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Journal articles on the topic "1910's"
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Tytko, Marek Mariusz. "Dr med. Stefan Szuman jako lekarz w armii niemieckiej (1914–1919). Przyczynek biograficzny." Krakowski Rocznik Archiwalny 20 (2014): 81–108. http://dx.doi.org/10.4467/12332135kra.14.005.15891.
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Dr Stefan Szuman as a doctor in the German army (1914–1919). Biographical contribution The author reconstructs the biography of the Polish doctor, Dr Stefan Szuman (1889–1972), later a professor at Jagiellonian University (1928–1961) during his period in the German army (1914–1919). S. Szuman, who acquired the state right to perform the profession of doctor in the German Reich on 7 September 1914, as well as the level of medical doctor on 23 December 1914 at the Faculty of Medicine in the Ludwik Maximilian University of Munich, formally served in the German army in the years 1914–1919. He served as a military doctor on the eastern front in the fight against Russia (from January 1915 until April 1916), firstly in Mazovia and Kujawy, then in Volhynia. Later he served on the western front – from April 1916 until December 1917, on the border between France and Belgium. During the night of 30 November and 1 December 1917 he was heavily wounded in the leg during the Battle of Cambrai in the Nord-Pas-de- Calais region near Raillencourt-Sainte-Olle, next to Cambrai and Bouchain. For his service in the German army, he was awarded the Iron Cross 2nd class medal (at the turn of 1917/1918). After his recovery in Aachen and Torun, he was transferred to serve in the military hospital in the citadel in Hannover (from May until December 1918). After 9 December 1918, he returned to Torun, where he stayed until 17 May 1919, working as a garrison doctor in the clinic of his father – Dr Leon Szuman, still formally an officer in the German army until 19 March 1919 as a citizen of Germany. On 20 May 1919, he was accepted into the Polish Army at the rank of captain in Torun, which was still inside the German partition. On 31 May 1919, S. Szuman illegally crossed the Polish-German border near Torun and succeeded in reaching Wielkopolska.
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Krešić, Milenko. "Uloga apostolskog delegata Pierrea Bastiena u ne/rješavanju problema raspodjele župa u Vrhbosanskoj nadbiskupiji (1910. - 1914.)." Crkva u svijetu 57, no. 3 (September 14, 2022): 343–60. http://dx.doi.org/10.34075/cs.57.3.2.
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Rad je podijeljen u dva dijela. Prvi dio prikazuje kratku povijest prijepora između nadbiskupa Stadlera i franjevaca u Bosni oko raspodjele župa od 1881. do 1910. i služi kao uvodno poglavlje u drugi dio rada, koji obrađuje ulogu apostolskog delegata Pierrea Bastiena u rješavanju, odnosno nerješavanju ovog problema u Vrhbosanskoj nadbiskupiji u vrijeme nadbiskupa Stadlera i apostolske vizitacije delegata Bastiena koja je trajala od kraja 1910. do sredine 1914. godine. Prvi dio rada rađen je uglavnom na temelju dostupne literature u kojoj je tema poprilično dostatno obrađena, a drugi dio na temelju neobjavljenog arhivskog gradiva, uglavnom Apostolskog vatikanskog arhiva. Apostolski delegat Bastien bavio se ovom problematikom intenzivno 1911. - 1912. godine. Nudio je nekoliko rješenja. Međutim, konačno je bilo da ostane status quo, s time da se nadbiskupu Stadleru ograniči pravo osnivanja novih župa, što je bilo u skladu sa željom franjevaca i austrougarske vlade.
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GONÇALVES, RODRIGO B. "Redescription of types of Sphecodes (Austrosphecodes) (Hymenoptera: Halictinae) from Argentina and Brazil." Zootaxa 4269, no. 4 (May 24, 2017): 513. http://dx.doi.org/10.11646/zootaxa.4269.4.6.
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Here I provide taxonomic notes on types of Sphecodes (Austrosphecodes) which are deposited in South American institutions. Sphecodes andinus Schrottky, 1906, S. brasiliensis Schrottky, 1910, S. bruchi Schrottky, 1906, S. cordillerensis Jörgensen, 1912, S. coriae Moure & Hurd, 1987, S. inornatus (Schrottky, 1902), S. melanopus Schrottky, 1906, S. mendocinus Jörgensen, 1912, and S. minarum Schrottky, 1910 are redescribed. The male of S. brasiliensis, S. convergens Michener, 1978, and the female of S. inornatus are described for the first time. The lectotype of Halictus meridionalis Jörgensen, 1912 is presently designated.
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LIANG, AI-PING, and ZHI-SHUN SONG. "Revision of the Oriental and eastern Palaearctic planthopper genus Saigona Matsumura, 1910 (Hemiptera: Fulgoroidea: Dictyopharidae), with descriptions of five new species." Zootaxa 1333, no. 1 (October 12, 2006): 25. http://dx.doi.org/10.11646/zootaxa.1333.1.2.
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The Oriental and eastern Palaearctic planthopper genus Saigona Matsumura, 1910 is revised to include nine species including five new species: S. capitata (Distant, 1914) (Indo-China, S.W. China: Yunnan), S. fulgoroides (Walker, 1858) (S. China, Sumatra, Borneo), S. fuscoclypeata sp. nov. (C. China: Shaanxi, Hubei and Gansu), S. henanensis sp. nov. (C. China: Henan), S. latifasciata sp. nov. (S.W. China: Yunnan), S. robusta sp. nov. (C. China: Hubei), S. sinicola sp. nov. (C. China: Shaanxi), S. taiwanella Matsumura, 1941 (China: Taiwan), and S. ussuriensis (Lethierry, 1878) (Russian: Far Eastern Region, Japan, Korea, N.E. China: Jilin, Heilongjiang). Two new generic and one new specific synonyms are recognized: Saigona Matsumura, 1910 = Leprota Melichar, 1912 syn. nov. = Piela Lallemand, 1942 syn. nov.; S. fulgoroides (Walker, 1858) = Piela singularis Lallemand, 1942 syn. nov. S. capitata (Distant, 1914) is recorded from China for the first time. The genus and its included species are described and illustrated. Photographs of the adults of all known species except S. taiwanella are presented. Descriptions of the genus and its included species are provided together with structural illustrations. A key to the known species of Saigona is provided.
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Pionetti, Marinela. "Betancor, Martín y Alejandra Ferrari (eds). Estudios sobre los folletines de Horacio Quiroga. Montevideo: +Quiroga Ediciones, 2019." Latinoamérica. Revista de Estudios Latinoamericanos, no. 70 (February 14, 2020): 179. http://dx.doi.org/10.22201/cialc.24486914e.2020.70.57207.
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Reseña sobre: Ferrari, A. (comp.) (2019). S. Fragoso Lima: Las fieras cómplices (1908), El mono que asesinó (1909), El hombre artificial (1910), El devorador de hombres (1911), Una cacería humana en África (1912) y El remate del imperio romano (1912) y sobre: Bentancor, M. y Ferrari, A. (editores). Estudios sobre los folletines de Horacio Quiroga. Montevideo: + Quiroga ediciones, MEC: Fondo concursable para la cultura, 2019.
