Relevant bibliographies by topics / 1883-1958

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '1883-1958'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "1883-1958"

1

Bertoldi de Pomar, Hetty. "Dr. Joaquín Frenguelli 1883-1958. Evocaciones de un Sabio." Natura Neotropicalis 1, no. 19 (April 8, 2005): 1–4. http://dx.doi.org/10.14409/natura.v1i19.3543.

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Cerdeña, José. "First record of the genus Dorypteryx Aaron, 1883 (Psocoptera: Psyllipsocidae) in South America: Dorypteryx domestica (Smithers, 1958) in Arequipa, Peru." Check List 12, no. 6 (December 9, 2016): 2012. http://dx.doi.org/10.15560/12.6.2012.

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Dorypteryx domestica (Smithers, 1958) previously known from Africa, Europe, North America, and Australia is recorded from an urban area in southern Peru. This is the first record of the genus Dorypteryx Aaron, 1883 in continental South America. The species was found in a private building, recently constructed.
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Methuen, Charlotte. "Book Review: Bell of Chichester (1883–1958): A Prophetic Bishop." Ecclesiology 1, no. 3 (2005): 113–16. http://dx.doi.org/10.1177/174413660500100310.

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Lisitsin, Vasily. "Architect A. A. Ol (1883–1958) and the SoyuzZoloto Club." проект байкал, no. 75 (April 7, 2023): 138–45. http://dx.doi.org/10.51461/pb.75.28.

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Construction of workers’ clubs (Houses and Palaces of Culture) was an important component of the cultural policy of the young Soviet state. Architect A. A. Ol from Leningrad designed the SoyuzZoloto Club, a facility in the constructivist style for Irkutsk, which later became the House of Culture for the V. V. Kuibyshev Plant. On the basis of archival materials, the article examines the problem of adapting a competition design to the real terrain.
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ANICHTCHENKO, ALEXANDER. "To the knowledge of the subtribe Pericalina Hope, 1838 (Coleoptera, Carabidae, Lebiinae), with description of new genus, new subgenus and species from Oriental region." Zootaxa 5453, no. 3 (May 21, 2024): 369–78. http://dx.doi.org/10.11646/zootaxa.5453.3.4.

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A new genus Acoptodera gen. n. is described to place Coptodera piligera Chaudoir, 1883 previously attributed to genus Trichocoptodera Louwerens, 1958, as well as new subgenus Pericalocephala subgen. n. to place remarkable new species from Vietnam: Acoptodera (Pericalocephala) paradoxa sp. n. By the presence of hairs on head, pronotum and elytra, new genus is similar with Trichocoptodera Louwerens, 1958, but can be easely distinguished by flattened pronotum with wide lateral margins and by rounded elytra with serrate edges and fringe of setae on the sides. The status and characters of genera thought to be near relatives of Coptodera genus-group, are briefly discussed. Images of habitus and genitalia are provided.
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PIMENTA, ALEXANDRE DIAS, RICARDO SILVA ABSALÃO, and CINTIA MIYAJI. "A taxonomic review of the genera Boonea, Chrysallida, Parthenina, Ivara, Fargoa, Mumiola, Odostomella and Trabecula (Gastropoda, Pyramidellidae, Odostomiinae) from Brazil." Zootaxa 2049, no. 1 (March 23, 2009): 39–66. http://dx.doi.org/10.11646/zootaxa.2049.1.2.

