Academic literature on the topic '1889-1946'
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Journal articles on the topic "1889-1946"
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Köbler, Gerhard. "Braun, Konstanze, Dr. Otto Georg Thierack (1889–1946)." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 124, no. 1 (August 1, 2007): 785–87. http://dx.doi.org/10.7767/zrgga.2007.124.1.785.
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Zinchenko, O. V. "Evolution of the Constitution of Japan (1889-1946): comparative research." Analytical and Comparative Jurisprudence, no. 1 (July 2, 2022): 20–24. http://dx.doi.org/10.24144/2788-6018.2022.01.3.
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A comparative analysis of the constitutions of Japan in 1889 and 1946, their common features and differences.
It is concluded that both Basic Laws meant the second, after ancient Chinese law, and the third reception of foreign law. The common features and differences inherent in the constitutions, due to the combination of the influence of foreign law with Japanese traditions, and the importance of constitutions in ensuring rapid and effective political and socio-economic development of the country at two historical stages.
Common features include small volumes of texts, the proclamation of Japan as a constitutional monarchy by both basic laws, the consolidation of the principle of separation of powers, the duty of subordinates and citizens to pay taxes, the emperor's right to dissolve the lower house of parliament, constitution by foreign legal ideas, foreign law with Japanese traditions, promoting rapid and effective political and socio-economic development and improving the legal culture of the population.
The differences are the enshrinement of the 1946 Constitution, the principle of people's sovereignty, the radical limitation of the emperor's powers, the proclamation of parliament as the supreme body of state power, the abolition of the hereditary chamber of parliament as part of parliament, its replacement by an elected chamber of advisers parliament, the elimination of estates, the consolidation of political and socio-economic rights of citizens, the declaration of their inviolability and the principle of pacifism. Constitutions differ in the responsibility of deputies for expressing opinions outside parliament, the presence or absence of a section in the text on the government, the Secret Imperial Council, the content of the independence of the judiciary, its structure, the status of the emperor, the powers of government.
Also among the differences are the formation of constitutions under the influence of different legal families: Anglo-American law on the Basic Law of 1946 and Romano-Germanic law on the content of the Constitution of 1889. The content of the constitutional monarchy is different: the first basic law provides broad executive and legislative powers of the emperor, and the second ‒ a parliamentary monarchy, with purely ceremonial prerogatives of the emperor.
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Búrigo, Elisabete Zardo. "Aritmética nas escolas primárias gaúchas na primeira metade do século 20: o ensino prescrito." História da Educação 18, no. 44 (December 2014): 9–25. http://dx.doi.org/10.1590/s2236-34592014000300002.
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Da proclamação da República, no Brasil, em 1889, até a decretação da Lei Orgânica sobre o Ensino Primário, em 1946, as normatizações sobre o ensino primário foram incumbência dos Estados que compunham a federação. Neste texto examinam-se as normatizações estabelecidas, neste período, no Estado do Rio Grande do Sul, no período conhecido como Primeira República (1889-1930) e na chamada Era Vargas (1930-1945), enfocando as prescrições relativas ao ensino da Aritmética. São estabelecidas conexões entre as orientações programáticas e metodológicas para a Aritmética e as políticas governamentais de expansão, ordenamento, modernização e controle do ensino primário.
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Pushkin, S. V. "Discoveries of Carpet Beetles (Coleoptera: Dermestidae) of the South of Russia." Entomology and Applied Science Letters 4, no. 2 (May 27, 2017): 29. http://dx.doi.org/10.24896/easl2017427.
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SUMMARY. As a result of the collecting in 2003–2015 in the south part of European Russia and in the North Caucasus 15 species of the carpet beetles (Dermestidae) were found, which was firstly recorded for the Russian territory or was recently listed without specific information: Dermestes intermedius Kalik, 1951, Dermestes elegans Gebler in Ledebour, 1830, Attagenus fasciolatus (Solsky, 1876), Anthrenus amoenulus Reitter, 1896, Anthrenus zebra Reitter, 1889, Anthrenus latefasciatus Reitter, 1892, Anthrenus olgae Kalik, 1946, Anthrenus tadzhicus Mroczkowski, 1961, Anthrenus hissaricus Mroczkowski, 1961, Anthrenus sordidulus Reitter, 1889, Attagenus ionicus Zhantiev, 2005, Attagenus unicolor simulans Solsky, 1876, Attagenus suspiciosus Solsky, 1876, Ctesias hajeki Hava, 2005, Megatoma conspersa Solsky, 1876.
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Insausti, Gabriel. "Pacto entre caballeros: estética de la brevedad en Logan Pearsall Smith y Julio Torri." Revista Letral, no. 28 (January 31, 2022): 282–304. http://dx.doi.org/10.30827/rl.vi28.23537.
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La obra de Logan Pearsall Smith (1865-1946) y la de Julio Torri (1889-1970) ofrecen numerosas concomitancias, que en parte se explican como una decantación por el simbolismo y un rechazo del naturalismo y el positivismo desde contextos diferentes. Partiendo una renovación de la prosa moderna de fuentes francesas y del poema en prosa, ambos desembocaron en una exigua obra aforística.
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Dupont, Erika. "Paul Nash (1889-1946), témoin et acteur de la Grande Guerre." Revue du Nord 404-405, no. 5 (2014): 289. http://dx.doi.org/10.3917/rdn.404.0289.
