Relevant bibliographies by topics / 1874-1951

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic '1874-1951'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "1874-1951"

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Ström Lehander, Karin. "Tyra Kleen." Approaching Religion 11, no. 1 (2021): 174–83. http://dx.doi.org/10.30664/ar.100479.

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The Swedish artist and writer Tyra Kleen (1874–1951) was a professional artist and a constant traveller who had a great interest in different religious questions. This article describes her Symbolist artistry, her interest in Theosophy and her journeys to India and Asia.
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Solís, Gonzalo, and Miguel Gueimonde. "The Gut Microbiota in Infants: Focus on Bifidobacterium." Microorganisms 11, no. 2 (2023): 537. http://dx.doi.org/10.3390/microorganisms11020537.

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A long time has passed since the initial pioneering works were carried out on the composition of infant microbiota by Thedore Escherich (1857–1911) and Ernst Moro (1874–1951), and since the observations of Henry Tissier (1866–1916) which linked “Bacillus bifidus” to the health of babies [...]
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Calico, Joy H. "Old-Age Style: The Case of Arnold Schoenberg (1874–1951)." New German Critique 42, no. 2 125 (2015): 65–80. http://dx.doi.org/10.1215/0094033x-2889260.

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Kılıç, Aziz. "Adanalı Bir İttihatçı: Ali Münif Yeğena (1874-1951) ve Siyasi Yaşamı." History Studies International Journal of History 12, no. 4 (2020): 1999–2021. http://dx.doi.org/10.9737/hist.2020.908.

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Stagl, Jakob Fortunat. "A flight to Rome: Ernst Rabel's intellectual itinerary." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 79, no. 3-4 (2011): 533–52. http://dx.doi.org/10.1163/157181911x596420.

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AbstractHow can one explain that Ernst Rabel (1874–1951), born in Vienna, with Jewish roots, became the architect of the United Nations Convention on Contracts for the International Sale of Goods (CISG) and one of the foremost authorities ever on Private International Law? Was this a mere coincidence or was his method of looking for similarities in the law of di erent nations rather than looking for its disparities the product of an universalism rooted in the example of the Roman Empire and its law and the experience of the multiethnic Empire of the Hapsburgs?
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Efetov, Konstantin A., Svyatoslav A. Knyazev, and Elena E. Kucherenko. "New results of testing the attractant EFETOV-2 in the Far East of Russia, Siberia and South Africa." Ecologica Montenegrina 71 (March 19, 2024): 323–32. http://dx.doi.org/10.37828/em.2024.71.35.

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The sex attractant butan-2-yl dodec-2-enoate (a patented name ‘EFETOV-2’) synthesised at the Crimean Federal University was tested in the Far East of Russia and Eastern Siberia in 2022 and the Republic of South Africa in 2019. The males of three Zygaenidae species (Lepidoptera) were attracted in our field experiments, viz. Illiberis (Nikilliberis) kardakoffi Alberti, 1951, Rhagades (Rhagades) pruni ([Denis & Schiffermüller], 1775) (both Procridinae) and Praezygaena ochroptera (Felder, 1874) (Zygaeninae). For I. (N.) kardakoffi and P. ochroptera data on attractants were not previously known
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Guillen, Anne-Sophie, and Sidi Askofaré. "Élever l’impuissance à l’impossible : l’acte de création du compositeur Arnold Schoenberg (1874-1951)." Cliniques méditerranéennes 97, no. 1 (2018): 135. http://dx.doi.org/10.3917/cm.097.0135.

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Guillen, Anne-Sophie. "Le mystère de la création éclairé par le compositeur Arnold Schoenberg (1874-1951)." Revista Latinoamericana de Psicopatologia Fundamental 23, no. 1 (2020): 121–34. http://dx.doi.org/10.1590/1415-4714.2020v23n1p121.8.

