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1
Baal, Gérard. "Le parti radical de 1901 à 1904." Paris 1, 1991. http://www.theses.fr/1991PA010594.
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Le parti radical de la belle époque n'est pas le parti de cadres qu'on évoque quelquefois. Il existe un "peuple radical". Mais le contraste est grand entre la vitalité des comités locaux et l'inconsistance d'une organisation nationale qui n'a jamais contrôlé l'ensemble des forces militantes et parlementaires se réclamant du radicalisme. Le type de parti qu'incarne alors la SFIO répugne à l'individualisme radical. Et pourtant, les revers qu'ils connaissent au lendemain de l'ère combiste obligent les radicaux à se soucier eux aussi d'organisation et de discipline. Idéologiquement, l'image du radicalisme était menacée de décoloration, vers 1890, par la montée du socialisme qui lui ôtait le monopole de l'intransigeance. Le radicalisme a préservé son identité en se faisant le champion du "vieil esprit républicain" contre le ralliement et "l'esprit nouveau". Pendant les années du combisme, le radicalisme prodigue les promesses réformatrices : la bataille anticléricale prépare l'avènement de la "république démocratique et sociale". Mais les radicaux découvrent vite que les classes moyennes républicaines sont loin d'aspirer à des bouleversements de la législation fiscale et sociale<br>The "parti radical", at the turn of the century, was not, as is sometimes thought, only a party of full-time organisezs and professional politicians. There was such a thing as grass-roots radicalism. But a major contrast could still be seen between the strength of local caucuses and the weaknesses of a national organization that was never able to control the whole of the activists and parliamentarians claiming to be radicals. Individualist as they were, the radicals remained wary of a party embodied at the time in the socialist party. And yet the set-backs they would experience in the aftermath of the combes era were to force them as well to address the questions of organization and discipline. From the ideological point of view, the star of radicalism looked about to set, around 1890, when the growth of socialism appeared to challenge its claims to exclusive intransigence. Radicalism preserved its identity, though, by championing the "old republican spirit" against the "ralliement" and the "esprit nouveau". During the combes years, it lavished promises of reforms : the anti-clerical struggle was to pave the way for the "social and democratic republic"
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JELIČIĆ, IVAN. "Nell'ombra dell'autonomismo. Il movimento socialista a Fiume, 1901-1921." Doctoral thesis, Università degli Studi di Trieste, 2017. http://hdl.handle.net/11368/2908209.
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Il tema di questa tesi di dottorato è lo sviluppo del movimento socialista nella città di Fiume (oggi Rijeka) durante gli ultimi anni della Monarchia Austro-Ungarica. In particolar modo, lo studio si concentra sui rapporti tra i locali socialisti, il partito autonomista e la società italofona dominante.
Durante l'esistenza della Duplice Monarchia, la città deteneva lo status legale di corpus separatum, un ente amministrativo distaccato dalla vicina Croazia-Slavonia, e con un certo margine di autogoverno fu soggetta direttamente al Regno d'Ungheria. All'inizio del Novecento, il livello di autogoverno goduto dalla locale élite italofona fu contestato e limitato continuamente dalle autorità centrali ungheresi. Come risposta l'élite locale fondò il partito autonomo che in pochi anni prese il controllo delle istituzioni cittadine e iniziò a nazionalizzare la popolazione locale creando e rafforzando una specifica identità fiumana. Nel frattempo, Fiume stava diventando un rilevante centro economico e industriale dell'Alto Adriatico attraendo una cospicua forza lavoro. Contemporaneamente con la diffusione dell'autonomismo, il movimento socialista iniziò a creare proprie istituzioni di classe e lentamente organizzò i sindacati, delle istituzioni culturali, elaborò celebrazioni pubbliche e riuscì a fondare un partito socialista. L'organizzazione socialista e le celebrazioni pubbliche guidate dai socialisti non erano però completamente in opposizione con il resto della società locale. Anzi, come un'analisi prosopografica di alcuni socialisti dimostra, i socialisti erano a vario livello collegati con strati più ampi della società. Come nel caso di altri partiti socialisti, i socialisti fiumani erano convinti internazionalisti e utilizzarono e reinterpretarono in termini di classe la cultura dominante. Tuttavia, erano incapaci di separarsi dall'esistente cultura nazionale. Dall'altro lato, la cultura locale dominante non era semplicemente italiana ma connessa con una narrazione di fedeltà verso l'Ungheria e la dinastia degli Asburgo. Causa una particolare posizione amministrativa e storica della città e tramite l'intensa propaganda autonomista, gli operai e i socialisti fiumani divennero così dei localpatrioti. L'ultima e finale manifestazione di questa attitudine fu l'impegno dei socialisti per un'ambigua repubblica fiumana quando la Monarchia Austro-Ungarica era destinata a sparire.<br>The subject of this PhD is the development of the socialist movement in the city of Fiume (now Rijeka) during the last years of the Austro-Hungarian Monarchy. In particular, the study addresses the relationship between local socialists, the Autonomist party, and the dominant Italian speaking society.
During the existence of the Dual Monarchy, the city held the legal status of a corpus separatum, a detached administrative body from the nearby Croatia-Slavonia, directly subjected to the Kingdom of Hungary with a certain degree of self-government. On the turn of the XX century, the level of self-government enjoyed by the local Italian speaking elite was disputed and continuously limited by the Hungarian central authorities. As a response to that, the local elite established the Autonomist party which in a few years managed to gain control over the civic institutions and started nationalising the local population by forming and strengthening a specific Fiuman regional identity. Meanwhile, Fiume was becoming a relevant economic and industrial centre in the North Adriatic region, attracting a large working force in town. Alongside with the spread of Autonomism, the socialist movement started to create its own class institutions, and slowly organized trade unions, cultural institutions, public celebrations and finally formed a socialist party. The socialist organization and public celebrations led by socialists were not completely opposed to the rest of the local society. On the contrary, as a prosopographic analysis of some socialists shows, socialists were to a various degree connected with the larger society. As in the case of other socialist parties, Fiuman socialists where convinced internationalists, and used and reinterpreted in class terms the dominant culture, however they were unable to separate themselves from the existing national culture. On the other side, the local dominant culture was not merely Italian but connected with a narration of fidelity towards Hungary and the Habsburg dynasty. Due to the particular administrative and historical position of the town and through the intensive autonomist propaganda Fiuman workers and socialists became local patriots. The last and final expression of this attitude was the socialists' commitment for an ambiguous Fiuman republic when the Austro-Hungarian Monarchy was doomed to disappear.
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Ramírez, Schwerter María Mercedes. "La codificación procesal penal frente a la prensa 1901 - 1906." Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/107774.
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Memoria (licenciado en ciencias jurídicas y sociales)<br>Este año 2006 se cumple el primer centenario de la dictación de nuestro actual Código de Procedimiento Penal, que con la completa entrada en vigencia a fines de 2005, de la llamada Reforma Procesal Penal, está quedando casi ya en desuso. Este hecho ha sido el motivo que nos impulsó a la elaboración de la memoria que a continuación pasamos a presentar.
El presente trabajo está compuesto por antiguas normas de Derecho Español, de Derecho Mixto y de Derecho Patrio o Nacional, según la época de que se trate. Se ha tratado de ser lo más objetivo posible en la recopilación del material para así poder mostrar como se fueron elaborando las normas procesales penales a través del tiempo, hasta el año 1906 donde entró en vigencia, en definitiva y luego de muchos años de discusión y confrontación, el Código de Procedimiento Penal
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Ducros, Frédéric. "Un compositeur français au miroir de sa correspondance : Henri Tomasi (1901-1971)." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040009.
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La présente thèse s’appuie sur les correspondances adressées par le compositeur Henri Tomasi, entre 1916 et 1940, à Joséphine et Xavier Tomasi, ses parents, puis de 1954 à 1971, à Jean Molinetti, son ami le plus proche. Il s’agit d’un ensemble de 533 lettres inédites, qui ont été transcrites, classées, et annotées. Cet unique témoignage écrit du musicien nous permet de comprendre les répercussions qu’eurent sur son œuvre créatrice les événements qui ponctuèrent sa vie et dont ses courriers se font l’écho. Nous étudions ainsi tour à tour l’environnement familial d’Henri Tomasi, au travers notamment du rôle fondamental que joua son père tant dans son éducation que dans le cadre de ses recherches sur la musique traditionnelle corse ; nous voyons la façon dont le jeune musicien conduisit ses études musicales, les rapports qu’il entretint avec les institutions de son temps, mais aussi le rôle que purent jouer les différentes activités de chef d’orchestre qu’il exerça à certaines périodes de son existence. Nous assistons également à l’évolution progressive de sa pensée et à sa transposition dans son œuvre musicale. Tout au long de ces années, cette correspondance au cours de laquelle le musicien passe successivement d’une écriture contrainte à une écriture choisie, nous livre des informations capitales et nous séduit par la vivacité de son ton et le mordant de son style<br>The present thesis is based on all the written correspondence from the composer Henri Tomasi to Joséphine and Xavier Tomasi, his parents, between 1916 and 1940.Then, from 1954 to 1971 to Jean Molinetti, his closest friend. This correspondence includes 533 unpublished letters which have been transcribed, classified and annotated. This musician's unique written testimony allows us to understand how the events which punctuated his life, echoed in his letters, had repercussions on his creative work. Thus in turn, we will study Henri Tomasi's family environment considering notably the fundamental role played by his father in his education as well as in the field of his research on traditional Corsican music ; we'll see the way the young musician conducted his musical studies, his relationship with the institutions of his time but also the role his various activities as a conductor were to play at certain periods of his life. We will also follow the progressive evolution of his thought and its transposition in his musical work. In this correspondence, throughout all those years, the musician's constrained writing style gradually evolved into a more personal one. It gives us essential information and Tomasi seduces us by the incisiveness of his style and by the liveliness of his tone
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Blaquier, Jean-Louis. "L' antiphilosophie de J. Lacan : (Lacan et la politique : pour une archive généalogique du Réel)." Montpellier 3, 2007. http://www.theses.fr/2007MON30049.
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L’antiphilosophie est un pivot subversif dans l’œuvre de Lacan : le statut de Jérusalem, un reste d’Auschwitz ? En-deçà du Malaise dans la civilisation et au-delà des poncifs soupçonneux (narcose et grégarité) de la chose religieuse, ni Freud, ni Lacan n’annulent l’ordre révolutionnaire des trois Textes monumentaux qui subvertissent un champ, ouvre une série de thèses, de dispositifs cliniques et critiques. Le champ lacanien s’oriente d’une double archive généalogique croisée :qui met en conjonction plusieurs révolutions: philosophie et démocratie grecques, révolution monothéiste (Tora/Evangile/Coran). Sexe et Signifiant divisent l’Autre et le Sujet. Trace des fonctions posant l’hypothèse d’une équivalence structurale entre fait religieux et fait esthétique, entre écriture prophétique et écriture poétique. La révolution des droits de l’homme et du citoyen récapitule et déterritorialise ce dont participe le travail civilisateur, clinique et critique, d’une jouissance en mal de lettre<br>Antiphilosophy is a subversive axis in Lacan's work: is Jerusalem's status a remainder of Auschwitz? Within the Malaise in civilization and beyond the clichés - narcosis and gregariousness - that cast suspicion on religious thing, neither Freud nor Lacan have annuled the revolutionary order of the three monumental Texts that have subverted a whole field and opened up a series of theses, of critical and clinical schemes. The Lacanian field derives its orientation from two sets of genealogical intersecting archives, thus conjoining several revolutions: Greek philosophy and democracy to the monotheist revolution (Thora/Gospel/Koran). Sex and Signifying divide The Other and The Subject, and trace some functions that raise the hypothesis of a structural equivalence between the religious and the aesthetic, between prophetic and poetic writing. The revolution of human and civil rights recapitulates and deterritorializes what the clinical and critical civilizing work partakes of: a beingless, letterless lust
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Faustino, Diógenes Domingos. "O caso Schreber como um testemunho escrito." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-28052014-103107/.