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Mitchell, Richard S. "Who'S Who in Mineral Names: Wendell Eugene Wilson, Jr. (1946-), Ignacio Domeyko (1802–1889),." Rocks & Minerals 63, no. 5 (September 1988): 400–404. http://dx.doi.org/10.1080/00357529.1988.11761871.
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Prydatko-Dolin, Vasyl. "Vsevolod Averin (1889–1946), master of the Ukrainian school of animaliers and graphic artists." GEO&BIO 2022, no. 22 (June 30, 2022): 63–78. http://dx.doi.org/10.15407/gb2206.
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This article could have also been titled as ‘The little-known artist Vs. Averin.’ The impetus for its writing was the need to overcome post-Soviet propaganda, which invented the brand ‘Ukrainian Soviet artist’ and used it actively to sovietize biographies of Ukrainian artists. Vs. Averin is one of those artists. However, the Soviet style permeated Averin’s art independently through Averin’s presence in respective associations, unions, exhibitions, and publishing houses for which he acted professionally. In the same way, some of Averin’s art was adjusted artificially to the requirements of the Soviet system. Averin also illustrated memories of former revolutionists, he was among those who allegedly supported the Soviet collective farms, and he sympathized ostensibly with the ‘reunification of Ukraine and Russia’, and so on. The truth is that the work on the agitprop took away the artist’s time, which he could have used in other circumstances, in particular for painting. The author draws attention to many other things that are not yet voiced by the biographers. Averin had started with illustrating books before he entered art school, and in many ways he helped colleagues of his zoologist brother. Vsevolod was interested in everything that helped him to strengthen graphics, in particular through the usage of Egyptian and astrophysical symbols, occasionally photography. He created nice autolithographs for VUSOR—a legacy that remains unnoticed by exhibitioners today. The artist contributed a lot to the development of bookplates, trademarks, posters, stands, emblems, badges, covers, pictures for magazines, tokens, diplomas, letters of commendation, invitations, membership cards, as well as other items to advertise hunting and fishing equipment. He illustrated texts for famous writers and zoologists, including O. Vyshnya, Vikt. Averin, L. Portenko, M. Charlemagne, and others. He was the author of portraits of some educators, including T. Shevchenko. Some articles and books he published himself, such as ‘Interesting Plants’ and ‘Straw Bull’ (in Ukrainian). In the history of art, Averin will remain as a native of Kharkiv Oblast (Ukraine) and as a talented master of the national school of animaliers and graphic artists.
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Campos, Gustavo de Aguiar, and Flávia Maria Soares Pereira da Silva. "Polícia e Segurança: o Controle Social Brasileiro." Psicologia: Ciência e Profissão 38, spe2 (2018): 208–22. http://dx.doi.org/10.1590/1982-3703000213541.
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Resumo Este artigo discute os principais elementos referentes à relação entre polícia e sociedade, especialmente sobre o trato policial com grupos socialmente marginalizados, no período Colonial e Imperial (1500–1889), República Velha (1889–1930), Era Vargas (1930–1945) e Período Democrático (1946–1964). Buscamos com esse estudo, no campo da história social, compreender o processo de criminalização da pobreza para contribuir com a discussão das relações entre Estado e sociedade no Brasil. O procedimento de investigação consistiu em uma revisão de obras que versam sobre a história da polícia no Brasil, especialmente artigos científicos, dissertações, teses e livros. Constata-se com esse estudo a imbricação da polícia na relação entre Estado e os grupos marginalizados e reprimidos no país. Tal relação implica na manutenção da ordem pública necessária para a autorreprodução do modo de produção capitalista. Com o resultado alcançado conclui-se a necessidade de aprofundar os estudos sobre a função da polícia na sociedade, bem como a importância de estudos sobre segurança pública no âmbito da Psicologia, apontando para a interdisciplinaridade necessária para a compreensão dos modos de subjetivação no capitalismo.
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Afrah Mohammed Ali. "Employment and Labor Union Laws in Japan between the 1889 and 1946 Constitutions: A Comparative Study." Journal of the College of Education for Women 32, no. 4 (December 29, 2021): 128–42. http://dx.doi.org/10.36231/coedw.v32i4.1545.
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This research is based on the descriptive and analytical methodology. The importance of studying labor laws and labor unions in Japan between 1889 and 1946 constitutions is because Japan was out of a feudal phase, and had no idea about the factory system and industrialization in their modern sense before the Meiji era. Generally, its labor system used to be mostly familial, and the economic system was based on agriculture. This called for the enactment of legislations and laws appropriate for the coming phase in Meiji era. Thus, this paper examines the role of Meiji government in enacting labor legislations and laws when he came to power in 1896, and his new constitution in 1889 and the civil code of 1896. It further examines the way Meiji government and the following Japanese governments until the end of World War II did not abide by Meiji laws and stipulations of the constitution with their abusive actions in ending the workers’ strikes and disputes, with the inequality between genders in labor and wages, and the use of child labor in factories in an inhuman way. The paper clarifies the role of the American occupation of Japan (1945-1952) after dissolving Meiji constitution and legislations and the government measures that followed them to enact new legislations, laws and constitution for Japan on November 3, 1946, which was active in May 3, 1947. The paper has concluded that the American occupation policy of Japan was able to avoid the dissidence of millions of Japanese workers, whose level of livelihood was deteriorating after their country lost the war, and convert them from a dissident group against the occupation to a peaceful group which did not target the occupation in their future goals.
