Academic literature on the topic '1883-1974'
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Journal articles on the topic "1883-1974"
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Barjot, Dominique. "La grande entreprise française de travaux publics (1883-1974)." Vingtième Siècle, revue d'histoire 29, no. 1 (1991): 47–56. http://dx.doi.org/10.3406/xxs.1991.2337.
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Barjot, Dominique. "La grande entreprise Francaise de travaux publics (1883-1974)." Vingtième Siècle. Revue d'histoire, no. 29 (January 1991): 47. http://dx.doi.org/10.2307/3769585.
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Bourne, Jennifer, and C. Twidale. "Eleanora Bliss Knopf and Unequal Erosion." Earth Sciences History 27, no. 1 (January 1, 2008): 131–35. http://dx.doi.org/10.17704/eshi.27.1.y117972u01wx3587.
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Eleanora Bliss Knopf (1883-1974) was one of several American women geologists working in the Appalachians during the first two decades of the twentieth century. Though primarily a petrologist, she made astute observations concerning inequalities in erosion in catchments and hence the survival of palaeoforms in the landscape.
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Barjot, Dominique. "Patronat et autorite patronale: le cas des travaux publics (1883-1974)." Le Mouvement social, no. 175 (April 1996): 31. http://dx.doi.org/10.2307/3778973.
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Masic, Izet. "The Most Influential Physicians in Bosnia and Herzegovina: Milivoje Kostic (1883-1974)." Medical Archives 73, no. 4 (2019): 288. http://dx.doi.org/10.5455/medarh.2019.73.288-289.
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Khazan, Vladimir. "«Наше дело нажимать, не давать успокоиться, продолжать бескомпромиссную борьбу против существующего зла». Переписка Юлия Марголина и Марка Вишняка. Часть 1." Iudaica Russica, no. 1(6) (June 27, 2021): 28–59. http://dx.doi.org/10.31261/ir.2021.06.02.
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Celem publikacji korespondencji Marka Wiszniaka (1883–1976) — rosyjskiego historyka, publicysty, pamiętnikarza, działacza społeczno-politycznego, prominentnego członka partii eserów i sekretarza zlikwidowanej przez bolszewików Konstytuanty z Julijem Margolinem (1900–1974) — dziennikarzem, pisarzem, poetą, filozofem politycznym, krytykiem literackim, antykomunistą i zagorzałym przeciwnikiem totalitaryzmów jest: a) poszerzenie wiedzy na temat ich indywidualnych toposów biograficznych i powiązania ich z wydarzeniami „wielkiej” historii; b) wykazanie ścisłego związku rosyjskojęzycznej kultury Izraela ze światową żydowską diasporą emigrantów rosyjskich; c) dobitne podkreślenie faktu, że istniejąca najpierw w Palestynie, a następnie w Izraelu rosyjskojęzyczna literatura stanowi nieodłączną część ogólnoświatowego zjawiska literackiego, zwanego Russia Abroad.
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Khazan, Vladimir. "«Наше дело нажимать, не давать успокоиться, продолжать бескомпромиссную борьбу против существующего зла». Переписка Юлия Марголина и Марка Вишняка. Часть 2." Iudaica Russica, no. 2(7) (December 27, 2021): 45–83. http://dx.doi.org/10.31261/ir.2021.07.02.
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Celem publikacji korespondencji Marka Wiszniaka (1883–1976) — rosyjskiego historyka, publicysty, pamiętnikarza, działacza społeczno-politycznego, prominentnego członka partii eserów i sekretarza zlikwidowanej przez bolszewików Konstytuanty z Julijem Margolinem (1900–1974) — dziennikarzem, pisarzem, poetą, filozofem politycznym, krytykiem literackim, antykomunistą i zagorzałym przeciwnikiem totalitaryzmów jest: a) poszerzenie wiedzy na temat ich indywidualnych toposów biograficznych i powiązania ich z wydarzeniami „wielkiej” historii; b) wykazanie ścisłego związku rosyjskojęzycznej kultury Izraela ze światową żydowską diasporą emigrantów rosyjskich; c) dobitne podkreślenie faktu, że istniejąca najpierw w Palestynie, a następnie w Izraelu rosyjskojęzyczna literatura stanowi nieodłączną część ogólnoświatowego zjawiska literackiego, zwanego Russia Abroad.