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Kuz'menko, Tatyana A. "From the epistolary heritage of the editors of “Ukrainskaya zhizn’” magazine (1912–1917) (Moscow)." Slavic Almanac, no. 1-2 (2020): 154–64. http://dx.doi.org/10.31168/2073-5731.2020.1-2.1.09.
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The article provides an overview of the letters of the editors of “Ukrainskaya zhizn’” (“Ukrainian Life”) magazine (1912-1917) (Moscow) A. Salikovsky and S. Petlyura, stored in the Archive of the Russian Academy of Sciences (RAS) and federal archives. The letters contain information about the activities of the editorial, cooperation with the editors of a Moscow magazine called “Golos Minuvshego” and the newspaper “Russkie Vedomosti”, as well as the editorial activities of A. Salikovsky before moving to Moscow. Of particular interest are the letters addressed to academician V. Vernadsky, academician F. Korsh, “a friend of Ukrainians”, who collaborated with the editorial, to P. Milyukov, the chairman of the fraction in the party Narodnaya Svoboda (“People’s Freedom”) in the State Duma. The article uses both published and unpublished letters from 1908, 1910, 1912-1915. The publication introduces new documentary sources about the activities of the editors of “Ukrainskaya zhizn’” magazine into scientific circulation and may be of interest to historians, researchers of the biography of A. Salikovsky and S. Petlyura.
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Федосеева, Т. В. "About Christian Aspects of S. A. Yesenin’s Ethnopoetics in the 1910s." Вестник Рязанского государственного университета имени С.А. Есенина, no. 1(70) (March 17, 2021): 103–16. http://dx.doi.org/10.37724/rsu.2021.70.1.011.
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В статье исследуется вопрос о поэтическом выражении православного сознания в лирике С. А. Есенина 1910-х годов. Анализ избранных произведений осуществляется с применением методологии и терминологии, актуальной для современного литературоведения этнопоэтики. Материал исследования включает текст теоретического трактата «Ключи Марии» как итоговый для данного периода и определяющий для творческого метода поэта. Рассматриваются случаи жанрового влияния народной духовной поэзии на формально-содержательную характерность произведений Есенина. Выявляются пути развития в лирике поэта народнопоэтических жанровых моделей предания, сказания, духовной песни. Устанавливается ментальный уровень поэтики, определенный категориями «дарения и нищелюбия», «веры в чудо». В образе лирического героя выделяются в качестве характерологических мотивы странничества, греха, покаяния. В пространственно-временной и сюжетно-мотивной характерности произведений исследуемого периода выделяется мистериальная поэтика. Из лирического комплекса 1918–1919 годов выделяется сюжет, соотносимый с мотивами умирания и Божественного претворения плоти. Автор статьи приходит к выводу о необходимости уточнения выраженного в творчестве Есенина 1910-х годов типа художественного сознания термином «народное православие». Результаты проведенного исследования указывают на возможности дальнейшего изучения творчества поэта в предложенном направлении. The article investigates the issue of poetic manifestations of Christian worldview in S. A. Yesenin’s poetry in the 1910s. The analysis of selected poems is performed by means of ethnopoetics relevant for modern literary studies. The author of the article investigates the theoretical treatise “Maria’s Keys” as a work characteristic of the aforementioned period and of the poet’s creative method. The article treats the influence of religious folk poetry on the content and form of Yesenin’s verse. It investigates the way folk tales, legends and spiritual songs influenced Yesenin’s poetry. The article shows that Yesenin’s poems abound in such concepts as generosity, benevolence to the poor, belief in the reality of miracles. The lyrical hero of Yesenin’s poems is described through the prism of such concepts as pilgrimage, sin, repentance. The spatial, temporal, and thematic characteristics of Yesenin’s poems of the aforementioned period are mystery-related. Yesenin’s poems of 1918–1919 abound in motifs of death and resurrection. The author of the article maintains that it is not only feasible but also necessary to further investigate the motifs of folk Christianity characteristic of Yesenin’s works of the 1910s.
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Rossi, Paula. "Davidson and classical pragmatism." Areté 19, no. 1 (March 12, 2007): 119–32. http://dx.doi.org/10.18800/arete.200701.006.
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In this paper I wish to trace some connections between Donald Davidson's work (1917-2003) and two major representatives of the classical pragmatist movement: Charles S. Peirce (1839-1914) and William James (1842-1910). I will start with a basic characterization of classical pragmatism; then, I shall examine certain conceptions in Peirce's and James' pragmatism, in order to establish affinities with Davidson´s thought. Finally, and bearing in mind the previous con-nections, I will reflect briefly on the relevance –often unrecognized- of classical pragmatist ideas in the context of contemporary philosophi-cal discussions.
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Soares, Gabriela Pellegrino. "Monteiro Lobato, Juan P. Ramos e o papel dos inquéritos folclóricos na formação cultural e política da nação." Varia Historia 31, no. 56 (August 2015): 423–48. http://dx.doi.org/10.1590/0104-87752015000200006.
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Este artigo visa analisar as perspectivas e ações de dois intelectuais latino-americanos, nos anos 1910 e 1920, voltadas a questões do nacional e da “cultura popular”. Trata-se, por um lado, do escritor Monteiro Lobato, mentor do chamado “Inquérito do saci” realizado pelo jornal O Estado de S. Paulo, em 1917, junto a seus leitores. Por outro, do argentino Juan P. Ramos, membro do Conselho Nacional de Educação durante o primeiro governo de Hipólito Yrigoyen (1916-1922), responsável pela realização, em 1921, da chamada “Encuesta Láinez”.
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Petelczyc, Krzysztof. "Mieczysław Wolfke - a pioneer of holography." Photonics Letters of Poland 13, no. 4 (December 30, 2021): 66. http://dx.doi.org/10.4302/plp.v13i4.1107.