Dissertations / Theses on the topic "1889-1946"
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Puech, Chantal. "De l'état de dépendance vers une éthique de l'action et du devoir : l'univers romanesque de Ludwig Winder." Toulouse 2, 2000. http://www.theses.fr/2000TOU20092.
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Malgre la notoriete que lui accordaient ses contemporains, ludwig winder (18891946), journaliste et auteur de onze romans, deux pieces de theatre, et quelques nouvelles, demeure un ecrivain encore mal connu, voire meconnu. Il occupe une place a part dans la litterature pragoise de langue allemande en raison d'une oeuvre romanesque dont l'arriere-plan se refere largement aux realites sociales et politiques de l'epoque. Les huit premiers romans presentent un schema recurrent, ou intervient une scene marquante de l'enfance des personnages qui est a l'origine de leur parcours ulterieur. Cet evenement inaugural - moment determinant dans la structure de chaque roman materialise un espace de contraintes par rapport auquel ils doivent se positionner. A partir de leurs << plans de vie >> (notion d'alfred adler), qui constituent autant de reponses possibles au questionnement initial et dont la difference ou la complementarite est mise en perspective par une structure antagonique doublee d'une structure d'apprentissage, se trouve declinee la conception winderienne de l'homme. Celui-ci prend conscience de sa place dans le monde d'abord comme une dependance, puis comme une quete destinee a s'en liberer. Le schema permet de degager le systeme de valeurs que l'auteur souhaite promouvoir, au premier rang desquelles figure la lutte contre toute forme de totalitarisme. Dans les trois derniers romans, rediges en exil, winder en appelle aux valeurs de fraternite, de liberte, de devoir.
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Black, Jonathan Andrew Alexander. "'Neither beasts nor gods but men' : constructions of masculinity and the image of the ordinary British solider or 'Tommy' in the First World War art of C.R.W. Nevinson (1889-1946), Eric Henri Kennington (1888-1960) and Charles Sargeant Jagger (1885-1934)." Thesis, University College London (University of London), 2003. http://discovery.ucl.ac.uk/1383230/.
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In part this thesis was inspired by a reading of Frederic Manning's novel of the First World War, Her Privates We, published in 1930. In the novel's foreword Manning suggests that the men who did by far the most fighting and dying on the side of Britain during the First World War, ordinary soldiers in the ranks, had been fundamentally misunderstood by those writing about the war after the end of hostilities. Manning asserted, using the words I quote in the title of the thesis, that the men with whom he served in the ranks during the murderous battle of the Somme were not just soulless killers nor were they cattle-like victims who went to their deaths with no conception of why they fought. He remembered his comrades as ordinary men who consistently displayed an extraordinary capacity for endurance and ingenuity amidst the most atrocious conditions. Manning's perception of the ordinary British soldier, or Tommy' prompted me to explore the relatively under-researched and poorly appreciated area of imagery of the First World War created by British official and unofficial war artists. Those who had fought valued tremendously the imagery of the British soldier from the ranks created by Nevinson, Kennington and Jagger. One of the principle objectives of this thesis will be to uncover reasons for why this was the case. In addition, art of the First World War operates in an area over which a number of disciplines overlap, such as art history, military history, anthropology, literary history and gender studies. This thesis seeks to offer, in a manner which has not been hitherto attempted, to integrate approaches from the aforementioned disciplines in an attempt to enrich understanding of how various participants reacted in the way they did to images of British combatants created by Nevinson, Kennington and Jagger. In particular, this study acknowledges the advances made in the realm of Masculinity Studies over the past decade and argues that deployment of such research can considerably enhance our appreciation of why certain images, whether they be a painting or a drawing or a piece of figurative sculpture, could be greeted with widespread approbation or equally comprehensive condemnation. The author has been pleasantly surprised by the extent of unpublished material there still exists concerning the three artists under investigation despite the fact that, during their heyday, they were collectively regarded as among Britain's brightest artistic talents. There remains far more to be said, and argued, about the imagery of soldiers produced within Britain during one of the most traumatic and destructive episodes in human history. This thesis does not, in itself, constitute a definitive study of the careers of three fascinating and important artists during and immediately after the First World War. However, it is offered in the hope that the information it contains will spur future students of the era to further investigation in what remains an extremely fertile area for thought-provoking research.
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Vaisset, Thomas. "L’amiral Thierry d’Argenlieu : la mer, la foi, la France." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100153.
