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Dissertations / Theses on the topic '1906-1962 Criticism and interpretation'

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Published: 4 June 2021

Last updated: 6 February 2022

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1

Fraser, Graham 1966. "The self-conscious narrator in Beckett's trilogy /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59888.

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This thesis examines Beckett's trilogy as a work of metafiction, approaching each novel through its primary metafictional device, the self-conscious narrator. Since the narrators are aware of their roles as story-tellers, the examination is carried out in light of Beckett's pronouncements on the nature of art and the artist. Not only are the narrators found to meet Beckett's criteria for artists and artistic development, but Beckett's aesthetic is seen virtually to require self-consciousness. In their situations, their relationship to the audience (both reader and narratee) and the nature of t

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2

Rivers, Patricia Ann. "The narrative poetics of William Faulkner : an analysis of form and meaning." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26757.

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Most critical acclaim of William Faulkner has focused on his innovations of narrative technique, and while critics have frequently noted the correlation between form and meaning in his novels, the central focus of these novels--race--has largely been ignored in the criticism. The purpose of this paper is to examine Faulkner's narrative methodology and arrangement of material in order to demonstrate that the structures of his novels, particularly Light in August and Absalom, Absalom!, consistently enhance and dramatize the major subject and themes of the novels. Under careful scrutiny, these st

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3

Reiswig, Amy. "Robinson Jeffers, hermit of Carmel : recontextualizing inhumanism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64185.pdf.

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4

Pettey, Homer Boyd. "Faulkner and fetishism." Diss., The University of Arizona, 1989. http://hdl.handle.net/10150/184671.

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This study compares fetishistic desires exhibited within Faulkner's fiction to the narrative strategies governing those texts. It surveys Faulkner's thematic and narrative experiments with fetishism from his first poems and sketches through his major novels. His early works, especially "Nympholepsy" and The Marble Faun, capture fetishistic moments of longing and lack of fulfillment, attraction and repulsion. Faulkner's novels, though, re-enact the dynamics of fetishism by means of their narrative strategies; thus, Faulkner achieves a correspondence between the fictional form and the fetish dep

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5

Cobill, Brenda. "A study of the relationship between Paul Cézanne and Paul Gauguin." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22576.

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This thesis provides a critical analysis of the literature concerning the relationship, both artistic and personal, between Paul Cezanne and Paul Gauguin. It proceeds from the popular belief that Cezanne harbored an excessive amount of ill will towards Gauguin. Examination of the sources upon which this belief is based prove them to be controversial and conflicting, yet the myth of Cezanne's animosity towards Gauguin is still widely accepted, effectively obscuring the more positive, creative aspect of their interaction. In the assessment of this relationship, Camille Pissarro emerges as a pivo

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6

Hughes, Jeremy Francis. "An examination of the sonnets of E.E. Cummings." Thesis, Rhodes University, 1992. http://hdl.handle.net/10962/d1002287.

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This dissertation examines E. E. Cummings's writings in the sonnet genre and in those genres to which the sonnet is related in various ways. Its fundamental point is that, despite the surface impression of poetic iconoclasm for which Cummings has a popular reputation, in choosing to write sonnets he engages in a traditional literary practice. He does this because his purpose is always to be an artist, as defined by the Aesthetic movement which influenced him. In order to argue his embracing of a traditional artistic role, the theory of genres espoused by Alastair Fowler in his book, Kinds of L

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7

Sautter, Sabine. "Irrationality and the development of subjectivity in major novels by William Faulkner, Hermann Broch, and Virginia Woolf." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/NQ55379.pdf.

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8

Lax, Sharon. "Bringing the thinking subject into the world : reflections on the work of Hannah Arendt." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30845.

