Relevant bibliographies by topics / 1897-1967

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic '1897-1967'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "1897-1967"

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O'Brien, Charles F. "THE CHAMPLAIN WATERWAY, 1897–1967." American Review of Canadian Studies 19, no. 3 (October 1989): 241–59. http://dx.doi.org/10.1080/02722018909481452.

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ENGHOFF, HENRIK. "East African giant millipedes of the tribe Pachybolini (Diplopoda, Spirobolida, Pachybolidae)." Zootaxa 2753, no. 1 (January 31, 2011): 1. http://dx.doi.org/10.11646/zootaxa.2753.1.1.

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The East African species of the millipede tribe Pachybolini are revised. Three new genera are described: Crurifarcimen n. gen. (monotypic, type species: C. vagans n. sp., Tanzania), Hyperbolus n. gen. (type species: H. apicomplexus n. sp., Tanzania and Uganda; further species: H. morogoroensis Kraus, 1958, Tanzania, transferred from Pachybolus), Parabolus n. gen. (type species: Trigoniulus dimorphus Carl, 1909, Tanzania, transferred from Pachybolus, further species: P. calceus n. sp., Kenya). Hadrobolus Cook, 1897 and its only species, H. crassicollis (Peters, 1855), Mozambique, are redescribe
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S., S. V. "Un non-conformiste chez Schneider: Edouard Morin (1897-1967)." Vingtième Siècle. Revue d'histoire, no. 5 (January 1985): 203. http://dx.doi.org/10.2307/3769331.

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Kopociński, Krzysztof, Zbigniew Kopociński, and Czesław Jeśman. "A Lviv doctor who rescued the “Lion from Westerplatte”: 130th anniversary of colonel Jozef Szarage’s birthday (1897-1967)." Acta medicorum Polonorum 7, no. 1 (June 30, 2017): 59–65. http://dx.doi.org/10.20883/amp.2017/4.

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Artykuł przedstawia sylwetkę lwowskiego lekarza wojskowego pułkownika Józefa Szarage (1897-1967). Urodził się 12 grudnia 1897 r. w Winnikach pod Lwowem, w średniozamożnej żydowskiej rodzinie Bernarda Scharage i Debory Szrencel vel Birbach. W czasie I wojny światowej ukończył szkołę oficerską i w stopniu podporucznika służył w 24. Pułku Piechoty armii austriackiej. Studia medyczne odbywał w Uniwersytecie Karola w Pradze i Uniwersytecie Jana Kazimierza we Lwowie. W 1927 r. ukończył Wydział Lekarski lwowskiej uczelni. W czasie II wojny światowej początkowo przebywał w lwowskim gettcie, od 1942 r.
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SANKARAN, PRADEEP M., and POTHALIL A. SEBASTIAN. "Systaria barkudensis (Gravely, 1931) is a junior synonym of Palicanus caudatus Thorell, 1897 (Araneae: Miturgidae, Systariinae)." Zootaxa 4585, no. 1 (April 11, 2019): 192. http://dx.doi.org/10.11646/zootaxa.4585.1.12.

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Thorell (1897) erected the monotypic genus Palicanus based on a single male specimen from Yangon (formerly Rangoon) in Myanmar (formerly Burma). Initially the genus was placed in Drassidae Sundevall, 1833, which later became a junior synonym of Gnaphosidae Pocock, 1898. The genus was subsequently transferred to Clubionidae Wagner, 1887 (Simon 1897) and finally to Miturgidae Simon, 1886 (Lehtinen 1967). Palicanus caudatus Thorell, 1897 is notable because of its mouse-grey appearance (Deeleman-Reinhold 2001) and is currently known to occur in China, Indonesia, Myanmar, Reunion Island and Seychel
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Wong, P. L., and M. W. Lankester. "Revision of the genus Sciadiocara Skrjabin, 1916 (Nematoda: Acuarioidea)." Canadian Journal of Zoology 63, no. 7 (July 1, 1985): 1565–75. http://dx.doi.org/10.1139/z85-232.