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Esta dissertação tem por objetivo discorrer sobre a paranoia de Daniel Paul Schreber, mais especificamente, no que se refere à assunção de sua missão divina como fruto de um trabalho do delírio através da escrita de seu livro Memórias de um Doente dos Nervos. Freud deixou uma marca indelével no campo das psicoses com o estudo do caso Schreber: um passo importante na medida em que as produções delirantes são legitimadas no plano próprio à experiência psicanalítica freudiana, o do inconsciente. O avanço teórico lacaniano abre as vias para uma inserção mais efetiva do estudo acerca das psicoses enquanto clínica possível. Conforme Lacan, a psicose se distinguiria das outras estruturas clínicas pela foraclusão (a Werverfung) de um significante primordial na ordem simbólico. Essa falta marca toda a fenomenologia da psicose, implicando o estabelecimento de uma relação peculiar do sujeito ao conjunto da linguagem: o psicótico é habitado pela linguagem; contrariamente ao neurótico que habita a linguagem, ou seja, toma-a por todo seu ser e enquanto fala. O sujeito habitado pela linguagem conota essa relação de exterioridade que há com o conjunto da linguagem: uma não integração do sujeito ao registro do significante, ao ponto que a análise de um pré-psicótico vai levá-lo ao desencadeamento da psicose. A entrada na psicose se manifesta com o surgimento de uma linguagem preciosa por ser plena de significância, mas também de uma dimensão do significante em seu aspecto material. É justamente na dimensão da fala do outro enquanto objeto, ao falar de si, que as ideias delirantes schreberianas vêm à superfície e seu quadro paranoico se revela para o ouvinte. O testemunho é essa dimensão da fala na qual o sujeito está engajado. Assim, a escrita do livro de memórias schreberianas é um testemunho aberto sobre essa especificidade do psicótico em sua relação à linguagem, mais nomeadamente, sobre a intrusão do discurso do Outro. A especificidade da função da escrita, no caso Schreber, se sustenta justamente na medida em que, conforme Lacan, neste nível há algo da ordem de uma reflexão: livrar-se do parasita falador ou deixar-se invadir pelas propriedades fonêmicas da fala. Essa definição é magistral para lermos a paranoia schreberiana: é em meio a esses dois polos que vislumbramos a sua escrita: a língua estrangeira plena de sentido (a língua fundamental) e, no outro extremo, as frases vazias dos pássaros falantes que sucumbem com a homofonia. Evidencia-se aqui senão aquilo que a noção do inconsciente a céu aberto na paranoia mostra-se devedora, ainda mais se considerarmos a formulação lacaniana do inconsciente ser algo no real (Seminário Les non-dupes errent - 1974). É por ser algo no real que Lacan sustenta que é do lado da escrita que se concentra aquilo de onde tenta interrogar essa sua formulação acerca do inconsciente. Por isso, não é sem razão que, tal qual Lacan, é do lado da escrita que Schreber tenta interrogar isso que seria expressão de sua paranoia: o retorno no real do significante foracluído no simbólico<br>This dissertation aims to discuss the paranoia of Daniel Paul Schreber, specifically, with respect to the assumption of his divine mission as the result of a work of delusion through writing his book Memoirs Of My Nervous Illness. The declared extension of the clinical psychoanalytic treatment of psychotic patients was given by Lacanian theories. Thus, there will be a primacy of the Lacanian theoretical framework in this dissertation. However, Freud left an indelible mark in the field of study of psychosis with the study of the Schreber case in a text from 1911: an important step in the psychoanalytic research with respect to psychosis, because the delusional productions are legitimized in the same plan of Freudian psychoanalytic experience, the unconscious. The Lacanian improvement in this field opens the way for a more effective insertion of the study of the psychosis as a possible clinical. A next step in Lacan\'s theory occurs when he formulates that psychosis is distinct from other clinical structures because in that case theres a foreclosure (Werverfung) of a primordial significant in the field of the Other. Thus, that lack defines all the phenomenology of psychosis, implying the establishment of a special relationship of the subject with respect to the set of language: the psychotic subject is inhabited by language, unlike the neurotic who inhabits the language, in other words, he takes it for his whole being and speech. The subject inhabited by language connotes the relationship of exteriority with the whole language: A non-integration of the subject to the field of the significant, what implies that the analysis of a pre-psychotic will lead him to the triggering of his psychosis. The entry in psychosis manifests itself with the emergence of a precious language full of significance, but also of a dimension of the significant in its material aspect. It is precisely in the dimension of talking of the other as an object, to talk about themselves, that Schrebers delusions come to the surface and his paranoia reveals itself to the listener. The testimony is this dimension of speech in which the subject is engaged. Thus, the writing of the book of memories by Schreber is an open testimony about the specificity of psychotic in his relation to language, most notably, about the intrusion of the discourse of the Other. The specificity of the function of writing, for Lacan, is sustained according as at this level there is something of the order of reflexion: get rid of the talkative parasite or let yourself be invaded by the phonemic properties of speech. This definition is masterful to read the Schreber\'s paranoia, because we envision his writing precisely in the middle of these two poles: a foreign language full of meaning (the fundamental language) and, at the other side, the empty phrases of talking birds who succumb to homophony. It is evident here what the notion of the unconscious is at the surface for the paranoid is too related, especially considering the Lacanian formulation of the unconscious being something in the real (Seminar Les non-dupes errent - 1974). It is because its something in the real that Lacan argues that it is at the writing side that he focuses on where he tries to interrogate this formulation about the unconscious. So it is not without relation that, as Lacan, is at the writing side that Schreber tries to interrogate what would be the expression of his paranoia: the return from the real of the significant foreclosed in the symbolic order
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Hindle, Ian. "The epidemiology of oral cancer in England and Wales 1901-1991." Thesis, University College London (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339221.
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Gallagher, Walter. "People, work, space and social structure in Edwardian Derry, 1901-1911." Thesis, University of Ulster, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242140.
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Yee, Ki Yip. "The late Qing Xinzheng (new policies) reforms in Mongolia, 1901-1911." Thesis, SOAS, University of London, 2017. http://eprints.soas.ac.uk/26678/.
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Reimers, Anja. "Führer zum Material über Ostafrika im Evangelisch-Lutherischen Missionsblatt 1901-1905." Universität Leipzig, 2001. https://ul.qucosa.de/id/qucosa%3A34434.
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This volume is a guide to references to East Africa (including photographs) in the main journal of the Leipzig Mission (for previous years see No. 4). The articles, most of which were based on reports written by missionaries in what are now southern Kenya and northern Tanzania, have been indexed in order to facilitate research.
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Vigne, Daniel. "La relation infinie : la philosophie de Lanza del Vasto (1901-1981)." Paris 4, 2005. http://www.theses.fr/2005PA040052.
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Lanza del Vasto (1901-1981), connu comme écrivain et homme d'action, l'est beaucoup moins comme philosophe. Il fut pourtant Docteur en Philosophie de l'Université de Pise (1928), et travailla toute sa vie à l'élaboration d'un système dont La Trinité spirituelle (1971) donne les lignes essentielles. Entre ces deux dates, l'auteur consigna dans des carnets des milliers de pensées restées inédites, et rédigea divers manuscrits de grande qualité philosophique, qui n'avaient jusqu'ici fait l'objet d'aucune étude. L'auteur de la présente Thèse, qui a personnellement connu Lanza del Vasto, a eu accès à ces archives et a traduit la plupart des textes de l'italien. Sa recherche synthétise un grand nombre de textes inédits, et offre une présentation complète de la philosophie théorique de Lanza del Vasto, en trois parties :I. Esthétique : La Sensibilité et les Arts. Cette partie valorise le fondement sensible de la vie spirituelle, propose un système ternaire des Arts et une étude sur l'Éros comme art d'aimer. II. Épistémique : L'Intelligence et le Savoir. Ces chapitres traversent le champ de la connaissance rationnelle et scientifique, depuis ses formes abstraites (Mathématiques, Espace, Temps, Mouvement) jusqu'à ses aspects concrets (Matière, Énergie, Vie animale et végétale), constituant par là une cosmologie complète et systématiquement unifiée. III. Métaphysique : L'Esprit et la Connaissance. Cette partie, la plus longue, porte sur la connaissance philosophique proprement dite. Elle en aborde successivement : le pôle interne ou subjectif (le Moi), le pôle externe ou objectif (l'Être), et leur lien " alterne " (la Relation). Elle inclut une discussion critique de la philosophie de Descartes, de Kant et de Hegel. Toute la philosophie de Lanza del Vasto, fondée sur une ontologie relationnelle et trinitaire, met en résonance les divers plans de l'être et de la personne. Elle s'exprime avec clarté et précision, dans une langue savoureuse. Elle est un témoignage important de la philosophie spiritualiste en France au XXe siècle<br>Lanza del Vasto, well known as a writer and a man of action, is not so much as a philosopher. And yet he graduated as a Philosophy Doctor of Pisa University (1928) and he worked all his life in order to build up a system the main lines of which are to be found in La Trinité spirituelle (1971). Between those two dates, the writer put down in notebooks thousands of thoughts which have not yet been published, and wrote various manuscripts of high philosophical trend, which have not yet been studied by anyone. The writer of the present Thesis, who has known Lanza del Vasto personally, has had an access to those archives and translated most of the texts from the Italian. His research amounts to a synthesis of great number of unpublished texts, and is a complete presentation of the theoretical philosophy of Lanza del Vasto, in three parts : I. Aesthetics. Sensitiveness and the Arts. This part gives value to the sensitive part of spiritual life, offers a ternary system of Arts, and a study on Eros as an art of loving. II. Epistemics. Intelligence and Science. Those chapters display the field of rational and scientific knowledge from its abstract forms (Mathematics, Space, Time, and Movement) up to its concrete aspects (Matter, Energy, Vegetal and Animal Life), thus making up a complete and systematically unified cosmology. III. Metaphysics. Spirit and Knowledge. This longest part deals with philosophical knowledge as such. It successively tackles the inner or subjective polarity (the Ego), the external or objective polarity (the Being), and their balancing link (the Relationship). It includes a critical discussion of the philosophies of Descartes, Kant and Hegel. The whole philosophy of Lanza del Vasto, based upon a relational and Trinitarian ontology, establishes a resounding pattern between the various levels of being and the person. It is and important witness of French spiritualist philosophy in the XXth century
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Li, Zhifu (Tiger). "Dancing with the Dragon: Australia's Diplomatic Relations with China (1901-1941)." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18400.
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By using little known primary sources in Chinese and English, this thesis will discuss Australia’s diplomatic relations with China, between 1901 and 1941. In March 1909, Liang Lanxun, China’s first consul-general arrived in Melbourne, Australia. Liang’s mission was to promote trade between China and Australia and as well to study the racial relations between Chinese and Australians. In 1921, Edward Little was appointed as Australia’s first trade commissioner in Shanghai, China. In 1929, the Chinese consulate moved from Melbourne to Sydney, due to the fact that Sydney had become the centre of the Chinese communities in the Oceania. I suggest that the Great Depression and the Second World War (Japan's expansion in the Pacific) forced Australian policy-makers to reconsider Australia’s geo-political position in the world. This is the first detailed research that treats Chinese diplomats in Australia and Australian diplomats in China between 1901 and 1941 as key historical subjects. In this thesis, I argue that Chinese diplomats used trade as a tool to fight against the White Australia policy between 1909 and 1941. I further argue Australia was more intertwined and connected with Asia, in this period than the existing literature suggested.
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Tchernia-Blanchard, Marie. "Le Style comme civilisation : Charles Sterling (1901-1991), historien de l’art." Thesis, Université de Lorraine, 2016. http://www.theses.fr/2016LORR0138/document.