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Receiving the Nobel Prize in 1971 for the invention and development of the holographic method, Dennis Gabor mentioned Mieczysław Wolfke as the person who proposed this method as early as 1920 (which he did not know, independently making the same discovery). This article describes the history of Wolfke's pioneering work and tries to recreate the thought process that led to it - starting with the task of supplementing and verifying the diffraction grating theory proposed by Ernst Abbe, which he carried out as part of his doctorate at the University of Wrocław and habilitation at the University of Zurich and the Swiss Federal Institute of Technology in Zurich.. Full Text: PDF ReferencesW. Łaniecki, Kwartalnik Historii Nauki i Techniki, 21, 545-553 (1976). DirectLink W. Keesom, "Solidification of Helium", Nature 118, 81 (1926). CrossRef W. Keesom, M. Wolfke, "Two liquid states of helium", Konink. Akad. Wetensch. Amsterdam, Proc, 31(190b), 90-94 (1928).W. Keesom, Helium (Elsevier, Amsterdam 1942).E. Abbe, Die Lehre von der Bildentstehung im Mikroskop (F. Vieweg, Braunschweig 1910). CrossRef R. Torge, Postępy Fizyki, 53, 201-210 (2002). CrossRef A.Kiejna, Kwartalnik Historii Nauki i Techniki, 48, 7 (2003). DirectLink M. Wolfke, "Über die Abbildung eines Gitters bei künstlicher Begrenzung", Ann Phys. 339, 277 (1911). CrossRef M. Wolfke, Prace matematyczno-fizyczne, 22, 135 (1911). DirectLink M. Wolfke, "Über die Abbildung eines Gitters bei asymmetrischer Abblendung", Ann Phys. 342, 96 (1912). CrossRef M. Wolfke, "Über die Abbildung eines durchlässigen Gitters", Ann Phys. 342, 797 (1912). CrossRef M. Wolfke, "Zur Abbildung eines durchlässigen Gitters", Ann Phys. 343, 385 (1912). CrossRef K. Petelczyc, E. Kędzierska, Mieczysław Wolfke. Gdyby mi dali choć pół miliona… (OWPW, Warszawa 2018). DirectLink L.A. Aslanov, G.V. Fetisov, J.A.K. Howard, "Crystallographic Instrumentation", Oxford (1998). CrossRef M. Wolfke, Wiadomości matematyczne 17, 1 (1913). DirectLink M. Wolfke, "Allgemeine Abbildungstheorie selbstleuchtender und nicht selbstleuchtender Objekte", Ann Phys. 344, 569 (1912). CrossRef M. Wolfke, "Über die Abbildung eines Gitters außerhalb der Einstellebene", Ann Phys. 345, 194 (1913). CrossRef M. Wolfke, Verhandlungen der DPG, 15, 1123 (1913).M. Wolfke, Verhandlungen der DPG, 15, 1215 (1913).M. Wolfke, Verhandlungen der DPG, 16, 4 (1914).M. Wolfke, "Fragen zur Pathologie des menschlichen Oedems", Physikalische Zeitschrift, 22, 375 (1921). CrossRef Akta osobowe - Wolfke Mieczysław, Archiwum Akt Nowych sygn. 2/14/0/6/6638, WarszawaM. Wolfke, Physikalische Zeitschrift, 21, 495 (1920). DirectLink S. Lundqvist, Nobel Lectures, Physics 1971-1980 (World Scientific Publishing Co. Singapore 1992) CrossRef
Dissertations / Theses on the topic "1910's"
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Olenina, Ana. "Psychomotor Aesthetics: Conceptions of Gesture and Affect in Russian and American Modernity, 1910's-1920's." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10244.
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My dissertation focuses on the notion of “gesture” as a somatic manifestation of psychological experience. This view of movement was elaborated by late 19th-century psychologists, who gave up the metaphysical notion of the soul in favor of neuro-physiological approaches to behavior. My study shows how the new scientific discourse penetrated into a broader cultural sphere, generating wide interest in the question how the body participates in and reflects affective and cognitive processes. I examine the modes of recording, representing and interpreting body movement as “expressive.” Based on archival materials and periodicals, I chart out avenues by which the ideas and methods of physiological psychology reached artists and writers – a task, which involves evaluating institutional practices and cultural-political trends that promoted interdisciplinary engagements. Ultimately, my study demonstrates how scientific discourse transformed techniques of film acting, prompted film industries’ inquiries into spectators’ physical reactions, and spurred literary scholars’ investigations of poets’ intonation and body movement. Yet, rather than positing the direct influence of science, I attend to a variety of ways in which writers and artists reinterpreted, defamiliarized and resisted the positivist outlook brought forward by physiological psychology. In Chapter 1, I show how Viktor Shklovskii drew on William James’s theory of the corporeal experience of emotion and Wilhelm Wundt’s ideas on the gestural origin of language to discuss Russian Futurist poetry as a “ballet for the organs of speech.” Chapter 2 analyzes Boris Eikhenbaum’s essays on poetic declamation by placing them in the context of the Petrograd Institute of the Living Word. In this organization, Russian Formalists worked alongside speech therapists and psychologists, using parlograph records of poetry performances. I compare their methods of registering poetic intonations to similar endeavors by American phoneticians Edward Scripture and R.H. Stetson. Chapter 3 traces the origins of Lev Kuleshov’s system of film actors’ training, arguing that his ideas emerged at the juncture of avant-garde theater, Pavlovian reflexology, and labor efficiency movement. Chapter 4 considers psycho-physiological approaches to film spectatorship, focusing on American and Soviet efforts to assess the emotional responses of filmgoers by photographing their facial reactions and registering changes in their vital signs.
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Harris, Amanda Jeremin. "Luminous intensity and the other in T. S. Eliot's criticism and poetry : from 'Silence' (1910) to Ash Wednesday (1930)." Thesis, University of Warwick, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426736.
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Reeves, Rosanne. "Dwy Gymraes, dwy Gymru : hanes bywyd a gwaith Gwyneth Vaughan a Sara Maria Saunders." Thesis, University of South Wales, 2010. https://pure.southwales.ac.uk/en/studentthesis/dwy-gymraes-dwy-gymru-hanes-bywyd-a-gwaith-gwyneth-vaughan-a-sara-maria-saunders(f00049ab-d8c8-42fe-93cf-5b8e0cc73826).html.
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Gailleurd, Céline. "Survivances de la peinture du XIXe siècle dans le cinéma italien des années 1910 : la peinture aux origines du cinéma ?" Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10227.
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Cette étude centrée sur le cinéma italien propose de décrire les liens prolifiques et complexes qui se sont noués entre la peinture du XIXe siècle, européenne et surtout italienne, et les films italiens allant de 1905 (La Presa di Roma, Alberini) à 1920 (La serpe, Roberti). Du filon historique aux mélodrames des dive, de la figuration enthousiaste de l’Histoire, au lyrisme de la passion amoureuse, un effet pictural hante les images cinématographiques qui portent en elles « le ferment d’un tableau possible » (Eric Rohmer). Il s’agira donc de penser les formes de partage entre cinéma et peinture, suivant l’étude iconographique de motifs (gestes, postures, décors, accessoires) et d’éléments formels (composition, cadre, échelle des plans, montage) ouvrant sur la question des styles, que le cinéma prolonge et altère : néoclassicisme, académisme, orientalisme, préraphaélisme, symbolisme, Art Nouveau. Ces notions d’esthétique permettent un rapprochement entre l’histoire de l’art et l’histoire du cinéma, et ouvrent sur la question de la survivance des images. Au moment où l’on enregistre sa disparition en faveur de l’abstraction, la peinture figurative du XIXe siècle persiste, se prolonge, et survit au cinéma. En retour, le cinéma italien des années 1910 tire une part de sa vitalité d’une matière picturale qui appartient déjà au passé. Cette recherche met ainsi à jour une série de questions permettant à la fois de revisiter un pan de l’histoire du cinéma italien, peu étudié en France, et plus largement de penser la relation du cinéma aux autres artsThis study centers around Italian cinema and proposes to describe the prolific and complex connections that developed between 19th century painting (European and mostly Italian) and the Italian films from 1905 (La Presa di Roma, Alberini) to 1920 (La Serpe, Roberti). From the historical inspiration to the dive melodramas, from the enthusiastic portrayal of History to the lyricism of passionate love, a pictorial effect haunts these cinematographic images in which can be found « the seed of a possible painting » (Eric Rohmer). Therefore, one needs to reflect on what cinema and painting share, following the iconographical study of figurative (gestures, postures, scenery, props) and formal elements (composition, frame, field size, editing) that lead to the question of the styles that the cinema prolongs and alters : neoclassicism, academism, orientalism, pre-Raphaelitism, symbolism, Art Nouveau. These aesthetic ideas allow for a convergence between the history of art and the history of cinema, which opens the question of the images' survival. At a time when 19th century figurative painting was being replaced by abstract art, it persisted and survived in cinema. In return, Italian cinema of the 1910s drew part of its vitality from pictorial material that already belonged to the past.Thus, this research brings to light a series of questions that allow for both a revisitation of a rarely studied period of the history of Italian cinema and more generally to reflect upon the relationship between cinema and other artforms
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Cabral, Fernando da Silva. "Uma contribuição à crítica literária brasileira: Antologia de literatura estrangeira, de Patrícia Galvão e Geraldo Ferraz, no Diário de S. Paulo." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21667.