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De Oliveira, Alexandra Almeida, and Goiandira Ortiz de Camargo. "UMA PROPOSTA DE LEITURA VOCALIZADA DE “A MÃE DO CATIVO” DE CASTRO ALVES." Revista Coralina (ISSN 2675-1399) 3, no. 2 (February 18, 2022): 110–26. http://dx.doi.org/10.31668/coralina.v3i2.12783.
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Este trabalho se propõe a apresentar uma leitura vocalizada e comentada do poema “A mãe do cativo”, de Castro Alves, enfeixado na coletânea Os escravos, publicada postumamente em 1883. Para tanto, seguimos algumas diretrizes determinadas por estudiosos da área e do campo da hermenêutica literária em geral, como: Paul Zumthor (2010), Élie Bajard (2005), Jean Cohen (1974), Giorgio Agamben (2002, 2012), Alfredo Bosi (2010), dentre outros. Antes de passarmos à interpretação do poema e a considerações acerca de sua leitura vocalizada, tecemos algumas considerações sobre o percurso empreendido para se efetuar a vocalização.
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Graham-Campbell, James, Elisabeth Okasha, and Michael Metcalf. "A pair of inscribed Anglo-Saxon hooked tags from the Rome (Forum) 1883 hoard." Anglo-Saxon England 20 (December 1991): 221–29. http://dx.doi.org/10.1017/s0263675100001836.
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The importance of the hoard found in the excavations in the Forum at Rome in 1883, just outside the the House of the Vestal Virgins, has long been recognized by Anglo-Saxon numismatists, for it is the largest recorded source for the coinage of Æthelstan and Edmund. Archaeologists, art-historians and epigraphers have, however, failed to appreciate the significance for Anglo-Saxon studies of the pair of silver tags found with the coins (pl. VIII), bearing between them the name of Pope Marinus, despite their having been illustrated (in uncleaned condition) by Christopher Blunt in his 1974 account of the hoard. The tags themselves are described and discussed here by Dr James Graham-Campbell and their inscriptions by Dr Elisabeth Okasha, both working from photographs kindly made available to us by Dottoressa Silvana Balbi de Caro, of the Museo Nazionale in Rome, through the agency of Dr Michael Metcalf.
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Díaz-Chang, Tamara, and Elizabeth-H. Arredondo. "Exploring the relationship between tacit models and mathematical infinity through history." International Electronic Journal of Mathematics Education 18, no. 2 (April 1, 2023): em0730. http://dx.doi.org/10.29333/iejme/12823.
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In this article we address the historical and epistemological study of infinity as a mathematical concept, focusing on identifying difficulties, counter-intuitive ideas and paradoxes that constituted implicit, unconscious models faced by mathematicians at different times in history, representing obstacles in the rigorous formalization process of this mathematical concept. It is shown how the active and conscious questioning of these models led to a process of axiomatization of mathematical infinity, which was completed with the works of Cantor (1883) and Robinson (1974). The implemented methodology is supported by a qualitative and argumentative bibliographic research based on content analysis from a meta-ethnography. From this research, information is obtained about the unconscious mathematical structures students are confronted with and the conscious patterns of reasoning they must develop to overcome difficulties and obstacles that these models produce, and thus achieve an adequate understanding of mathematical infinity.
Dissertations / Theses on the topic "1883-1974"
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Barjot, Dominique. "La grande entreprise française de travaux publics, 1883-1974 /." Paris : Économica, 2006. http://catalogue.bnf.fr/ark:/12148/cb40238208p.
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Texte remanié de: Thèse d'État--Histoire--Paris 4, 1989. Titre de soutenance : La grande entreprise française de travaux publics, 1883-1974 : contraintes et stratégies.Bibliogr. p. 863-887. Notes bibliogr. Index.