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The genera Boonea Robertson, 1978, Chrysallida Carpenter, 1856, Fargoa Bartsch, 1909, Ivara Dall & Bartsch, 1903, Mumiola A. Adams, 1863, Odostomella Bucquoy, Dautzenberg & Dollfus, 1883, Parthenina Bucquoy, Dautzenberg & Dollfus, 1883 and Trabecula Dall & Bartsch, 1909 from Brazil are reviewed. Boonea jadisi (Olsson & McGinty, 1958), Boonea seminuda (C. B. Adams, 1839), Chrysallida gemmulosa C. B. Adams, 1850, Ivara terryi (Olsson & McGinty, 1958), Fargoa bushiana Bartsch, 1909, Mumiola gradatula (Mörch, 1876) and Odostomella carceralis Pimenta, Absalão & Alencar, 2000 are confirmed to occur in Brazil. We also present the first records of Parthenina varia (Odé, 1993), Odostomella fonteini (Jong & Coomans, 1988) and Trabecula krumpermanni (Jong & Coomans, 1988) from the region, all, new combinations. Two species, previously reported from the Brazilian coast, could not be confirmed: Boonea bisuturalis (Say, 1822) and Boonea impressa (Say, 1822). Odostomella cf. doliolum (Philippi, 1844) and Parthenina cf. interspatiosa (Linden & Eikenboom, 1992), originally described from the eastern Atlantic, are here recorded from Brazil, although their status remains dubious because of lack of information on their biology and due to lack of morphological and molecular data. One new species is described: Boonea scymnocelata, which can be distinguished from the similar species B. seminuda by its smaller size and immersed protoconch, with no visible nucleus.
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Taufitra, Ayang Ayu, and I. Gede Agus Kurniawan. "Hak Kepemilikan Komunal dalam Indikasi Geografis." JUSTISI 9, no. 2 (April 12, 2023): 175–89. http://dx.doi.org/10.33506/jurnaljustisi.v9i2.2307.

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Urgensi dari penelitian ini adalah upaya untuk mengkaji IG dalam perspektif globalisasi hukum. Penelitian ini bertujuan untuk menganalisis hakikat hak kepemilikan komunal dalam IG serta eksistensi hak kepemilikan komunal IG dalam perspektif globalisasi hukum. Penelitian ini merupakan penelitian hukum normatif dengan pendekatan konsep dan perundang-undangan. Hasil penelitian menunjukkan bahwa Hakikat hak kepemilikan komunal dalam IG sejatinya belum mendapatkan pengaturan secara spesifik baik dalam Paris Convention 1883, Madrid Agreement 1891, Trips Agreement, hingga Lisbon Agreement (1958 dan 1967) serta UU IG. Meski begitu, secara implisit, esensi hak kepemilikan komunal dalam IG sejatinya menjadi orientasi utama bagi IG, khususnya dalam menegaskan IG sebagai hak kekayaan intelektual dengan karakteristik khusus yang berbasis pada hak kepemilikan komunal masyarakat. Eksistensi hak kepemilikan komunal IG dalam perspektif globalisasi hukum sejatinya masih lemah dan perlu diperkuat. Hal ini dapat dilakukan dengan melakukan revisi atas berbagai ketentuan internasional seperti Paris Convention 1883, Madrid Agreement 1891, Trips Agreement, hingga Lisbon Agreement (1958 dan 1967) yang menegaskan bahwa hak kepemilikan komunal merupakan esensi utama dari IG. Selain itu, revisi terhadap UU IG di Indonesia juga perlu dilakukan untuk menegaskan hak kepemilikan komunal IG tentu dengan melibatkan partisipasi masyarakat untuk sadar akan IG dan memiliki kesadaran untuk mendaftarkan hak kekayaan intelektual berupa IG secara kolektif.
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Keller, Manfred. "Gottesdienst: Zum 9. November - mit Gedenken an Hans Ehrenberg (1883 bis 1958)." Homiletische Monatshefte 84, no. 2 (November 2008): 73–76. http://dx.doi.org/10.13109/homh.2008.84.2.73.

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TALGATTI, DÁVIA M., WELITON J. DA SILVA, LUCIELLE M. BERTOLLI, and LEZILDA C. TORGAN. "Seminavis norae comb. nov. is the correct name for Seminavis recta." Phytotaxa 291, no. 4 (January 18, 2017): 299. http://dx.doi.org/10.11646/phytotaxa.291.4.8.

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Cymbella (Encyonema) grossestriata var. recta Frenguelli (1938: 303) was described by Joaquín Frenguelli (1883–1958) from the Matanza river estuary in Buenos Aires, Argentina. It was subsequently transferred to the genus Navicula Bory (1822b: 128) by Metzeltin et al. (2005: 138), who elevated Frenguelli’s variety to species level. The authors provided evidence that the taxon was not related to Cymbella grossestriata O. Müller (1905: 154) and did not belong to either Cymbella C.A. Agardh (1830: 1) or Encyonema Kützing (1833: 589).
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Surghi, Carlos. "Toda voz es una multitud (poesía y poética en William Carlos Williams)." Cuadernos del Sur Letras, no. 53 (November 30, 2023): 34–48. http://dx.doi.org/10.52292/csl5320234502.