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Cette thèse est une biographie de l’amiral Georges Thierry d’Argenlieu (1889-1964), en religion le père Louis de la Trinité de l’ordre des Carmes déchaux.Entré à l’Ecole navale en 1906, il sert d’abord au Maroc où il rencontre Lyautey, puis en Méditerranée pendant la Grande Guerre. À l’issue du conflit, il quitte la Marine pour entrer au Carmel, aboutissement d’un cheminement débuté avant le conflit. Provincial de son ordre en 1932, ce catholique intransigeant, un temps séduit par les thèses de l’Action française, est l’un des principaux artisans du renouveau connu par l’ordre dans l’entre-deux-guerres. Mobilisé en 1939, il est fait prisonnier lors de la reddition de Cherbourg. Il s’évade et rallie le Royaume-Uni dès la fin juin 1940. De Londres à Dakar et du Gabon à la Nouvelle-Calédonie, il est aux avant-postes de la France Libre. Premier chancelier de l’Ordre de la Libération, ce très proche du général de Gaulle devient un amiral incontournable dans la Marine. En août 1945, il est nommé haut-commissaire de France en Indochine. Son mandat est marqué par l’impossibilité de parvenir à un accord avec Hô Chi Minh et par le déclenchement du conflit. Rappelé en 1947, il renouvelle ses vœux, puis reprend une existence monastique.Fondée entre autres sur les papiers inédits de Georges d’Argenlieu, cette thèse à la croisée de l’histoire navale, religieuse, politique et coloniale, ambitionne de retrouver l’unité d’un homme et l’intransigeance d’une vie. Elle permet d’interroger les rapports politico-militaires, l’acculturation des officiers à la République, la place des chrétiens dans la Cité, mais aussi la vision et les pratiques coloniales de la France de la LibérationThis dissertation is a biography of French Admiral Georges Thierry d’Argenlieu (1889-1964), whose religious name was Father Louis de la Trinité, of the Order of Discalced Carmelites.After joining the École Navale in 1906, he took part in the campaign in Morocco and served in the Mediterranean during the First World War. After the conflict, he left the Navy and entered the order of the Discalced Carmelite Friars; this was the consequence of a personal evolution that had started before the war. In 1932, he was elected Provincial Superior of the Order. He was one of the main contributors to the renewal of the Order between the wars. He was mobilised in 1939 and captured during the defence of Cherbourg, but he escaped shortly after and joined De Gaulle in London. From London to Dakar and from Gabon to New Caledonia, he held major positions in the Free French Forces. As the first Chancellor of the Order of the Liberation and a close friend of Général De Gaulle, he had a prominent status in the Navy. In August 1945, he was appointed High Commissioner in Indochina. His mandate was marked by the impossibility to reach an agreement with Hô Chi Minh and the beginning of the First Indochina War. He was recalled to France in 1947 and resumed religious life.This dissertation is notably based on Georges d’Argenlieu’s unpublished personal papers; it aims to provide consistency to the itinerary of a complex man who led an uncompromising life. It explores politico-military relations, the role of Christians in secular society, the relations between senior officers and the French Republic as well as the colonial vision and mores of France at the time of the Liberation
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Awazi, Mbambi Kungua Benoît. "Donation, saturation et compréhension." Paris 4, 2003. http://www.theses.fr/2003PA040087.
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Pour répondre à la question du statut de l'herméneutique (interprétation philosophique) en régime phénoménologique de l'(auto)-donation pure [J. -L. Marion], nous allons interroger deux stratégies exemplaires et complémentaires d'articulation entre la phénoménologie et l'herméneutique. Il s'agit de la stratégie directe de M. Heidegger dans l'ontologie de la compréhension finie du Dasein et la stratégie indirecte de P. Ricoeur dans l'ontologie ''brisée'' du Cogito ''blessé''. Dans le premier cas de figure [M. Heidegger], le phénomène par excellence est le retrait de l'Être du Dasein [Ereignis], qui demeure dans la dissimulation. La tâche de l'herméneutique est de dévoiler phénoménologiquement les couches originaires de l'Être du Dasein. Dans le deuxième cas de figure [ P. Ricoeur], la tâche de l'herméneutique est d'accéder à l'ipséité du Cogito ''blessé'', par l'interprétation des signes et textes de sa tradition et de sa culture. Le Cogito ''blessé'' est le résultat d'une déconstruction de l'Ego transcendantal qui se pose dans l'existence par la pensée. L'accès à l'ipséité du Cogito ''blessé'' ne se fait qu'indirectement par l'interprétation des signes et des textes, en vue d'une action bonne, dans des institutions justes. L'interrogation du rapport entre la Phénoménologie et l'Herméneutique chez M. Heidegger et P. Ricoeur, va nous donner un certain nombre des paramètres, critères, canons. . . ,pour expliciter la spécificité de l'herméneutique, dans le régime phénoménologique de l'(auto)-donation pure ou de la réduction à la ''pure forme de l'appel'' [ J. -L. Marion]. Si la compréhension occupe une place primordiale dans la phénoménologie herméneutique de M. Heidegger et de P. Ricoeur, alors quel est le statut de la compréhension dans le paradigme du phénomène saturé [J. -L. Marion] ?In response to the question of the status of hermeneutics (philosophical interpretation) within a phenomenological scheme(system) of pure givenness [J. -L. Marion], two complementary and exemplary strategies of articulation between phenomenology and hermeneutics will be examined. It concerns the direct strategy of M. Heidegger in the ontology of the finite understanding of the Dasein and the indirect strategy of P. Ricoeur in the shattered ontology of the weakened Cogito. With regard to the first individual [M. Heidegger] the phenomenon par excellence is the withdrawal of the Being from the Dasein whichs remains in the dissimulation. The task of hermeneutics is to uveil phenomenologically the original layers of the Being of the Dasein. In the second case [ P. Ricoeur], the task of hermeneutics is to reach the identity (Ipseity) of the weakened Cogito by the interpretation of the signs and texts of its traditions and cultures. The weakened Cogito is the result of a deconstruction of transcendantal Ego which arises in existence through thought. Access to the identity (Ipseity) from the weakened Cogito can only occur indirectly through the interpretation of the signs and texts, in view of a good action, in fair institutions. The question concerning the relationship between phenomenology and hermeneutics in M. Heidegger and P. Ricoeur, will give us a certain number of parameters, criteria, rules, in order to explain the specificity of hermeneutics in the phenomenological scheme of pure givenness or of reduction to the pure form of appeal [J. -L. Marion]. If comprehension occupies a primordial place in the hermeneutic phenomenology of M. Heidegger and P. Ricoeur, then what is the status of the comprehension in the paradigm of the saturated phenomenon [J. -L. Marion] ?
