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1

Vanhaesebrouck, Karel. "Theatre of War: Commemorating World War I in Belgium." TDR/The Drama Review 61, no. 4 (2017): 40–58. http://dx.doi.org/10.1162/dram_a_00691.

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Every town and village throughout Flanders is commemorating the gruesome events of 1914–1918 with a range of activities. Some of these propose intelligent and thoroughly researched perspectives on WWI, while others are just simple tourist entertainments. Flemish theatre artists enthusiastically contribute to this frenzy, although some choose to deconstruct the folkloric myths to comment on the economics of the commemoration industry or on present-day atrocities.
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Hameršak, Filip. "The Military Cemeteries of the Great War in Croatia 1914–1941." Drustvena istrazivanja 32, no. 2 (2023): 233–53. http://dx.doi.org/10.5559/di.32.2.03.

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This contribution strives to give an initial overview of various legal frameworks and the connected everyday practices concerning military cemeteries containing the remains of Croatian soldiers – for the most part members of the Austrian- -Hungarian armed forces – and to situate them within the changing political and cultural context, including memorial manifestations such as public monuments, individual war memoirs, and soldiers' frontline newspapers. As a consequence, the 1914–1941 period is further subdivided into the 1914– 1918 Habsburg period, the short 1918–1921 intermezzo, and the 1921–
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3

Svitych, K. ""Women''s Magazine" as a Typical Phenomenon Women's Literature of 1914-1918." Herald of Omsk University. Series: Historical studies, no. 1 (2017): 98–101. http://dx.doi.org/10.24147/2312-1300.2017.1.98-101.

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This article is devoted the structural and thematic analysis of the «Women's Magazine», published in the First World War. Consider writing team, pricing and editorial policy of publishing. Special attention is drawn to the specific content of the women's press; the group identified the main issues highlighted in the magazine.
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Reis da Silva, Sara. "A Selection of Relevant Portuguese Children’s Literature Published in the Period of World War I." Libri et liberi 7, no. 2 (2019): 247–59. http://dx.doi.org/10.21066/carcl.libri.7.2.4.

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The systemic singularities of children’s literature seem to have determined the relative inconsistency of critical approaches based on historiography, where the “nodal points” are mainly of a temporal, topographical, institutional and figurative nature. One of the historical periods whose “historiographical reading” of literary outlines is incomplete and unsystematised corresponds to the timeframe between the beginning and the end of World War I. We will revisit some Portuguese authors and their works: O Navio dos Brinquedos [The Toy Ship] (1914) by António Sérgio, Era uma Vez[Once Upon a Time
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TRATSIAK, Z. "AUTOBIOGRAPHICAL, DOCUMENTARY AND ARTISTIC AS COMPLEMENTARY MEANS CONSTRUCTING THE FIRST WORLD WAR REALITY IN THE STORY ‘DUSK SEEN FROM AFAR’ BY YA. BRYL." Herald of Polotsk State University. Series A. Humanity sciences, no. 4 (September 5, 2024): 48–52. http://dx.doi.org/10.52928/2070-1608-2024-72-4-48-52.

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The article examines Ya. Bryl’s story ‘Dusk Seen from Afar’, dedicated to the concept of the ‘continuous disaster’, which includes the events of the First World War. According to the author’s plan, the narrator, who nominally cannot be treated as a conscious witness to the hostilities, gradually reconstructs the events of 1914–1918, which affected the life of his family and fellow villagers (in the wider context Belarusian people). The complementary role of visual and verbal aspects the artistic representation of military reality is noted. The suggestive potential of literally every material o
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Mcguire, Michael. "A Fractured Service: Frances Webster and The Great War, 1914–1918." New England Quarterly 91, no. 2 (2018): 307–30. http://dx.doi.org/10.1162/tneq_a_00671.

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Born to privilege in Boston, Frances Webster, like her peers volunteered overseas with the American Red Cross as a nurse's aide. Where the activities of other Americans during the First World War is characterized as a “culture of coercive volunterism,” Webster's reflected a more complex mixture of altruism and tourism. Her history of participation in the First World War suggests historians need more multifaceted frameworks to explain Americans' First World War service.
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7

Isherwood, Ian. "Book Review: Literature and the Great War, 1914–1918 by Randall Stevenson." War in History 21, no. 3 (2014): 381–82. http://dx.doi.org/10.1177/0968344514526634c.

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8

Hutton, Clare. "Yeats, Pound, and the Little Review, 1914-1918." International Yeats Studies 3, no. 1 (2018): 33–48. http://dx.doi.org/10.34068/iys.03.01.03.