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The main purpose of this paper is the first year of publication of the biobibliographic studies, prepared by Geraldo Ferraz (1905-1979) and Patrícia Galvão (1910-1962) in the literary supplement of the Diário de S. Paulo, entitled Anthology of foreign literature, published between November 24, 1946 to November 28, 1948. This research aimed to investigate a sampling of 9 articles that point to a historical moment of tension between the review, whose anecdotal-biographical traits were common in the field of journalism when it comes to literary criticism in the 1940’s, and specialized criticism, most commonly found within the academy. The hypothesis we propose is that this critique is articulated in three strands: firstly, the one whose discursive dominance resides in the sheer dissemination of the work and the author, passing through an intermediary model between review and critical academic commentary, and finally, the third model in which the specialized critical discourse prevails, taking advantage of an aesthetic-literary nature. For this, this study was structured based on the qualitative research to describe, to understand and to explain the forces that stress the critical project developed by the couple of organizers of the column. In this sense, the essay by Flora Süssekind (2002), Rodapés, tratados e ensaios, a formação da crítica brasileira moderna, is the starting point of this research, as well as the works developed by Afrânio Coutinho (1987, 2001, 2004) to understand the phenomenon of Brazilian literary criticism in the 1940s. In addition to contributing to the study of Brazilian literature, this project aims to retrieve the articles published in the column and, thus, to observe how the work of the literary critic was being performed in a period in which systematic academic criticism was being forged as the mainstream
Este trabalho tem por objeto central o primeiro ano de publicação dos estudos biobibliográficos, elaborados por Geraldo Ferraz (1905-1979) e Patrícia Galvão (1910-1962) no suplemento literário do Diário de S. Paulo, intitulados Antologia de literatura estrangeira, publicados entre 24 de novembro de 1946 a 28 de novembro de 1948. Esta pesquisa se propôs a investigar uma amostragem de 9 artigos que apontam para um momento histórico de tensão entre o review, de tratamento anedótico- biográfico, e a crítica especializada. A hipótese que projetamos é a de que essa crítica se articula em três vetores: primeiramente, aquele cuja dominância discursiva reside na divulgação da obra e do autor, passando por um modelo intermediário entre o review e o comentário crítico acadêmico, e, finalmente, o terceiro modelo no qual prevalece o discurso crítico especializado, de cunho estético-literário. Para tanto, este estudo se estruturou com base na pesquisa qualitativa para descrever, compreender e explicitar as forças que tensionam a projeto crítico desenvolvido pelo casal de organizadores da coluna. Nesse sentido, o ensaio de Flora Süssekind (2002), Rodapés, tratados e ensaios, a formação da crítica brasileira moderna, é o ponto de partida dessa investigação, assim como os trabalhos desenvolvidos por Afrânio Coutinho (1987, 2001, 2004) para compreender o fenômeno da crítica literária brasileira, nos anos de 1940. Além de contribuir para o estudo da literatura brasileira, este projeto pretende resgatar os artigos publicados na coluna e, assim, observar como se efetivou o trabalho do crítico literário num período que a crítica sistemática, acadêmica, se configurava enquanto ofício
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Azevedo, Felipe Delorme. "Altera??es hepatobiliares em gatos dom?sticos (Felis catus domesticus) parasitados por Platynosomum illiciens (Braun, 1901) Kossack, 1910 observadas atrav?s do exame radiogr?fico, ultra-sonogr?fico e de tomografia computadorizada." Universidade Federal Rural do Rio de Janeiro, 2008. https://tede.ufrrj.br/jspui/handle/tede/891.
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Platynosomum illiciens (Braun 1901) Kossack, 1910, considered by some authors as synonymy of Platynosomum fastosum and Platynosomum concinnum, is the most important trematode found in cats of tropical and subtropical areas, and its prevalence can reach up to 85%. In Brazil it was already found at different localities, but State of Rio de Janeiro is where it presents a higher prevalence and could be found in 56% of the cats. Due to the P. illiciens diagnosis is being done exclusively through the discovery of eggs of this parasite by fecal examination, and this is considered being little sensible, it is necessary the study of complementary tools of diagnosis for the parasite and the hepatic alterations possibly determined by this parasite. Therefore, radiology, ultrasound and computed tomography were used for the evaluation of alterations caused by P. illiciens in order to evidence alterations that aid in the diagnosis of this parasitosis or even to evidenced major alterations caused by the platynosomiasis. A triage was accomplished with 13 animals searching for the presence of P. illiciens eggs in feces. Eight positive cats (61.54%) were found, and submitted to the proposed image diagnosis technics, except for tomography which only seven animals were submitted. The radiologic examination evidenced five animals with enlargement of the liver; one animal was with a normal liver and in two animals the hepatic limits were not observed through the x-ray. In ultrasound scanning, six animals was identified hepatomegaly and in regard of the hepatic parenchyma only one animal presented this parameter altered. All the animals presented normal hepatic vessels and in regard to the biliary ducts, only two animals presented this parameter increased. Besides, the presence of the parasite can be evidenced in one animal during the accomplishment of the ultrasound scanning. In tomography, six cats were observed with enlargement of the liver and in regard to the other findings the results were descriptive. Among the obtained results, it can be concluded that the radiologic study just evaluate the liver size in a restricted way. The ultrasound scanning and computed tomography were considered good diagnostic tools, evaluating with clarity the hepatic size, the hepatic parenchyma, the configuration and width of biliary ducts, the gall bladder and the hepatic vessels.