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The genus Sciadiocara Skrjabin, 1916 is revised and the following species are recognized: Sciadiocara umbellifera (Molin, 1860); Sciadiocara bihamata (Mueller, 1897) with Sciadiocara denticulata Gibson, 1972 as its new synonym; Sciadiocara legendrei Petter, 1967; Sciadiocara serrata Wang, 1966; Sciadiocara cucullatus (Wehr, 1934); Sciadiocara chabaudi Schmidt and Kinsella, 1972; and Sciadiocara rugosa Schmidt and Kinsella, 1972. Sciadiocara secunda Skrjabin, 1916 is considered a nomen nudum. All species except S. legendrei and S. serrata are redescribed.
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Yufra, Juan Wilfredo. "El aura de la traducción y otros procesos culturales de transcreación en Arenga lírica al emperador de Alemania (1916) de Alberto Hidalgo." El Palma de la Juventud 4, no. 5 (October 11, 2022): 75–87. http://dx.doi.org/10.31381/epdlj.v4i5.5131.

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El presente artículo aborda el criterio de la traducción como discurso simultáneo a los procesos de la creación literaria. En ese sentido, tomamos en consideración el concepto de «aura» de Walter Benjamin, la categoría de transcreación y el contexto de la vanguardia peruana y cómo esta fue perfilándose a través del poeta Alberto Hidalgo (1897-1967). Asimismo, empleamos como objeto de lectura su obra Arenga lírica al emperador de Alemania (1916), primer poemario del escritor peruano.
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Piedade, Lucio de Franciscis dos Reis, and Laura Loguercio Cánepa. "O horror como performance da morte: José Mojica Marins e a tradição do Grand Guignol." Galáxia (São Paulo) 14, no. 28 (December 2014): 95–107. http://dx.doi.org/10.1590/1982-25542014216634.

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O artigo analisa aspectos da trilogia de Zé do Caixão, dirigida por José Mojica Marins (composta pelos filmes À meia-noite levarei sua alma, 1964; esta noite encarnarei no teu cadáver, 1967; encarnação do Demônio, 2008), sob a perspectiva da encenação do horror, originada na tradição do teatro francês do Grand Guignol (1897-1962). Discute-se, também, como os elementos gráficos do horror foram inseridos e reciclados nesses filmes, conforme mudanças de paradigmas do gênero no cenário internacional desde os anos 1960.
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EMELJANOV, ALEXANDR F. "New synonyms and new combinations for some Delphacidae (Hemiptera, Auchenorrhyncha) of Eastern and Central Palaearctic Region." Zootaxa 4559, no. 2 (February 20, 2019): 396. http://dx.doi.org/10.11646/zootaxa.4559.2.13.

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Five new generic and 7 species synonyms and 3 new combinations are proposed for the tribe Delphacini. Atropidius Emeljanov 1982, is placed in synonymy under Glabrinotum Ding, 2006, in so far as Atropidius Emeljanov is homonym of Atropidius Chapui. Stiropis Ding, 2006—under Cormidius Emeljanov, 1972, Metroma Ding, 2006—under Metropidius Emeljanov, 1972, Mengdelphax Ding, 1994—under Movesella Emeljanov, 1982, and Paramestus Ding, 2006—under Pastiroma Dlabola, 1967. Glabrinotum qitaiensis Ding, 2006 is placed in synonymy under Glabrinotum lapilla (Emeljanov, 1982), Mengdelphax neimengensis Ding &
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Pons, Jose Maria, Enric Vicens, and Pedro García-Barrera. "Campanian and Maastrichtian hippuritid rudists (Hippuritida, Bivalvia) of the Chiapas Central Depression (southern Mexico) and implications for American multiple-fold hippuritid taxonomy." Journal of Paleontology 93, no. 2 (December 27, 2018): 291–311. http://dx.doi.org/10.1017/jpa.2018.78.

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AbstractHippuritids, particularly those with multiple-folds, are one of the most characteristic components in uppermost Cretaceous rudist-bearing strata of the Caribbean Province. The hippuritid rudist fauna of the Chiapas Central Depression includes the following taxa:Vaccinites vermuntiMac Gillavry, 1937 andBarrettiacf.B. ruseaeChubb, 1967 from the early Campanian Suchiapa Formation;B. moniliferaWoodward, 1862,B. gigasChubb, 1955, andParastroma trechmanniChubb, 1967 from the mid Campanian Suchiapa Formation; andPraebarrettia sparcilirata(Whitfield, 1897) from the early Maastrichtian Ocozocoa
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Dissertations / Theses on the topic "1897-1967"

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Meintjes, William Godfrey. "Aspekte van die prosa van Boerneef met spesifieke verwysing na die bundel Boplaas." Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1002093.