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La poética de William Carlos Williams (1883-1963) puede entenderse a la luz de la configuración de una experiencia de la voz como multitud. Nuestro trabajo analiza sus primeras reflexiones sobre la tradición y la innovación en la literatura norteamericana, para centrarse así en su poema más ambicioso, Paterson (1946-1958), particularmente en el “Libro Dos. Domingo en el parque”, en el que la poesía abraza los registros del habla para captar las modulaciones materiales y subjetivas de una lengua.
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Dissertations / Theses on the topic "1883-1958"

1

Parkmann, Fedora. "Paris-Prague. Transferts en photographie, 1918-1939." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040134.

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Cette thèse se propose d’étudier les transferts entre France et Pays tchèques dans le domaine de la photographie de l’entre-deux-guerres. Fondée sur une approche matérielle des circulations de personnes, d’images et de concepts, elle vise à définir la scène photographique tchèque en fonction de son rapport à la France et de ses métissages. L’enquête a porté sur les flux photographiques – reproductions photomécaniques et catalogues d’exposition – et les activités des médiateurs et photographes à l’intersection entre les deux pays. Elle a montré, d’une part, que les Pays tchèques furent non seulement un lieu de passage d’apports français, particulièrement marquants au regard des impulsions allemandes et russes, mais aussi un centre d’exportation d’une production photographique locale. Elle a révélé, d’autre part, les hybridations auxquelles a donné lieu l’accueil de la scène photographique française. Le courant surréaliste tchèque en fut l’exemple le marquant : dépassant le simple geste d’adhésion, cette production originale s’est à son tour exportée, à la faveur d’un processus de circulation et de transformation réciproques caractéristique du phénomène de transfert. Les séjours et expériences photographiques des Tchèques en France et leur contribution à l’ « école de Paris de la photographie » complètent ce panorama des interactions entre les deux pays. Le prisme des transferts culturels adopté dans notre étude a agi comme un révélateur d’acteurs, d’images et de concepts ignorés jusque-là des histoires nationales de la photographie. Il a également montré comment la réceptivité des photographes tchèques vis-à-vis de la France a pu, en retour, favoriser l’émergence du modernisme photographique dans leur pays
This dissertation sets forth to explicate the transfers that occurred in photography between France and the Czech Lands during the interwar period. Rooted in a material approach towards the various circulations of individuals, images and concepts, this study considers the Czech photographic scene in light of its specific relation to France and analyzes the resulting hybridizations. The research focuses on photographic vectors such as photomechanical reproductions, exhibition catalogues and the activities of mediators and photographers working between the two countries. It illuminates a network of relations between French, German and Russian impulses and describes also the export of a local photographic production. The Czech surrealist current is a prominent hybridization that resulted from the strong reception of the French photographic scene. It was exported again as an original Czech production, and as such exemplifies the process of mutual circulation and transformation that describes the concept of transfer. An expansive study of Czech journeys to France, their photographic experience of the country and their subsequent contribution to the “Paris school of photography” complete this overview of the interactions and transfers between both countries.By situating Czech photography within the discourse of cultural transfers, this dissertation reveals actors, images, concepts and developments that until now have been critically absent from national photography histories. It also demonstrates how the receptivity of Czech photographers to France in return favored the emergence of photographic modernism in their country
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Books on the topic "1883-1958"

1

Panzetta, Alfonso. Felice Tosalli, 1883-1958. Torino: U. Allemandi, 1989.

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M, Foster Paul G., ed. Bell of Chichester (1883-1958). Chichester: University College Chichester, 2004.

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Teresa, Iglesias Oduardo, ed. Varadero: De caserío a centro turístico (1883-1958). Matanzas: Ediciones Matanzas, 2008.

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1883-1958, Tosalli Felice, ed. Felice Tosalli: 1883 ̴ 1958 : animali e altre sculture, legni e disegni. Napoli: Edizioni Fioranna, 2021.

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A, Kirikova L., and Olʹ Andreĭ Andreevich 1883-1958, eds. Arkhitektor Andreĭ Andreevich Olʹ, 1883-1958: Grafika i dokumenty v sobranii Gosudarstvennogo muzei︠a︡ istorii Sankt-Peterburga : katalog. Sankt-Peterburg: Gos. muzeĭ istorii Sankt-Peterburga, 2008.

