Academic literature on the topic '1897-1935'
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Journal articles on the topic "1897-1935"
SINGH, NAVNEET, ANTON V. VOLYNKIN, JAGBIR SINGH KIRTI, HARVINDER SINGH DATTA, and MARIA S. IVANOVA. "A review of the genus Cyana Walker, 1854 from India, with descriptions of five new species and three new subspecies (Lepidoptera: Erebidae: Arctiinae: Lithosiini)." Zootaxa 4738, no. 1 (February 18, 2020): 1–93. http://dx.doi.org/10.11646/zootaxa.4738.1.1.
Full textJENDEK, EDUARD. "Revision of Agrilus cuprescens (Ménétriés, 1832) and related species (Coleoptera: Buprestidae)." Zootaxa 317, no. 1 (October 3, 2003): 1. http://dx.doi.org/10.11646/zootaxa.317.1.1.
Full textGunsch, Kathryn Wysocki. "Art and/or Ethnographica?: The Reception of Benin Works from 1897–1935." African Arts 46, no. 4 (December 2013): 22–31. http://dx.doi.org/10.1162/afar_a_00105.
Full textGriffin, Miguel, and Guido Pastorino. "Cenozoic Ampullinidae and Naticidae (Mollusca, Gastropoda) from Patagonia, Argentina." Journal of Paleontology 87, no. 3 (May 2013): 502–25. http://dx.doi.org/10.1666/12-148.1.
Full textJendek, Eduard. "Taxonomic, nomenclatural, distributional and biological study of the genus Agrilus (Coleoptera: Buprestidae)." Journal of Insect Biodiversity 4, no. 2 (January 20, 2016): 1. http://dx.doi.org/10.12976/jib/2016.4.2.
Full textSundberg, Frederick A. "Phylogenetic Analysis of the Spiny Oryctocephalids (Trilobita, Corynexochida?, Oryctocephalidae), Cambrian." Journal of Paleontology 88, no. 3 (May 2014): 556–87. http://dx.doi.org/10.1666/12-130.
Full textvan Dyke, James A. "The Painter Werner Peiner, the Culture of the German Oil Industry, and the Nature of Hitler’s State." Zeitschrift für Kunstgeschichte 85, no. 3 (September 1, 2022): 390–414. http://dx.doi.org/10.1515/zkg-2022-3006.
Full textJENDEK, EDUARD. "Taxonomic and nomenclatural notes on the genus Agrilus Curtis (Coleoptera: Buprestidae: Agrilini)." Zootaxa 1073, no. 1 (November 1, 2005): 1. http://dx.doi.org/10.11646/zootaxa.1073.1.1.
Full textОнопрієнко, В. І. "Академік Олексій Борисяк – подвижник науки. До 150‑річчя від дня народження." Studies in history and philosophy of science and technology 31, no. 2 (December 20, 2022): 102–8. http://dx.doi.org/10.15421/272224.
Full textMere, Gleice. "Emil-Heinrich Snethlage (1897-1939): nota biográfica, expedições e legado de uma carreira interrompida." Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas 8, no. 3 (December 2013): 773–804. http://dx.doi.org/10.1590/s1981-81222013000300017.
Full textDissertations / Theses on the topic "1897-1935"
Alsina, Galofré Esther. "La Societat Artística i Literària de Catalunya (1897-1935). Exposicions, crítica i col·leccionisme d’art." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/350794.
Full textNeutatz, Dietmar. "Die Moskauer Metro : von den ersten Plänen bis zur Grossbaustelle des Stalinismus (1897-1935) /." Köln ; Weimar ; Wien : Böhlau, 2001. http://catalogue.bnf.fr/ark:/12148/cb38822628s.
Full textDuarte, Penido Rogerio. "L'inscription de la modernite dans la ville quete identitaire et marche vers l'ouest a travers les plans d'urbanisme de cinq capitales bresiliennes belo horizonte (1897), goiania (1935), boa vista (1945), brasilia (1960), palmas (1990)." Paris 12, 1997. http://www.theses.fr/1997PA120022.