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Hannah Arendt explored the duality of the privately and publicly constructed realms which serve, through our thoughts and our actions, to position us in the world. She draws a distinction between the vita activa and the vita contemplativa, challenging prior conceptions of the radical division between the two.<br>I examine, in Arendt's work, the concepts of solitude and isolation and how these inform her discourse on reflective thinking. It is my argument that the distinction between these two concepts cannot be drawn as neatly as she attempted to do. These two states of being in fact meet in t

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9

Hellman, Thomas. "Beckett, Babel et bilinguisme, suivi de, Espaces." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79945.

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Critical essay. Soon after the end of the Second World War, Samuel Beckett began producing French and English versions of each of his works. This raises interesting questions concerning the relationship between two languages and two texts within one literary work. Bilingualism is an essential dimension of Beckett's "oeuvre" which pushes the very limits of literature and explores essential aspects of language, identity and creation.<br>Creative writing. I was born in Montreal of a French mother and a father from Texas. My work in creative writing consists of six short stories set between

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10

Brown, Peter Robert 1963. "Narrative, knowledge and personhood : stories of the self and Samuel Beckett's first-person prose." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35856.

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This dissertation offers both a theoretical investigation into the relationships between narrative, knowledge and personhood and a literary critical analysis of a group of Samuel Beckett's works in which narrative, knowledge and personhood are the central themes.<br>I present an account of the notion of narrative and explore the nature of justified narrative assertions. I then turn to skeptical and anti-realist arguments about the ability of narratives to represent truthfully the world. Such arguments are widespread in postmodernist and poststructuralist circles, and in order to evaluate them,

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11

Brantley, Jennifer Susan. "Ruby." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9824.

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12

Ritchie, Fairlie. "Depth and destiny : religious significance in the symbolism of Isak Dinesen's literature." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66082.

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13

Weber, Undine S. "Wolfgang Koeppens auseinandersetzung mit der tradition: aspekte der intertextualität in der so genannten nachkriegs‐trilogie." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020833.

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Wolfgang Koeppen’s three post‐war novels have often been called a trilogy, purely based on their publication in rapid succession in the early 1950s. This study establishes a connection between the works by looking at their roots in Irish, Anglo‐American, French and German modernism, and shows up links between Wolfgang Koeppen, James Joyce, E.E. Cummings, Charles Baudelaire and Thomas Mann. This comparative analysis concludes, by integrating socio‐political factors of life in West Germany after World War II, that Koeppen transcends the modernist tradition – the fact that modernism has become tr

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14

Farfan, Penelope. "Ibsen's female characters and the feminist problematic." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59605.

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This thesis locates Ibsen within the intellectual context pertaining to gender that is provided by such influential nineteenth-century texts as Mill's The Subjection of Women and Bachofen's Das Mutterrecht, both of which seemingly feminist works in actuality foreground women only for their importance in the production of better-quality sons who will ensure the endurance of the patriarchy. The attraction of feminists to the dramas of a playwright who avowedly wrote from this patriarchal standpoint is elucidated by a consideration of the appropriation of the woman-centered texts of patriarchal "

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15

Fessenden, William E. "Temporal structure and meaning : the defamiliarization of the reader in Faulkner's Go down, Moses." Virtual Press, 1990. http://liblink.bsu.edu/uhtbin/catkey/720324.

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This study of Faulkner's Go Down, Moses uses the reader-response theories of Wolfgang Iser to examine the affective impact of strategically-arranged folk conventions and mythopoeic devices upon a textually-based, white "civilized" reader. Using the devices of Southwestern humor, the trickster, and the tragic Black folk tale, "Was" through "Pantaloon in Black" repeatedly sidetrack the reader into unconscious participation in the white-code attitudes he was invited to criticize. When this hypocritical participation is discovered at certain "points of significance" in "The Fire and the Hearth" an

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16

Peterson, Raileen L. "E.E. Cummings' poetics : the necessary anything." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/762989.