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Challéat-Fonck, Violaine. "Témoigner du présent : lettres et journaux de Hyacinthe Chobaut, 1915-1946." Paris 1, 2009. http://www.theses.fr/2009PA010599.
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Hyacinthe Chobaut (1889-1950), archiviste de Vaucluse et fondateur de La Gazette des Archives, a laissé trois témoignages : des Lettres rétrospectives écrites depuis le front en 1915, des Simples notes sur la crise de Munich, de septembre à octobre 1938, et un imposant Journal de près de quatre mille pages écrit au jour le jour de janvier 1939 à août 1946. Cherchant à produire des documents pour l 'histoire, il consigne des éléments puisés à la source de son expérience et des renseignements issus de canaux d'information multiples. L'étude de ces témoignages vise à déterminer les conditions matérielles et intellectuelles de leur production, et à mettre en lumière leur singularité, et l'apport qu'ils peuvent représenter. Apres avoir dressé le portrait de cet érudit formé à l 'Ecole des chartes, qui participe à la Grande Guerre avant de faire carrière aux archives départementales de Vaucluse, il s'agit d'analyser le regard personnel porté par le témoin sur son présent à travers ces pages.
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Maggini, Golfo E. "La justice de la pensée : la critique de la métaphysique de la subjectivité dans le différend heideggérien avec Nietzsche, 1936-1946." Paris 12, 1997. http://www.theses.fr/1997PA120045.
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Notre these se concentre sur les aspects varies et les etapes successives de la presence de nietzsche dans le projet de destruktion de la metaphysique de la subjectivite entreprise par heidegger dans les annees qui suivent le premier cours consacre a lui en 1936 et jusqu'a la lettre sur l'humanisme (1946). Afin de mesurer l'importance de cette presence, nous etudions l'enchevetrement de la confrontation heideggerienne avec la metaphysique avec le dispositif conceptuel de la "justice", tel qu'il se met en place tout au long de cette etape de la confrontation heideggerienne avec la metaphysique a partir et, d'une certaine facon, grace a son interpretation de nietzsche. Lors de sa premiere apparition, dans l'introduction a la metaphysique (1935), la justice est dike (sikn) au commencement-initial (anfang) de la philosophie : nous designons cette figure primordiale de justice en termes de justice aletheiologique. Par ailleurs, sa traduction comme "ajointement" (fug) est le premier indice de la nouvelle approche de l'historialite comme structure existentiale du dasein resultant de son traitement insuffisant dans etre et temps (1927). En effet, le terme cle de cette transmutation, celui de l'evenement appropriant (ereignis), peut etre place sous la configuration du dispositif de la "justice" (dike, fug). Dans notre seconde partie, nous abordons un autre aspect de justice, a savoir la justice (gerechtigkeit) comme figure ultime de la verite metaphysique - justice veritative - en incompatibilite absolue avec la dike presocratique : c'est la separation radicale entre ceux deux figures de justice qui aboutit a la reduction de la position fondamentale de nietzsche a une figure de la metaphysique de la subjectivite. Dans notre troisieme partie, nous suivons le sillage de ce developpement dans ses dernieres consequences, a savoir la definition du statut de la technique comme resultat de la metaphysique moderne de la subjectivite. La justice nietzscheenne, identifiee dans un premier temps a l'adequation et a la rectitude (richtigkeit), sera desormais renvoyee au calcul (rechnung) en devenant ainsi justice calculante. Dans nos parties introductive et conclusive, nous esquissons la facon selon laquelle a travers ces trois figures primordiales de justice apparait la justice hermeneutique, la "justice de la pensee" explicitee notamment par le terme du "differendOur thesis focuses on the various aspects of nietzsche's presence in the heideggerian project of destruktion of the metaphysics of subjectivity in the years following his first lecture course on "the will to power as art" (1936) and until the letter on humanism (1946). In order to make this explicit, we study the association of the questions of subjectivity and justice in heidegger's interpretation of nietzsche. In fact, the theme of justice appearing in all his ontological implications for the first time in introduction to metaphysics (1935) gives access to the different ways in which nietzsche intervenes in his confrontation with the question of the origin and history of metaphysics. In the first place, justice is dike in the presocratic beginning of philosophy. Its translation as "joining" (fug) permits a new approach to the status of dasein's historicality in fundamental ontology. Actually, its reformulation in the major work of 1936-1938 beitrage zur philosophie (vom ereignis) is the result of the insufficient treatment of being and time. In our second part, we examine another aspect of heidegger's interpretation of justice (gerechtigkeit) in nietzsche qualified as the ultimate moment of the metaphysics of truth. The radical separation of presocratic dike from gerechtigkeit results in his definition as the "metaphysician of subjectivity". In the horizon of the history of being, the justice of life is represented (vor-gestellt) by the will to power. In our third part, we study the ontological status of modern technology as the result of the metaphysics of subjectivity. This is possible insofar as nietzschean justice is identified with rectitude (richtigkeit) and calculative thought (rechnung). In our introduction and conclusion, we concentrate on the hermeneutical nature of justice as "justice of the thought" taking as starting point the term of "differend" (auseinandersetzung) which caracterises the heidegger-nietzsche encounter from its very beginning
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Orgeval, Domitille d'. "Le Salon des Réalités Nouvelles : les années décisives : de ses origines (1939) à son avènement (1946-1948)." Paris 4, 2007. http://www.theses.fr/2007PA040213.