Full textThis thesis of urbanism studies the entering of modernity in the city, through the examples of planned capitals in brazil: belo horizonte (1897), goiania (1935), boa vista (1945), brasilia (1960) and palmas (1990). Each city urban plans are analysed and refered to the history of brazilian urban space as well as socio-political movements at the period. The government itself tries to modernise society and to build its own space - the construction of capitals is only one side of this process. Those towns however show us a different reality from the initial projects, transformed by such elements as the imaginary, economic stakes, migration of population, speculations. . . The period studied (1500-1997) reveales the metamorphosis of the notion of modernity. The urban projects are analysed as the progression from the west, which began in the xvith century. The occupation and economic development of the territory is designed on an international level by the peripheral position of brazil (the third world), and on an internal level by the birth (and expansion) of an industrial market in the south-east region of the country. But those cities also represent a continued quest for a national identity. Unification is problematic in brazil, a mixed and contrasted country. The imaginary syncretismes would be numerous, influenced as much by the progress ideology as by the utopia of an egalitarian society or of a new terrestrial paradise. Town planners and politicians recommend the policy of "the complete blank", the suppression of memory, the cosmogony of a new urban space, and a new architecture, society, population, economy. . . Therefore the reference is often the prexisting capital; the projects find themselves dialectically linked to the ancient cities. The new brazilian capitals, art works or products? like a sort of phoenix, could modernity rise from the ashes of brazilian history? or is the desire for historical rupture a brazilian tradition?
Lemus, Martinez Violetta. "Versions en conflit, versions d’un conflit : l’Intervention française au Mexique (1862-1867) entre histoire et fiction." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA064/document.
Full textIn this doctoral dissertation, we are studying a selection of both Mexican and French literary works related to the historic events of the Second French Intervention in Mexico (1862-1867) and of the Second Mexican Empire (1864-1867). This body of works has been published between the XIXth and the XXIth century and has been selected, both because their poetic and political thoughts are emblematic of this period and because they have contributed to the construction of a Mexican cultural and identity iconography. We have decided to select the fiction and theatrical genres, to carry out a comparative and diachronic analysis. The decision of which literary works and authors to include has been made based on how both the French Intervention and the way it has been depicted in literature, have been dealt with in particular in each literary work and each author we considered to studied. The studied novels belong to the sub-genre of serialized fiction in the XIXth century with, on the French side, Benito Vázquez (1869) by Lucien Biart and Doña Flor (1877) by Gustave Aimard and, on the Mexican side, Clemencia (1869) by Manuel Altamirano and El Cerro de las Campanas (1868) by Juan Mateos. As far as theatre plays are concerned, we have carried out a comparative study of both Corona de Sombra (1943) by Rodolfo Usigli and Charlotte et Maximilien (1945) by Maurice Rostand. We have completed our analysis with a complementary study of El Tuerto es Rey (1970) by Carlos Fuentes. Regarding more contemporaneous historic and literary creations, we chose to include Noticias del Imperio (1987) by Fernando del Paso and Yo, el francés by Jean Meyer (2002). This corpus allows to carry out a comparative, linguistic, semiotic and literary analysis of afore-mentioned works. Such analysis calls for a thorough reflection on the interpretation of conflict, an armed and political conflict which influenced both History and Mexican and French literary productions
Gomes, Julien Gonçalves 1987. "Museu Arpad Szenes - Vieira da Silva : elementos para um projecto de uma visita virtual." Master's thesis, 2014. http://hdl.handle.net/10451/11649.