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Ce travail a pour objectif premier d’étudier avec précision les étapes successives de la carrière de Charles Sterling et de définir les circonstances qui ont présidé à son accession à différentes fonctions, au Louvre comme au Metropolitan Museum puis à la New York University. A partir de cette mise au point factuelle, il sera possible de déterminer l’influence de ses activités respectives de conservateur et d’enseignant sur le développement de sa pensée. Celle-ci sera ensuite étudiée en relation avec le contexte politique de l’époque, afin d’en saisir les éventuels enjeux idéologiques. Par ailleurs, il conviendra de donner une définition précise de la fameuse méthode d’attribution des œuvres qui caractérise le travail de Sterling, à travers l’examen des éléments qui ont présidé à son élaboration (travaux de ses prédécesseurs, approche renouvelée des sources), l’analyse des traits qui en font toute l’originalité ainsi que sa place et son rôle dans l’évolution de l’histoire de l’art au XXe siècle. Enfin, ses conclusions seront confrontées aux résultats de la recherche actuelle, ce qui permettra d’apprécier la validité de sa méthode<br>The prime purpose of this project is to make a detailed study of the successive stages in Charles Sterling's career and determine the circumstances that led him to take on various functions at the Louvre and the Metropolitan Museum, and further at New York University. Such factual clarification will serve as a basis for determining the influence of Sterling's activities as a curator and a professor on the development of his thinking. Next, Sterling's thinking will be studied in relation to the then prevailing political context, with a view to identifying any possible ideological issues in his thinking. Also, a clear definition shall be given of the noted method for attribution of works of art which characterises Sterling's work, looking into the factors that led to its development (work by his predecessors and renewed approach to sources), and analysing the features of the method's uniqueness and Sterling's place and role in the trends of art history in the 20th century. Finally, Sterling's conclusions will be compared with the outcomes of current research, which will help assess the validity of his method
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Marsh, David R. "Seven decades of sports writing at the West Australian (1901-1971)." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/653.
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For a country whose identity is much bound up with sport, little research has been done so far into Sports journalism in Australia. This study traces the changes that have occurred in the reporting of sport in the West Alustralian between 1901 and 1971. This time span has been chosen to cover the period from Federation to the point when sport acquired its own section at the back of the newspaper and sports editor Ted CoIlingwood retired after 32 years in the job. In this seventy year period, January and July of every seventh year are taken as a sample to map out the developments in sports journalism. The months January and July have been chosen so as to capture both summer and winter sports. The newspaper's editions of these two months in the eleveo periods were assessed both quantitalively and qualitatively. The quantitative study shows the amount of sport reporting, all the column space devoted to the various sports. It confirms that the amount of sports reporting has been on a steady increase ever since 1901, except for tbe war year 1943.
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Schlag, Erin M. "Genetic diversity and phytochemistry of Maryland-grown American ginseng (Panax quinquefolius L.)." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1901.
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Thesis (M.S.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Dept. of Natural Resource Sciences and Landscape Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Perelson, Simone. "La Loi du désir et l'éthique de la psychanalyse : entre démocratie et totalitarisme." Paris 7, 1999. http://www.theses.fr/1999PA070114.
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La conception qu'a la psychanalyse du désir ainsi que l'éthique qu'elle propose nous conduisent au constat suivant : la Loi du désir n'est ni démocratique ni libérale et l'éthique de la psychnalyse ne saurait se définir comme une défense de la "démocratie libérale". En s'éloignant d'une conception démocratico-libérale, la psychanalyse court toutefois le risque de constituer une théorie et une pratique totalitaires. Ce travail a pour tâche de mettre en évidence la "tension" entre "démocratie" et "totalitarisme" qu'exprime la psychnanalyse. Pour ce faire nous allons analyser, dans un premier moment, les points problématiques de la conception lacanienne du désir et de l'éthique soulignés par Patrick Guyomard, Slavoj Zizek et Alain Didier-Weill. Deux conceptions de cette éthique seront ici prises en considération : celle inspirée de la tragédie antique "Antigone" de Sophocle, présente dans le "Séminaire 7", et celle qui se trouve dans le "Séminaire 8", et qui est suscitée par la tragédie moderne "L'Otage" de Paul Claudel. Ensuite, nous allons articuler les pensées de Nietzsche et de Lacan. Cette articulation présupposera une exposée générale de la pensée nietzschéenne, qui nous conduira subséquemment à analyser les sept points suivants : le rapport entre la "morale des forts" nietzschéenne et "l'éthique" lacanienne du "désir" ; l'analogie entre les oppositions "homme supérieur/surhomme" et "subjectivation/destitution subjective" ; l'idée nietzschéenne de la culture et la distinction psychanalytique entre la "réalisation du désir" et le "laisser-aller" ; l'articulation entre "l'individu souverain" et "l'analyste qui s'autorise de soi-même", articulation qui impliquera une analyse approfondie de la problématique de la "passe" ; l'analogie à partir de l'idée nietzschéenne de "décadence" entre l'avènement du surhomme et celui de l'analyste ; la mise en cause aussi bien par Nietzsche que par Lacan des "idéaux démocratico-libéraux" ; et, enfin, les "interprétations totalitaires" auxquelles ont donné lieu la pensée de ces deux auteurs<br>The psychoanalytical conception of desire as much as the ethics proposed by psychoanalysis lead us to the following statement : the Law of desire is neither democratic nor liberal, and the ethics of psychoanalysis can't be defined as a defense of "liberal democracy". Albeit, in distancing itself from a liberal democratic conception, psychoanalysis risks building "totalitarian" practices and theory. This work aims to focus the "tension" between "democracy" and "totalitarism" expressed by psychoanalysis. In order to reach this aim we'll analyse, first of all, the problematic points raised by Patrick Guyomard, Slavoj Zizek, ans Alain-Didier Weill about Lacan's conception of desire and ethics. Two conceptions of this ethics will be there considered : the one found in the "7th Seminary", inspired by the ancient Sophocle's tragedy "Antigone", and the one found in the "8th Seminary", raised upon modern tragedy "L'Otage", by Paul Claudel. Subsequently, we'll board Nietzsche's thought to link it afterwards to Lacan's one throughout the analysis of the seven following points : the relation between Nietzsche's "moral of the strong" and Lacan's "ethics of desire" ; the analogy between "superior man/Overman" and "subjectivation/subject destitution" oppositions ; Nietzsche's idea of culture and the psychoanalytical distinction between realization of desire" and the "laisser-faire" ; the connection between "sovereign individual" and the "self authorized analyst", which will allow us to probe the question of "pass" ; the analogy between the rising of Overman and the analyst, both upon Nietzsche's idea of "decadence" ;the querying by Nietzsche, as well as by Lacan, of the liberal democratic ideals ; and, at last, the totalitarian interpretations raised by thes two authors' thought
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Ng, Wing-fai, and 吳永輝. "Liang Sicheng, 1901-1972." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31950024.
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Revol, Claire. "La rythmanalyse chez Henri Lefebvre (1901-1991) : contribution à une poétique urbaine." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30038/document.
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Cette thèse propose d'explorer les textes que Henri Lefebvre (1901-1991) a consacré à un projet de connaissance des rythmes, une « rythmanalyse », terme qu'il emprunte à Gaston Bachelard, pour contribuer à ce que nous appelons une poétique urbaine. Henri Lefebvre a laissé une œuvre fondatrice dans les études urbaines contemporaines en théorisant l'avènement de la société urbaine moderne et en produisant une théorie critique de l'urbanisme et des espaces et des temps sociaux qui en résultent. Nous montrons que la théorie critique est solidaire d'une poétique issue du romantisme révolutionnaire de l'auteur, qu'il développe au contact de pratiques artistiques, notamment celles de l'Internationale Situationniste. À l'encontre de ce qu'il analyse comme le processus d'abstraction de l'espace et du temps urbain, la rythmanalyse fait partie de la quête d'un espace-temps approprié à même de métamorphoser la société urbaine et de restituer le corps total, afin que l'urbain devienne l’œuvre de l'homme. Lefebvre ne propose pas seulement une méthodologie qualitative d'observation des rythmes, mais une expérimentation rythmanalytique, dont nous pouvons imaginer la pratique sous la forme de l'utopie expérimentale. La rythmanalyse fournit ainsi les idées directrices d'une poétique appliquée, à même de créer des formes, des textures et des styles pour l'habiter urbain. Cette poétique urbaine, à la fois création et connaissance, procède par des pratiques expérimentales et restitue le jeu rythmique qui enrichit l'expérience esthétique de l'espace et du temps urbain<br>This thesis proposes to explore the texts that Henri Lefebvre (1901-1991) devoted to his project of understanding rhythms, his « rhythmanalysis », a term borrowed from Gaston Bachelard, to contribute to what we call an urban poetics. Henri Lefebvre has produced fundamental work in contemporary urban studies in both his theorization of the advent of modern urban society, and his elaboration of a critical theory of urban planning with its resultant social spaces and temporalities. We show that this critical theory unfolds in line with his construction of a poetics, which is inspired by the revolutionary romanticism that the author developed through his contact with artistic practices, especially those of the Situationnist International. Against his analysis of abstraction as an inherent process of urban space and time, his rhythmanalysis contributes to the creation of an appropriate space-time, with its ability to transform urban society and reconfigure the Total body so that what is urban can be instead considered a work of art. Lefebvre provides not only a qualitative methodology for the observation of rhythms, but also the outline of a rhythmanalytic experimentation, which can be associated with the practices of an experimental utopia. Rhythmanalysis offers guidelines for an applied poetics; it goes as far as creating forms, textures and styles for urban living. This urban poetics, simultaneously a creative act and one steeped in knowledge, proceeds through experimentation and restores the rhythmic game that enriches our aesthetic experience of urban space and time
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Strunk, Franziska [Verfasser]. "Eponyme in der Dysgnathiechirurgie : ein Rückblick auf Operationsverfahren 1901 - 1991 / Franziska Strunk." Köln : Deutsche Zentralbibliothek für Medizin, 2012. http://d-nb.info/1029086028/34.
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Root, Jonathan B. "A people’s religion: the populist impulse in early Kansas Pentecostalism, 1901-1904." Thesis, Kansas State University, 2009. http://hdl.handle.net/2097/1371.
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Master of Arts<br>Department of History<br>Robert D. Linder<br>This thesis examines early Pentecostalism in light of the Populist Movement. There are two main arguments in this study. First, I maintain that early Kansas Pentecostalism, as seen in the teachings of Charles Fox Parham, was heavily influenced by Populist ideas and language. Parham displayed Populist tendencies in his attacks on the Protestant Establishment, which he believed had neglected to care for the spiritual and physical needs of “the people.” This failure on the part of the churches led Parham to believe that a major reform of the church was needed. Parham went beyond simply criticizing the establishment. He also developed a popular theology that empowered individuals, many of whom were poor and working-class, and created a strong sense of collective aspiration. The second argument of this study is that Populism fostered a sociopolitical environment in which Pentecostalism could thrive. Parham’s confrontations with the Protestant Establishment and his concern with the needs of “the people” was attractive to many individuals who tended to support movements that sought to disrupt the status quo. One event that can shed light on early Kansas Pentecostalism’s relationship with Populism was a revival in Galena, Kansas, a lead and zinc mining town in the southeast corner of the state, that took place from October 1903 to January 1904. By examining some of the connections between the Populist movement and early Kansas Pentecostalism, this study provides some insight into the development of one of the most popular expressions of Christianity in the world.
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Arnautou, Charlotte. "Les paradoxes de la fiction cognitive de G. K. Chesterton (1901-1910)." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL160.