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Barjot, Dominique. "La grande entreprise française de travaux publics (1883-1974) : contraintes et stratégies." Paris 4, 1989. http://www.theses.fr/1989PA040042.
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Par elle-même la succession de trois périodes bien marquées (1883-1914 - essor de la grande firme; 1914 - 1944 - celle de "la grande dépression" et du repli colonial; 1944-1974 - celle du redéploiement en métropole et dans la zone franc), les firmes françaises de travaux publics affrontèrent un siècle durant de lourdes contraintes : réorientation des marches, montée des couts, difficultés chroniques de financement. Elles ne les surmontèrent qu'au prix d'un constant effort d'innovation, qui leur assura de remarquables succès à l'exportation et explique, en grande partie leur réussite d'aujourd'huiWhilst successively going through three distinctive periods (1883-1914) : the rixe of the large firm, 1914-1944 : "the great depression" and colonial retrenchment; 1944-1977 : the redirection of activity, going for the home market und the French franc zone overseas), French civil engineering contractors had to contend with severe constraints, persisting throughout that century : fickle market configurations, rising costs, chronic fundings shortfall. These constraints were only to be overcome by a consistent innovative drive, which en abled them to achieve remarkable breakthroughs on the export markets, and goes a long way towards explaining their continuing to this day
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Gomes, Daniel Costa. "A imposição do alinhamento : a política externa dos governos Dutra e Vargas (1946-1954)." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/22712.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Relações Internacionais, Programa de Pós-Graduação em Relações Internacionais, Mestrado em Relações Internacionais, 2016.Submitted by Fernanda Percia França (fernandafranca@bce.unb.br) on 2017-02-08T20:02:24Z No. of bitstreams: 1 2016_DanielCostaGomes.pdf: 1566224 bytes, checksum: 67e4ec8d554afb790960ce1a6fd5b8b7 (MD5)
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O presente trabalho analisa a política externa adotada pelos governos de Eurico Dutra (1946- 1950) e de Getúlio Vargas (1951-1954), valendo-se de fontes primárias e secundárias. A hipótese defendida é a de que, durante esses dois governos, a política externa brasileira foi caracterizada pela "imposição do alinhamento". Consequentemente, influenciada por forças internas e externas, a política alinhada aos Estados Unidos impôs-se como a opção efetivamente viável ao Brasil desses dois presidentes. No desenvolvimento dessa caracterização, debatem-se os conceitos tradicionais para a interpretação da política externa daqueles dois governos. As premissas desses conceitos são analisadas e interpretadas segundo estudos recentes desenvolvidos no âmbito da História Mundial, da História do Brasil, da História das Relações Internacionais, da História da Política Exterior do Brasil, da Economia Mundial e da Economia Brasileira.
This paper analyzes the foreign policy adopted by the governments of Eurico Dutra (1946-1950) and of Getúlio Vargas (1951-1954), resorting to primary and secondary sources.The hypothesis it defends is that, during these two governments, Brazilian foreign policy was characterized by the "imposition of alignment". Consequently, influenced by internal and external forces, the policy of alignment to the United States imposed itself as the effectively viable option to the Brazil of theses two presidents. Along the development of that characterization, the traditional concepts to the interpretation of the foreign policy of those two governments are debated. The premises of these concepts are analyzed and interpreted according to recent studies developed in the field of World History, Brazilian History, International Relations History, Brazilian Foreign Policy History, World Economy, and Brazilian Economy.
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Santiago, Maycom Pinho. "México mural : Rivera, Siqueiros e Orozco em perspectiva decolonial." reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/32521.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Sociais, Departamento de Estudos Latino-Americanos, Programa de Pós-Graduação em Estudos Comparados Sobre as Américas, 2018.Submitted by Raquel Viana (raquelviana@bce.unb.br) on 2018-08-22T21:39:21Z No. of bitstreams: 1 2018_MaycomPinhoSantiago.pdf: 1832903 bytes, checksum: 59270e69a34a3f37ae12dafaa65c47e2 (MD5)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES).