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E. E. Cummings' reputation as America's pre-eminent avant-garde poet obscures his significant use of schemes and tropes in his traditional and free verse poems. Because of his influence as a sonneteer and lyricist, his poetics constitute an important facet of our modern definition of poetry. However, he did not formulate a coherent statement of his aesthetic theories. Therefore, inductive research is necessary to define "the necessary anything"--those elements which Cummings' practice indicates are essentially poetic.Cummings' traditional poems include his "Epithalamion," ballade-derivations,

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17

Russell, Carole. "Into Faulkner through a concept of landscape." Thesis, University of Stirling, 1992. http://hdl.handle.net/1893/11844.

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This thesis examines eight novels by William Faulkner by means of a critical method based on a concept of landscape. The thesis developed out of a curiosity regarding the vivid pictures that Faulkner's novels evoked in the mind of this reader. These reminded the reader of pictures similar in their vividness to those evoked in childhood by fairy tales and children's literature. In the main, here, ` the vivid Faulknemian pictures are examined from a moral point of view. The critical method follows from the idea of the literary landscape as a holistic entity, 'a prospect such as may be taken in a

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18

Wu, John Guo Qiang. "The Religious Dimensions of William Faulkner: An Inquiry into the Dichotomy of Puritanism." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc278091/.

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"The Religious Dimensions of William Faulkner: An Inquiry into the Dichotomy of Puritanism" traces a secular mode of thinking of American moral superiority and the gospel of success to its religious origins. The study shows that while the basis for American moral superiority derives from the typological correspondence between sacred history and American experience, the gospel of success results from the Puritan preoccupation with work as a virtue instead of a necessity because labor improves one's lot in this world while securing salvation in the next. By explaining how Puritanism begins as a

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19

Tucker, Amanda. "Godot in Earnest: Beckettian Readings of Wilde." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4248/.

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Critics and audiences alike have neglected the idea of Wilde as a precursor to Beckett. But I contend that a closer look at each writer's aesthetic and philosophic tendencies-for instance, their interest in the fluid nature of self, their understanding of identity as a performance, and their belief in language as both a way in and a way out of stagnancy -will connect them in surprising and highly significant ways. This thesis will focus on the ways in which Wilde prefigures Beckett as a dramatist. Indeed, many of the themes that Beckett, free from the constraints of a censor and from the socie

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20

Maloney, Cahill B. Claire. "Samuel Beckett and the Irish grotesque tradition." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22606.

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By fusing many of the established hypotheses on the source of the grotesque in Irish literature, this study establishes that these writers' impatience with all boundaries and limitations, physical or mental, led them to exploit the indeterminacy of the grotesque to achieve their particular aesthetic and epistemological objectives.<br>After an initial chapter on the relevant theoretical and national considerations, the prodigious cloacal visions of Beckett and Joyce are compared, with emphasis on their use of the grotesque to demythologize the creative process. A fourth chapter compares O'Brien

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21

Bernier, Frédérique 1973 Apr 11. "La voix et l'os : poétiques du dépouillement chez Saint-Denys Garneau et Samuel Beckett." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115636.

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This thesis is concerned with the poetics of impoverishment as found in the works of Saint-Denys Garneau and Samuel Beckett. It seeks to shed light on the reactivation of a Christian ascetic heritage within modern writing forms (poetic and narrative) and also, more specifically, to develop a novel analysis of these works from the perspective of their points of overlap. This thesis presents analysis of the relationships between voice and body (part I), of the doppelganger and self-generation figures (part II), of prayer, desert and image motifs (part III) throughout the totality of both corpuse

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22

Gesme, Janet Leigh. "Martin Luther's "Two Kingdoms Theory": An Analysis through the Lens of Dietrich Bonhoeffer's Religionless Christianity." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1508.

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The following work is an analysis of Martin Luther's Two Kingdoms Theory. This influential and controversial theory was introduced in his 1523 treatise, Von weltlicher Obrigkeit--Secular Authority. Although this document was written almost 500 years ago and takes its cue from the writings of St. Augustine and the Bible, it continued to have a significant effect on German society in both the political and religious realm well into the present day. Based on an analysis of the text and on the culture and literature that led Luther to write Von weltlicher Obrigkeit, this thesis evaluates various i

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23

Wulf, Catharina. "Desire in Beckett : a Lacanian approach to Samuel Beckett's plays Krapp's last tape, Not I, That time, Footfalls and Rockaby." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59554.