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Cette thèse se propose d’étudier le rapport entre fiction et raisonnement dans l’œuvre édouardienne (1901-1910) de l’écrivain, journaliste et polémiste anglais G.K. Chesterton (1874-1936). S’inscrivant dans le double cadre de la théorie de la fiction et de l’histoire des idées, ce travail repose sur l’hypothèse d’un usage singulier de la fiction dans la pensée chestertonienne, qui l’écarte de sa définition générique (comme d’un récit en prose, principalement destiné au divertissement) pour en faire un mode de raisonnement. Utilisée comme figure rhétorique, elle est également pensée comme un véhicule cognitif permettant de repousser la frontière du savoir, un moyen de compréhension du monde et un instrument de modélisation de l’idée, qui ne contredit pas le raisonnement mais le complète. La seconde hypothèse concerne le rôle central du contexte historique dans cet usage paradoxal de la fiction : le monde intellectuel britannique traverse, à la fin du XIXe siècle une crise épistémologique tandis que l’époque se caractérise progressivement par un âge d’or de la fiction de masse. L’ère édouardienne, située à la croisée de ces mouvements, apparaît donc comme un moment pivot. L’étude replace d’abord la formation intellectuelle et la naissance de la carrière de Chesterton dans le contexte de la vie littéraire de l’époque, afin de proposer une théorie de sa fiction d’examiner sa pratique dans ses articles, ses essais, ses études littéraires. Ses romances et ses récits de détection sont également envisagés puisque ces genres de la littérature de masse permettent à Chesterton de donner corps à sa pensée et de toucher un large public. En définissant des emplois originaux de la fiction, il s’agit d’examiner comment ils s’inscrivent dans une renégociation plus générale du rapport entre savoir et fiction à l’aube du XXe siècle<br>This thesis explores the tension between fiction and reasoning in the Edwardian oeuvre of writer, journalist and polemicist G. K. Chesterton (1874-1936). Within the framework of fiction theory and the history of ideas, it is hypothesized that Chesterton diverts fiction from its most frequent use as a genre (a narrative in prose aiming at entertainment) to turn it into a mode. Used as a rhetorical figure, fiction is also devised as a cognitive vehicle that pushes back the frontiers of knowledge, a way of understanding the world and a conceptual modelling tool, which does not contradict but completes his reasoning. The second hypothesis of this work rests on the defining influence of the historical background on Chesterton’s imaginative use of fiction: the Edwardian intellectual world goes through an epistemological crisis while the ever-thickening stream of popular fiction turns the era into a Golden Age of storytelling. The era thus appears as a pivotal moment. Chesterton’s formative years and early career will be studied in the literary context of the time to set the scene for his theory of fiction and for an exploration, in practice, of Chesterton’s fictional modes in his articles, essays, literary studies but also in his romances and his detective fiction, as these genres of popular literature allow him to give shape to his reasoning and appeal to a wider audience. Defining Chesterton’s unusual fictional modes will allow us to place him within the wider movement of authors trying to foster a new relationship to fiction at the dawn of the 20th century
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Root, Jonathan B. "A people's religion : the populist impulse in early Kansas Pentecostalism, 1901-1904." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1371.
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Aveggio, González Ricardo. "Principios técnicos del manejo de la transferencia en la enseñanza de Lacan." Tesis, Universidad de Chile, 2009. http://www.repositorio.uchile.cl/handle/2250/115343.
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Magíster en Psicología Clínica Mención Adultos<br>La presente investigación desarrolla la pregunta acerca de la perspectiva técnica de
la transferencia deducible de la enseñanza de Jacques Lacan. La pregunta de investigación
se formuló en los siguientes términos: ¿Qué aportes, principios, indicaciones u
orientaciones técnicas respecto al manejo de la transferencia es posible producir y derivar
de la conceptualización de Lacan?
Para poder responder a ella se realiza una revisión por las distintas formas de
conceptualización de la transferencia en la obra de Lacan. Se exploran la relación de la
transferencia con temáticas como la dialéctica imaginaria, la demanda y el deseo, el ideal
del yo y el amor, el objeto a, los cuatro discursos y el deseo del analista. Luego se expone
la teoría de Lacan acerca del desarrollo de la cura psicoanalítica y el lugar de la
transferencia en ella. La entrada en análisis, la intervención del analista y el fin de análisis
son los temas que se desarrollan en dicho apartado destacando siempre la relación de cada
uno de esos momentos de la cura con la dimensión transferencial.
En la segunda parte de la tesis se realiza una discusión teórico-clínica a partir de los
planteamientos desarrollados en la primera parte de la investigación. Se presenta de manera
inicial la discusión y reformulación de la pregunta por la técnica en la orientación
lacaniana, introduciéndose la noción de acto analítico como ordenador de los distintos
niveles de la intervención del analista. Desde esta perspectiva se realiza una revisión de las
orientaciones del acto analítico que se pueden desprender de las perspectivas teóricas
revisadas en la primera parte de la tesis. De esta forma se pone en relación el acto analítico
y la transferencia con temáticas como lo imaginario, la demanda y los tipos clínicos, la
entrada en análisis, el amor y el ideal del yo, el objeto a y el sinthome y finalmente los
discursos y el problema de la política del acto analítico
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AL, JALILI LAYTH. "Vie vecue et vie imaginaire chez alexandre vialatte." Lyon 2, 1993. http://www.theses.fr/1993LYO20055.
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"autobiographie et romanesque", "instants presents du bonheur", et "tragique de la condition humaine" sont les trois par ties developpees dans cette recherche. Partant d'une methode thematique, la premiere partie analyse les evenements qui fondent l'oeuvre et decele en eux la par t de l'auto-biographie qui y est incluse. Les trois axes alimentant la deuxieme partie sont : le voyage, le souvenir et la memoire, et le reve. Par le biais de l'ecrit vialatte triomphe momentanement de la pesanteur de la vie quotidienne. Se servant de ces trois themes, il se rejouit des instants du bonheur. Mais le tragique de la condition humaine va-t-il aneantir tous ces fantasmes? telle est la question que l'on va se poser dans la troisieme partie a travers les deux themes du labyrinthe et de la mort<br>"autobiography and romantic", "present instants of happiness" and "the tragedy of the human condition" : are the three parts which are developped in this research. In the first part, we used the "thematic method" to analyse the events wich constructed the literary work and divulged through the part of autobiography which is included in the narrative structure of the work. The three axes which nourished the second part are : the travels, the remembrance, the memory and the dream. By means of the writing itself alexandre vialatte triumphed over the du ness of the daily life. Making use of these instants, he enjoyed himself with these instants of happiness. But is the tragedy of the human condition going to annihilate all these fantasies? a question such as this we are going to ask in the third part by using the two themes of labyrinth and of the death
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Morelle, Chantal. "Louis Joxe, diplomate dans l'âme." Paris, Institut d'études politiques, 2008. http://www.theses.fr/2008IEPP0002.
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Le nom de Louis Joxe (1901-1990) est associé aux négociations d'Évian. Son goût ancien pour les relations internationales trouve de quoi se satisfaire lorsqu'il travaille auprès de Louise Weiss à "l'Europe nouvelle" (1929-1933), de Pierre Cot, ministre de l'Air (1933) qui le charge de négociations commerciales. A l'Agence Havas, où il est inspecteur du service Etranger, Joxe allie son intérêt pour la presse et la politique étrangère. Révoqué du fait de ses opinions politiques, il se retrouve à Alger à l'automne 1940 : il va agir en faveur de la résistance et de la France libre, et de Gaulle le nomme secrétaire général du CFLN (juin 1943). C'est un haut-fonctionnaire qui se retrouve à Paris où il reste au service de l'État, au Quai d'Orsay. Joxe est directeur général des Relations culturelles (1947-1952), ambassadeur à Moscou (1952-1955), à Bonn (1956). Ambassadeur de France, il devient secrétaire général du ministère des Affaires étrangères, aux moments délicats de la crise de Suez en 1956, et de Sakiet sidi Youssef, en 1958, qu'il gère avec la plus grande diplomatie en dépit des difficultés qu'il doit assumer. C'est toujours le serviteur de l'État qui arrive au gouvernement de Michel Debré en 1959. Son art de la négociation et son dévouement au général de Gaulle expliquent que ce dernier fasse appel à lui pour appliquer la politique de "dégagement" qu'il entend mener en Algérie. Cette biographie a pour but d'éclairer sur la façon dont ce serviteur de l'État a mis en œuvre ses qualités de diplomate dans des domaines très variés, au-delà des relations internationales; sans pour autant retracer toute la vie de Louis Joxe<br>Louis Joxe's name is connected with Algerian peace negociations of 1961-1962. In fact, as Minister for Algeria, he was the French chief negociator at Evian. As such, it was the peak of a very reach diplomatic career and more or less of a foreign-policy-oriented life. However, he was not trained for diplomatiy, but for teaching history. Born as the XXe century was one year old, he was impressed as a young man by the Great War, and the interwar period he was a journalist in the Louise Weiss's journal : "L'Europe nouvelle", so that he became familiar with the League of Nations. He had the opportunity to work in the staff of one of the young radicals Pierre Cot, Minister of the Air. And with friends, he created a foreign policy think tank, maybe the first in France : the "Centre d'études de politique étrangère", which was the predecessor of the well-known IFRI. During the Second World War, he went with his family to Algiers, where History made him up once more ; il was not so easy for a Frenchman to know where the future of France in the 1942 fall-winter : Darlan, Giraud, de Gaulle. Finally, Louis Joxe became the secretary general of the CFLN, a French provisory government in Algiers, headed by de Gaulle. After the war, Louis Joxe began a high civil servant career in the diplomatic services : head of the cultural relations Service, then ambasasdor in Moscow, where he had to deal with Stalin and the German problem. As secretary general of the Quai d'Orsay, he was informed of all the diplomatic affairs of this time : the Suez crisis, the events of the French decolonization, especially in Tunisia and Algeria, the Atlantic Alliance and so on. He was a genuine diplomat
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Vieira, Marcela Carolina Schild. "Reflexos possíveis: o olhar de Winnicott e Lacan para constituição subjetiva." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-09022011-104300/.
