Academic literature on the topic '1887-1985'
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Journal articles on the topic "1887-1985"
Hutchins, Carleen M. "Osborne, Harold S. • 1887–1985." Journal of the Acoustical Society of America 79, no. 6 (June 1986): 2096. http://dx.doi.org/10.1121/1.393175.
Full textHSUEH, PAN-WEN. "Nereis taichungensis nom. nov., a replacement name for Nereis articulata Hsueh, 2020, a junior primary homonym to Nereis articulata Ehlers, 1887." Zootaxa 4822, no. 1 (August 4, 2020): 138. http://dx.doi.org/10.11646/zootaxa.4822.1.9.
Full textSchubert, Klaus. "Recenzo de la libro: Rokicki, Ryszard. 2022. Enkonduko en la morfologion de Esperanto. Kaliningrado: Sezonoj / Kaunas: Litova Esperanto-Asocio (Scio, 11)." Esperantologio / Esperanto Studies 13, no. 5 (July 2024): 136–40. http://dx.doi.org/10.59718/ees11736.
Full textNunes, J., C. Silva, and E. Jesus. "New species of Lepidoptera for mainland Portugal (Insecta: Lepidoptera)." SHILAP Revista de lepidopterología 49, no. 195 (September 30, 2021): 507–11. http://dx.doi.org/10.57065/shilap.289.
Full textSalcman, Michael. "THE FIANCÉE WITH A BLUE FACE BY MARC CHAGALL (1887–1985)." Neurosurgery 61, no. 6 (December 1, 2007): 1322–24. http://dx.doi.org/10.1227/01.neu.0000306112.00916.34.
Full textCARDOZO, DARIO, and DIEGO BALDO. "Pseudopaludicola ternetzi (Anura: Leiuperidae): two lectotypes for the same taxon." Zootaxa 3192, no. 1 (February 14, 2012): 67. http://dx.doi.org/10.11646/zootaxa.3192.1.6.
Full textOrlando, José Antônio. "O sagrado e o profano em Marc Chagall." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 10, no. 19 (November 9, 2016): 62–71. http://dx.doi.org/10.17851/1982-3053.10.19.62-71.
Full textHughes, Christena F. "About the Cover: I and the Village (1911)/Marc Chagall (1887–1985)." Journal of the American Pharmaceutical Association (1996) 41, no. 3 (May 2001): 496. http://dx.doi.org/10.1016/s1086-5802(16)31277-3.
Full textSalgado, Marcus Rogerio Tavares Sampaio. "O naufrágio no castelo: maquinaria gótica do espaço em "En rade"." Organon 35, no. 69 (March 3, 2021): 1–15. http://dx.doi.org/10.22456/2238-8915.107975.
Full textClemente de SOUZA, Tania Conceição. "Transversal sayings." Revista Brasileira de Linguística Antropológica 14 (December 29, 2022): 407–22. http://dx.doi.org/10.26512/rbla.v14i1.44416.
Full textDissertations / Theses on the topic "1887-1985"
Park, ChanYoung. "La Bible illustrée par Marc Chagall (1887-1985) : un dialogue interculturel et son évolution." Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040141/document.
Full textThis study examines all of the Bible illustrations made by Marc Chagall. Once he started to work on the Bible by etching, the biblical theme became the major subject of his art, and these etchings have been largely used as a model for his other works. We analyse this Bible and all of the other biblical illustrated books of Chagall to find out their characteristics and their meanings in his entire religious art. In fact, we can notice in Chagall’s journey from his birth to his Bible illustrations that this artist has continually been moving between his own Jewish tradition and the outside world. These comings and goings make in him a duality and it becomes dynamic in his creations. His etchings for the Bible show especially this feature. They take root in Jewish tradition but also show various marks of different cultures known by the artist. Nevertheless, we can’t find this characteristic again in any of his other biblical illustrated books, because in appropriating the outside world as his own, the duality disappears and unites. As he works on stained-glass windows in churches, he develops a philosophical view of the universal peace and love based on his interpretation of the biblical message. Then he seeks this universality through all his religious works and biblical illustrations until his last days
Park, ChanYoung Foucart Bruno. "La Bible illustrée par Marc Chagall (1887-1985) un dialogue interculturel et son évolution /." S. l. : S. n, 2008. http://www.theses.paris4.sorbonne.fr/thesepark.pdf.
Full textBagraim, Abigail Sarah. "The Hasidic spirit as the foundation of the art of Marc Chagall." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1002189.
Full textDiedhiou, Salif. "L’énergie électrique au Sénégal de 1887 à 1985 : transfert de technologie, appropriation et enjeu politique d’un patrimoine industriel naissant." Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4039/document.
Full textThe electrification of Senegal had already occurred in 1889, in Saint-Louis, at a time when the European cities had yet to discover all the possibilities that this great technological innovation comprised. The industry of electricity thus remained in the hands of metropolitan entrepreneurs until the end of the 1970s. During this period, the technical personnel in charge of its operating were essentially European. It is with the nationalization process launched in the seventies that, for the first time, the term “senegalisation” is coined; and, with it, the process of technology transfers to the local personnel. Electricity de France, in agreement with the State of Senegal, has conducted this task. It nevertheless took close to a century, from 1889 to 1985, for Senegal to fully seize the technology. This thesis analyzes the introduction of techniques since the colonization and both the path of electrification of Senegal, alongside the tools necessary to the transfer of the technology of electrical energy. It further mentions the patrimonial policy, and the stakes of the industrial heritage in a non-industrial country such as Senegal
Kawiak, Ewelina. "Heurystyczna metoda G. Polya a umiejętność rozwiązywania matematycznych zadań problemowych przez uczniów klas trzecich szkoły podstawowej." Doctoral thesis, Katowice : Uniwersytet Śląski, 2019. http://hdl.handle.net/20.500.12128/9482.
