Relevant bibliographies by topics / 1912-1978

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '1912-1978'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "1912-1978"

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Song, Zhi Shun, and Liang Ai Ping. "Review of the genus Doryphorina Melichar, 1912 (Hemiptera: Fulgoromorpha: Dictyopharidae)." Journal of Insect Biodiversity 1, no. 7 (2013): 1. http://dx.doi.org/10.12976/jib/2013.1.7.

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The dictyopharid planthopper genus Doryphorina Melichar, 1912 is revised on the base of examination of the type specimens deposited in Museum and Institute of Zoology, Polish Academy of Sciences in Warsaw. The genus includes three known species D. stali Melichar, 1912, D. minor Fennah, 1978, and D. subdeflexa Fennah, 1978. The rank of the two latter is elevated to specific status from subspecies of D. stali. Male genitalia of all species are described and illustrated for the first time. A diagnostic key is provided for differentiation of the known species in the genus.
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Bloch, Jean, and Tanguy L'Aminot. "Images de Jean-Jacques Rousseau de 1912 a 1978." Modern Language Review 90, no. 3 (1995): 760. http://dx.doi.org/10.2307/3734362.

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GONÇALVES, RODRIGO B. "Redescription of types of Sphecodes (Austrosphecodes) (Hymenoptera: Halictinae) from Argentina and Brazil." Zootaxa 4269, no. 4 (2017): 513. http://dx.doi.org/10.11646/zootaxa.4269.4.6.

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Here I provide taxonomic notes on types of Sphecodes (Austrosphecodes) which are deposited in South American institutions. Sphecodes andinus Schrottky, 1906, S. brasiliensis Schrottky, 1910, S. bruchi Schrottky, 1906, S. cordillerensis Jörgensen, 1912, S. coriae Moure & Hurd, 1987, S. inornatus (Schrottky, 1902), S. melanopus Schrottky, 1906, S. mendocinus Jörgensen, 1912, and S. minarum Schrottky, 1910 are redescribed. The male of S. brasiliensis, S. convergens Michener, 1978, and the female of S. inornatus are described for the first time. The lectotype of Halictus meridionalis Jörgensen, 1912 is presently designated.
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Schneider, Ulrike. "Jean Améry 1912-1978. Was bleibt dreißig Jahre nach seinem Tod?" Zeitschrift für Religions- und Geistesgeschichte 60, no. 4 (2008): 369–75. http://dx.doi.org/10.1163/157007308785797718.

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Hökfelt, Tomas. "Neurobiology thanks to microbiology: The legacy of Albert H. Coons (1912–1978)." Brain Research Bulletin 50, no. 5-6 (1999): 371–72. http://dx.doi.org/10.1016/s0361-9230(99)00109-4.

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WILLIAMS, D. "Review. Images de Jean-Jacques Rousseau de 1912 a 1978. L'Aminot, Tanguy." French Studies 49, no. 1 (1995): 77. http://dx.doi.org/10.1093/fs/49.1.77.

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SILVEIRA, ORLANDO TOBIAS. "Revision of the subgenus Kappa de Saussure of Mischocyttarus de Saussure (Hym.; Vespidae, Polistinae, Mischocyttarini)." Zootaxa 1321, no. 1 (2006): 1. http://dx.doi.org/10.11646/zootaxa.1321.1.1.

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A taxonomic revision of Neotropical wasps of the subgenus Kappa de Saussure of the genus Mischocyttarus de Saussure leads to recognition of 36 species, twelve of them described here for the first time: M. laurae sp. n., M. mirus sp. n., M. magdalenensis sp. n., M. paris sp. n., M. fidus sp. n., M. occiduus sp. n., M. efferus sp. n., M. acreanus sp. n., M. porantin sp. n., M. timbira sp. n., M. mysticus sp. n., and M. pertinax sp. n. Synonymies included are: M. deceptus (Fox, 1895) = M. atrocyaneus Zikan, 1949; M. imitator (Ducke, 1904) = M. goyanus Zikán, 1949 = M. communalis Richards, 1978; M. socialis (de Saussure, 1854) = M. atramentarius Zikán, 1949; M. metathoracicus (de Saussure, 1854) = M. granadaensis Zikán, 1949 = M. rectus Richards, 1978; M. injucundus (de Saussure, 1854) = M. injucundus bimarginatus (Cameron, 1912) = M. juruanus Richards, 1978 = M. jucundus Richards, 1978 = M. injucundus tingomariae Richards, 1978. Males of five species are described for the first time: M. zikaninus Richards, M. villarricanus Zikán, M. adolphi Zikán, M. latissimus Richards, and M. deceptus (Fox).
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Traverso, Enzo. "Jean Améry. Entre la razón crítica y la desesperanza." Acta Poética 40, no. 2 (2019): 41. http://dx.doi.org/10.19130/iifl.ap.2019.2.855.