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As reflexões que compõem este estudo partem de inquietações geradas a partir da prática clínica com crianças, especialmente aquelas com distúrbios graves no desenvolvimento, como autismo e psicose. Seguindo as coordenadas oferecidas pela psicanálise, o analista tem a sua disposição uma extensa fundamentação teórica em torno do tema da constituição subjetiva, revelando múltiplos contornos conforme a filiação teórica-clínica adotada e impasses decorrentes da resistência em dialogar com perspectivas de compreensão distintas. A partir da discussão sobre os sentidos do processo de subjetivação para a psicanálise, esperamos demonstrar como é possível encontrar diferentes modelos de compreensão referentes ao que é o bebê, a relação primordial, o papel integrador do outro, a cultura e, por fim, o cuidado. Ao promover o diálogo entre múltiplas perspectivas, aponta-se para a necessidade de impulsionar a reflexão sobre o trabalho do analista, apostando que, por meio da interlocução entre Winnicott e Lacan, autores considerados tão distantes a um primeiro olhar, possam emergir giros teóricos significativos. Seguindo o percurso que ambos dedicaram ao tema da constituição subjetiva, apoiados na relação entre o bebê e o outro, vislumbra-se uma proposta de articulação entre a noção de dependência absoluta dos primeiros estágios da vida humana e a capacidade de o analista valorizar as diversas possibilidades de conceber a prática clínica. O espaço reflexivo promovido permitirá alcançar algumas conclusões, em especial, sobre uma concepção frente à prática psicanalítica orientada pela heterogeneidade e maleabilidade teórica. É preciso esclarecer que a proposta de dialogar não configura uma tentativa de converter uma teoria na outra, apoiada em comparações que visam localizar pressupostos comuns e eliminar as diferenças em função de uma pretensa harmonia. Por outro lado, não se trata também de exultar as diferenças a ponto de cunhar limites intransponíveis, o que só pode resultar em exposições reducionistas e estéreis. O desafio aqui enfrentado implica não ceder à tentação de simplificar o complexo, mas preservar a heterogeneidade produtiva tanto para uma teoria quanto para a outra, preservando um modelo de compreensão, a partir dos estágios precoces da subjetivação, suficientemente sensível às diferentes estratégias e demandas clínicas. Ao final do percurso, encontramos como ponto de convergência entre as teorias de Lacan e Winnicott a ênfase dada à função do outro no processo de constituição subjetiva e à resistência frente ao entendimento da psicanálise como uma prática de interiorização, o que se pode testemunhar pelo privilégio atribuído por ambos à situação de descentramento radical que inaugura a aventura subjetiva. Parece evidente, assim, que não se nasce sujeito, mas que uma subjetividade se instala pela garantia de algumas condições originárias e que, nesse encadeamento, transitamos incessantemente pela tênue linha entre aquilo que assegura que o sujeito possa advir, ou seja, sua possibilidade de subjetivação, até aquilo que passa a configurar o ponto de aprisionamento do ser ao desejo do outro<br>This study gathers some concerns borne from clinical practice with children, especially those with severe disturbances in development, such as autism and psychosis. Following the coordinates provided by psychoanalysis, the analyst works with an extensive theoretical framework around the theme of subjectivity, revealing multiple contours according with his clinical orientation, where the theoretical impasses usually arise from the resistance to dialogue with different perspectives of understanding the subject. Discussing the meanings of subjective constitution for psychoanalysis, we hope to demonstrate how you can find different models of understanding what the infant is, the primordial relation, the integrative role of the other, the culture and, finally, the concern. By promoting a dialogue among multiple perspectives, we expects to encourage reflection on the work of the analyst, betting that, through the dialogue between Winnicott and Lacan, authors whose are considered so far at first sight, a theoretical renewing could appear. Following the route that both devoted to the topic of subjective constitution, supported by the relationship between the baby and the other, the aim propose of this study is to articulate the notion of absolute dependence of early stages of human life and the ability of the analyst to deal with different possibilities to develop clinical practice. The reflections promoted some conclusions, especially on the perspective of a psychoanalytic practice guided by heterogeneity and plasticity theory. We must clarify that the proposed dialogue does not constitute an attempt to transform a theory into another one, based on comparisons that aim to find common understanding and to eliminate differences due to a false harmony. On the other hand, it is not also worried to establish a point of coining insurmountable limits by increasing the differences between them, which may result in exposures reductionist and sterile. The challenge faced here means not yielding to the temptation to simplify the complex, but to preserve the productive heterogeneity of both theory, preserving a model of understanding, from the early stages of subjectivity, sufficiently sensitive to different strategies and clinical demands. At the end of the journey, we find a point of convergence between the theories of Lacan and Winnicott focus on the function of the other in the process of subjective constitution and the resistance against the understanding of psychoanalysis as a practice of internalization, which on both theories we can recognize the privilege of a radical decentralization on the relations. It seems clear, therefore, that subject does not comes with birth, it is installed under warranty of some original conditions, where we are constantly moving on the thin line between what ensures that the subject could arise to the point of imprisoning the subjective into other\'s desire
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Kaveh, Shamal. "Det villkorade tillståndet : Centralförbundet för Socialt Arbete och liberal politisk rationalitet 1901–1921." Doctoral thesis, Uppsala University, Department of History of Science and Ideas, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6845.
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<p>This is a dissertation about Swedish liberalism as a political rationality and, more specifically, the conditions that made the transition from an exclusionary society to an inclusive one possible at the beginning of the 20th century. I have made a case study of National Association of Social Work (Centralförbundet för Socialt Arbete, CSA), an association that played a significant role in the institutionalization of social politics in Sweden. The objectives are threefold. Firstly, to analyze CSA as a liberal political rationality. Secondly, to analyze its political ontology. Thirdly, to examine its motives for defending an including society.</p><p>One of the main arguments in this dissertation is that the political rationality of CSA is characterized by a form of government that works in and through society, as well as through freedom. By using the concept of ”the state of suspension” I try to capture and analyze the ontological ambiguity of the individual in liberal thought; an ambiguity expressed in biopolitical categorizations of the population according to perceived capacities for rational thought. The inclusion of the excluded part, which I describe through the notion of “the social”, was possible due to a new political ontology, which considered the individual as being a product of social circumstances, and as someone possible to shape and govern in and through society. </p><p>I argue that the political struggle of the excluded not only served to revise the political ontology of CSA, but also provided the rationale for the efforts to create an including society with universal suffrage. CSA did not regard citizenship as a right, but as a political technology and as a solution. Furthermore, I argue that citizenship shouldn’t be seen as a prerequisite for the politization of the excluded. On the contrary, this part of the population was already, at least partially, politicized and they became political subjects through their participation in the struggle for political rights.</p>
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Kaveh, Shamal. "Det villkorade tillståndet : Centralförbundet för socialt arbete och liberal politisk rationalitet 1901-1921 /." Uppsala : Acta Universitatis Upsaliensis : Uppsala universitetsbibliotek [distributör], 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6845.
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Mawhood, Rhonda. "Images of feminine beauty in advertisements for beauty products, English Canada, 1901-1941." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60562.
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This thesis is a study of magazine advertisements for beauty products in Canada between 1901 and 1941. It looks at the use of cosmetics and the growth of advertising in the context of the development of North American consumer culture, highlighting the role of gender in that culture. The period studied is divided in two by the mid-1920s to reflect changes in advertisers' views of consumers--from rational decision-makers to irrational creatures driven by their emotions--and in ideals of feminine beauty, as the use of cosmetics became an essential part of the ideal perpetuated by advertising. The thesis attempts to show the link between business history and cultural history by demonstrating how marketing professionals co-opted cultural trends in order to create effective advertising, and how traditional relationships and values were modified by the purchase and use of mass-marketed goods.
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Zwarich, Jennifer. "Federal Films| Bureaucratic Activism and the U.S. Government Motion Picture Initiative, 1901-1941." Thesis, New York University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3635322.
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<p> This dissertation describes the emergence and expansion of U.S. government motion picture work over the first four decades of the twentieth century. It situates the early history of federal filmmaking within the long progressive drive to reshape representative government into a more active proponent of the welfare of its citizenry and argues that despite reigning critiques to the contrary, institutional sponsorship actually gave social meaning and efficacy to this mode of social documentary. Indeed, I argue that U.S. government film production can be understood as a kind of social activism that was simultaneously propelled and limited by the contours of the federal bureaucracy. Envisioning government film work as “bureaucratic activism”—with all the power as well as the inefficiencies, entrenched rigidities, red tape, politics and establishment loyalties implied by the term “bureaucratic”—is useful here. It helps capture the contradictory nature of a pragmatic enterprise that actively and optimistically sought social change from within the confines of the status quo. </p><p> Federal films are examined in this history as spaces of complex negotiation— as points of contact between the structure(s) of the American democratic state and the imaginings of progressive bureaucrats about both their relationship to that state and its relationship to its citizens. Relying largely on original research in little-mined federal collections, I argue that the interpretations of social problems and solutions attempted in and by these film texts represent more than attempts to bolster institutional authority and reinforce the status quo (though, of course, they were such attempts). These aims were mediated by a will—evident both within the film texts and in the extemporaneous correspondence of their administrators and producers—to explain or justify such authority claims by literally and figuratively visualizing them as not arbitrary but rather in the interest of nurturing or protecting the common good. Federal films, seen in this way, don’t automatically obviate social change but instead represent attempts to relate social change to the ideal of democratic government. Viewed in the context of the specific change initiatives they were produced to aid, federal films were reflections of and on democratic governance itself.</p>
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Burnett, Jason K. "Building a Better Briton: Parliament's Push for State-Funded Secondary Schools, 1901-1903." ScholarWorks@UNO, 2000. http://scholarworks.uno.edu/td/2120.
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The first three years of the twentieth century were a crucial time in the development of state-funded education in England. The rising tide of Germanophobia in the wake of the South African War impressed Conservative politicians with the need to improve England's educational system in order that she remain competitive in the world. With the aid of a very few Liberal imperialists, the Conservatives were able to shepherd through a series of bills which established state funded secondary schools throughout all of England, an expansion on the system created by the Education Act of 1870 in terms of both curriculum and breadth of jurisdiction.
The Liberals opposed much of this legislation based on their allegiance to their nonconformist constituents, who viewed the expanse of state-funded schools as a threat to their voluntary schools and as an attempt to enforce Anglican uniformity. The fact that these MPs opposed these bills, and later modified them greatly when Liberal, and later Labour, governments came to power in the decade immediately preceding the first World War, should in no way diminish the importance of these pieces of Conservative legislation.
This essay fits into the historiography of its topic in that it provides a detailed examination of debates which have often been overlooked due to historians' emphasis on the later Liberal legislation.
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Palacios, David Alejandro Ramírez. "A Nueva Geografía de Colombia de Francisco Javier Vergara y Velasco (1901) [1902]." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-09102015-135247/.
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A presente pesquisa dedica-se ao estudo da história da formação territorial da Colômbia tendo como ponto de partida a obra do historiador, geógrafo e cartógrafo Francisco Javier Vergara y Velasco (1860-1914). Foca-se na análise da sua obra principal, a Nueva Geografía de Colombia, publicada sua versão definitiva em 1902. Esta pesquisa não apenas revela a Vergara como um autor erudito e crítico, mas demostra que o seu pensamento geográfico não encaixava dentro dos parâmetros das ideologias geográficas dominantes no país no período. Também, esta pesquisa faz um trabalho de exploração conceitual, consagrado à construção de categorias que permitam uma compreensão cada vez melhor das complexas relações entre as ciências geográficas, as instituições estatais e os processos de formação territorial.<br>This research is about the history of the territorial conformation of Colombia using as a departure point the work of the historian, geographer and cartographer Francisco Javier Vergara y Velasco (1860-1914). It is dedicated to the analysis o his main work, the Nueva Geografía de Colombia, published in its definitive version in 1902. This research not only reveals Vergara as an erudite and critical author, but it demonstrates that his geographical thought didnt fitted into the patterns of the geographical ideologies dominating at that period. Also, this research makes a conceptual exploration work, consecrated to the development of categories that allows an even-better comprehension of the complex relationships between geographic sciences, institutions from the State and territorial conformation.
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Coursiéras, Cécile. "Poliet et Chausson (1901-1971). Ascension et déclin d'une grande entreprise cimentière française." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040072.
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L’industrie cimentière française possède une influence internationale considérable. L’entreprise Lafarge est aujourd’hui le numéro un mondial du ciment. Ses concurrents français sont tout aussi performants. On peut citer Vicat, entreprise familiale, ou la société Ciment Français, filiale du groupe Heidelberg-Italcementi. Ciments Français est une entreprise héritière du groupe Poliet et Chausson. En 1971, suite au rachat de la branche cimentière de Poliet et Chausson par Ciments Français, les départements des ciments des deux groupes fusionnent. Puis, Poliet et Chausson est transformée en société holding de distribution de matériaux de construction sous le nom de Poliet S.A. Elle est rachetée par Saint Gobain en 1996 et son nom disparaît. La firme a pourtant été la première entreprise française de ciment en 1930. C’est la monographie de cette entreprise que s’attache à retranscrire cette thèse. L’histoire de Poliet et Chausson au cours du XXe siècle est tortueuse. Par un effet d’aubaine, cette entreprise parisienne de matériaux de construction, profite de l’invention du marché du ciment pour devenir l’un des plus grands producteurs de ciment français au cours des années 1930. Sa trajectoire est parallèle à celle de l’entreprise Lafarge. Elle en diffère cependant par bien des points. Émaillée d’embûches, elle oscille entre des moments de succès considérables et des périodes plus troublées. Entre industrialisation et désindustrialisation, l’histoire de Poliet et Chausson s’écrit dans l’ombre de son concurrent plus brillant, Lafarge. Comment expliquer la réussite de l’un et la disparition de l’autre ?<br>The French cement industry has considerable international influence. Lafarge is now the world's largest cement company. Its French competitors are equally performing. These include Vicat, a family business, or Ciment Français, a subsidiary of the Italcementi group. Ciments Français is a company inheriting from the group Poliet and Chausson. In 1971, following the purchase of the cement sector of Poliet and Chausson by Ciments Français, the cement departments of the two groups merged. Then Poliet and Chausson was transformed into a holding company for the distribution of building materials under the name Poliet S.A. It was bought by Saint Gobain in 1996 and its name disappeared. The firm was, however, the first French cement company in 1930. This thesis attempts to transcribe the monography of Poliet and Chausson. The history of Poliet and Chausson during the twentieth century is tortuous. Through a windfall effect, this Parisian company of building materials, profits from the invention of the cement market to become one of the largest producers of French cement in the 1930s. Its trajectory is parallel to that of the Lafarge company. However, it differs in many aspects. It is fraught with obstacles, and oscillates between moments of considerable success and more troubled periods. Between industrialization and desindustrialization, the story of Poliet and Chausson is written in the shadow of its brighter competitor, Lafarge. How can we explain the success of the one and the disappearance of the other?