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Créé par l’amateur d’art Frédo Sidès en juillet 1946, le Salon des Réalités Nouvelles est animé à ses débuts par Auguste Herbin et Félix Del Marle. S’inscrivant dans la filiation d’Abstraction-Création, il a pour objectif l’organisation en France d’expositions annuelles d’ « art concret, art non figuratif ou art abstrait ». De 1946 à 1948, le salon qui se tient au Palais des beaux-arts de Paris, donne une visibilité inédite à l’art abstrait par sa politique de large ouverture et sa volonté d’internationalisation (le salon de 1948 compte plus de 350 exposants et regroupe 17 nations). La consultation des archives du Salon des Réalités Nouvelles, jusqu’alors méconnues, a permis d’en connaître le fonctionnement et la politique de diffusion et de reconnaissance. Elle a aussi démontré que le salon constituait le point d’aboutissement d’une longue gestation qui nous ramène aux années trente, en particulier à l’analyse de ses liens avec l’exposition « Réalités Nouvelles » organisée galerie Charpentier par Frédo Sidès et Yvanohé Rambosson en 1939Created by the art lover Frédo Sidès in july 1946, the « Salon des Réalités Nouvelles » was first directed by Auguste Herbin and Félix Del Marle. In the line from Abstraction-Creation, it was meant to set up annual « concrete art, non figurative or abstract art » exhibitions. From 1946 to 1948, the Salon, which was held in the Palais des Beaux Arts in Paris, offered a unique visibility for abstract art, with a very open policy and a will for international participation (the 1948 Salon was attended by more than 350 exhibitors representing 17 nations). Consulting the archives of the SRN, quite forgotten until now, offers the opportunity to understand how the Salon worked, and learn about its diffusion and recognition policy. This consultation also proves that the Salon was the conclusion of a long gestation which started in the 1930’s, an dis directly coneected to the exposition « Réalités Nouvelles » held in the Charpentier gallery by Frédo Sidès and Yvanohé Rambosson in 1939
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Dodet, Cyrielle. "Entre théâtre et poésie : devenir intermédial du poème et dispositif théâtral au tournant des XXe et XXIe siècles." Thèse, Sorbonne Paris Cité, 2015. http://hdl.handle.net/1866/13605.
Full textAbstract:
Thèse réalisée en cotutelle avec l'Institut d'Études théâtrales de l'Université Sorbonne nouvelle - Paris 3Désireuse de s’affranchir d’une approche essentialiste et figée de la poésie au théâtre ainsi que d’une lecture générique, cette recherche envisage selon une méthodologie intermédiale les relations entre théâtre et poésie. En analysant un corpus témoin composé de créations textuelles et scéniques, elle montre comment la présence active de la poésie travaille le théâtre, et partant, elle les précise tous deux par leurs interactions. La première partie établit une généalogie de l’intermédialité du théâtre et de la poésie, et des liens dynamiques entre théâtre et poésie. Tout au long du XXe siècle, poésie et théâtre se sont en effet affirmés comme des « hypermédias » (Kattenbelt), mettant respectivement en jeu divers médias, tandis que plusieurs dramaturges ont développé des poésies théâtrales explorant des processus intermédiaux. Sont dégagées et analysées quatre configurations spécifiques à travers les œuvres et réflexions de Mallarmé et Maeterlinck, de Stein et Artaud, de Gauvreau et Novarina et à travers la poésie transmédiale que Cocteau développe entre théâtre et cinématographe. Consacrée au tournant des XXe et XXIe siècles, la deuxième partie élabore une approche théorique du poème théâtral, qui actualise les relations entre théâtre et poésie. Le poème théâtral constitue un dispositif intermédial qui, selon un modèle élaboré par Ortel et Rykner, articule inextricablement trois niveaux : technique, pragmatique et symbolique. Plusieurs traits précisent ce dispositif : sa radicalité dynamique, sa performativité, sa valorisation de l’écriture comme processus, et sa façon de considérer l’impossible comme moteur théâtral. Des analyses d’œuvres textuelles et scéniques de Kane, Malone, Danis, Régy et Lemoine montrent ensuite comment ce dispositif intermédial est activé et ce que le poème théâtral propose au lecteur et au spectateur comme expérience esthétique. Saisir le devenir intermédial de la poésie au théâtre permet de penser un modèle interartial placé sous le signe de l’hospitalité, où les arts, égaux, dialoguent entre eux et échangent, en faisant travailler ensemble leurs hétérogénéités et leurs altérités.