Platynosomum illiciens (Braun, 1901) Kossack, 1910, considerado por alguns autores como sinon?mia de Platynosomum fastosum e Platynosomum concinnum, ? o mais importante tremat?deo encontrado em gatos de ?reas tropicais e subtropicais, com preval?ncia que pode chegar a 85%. No Brasil j? foi encontrado em diferentes localidades, mas o Estado do Rio de Janeiro ? onde apresenta maior preval?ncia podendo ser encontrado em 56% dos gatos. Devido ao diagn?stico de P. illiciens estar sendo feito exclusivamente atrav?s do achado de ovos deste parasito no exame de fezes, e este ser considerado pouco sens?vel, se faz necess?rio o estudo de meios complementares de diagn?stico do parasito e das poss?veis altera??es hep?ticas determinadas por este. Portanto, o exame radiol?gico, ultra-sonogr?fico e tomogr?fico foram utilizados na avalia??o das altera??es acarretadas pelo parasitismo por P. illiciens a fim de evidenciar altera??es que auxiliassem no diagn?stico desta parasitose ou mesmo evidenciar importantes altera??es causadas pela platinosom?ase. Foi realizada uma triagem em 13 animais em busca de gatos positivos para a presen?a de ovos de P. illiciens nas fezes. Foram encontrados oito gatos positivos (61,54%) os quais foram submetidos aos tr?s exames de diagn?stico por imagem propostos, com exce??o do exame de tomografia no qual apenas sete animais foram submetidos. O exame radiogr?fico evidenciou cinco animais com aumento hep?tico, um animal normal e em dois animais n?o se conseguiu identificar os limites hep?ticos atrav?s da radiografia. Na ultra-sonografia foi poss?vel identificar seis animais com hepatomegalia e em rela??o ao par?nquima apenas um animal apresentou este alterado. Todos os animais apresentaram os vasos hep?ticos normais e em rela??o ?s vias biliares, apenas dois animais apresentaram este par?metro aumentado. Al?m disso, pode-se evidenciar a presen?a do parasito em um animal durante a realiza??o da ultra-sonografia. Na tomografia foram observados seis gatos com o f?gado aumentado e em rela??o aos outros achados os resultados foram descritivos. Dentre os resultados obtidos, pode-se concluir que o exame radiogr?fico serviu apenas para avaliar de forma restrita o tamanho hep?tico. A ultrasonografia e a tomografia computadorizada se mostram como boas ferramentas de diagn?stico, avaliando-se com clareza o tamanho hep?tico, o par?nquima hep?tico, a conforma??o e a espessura das vias biliares, a ves?cula biliar al?m dos vasos hep?ticos.
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Sanecki, Kim Caroline. "Protestant Christian Missions, Race and Empire: The World Missionary Conference of 1910, Edinburgh, Scotland." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07062006-114644/.
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Thesis (M.A.)--Georgia State University, 2006.Title from title screen. Ian Christopher Fletcher, committee chair; Duane J Corpis, committee member. Electronic text (180 p.). Description based on contents viewed May 8, 2007. Includes bibliographical references (p. 163-180).
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Peixoto, Mait? "Identidades figuradas na cultura do trabalho : a partilha da experi?ncia visual e a constru??o da identidade oper?ria atrav?s da produ??o imag?tica vinculada ? imprensa oper?ria e sindical no Brasil (1910-1935)." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2016. http://tede2.pucrs.br/tede2/handle/tede/6636.
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Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES
Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq
Cette ?tude propose une analyse des fa?ons dont la visualit? critique a ?t? ins?r?e dans le mouvement ouvrier br?silien ? travers la presse ouvri?re et syndicale au d?but du XX?me si?cle, agissant comme un espace de partage sensible. L'objectif principal est de prouver que le projet de constitution d'une identit? de classe au Br?sil, s?est ?galement assis sur une culture visuelle diversifi?e d?tentrice d?une historicit? particuli?re, en m?me temps qu?elle a traduit un effort pour cr?er des liens non seulement entre sujets politiques impliqu?s dans le mouvement, mais aussi avec une tradition figurative, dont les origines remontent ? l'exp?rience fran?aise moderne de production et de reproduction de dessins politiques de profil contestataire. L'exp?rience visuelle produite par le contact entre le dessin ou la caricature et le spectateur est entendu comme un intervalle de temps dans lequel ont ?t? pr?par?es les conceptions particuli?res et collectives appartenant ? la classe ouvri?re. En ce sens, nous avons examin? un total de six publications nationales produites dans l'axe Rio de Janeiro - S?o Paulo entre les ann?es 1910 et 1935, deux d?entre elles de contenu libertaire et anticl?rical (A Lanterna et A Plebe), deux produites par un organisme syndical (O Cosmopolita et Voz Cosmopolita) et deux li?s au Partido Communista do Brazil (A Classe Oper?ria et A Na??o). M?thodologiquement, nous avons d?cid? de travailler avec le classement th?matique des gravures parce que nous pensons que cette approche est celle qui couvre le mieux le volume g?n?reux d'images en notre possession et qui nous a permis d'?tablir des axes th?matiques capables de mieux r?pondre ? nos questions en profondeur, sans, simultan?ment, perdre de vue l'attention aux sp?cificit?s de ces images. ? travers des recherches d?velopp?es sur les archives fran?aises, nous avons pu construire une analyse crois?e avec des images produites par les publications fran?aises de critique sociale de la fin du XIX?me si?cle et d?but du XX?me si?cle, ce qui nous a permis de poursuivre l'enqu?te concernant les nouvelles significations incorpor?es dans les dessins br?siliens. En outre, ce croisement a aussi fourni l'occasion de dresser une g?n?alogie de ces manifestations symboliques qui apparaissent ici comme un outil pour comprendre les nouvelles et multiples significations et m?me les migrations symboliques articul?es par ces images par rapport aux gravures v?hicul?es dans les journaux br?siliens. Cependant, ce que nous cherchons avec cette analyse est d'?tudier la conformation du ? se faire reconna?tre ? et ? de se reconnaitre soim?me ? dans une collectivit? politique qui avait le but de la repr?sentativit?, en prenant l'exp?rience visuelle comme un ballast important pour ce projet identitaire.
O presente estudo prop?e uma an?lise acerca das formas com as quais a visualidade cr?tica foi inserida no movimento oper?rio brasileiro atrav?s da imprensa oper?ria e sindical durante o in?cio do s?culo XX, atuando como um espa?o de partilha do sens?vel. O objetivo central consiste em comprovar que o projeto de constitui??o de uma identidade classista no Brasil, esteve assentado tamb?m numa cultura visual diversificada detentora de uma historicidade que lhe ? particular ao mesmo tempo em que traduziu um esfor?o no sentido de criar v?nculos n?o apenas entre os sujeitos pol?ticos envolvidos com o movimento, mas tamb?m com uma tradi??o figurativa, cujas origens remontam ? experi?ncia francesa moderna de produ??o e reprodu??o de desenhos pol?ticos de perfil contestat?rio. A experi?ncia visual produzida a partir do contato entre o desenho ou a caricatura e o expectador ? entendida enquanto um intervalo de tempo no qual foram elaboradas concep??es particulares e coletivas acerca do que consistia pertencer ? classe oper?ria. Nesse sentido foram examinadas um total de seis publica??es nacionais produzidas no eixo Rio de Janeiro ? S?o Paulo entre os anos de 1910 e 1935, duas de conte?do libert?rio e anticlerical (A Lanterna e A Plebe), duas produzidas por um ?rg?o sindical (O Cosmopolita e Voz Cosmopolita) e duas vinculadas ao Partido Communista do Brazil (A Classe Oper?ria e A Na??o). Metodologicamente optamos por trabalhar com a seria??o tem?tica das gravuras por entendermos que esta abordagem ? a que melhor contempla o volume generoso de imagens que dispomos e que torna poss?vel que estabele?amos eixos tem?ticos capazes de responder aos nossos questionamentos em profundidade, sem perder de vista as especificidades dessas imagens. Em pesquisa desenvolvida junto aos arquivos franceses pudemos construir uma an?lise cruzada com imagens produzidas por publica??es francesas de cr?tica social do final do s?culo XIX e in?cio do XX o que nos possibilitou uma investiga??o mais profunda concernente ?s ressignifica??es incorporadas aos desenhos brasileiros. Al?m disso, esse cruzamento tamb?m nos deu a oportunidade de tra?ar uma genealogia dessas manifesta??es simb?licas que se inserem aqui tamb?m como ferramenta para compreens?o da m?ltiplas ressignifica??es e das pr?prias migra??es simb?licas articuladas por essas imagens em rela??o ?s gravuras veiculadas nos peri?dicos brasileiros. Contudo, o que buscamos com esta tese ? estudar a conforma??o do fazer-se reconhecer e do reconhecer-se dentro de um coletivo pol?tico com fins de representatividade, tomando a experi?ncia visual como um importante lastro desse projeto identit?rio.