Este é um estudo sobre o movimento muralista mexicano em diálogo com a perspectiva decolonial. São analisados os trabalhos de Diego Rivera, José Clemente Orozco e David Alfaro Siqueiros, respectivamente, a partir dos murais Historia de Morelos, Conquista y Revolución (1930); La Conquista Española de México (1939) e Cuauhtémoc Contra el Mito (1944). A partir de uma abordagem comparativa entre os três pintores proponho uma discussão sobre a possibilidade de o discurso estético do muralismo mexicano guardar pontos de interseção com os pressupostos da perspectiva decolonial.
This is a study of the Mexican muralist movement in dialogue with decolonial perspective. The works of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros, respectively, from the murals Historia de Morelos, Conquista y Revolución (1930); La Conquista Española de México (1939) e Cuauhtémoc Contra el Mito (1944). From a comparative approach between the three painters, this work proposes a discussion about the possibility of discourse esthetic of Mexican muralism to establish points of intersection with the assumptions from a decolonial perspective.
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Mastroeni, Rosana Eva Eksterman. "Todos somos brasileiros: políticas, sensibilidades e representações estabelecidas no período Vargas (1937-1946)." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/13199.
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Previous issue date: 2009-11-27Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This work has as its main objective to question the interpretations of the Vargas period in light of the construction and meaning of Getúlio in public fancy, elaborated between years 1937 to 1946. Although the timeline is somewhat long, its length is due to the fact that this work is seeking to question both the construction of the ideology of the New State by means of the speeches of Getúlio Vargas, as well as the construction of his image through the speeches of Alexandre Marcondes Filho broadcast by the radio, as well as the forms in which the population responded to these elaborations by means of correspondence coming from various Brazilian regions intended for Vargas. The purpose is to answer questionings like: How was it possible the construction of such a popular representation as of a public figure? How is the relationship between public and private articulated in the imaginary constructions?
Este trabalho tem como principal objetivo problematizar as interpretações do período varguista à luz da construção e da significação de Getúlio no imaginário social, elaboradas entre os anos de 1937 a 1946. Embora o recorte temporal seja um tanto longo, a sua extensão se deve ao fato de este trabalho procurar problematizar tanto a construção da ideologia do Estado Novo por meio dos discursos de Getúlio Vargas, como também a construção de sua imagem via os discursos de Alexandre Marcondes Filho difundidos pelo rádio, bem como as formas com que a população respondeu a estas elaborações por intermédio de correspondências oriundas de diversas regiões brasileiras destinadas a Vargas. O que se objetiva é responder a questionamentos como: Como foi possível a construção de uma representação tão popular a partir de uma figura pública? Como se articula a relação entre público e privado nas construções imaginárias?
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Bonafoux, Corinne. "La Fédération nationale catholique, 1924-1944." Paris, Institut d'études politiques, 1999. http://www.theses.fr/1999IEPP0028.
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La Fédération nationale catholique a été fondée en octobre 1924 sous l'impulsion du général de Castelnau et avec l'assentiment de la hiérarchie ecclésiastique. La FNC est à la fois un mouvement de défense des libertés religieuses créé pour lutter contre la politique anticléricale du cartel des gauches, et l'action catholique générale des hommes. La première partie étudie le mouvement : organisation, effectifs, méthode de propagande, rapports avec la hiérarchie ecclésiastique, sociologie des cadres et implantation régionale. La seconde partie traite des rapports de la FNC et du politique notamment à travers ses liens avec l'Action francaise, les partis de droite et les ligues. La FNC veut se situer au-dessus des partis tout en exerçant une influence sur les élections. Ses prises de position nationalistes occasionnent de nombreux incidents avec les journaux démocrates chrétiens ou l'ACJF. La FNC est un révélateur des divisions des catholiques français sur la question de la paix. La troisième partie s'attache au projet de la FNC de rechristianiser l'ordre social à travers l'école, la corporation, la morale publique. Enfin, la quatrième partie étudie la FNC pendant la deuxième guerre mondiale. Repliée à Toulouse, la FNC publie jusqu'en 1944 son hebdomadaire la France catholique. Les trajectoires des grandes figures de la FNC divergent, Le Cour Grandmaison soutient Pétain et la Révolution nationale tandis que le général de Castelnau entouré d'André Pironneau et du général Tournes récuse l'armistice puis condamne fermement la politique de collaboration. Il garde espoir dans les Alliés et espère que la France d'une façon ou d'une autre participera à sa libération et a des sympathies pour la Résistance. La FNC offre une culture politique originale faite de traditionalisme et d'ouverture à la question sociale et largement ralliée au régime républicain.