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Le compositeur Arnold Schoenberg nous enseigne sur ce qui l’a poussé à renouveler les lois de la composition musicale de son époque, malgré les railleries et les critiques. A partir des écrits qu’il nous a laissés, nous avons pu repérer un vide essentiel pour le compositeur que sa musique lui permet de traiter sans le combler. Le chemin qui le mène jusqu’à l’invention de son système atonal suit une trajectoire similaire à celle de la pulsion: une force intérieure sourd en lui et le pousse dans cette direction, pour autant elle ne trouve jamais complète satisfaction. La tension renaît très vite
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Fann, James I. "Historical perspectives of the American Association for Thoracic Surgery: Harold Brunn (1874–1951)." Journal of Thoracic and Cardiovascular Surgery 141, no. 4 (2011): 872–74. http://dx.doi.org/10.1016/j.jtcvs.2010.09.040.

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Goey, F. M. M. de. "M. Metze, Anton Philips 1874-1951. Ze zullen weten wie ze voor zich hebben." BMGN - Low Countries Historical Review 120, no. 4 (2005): 660. http://dx.doi.org/10.18352/bmgn-lchr.6311.

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Dissertations / Theses on the topic "1874-1951"

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Hauer, Christian. "Le Deuxième Quatuor à cordes op. 10 avec voix d'Arnold Schönberg (1907-1908), : ouLa quête d'une identité autre : une convergence de crises musicale, spirituelles et socio-politiques." Aix-Marseille 1, 1994. http://www.theses.fr/1994AIX10025.

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Le deuxieme quatuor op. 10 de schoenberg est une oeuvre de mutation. En elle eclate une crise d identite, qui atteint son paroxysme a la fin de l annee 1907 - alles ist hin|, tout est perdu|: en particulier gustav mahler et la tonalite - ,mais c est d elle, aussi, que jaillit une trajectoire spirituelle et musicale - le processus de l entruckung - qui, impulsee par les textes de stefan george et nourrie par la foi en dieu, vise a instaurer une identite forte, stable et inattaquable. L entruckte est un genie : inspire par dieu, il se situe aussi, par sa nature meme, au-dessus de la melee socio-
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Schmidt, Christian Martin. "Schönbergs Oper : Moses und Aron : Analyse der diastematischen, formalen und musikdramatischen Komposition /." Mainz ; London ; New York : Schott, 1988. http://catalogue.bnf.fr/ark:/12148/cb35029928h.

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Kerridge, Patricia A. "Grundgestalt and developing variation : Arnold Schoenberg's Verkläte Nacht." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65492.

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Metze, Marcellinus Albertus Helena Maria. "Anton Philips 1874-1951 ze zullen weten wie ze voor zich hebben /." [Amsterdam] : Amsterdam : Balans ; Universiteit van Amsterdam [Host], 2004. http://dare.uva.nl/document/72055.

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Dudeque, Norton E. "Music theory and analysis in the writings of Arnold Schoenberg (1874-1951)." Thesis, University of Reading, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394424.

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Metze, Marcel. "Anton Philips, 1874-1951 : ze zullen weten wie ze voor zich hebben /." [Amsterdam] : Balans, 2004. http://catalogue.bnf.fr/ark:/12148/cb392669720.

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Kim, Kyŏng-ŭn. "The harmonic language of Arnold Schoenberg's second string quartet op. 10 /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59283.

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Arnold Schoenberg's Second String Quartet, Op.10, completed in 1908, is the last of his works in which a key signature is used, and is generally regarded as a transitional work leading towards his 'atonal' period. Each of the first three movements has a key signature, whereas the last movement has no key signature--a characteristic of his later atonal works.<br>This study traces how the harmonic language evolves over the four movements of the quartet. The present analysis of each movement shows the structural procedures, the nature of the polyphony and the compositional techniques employed, in
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Wright, James K. "Schoenberg, Wittgenstein, and the Vienna circle : epistemological meta-themes in harmonic theory, aesthetics, and logical positivism." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38438.

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This study examines the relativistic aspects of Arnold Schoenberg's harmonic and aesthetic theories in the light of a framework of ideas presented in the early writings of Ludwig Wittgenstein, the logician, philosopher of language, and Schoenberg's contemporary and Austrian compatriot. The author has identified correspondences between the writings of Schoenberg, the early Wittgenstein (the Tractatus Logico-Philosophicus, in particular), and the Vienna Circle of philosophers, on a wide range of topics and themes. Issues discussed include the nature and limits of language, musical universals, th
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Feilotter, Melanie. "Schoenberg, Pappenheim, and the expression of solitude in Erwartung, op.17." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23331.