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This thesis argues that desire is a major theme in Samuel Beckett's dramatic works. Central to our analysis is Jacques Lacan's concept of the Desire for the Other, as the outcome of the human subject's division. We will investigate how desire is expressed at the level of Beckett's characters' utterance. The characters' attempts at and inability to achieve a reconciliation with their speech correlate with the impossibility of reunifying Lacan's split subject. The first part of our discussion focuses upon desire-as-paradox--the lack of will to desire and the continuation of desire--in Not I, Foo

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24

胡雅坤. "跨文化背景下的衝突與融合 : 福克納對當代中國作家影響的倫理敍事研究". Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2150847.

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25

Higa, Larissa Satico Ribeiro 1986. "Estética e política = leituras de Parque Industrial e A Famosa Revista." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269983.

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Orientador: Francisco Foot Hardman<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-19T15:12:16Z (GMT). No. of bitstreams: 1 Higa_LarissaSaticoRibeiro_M.pdf: 1030815 bytes, checksum: a24792e704b5fdd851a6acc03e1d641f (MD5) Previous issue date: 2011<br>Resumo: As duas principais obras literárias que contaram com a autoria de Patrícia Galvão (1910-1962) - Parque Industrial (escrita sob o pseudônimo de Mara Lobo e publicada em 1933) e A Famosa Revista (elaborada em parceria com Geraldo Ferraz e publicada em 19

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Marais, Lodewikus Stefanus. "Die huis as betekenisvolle ruimte in enkele Afrikaanse gedigte, met spesifieke verwysing na die bewoningsfilosofiee van Heidegger, Bolnow en Bachelard en Vierluik." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/86862.

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Thesis (MA)--Stellenbosch University, 2008.<br>ENGLISH ABSTRACT: The first section of this thesis aims at creating a reading strategy for the analysis of poetry thematically concerned with habitation and the space of the house. Selected Afrikaans poems, forming part of a newer house-poetry that breaks away from the idyllic, genial representation of the house in earlier Afrikaans poetry, are examined. The theoretical equipment utilised in this examination is the habitation philosophies of Martin Heidegger, Otto Friedrich Bollnow and Gustav Bachelard. Various related insights in the work of thes

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27

Chui, Ka Ki. "Secularity and religion : Dietrich Bonhoeffer's later theology and its relevance for Bishop Ting Kuang-hsun's theological construction." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/886.

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28

Berger, Aimee E. "Dark Houses: Navigating Space and Negotiating Silence in the Novels of Faulkner, Warren and Morrison." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2732/.

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Poe's "The Fall of the House of Usher," as early as 1839, reveals an uneasiness about the space of the house. Most literary scholars accept that this anxiety exists and causes some tension, since it seems antithetical to another dominant motif, that of the power of place and the home as sanctuary. My critical persona, like Poe's narrator in "The House of Usher," looks into a dark, silent tarn and shudders to see in it not only the reflection of the House of Usher, but perhaps the whole of what is "Southern" in Southern Literature. Many characters who inhabit the worlds of Southern stories also

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29

Suárez, Nuria López Cabaleiro. "A dinâmica da justiça: um estudo a partir de Hannah Arendt." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20831.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-02-16T19:29:01Z No. of bitstreams: 1 Nuria López Cabaleiro Suárez.pdf: 1538506 bytes, checksum: d7a9a5493a0653e42e6121fb291abd7f (MD5)<br>Made available in DSpace on 2018-02-16T19:29:01Z (GMT). No. of bitstreams: 1 Nuria López Cabaleiro Suárez.pdf: 1538506 bytes, checksum: d7a9a5493a0653e42e6121fb291abd7f (MD5) Previous issue date: 2018-02-06<br>Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Starting from the factual premise

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30

Springer, Michael Leicester. ""Form fading among fading forms" death, language and madness in the novels of Samuel Beckett." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002240.