Full textLa Fondation Arpad Szenes – Vieira da Silva est une institution qui compte avec onze ans d’ existence, presentant l’oeuvre d’une des plus importantes artistes portugaises du XXème siecle, Vieira da Silva, ainsi que celle de son époux et également artiste, Arpad Szenes. Le musée de la fondation se trouve encore enrichi avec les oeuvres de jeunesse d’un numéro consideráble d’artistes contemporains, oeuvres qui sont parfois inserées dans des expositions temporaires. Tel a été le cas de l’exposition realisée à la FASVS en 2012, avec l’exposition temporaire, Amigos de Paris. Grâce au stage curriculaire, inseré dans la Maîtrise, Museologie et Museographie, de l’Université des Beaux-Arts, il n’a pas uniquemente été possible de connaître l’espace choisi par Vieira da Silva pour heberger ses oeuvres e celles de Arpad Szenes, mais aussi de participer, en collaborant avec les professionnels dans le montage de l’exposition, Amigos de Paris. Cela a rendu possible observer les étapes de la préparation et exécution du montage d’une exposition, ainsi comme de connaître l’intérieur du musée et son organization, sa vie quotidienne et surtout a permis le contact avec les profissionnels qui travaillent dans le musée. En effet, l’édifice choisi par Vieira da Siva pour heberger ses oeuvres, date du XVIII siécle, antique usine des tissus en soie et il s’agit d’un exemple de la recuperation du patrimoine industriel, transformé en musée d’art. D’autres activités, normalement dévellopées dans les musées, ont été realisées au long du stage, notament l’inventaire de photografies, donation antérieurement faite au musée, et qui présentent la vie personelle de Vieira da Silva e de Arpad Szenes, avec ses attachements et amitiés. La relation pratique et academique, etablie avec la FASVS, a culminé dans une proposition qui consiste à présenter des elements pour le project d’une exposition virtuelle à partir de l’exposition temporaire, Amigos de Paris. Étant donné que c’est à partir des projets expositifs que les musées réalisent efectivement la divulgation et présentation de leurs oeuvres, la FASVS, qui présente essenciellement les siennes à travers l’exposition permanente e les expositions temporaires, paraît manquer d’autres moyens de présentation de ses oeuvres d’art. Nous proposons donc, à l’aide de quelques éléments relevés, une visite virtuelle, en ayant recours au champ cybernetique, lequel atteint un large domaine et est de facile utilisation. L’objetif est toujours celui de comuniquer avec tous les publiques des musées, en contribuant pour la divulgation du patrimoine artistique, en même temps qu’est developpée l’apprentissage artistique et qu’est proportionnée la fruition des oeuvres d’art, en ne pas omettant le fait qu’il est toujours mieux de visiter le musée présentiellement. Effectivement, présenter des expositions d’art virtuellement peut être un moyen de proportionner sa progressive comprehension e sa future appreciation
Books on the topic "1897-1935"
Costa, Selda Vale da. Eldorado das ilusões: Cinema & sociedade : Manaus, 1897-1935. Manaus: Editora da Universidade do Amazonas, 1996.
Find full textCornforth, John. The search for a style: Country life and architecture, 1897-1935. New York: Norton, 1988.
Find full textThes earch for a style: Country life and architecture, 1897-1935. New York: Norton, 1988.
Find full textCornforth, John. The search for a style: 'Country life' and architecture, 1897-1935. London: Deutsch, 1988.
Find full textCornforth, John. The search for a style: Country life and architecture, 1897-1935. London: André Deutsch in association with Country life, 1988.
Find full textEnglish, John. Shadow of Heaven : the life of Lester Pearson, Volume One: 1897-1948. Toronto: Lester & Orpen Dennys Ltd, 1989.
Find full textMackersey, Ian. Smithy: The life of Sir Charles Kingsford Smith. London: Little, Brown and Company, 1998.
Find full textFaulkner and Oe: The self-critical imagination. Lanham, MD: University Press of America, 2006.
Find full textVlad, Laurențiu. Pe urmele "Belgiei Orientului": România la expozițiile universale sau internaționale de la Anvers, Bruxelles, Liège și Gand (1894-1935). București: Nemira, 2004.
Find full textBook chapters on the topic "1897-1935"
Triarhou, Lazaros C. "Ludwig Horn (1897–1935)." In The Brain Masters of Vienna, 191–95. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13052-6_37.
Full textBeckson, Karl, and John M. Munro. "Triumph and Disaster: 1897–1908." In Arthur Symons: Selected Letters, 1880–1935, 115–200. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-10215-0_3.
Full text"The Graphic Work of Issachar Ber Ryback (1897–1935):." In The Russian Jewish Diaspora and European Culture, 1917-1937, 279–99. BRILL, 2012. http://dx.doi.org/10.1163/9789004227132_015.
Full textRodríguez, Daniel A. "Introduction." In The Right to Live in Health, 1–18. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469659732.003.0001.
Full text"Chapter Six. A Study Of Man In Crisis: Late 1932-1935." In Miki Kiyoshi 1897-1945, 179–207. BRILL, 2009. http://dx.doi.org/10.1163/ej.9789004175822.i-270.52.
Full textGrattan-Guinness, Ivor. "Turing’s mentor, Max Newman." In The Turing Guide. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747826.003.0052.
Full textPark, Jin Y. "I Who Have Lost Me (1927–1935)." In Women and Buddhist Philosophy. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824858780.003.0005.
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