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Schoenberg's monodrama Erwartung, op.17 (1909), appeared at the dawn of early Expressionism, a movement which profoundly affected the composer's early works. This movement dealt in part with the alienation and isolation of the self in what many artists considered a corrupt and degenerate society. The first part of this thesis examines the possible influences of the Expressionist and Symbolist traditions on Erwartung's text and, to a lesser extent, the early history of psychoanalysis, of which librettist Marie Pappenheim was certainly aware. The impact of the changes made by Schoenberg to Pappe
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Saillard, Corinne. "Figures et renouveau du mélodrame au vingtième siècle." Paris 8, 2004. http://www.theses.fr/2004PA082414.

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Qu’est-ce qui pousse les compositeurs à écrire pour la voix parlée ? Si en 1912 la Sprechstimme expressionniste du Pierrot lunaire d’Arnold Schœnberg détourne la voix du chant lyrique traditionnel, une voix parlée plus virulente encore sera jusqu’en 1951 la médiatrice de l’engagement spirituel et politique du compositeur. En ce sens, elle rejoint la parole enfouie et morcellée d’Helmut Lachenmann qui, pour faire réagir l’auditeur, lui impose un effort constant de reconstruction sémantique. Le rapport à la langue est délibérément plus jouissif chez W. Walton (Façade, 1922) ou W. Vogel (Worte, 1
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Books on the topic "1874-1951"

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Munteanu, Ioan. Sever Bocu (1874-1951). Editura Mirton, 1999.

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Kowalczyk, Stanisław. Lubelskie Towarzystwo Lekarskie 1874-1951. Państwowe Wydawn. Nauk., 1987.

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Halberg-Krauss, Fritz. Fritz Halberg-Krauss: 1874-1951. Marktgemeinde Prien, 1996.

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1932-, Nono Nuria Schoenberg, Lorenz Catherine, and Luginbuehl Anita, eds. Arnold Schönberg, 1874-1951: Lebensgeschichte in Begegnungen. Ritter Klagenfurt, 1998.

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Reiter, Cornelia. Oskar Laske (1874-1951): Ein vielseitiger Individualist. Galerie Welz, 1995.

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1932-, Nono Nuria Schoenberg, and Schoenberg Lawrence A, eds. Arnold Schoenberg: 1874-1951 : [una Mostra interattiva multimediale]. Marsilio, 1996.

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Bichir, Florian. Sever Bocu: (1874-1951) : o viaţă - un ideal - un destin. RAO Distribuţie, 2022.

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Bowd, Gavin. Les guerres et les mots du général Paul Azan: Soldat et historien (1874-1951). L'Harmattan, 2010.

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1885-1958, Stein Erwin, ed. Arnold Schoenberg letters. University of California Press, 1987.

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Walter, Frisch. The early works of Arnold Schoenberg, 1893-1908. University of California Press, 1993.

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Book chapters on the topic "1874-1951"

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"Moro, Ernst (1874–1951)." In Eponyms and Names in Obstetrics and Gynaecology. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108421706.233.

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Manning, David. "Arnold Schoenberg (1874–1951)." In Vaughan Williams on Music. Oxford University Press, 2007. http://dx.doi.org/10.1093/acprof:oso/9780195182392.003.0035.

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"Arnold Schoenberg (1874–1951)." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300242720-051.

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"Arnold Schoenberg (1874–1951)." In Accompanied Voices. Boydell and Brewer, 2015. http://dx.doi.org/10.1515/9781782045021-056.

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"KOUSSEVITZKY, SERGE (26 JULY 1874–4 JUNE 1951)." In Encyclopedia of Recorded Sound. Routledge, 2004. http://dx.doi.org/10.4324/9780203484272-435.

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Fielding, Steven, Bill Schwarz, and Richard Toye. "Introduction." In The Churchill Myths. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198851967.003.0001.