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Argent, Christopher M. "'For God, king and country' : aspects of patriotic campaigns in Adelaide during the Great War, with special reference to the Cheer-Up Society, the League of Loyal Women and conscription /." Title page and Contents only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09ara6888.pdf.
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García, Navas José. "Dibujar después de 1910." Doctoral thesis, Universitat Politècnica de Catalunya, 1988. http://hdl.handle.net/10803/6563.
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Wilhelm worringer anticipa solo una actitud frente a la abstraccion: la de mondrian. El transito hacia la abstraccion fue vivido desde dos actitudes distintas: la primera compulsiva y catarquica: se abre una fisura entre el sujeto y el mundo, y los nuevos vinculos surgiran de una autentica transformacion. La segunda necesita nexos. Se trata de un proceso que conduce a la abstraccion desde inevitables dependencias con lo natural. El origen de las transformaciones de la imagineria pictorica en este siglo deriva, determinantemente, de las restricciones que se imponen al gesto y de las consecuencias del empleo de tecnicas de grabado. La escultura moderna no rodiniana (picasso) proviene de la mutacion escultorica de la pintura. La diagonal es una linea que implica una relacion particular en pintura, porque realmente manifiesta inestabilidad respecto a ella. En rodchenco no hay secuencias desde la pintura: el ataque contra ella es frontal. El analisis de la forma de proceder sistematica en la pintura de seurat obliga a deshacerse de la idea de una correlacion consecuente entre ciencias y pintura. Entre ambas experiencias no existe el vacio, sino una forma de relacion que tiene que ver con el fluir de las ideas de un tiempo, pero ese tipo de transferencias no resisten las exigencias del procedimiento cientifico. Los limites del cubismo los establece, entre otros, juan gris. El nucleo central de esa experiencia (picasso-brake) como constatamos en el analisis del cuaderno 026 de picasso rechaza las estratagemas compositivas. Los hallazgos procesuales implicitos en la experiencia cubista de los años doce-trece (picasso) son transferidos a la arquitectura y lo que sucede en el seno de la vanguardia sovietica es explicable, fundamentalmente, desde ese punto de vista.
Books on the topic "1910's"
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1910-yŏndae sosŏl ŭi yŏksajŏk ŭimi: The historical significance of novels of the 1910's. Sŏul-si: Somyŏng Ch'ulp'an, 2015.
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United States. Congress. Senate. Committee on Energy and Natural Resources. Women's Rights National Historical Park: Report (to accompany S. 1910). [Washington, D.C: U.S. G.P.O., 2000.
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United States. Congress. Senate. Committee on Energy and Natural Resources. Women's Rights National Historical Park: Report (to accompany S. 1910). [Washington, D.C: U.S. G.P.O., 2000.
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Stoller, Ruth. Yamhill County, Oregon, estates master index[e]s, 1843-1910. [Salem, OR]: R. Stoller, 1992.
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United States. Congress. Senate. Committee on Energy and Natural Resources. Women's Rights National Historical Park: Report (to accompany S. 1910). [Washington, D.C: U.S. G.P.O., 2000.
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Resources, United States Congress Senate Committee on Energy and Natural. Cooperative Forestry Assistance Act of 1978: Report (to accompany S. 1910). [Washington, D.C: U.S. G.P.O., 2004.
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United States. Congress. Senate. Committee on Energy and Natural Resources. Cooperative Forestry Assistance Act of 1978: Report (to accompany S. 1910). [Washington, D.C: U.S. G.P.O., 2004.
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Zhongguo she hui ke xue yuan. Minguo shi shi. and Sichuan shi fan da xue. Li shi wen hua xue yuan., eds. Yi jiu yi ling nian dai de Zhongguo: China in 1910's. Beijing Shi: She hui ke xue wen xian chu ban she, 2007.
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Pragmatism: The restoration of its scientific roots. New Brunswick, N.J: Transaction Publishers, 2012.
Find full textBook chapters on the topic "1910's"
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Freedman, Paul. "Robert S. Lopez (1910–1985)." In Rewriting the Middle Ages in the Twentieth Century, 279–93. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.stmh-eb.3.4476.
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Damböck, Christian. "Einleitung zu Rudolf Carnap, „Deutschlands Niederlage: Sinnloses Schicksal oder Schuld?“ (1918)." In Veröffentlichungen des Instituts Wiener Kreis, 317–37. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-84887-3_17.
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ZusammenfassungDer hier edierte Text „Deutschlands Niederlage: Sinnloses Schicksal oder Schuld?“ ist ein unveröffentlicht gebliebenes Manuskript aus dem Nachlass von Rudolf Carnap. Der Text war von Carnap unter dem Pseudonym Kernberger (nach Carnaps Wohnort in Jena) verfasst worden. Er war zur Veröffentlichung in den Politischen Rundbriefen vorgesehen, einer vom späteren DDR-Historiker Karl Bittel edierten Zeitschrift. Diese Zeitschrift war schon vor dem Kriegsende „vertraulich, als Handschrift“ (Bittel, 1918) erschienen. Zwischen Oktober 1918 und Ende 1919 fungierte sie dann als öffentliches politisches Organ der sozialdemokratisch orientierten Freideutschen. In Bittels Editorial zur ersten, mit 5. Oktober 1918 datierten, öffentlichen Nummer heißt es:Die hier proklamierte Unabhängigkeit bedeutet nicht zwangsläufig politische Neutralität, stammten die Autoren des Blattes doch in der Mehrzahl aus einem der USPD (Unabhängige Sozialdemokratische Partei Deutschlands) nahe stehenden Kreis von (Berliner) Freideutschen. Dieser Kreis publizierte Anfang 1919 einen von Helmut Tormin verfassten und von Carnap mit unterzeichneten „Aufruf an die freideutsche Jugend“, in dem die Grundsätze einer „[d]emokratisch-sozialistischen Gruppe der Freideutschen Groß-Berlins“ (Tormin, 1968, S. 615) charakterisiert wurden.