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This thesis is a report on a "rereading" (in the sense in which Roland Barthes uses the word) of the short texts of Boerneef (Izak Wilhelmus van der Merwe 1897-1967) published under the title Boplaas in 1938. Boerneef's prose is explored with specific reference to this one volume. The unity of the volume of texts is examined and textual indications of relations with other texts in the oeuvre are explored. In this way the thesis indicates how transtextuality determines meaning both in the individual texts as well as in the volume as a whole. The process of (re)reading in this thesis traces how,
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Ringeling, Vicuña Carmen. "La urgencia de lo íntimo: las cenizas de María Flora Yáñez y María Nadie de Marta Brunet." Tesis, Universidad de Chile, 2014. http://repositorio.uchile.cl/handle/2250/131436.

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Cuya, Nina Juan Roberto. "Develaciones urbanas: una aproximación al cosmopolitismo en la narrativa de vanguardia de Alberto Hidalgo." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2012. https://hdl.handle.net/20.500.12672/8410.

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El documento digital no refiere un asesor<br>Explica la relación entre modernidad, vanguardia y cosmopolitismo en la obra de Alberto Hidalgo. Para ello utiliza el libro de cuentos Los sapos y otras personas (1927) publicado en Buenos Aires, así como la novela Aquí está el Anticristo (1957) publicado también en la ciudad bonaerense. Por otro lado, considera como hipótesis: a) en la narrativa de vanguardia de Alberto Hidalgo la representación del espacio urbano proyecta una visión vanguardista concomitante a la experiencia modernizadora rioplatense, además el paradigma urbano que atraviesa toda
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Vaillancourt, Benoit. "De l’héritage au patrimoine : trajectoires intergénérationnelles de quatre environnements d’art populaire au Québec." Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66437.

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Le terme « patrimoine » désigne au sens propre les biens dont on a hérité de ses ascendants. Par analogie, il s’est étendu aux richesses collectives qui se transmettent de génération en génération. Alors que le parallèle entre les deux acceptions du mot est bien connu, les chercheurs se sont peu intéressés aux cas où le patrimoine familial et le patrimoine culturel se recoupent. Ce mémoire analyse donc le passage de l’un à l’autre afin d’éclairer les rapports entre les formes privée et publique de l’héritage. Pour ce faire, les successions de quatre artistes populaires québécois ont été étudié
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Buckholz, Lana Lee. "Peer Conversations about Inter-racial and Inter-ethnic Friendships." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1542.

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The purpose of this study was to understand how early adolescents talk about cross-racial and cross-ethnic friendships. Gordon Allport's intergroup contact theory provided the framework for studying the elements needed for inter-racial and inter-ethnic friendship formation. Qualitative data were drawn from four separately recorded peer group conversations. Participants (n=18) were recruited from Parrish Middle School in Salem, Oregon. Patterns that emerged from the data were sorted, categorized and identified according to the tenets of intergroup contact theory or extensions of intergroup cont
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Lobo, Collantes Juan Franco. "Desarrollo inicial, crecimiento y crisis del Banco Industrial del Perú, 1936-1991." Master's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/12388.

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La gran depresión de la década de 1930 tuvo diversos efectos en América Latina, siendo uno de los principales la idea de mayor participación del Estado en las economías nacionales ante la deslegitimación del modelo primario-exportador vigente. En ese contexto, diversos instrumentos fueron puestos en marcha para lograr una mayor autonomía económica y el ansiado desarrollo industrial, dentro de los cuales estarían los bancos de fomento. Con la intención de transferir de manera dirigida los recursos públicos a sectores que se consideraban estratégicos, los gobiernos latinoamericanos impulsaron es
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Durand, Mathieu. "L'« observateur » officieux : John Franklin Carter et son réseau du renseignement au service du président Roosevelt de 1941 à 1945." Mémoire, 2010. http://www.archipel.uqam.ca/2738/1/M11317.pdf.