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Rodrigues, Alessandro Antonio [UNESP]. "Os projetos para o desenvolvimento da nação na Revista Cultura Política durante o Governo Vargas." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/88751.
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rodrigues_aa_me_mar.pdf: 825366 bytes, checksum: 8fbe3073df7bdd23f080db418a3dd458 (MD5)A Revista Cultura Política foi um dos canais de difusão da ideologia de governo que se articulou no Estado Novo. Ela circulou de março de 1941 a outubro de 1945. Era uma revista de estudos brasileiros destinada a explicar as transformações socioeconômicas pelas quais passava o país. Além de relatar minuciosamente as realizações governamentais, ela funcionava como uma central de informações sobre Getúlio Vargas e o Estado Novo. Durante a sua existência, atingiu a marca de 50 publicações com ampla divulgação e vendidas mensalmente nas bancas do Rio de Janeiro e São Paulo. Teve a participação de grandes expoentes da intelectualidade brasileira abrigando as mais diversas correntes de pensamento, tais como: Almir de Andrade, Azevedo Amaral, Cassiano Ricardo, Francisco Campos, Lourival Fontes, Graciliano Ramos, Gilberto Freyre, Nelson Werneck Sodré, entre outros presentes na elaboração dos artigos da Revista, os mais variados temas discutidos por eles e a alta tiragem de seus exemplares, nos chamaram a atenção e serviram de base para o nosso estudo. A partir dos artigos da Revista Cultura Política, propomos um estudo dos projetos para o Brasil dos intelectuais autoritários que, em certa medida, eram influentes no pensamento estadonovista. Nossa proposta entende que é possível estabelecer uma análise dos discursos contidos nos artigos destes intelectuais com o propósito de entender como eles viam a Nação e qual era o seu projeto de desenvolvimento para ela, especialmente no tocante aos rumos da economia brasileira e sua inserção no mundo. Estudaremos o pensamento e os artigos dos autores: Almir de Andrade, Azevedo Amaral, Cassiano Ricardo, Francisco Campos e Lourival Fontes, pois estes autores são considerados os principais autores autoritários e ideólogos do Estado Novo
Political Culture Magazine was one of the diffusion channels of government ideology formed during the “Estado Novo “(the political regime instituted by Getúlio Vargas in Brazil from 1937 to 1945). The magazine was published from March, 1941 through October, 1945. It dealt with Brazilian studies and aimed at explaining the social economical changes in course in Brazil at that time. Besides of reporting the governmental accomplishments in details Political Culture Magazine also played the role of a bibliographical information center announcing and reviewing publications about Getúlio Vargas and the “Estado Novo”. During its existence it achieved 50 publications with large diffusion as it was monthly sold at newsstands in Rio de Janeiro and São Paulo. There was a participation of many outstanding intellectuals embracing the most diverse trends of thought such as Almir de Andrade, Azevedo Amaral, Cassiano Ricardo, Francisco Campos, Lourival Fontes, Graciliano Ramos, Gilberto Freyre, Nelson Werneck Sodré, among other articles’ writers. The most varied subjects were discussed there and the high circulation figures called our attention thus constituting the basis of our work. Starting from the Political Culture articles our proposal aims at studying the economical debate among the magazine members - the so called authoritarian intellectuals - who conceived projects for Brazil, i.e. the intellectuals who to a certain extent influenced the estadonovista thought and therefore its economical thought. We believe it is possible to comparatively analyze the content of their speeches in order to better understand how they viewed the nation and what was their development project for the country specially concerning the guidelines of the Brazilian economy and its insertion in the world. Among those authors a special attention will be given to Almir de Andrade, Azevedo Amaral, Cassiano Ricardo, Francisco Campos e Lourival Fontes
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West, Michael. "Mathematical Modelling of DNAPL Source Zone Remediation." Thesis, 2009. http://hdl.handle.net/1974/1883.