In an effort to do away with an essentialist, rigid, and generic approach to poetry in dramatic works, this research looks at the relationship between poetry and drama using an intermedial methodology. By studying a sample corpus made up of textual and theatrical works, this thesis shows how the active presence of poetry is at work in theatre, thereby redefining each of the two concepts through the ways in which they interact. The first chapter traces the genealogy of intermediality within poetry and drama, and that of the dynamic connections between drama and poetry. Throughout the twentieth century, poetry and theatre have come to be seen as « hypermedia » (Kattenbelt), each of them bringing into play various types of media. Meanwhile a number of playwrights started developing dramatic poems exploring intermedial processes. This research identifies and analyses four distinct forms in the thought and works of Mallarmé and Maeterlinck, Stein and Artaud, Gauvreau and Novarina, through the transmedial poetry developed by Cocteau at the confines of drama and cinematography. With a focus on works from the turn of the twentieth to twenty-first century, the second chapter offers a theoretical approach to the dramatic poem, that seeks to bring an updated approach to interactions between drama and poetry. The dramatic poem is an intermedial apparatus that, in Ortel and Rykner's view, inextricably combines the technical, the pragmatic and the symbolic. This apparatus is characterised by its dynamic radicalism, its performativity, its focus on the value of writing as a process and the way in which it conceives of impossibility as a dramatic driving force. Analyses of textual and dramatic works by Kane, Malone, Danis, Régy and Lemoine suggest how intermedial apparatuses are triggered and the kind of aesthetic experience the dramatic poem offers to readers and viewers. Contemplating intermedial processes of poetry in theatre allows for the reframing of an interartial model in an inclusive, hospitable fashion, where all art forms are considered equal, engage in dialogue and exchange, and combine their differences towards a common object.
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Milheiras, Josué Batista Fragoso. "Abel Salazar: uma perspectiva caleidoscópica." Master's thesis, 2008. http://hdl.handle.net/10400.6/3399.
Full textAbstract:
Não faltam sínteses biográficas sobre Abel Salazar (1889-1946). Justificar-se-á,
então, a elaboração de uma nova trajectória da vida de tal figura e a descrição da respectiva
obra? Cremos que sim e tentá-las-emos, bem acompanhados, no âmbito de provas académicas
com o rigor metodológico e a profundidade científica que estas exigem e, decerto, com os
novos enquadramentos teóricos e metodológicos quanto à elaboração de um trabalho de tal
índole.
Na grande tradição historiográfica, podíamos elaborar este trabalho enquadrando o
homem na sua época e mostrar depois os contributos mais específicos de alguém que cumpriu
a vida com rigor, inteligência e talento, como médico, investigador, artista e particularmente
cidadão. Todavia, antecipadamente, interessa-nos uma perspectiva prosopográfica, a
adquirida de acordo às indicações de Lawrence Stone. Assim mais do que esmiuçar a época
em que viveu a figura em causa, pretendemos desenhar o núcleo das suas relações nos
âmbitos do seu labor: a ciência e a missão médica, a arte e a política.
Extrapolando o método daquele historiador da modernidade para os tempos
contemporâneos, no caso em questão, podemos agrupar um conjunto de figuras próximas de
Abel Salazar: Aquilino Ribeiro, Egas Moniz, Miguel Bombarda, Marck Athias, Jaime
Cortesão, Ruy Luís Gomes, entre outros. Como objectivo imediato, tentaremos demonstrar a
similitude das trajectórias de vida destas personalidades com a do protagonista do nosso
trabalho e retomar o conceito de geração que na moderna história da literatura portuguesa foi
aplicado em outros casos.
Qual a relação de Abel Salazar com os maiores vultos, já referenciados nos diversos
âmbitos da história portuguesa do seu tempo? Quem participou na formação do seu ideário?
Que intercâmbios houve entre os que caminharam com ele e quais as figuras que ele influenciou? Quem deixou marcas no seu pensamento? Quem o norteou? Que caminhos
seguiu e porquê?
Para conseguir responder a este conjunto de questões debruçar-nos-emos sobre as
principais doutrinas e teorias científicas que o precederam e acompanharam a que aderiu ou a
que se opôs e muito particularmente sobre o neo-positismo, que sabemos cultivou.
Observaremos, pois, a formação do pensamento de Abel Salazar, a sua obra científica e
artística, as suas perspectivas pedagógicas e a sua dimensão cívica.
O pensamento científico e as práticas médicas em particular beneficiaram com o
empenho que desde sempre ele colocou na constituição de museus e de bibliotecas
especializadas na área. Não restam dúvidas da participação de Abel Salazar em tais
procedimentos no país. A ele se deve a instalação do Museu de História da Medicina do Porto
e decerto a colaboração na constituição da respectiva biblioteca.
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Cid, Álvarez Claudia 1991. "Hay algo que no se olvida ni se recuerda : arte e política." Master's thesis, 2017. http://hdl.handle.net/10451/30318.