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Ce que nous nommons ici le réseau Carter fut un service secret de renseignements financé à l'aide des fonds d'urgence présidentiels, fonds octroyés en vertu du Military Appropriation Act, qui mena de nombreuses opérations sans aucun statut officiel pour le compte personnel du président Roosevelt de 1941 à 1945. À la tête de ce réseau figurait un dénommé John Franklin Carter, un éditorialiste libéral travaillant aussi à titre de romancier et rédacteur de discours. Jusqu'à ce jour, il n'existe aucun ouvrage de synthèse consacré au réseau Carter alors que certaines de ses assignations les plus im
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Danielson, Leilah Claire. "Not by might Christianity, nonviolence, and American radicalism, 1919-1963 /." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3119664.

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Books on the topic "1897-1967"

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Wedel, Nils Adolf. Nils Wedel: 1897-1967. Göteborg, Sweden: Göteborgs konstmuseum, 1998.

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Giuseppe, Saponaro, and De Renzi Mario 1897-1967, eds. Mario De Renzi: 1897-1967. [Roma]: Edizioni CLEAR, 1999.

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Wengst, Udo. Thomas Dehler, 1897-1967: Eine politische Biographie. München: Oldenbourg, 1997.

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Smywińska-Pohl, Anna, and Elżbieta Lubelska. Filozofki na Uniwersytecie Jagiellońskim, 1897-1967: Antologia. Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego, 2016.

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Alberto, Sierra Maya, and Biblioteca Luis-Angel Arango, eds. Eladio Vélez, 1897-1967: Paisaje, frutas, retrato. Bogotá: Banco de la República, Biblioteca Luis Angel Arango, 2002.

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Neri, Maria Luisa. Mario De Renzi: L'architettura come mestiere, 1897-1967. Roma: Gangemi, 1992.

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Peter, Froggatt. David Smyth Torrens (1897-1967): A biographical note. (Dublin: Trinity College), 1989.

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González, Carmen Ana González. El pintor tinerfeño Juan Davó: Su vida y su obra (1897-1967). Santa Cruz de Tenerife: Editorial Confederación de Cajas de Ahorros, 1990.

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Lamarca, Josep Maria Manresa. La eclesiología del P. B. Xiberta (1897-1967): El "redescubrimento" de la Iglesia como "la Obra de Cristo". Roma: Edizioni Carmelitane, 2011.

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Brües, Eva. Zwischen Rhein und Maas war ich jung: Der Schriftsteller Otto Brües (1897-1967) : Bilder, Bücher, Briefe, Fotos, Manuskripte, Dokumente. Krefeld: Otto Brües Freundeskreis, 1997.

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Book chapters on the topic "1897-1967"

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Ferdinand, Horst. "Hurrikan: Thomas Dehler 1897–1967." In Reden, die die Republik bewegten, 237–60. Wiesbaden: VS Verlag für Sozialwissenschaften, 2002. http://dx.doi.org/10.1007/978-3-322-97558-4_15.

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Pettigrew, Thomas F. "Allport, Gordon W (1897–1967)." In International Encyclopedia of the Social & Behavioral Sciences, 562–65. Elsevier, 2015. http://dx.doi.org/10.1016/b978-0-08-097086-8.61001-2.

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Pettigrew, T. F. "Allport, Gordon W (1897–1967)." In International Encyclopedia of the Social & Behavioral Sciences, 401–4. Elsevier, 2001. http://dx.doi.org/10.1016/b0-08-043076-7/00206-0.

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Gitler, Inbal Ben-Asher. "A Holy City for the Twentieth Century: Urban Planning during the British Mandate." In Architectural Culture in British-Mandate Jerusalem, 1917-1948, 20–54. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474457491.003.0002.

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Chapter one discusses the urban plans and transformations enacted by the British, and foregrounds the chapters dedicated to each of the buildings. British urban schemes devised by William Hannah Mclean (1877–1967), Sir Patrick Geddes (1854-1932), Charles Robert Ashbee (1863-1942), Albert Clifford Holliday (1897-1960) and Henry Kendall (1903-?), are analysed in light of the Mandate system and its interpretations. I argue that Jerusalem’s multicultural contested space unsettles accepted premises that regard Palestine as a belated “British Colony.” The chapter demonstrates this by investigating plans and development of the city, and by discussing British intentions, interventions and the mandatory discourses that supported these.
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Gunning, Tom. "‘Nothing Will Have Taken Place – Except Place ’: The Unsettling Nature of Camera Movement." In Screen Space Reconfigured. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089649928_ch10.