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The primary thesis of this dissertation is that the development of narrative strategy and technique through the course of Samuel Beckett’s fictional oeuvre enacts a parody of the Cartesian method of doubt, in which the search for first principles, instead of providing grounds for certainty, is a hopeless, grotesque quest for a self which eludes any and every assertion. My chief concerns are thus, firstly, to explicate and elucidate the nature of such narrative strategies and techniques, and how these can be said to parody epistemological procedure; and secondly, to interrogate the implications

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31

Heck, Lisa Renee. "Vardaman Bundren and Sartoris Snopes: An Unlikely Brotherhood." Xavier University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1352494838.

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Leone, Carol (Carol S. ). "Interpreting the Rhythmic Structures of Paul Creston as Applied in the Six Preludes for Piano, Op. 38 and the Sonata for Saxophone and Piano, Op. 19." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332479/.

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The general purpose of this paper is the discussion of the interpretation and performance of rhythm within the context of Paul Creston's five rhythmic structures. Specific objectives are to bring to light Creston's unique rhythmic terminology, theories, and structures; and to interpret rhythm at the piano with an emphasis on accent, pedaling, articulation, balance of textures, and pace.

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33

Kaplan, Stacey Meredith 1973. "The modern(ist) short form: Containing class in early 20th century literature and film." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10574.

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ix, 182 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>My dissertation analyzes the overlooked short works of authors and auteurs who do not fit comfortably into the conventional category of modernism due to their subtly experimental aesthetics: the versatile British author Vita Sackville-West, the Anglo-Irish novelist and short-story writer Elizabeth Bowen, and the British emigrant filmmaker Charlie Chaplin. I focus on the years 1920-1923 to gain an alternative understanding of modernism's annus mirabulu

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Gagas, Jonathan. "Late Modernist Schizophrenia: From Phenomenology to Cultural Pathology." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/263194.

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English<br>Ph.D.<br>My dissertation demonstrates how representations of schizophrenic characters in novels can combat widespread misuses of psychiatric terms and help readers empathize with mentally ill people if we read these novels with some understanding of psychiatry and the psychoanalysis that influenced them. I undertake a critical genealogy of the schizophrenia concept's migration from the mental health professions to fiction, concentrating on the period from the German invasion of Paris in June 1940 to the events of May 1968, with some attention to contemporary uses of the schizophreni

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Melo, Gedivânio Feitosa Mateus. "Caligrafia apagada = silêncio na escrita de Esperando Godot." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284351.

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Orientador: Mario Alberto de Santana<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-19T23:51:27Z (GMT). No. of bitstreams: 1 Melo_GedivanioFeitosaMateus_M.pdf: 950720 bytes, checksum: a03d9be3609069f0698b30f07a486418 (MD5) Previous issue date: 2011<br>Resumo: Considerando o Silêncio como um elemento inerente aos processos de criação do teatro moderno, esta pesquisa dedica-se à investigação do Silêncio na obra "Esperando Godot", de Samuel Beckett, construindo cuidadosa reflexão sobre a sua presença em categorias específ

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36

Domareki, Sarah. "To Stay or to Go? A Literary and Historical Study of French-Canadian Emigration From Quebec to New England, 1820-1930." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/DomarekiS2005.pdf.

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37

Zimmermann, David H. (David Howard). "Myths, Hierophanies, and Sacraments in William Faulkner's Yoknapatawpha Fiction." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc277821/.

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Critical reactions to the religious experiences contained in William Faulkner's fiction have tended to fall within the context of traditional Christian belief systems. In most instances, the characters' beliefs have been judged by the tenets of belief systems or religions that are not necessarily those on which the characters base their lives. There has been no effort to understand the characters' spirituality as the basis of an independent religious belief system. Mircea Eliade's methods and models in the study of comparative religion, in particular his explanation of the interaction of the s

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James, Ian. "Re-making urban space : writing social realities in the British city." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/10606.

