Books on the topic '18th century performance practice'
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Christensen, Jesper Bøje. 18th century continuo playing: A historical guide to the basics. Kassel: Bärenreiter, 2002.
Find full text18th century continuo playing: A historical guide to the basics. Kassel: Bärenreiter, 2002.
Find full textIntroduction to organ playing in 17th & 18th century style. [United States]: Wayne Leupold Editions, 1991.
Find full textButt, John. Bach interpretation: Articulation marks in primary sources of J.S. Bach. Cambridge [England]: Cambridge University Press, 1990.
Find full textHoule, George. Meter in music, 1600-1800: Performance, perception, and notation. Bloomington: Indiana University Press, 1987.
Find full textHoule, George. Meter in music, 1600-1800: Performance, perception, and notation. Bloomington: Indiana University Press, 2000.
Find full text1720-1774, Agricola Johann Friedrich, and Baird Julianne, eds. Introduction to the art of singing. Cambridge [England]: Cambridge University Press, 1995.
Find full textHoule, George. Meter in music, 1600-1800. Bloomington, IN: Indiana University, 2000.
Find full textSherman, Bernard D. Inside early music: Conversations with performers. New York: Oxford University Press, 1997.
Find full textLuis Milán on sixteenth-century performance practice. Bloomington, Ind: Indiana University Press, 1996.
Find full textGásser, Luis. Luis Milán on sixteenth-century performance practice. Bloomington, Ind: Indiana University Press, 1996.
Find full textA performer's guide to seventeenth-century music. Bloomington: Indiana University Press, 2012.
Find full textDying and death in 18th-21st century Europe. Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.
Find full textThe performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2010.
Find full textHambræus, Bengt. Aspects of twentieth century performance practice: Memories and reflections. [Stockholm]: Royal Swedish Academy of Music, 1997.
Find full textAuthenticity in performance: Eighteenth-century case studies. Cambridge: Cambridge University Press, 1990.
Find full textMedical practice, 1600-1900: Physicians and their patients. Leiden: Brill Rodopi, 2016.
Find full textHillam, Christine. Brass plate and brazen impudence: Dental practice in the provinces 1755-1855. Liverpool: Liverpool University Press, 1991.
Find full textSmith, Anne. The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2011.
Find full textLilly, R. Graham. An account of rural medical practice from the 18th century onwards in Long Buckby, Northamptonshire. Dunton Bassett: Volcano, 1993.
Find full textLilly, R. Graham. An account of rural medical practice from the 18th century onwards in Long Buckby, Northamptonshire. Long Buckby: The author, 1993.
Find full textJeppesen, Knud. Counterpoint: The polyphonic vocal style of the sixteenth century. New York: Dover Publications, 1992.
Find full textL'exercice corporel du XVIIIe siècle à nos jours: De la thérapeutique à la performance. Paris: Éd. Glyphe, 2013.
Find full textWertz, Spencer K. Between Hume's philosophy and history: Historical theory and practice. Lanham, Md: University Press of America, 2000.
Find full textScholars in action: The practice of knowledge and the figure of the savant in the 18th century. Leiden: Brill, 2013.
Find full textBellagamba, Ugo. Les avocats à Marseille: Praticiens du droit et acteurs politiques, XVIIIème et XIXème siècles. Aix-en-Provence: Presses universitaies d'Aix-Marseille, 2001.
Find full textBellagamba, Ugo. Les avocats à Marseille: Praticiens du droit et acteurs politiques, XVIIIe et XIXe siècles. Aix-en-Provence: Presses universitaires d'Aix-Marseille, 2001.
Find full textLaukvik, Jon. Historical performance practice in organ playing: An introduction based on selected organ works of the 16th-18th centuries. Stuttgart: Carus, 1996.
Find full textLaukvik, Jon. Historical performance practice in organ playing: An introduction based on selected organ works of the 16th-18th centuries. Stuttgart: Carus, 1989.
Find full textChristopher, Jackson John-Paul, ed. Performing medieval and Renaissance music: An introductory guide. New York: Schirmer Books, 1986.
Find full textH, Ellis Frank. Sentimental comedy: Theory & practice. Cambridge: Cambridge University Press, 1991.
Find full textPerformance and femininity in eighteenth-century German women's writing: The impossible act. New York: Palgrave Macmillan, 2006.
Find full textOrchestral performance practices in the nineteenth century: Size, proportions, and seating. Ann Arbor, Mich: UMI Research Press, 1986.
Find full textInterpretation of 16th century Iberian music on the clavichord. Buren, The Netherlands: Frits Knuf Publishers, 1989.
Find full textThe interpretation of 16th and 17th century Iberian keyboard music. Stuyvesant, NY: Pendragon Press, 1987.
Find full textHefling, Stephen E. Rhythmic alteration in seventeenth- and eighteenth-century music: Notes inégales and overdotting. New York: Schirmer Books, 1993.
Find full textMusic and performance in the later Middle Ages. New York: Palgrave Macmillan, 2013.
Find full textWeisberg, Arthur. Performing twentieth-century music: A handbook for conductors and instrumentalists. New Haven, CT: Yale University, 1993.
Find full textThe end of early music: A period performer's history of music for the twenty-first century. New York, NY: Oxford University Press, 2007.
Find full textToft, Robert. Aural images of lost traditions: Sharps and flats in the sixteenth century. Toronto: University of Toronto Press, 1992.
Find full textBoer, Bertil H. Van. La t lustic die hörner erschallen: Resolutions to two problems in horn performance practice of the late eighteenth century. New York: Historic Brass Society, 2000.
Find full textThe supplement of reading: Figures of understanding in romantic theory and practice. Ithaca, N.Y: Cornell University Press, 1990.
Find full textPaulson, Ronald. Breaking and remaking: Aesthetic practice in England, 1700-1820. New Brunswick: Rutgers University Press, 1989.
Find full textMuzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Taylor & Francis Group, 2018.
Find full textButt, John. Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach (Cambridge Musical Texts and Monographs). Cambridge University Press, 2006.
Find full textBaird, Julianne C., and Johann Friedrich Agricola. Introduction to the Art of Singing by Johann Friedrich Agricola (Cambridge Musical Texts and Monographs). Cambridge University Press, 1995.
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