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This is not a book about Winston Churchill. It is not a book about the historical figure of Churchill, who lived from 1874 to 1965 and served as Britain’s prime minister during the Second World War and again between 1951 and 1955. It is not about his politics, nor his rhetorical imagination, nor about the man himself....
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Whittall, Arnold. "Arnold Schoenberg." In Music since the First World War. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198165330.003.0007.

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Abstract On 7th December 1917, slightly less than two months after his forty third birthday, Arnold Schoenberg (1874–1951) was finally discharged from the Austrian Army. His first period of military service had lasted from December 1915 until October 1916 and this second short spell had begun in September 1917. The disruption to his creative work was considerable.
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Schiller, David M. "Introduction." In Bloch, Schoenberg, and Bernstein. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167112.003.0001.

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Abstract The title of this book contains not one, but two, oxymorons. The contradiction between ‘Jewish’ and ‘music’ was Richard Wagner’s anti-Semitic invention; the contradiction between ‘assimilating’ and ‘Jewish’, already present in Judaism itself, was reaffirmed in the Zionist response to European anti-Semitism. Ernest Bloch (1880-1959), Arnold Schoenberg (1874-1951), and Leonard Bernstein (1918-90) did not resolve these contradictions, but in their creative responses to the paradox of assimilating Jewish music, they redefined them. In Bloch’s Sacred Service (1933), Schoenberg’s A Survivor from Warsaw (1947), and Bernstein’s third symphony, Kaddish (1963), assimilating Jewish music becomes audible.
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Ndiaye, Khadim. "15 A Senegalese Sufi Saint and ‘Ajamī Poet: Sëriñ Moor Kayre (1874–1951)." In Islamic Scholarship in Africa. Boydell and Brewer, 2021. http://dx.doi.org/10.1515/9781787446076-025.

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Janicka-Słysz, Małgorzata. "Charles Edward Ives Amerykański śpiew wolności." In Horyzonty wolności. Uniwersytet Papieski Jana Pawła II w Krakowie. Wydawnictwo Naukowe, 2019. http://dx.doi.org/10.15633/9788374388320.14.

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Charles E. Ives (1874–1954), an American composer – wanted to preach in music and music – freedom and truth. The essence of the composer’s outlook on the world is included in his Essays Before a Sonata, which can be interpreted as a unique composer’s treaty – the only one of its kind. Ives believed that music was an internally dialectic set of values, composed of two subsets – a higher subset of substance, and a lower subset of style or manner, a manner of expression. He wrote: “Why can’t a musical thought be presented as it is born – perchance ‘a bastard of the slums,’ or a ‘daughter of a bishop’”. Ives recalls an important thought by Ralph Emerson, the leading figure of American transcendentalism, and his spiritual mentor: “What you are talks so loud, that I cannot hear what you say?” The generation of Stalowa Wola – „new humanists” or „new romantics” – entered the ax-iological space marked by Ives’s thought: Eugeniusz Knapik (1951), Andrzej Krzanowski (1951–1990) and Aleksander Lasoń. They came back to what – after Mikhail Bakhtin and Roger Scruton – I call emotional memory; they were returning through the reception of the views of Ives and his concept of music as a set of values.
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Conference papers on the topic "1874-1951"

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Maria Fonseca Bohns, Neiva. "Arte para fugir da morte: mulheres artistas no período da Gripe Espanhola no Brasil." In Colóquio do Comitê Brasileiro de História da Arte. Comitê Brasileiro de História da Arte, 2021. http://dx.doi.org/10.54575/cbha.40.05.

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Este trabalho investiga a produção artística de algumas mulheres no período da crise sanitária que ficou conhecida como Gripe Espanhola, no início do século XX, no Brasil. Foram analisados, a partir do material historiográfico disponível, os casos das artistas Julieta de França (1870-1951), Nicolina Vaz (1874-1941), Anita Malfatti (1889-1964), Tarsila do Amaral (1885-1973), Georgina de Albuquerque (1885-1962) e Angelina Agostini (1888-1973). O foco do estudo incidiu sobre as interrupções ou continuidades das atividades artísticas no período estudado, tão atípico, em função do necessário isolam
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