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In this thesis I investigate the narrative rendering of urban experiences and the place of agency within these renderings, looking in particular at the personal stories of urban dwellers. Grounded in anthropological fieldwork in Britain - in the town of Romford (Essex) to the east of London - but also relying on written sources on British social realities, this thesis challenges the idea and practice of a traditional place-based ethnography, calling in turn for an anthropological appreciation of the individual writing of human experience. This I define as the considered ordering of the forms i

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Sigmund, Dana. "The Proud Galloping Image”: Sutpen, Wash, and the Gaze in Faulkner’s “Absalom, Absolom!”." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/726.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf<br>Bachelors<br>Arts and Sciences<br>English Literature

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Cabral, Fernando da Silva. "Uma contribuição à crítica literária brasileira: Antologia de literatura estrangeira, de Patrícia Galvão e Geraldo Ferraz, no Diário de S. Paulo." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21667.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-12-04T11:45:56Z No. of bitstreams: 2 Fernando da Silva Cabral - V1.pdf: 11383627 bytes, checksum: 47bcc40c95715b0820340ea018fa4d31 (MD5) Fernando da Silva Cabral - V2.pdf: 25604283 bytes, checksum: 4bfa6dd8905a2a8311ad59b83967ab2b (MD5)<br>Made available in DSpace on 2018-12-04T11:45:56Z (GMT). No. of bitstreams: 2 Fernando da Silva Cabral - V1.pdf: 11383627 bytes, checksum: 47bcc40c95715b0820340ea018fa4d31 (MD5) Fernando da Silva Cabral - V2.pdf: 25604283 bytes, checksum: 4bfa6dd8905a2a8311ad59b83967ab2b (MD5) Previous issue da

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Martins, Jeferson Tadeu. "A categoria da ação política em Hannah Arendt." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20990.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-04-09T13:03:27Z No. of bitstreams: 1 Jeferson Tadeu Martins.pdf: 1332410 bytes, checksum: 83dcc9eedfc7d3309e7885c7cd112abd (MD5)<br>Made available in DSpace on 2018-04-09T13:03:27Z (GMT). No. of bitstreams: 1 Jeferson Tadeu Martins.pdf: 1332410 bytes, checksum: 83dcc9eedfc7d3309e7885c7cd112abd (MD5) Previous issue date: 2018-03-06<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This work aims to study the category of political action in the book The Human Condition by Hannah Arendt. This is a category tha

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Alves, Fernanda Andrade do Nascimento 1983. "Entre sicários e pistoleiros = uma leitura comparada de O invasor, Rosario tijeras e Un asesino solitario." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270134.

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Orientador: Miriam Viviana Gárate<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-26T02:58:40Z (GMT). No. of bitstreams: 1 Alves_FernandaAndradedoNascimento_D.pdf: 3070692 bytes, checksum: 507a0ac805dbc5e0b114974427b8d3d6 (MD5) Previous issue date: 2014<br>Resumo: O presente trabalho propõe a leitura de três textos literários latino-americanos: O invasor, do brasileiro Marçal Aquino, Rosario Tijeras, do colombiano Jorge Franco, e Un asesino solitario, do mexicano Élmer Mendoza, elegendo como eixo de análise a f

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Ventura, Telma Regina. "A (des)construção do silenciamento da voz feminina na narrativa performática de Fazes-me falta." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21174.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-06-21T12:35:55Z No. of bitstreams: 1 Telma Regina Ventura.pdf: 990261 bytes, checksum: f67f9c75786c9133ffe85d9e40344651 (MD5)<br>Made available in DSpace on 2018-06-21T12:35:55Z (GMT). No. of bitstreams: 1 Telma Regina Ventura.pdf: 990261 bytes, checksum: f67f9c75786c9133ffe85d9e40344651 (MD5) Previous issue date: 2018-04-10<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The present research aims to investigate the deconstruction of the feminine voice silencing in the contemporary Portuguese writer Inês

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Tamura, Celia Mitie. "O mito quixotesco na literatura de Cyro dos Anjos." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270230.