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Este artículo indaga sobre la escritura de Jean Améry (Austria, 1912-1978), sobreviviente de Auschwitz, quien desde la ficción o el ensayo autorreferencial exploró la catástrofe del mundo contemporáneo. Los elementos autobiográficos constituyen la materia real que Améry convirtió en un “ensayo contemplativo”. Él no creía en las virtudes terapéuticas de la memoria, sino en la propia experiencia y el resentimiento —este último entendido a partir de Frantz Fanon— comopuntos de quiebre y promontorios desde los que podía observar los más aciagos acontecimientos del pasado.
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Sønderholm, M., and H. F. Jepsen. "Proterozoic basins of North Greenland." Bulletin Grønlands Geologiske Undersøgelse 160 (January 1, 1991): 49–69. http://dx.doi.org/10.34194/bullggu.v160.6713.

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Proterozoic sedimentary and associated igneous rocks along the margin of the Precambrian crystalline shield in North Greenland have been studied by several geological field-teams since 1912 when they were first investigated during the First Thule Expedition. More recently, the Proterozoic strata of North Greenland have been studied in greater detail by the Geological Survey of Greenland (GGU) during the North Greenland Project of 1978-80 and 1983-85. The present paper reviews these studies in an attempt to elucidate the development of the sedimentary basins in North Greenland during the Proterozoic.
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Moore, Walter. "Janossy Lajos (1912-1978) es Erwin Schrödinger (1887-1961) levelse. Peter Kirdly , Maria Narayne Ziegler." Isis 81, no. 1 (1990): 132–33. http://dx.doi.org/10.1086/355300.

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Dissertations / Theses on the topic "1912-1978"

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L'Aminot, Tanguy. "Images de Jean-Jacques Rousseau de 1912 à 1978." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37606946m.

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L'Aminot, Tanguy. "Images de Jean-Jacques Rousseau de 1912 à 1978." Paris 4, 1987. http://www.theses.fr/1987PA040348.

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Les trois commémorations rousseauistes de 1912 (bicentenaire de la naissance de Rousseau), 1962 (250 anniversaire de sa naissance, bicentenaire de Du contrat social), 1978 (bicentenaire de sa mort) permettent de montrer l'évolution de l'image du philosophe et de son œuvre au XXe siècle. Objet d'un enjeu politique entre la gauche et la droite au début du siècle, Rousseau est vraiment lu et commente après la Seconde Guerre mondiale, mais son image subira le regard soupçonneux et la mise à distance de la génération de l'apres-68
The three rousseauistic commemorations of 1912 (Rousseau’s bicentennial), 1962 (250th anniversary, Contrat social bicentennial), 1978 (bicentennial of his death), bring to light the evolution of the philosopher's image and work in the 20th century, in as much as said anniversaries prompted a blossoming of publications. Subjected to a political debate between left-wing and right-wing at the beginning of the century - Rousseau was to be really read and commented after World War II. Yet his image suffered the suspicious glances and putting off from the post-68 generation
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Saccardi, Marc. "Amateur d'insolite et scribe de miracles : Jacques Bergier, 1912-1978 /." Paris : les Éd. de l'Oeil du sphinx, 2008. http://catalogue.bnf.fr/ark:/12148/cb41397148z.

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Lapierre, Johannie. "La communication : de l'écart à la rencontre dans Pigments suivi de Névralgies de Léon-Gontran Damas." Master's thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/27151.