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Yeats made a small but interesting set of contributions to the avant-garde US periodical the Little Review, a journal for which Ezra Pound acted as ‘Foreign Editor’ and an important locus for modernist literature. My essay explores the range of Yeats’s contributions, and Pound’s rationale for being editorially involved. It examines editorial attitudes to the First World War, particularly in 1917, and the version of ‘In Memory of Robert Gregory’ which Yeats placed in the journal. By focusing on such specific moments and small textual details, the essay close reads what Sean Latham has described
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Laskier, Michael M. "Egypt and Beyond: The Jews of the Arab Countries in Modern Times - Gudrun Krämer. The Jews in Modern Egypt, 1914–1952. Seattle: University of Washington Press, 1989. x, 319 pp." AJS Review 16, no. 1-2 (1991): 199–210. http://dx.doi.org/10.1017/s0364009400003172.

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Gudrun Krämer's study on the Jews of Egypt is divided into five sections: Communal Structure and Composition; Communal Organization; Socioeconomic and Political Change (1914–1918); Jewish Reactions to Political Change: Egyptian Patriotism, Communism, and Zionism; and The Beginning of the End: Egyptianization, the Arab-Israeli War, and the Burning of Cairo.
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Šuščević, Jovo B. "Serbia's Great War, 1914-1918 by Andrej Mitrović (review)." Slavonic and East European Review 88, no. 3 (2010): 561–63. http://dx.doi.org/10.1353/see.2010.0056.

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11

Reynaud, Daniel, and Emanuela Reynaud. "‘A kind of useless man’? An evaluation of AIF cooks and cookery, 1914–1918." War in History 29, no. 2 (2022): 385–405. http://dx.doi.org/10.1177/09683445211002554.

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While the Australian Imperial Force of 1914–1918 experienced a significant shift from amateurism to professionalism over the course of the war in most areas, one crucial role not yet examined in the literature on the Australian Imperial Force is that of army cook. This article argues that their role was not taken sufficiently seriously during the Great War, leaving them effectively still amateurs at the end of the war. It explores the regulations for army cooks, the processes of selection, training and monitoring, as well as their performance in camps and in the field, and draws the conclusion
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12

Holman, Brett. "William Le Queux, the Zeppelin Menace and the Invisible Hand." Critical Survey 32, no. 1-2 (2020): 99–118. http://dx.doi.org/10.3167/cs.2019.112605.

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In contrast to William Le Queux’s pre-1914 novels about German spies and invasion, his wartime writing is much less well known. Analysis of a number of his works, predominantly non-fictional, written between 1914 and 1918 shows that he modified his perception of the threat posed by Germany in two ways. Firstly, because of the lack of a German naval invasion, he began to emphasise the more plausible danger of aerial attack. Secondly, because of the incompetent handling of the British war effort, he began to believe that an ‘Invisible Hand’ was responsible, consisting primarily of naturalised Ge
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KOVALENKO, Tetiana. "Memory of the First World War in the monumental art of Poland." Problems of slavonic studies 70 (2021): 31–42. http://dx.doi.org/10.30970/sls.2021.70.3735.

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Background. The article deals with the reflection of the First World War of 1914–1918 in the monumental art of Poland. Therefore, memorial buildings and monuments are not only the realization of the creative plan of artists, i.e. their authors, but also a re-flection of a political course of the state, the experience gained, hopes, expectations, losses of people. That is why they allow us to understand the memory of the First World War in Poland. Purpose. The aim of the article is to study how the events of the First World War are reflected in the monumental art of Poland, and on this basis to
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14

Senjavskaja, E. S. "Historical Memory of the First World War: Notes on its Shaping in Russia and in the West." MGIMO Review of International Relations, no. 2(5) (April 28, 2009): 31–36. http://dx.doi.org/10.24833/2071-8160-2009-2-5-31-36.

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The article deals with the reasons, why the First World War didn’t leave stable heroic symbols in the historical memory of the Russians and occupied only marginal place. The influence of ideological and political background on the interpretation of the past, the role of the power elite in shaping the aims of the retrospective propaganda. The picture of the military events of 1914 – 1918 in Russian and foreign fiction literature has been given on the comparative basis.
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Žmuida, Eugenijus. "Historical and Literary Contexts of the Establishment of the Lithuanian Nation-State in the First Half of 20th Century." Trimarium 1, no. 1 (2023): 191–216. http://dx.doi.org/10.55159/tri.2023.0101.09.