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Orientador: Antonio Arnoni Prado<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-17T22:03:48Z (GMT). No. of bitstreams: 1 Tamura_CeliaMitie_D.pdf: 1027325 bytes, checksum: 2ca25de2d53580dbba08ba3b4838b342 (MD5) Previous issue date: 2011<br>Resumo: Esta tese propõe uma nova leitura da obra literária de Cyro dos Anjos, tendo como ponto de partida a questão do mito quixotesco, constantemente referida nos romances do Autor. Estuda-se, assim, o mito, tendo como base a obra de ciência das religiões, de Mircea Eliade,

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Cassell, Holly. "Looking through a Different Lens, Beyond Censorship: The American Reception of Lady Macbeth of the Mtsensk District." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011793/.

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The censorship of Lady Macbeth of the Mtsensk District is a familiar story to musicologists, but reception of the opera is not frequently mentioned. Examining the reception of a work can bring a work's relative importance into focus. In this thesis, German literary and reception theorist Hans Robert Jauss's model of the horizon of expectations is applied to reviews of American productions of Lady Macbeth. Curiosity about communism following the Great Depression in 1930s, America and American music critics' knowledge that Soviet composers worked for the Soviet regime led to the belief that Lady

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崔雪櫻. "胡適詞學主張及創作實踐". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485504.

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Lawrence, Faith. "'True receivers': Rilke and the contemporary poetics of listening (Part 1) ; Poems: Small weather (Part 2)." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7418.

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Part 1: ‘True Receivers': Rilke and the Contemporary Poetics of Listening In this part of this thesis I argue that a contemporary ‘poetics of listening' has emerged in the UK, and explore the writing of three of our most significant poets - John Burnside, Kathleen Jamie and Don Paterson - to find out why they have become interested in the idea of the poet as a ‘listener'. I suggest that the appeal of this listening stance accounts for their engagement with the poetry of Rainer Maria Rilke, who thought of himself as a listening ‘receiver'; it is proposed that Rilke's notion of ‘receivership' an

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Caetano, Priscila Miranda. "Caderno de um ausente, de João Anzanello Carrascoza: a escrita autorreflexiva." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20868.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-03-14T12:03:21Z No. of bitstreams: 1 Priscila Miranda Caetano.pdf: 893859 bytes, checksum: 4274fad36f32a72684ceb281e6a989a4 (MD5)<br>Made available in DSpace on 2018-03-14T12:03:21Z (GMT). No. of bitstreams: 1 Priscila Miranda Caetano.pdf: 893859 bytes, checksum: 4274fad36f32a72684ceb281e6a989a4 (MD5) Previous issue date: 2018-02-16<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This study aims to investigate how Caderno de un ausente (2014), written by João Anzanello Carrascoza, through a careful work w

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Du, Plessis Irma. "Crafting popular imaginaries : Stella Blakemore and Afrikaner nationalism." Diss., University of Pretoria, 2002. http://hdl.handle.net/2263/25581.

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Jansen, Ena. "Elizabeth Eybers Se "Nederlandse" Bundels, 1962-1991." Thesis, 1992. https://hdl.handle.net/10539/25462.

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A thesis submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, for the degree of Doctor of Philosophy.<br>Since Eybers went to live in Amsterdam in 1961 her poetry has always been simultaneously published in Amsterdam and Cape Town. Nine of her sixteen collections since she made her debut in 1936 can therefore be called "Dutch" in the sense that they have not only been published in the Netherlands, but have also been reviewed there extensively and very positively. She is regarded as a poet belonging to the Dutch literary tradition, and was awarded the highest

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