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Barry, Peter. "T. S. Eliot (1919)." In Issues in Contemporary Critical Theory, 23. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-89244-0_2.
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Seel, Norbert M. "Bruner, Jerome S (1915–)." In Encyclopedia of the Sciences of Learning, 488–91. Boston, MA: Springer US, 2012. http://dx.doi.org/10.1007/978-1-4419-1428-6_1859.
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McEwan, Neil. "R. S. Thomas 1913–." In The Twentieth Century (1900–present), 480–82. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_56.
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Bock, Bertram G. "William S. Burroughs (1914–1997)." In Frauenliebe Männerliebe, 94–98. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_21.
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Petrilli, Susan. "On the Semiotics of Interpretation: Introduction." In Charles S. Peirce, 1839–1914, xi. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/z.42.01pet.
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Fisch, Max H. "Foreword." In Charles S. Peirce, 1839–1914, xxix. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/z.42.02fis.
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"5 1910-1911 T. S. Eliot in Paris." In T. S. Eliot, 115–60. Penn State University Press, 2005. http://dx.doi.org/10.1515/9780271033198-008.
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Coffman, Chris. "Reading Stein’s Genders: Transmasculine Signification in the 1910s and 1920s." In Gertrude Stein's Transmasculinity, 108–31. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474438094.003.0004.
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This is the second of two chapters that examine ways Stein’s increasingly experimental writings during the first three decades of the twentieth century gradually work through dominant early twentieth-century genders, loosening up rigid constructs of masculinity she encountered in Otto Weininger’s misogynist Sex and Character. Chapter Three argues that her innovative writings from the 1910’s and 1920’s—such as the long poems “Lifting Belly” and “Patriarchal Poetry” (1927)—use Toklas’s feminine positioning to establish Stein’s masculinity. Whereas Stein’s earlier fiction presented more subtle challenges to Weininger, Stein’s experimental poems from the 1910’s and 1920’s explicitly and jubilantly use linguistic innovation to articulate a flexible and feminist transmasculinity.
Conference papers on the topic "1910's"
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Kender, Walter J. "Citrus Canker: Impacts of Research on Eradication and Control." In ASME 1986 Citrus Engineering Conference. American Society of Mechanical Engineers, 1986. http://dx.doi.org/10.1115/cec1986-3204.
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Citrus Bacterial Canker Disease (CBCD), caused by Xanthomonas campestris pv. citri, occurs in many citrus areas of the world. It has been reported in 40 different countries, on 5 continents (Asia, South Africa, Australia, South America and North America). Prior to the 1984 outbreak in Florida, the 4 known strains of the bacterium were A, B, C and Mexican bacterioses. Canker-A or Strain-A, endemic in Asia, was reported in China, India and Java in the early 1800’s, found in Japan in 1899 and in the Philippines in 1914. It affects most citrus species and hybrids. Grapefruit is especially susceptible. Strain-A was introduced into the United States from Japan on trifoliate orange seedlings in 1910. An eradication program was started in 1915 in Florida and the disease was eradicated in 1927. In South America, the Asiatic form was not found until 1957 in Brazil and 1972 in Argentina. In 1979, the A Strain broke out in the commercial citrus area of Sao Paulo State, Brazil. Paper published with permission.
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Oliveira Eskinazi, Mara. "Le Corbusier in Berlin, 1958: the universal and the individual in the unbuilt city." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.921.
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Abstract: Among several urban plans designed for Berlin, we find Le Corbusier`s project for the Hauptstadt Berlin 1958 competition, which aimed at thinking the reconstruction of the city center destroyed in the II World War. Corbusier`s relation with Berlin dates back to 1910, when he arrives at the city to work at Peter Behrens` office. So, for him, the plan for Berlin was a rare opportunity to develop ideas about the city that provided one of the largest contributions to his urban design education, and also to develop ideas he formulated forty years before for Paris` center. Besides that, this project was developed almost simultaneously with CIAM`s crises and dissolution, which culminated in the 50`s with the consequent appearance of Team 10. At that moment Corbusier`s universalist approach to urbanism starts to be challenged by CIAM`s young generation, which had a critical approach towards the design methods inherited from the previous generation, associated with CIAM`s foundational moment. From the beginning of the 50`s on, this new generation balances the universalist ideals inherited from the previous generation with individualist ones they identified as necessary to face the new post war reality. Thus, the main goal of this paper is to analyse Corbusier’s design for Berlin and question whether he, at an already mature point of his career, was proposing a plan that answered only the questions that were important to CIAM and to the canonical principles of modern architecture, or if he had also addressed those that belonged to the new generation and Team 10`s agenda, both of them present in the debates of the moment, largely identified as a transitional period. Resumen: Entre varios planes urbanos diseñados para Berlín, esta el proyecto de Le Corbusier para el concurso Hauptstadt Berlín 1958, que tenia como objetivo pensar la reconstrucción del centro de la ciudad, destruida en la II Guerra Mundial. La relación de Corbusier con Berlín se remonta a 1910, cuando llega a la ciudad para trabajar en la oficina de Peter Behrens. Así que, para él, el plan de Berlín fue una rara oportunidad de desarrollar ideas sobre la ciudad que dio una de las mayores enseñanzas a su aprendizaje en diseño urbano, y también para desarrollar las ideas que formuló cuarenta años antes para el centro Paris. Además de eso, este proyecto se ha desarrollado simultáneamente con la crisis y disolución de CIAM, y con la aparición de Team 10. En ese momento, el enfoque universalista de Corbusier comienza a ser cuestionado por la generación joven de CIAM, que tenía enfoque crítico hacia los métodos de diseño heredados de la generación anterior. Desde el principio de los 50`s, esta nueva generación equilibra los ideales universalistas heredados de la generación anterior con los individualistas necesarios para hacer frente a la nueva realidad. Por lo tanto, lo principal objetivo de este trabajo es analizar el diseño de Corbusier para Berlín y cuestionar si, en un punto ya maduro de su carrera, él propone un plan que respondió sólo las cuestiones que eran importantes para CIAM y a los principios canónicos de la arquitectura moderna, o si también se trataron temas que pertenecían a la nueva generación y a la agenda del Team 10, ambos presentes en los debates del momento, en gran parte identificado como un período de transición. Keywords: Berlin; competition; reconstruction; universal; individual; transitional period. Palabras clave: Berlín; concurso; reconstrucción; universal; individual; periodo de transición. DOI: http://dx.doi.org/10.4995/LC2015.2015.921
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Gavrilović, Biljana. "PRAVNOISTORIJSKI POGLED NA ZANATSKO PITANjE U MODERNOM SRPSKOM PRAVU 2022ZBORNICISADAŠNjOST I BUDUĆNOST USLUŽNOG PRAVA." In XVIII Majsko savetovanje. University of Kragujevac, Faculty of Law, 2022. http://dx.doi.org/10.46793/xviiimajsko.1039g.