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Coursiéras, Cécile. "Poliet et Chausson (1901-1971). Ascension et déclin d'une grande entreprise cimentière française." Electronic Thesis or Diss., Paris 4, 2017. http://www.theses.fr/2017PA040072.
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L’industrie cimentière française possède une influence internationale considérable. L’entreprise Lafarge est aujourd’hui le numéro un mondial du ciment. Ses concurrents français sont tout aussi performants. On peut citer Vicat, entreprise familiale, ou la société Ciment Français, filiale du groupe Heidelberg-Italcementi. Ciments Français est une entreprise héritière du groupe Poliet et Chausson. En 1971, suite au rachat de la branche cimentière de Poliet et Chausson par Ciments Français, les départements des ciments des deux groupes fusionnent. Puis, Poliet et Chausson est transformée en société holding de distribution de matériaux de construction sous le nom de Poliet S.A. Elle est rachetée par Saint Gobain en 1996 et son nom disparaît. La firme a pourtant été la première entreprise française de ciment en 1930. C’est la monographie de cette entreprise que s’attache à retranscrire cette thèse. L’histoire de Poliet et Chausson au cours du XXe siècle est tortueuse. Par un effet d’aubaine, cette entreprise parisienne de matériaux de construction, profite de l’invention du marché du ciment pour devenir l’un des plus grands producteurs de ciment français au cours des années 1930. Sa trajectoire est parallèle à celle de l’entreprise Lafarge. Elle en diffère cependant par bien des points. Émaillée d’embûches, elle oscille entre des moments de succès considérables et des périodes plus troublées. Entre industrialisation et désindustrialisation, l’histoire de Poliet et Chausson s’écrit dans l’ombre de son concurrent plus brillant, Lafarge. Comment expliquer la réussite de l’un et la disparition de l’autre ?<br>The French cement industry has considerable international influence. Lafarge is now the world's largest cement company. Its French competitors are equally performing. These include Vicat, a family business, or Ciment Français, a subsidiary of the Italcementi group. Ciments Français is a company inheriting from the group Poliet and Chausson. In 1971, following the purchase of the cement sector of Poliet and Chausson by Ciments Français, the cement departments of the two groups merged. Then Poliet and Chausson was transformed into a holding company for the distribution of building materials under the name Poliet S.A. It was bought by Saint Gobain in 1996 and its name disappeared. The firm was, however, the first French cement company in 1930. This thesis attempts to transcribe the monography of Poliet and Chausson. The history of Poliet and Chausson during the twentieth century is tortuous. Through a windfall effect, this Parisian company of building materials, profits from the invention of the cement market to become one of the largest producers of French cement in the 1930s. Its trajectory is parallel to that of the Lafarge company. However, it differs in many aspects. It is fraught with obstacles, and oscillates between moments of considerable success and more troubled periods. Between industrialization and desindustrialization, the story of Poliet and Chausson is written in the shadow of its brighter competitor, Lafarge. How can we explain the success of the one and the disappearance of the other?
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Pinheiro-Safatle, Vladimir. "La passion du négatif : modes de subjectivation et dialectique dans la psychanalyse lacanienne." Paris 8, 2002. https://octaviana.fr/document/184929865#?c=0&m=0&s=0&cv=0.
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L'objectif de cette thèse est de discuter le programme de rationalité qui structure la psychanalyse lacanienne à partir d'une perspective dailectique qui tient en compte la dialectique négative d'Adorno. La proximité entre dialectique négative et clinique lacanienne porte sur la place centrale donnée à la théorie des négations dans la structuration des processus de subjectivation. Selon Lacan, les protocoles de cure analytique demandent la subjectivation d'un mode de négation qui ne soit pas indication d'un non-être, rejet hors de soi de ce qui porte atteinte au principe de plaisir (Verwerfung), dénégation (Verneinung), auto-négation de l'énoncé (Verleugnung), mais qui soit mode de présence du Réel. Il n'y a pas de cure que là où il y a la reconnaissance de la négation comme manifestation du Réel. La clinique lacanienne a donc besoin d'une négation ontologique qui se manifeste surtout dans la sublimation et dans la traversée du fantasme. Elle est le noyau de la dialectique négative avec son projet d'auto-critique. Mais Hegel avait déjà fournit ce protocole de nouage pour autant que la dialectique est l'expérience de déphasage entre désignation et signification dans l'acte de parole. En ce sens, l'originalité d'Adorno et de Lacan consiste plutôt à comprendre que la reconnaissance d'une négation ontologique ne peut se donner qu'à l'écart des processus de symbolisation, de remémoration et de conceptualisation. D'où le projet lacanien de penser la clinique à partir de processus non-conceptuels de formalisation comme le mathème et le lettre. D'où le projet adornien de voir la formalisation esthétique comme porteuse d'un contenu de vérité. Cette démarche montre les limites des opérateurs de symbolisation analytique comme le Phallus et le Nom-du-Père, fournit une pensée de l'éthique au-delà de la détermination transcendantale de la volonté et ouvre un champ nouveau pour l'articulation entre esthétique et psychanalyse<br>The purpose of this thesis is to analyze the program of rationality which structure the lacanian psychoanalysis from a dialectical perspective taking into consideration Adorno negative dialectic. The similarity between lacanian clinic and negative dialectic has to do with the importance given to the theory of negations in the processes of structuring subjectivation. According to Lacan, the analytic cure demands subjectivation of a mode of negation which is not a indication of a non-being, a rejection out of the ego from that which goes against the principle of pleasure (Verwerfung), denegation (Verneinung), self-denial of the utterance (Verleugnung), but which is a type of presence of the Real. There is cure only when there is recognition of the negation as an expression of Real. The lacanian clinic, then needs a ontological negation which appears monstly in sublimation and the traverse of the fantasy. It is the core of the negative dialectics with the project of self-critic of the concept. However, Hegel was already aware of this articulation , since dialects is based in the discrepancy between designation and meaning in the speech act. In this sense, Adorno's and Lacan's originality consists of understanding that recognition of an ontological negation only occurs apart from the processes of symbolization, remembrance and conceptualization. From there comes the lacanian project: to structure the clinic from non-conceptual processes of formalization like the mathème and the lettre. From there comes the Adornian project: to consider the aesthetic formalization as support of a content of truth. This perspective shows the limits of analytic symbolization's operators (such as the Phallus and the Nome-of-the-Father) provides an ehtical thinking beyond the transcendental determination of will and opens a new filed for the articulation between aesthetics and psychoanalysis
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Harari, Angelina. "Fundamentos da prática lacaniana: risco e corpo." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-26052009-075704/.
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O objetivo deste trabalho visa a prática da psicanálise lacaniana e sua fundamentação, tendo a civilização como parceira. Os impasses da civilização do risco e suas incidências sobre o corpo interessam-nos como viés para uma reflexão sobre a prática da psicanálise lacaniana na atualidade, especialmente em sua relação com os novos sintomas, sobretudo a partir do início do séc. XXI. O interesse em dialogar com a contemporaneidade visa fundamentar ainda mais a experiência da psicanálise aplicada, razão da forte presença dos psicanalistas nas instituições. Não nos detivemos apenas em aspectos da contemporaneidade. Para melhor situar na prática lacaniana a noção de falasser [parlêtre], a partir do último ensino de Lacan, resgatamos o debate sobre os universais, a aposta de Pascal e o mito hegeliano do senhor/mestre e do escravo.<br>This paper is related to the Lacanian psychoanalytical practice and its theoretical fundaments based on civilization as support . Civilization impasses on risk and their incidences on the body are considered as they lead to a reflection about the practice of Lacanian psychoanalysis in our days, especially when new symptoms are concerned, since the beginning of the 21st century. The interest in sustaining, with our contemporary times, a dialogue aims to add fundaments to applied psychoanalysis, considering the relevant presence of psychoanalysts in the institutions. This paper is nor more limited to what is found in contemporary times to better situate, in the Lacanian practice, the concept of parlêtre (by letter made) from Lacans last teaching. We have also recovered the debate about universals, Pascals bet and the Hegelian myth about the master and the slave.
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Stark-Mornington, Françoise. "De l'idéal de la langue au réel du langage dans la psychose : volume II." Paris 8, 1998. http://www.theses.fr/1998PA081462.
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C'est a partir du logion de j. Lacan "l'inconscient est structure comme un langage" que la visee de cette recherche a ete de nouer l'organisation psychotique au langage. L'inconscient defini comme structure comme un langage fait valoir pour j. Lacan que la structure du langage est identique a la structure soutenue par l'inconscient. Autrement dit la structure est definie comme une construction specifique articulant une relation subjective d'un sujet a l'appareil de langage. La structure est une organisation specifique articulant ce que s. Freud et j. Lacan ont repere par les concepts d'inconscient et de langage. La definition de la psychose tel que j. Lacan l'a orientee est cette structure qui vient comme un point de butee mettre en defaut l'organisation signifiante du langage. A partir d'un corpus etabli par une serie d'enregistrements d'entretiens avec des sujets presentant une pathologie appartenant au groupe des psychoses, les limites de l'exigence de la problematique de l'interpretation et de la construction du discours ont ete definies a partir des acquis de la semantique dynamique. Il a ete demontre que le processus d'interpretation reside dans la construction incrementielle a partir d'un ideal d'operation logique d'integration et non pas seulement dans l'interpretation semantique du discours. Les formes de stereotypies relevees dans le corpus rendent comptent du mecanisme de depersonnaisation du discours dans ta phenomenologie de la psychose. Si les sciences du langage posent comme axiome l'ordre du calculable, le reperage clinique des sujets stigmatises par le denouage borromeen a inscrit les effets de depersonnaison dans l'enonce et a designe l'enonciation comme lieu de nouage avec la psychanalyse ce qui pose ta langue comme un reel, i. E. Cause de soi<br>From lacan's assertion "the unconscious is structured like a language" the line of my approach was to link linguistics with psychoanalysis concerning psychosis struture, by "unconscious defined as a language" lacan means language and unconscious are both structured in the same way. Language is a construction which binds the subject to his subjectivity. The reference to linguistics introduces us to the method which approaches natural language semantics and logic from the perspective of discourse representation theory (kamp and reyle 1993). My thesis emphasises the dynamic and incremental aspects of meaning and inference for a small fragment of french speakers (six patients). The appearance of the phenomena reveals the specific relation between the signifier and psychotic structure. Over determination is only conceivable within the structure of language. Interference occurs between the effects that correspond in a subject to an effect of detaching himself from reality. A psychotic subject uses language without dialectic. The dissociation of the subject's personality prevents him from restoring the effects of opacity, ambiguity, neological forms. Our line of approach designates how, by their function in the signifier, index-terms are precisely the terms which in code indicate the subject's position on the basis of the message itself. Linguistic analysis of language phenomenon establishes the relation it constitutes in the subject and at the same time delimits psychotic structure. The conception of the signifying chain develops in accordance with logical links whose grasp on that which is to be signified, namely the being and the existent operated through the effects of the signifier. In an accident in the symbolic register the failure of the paternal metaphor designates the defect that gives psychosis its essential condition, and the structure that separates it from neurosis how the real emerges
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Goltz, Eileen. "Recensement sur microfilm:1666-1901." J.N. Desmarais Library, Laurentian.ca, 1999. https://zone.biblio.laurentian.ca/dspace/handle/10219/157.