Full textLetourneur-Latty, Laurence. "Les processus de la création artistique chez Chagall et Wagner : recherche sur le rôle de l'angoisse dans la création." Paris 5, 1995. http://www.theses.fr/1995PA05H006.
Full textThe associations abserved in Chagall's autobiography in comparison with the figurative representations scattered in the paintings lead to the question of the role of anguish in the creative porcess. The content analysis of Wagner's autobiography in comparison with the thematic of his lyric works, tragedies and librettos, shows clearly that this role is paramount. If the pressure of anguish triggers the process, its necessary control is achieved with the symbolisation of its parts, and through a transfer of impulsive energy from anguish to creation. At last, anguish feeds the creation of its own materials, which are with Wagner of oedipian extraction. For the creator, creation is then his therapy and his salvation
Lacombe, Jean-Pierre. "Une grande famille médicale lyonnaise : Marc-Auguste, Maurice, Auguste et Eugène Pollosson (1818-1985)." Lyon 1, 1985. http://www.theses.fr/1985LYO1S343.
Full textZekri, Caroline. "Vincenzo Cardarelli (1887-1959) : du mythe de la prose d’art au mythe autobiographique." Paris 4, 2007. http://www.theses.fr/2007PA040221.
Full textVincenzo Cardarelli (1887-1959), poet, prose writer and founder of La Ronda review (1919-1923), remains primarily associated to the under taking of the classical restoration of the review, and therefore, to the “art prose” genre, where together with Emilio Cecchi (1884-1966), he would be an uncontested master. After an historical and theoretical analysis of the notion of “art prose”, where we propose a poetic definition rather than a generic one, an overall analysis of Cardarelli’s work, as in comparison with Emilio Cecchi’s and Riccardo Bacchelli’s work, enables us to differentiate from Cardarelli’s work what we called the “ art prose myth”. On the other hand, it also enables us to update the construction, both in prose as well as in poetics, of a truly “autobiographical myth”. By showing how this “isolated” voice (according to Montale’s expression) makes its way throughout its time, a mediation role assured by Cardarelli is revealed. At the same time, he defines himself as a precursor of hermeticism and as a single interpretor of the “autobiographical myth”, forged by La Voce writers, which he uses in order to offer a completely personal thinking process which reveals a resolutely modern practice of “self” writing
Sigman, Aprill C. "Depicting the role of problem solving in mathematics education throughout the twentieth century : finding basic themes through an historical perspective." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1050230.
Full textDepartment of Mathematical Sciences
Perottino, Serge. "Transcendance et subjectivité : les problèmes de la création : Brea, Van Gogh, Chagall." Nice, 1989. http://www.theses.fr/1989NICE2009.
Full textBooks on the topic "1887-1985"
Musée National du Message Biblique Marc Chagall (Nice), ed. Marc Chagall: 1887-1985. 2nd ed. Paris: Editions de la Reunion des Musées Nationaux, 1986.
Find full textRéunion des musées nationaux (France) and Musée national Message biblique Marc Chagall, eds. Marc Chagall, 1887-1985. Paris: Editions de la Réunion des musées nationaux, 1991.
Find full text1887-1985, Chagall Marc, ed. Mark Shagal: 1887-1985. Moskva: Iskusstvo XXI vek, 2010.
Find full textWalther, Ingo F. Marc Chagall, 1887-1985: Painting as poetry. Cologne: Benedikt Taschen, 1993.
Find full textSchwitters, Kurt. Kurt Schwitters, 1887-1948: May-June 1985. New York, N.Y: Marlborough Gallery, 1985.
Find full textWalther, Ingo F. Marc Chagall 1887-1985: Painting as poetry. Cologne: Benedikt Taschen, 1987.
Find full textBook chapters on the topic "1887-1985"
Karttunen, K. "Varma, Siddeshwar (1887–1985)." In Encyclopedia of Language & Linguistics, 395. Elsevier, 2006. http://dx.doi.org/10.1016/b0-08-044854-2/02955-2.
Full text"(1985־1887) [לאַגעס] לאַגאַש קראַמ." In Jerusalem of Lithuania, 156–57. Ohio State University Press, 2020. http://dx.doi.org/10.2307/j.ctv16b77z0.27.
Full textNeu, Jerome. "“Does The Professor Talk to God?” Learning from Little Hans." In A Tear Is an Intellectual Thing, 200–228. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195123371.003.0012.
Full textGriffith, J. A. G. "Judges and the Constitution." In Law, Society and Economy, 289–310. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198262282.003.0013.
Full textPonder, Winston F., and David R. Lindberg. "Gastropod phylogeny — challenges for the 90s." In Origin and Evolutionary Radiation of the Mollusca, 135–54. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198549802.003.0011.
Full text"No. 30483. International Agreement on the use of INMARSAT ship earth stations within the territorial sea and ports. Concluded at London on 16 October 1985." In Treaty Series 1887, 511. UN, 2000. http://dx.doi.org/10.18356/0dc6ad31-en-fr.
Full textDasgupta, Subrata. "Going Heuristic." In It Began with Babbage. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199309412.003.0018.
Full textTardini, Stefano. "Development of IT and Virtual Communities." In Encyclopedia of Multimedia Technology and Networking, Second Edition, 349–55. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-014-1.ch048.
Full textRidings, Catherine M. "Defining "Virtual Community"." In Virtual Technologies, 8–14. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-955-7.ch002.
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