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Ce mémoire analyse la communication dans Pigments et dans Névralgies de Léon-Gontran Damas. Il vise à examiner les multiples composantes d'une situation d'interaction et à évaluer leurs fonctions dans le recueil. Nous soutenons que l'auteur, vivant dans un monde d'exclusion qui trouve pourtant sa force dans le regroupement, représente dans ses poèmes des rapports interpersonnels infructueux entre des instances énonciatrices complexes. Nous nous efforçons de montrer que les paroles, les silences et les autres procédés de communication impliquent et affectent l'énonciateur autant que le récepteur. À partir d'un contexte où l'Autre est parfois désiré, parfois imposé, mais où il menace toujours la stabilisé intérieure de soi, nous cherchons un équilibre qui ne sera rendu que par le partage d'une reconnaissance mutuelle.
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Carpentier-Vanhaverbeke, Valérie. "Le vie des monuments de l'Etat : histoire de la Caisse nationale des monuments historiques (1912-1978)." Paris, EPHE, 2014. http://www.theses.fr/2014EPHE4005.

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La Caisse nationale des monuments historiques, rebaptisée Centre des monuments nationaux au seuil du XXIe siècle, fut créée en 1914 dans le climat de crise qui, pour le service des Monuments historiques, a suivi la séparation des églises et de l’État. Elle devait apporter compléments de ressources et souplesse budgétaire grâce à la formule en vogue de l���établissement public, et a connu de multiples transformations au fil des décennies. Imaginée à l’origine pour recevoir dons, legs, et ressources fiscales, la Caisse a finalement été alimentée par les droits d’entrée instaurés dans les monuments historiques après la guerre, et à partir de la fin des années 1920, par le développement d’une activité commerciale. Banquière discrète de la direction des Beaux-Arts durant l’Entre-deux-guerres, la Caisse s’empare peu à peu des enjeux du développement touristique des monuments historiques, timidement dans les années 1930, et plus nettement à partir de Vichy puis des années 1950. Après la création du ministère des Affaires culturelles, une réforme importante fait de l’établissement public en 1965 un organisme d’exploitation des monuments historiques aux attributions élargies, cherchant à rendre la vie au patrimoine. La machine administrative se met en place progressivement, les rapports à la tutelle parfois tendus illustrent les enjeux nouveaux de l’action de la Caisse. L’étude de cette administration culturelle au long du XXe siècle porte sur les hommes, les procédures, les moyens, les résultats, dans une perspective d’histoire du patrimoine
The “Caisse nationale des monuments historiques”, renamed “Centre des monuments nationaux” at the beginning of the XXIth century, was created in 1914, in a period of crisis for the Department of Historic Buildings in France, after the separation of churches and state. It was created as a public body like many others institutions during the same period in order to provide more money with flexibility; and it was transformed many times during the following decades. First, the institution was supposed to receive donations, legacies, and money from taxes, but finally it mainly received entrance fees that began to be collected after the War in historic buildings, and since the end of the 1920s, incomes from commercial activities. It discreetly provided money for the Department of Arts between the wars, but since the 1930s, World War II, and the 1950s, the institution has become more important because of the development of cultural tourism. After the creation of the Ministry of Culture, an important reform occurred in 1965, and the institution became in charge of the exploitation and presentation of historic buildings, in order to give them a second life. The administration grew progressively, new challenges appeared, and the relationships between the institution and the Ministry became sometimes difficult. This study deals about people, procedures, means, and results, in order to build the story of a cultural administration
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Fleury, Pascal. "Les problèmes philosophiques dans l'oeuvre de Jean Améry." Paris 12, 2002. http://www.theses.fr/2002PA120015.

