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Books on the topic '1906-1980'

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1

Ri͡urik, Ivnev. Dnevnik, 1906-1980. Moskva: Ėllis Lak, 2012.

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2

1947-, Stewart Charlotte, and Funnell Catherine 1954-, eds. A bibliography of Macmillan of Canada imprints, 1906-1980. Toronto: Dundurn Press, 1985.

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3

Aeschbacher, Hans. Hans Aeschbacher, 1906-1980: Kunsthaus Zürich, 13. September-3. November 1985. Zürich: Das Kunsthaus, 1985.

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4

Mathews, Marguerite Marreé. Marguerite Jule Pacetty Brown: Highlights of her life in Camden County, Georgia, 1882-1906 [and] Miami, Florida, 1906-1980. Raleigh, N.C.]: Marguerite Marreé Mathews, 2006.

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5

Swenson, Sally. Bibliography of published materials on Welthy Honsinger Fisher (1879-1980), 1906-2003. [British Columbia]: Sally Swenson, 2003.

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6

Oskar, Kokoschka. Der Maler und Schriftsteller Oskar Kokoschka 1886-1980: Zeichnungen, Druckgraphik, Bücher 1906-1976. Bad Urach: Herbstliche Musiktage, 1994.

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7

Augustin, Palát, ed. Jaroslav Průšek, 1906-1980: Prameny k životu a dílu zakladatele pražské sinologické školy = Jaroslav Průšek, 1906-1980 : sources on the life and work of the founder of the Prague School of Sinology. Praha: Masarykův ústav a Archiv AV ČR, 2011.

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8

Between Berlin and Slobodka: Jewish transition figures from Eastern Europe. Jersey City, N.J: KTAV Pub. House, 2010.

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9

Greenberg, Stan. The Guinness book of Olympic records: Complete roll of Olympic medal winners (1896-1980, including 1906) for the sports (7 winter and summer) contested in the 1984 celebrations and other useful information. Toronto: Bantam Books, 1988.

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10

The figural Jew: Politics and identity in postwar French thought. Chicago: The University of Chicago Press, 2010.

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11

Jacqueline Cochran: Biography of a pioneer aviator. Jefferson, N.C: McFarland & Company, 2012.

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12

Ramkinkar Baij: A Retrospective, 1906 - 1980. Delhi Art Gallery, 2012.

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13

Marg, Neale. We were the Christmas Islanders: Reminiscences and recollections of the people of an isolated island The Australian Territory of Christmas Island, Indian Ocean, 1906-1980. Bruce Neale, 1988.

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14

1911-1980, Komkommer J., and Koninklijk Museum voor Schone Kunsten (Belgium), eds. Kunst in Israel 1906-1985: Hulde aan Ere-Consul-Generaal J. Komkommer, 1911-1980 : Koninklijk Museum voor Schone Kunsten Antwerpen, van 13/9 tot 17/11/1985. Brussel: Commissariaat-Generaal voor de Internationale Culturelle Samenwerking, Vlaamse Gemeenschap, 1985.

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15

Ghalehdar, Payam. The Origins of Overthrow. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190695859.001.0001.

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Why has regime change figured so recurrently in US foreign policy? Between 1906 and 2011, the United States forcibly intervened in at least sixteen states, targeting their domestic political authority structure. Accounts thus far in International Relations scholarship fail to provide sound explanations for this pattern. Their premise that the United States seeks national security, economic benefits, or democracy in the target state is put into doubt by studies that demonstrate the limited success of most US regime change interventions. Focusing on the emotional state of US presidents, this book presents a novel explanation for the recurrence of forcible regime change in US foreign policy. It argues that regime change becomes an attractive foreign policy tool to US presidents when emotional frustration grips them. Emotional frustration, the book’s core concept, is an emotional state that comprises hegemonic expectations, perceptions of hatred in target state obstructions, and negative affect. Once instigated, it shapes both presidential preferences and strategies, carrying with it both a desire for removing foreign leaders as the perceived source of frustration and a turn to military aggression. Based on a wealth of declassified government sources, the empirical part of the book illustrates how emotional frustration has time and again shaped US regime change decisions. Spanning two world regions—the Western Hemisphere and the Middle East—and roughly one hundred years of US foreign policy, the book traces the emotional state of US presidents in five regime change episodes—Cuba 1906, Nicaragua 1909–1912, the Dominican Republic 1963–1965, Iran 1979–1980, and Iraq 2001–2003.
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16

The Guinness book of Olympic records: Complete roll of Olympic medal winners (1896-1980, including 1906) for the sports (7 winter and summer) to be contested in the 1984 celebrations and other useful information. Toronto: Bantam, 1988.

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17

Pino Posada, Juan Pablo. Aurelio Arturo y la poesía colombiana del siglo XX. Editorial EAFIT, 2020. http://dx.doi.org/10.17230/9789587207064lr0.

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Echando mano de un basamento teórico-conceptual que bebe de la filosofía, la teoría literaria, la sociología y la historia, Juan Pablo Pino Posada se adentra en los pliegues de la obra del poeta colombiano Aurelio Arturo (La Unión, 1906 - Bogotá, 1974) con el propósito de estudiar las maneras en que las nociones de “espacio” y “subjetividad” se trenzan y ponen de manifiesto las tensiones propias de la modernidad tardía. Lo verdaderamente singular de este libro estriba en que su aproximación, al ser de carácter histórico-narrativo, permite pensar los tres periodos creativos de la lírica arturiana –el de su juventud, su adultez y su vejez–, y las espacialidades (sean estas vividas, imaginarias o metafóricas) en torno a las cuales dichos periodos se forjan, como ejes constitutivos de un todo, de una unidad, de un “relato” (aristotélicamente hablando) que ofrece posibles respuestas a la pregunta tardomoderna por la interacción de la subjetividad consigo misma y con el lenguaje. Dejando de lado a José Eustasio Rivera (1888-1928), cuya producción lírica continúa siendo esquiva a rotulaciones generacionales, en el transcurso de esta travesía el autor logra entroncar a Arturo con Los Nuevos (1925), Piedra y Cielo (1939-c. 1944), la revista Mito (1955-1962), el Nadaísmo (1958-1974) y la Generación desencantada (1974-c. 1990), vistos de manera sinecdótica en poetas como Rafael Maya (1897-1980), Eduardo Carranza (1913-1985), Jorge Gaitán Durán (1924-1962), Jaime Jaramillo Escobar (1932) y José Manuel Arango (1937-2002), respectivamente. Lo anterior, pese a estar ceñido al siempre canonizante método generacional (hoy tan cuestionado al interior del campo de los Estudios Literarios), revela el interés de Pino Posada por desterrar el vicio que ha hecho que cierto sector de la crítica siga viendo a Arturo como una figura “insular”, ajena a los múltiples y diversos senderos poéticos del país. Estamos ante un trabajo riguroso, sensible y necesario para los estudios poetológicos en Colombia.
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