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1883-1958, Pach Walter, ed. Walter Pach (1883-1958): The Armory Show and the untold story of modern art in America / Laurette E. McCarthy. University Park, Pa: Pennsylvania State University Press, 2011.

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Graf, Gerhard. Gerhard Graf: Maler und kunsterzieher aus Wilmersdorf,16. 1. 1883 - 1. 10. 1958; aquarelle - gemaled - grafik - fotos. Ausstellung vom 22. Oktober bis zum 22. November 1985, in der Kommunalen Galerie des Bezirksamtes Wilmersdorf, Hohenzollerndamm. Berlin: Heimatverein Wilmersdorf, 1986.

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Andrew, Chandler, and Church of England. Record Society., eds. Brethren in adversity: Bishop George Bell, the Church of England and the crisis of German Protestantism, 1933-1939. Woodbridge, Suffolk: Boydell Press [for the] Church of England Record Society, 1997.

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1935-, Raina Peter K., and Hess Rudolf 1894-1987, eds. Bishop George Bell: House of Lords speeches and correspondence with Rudolf Hess. Oxford: Peter Lang, 2009.

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De Vatenman Bernard Van Leer (1883 - 1958). Uitgeverij Contact, 2002.

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Book chapters on the topic "1883-1958"

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"Rubin, Isidor Clinton (1883–1958)." In Eponyms and Names in Obstetrics and Gynaecology, 357–58. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108421706.288.

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"Bishop George Bell of Chichester (1883-1958)." In Reflections for the Unfolding Year, 100–103. The Lutterworth Press, 2017. http://dx.doi.org/10.2307/j.ctvj4swhp.34.

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Horsta, Karīna. "LU mācībspēka, arhitekta Ernesta Štālberga (1883–1958) projektētās sanatoriju ēkas." In Latvijas Universitātes raksti, 112–22. Latvijas Universitāte, 2017. http://dx.doi.org/10.22364/luraksti.zvm.815.10.

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Cope, John C. W. "The early evolution of the Bivalvia." In Origin and Evolutionary Radiation of the Mollusca, 361–70. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198549802.003.0030.

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Abstract Classification of the Bivalvia has proved contentious for well over a century, and new classifications at high taxonomic level are still produced regularly. But in a group of organisms, represented today by tens of thousands of species and with an excellent fossil record, why should taxonomy at higher levels cause such problems? The answer is readily available. On the one hand, zoologists have traditionally used structures of the soft parts, in particular the gill grade (e.g. Fischer, 1880-87; Pelseneer, 1889, 1891, 1906, 1911; Ridewood, 1903), the degree of fusion of the mantle margins (Linnaeus, 1758; Cuvier, 1797), or condition of the foot (Gray, 1821; Lankester, 1883), but also stomach type (Purchon, 1958, 1959), or labial palp development (Stasek, 1963), to draw up their higher level taxa. On the other hand, palaeontologists, deprived of knowledge of these structures, save in fossil forms closely related to extant taxa, have used characters of the shell such as dentition (e.g. Dall, 1889; Neumayr, 1883; Bernard, 1898), or shell structures which can indicate soft part anatomy such as muscle scars (e.g. Phillippi, 1853; Zittel, 1881-85) or ligament type, together with phylogenetic links indicated by the fossil record (e.g. Neumayr, 1891; Douville, 1913).
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Heyman, Barbara B. "Vanessa." In Samuel Barber, 409–39. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190863739.003.0015.

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When it was performed in 1958, Barber’s opera Vanessa was the first new American work produced by the Metropolitan Opera since 1947 and only the twentieth since the opening of the opera house in 1883. It took Barber two decades to find a libretto, and his search finally culminated in his own backyard, as it were, when his partner Gian Carlo Menotti offered to write the libretto. This chapter narrates how Vanessa evolved, from the creation of the plot to the actors and sets. Set in an unnamed “northern country about 1905,” the story unfolds about two women: Vanessa, a lady of great beauty, who for twenty years of winter after snowy winter has awaited the return of her only love, Anatol; and her beautiful young niece, Erika. The concluding quintet is considered one of the most brilliant climaxes in the twentieth-century repertoire. The opera’s critical success led to the production of Vanessa at the Salzburg Festival, the first American opera performed there. There have been numerous productions in the United States and abroad since then, including a brilliant one at the Glyndebourne Festival in 2018.
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