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Cette étude se propose de nominer les problèmes philosophiques abordés par Jean Améry dans ses essais, de les ordonner en différents champs d'investigation, de les situer par rapport à des concepts-clés et de les analyser afin de mettre en évidence la méthode et les orientations essentielles de la démarche réflexive propre à cet écrivain. Ces principaux domaines thématiques sont la constitution de la réalité, la problématique de l'action et celle du langage ainsi que l'ensemble des problèmes attachés à la notion d'esprit. Les concepts-clés autour desquels ce travail s'articule sont ceux de temporalité, d'expérience, de violence, d'échec, de peur, d'authenticité, d'identité, de liberté, de logique, de morale, d'esprit, d'amour et de mort. La méthode de l'auteur privilégie l'analyse logique et son langage sans renoncer à l'introspection et à l'empathie par le biais de la métaphore. La philosophie amérienne se constitue sur la base d'une critique des principaux courants de l'histoire de la philosophie depuis les Lumières dont' elle intègre certains éléments. Les critères d'appréciation sont l'objectivité logique et l'expérience vécue. L'homme est le point de départ et l'aboutissant de cette philosophie qui, partant de l'expérience de la destruction et de l'absence, cherche à dissoudre les paradoxes auxquels se heurte la réflexion dans une signification univoque et porteuse de consolation.
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Rano, Jonas. "Créolitude : prolégomènes à l'intégration socioculturelle et littéraire afro-créole, le cas de Léon-Gontran Damas." Paris 12, 2006. https://athena.u-pec.fr/primo-explore/search?query=any,exact,990002534490204611&vid=upec.

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La lecture du passé dans les textes de Léon-Gontran Damas conditionne les images que l'on peut se faire d'un futur possible. Car la créolitude dans l'oeuvre du Guyanais circonscrit les fondements identitaires et littéraires de l'intelligentsia "afro-créole" : c'est "l'identité culturelle d'une communauté", qui au départ développée dans l'oeuvre de Damas comme la conscience d'une nécessaire démystification du mythe dévalorisant l'homme nègre, devient ensuite, la conscience de revalorisation de l'image de l'homme afro-créole dans ses rapports avec le monde savant de Paris, et d'ailleurs. La "créolitude", qui est l'oeuvre littéraire et politique du poète, devient en définitive, l'engagement littéraire et pédagogique de l'intellectuel afro-créole dans le champs littéraire francophone. En situant les fondements identitaires et littéraires de l'intelligentsia afro-créole entre les deux Guerres, quelques peu au-delà, et en nous appuyant sur le parcours de l'écrivain Damas, mais également sur les critiques des écrivains afro-créoles, mettant en exergue tant les notions de style, nous nous astreignons précisément à serrer notre propos dans ce qui s'avère essentiel dans notre démarche : la revalorisation de l'image de l'homme afro-créole dans le champs littéraire francophone. Certes, il s'agit là d'une approche classique du champs littéraire au sein duquel évoluent les Afro-créoles dans leur statut d'"entrants" : qui s'ils sont dominés se battent pour faire reconnaître leur singularité, à la recherche d'un capital symbolique. L'entre-deux-guerres représente enfin un espace essentiel d'éclosion pour les Afro-créoles : il n'existait pas vraiment de littérature afro-créole jusque là.
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Lacan, Georges. "Le comité Rueff-Armand et ses retombées immédiates : une tentative prématurée de modernisation (1959-1961)." Paris 8, 2002. http://www.theses.fr/2002PA082198.

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Le 13 novembre 1959, Michel Debré crée un comité chargé d'examiner les situations qui constituent un obstacle à l'expansion économique et de proposer les réformes pour mettre fin aux situations malthusiennes. Après la réussite de l'assainissement financier de décembre 1958, le nouveau pouvoir gaulliste entend visiblement moderniser les structures de l'économie. Il s'agit notamment de les adapter aux nouvelles conditions de la concurrence européenne. Parmi les seize experts du comité présidé par le Premier ministre, il y a le polytechnicien Louis Armand, mais surtout, l'économiste Jacques Rueff. . .
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Paz, Martha Costa Guterres. "A paisagem sonora em Avalovara, de Osman Lins." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/148564.