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Le recensement manuscrit est une compilation effectuée à la main par les recenseurs au cours de des visites qu'ils effectuaient dans les familles tous les dix ans. Il couvre la période allant de 1666 à 1901. Les Archives nationales du Canada ont microfilmé ces documents et les ont mis à la disposition du public. Cette importante compilation de données brutes de source primaire est fort précieuse<br>Ceci est un guide pour vous aider à trouver et utiliser le recensement manuscrit désiré.
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Sueur-Hermel, Valérie. "François-Nicolas Chifflart, 1825-1901 /." [Paris] : V. Sueur, 1991. http://catalogue.bnf.fr/ark:/12148/cb362091736.
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Scharinger, Joana Pantoja. "Psicanálise e alteridade : um percurso em Lacan pelas diferentes modalidades de outrem." reponame:Repositório Institucional da UnB, 2009. http://repositorio.unb.br/handle/10482/7368.
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Dissertação (mestrado)-Universidade de Brasília, Instituto de Psicologia, Departamento de Psicologia Clínica, 2009.<br>Submitted by samara castro (sammy_roberta7@hotmail.com) on 2011-04-07T18:29:11Z
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2009_JoanaPantojaScharinger.pdf: 752473 bytes, checksum: 57ca33e4090134d48cf5725f0fe2c25e (MD5)<br>Este trabalho aborda o tema da alteridade em sua relação com a psicanálise. O objeto de estudo aqui proposto foi delimitado pelas seguintes perguntas: Como falar de alteridade em psicanálise? Como compreender o conceito de outro, quando nos referimos a esfera do psíquico? A partir da teoria lacaniana buscou-se a base para esta investigação. Foi traçado um percurso com o objetivo de identificar as diferentes modalidades de outrem que Lacan abordou. Este percurso foi organizado de modo a abordar cada um de seus registros - imaginário, simbólico e real. No registro do imaginário identificou-se a noção de pequeno outro. Compreendeu-se que nesta condição imaginária o outro está muito vinculado ao eu, numa relação de semelhança e ambigüidade. O registro do simbólico, por estar vinculado ao universo da linguagem possibilita ao ser humano constituir-se sujeito. O conceito relacionado a este registro, portanto, é o grande Outro. Já no registro do real alcançamos dois conceitos de alteridade. São eles o objeto pequeno a e o Outro gozo. O primeiro remete a um objeto faltoso, perdido. Trata-se do objeto causa do desejo, objeto que não existe. O segundo conceito está relacionado ao Outro sexo, esfera do gozo feminino. Inclui-se aí a lógica do Heteros. Buscou-se analisar em que medida cada um dos conceitos mencionados realizam uma abertura para a diferença. Observou-se que alguns conceitos alcançam menos esta condição do que outros. De qualquer modo, todos se referem a uma dimensão de alteridade. Por fim, se o sujeito lacaniano se constitui nos enlaces destes três registros, a experiência de alteridade faz parte da condição de ser sujeito. _________________________________________________________________________________ ABSTRACT<br>This research work focus on the topic of alterity, and its relation to psychoanalysis. The object of study proposed was defined by the following questions: How to discuss alterity in psychoanalysis? How to understand the concept of other, when we refer to the psychism? The Lacan´s theory was the basis for this research. The proposal was to draw a theoretical path in Lacan´s theory to identify the different concepts of others that he analyzed. The intention was to study Lacan´s three dimensions - imaginary, symbolic and real. In the dimension of imaginary the notion of small other was identified. It was understood that in the imaginary condition the other is very tied to the ego, within a relationship of similarity and ambiguity. The symbolic order is related to the language what allows the human being to become a subject. The concept of alterity in simbolyc is the great Other. In the real dimension there are two concepts of alterity: the object a, and the Other jouissance. The first one refers to a lost object. It is the object cause of desire, which does not exist. The second concept is related to the other sex. We tried to examine how each of the concepts mentioned held an opening for difference. It was noted that some concepts achieve this condition less than others. Anyway, all of them refer to a mode of alterity. Finally, if the Lacan´s theory is related to these three dimensions, the experience of alterity is part of the condition of being a subject.
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VIANA, MURTA GERALDO ALBERTO. "Histoire de construction du fantasme hysterique chez lacan." Paris 8, 1996. http://www.theses.fr/1996PA081172.
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Il s'agit d'un travail de recherche fantasme hysterique dans l'enseignement qui situe la formule du de lacan. Pour bien saisir cette entreprise la question suivante s'impose : compte tenu de l'enrichissement doctrinal qui constitue l'enseignement de lacan, quelle a ete la place occupee par l'ecriture de la formule du fantasme hysterique ? le choix de cette question permet de construire et d'organiser notre plan de travail. Elle oriente egalement le titre general de la these : "histoire de la construction du fantasme chez lacan. Nous essayons d'epingler les incidences de ce type de fantasme qui emergent plus tard dand l'enseignement lacanien. Nous sommes frappes de constater que chaque incidence repose sur la tentative impuissante a elucider le probleme de la jouissan- ce. Cette jouissance demeure insaisissable du fait de la propre histoire du fantasme hysterique. Ainsi, c'est la jouissance qui pousse le fantasme hysterique a se manifester sous divers habillages<br>This production has something to do with a research about how, where and from where lacan taught the drawing of the hysteric phantasm. According to the maturation of lacan's langage, the question is : what very place was taken by the writhing of the hysteric phantasm ? by choing such a topic, we are in a position to organise our working plan and to entitle our thesis as following : "the building history of the hysteric phantasm in lacan's works. Of such a phantasm we try to point out the consequences later appearing in lacan's teachings. Ware impressed that each of those consequences is based upon a vain endeavour to get clear with the problem of unutterable delight. As a matter of the fact, such a delight definitely remains unutterable because of the hysteric phantasm. Thus comes the unutterable delight as the true agent urging the hysteric phantasm to change and alter ist exhibition fancies
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Sauverzac, Jean-François de. "Le desir dans la doctrine de jacques lacan : ses origines philosophiques et psychanalytiques ; ses implications ideologiques." Paris 7, 1998. http://www.theses.fr/1998PA070071.
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En remplacant le concept de libido par celui de desir, j. Lacan a cherche a clarifier la doctrine freudienne en la debarrassant de ses metaphores energetiques et quantitatives. Il pense le desir dans l'espace homogene d'un modele linguistique ou il inscrit la seconde topique de freud selon un schema dialectique hegelien. Cependant il l'enrichit d'emprunts a des conceptions philosophiques (platon, aristote, saint augustin, spinoza, kant, sade, hegel, heidegger, kojeve, sartre), auxquelles il impose de profonds remaniements aux fins de les ajuster a sa propre theorie, tout en recusant la pretendue complementarite entre le desir et un objet predetermine qui lui correspondrait. Lacan bouleverse la conception freudienne en faisant de l'autre (le langage, le symbolique), l'ordre structurant le sujet humain. Mais il maintient une double exigence : si, pour lui, le desir est aliene a la loi du signifiant, il ne renonce pas a exalter son pouvoir d'affirmation du sujet face a tout ordre ou determinisme, manifestation d'une liberte dont par ailleurs la structure de l'inconscient semble le priver. Inspire clandestinement par la pensee de g. Bataille, et bien que celui-ci discredite le langage, lacan erige, lui, aussi le desir pervers, souverain, absolu en un paradigme de sa theorie, et, plus que freud, lie le desir et la mort dans une conception tragique de la destinee humaine et de l'inconscient. Contrairement a freud, il fait du desir une valeur en lui accordant une portee ontologique et ethique. Il trouve chez bataille des notions - l'impossible, la jouissance mystique, la jouissance comme perte, l'objet comme dechet - qu'il exploite notamment dans sa conception de l'objet comme cause du desir, du reel comme impossible, de la jouissance comme mortifere, de la jouissance feminine. Cherchant un critere de distinction entre le desir et l'amour, lacan convient finalement que l'amour, ressort du transfert et de la cure, permet d'analyser le desir, mais que la psychanalyse ne peut rien dire de l'amour. Aporie qui s'ajoute a celle de la dualite du desir et que la richesse de sa pensee ne semble pas resoudre pleinement<br>By replacing the concept of libido by that of desire, j. Lacan sought to clarify the freudian doctrine by disposing of its energetic and quantitative metaphors. He conceptualizes desire in the homogeneous space of a linguisitic model which is the framework for freud's second topography according to a hegelian dialectic outline. However, he elaborates it by borrowing philosophical concepts (plato, aristotle, saint augustine, spinoza, kant, sade, hegel, heidegger, kojeve, sartre), which he thoroughly recasts in order to adapt them to his own theory, while challenging the alleged complementarity of desire and its predetermined object. Lacan disrupts the freudian theory by turning the other (the language, the symbolic) into the structuring order of the human subject. But he holds on to a double claim : if, for him, desire is ruled by the law of signifier, he still emphasizes the assertive power of the subject faced with any order or determinism, as an expression of a freedom which is denied to him by the very structure of the unconscious. Secretly inspired by g. Bataille's thinking, and although the latter discredits the language, lacan also sets up perverse, absolute desire as one of his theory's paradigm, while going beyond freud in linking desire and death to a tragic conception of human destiny and of the unconscious. Contrary to freud, he considers desire as a value by granting it an ontological and ethical dimension. He finds, in bataille's work, notions such as the impossible, mystical ecstasy, orgasm as loss, the object as waste, that he uses in his concept of the object as cause of desire, of reality as impossibility, of orgasm as deadly, of female sexual pleasure, in particular. Seeking a criterion to establish the distinction between desire and love, ultimately lacan accepts that love, the acting force in transference and the cure, permits to analyze desire but that psychoanalysis is unable to say anything about love. Another problem in addition to the one aknowledging the duality of desire which his analyzis, despite its complexity, fails to resolve entirely
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Andrés-Rousseau, Mireille. "Le statut épistémologique du métalangage chez Jacques Lacan." Paris 10, 1985. http://www.theses.fr/1985PA100044.
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Lutrand, Marie-Claude. "La communauté de l'Arche de Bonnecombe : rupture sociale et conversion communautaire dans un contexte de changement social." Toulouse 2, 1988. http://www.theses.fr/1988TOU20017.
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Partant du constat que les nouveaux mouvements religieux qui apparaissent dans nos societes sont revelateurs des changements qui s'operent dans nos rapports a l'existence, l'etude ethno-sociologique de la communaute et des communautaires de l'arche de bonnecombe pose la question de la dynamique des visions du monde dans un contexte de ch angement social, ainsi que celle du sens, du religieux dans nos societes rationalistes. En analysant le passage de l'individu de la socie te a la communaute comme un processus de rupture sociale et de conver sion, l'etude montre que ce processus est declenche par les tensions vecues par l'individu au sein de la societe du fait de l'ecart exist ant entre son systeme de valeurs et le mode de vie dominant; qu'une restructuration du mode de vie et de la vision du monde de l'indivi du se realise au cours de ce processus. Basee sur l'analyse des cheminements biographiques et celle de la procedure d'initiation et d' integration de l'individu au groupe, l'etude montre comment le proce ssus de conversion peut etre compris comme un mode de resolution des tensions vecues par l'individu au sein de la societe, comment la communaute constitue une nouvelle structure de credibilite<br>The ethno-sociological study of the arche de bonnecombe" community and of the people living in this community, presents the problem of the dynamics of the worldview in a context of social change, as well as the problem of the "meaning", of the religious in our modern society. When analysing the movement of the individual from the society to the community as a process of conversion and social rupture, the study shows : on the one hand that this process is triggered off by the tensions experienced by the individual in society, due to the fact that a gap exists between his system of values and the prevailing way of life; that a restructuring of the individual's way of life and his worldview is carried out in the course of this process. Based on the analysis of the biographical progress of the people living in this community and on the analysis of the procedure of initia tion and integration of the individual into the group, the study sho ws how the conversion process can be viewed as a way of resolving the tensions experienced by the individual in society and how the community can build a new structure of credibility
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Dorfman, Eran. "Réapprendre à voir le monde : Merleau-Ponty face au miroir lacanien." Paris 12, 2005. https://athena.u-pec.fr/primo-explore/search?query=any,exact,990002531870204611&vid=upec.