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Mathematical modelling was utilized to evaluate trichloroethylene (TCE) and tetrachloroethylene (PCE) dense non-aqueous phase liquid (DNAPL) source zone remediation in the subsurface environment. Semi-analytical solutions were derived, tested, and employed to evaluate the benefits of source zone concentration reduction and solute degradation mechanisms on the evolution of plumes in porous media and fractured rock domains. Simulations of treatment in complex DNAPL source zones using different remedial technologies were completed with a numerical model that was developed, tested, calibrated, and applied to nine idealized heterogeneous porous media sites.
Analytical modelling revealed that, in domains dominated by matrix diffusion, aggressive and moderate source zone concentration reduction may have similar effects on the leading edge of the plume. The tailing (near source) edge of the plume may be more responsive to aggressive concentration reduction, particularly when diffusion processes are negligible. Both the near-field (near-source) and far-field plume responses were strongly influenced by the matrix decay half-life for both transient and steady-state conditions. The degradative capacity of the matrix largely dictated plume extent and life-span for the fractured bedrock site considered here.
Numerical simulations of in situ source zone treatment with chemical oxidation (ISCO), enhanced bioremediation (ISEB), and surfactants (SEAR) were compared and contrasted. Treatment efficacy was site specific, with benefits observed at some sites, and detrimental impacts observed at others. Each technology demonstrated some degree of performance enhancement relative to dissolution only (no treatment). The maximum DNAPL mass depletion enhancement factors for ISCO, ISEB and SEAR, were 1.44, 2.91, and 2.70 after 10 years, respectively. Similarly, the maximum boundary mass flux enhancement factors for ISCO, ISEB and SEAR were 9.78, 3.32, and 3.97, respectively. While notable enhancements were observed for many sites during active treatment, the long-term performance of pre-maturely terminated ISCO and ISEB, and to a lesser degree SEAR, was similar to dissolution. Overall, the partial depletion of DNAPL mass from source zones produced on-going persistent boundary mass flux signatures. Only the complete removal of DNAPL mass, which was attained for one site with SEAR, successfully eliminated downgradient boundary mass flux.Thesis (Ph.D, Civil Engineering) -- Queen's University, 2009-05-21 08:55:04.491
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Gutkin, David. "American Opera, Jazz, and Historical Consciousness, 1924-1994." Thesis, 2015. https://doi.org/10.7916/D81835SM.
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From the 1970s through the early 1990s numerous critics commented on an apparent “rebirth” of American opera. Subsequent scholarship has increasingly sanctioned a consensus view holding up Philip Glass and John Adams as the central figures in this opera resurgence. Although I do not dispute the importance of (post-)minimalism in these decades, my gambit in this dissertation is to reframe the idea of a late twentieth-century operatic renaissance by tracing a long relationship between jazz and the concept of American opera. The jazz genealogy of American opera that I develop in this study is intended not only to draw attention to a body of work that has been largely ignored but also to unfold antinomies of postmodern historical consciousness that were manifest in the operatic resurgence more generally. Although my inquiry extends as far back as the 1920s, this dissertation by no means presents a continuous history of opera from 1924 to 1994, as the subtitle might imply. The weight is squarely placed on the 1970s through the early 1990s.