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Uma incursão pelo romance Avalovara, de Osman Lins, abre possibilidades para a descoberta de um universo acústico repleto de simbolismos, permeando as cenas da narrativa. O presente trabalho fundamenta-se nas pesquisas do compositor e educador canadense Raymond Murray Schafer sobre a paisagem sonora mundial. Propõe-se a investigar a relação entre a obra literária Avalovara e a linguagem sonora a partir das expressões acústicas do romance, identificando os possíveis significados de tais conexões. Fez-se necessária a transposição para o mundo ficcional de Avalovara da metodologia de análise e classificação dos sons utilizada por Schafer, tendo sido elaborada uma tabela de categorização contendo os cenários mais significativos com as sonoridades identificadas em cada um deles. Uma passagem pelos caminhos da ecocrítica e da ecologia sonora possibilitam, com base na visão de Schafer sobre ruído associada a diversas expressões de sons estridentes presentes na narrativa, vislumbrar uma proximidade do pensamento de Osman Lins com o ideário da ecologia acústica. Sons naturais, música, ruídos e silêncio se mesclam em uma sinfonia de oposições sonoras em que o ir e o vir dá vida e ritmo à narrativa, estabelecendo uma ligação da linguagem literária com a linguagem musical. Inter-relacionam-se, também, a estrutura do romance e a organização formal de peças musicais relevantes, tais como, a cantata Catulli Carmina, de Carl Orff, e os fragmentos da introdução da Sonata em fá menor (K462) para cravo, de Scarlatti. Quatro músicas de caráter contrastante, aqui denominadas de eixos musicais, revelam o percurso dos protagonistas em suas buscas, seus anseios e suas frustrações. O pássaro Avalovara com seus cantos, gritos e movimentos em espiral, traz à tona um mundo de mistérios que permite fazer associações e interpretar os diversos simbolismos relacionados à ave guia. As palavras no corpo da remetem a um processo de iniciação para o conhecimento, quando o pássaro mítico a introduz no mundo dos sons. Alguns aspectos da filosofia tântrica são aqui abordados em razão da profunda similaridade dos processos de ascensão espiritual com a trajetória de Abel e a , em sua obstinada busca pelo conhecimento absoluto a partir do domínio dos mistérios das palavras que perpassam o corpo da mulher tríplice. O silêncio no romance é analisado sob várias perspectivas, relacionando-o com a filosofia tântrica e com as concepções de Schafer e de John Cage. O romance foi considerado como uma única paisagem sonora e seus fragmentos cênicos denominados, neste trabalho, de cenários sonoros.
A foray into romance Avalovara, Osman Lins, opens up possibilities for the discovery of an acoustic universe full of symbolism permeating the scenes of the narrative. This paper is based on the researches of the Canadian composer and educator Raymond Murray Schafer about the global soundscape. It propose to investigate the relationship between the literary work Avalovara and a sound language from the novel acustic expressions, identifying the possible meanings of such connections. Was necessary a transposition to the fictional world of Avalovara of the analysis methodology and classification of sounds used by Schafer, having been developed a categorization table containing the most significant scenarios with the sounds identified in each of them. A passage along the paths of ecocriticism and sound ecology allow, based on Schafer's view of noise associated with various expressions of strident sounds present in the narrative, to glimpse a proximity of the thought of Osman Lins with the ideas of acoustic ecology. Natural sounds, music, noise and silence blend themselves in a symphony of sound oppositions where the going and coming give life and rhythm to the narrative, connecting the literary language with the musical language. Interrelate also the structure of the novel and the formal organization of relevant musical pieces such as the Catulli Carmina cantata, of Carl Orff, and the fragments of the introduction of the Sonata in F minor (K462) for harpsichord, of Scarlatti. Four musics of contrasting character, here called of musical axis, shows the route of the protagonists in their searches, their anxieties and their frustrations. The Avalovara bird with their chants, shouts and spiral movements brings up a world of mysteries that allows associations and interpret the various symbolisms related to bird guide. The words in the body of refer to a process of initiation into the knowledge, when the mythical bird introduces her in the world of sounds. Some aspects of tantric philosophy are addressed here because of the profound similarity of spiritual ascension process with the trajectory of Abel and , in his dogged pursuit of absolute knowledge from the control of the mysteries of words that permeate the body of the triple woman. The silence in the novel is analyzed from various perspectives, relating it with the tantrik philosophy and the thought of Schafer and John Cage. The novel was regarded as a unique soundscape and its scenic fragments called, in this work, of sound scenarios.
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Kim, Jeong-A. "Biopolitique et thanatopolitique en Corée du Nord." Paris 8, 2014. http://octaviana.fr/document/182118711#?c=0&m=0&s=0&cv=0.