Full textAbstract:
This work is composed of two parts: Part I and Part II. In Part I, it is proposed to recognize, firstly, those human internal aspects that remain latent, that are not valued collectively and are hardly perceived individually, and their involvement in art and politics. It is about emotions, specially negative ones, such as sadness, anguish, frustration, aggres¬sion, fear, anger ... which are rejected and hidden through institutional structures such as law, health, education, advertising, etc. and build a system that keeps us in a state of apparent ‘well-being’. It aims to show the importance of recognizing and accepting these ‘negative’ emotions and to place them at the same level as the ‘positive’ emotions (love, reparation, empathy, solida¬rity, etc.) and to reveal how both are equally necessary for internal and social balance, which is fundamental create space for growth, thought and creation. Through the history of art can be verified that there was always an awareness of the need to reconnect with our emotional essence, and, therefore, to rethink the social structures that contain us. Art, due to its sensitive nature, constantly questions the system, trying to remem¬ber and keep those essential aspects that we should not lose or forget, which, according to the epoch, received the name of morality, spirituality, sensitivity, expression, origin or inner world. What today still remains latent and needs to be recognized. ‘Something that is not forgotten, nor is it remembered’. Knowing this, we make an exposition of social systems that are based on the principles of acceptance and integration of emotions, respect, solidarity and empathy; that can serve as a model for transforming the current neoliberal capitalist system into other types of systems that guarantee the freedom of citizens, so that they can develop according to their individual needs.
We will conclude with the assessment of the role of art in this political renewal, as a funda¬mental means of recognition of emotions and their transformation through artistic creation which, therefore, plays a crucial role in questioning structures and building a new society, more respectful with our essence and real needs. Part II includes the results of my artistic project that focuses on shaping my own emotions, my inner world, the internal vicissitudes that can not find words to be transmitted. It is, the¬refore, the personal approach to my emotional needs, memories, desires and impressions. Through my artistic practice I transform, in my own instinctive language, the internal and external reality, seeking answers to questions raised from the experience of growth, life and existence in the world
Books on the topic "1889-1946"
1
Braun, Konstanze. Dr. Otto Georg Thierack: (1889 - 1946). Frankfurt am Main: Lang, 2005.
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2
Nevinson, C. R. W. C.R.W. Nevinson, 1889-1946: Retrospective exhibition of paintings, drawings and prints. [Cambridge]: Kettle's Yard Gallery, 1988.
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3
Brook, J. Shut out from the world: The Sackville Reach Aborigines Reserve & Mission, 1889-1946. Seven Hills, NSW: J. Brook, 1994.
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4
Concannon, Marie. Index of residents: State Federal Soldiers' Home of Missouri, St. James, Missouri : 1889-1946. Columbia, MO (1020 Lowry St., Columbia 65201-7298): State Historical Society of Missouri, 1999.
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Ludwig Winder (1889-1946) und die Prager deutsche Literatur: Erste vollständige Bibliographie zum Werk Ludwig Winder. Dettelbach: Röll, 2009.
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1909-, Maki John M., ed. From imperial myth to democracy: Japan's two constitutions, 1889-2002. Boulder, Colo: University Press of Colorado, 2002.
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L'année des victoires en Indochine avec Jean de Lattre de Tassigny (1889-1952): Le chant du cygne, décembre 1950-novembre 1951. Paris: Officine, 2011.
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Brynner, Rock. Empire & odyssey: The Brynners in Far East Russia and beyond. Hanover, N.H: Steerforth Press, 2006.
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10
Fraenkel, Heinrich, 1897-1986, joint author, ed. Goering: The rise and fall of the notorious Nazi leader. New York, NY: Skyhorse Pub., 2011.
Find full textBook chapters on the topic "1889-1946"
1
"Jordan-Lloyd, Dorothy (1889– 1946)." In A Historical Dictionary of British Women, 525–46. Routledge, 2013. http://dx.doi.org/10.4324/9780203403907-119.
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"Chapter 1. Historical Background." In Japan's Imperial Forest Goryōrin, 1889-1946, 5–14. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.10.
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"Chapter 2. Establishing Goryōrin." In Japan's Imperial Forest Goryōrin, 1889-1946, 15–29. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.14.
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"Chapter 3. Reducing Goryōrin." In Japan's Imperial Forest Goryōrin, 1889-1946, 30–43. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.19.
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"Preliminary Material." In Japan's Imperial Forest Goryōrin, 1889-1946, i—xxx. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.2.
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"Chapter 4. The Case Of Yamanashi Goryōrin." In Japan's Imperial Forest Goryōrin, 1889-1946, 44–56. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.23.
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"Chapter 5. Managing Goryōrin: Plans And Performance." In Japan's Imperial Forest Goryōrin, 1889-1946, 57–68. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.29.
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"Chapter 6. Managing Goryōrin: Aspects Of Practice." In Japan's Imperial Forest Goryōrin, 1889-1946, 69–87. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.33.
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"Chapter 7. Goryorin: An Assessment." In Japan's Imperial Forest Goryōrin, 1889-1946, 88–97. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.39.
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"Chapter 8. The Kan/Min Division Of Woodland In Early Meiji Japan, 1871–76." In Japan's Imperial Forest Goryōrin, 1889-1946, 99–133. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246304.i-184.42.
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