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The paper analyzes the situation in the craft and craft ́s legal regulations, in the period from the beginning of the XIX century to the 30s of the XX century, i.e. until the adoption of the Yugoslav Law on Actions. At the beginning of the 19th century, the patriarchal spirit ruled in the craft; a quasi-family relationship was established between the masters and the students. Craftsmen provided themselves protection from competition through associations in guilds and its tradition rules. In the middle of the 19th century, the Decree on Guilds was passed, which regulated labor relations in crafts and trade. At the end of the 19th century, due to the increased import of goods, the situation in the craft has changed, patriarchal relations were disturbed, and there was general dissatisfaction among the workers. Therefore, a huge action was taken for the modern regulation of labor relations, which came in 1910, with the adoption of the Law on Actions. But, despite the modern legal regulation of labor relations, the factual situation in the craft has not changed. Therefore, the paper will point out the basic reasons for the decline of the craft, as well as the normative attempts to save it.
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MEYER, A. "Composite gearboxes, designing for the 90's." In 27th Joint Propulsion Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1991. http://dx.doi.org/10.2514/6.1991-1910.
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SEINER, JOHN, MICHAEL PONTON, ODIS PENDERGRAFT, JR., JAMES MANNING, and MARY MASON. "External nozzle flap dynamic load measurements on F-15 S/MTD model." In 26th Joint Propulsion Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1990. http://dx.doi.org/10.2514/6.1990-1910.
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Vigouroux, Gauthier, Pedro Merino Laso, Christophe Claramunt, and Nathalie Leidinger. "Evaluating the vulnerability of ISO 19100 and S-100 standards through visual approaches." In SIGSPATIAL '22: The 30th International Conference on Advances in Geographic Information Systems. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3557915.3561472.
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Zapariy, Vladimir. "STRATEGIES FOR INDUSTRIAL DEVELOPMENT IN THE CONTEXT OF RUSSIA�S MODERNIZATION POLICY (1917-1941)." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/2.2/s08.046.
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Zosidze, Nugzar. "GERMANY�S MIDDLE EAST STRATEGY AND GEORGIAN-GERMAN RELATIONS IN THE SECOND HALF OF 1918." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/2.2/s08.033.
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Martin, Holger. "Reynolds, Maxwell, and the Radiometer, Revisited." In 2010 14th International Heat Transfer Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ihtc14-22023.
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In 1969, S. G. Brush and C. W. F. Everitt published a historical review, that was reprinted as subchapter 5.5 Maxwell, Osborne Reynolds, and the radiometer, in Stephen G. Brush’s famous book The Kind of Motion We Call Heat. This review covers the history of the explanation of the forces acting on the vanes of Crookes radiometer up to the end of the 19th century. The forces moving the vanes in Crookes radiometer (which are not due to radiation pressure, as initially believed by Crookes and Maxwell) have been recognized as thermal effects of the remaining gas by Reynolds — from his experimental and theoretical work on Thermal Transpiration and Impulsion, in 1879 — and by the development of the differential equations describing Thermal Creeping Flow, induced by tangential stresses due to a temperature gradient on a solid surface by Maxwell, earlier in the same year, 1879. These fundamental physical laws have not yet made their way into the majority of textbooks of heat transfer and fluid mechanics so far. A literature research about the terms of Thermal Transpiration and Thermal Creeping Flow, in connection with the radiometer forces, resulted in a large number of interesting papers; not only the original ones as mentioned in subchapter 5.5 of Brush’s book, but many more in the earlier twentieth century, by Martin Knudsen, Wilhelm Westphal, Albert Einstein, Theodor Sexl, Paul Epstein and others. The forces as calculated from free molecular flow (by Knudsen), increase linearly with pressure, while the forces from Maxwell’s Thermal Creeping Flow decrease with pressure. In an intermediate range of pressures, depending on the characteristic geometrical dimensions of flow channels or radiometer vanes, an appropriate interpolation between these two kinds of forces, as suggested by Wilhelm Westphal and later by G. Hettner, goes through a maximum. Albert Einstein’s approximate solution of the problem happens to give the order of magnitude of the forces in the maximum range. A comprehensive formula and a graph of the these forces versus pressure combines all the relevant theories by Knudsen (1910), Einstein (1924), Maxwell (1879) (and Hettner (1926), Sexl (1928), and Epstein (1929) who found mathematical solutions for Maxwells creeping flow equations for non-isothermal spheres and circular discs, which are important for thermophoresis and for the radiometer). The mechanism of Thermal Creeping Flow will become of increasing interest in micro- and submicro-channels in various new applications, so it ought to be known to every graduate student of heat transfer in the future. That’s one of the reasons why some authors have recently questioned the validity of the classical Navier-Stokes, Fourier, and Fick equations: Dieter Straub (1996) published a book on an Alternative Mathematical Theory of Non-equilibrium Phenomena. Howard Brenner (since 2005) wrote a number of papers, like Navier-Stokes, revisited, and Bi-velocity hydrodynamics, explicitly pointing to the forces acting on the vanes of the lightmill, to thermophoresis and related phenomena. Franz Durst (since 2006) also developed modifications of the classical Navier-Stokes equations. So, Reynolds, Maxwell, and the radiometer may finally have initiated a revision of the fundamental equations of thermofluiddynamics and heat- and mass transfer.
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Šístek, František. "Prikazi i reinterpretacije Sarajevskog atentata u javnom diskursu u Češkoj." In Međunaordna naučno-kulturološka konferencija “Istoriografija o BiH (2001–2017 )”. Academy of Sciences and Arts of Bosnia and Herzegovina, 2020. http://dx.doi.org/10.5644/pi2020.186.09.
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Ovaj rad se fokusira na prikaze i reinterpretacije sarajevskog atentata (1914.), ključnog događaja moderne svjetske historije povezane s Bosnom i Hercegovinom, u savremenom češkom javnom diskursu. Stogodišnjica početka (2014.) i kraja (2018.) Prvog svjetskog rata dala je poticaj za novi val reinterpretacija, komemoracija i recikliranja ranijih predstavljanja. Autor u ovom radu pokušava ocrtati glavne konture savremenih čeških rasprava o Sarajevskom atentatu kroz poseban fokus na prikaze četiri ličnosti povezane s ovim događajem: habsburškog nasljednika prijestolja Franza Ferdinanda, njegove supruge Sofije Chotek, njihovog atentatora Gavrila Principa i njihovog vozača Leopolda Lojka. Autor argumentira da su sve četiri ličnosti povezane s određenim mjestima sjećanja (lieux de mémoire) koja se mogu naći na teritoriju Češke (zamak Konopiště u središnjoj Bohemiji, Principova zatvorska ćelija u Terezinu, Lojkov grob u Brnu i spomen-fontana Sofije Chotek u Pragu). Prikazi ovih ličnosti i reinterpretacije sarajevskog atentata u savremenom češkom diskursu vrlo su raznolike i dvosmislene.
Reports on the topic "1910's"
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Lindstrom, David. W. S. U'Ren and the Fight for Government Reform and the Single Tax: 1908-1912. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.955.
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Savings Bank of New South Wales - Sydney (Head Office) - Indexes of Depositors Accounts - Indexes of operative accounts as at 1906. (Includes accounts opened by G.S.B. of N.S.W. 1914-1931) - "R-S" - 1906-1931. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2006/21691.
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