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La réflexion de Michel Foucault sur la notion de biopouvoir et de thanatopouvoir nous permet d'analyser le fonctionnement du régime nord-coréen. La culture au même titre que le sanitaire font partie d'une biopolitique qui a été globalisée. En Corée du Nord, la culture a été utilisée aussi comme un moyen de gérer efficacement le peuple. Le processus de disciplinarisation du travail de l'éducation ou de l'hygiène montre pourquoi la Corée du Nord est considérée comme une société totalitaire d'une part et aussi comment sa biopolitique tend aussi à devenir une thanatopolitique. La Corée du Nord pratique une thanatopolitique dans le sens où elle met la vie de sa population en danger en continuant de développer le nucléaire, qu'elle la laisse mourir de faim ou encore qu'elle l'enferme dans des camps de travail. D'autre part, l'analyse de la Corée du Nord en fonction de la notion de dispositifs de sécurité selon Foucault a permis de déceler le biopouvoir dans la politique d'urbanisme, de médecine préventive, ou de contrôle de la population. Le véritable dispositif de sécurité est un mécanisme en place dans un lieu qui englobe l' "homo oeconomicus" et la société civile. C'est pourquoi il est difficile de considérer que la Corée du Nord relève d'un véritable dispositif. Or Foucault avoue qu'il a peut-être trop insisté sur les techniques de domination et de pouvoir et qu'il s'intéresse de plus en plus à l'interaction qui s'opère entre soi et les autres et aux techniques de domination individuelle, au mode d'action qu'un individu exerce sur lui-même à travers les techniques de soi
The opinions of Michel Foucault on the notion of biopower and thanatopower allows us to analyze the operations in the North Korean regime. Culture as well as health is part of a biopolicy that has been globalized. In North Korea, culture was also used as a way to efficiently manage people. The process of discipline labor, education or health shows why North Korea is considered a totalitarian society on the one hand, and also how biopolitics tends to become thanatopolitics. North Korea practices thanatopolitics in the sense that it puts the lives of its population in danger by continuing to develop nuclear power and by leaving people to die of hunger or them into labor camps. On the other hand, the analysis of North Korea in connection with the notion of safety by Foucault revealed biopower in urban policy, preventive medecine or population control. A real safety device is the mechanisme in place that includes "homo oeconomicus" and civil society. This is why it is difficult to believe that North Korea is part of a real device. But Foucault admits he maybe putting too much emphasis on the techniques of domination and power, and it looks increasingly to the interaction that occurs between oneself and the others and techniques of dominating individuals, the mode of action that an individual has about himself through self-techniques
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Books on the topic "1912-1978"

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Mamurovski, Taško. Paskal Mitrevski i negovoto vreme, 1912-1978. Institut za nacionalna istorija, 1992.

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Oakley, Betty L. The torch bearers of Bend, Oregon, 1912-1978. Maverick Publications, 1993.

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Images de Jean-Jacques Rousseau de 1912 à 1978. Voltaire Foundation at the Taylor Institution, 1992.

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nun, Carmelite. John Paul I, the smiling Pope. St. Teresa's Press, Carmelite Monastary, 1985.

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Berthold Simonsohn: Biographie des jüdischen Sozialpädagogen und Juristen (1912-1978). Campus, 2007.

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Avetisyan, Hmayak. Hmayak Avetisyan 1912-1978: Amai︠a︡k Avetisi︠a︡n = Hmayak Avetisyan : geghankar, grafika. Heghinakayin hratarakutʻyun, 2012.

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Doll, Jürgen. Jean Améry, 1912-1978: De l'expérience des camps à l'écriture engagée. L'Harmattan, 2006.

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Charles & Ray Eames, 1907-1978, 1912-1988: Pioneers of mid-century modernism. Taschen, 2005.

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"Die Behörde beschliesst"--zum Wohl des Kindes?: Fremdplatzierte Kinder im Kanton Bern 1912-1978. Hier + Jetzt, 2011.