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C'est en suivant la "Phénoménologie de la perception" de Maurice Merleau-Ponty que cette étude tâche d'élaborer une notion de la philosophie comme un apprentissage perceptif qui dépasserait l'opposition entre théorie et praxis. Le sujet empirique et son attitide naturelle sont appelés à retrouver la couche pré-objective qui fonde le monde objectif. Mais cette couche, selon la théorie psychanalitique de Jacques Lacan, est elle-même fondée sur l'objectivité. Pour interroger cette ambigüité, les rapports réciproques entre le monde objectif et le monde pré-objectif sint ici analysés afin de montrer que seul le mouvement perpétuel de l'un à l'autre peut constituer à la fois la vraie phénoménologie perceptive de l'existence enfin libre<br>This thesis develops a notion of philosophy as perceptual learning, thus overcoming the distinction between theory and praxis, by re-interpreting Maurice Merleau-Ponty's "Phenomenology of Perception". The empirical subject with her natural attitude is summoned to retrieve the pre-objective layer which founds the objective world. But this layer, as the psychoanalytical theory of Jacques Lacan tells us, is itself founded upon objectivity. The relationship between the objective and the pre-objective worlds is examined in order to show that only the constant movement between the two constitutes both true perceptual phenomenology and free existence
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Araújo, Rita de Cássia Lamino [UNESP]. "As crônicas portuguesas de D. João da Câmara na Gazeta de Notícias (1901-1905)." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/94021.
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araujo_rcl_me_assis.pdf: 3056532 bytes, checksum: 50bf994f636580acb95e27488717ffd8 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>No fim do século XIX e início do século XX, o Rio de Janeiro passou por profundas transformações políticas, econômicas, sociais e culturais. Neste contexto, a colônia portuguesa desempenhou um importante papel, estando sempre presente de forma ativa nas principais decisões da cidade, por meio de suas instituições culturais e de benemerência, suas atividades sociais, artísticas, políticas e, em especial, jornalísticas. Faz-se necessário destacar, nesse período da cidade do Rio de Janeiro, a Gazeta de Notícias, fundada em 1875, por Ferreira Araújo, Manuel Carneiro, Elísio Mendes e pelos redatores portugueses, Henrique Chaves e Lino de Assumpção. A folha dava principal atenção às atividades literárias e, entre elas, a crônica que com uma linguagem leve e subjetiva, ganhou divulgação e se difundiu no Brasil com a modernização da imprensa, em meados do século XIX, popularizando-se entre os jornais cariocas. D. João da Câmara, dramaturgo e jornalista português, colaborou na A Gazeta de Notícias durante cinco anos, de 1901 a 1905, enviou de Lisboa crônicas sobre a sociedade e a cultura portuguesas, atingindo aproximadamente duzentas crônicas. Estes textos são uma rica fonte de estudos portugueses e da relação Portugal-Brasil no início do século XX. Em vista disso, esta dissertação tem por objetivo coletar, recuperar, comentar e divulgar esse material, praticamente desconhecido. Após a leitura e transcrição dos textos, abordamos o diálogo entre cronista e leitor; e o modo como o autor expressava...<br>In the late nineteenth century and the early twentieth century, Rio de Janeiro had radical changes in the economic, social and cultural aspects. In these circumstances, the Portuguese community played important role. It was extremely active in practically every field of city through its cultural and eminent institutions, its social, artistic, political activities, especially in the journalistic area. During this period of Rio de Janeiro city, it is necessary to point out Gazeta de Notícias which was founded by Ferreira Araújo, Manuel Carneiro, Elísio Mendes and by the Portuguese editors, Henrique Chaves and Lino de Assumpção in 1875. The newspaper put emphasis on literary activities among them, the chronicle with its subjective and soft language. The modernization of the press of Brazil in the middle of nineteenth century collaborated to promote the popularization of chronicle between the newspapers from Rio de Janeiro. From 1901 to 1905, D. João da Câmara, Portuguese journalist and playwright, collaborated on Gazeta de Notícias with his chronicles about the society and culture in Portugal. He wrote approximately two hundred chronicles, which were sent from Lisboa. These texts are an extraordinary information source for Portuguese studies and for the relation Portugal-Brazil in the beginning of twentieth century. Therefore, this master dissertation aims to collect, restore, comment and make public this material, practically unknown. After reading and transcription the texts, we approach the dialogue between writer and reader, and the way how the feelings’ writer... (Complete abstract click electronic access below)
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Manigot, Vincent. "Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF001/document.
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Durant la première moitié du XXᵉ siècle, divers mouvements d’avant-garde occidentaux sont introduits au Japon et s’y développent dans un court intervalle de temps, menant à des unions difficilement concevables dans une perspective européenne. Cette caractéristique est flagrante dans le cas du surréalisme japonais, objet culturel synthétique. Durant les années 1930, les pressions croissantes sur les artistes et intellectuels achèvent de lui donner une coloration singulière. Comme de nombreux peintres japonais, Kitawaki Noboru (1901-1951) s’intéresse au surréalisme, mais il va rapidement s’éloigner du modèle occidental pour entamer une exploration artistique singulière au travers de ses « peintures schématiques », qui visent à construire le modèle d’une réalité qui semble échapper à tout cadre et, partant, à toute tentative de compréhension, et ainsi rendre à l’homme la place qui doit y être la sienne. Les tentatives de Kitawaki qui se nourrissent des domaines les plus divers, sans véritable limitation temporelle, géographique, ni disciplinaire, évoquent le travail des peintres-savants de la Renaissance. Indissociable du contexte, sa production ne saurait être perçue de manière uniquement conjoncturelle. L’analyse de plusieurs de ses écrits et de ses œuvres, ainsi que des schémas aussi bien théoriques que pratiques qu’il développe (notamment la question du vide pictural) renseignent sur le but poursuivi par le peintre qui, à rebours des standards, s’intéresse tout autant au fond qu’aux motifs de ses toiles, et plus encore qu’aux éléments eux-mêmes à la manière de les combiner<br>During the first half of the 20th century, several European avant-garde movements were introduced in Japan, where they grew within a short period of time, sometimes intermingling, which was quite inconceivable from an Occidental perspective. This characteristic was obvious in the case of Japanese surrealism, a synthetic cultural object. During the 1930s, the increasing pressure on artists and intellectuals gave it an even more singular dimension. Like many Japanese painters, Kitawaki Noboru (1901-1951) was interested in surrealism, but he quickly moved away from the Western model to begin a singular artistic exploration through his "Schematic Paintings", with which he aimed to construct a model of reality that appeared less and less ordered in a time of trouble and which consequently could no longer be understood. In this way he aimed to give back to man the place that should be his. Kitawaki’s attempts to draw inspiration from the most diverse fields, without any real temporal, geographical or disciplinary limitations, evoke the work of Renaissance polymath artists. His production, while inseparable from the context, cannot be perceived only in relation to historical events. The in-depth analysis of several of his writings and works, as well as the theoretical and practical schemas he developed (notably the question of the pictorial void) provide information on the painter's aim, which—in contrast to standards—was as much concerned with the background as it was with the motifs of his canvases, and which was more concerned with the manner in which elements were combined than with the elements themselves
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Staudacher, Nicholas Adam. "Theodore Roosevelt's Construction of the "Public Interest": Rhetoric, Ideology, and Presidential Intervention, 1901-1906." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461338219.
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Wünsche, Dietlind. "Feldpostbriefe aus China Wahrnehmungs- und Deutungsmuster deutscher Soldaten zur Zeit des Boxeraufstandes 1900/1901." Thesis, Berlin Links, 2007. http://d-nb.info/988712830/04.
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Araújo, Rita de Cássia Lamino. "As crônicas portuguesas de D. João da Câmara na Gazeta de Notícias (1901-1905) /." Assis : [s.n.], 2009. http://hdl.handle.net/11449/94021.
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Orientador: Rosane Gazolla Alves Feitosa<br>Banca: Álvaro Santos Simões Junior<br>Banca: Dilson Ferreira da Cruz Júnior<br>Resumo: No fim do século XIX e início do século XX, o Rio de Janeiro passou por profundas transformações políticas, econômicas, sociais e culturais. Neste contexto, a colônia portuguesa desempenhou um importante papel, estando sempre presente de forma ativa nas principais decisões da cidade, por meio de suas instituições culturais e de benemerência, suas atividades sociais, artísticas, políticas e, em especial, jornalísticas. Faz-se necessário destacar, nesse período da cidade do Rio de Janeiro, a Gazeta de Notícias, fundada em 1875, por Ferreira Araújo, Manuel Carneiro, Elísio Mendes e pelos redatores portugueses, Henrique Chaves e Lino de Assumpção. A folha dava principal atenção às atividades literárias e, entre elas, a crônica que com uma linguagem leve e subjetiva, ganhou divulgação e se difundiu no Brasil com a modernização da imprensa, em meados do século XIX, popularizando-se entre os jornais cariocas. D. João da Câmara, dramaturgo e jornalista português, colaborou na A Gazeta de Notícias durante cinco anos, de 1901 a 1905, enviou de Lisboa crônicas sobre a sociedade e a cultura portuguesas, atingindo aproximadamente duzentas crônicas. Estes textos são uma rica fonte de estudos portugueses e da relação Portugal-Brasil no início do século XX. Em vista disso, esta dissertação tem por objetivo coletar, recuperar, comentar e divulgar esse material, praticamente desconhecido. Após a leitura e transcrição dos textos, abordamos o diálogo entre cronista e leitor; e o modo como o autor expressava... (Resumo completo, clicar acesso eletrônico abaixo)<br>Abstract: In the late nineteenth century and the early twentieth century, Rio de Janeiro had radical changes in the economic, social and cultural aspects. In these circumstances, the Portuguese community played important role. It was extremely active in practically every field of city through its cultural and eminent institutions, its social, artistic, political activities, especially in the journalistic area. During this period of Rio de Janeiro city, it is necessary to point out Gazeta de Notícias which was founded by Ferreira Araújo, Manuel Carneiro, Elísio Mendes and by the Portuguese editors, Henrique Chaves and Lino de Assumpção in 1875. The newspaper put emphasis on literary activities among them, the chronicle with its subjective and soft language. The modernization of the press of Brazil in the middle of nineteenth century collaborated to promote the popularization of chronicle between the newspapers from Rio de Janeiro. From 1901 to 1905, D. João da Câmara, Portuguese journalist and playwright, collaborated on Gazeta de Notícias with his chronicles about the society and culture in Portugal. He wrote approximately two hundred chronicles, which were sent from Lisboa. These texts are an extraordinary information source for Portuguese studies and for the relation Portugal-Brazil in the beginning of twentieth century. Therefore, this master dissertation aims to collect, restore, comment and make public this material, practically unknown. After reading and transcription the texts, we approach the dialogue between writer and reader, and the way how the feelings' writer... (Complete abstract click electronic access below)<br>Mestre