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In 1897, Stèphane Mallarme threaded this phrase through his culminating work of modern poetry ‘Un Coup de Des’. Michael Snow, commenting on his 1967 film Wavelength, another radical work of modernist vision, invoked Mallarme’s phrase and sets us thinking about how the moving image recreates/explores/questions the nature of place. The radical role of the moving image in providing new modes of our experience of space has been neglected or simply presented as a deviant deconstruction of a dominant commercial narrative cinema. Taking seriously the way the moving image provides new tools for our understanding of our place in a technological world, I will discuss moments of camera movement and the mobile frame in cinema practice, both commercial and avant-garde, historical and contemporary.
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"Jewish land - Israel lands: ethno-nationality and land regime in Zionism and in Israel, 1897-1967." In Land Rights, Ethno-nationality and Sovereignty in History, 96–119. Routledge, 2004. http://dx.doi.org/10.4324/9780203073711-13.

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Barenbaum, Nicole B. "Four, Two, or One? Gordon Allport and the Unique Personality." In Handbook Of Psychobiography, 223–39. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195168273.003.0016.

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Abstract Arecurrent theme in the work of personality psychologist Gordon Allport (1897–1967) is the opposition between the general and the unique in psychology (e.g., Allport, 1962a). In a characteristic statement of this theme, Allport described in neutral terms two tendencies in human thought: “The mind may classify its experience and contemplate the general principles that emerge, or it may be concerned with the individual happening or single event confronting it “ (1942, p. 53). To illustrate these tendencies, however, he quoted from William James, choosing a passage that was far from neutral: The first thing the intellect does with an object is to class it along with something else. But any object that is infinitely important to us and awakens our devotion feels to us also as if it must be sui generis and unique. Probably a crab would be filled with a sense of personal outrage if it could hear us class it without ado or apology as a crustacean, and thus dispose of it.
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Smith, Iain Robert. "‘For the Dead Travel Fast’: The Transnational Afterlives of Dracula." In Transnational Film Remakes. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407236.003.0005.

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Since the publication of Bram Stoker’s novel Dracula in 1897, the character of Count Dracula has proven to be eminently adaptable, appearing in various guises in over 300 feature films – from FW Murnau’s Nosferatu (1922) through to Dario Argento’s Dracula 3D (2012). As with other iconic characters such as Sherlock Holmes and Batman, Dracula has been freed from his roots in a source text and entered what Will Brooker describes as ‘the realm of the icon’. Yet, while there has been a considerable amount of scholarship on the canonical adaptations of Dracula produced in Hollywood, the UK and Germany, very little has been written on the numerous adaptations of the Count Dracula character that have appeared in other film industries. This chapter considers examples of transnational film remakes, including the 1953 Turkish film Drakula İstanbul'da (Dracula in Istanbul), the 1957 Mexican film El Vampiro (The Vampire), and the 1967 Pakistani film Zinda Laash (The Living Corpse). Paying close attention to the variety of ways in which the character is utilised across different cultural contexts, this chapter interrogates the complex issues that this raises in relation to the dynamic interplay of global and local within international popular cinema.
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Conference papers on the topic "1897-1967"

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Buchholtz, Emily A. "TILLY EDINGER (1897-1967) AND THE BEGINNINGS OF VERTEBRATE PALEONEUROLOGY." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-277715.

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César Júnior, Sérgio. "A estética do rural e estética do folclore em Canto da Saudade (1952), filme de Humberto Mauro." In Encontro da História da Arte. Universidade Estadual de Campinas, 2015. http://dx.doi.org/10.20396/eha.11.2015.4395.

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A finalidade deste artigo é abordar algumas ideias e conceitos teóricos de estética, utilizados na análise do filme Canto da Saudade (1952), do cineasta Humberto Mauro (1897-1983). Considerado pioneiro do cinema brasileiro, Humberto Mauro é referência em nossa cinematografia pelos cineastas de nosso País, principalmente pelos que integraram o Cinema Novo. Mauro realizou mais de duzentos filmes durante o período dos anos 1920 até 1967, ao trabalhar em estúdios como a Phebo Films, em Cataguases, Cinédia, Brasil Vita Films e Instituto Nacional de Cinema Educativo (INCE), no Rio de Janeiro.
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