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Schlosser, Katesa. Traumziel Samoa: Reisebilder aus den Jahren 1912 von Fritz Schlosser und 1978 von seiner Tochter Katesa. Museum für Völkerkunde der Universität Kiel, 2003.

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Book chapters on the topic "1912-1978"

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Heidelberger-Leonard, Irene. "Text als Gedächtnis: Jean Améry (1912–1978)." In Schriftgedächtnis — Schriftkulturen. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02870-9_4.

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Leisy, Craig A. "Economic regulation (1912–1978)." In Transportation Network Companies and Taxis. Routledge, 2019. http://dx.doi.org/10.4324/9780429265129-3.

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Swiggers, P. "Meeussen, Achille Emile (1912–1978)." In Encyclopedia of Language & Linguistics. Elsevier, 2006. http://dx.doi.org/10.1016/b0-08-044854-2/02741-3.

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"Duff, Roger Shepherd (1912–1978)." In Encyclopedic Dictionary of Archaeology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_40447.

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"Charles and Ray Eames(1907–1978) (1912–1988)." In Key Modern Architects. Bloomsbury visual Arts, 2018. http://dx.doi.org/10.5040/9781474265072.ch-027.

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"Chinese fair work law from 1912 to 1978: creation and destruction." In Law and Fair Work in China. Routledge, 2013. http://dx.doi.org/10.4324/9780203073001-6.

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Lau, Cheryl D., Kevin Chow, A. Ahsan Ejaz, and Keith K. Lau. "Chien-Shiung Wu, 吳健雄 (1912–1997) 1978 Wolf Prize Laureate in Physics." In Nobel and Lasker Laureates of Chinese Descent. WORLD SCIENTIFIC, 2019. http://dx.doi.org/10.1142/9789814704625_0015.

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"Thomas Birch, in 1758 by Ralph Church with brief Johns Hopkins Variorum edition of Spenser’s col-annotations, and in the same year by John Upton lected works, The Faerie Queene was edited by Edwin ‘with a glossary, and notes explanatory and critical’ Greenlaw, Charles Grosvenor Osgood, Frederick of over 350 pages. In 1805 Henry John Todd pro-Morgan Padelford, and Ray Heffner (1932–38). It duced the first variorum edition. In 1897–1900 Kate sought to establish an accurate text, and cited extens-M. Warren edited the poem with brief notes. On the ively from earlier historical commentary, but by earlier editions, see Wurtsbaugh 1936 and ‘biblio-deliberate policy omitted all annotation except for a graphy, critical’ in the SEnc. few critical cruxes. Since then Books I and II and the Beginning in the nineteenth century, separate Cantos of Mutabilitie have been edited with substan-books were published for school-children, most with tial annotation by Robert Kellogg and Oliver Steele the poem carefully expurgated and notes heavily in 1965; Books I and II with excellent critical com-philological. The most valuable are editions of Books mentary by Douglas Brooks-Davies in 1977; selec-I and II in 1867 and 1872 by G.W. Kitchin; Book I tions with annotations by Frank Kermode in 1965, by H.M. Percival in 1893 and by Lilian Winstanley by A.C. Hamilton in 1966, and by Hugh Maclean in in 1914–15; Book V by Alfred B. Gough in 1968, 1982, and (with Anne Lake Prescott) 1993; 1918/21; and Books I and II in 1966 and 1965 by the whole poem in the Longman Annotated Poets P.C. Bayley. For a list of early editions, see Carpenter series by A.C. Hamilton in 1977, and with minimal 1923:115–18; for an analysis of their contribution to annotation by Thomas P. Roche, Jr, assisted by English studies, see Radcliffe 1996:104–14. The C. Patrick O’Donnell, Jr, in 1978. Oxford edition of The Faerie Queene by J.C. Smith in My frequent references to The Spenser Encyclope-1909, which collated the first two quartos and the dia, published now over a decade ago, indicate the first folio, was used in the edition of Spenser’s poet-continuing excellence of the entries by its distin-ical works by Smith and E. de Selincourt, 1912, with guished contributors." In Spenser: The Faerie Queene. Routledge, 2014. http://dx.doi.org/10.4324/9781315834696-40.

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