Chapter 1 explores racial dimensions of the concept of “modernity” through a study of Harlem Renaissance composer H. Lawrence Freeman’s never-performed “jazz opera” American Romance (1924-1929). Chapter 2 chronicles the Harlem Opera Society’s abandonment of its former European repertory and subsequent reinvention as the Afro-American Singing Theater/Jazz Opera Ensemble during the late 1960s and 1970s. Chapter 3 tracks the transformation of jazz in the 1980s into an increasingly historicist—or possibly posthistoricist—music through a series of works that I call “jazz-historical operas.” Chapter 4 works through a tension between “actuality” and allegory in Robert Ashley’s television opera trilogy (1978-1994) about American history.
The name of Duke Ellington winds through the four chapters as a kind of red thread. “Ellington” functions as a multivalent trope, alternatively signifying hypermodern America, the black cultural tradition, composition, and improvisational “actuality.” In a brief epilogue I identify another figure whose name has somewhat more furtively shadowed my study: Richard Wagner. I suggest that the idea of an “Ellington-Wagner matrix” in American opera both symbolizes a tradition of cultural hybridity and identifies a problematic concerning history and sonic materiality (roughly, the distinction between “event” and “representation”) expounded in the preceding chapters.
In some ways, my analysis of the deeply ambiguous status of historicity and modernity in twentieth century American culture will prove consonant with many previous discussions of the topic. But I hope that in certain fundamental respects my study may also be understood as a novel, even interventionist foray into historical theory. Race has scarcely been an overlooked topic in critical inquiry and cultural theory of the last three decades, but it is hard to ignore the Eurocentric—or Euro-American—thrust of much of the canonical discourse on postmodernity and historicity, some of which was surveyed above. My attempts to interpret transformations in historical consciousness through shifting relationships between two culturally and racially supercharged signifiers—“jazz” and “opera”—might be taken as a challenge to this tendency.
Books on the topic "1883-1974"
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1946-, McDonald Dalton P., ed. The original Norfolk Southern Railway, 1883 to 1974. Laurys Station, PA: Garrigues House, 2007.
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Reisweber, Robert C. The original Norfolk Southern Railway, 1883 to 1974. Laurys Station, PA: Garrigues House, 2007.
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Barjot, Dominique. La grande entreprise française de travaux publics, 1883-1974. Paris: Economica, 2006.
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La grande entreprise française de travaux publics: 1883-1974. Paris: Economica, 2006.
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compiler, Imām Muḥammad Rifʻat, ed. Tashrīʻāt al-ṭufūlah wa-al-aḥdāth fī Miṣr, 1883-1974. [al-Qāhirah]: Maṭbaʻat Dār al-Kutub wa-al-Wathāʼiq al-Qawmīyah bi-al-Qāhirah, 2013.
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Bates, John W. The ancestry and lineage of G. Walter Bates (1883-1970) and Sarah Ann Armistead Bates (1885-1974). Americus, Ga: John W. Bates, 2006.
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Let this life speak: The legacy of Henry Joel Cadbury. Philadelphia: University of Pennsylvania Press, 1987.
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Clark, Marcia R. Maria L.E. Heiden (1891-1975) and Gust C. Peterson (1883-1974) of Kidder County, North Dakota, and their descendants and some of their ancestors. Naperville, IL (40 W. Bailey Rd., Naperville 60565): J and M Pub., 2001.
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Vermont. Constitution of the State of Vermont, established July 9, 1793 and amended in 1828, 1836, 1850, 1870, 1883, 1913, 1924, 1954, 1964, 1974, 1982, and 1986. [Montpelier]: J.H. Douglas, Secretary of State, 1987.
Find full textBook chapters on the topic "1883-1974"
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"MAUFE, Edward (né Muff) (1883–1974)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers, 2118–19. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-1100.
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Sendra, Frédérick. "La poétesse Jehanne d’Orliac (1883-1974) et la pianiste Geneviève Dehelly (1885-1970) : un duo entre littérature et musique." In Musiciennes en duo, 107–22. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.95233.
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