.

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McEwan, Neil. "Ford Madox Ford 1873–1939." In The Twentieth Century (1900–present), 185–93. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_14.

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Majewski, Tomasz. "WACŁAW BAEHR 1873–1939." In Portrety Uczonych. Profesorowie Uniwersytetu Warszawskiego 1915−1945, A−Ł. Warsaw University Press, 2016. http://dx.doi.org/10.31338/uw.9788323523376.pp.36-39.

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Winnicott, Donald W. "Review: Letters of Sigmund Freud, 1873–1939." In The Collected Works of D. W. Winnicott, 367–70. Oxford University Press, 2016. http://dx.doi.org/10.1093/med:psych/9780190271381.003.0061.

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Morey, Elsie Darrah, and Paul C. Lyons. "Adolf Carl Noé (1873–1939): Pioneer in North American coal-ball studies." In Historical Perspective of Early Twentieth Century Carboniferous Paleobotany in North America. Geological Society of America, 1995. http://dx.doi.org/10.1130/mem185-p175.

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Brogan, Una. "Moving Forward: Space, Time and the Bicycle." In The Alternative Modernity of the Bicycle in British and French Literature, 1880-1920, 203–48. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474488600.003.0005.

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The final chapter builds on the phenomenological findings of Chapter 3 in order to examine the cyclist’s specific engagement with time and space. Combining theory and literature, I present the bicycle as both a modernising influence and a counter-cultural technology. In performing a human-centred interaction with time and space, the cyclist proposed an alternative path at a critical juncture. The spatial theories of French critics including Henri Lefebvre, Michel de Certeau and Paul Virilio are mobilised to analyse spatial representations in texts by Ford Madox Ford (1873–1939), G. K. Chesterton (1874–1936) and Aldous Huxley (1894–1963), among others. I examine the cyclist’s nostalgic, backward-looking gaze, inherited in part from the flâneur. The bicycle allowed these and other authors to propose an interactive geography based on individual exploration and criss-crossing of urban and rural environments, while reviving spaces racked by industrialisation, the railways and the emerging motor car. Reading spaces from a turn-of-the-century cyclist’s perspective creates a vision of civilised, humane transport capable of enriching communities and retaining a vital link to the past.
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Camps, Martín. "From the Center to the Margins." In The Oxford Handbook of the Latin American Novel, C10.S1—C10.N9. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197541852.013.10.

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Abstract This chapter begins by studying Fernández de Lizardi’s (1776–1827) novel El Periquillo Sarniento (The Mangy Parrot, 1816), considered the first Mexican novel. The twentieth century opens with Santa (1903) by Federico Gamboa (1864–1939), borrowing from realist and naturalist styles. A watershed moment in the country’s history was the Mexican Revolution. Its violence and failure inspired novels by Mariano Azuela (1873–1952), among others. Two masterpieces published in 1955, Agustín Yáñez’s (1904–1980) Al filo del agua (The Edge of the Storm, 1955) and Juan Rulfo’s (1917–1986) Pedro Páramo (1955), open the era of the modern novel in Mexico. The mid-century generation modernized Mexican fiction by moving away from regional themes with works by Carlos Fuentes (1928–2012), and Elena Garro (1916–1998), among others. The 1960s in Mexico were marked by the 1968 Tlatelolco massacre, a moment of change expressed in the novels of La onda (The Wave), by José Agustín (1944) and Gustavo Sáinz (1940–2015). In the 1970s, Luis Zapata’s (1951–2020) El vampiro de la colonia Roma (Adonis García: a Picaresque Novel 1979) became a milestone in Mexican homosexual literature. In the 1980s, Fernando del Paso’s (1935–2018) Noticias del Imperio (News from the Empire, 1986) revisits the period of Emperor Maximilian in a masterful historical novel. Another important 1990s movement is the Generación del Crack (Generation of the Crack). Notwithstanding Mexico City’s magnetic pull, writers from the north of Mexico also write from or about the marginal “provinces.” The chapter closes by looking at a talented group of women writers, such as Fernanda Melchor (1982-) and Valeria Luiselli (1983).
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Dean, Austin. "Conclusion." In China and the End of Global Silver, 1873-1937, 180–88. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752407.003.0009.

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This chapter refers to the Beiping wuzhanshi, which chronicled the last-ditch attempts by the Nationalist government to rein in inflation and solidify its rule in the late 1940s. It describes the buying power of the fabi that continuously eroded and grew more worthless by the day, taking note of its failure than its success and early stability that dominated popular memory of the currency. It also analyses the brief debate in the late 1940s about whether the Nationalist government could extricate itself from the currency crisis by returning to a monetary system based on the metal. The chapter discusses the centralization of foreign exchange sales by the Nationalist government, which offered foreign exchange for fabi but only for legitimate and essential transactions. It recounts the establishment of a stabilization fund in 1939 by the Chinese government and British banks to help support the fabi.
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Conference papers on the topic "1873-1939"

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"The Three-Hundred-Year Demographic History of Ekaterinburg: Sources and Historiography." In XII Ural Demographic Forum “Paradigms and models of demographic development”. Institute of Economics of the Ural Branch of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.17059/udf-2021-1-12.

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The paper presents the results of the historical study of the population formation in Ekaterinburg over a 300-year period. Historical sources and the process of accumulating knowledge about the number of city residents were examined. Analysis of population data revealed that the process of collecting demographic information on Russia (and, accordingly, on Ekaterinburg) took a century and a half (from the 18th century until almost the 1870s). The role of the head of the Ekaterinburg mining plants, academician I. F. Herman, in the development of population tables is shown. Since 1873, when the first one-day census of the city’s population was conducted, and then 1887, statistical and demographic information has become representative. The main source for examining the population formation of the city were the censuses of 1897, 1920, 1923, 1926, 1931, 1937, 1939, 1959, 1979, 1989, 2002, 2010, as well as the current population records. A brief review of historical literature showed that the study of the population of Ekaterinburg is in its infancy.
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