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The article is dedicated to the developments in Lithuanian literature and history that led to the establishment of an independent modern state in the 20th century. The article analyses the historical context of Lithuanian literature in the 19th and early 20th centuries; the path of Lithuanian nationalism towards maturity, the panorama of literature and literary life at the end of the 19th century and on the eve of the Great War (WWI); the potential visions of the state emerging at the time of war in the political and power centres; and the new impetus within the literature in the aftermath of
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Wierzejska, Jagoda. "Toward the Idea of Polishness: Implications of 1918 for the Former Eastern Galicia, 1918–1939." Przegląd Humanistyczny 62, no. 4 (463) (2019): 71–94. http://dx.doi.org/10.5604/01.3001.0013.2774.

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The paper analyzes the Polish literary discourse on the former Habsburg province of Galicia, developing after the restoration of Poland’s independence (1918) and the Polish victory in the Polish-Ukrainian War of Eastern Galicia (1918–1919). Before WWI, especially before the epoch of Galician autonomy (1867–1914), the prevailing discourse on the province was imbued by the idea of multi- and transnationalism grounded upon the Habsburg political culture. After the war, when Galicia became a part of the reborn Poland, the discourse pertaining to the region underwent a fundamental change. In the in
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17

Hughes, Michael. "William Le Queux and Russia." Critical Survey 32, no. 1-2 (2020): 119–38. http://dx.doi.org/10.3167/cs.2020.32010206.

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This article examines how Le Queux’s writings about Russia both reflected and shaped the construction of the country in the British imagination in the late nineteenth and early twentieth centuries. The first part examines Le Queux’s early novels, showing how his conviction that tsarist Russia posed a major threat to the security of the British Empire was reflected in his surprisingly positive treatment of the Russian revolutionary movement. The second part then examines how Le Queux’s later writings on Russia reflected the changing nature of international politics following the outbreak of war
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18

Chogovadze, Lela. "FIRST WORLD WAR ISSUE IN GEORGIAN LITERATURE." European Journal of Learning on History and Social Sciences 1, no. 10 (2024): 12–15. https://doi.org/10.61796/ejlhss.v1i10.977.

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General Background: The First World War (1914–1918) significantly reshaped global political landscapes, dismantling monarchies and empires and giving rise to new states, including Georgia's First Democratic Republic. Specific Background: During this period, Georgian poets, notably Titian Tabidze, expressed strong patriotic sentiments, seeing hope in war as a means to revive Georgia. His essay, War Theme in Georgian Writing (1915), reflects the belief that war, while destructive, could defeat evil and death, and lead to national rebirth. Knowledge Gap: There is limited scholarly analysis on how
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Shuaibu, Mohammed Lawal. "British Colonial Marine Transport Services in the Niger-Benue Confluence Area of Nigeria, 1914–1918." ABUAD Journal of Social and Management Sciences 3, no. 1 (2022): 1–11. http://dx.doi.org/10.53982/ajsms.2022.0301.01-j.

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This paper focuses on the British marine transport services in the Niger-Benue confluence area of Nigeria during the First World War. It posits that the flow of the Benue River through the Northern Nigeria/Cameroon border was a major way through which the British war resources were conveyed from the Niger-Benue confluence area to the battlefronts against the German Cameroon. The paper claims that the British authorities used lies as strategy by painting the Germans as land grabbers to get the locals’ commitment and support during the war at the expense of marine transport services. It reveals
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MILNER, S. "Review. Labour at War: France and Britain 1914-1918. Horne, John N." French Studies 46, no. 4 (1992): 497. http://dx.doi.org/10.1093/fs/46.4.497.

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21

Sosnowska, Joanna. "A child – the subject or “the object” of school celebrations, customs, and ceremonies? An attempt to outline the problem on the example of educational and child care institutions in Łódź in the 19th and 20thcenturies." Biuletyn Historii Wychowania, no. 38 (October 11, 2019): 129–50. http://dx.doi.org/10.14746/bhw.2018.38.9.

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The purpose of the work was to present the type, course and meaning of the widely defined school celebrations with children as the main actors in the multinational and multi-religious contexts of Lodz in the 19th and 20th centuries. The author’s intention was to provide an answer to the key question of this study: did children prepared for school celebrations and events and participating in them, were the subjects of the education process or rather, were they tool on which the school (e.g. boards of charitable organizations, municipal or church authorities, education authorities, teachers, or
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22

Warpen, John, Franz Karl Stanzel, and Martin Loschnigg. "Intimate Enemies: English and German Literary Reactions to the Great War 1914-1918." Modern Language Review 91, no. 1 (1996): 175. http://dx.doi.org/10.2307/3734004.

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23

Pyzłowska, Beata. "Ernsta Jüngera obraz wojny." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (December 12, 2017): 105–12. http://dx.doi.org/10.24917/3924.

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War described by Ernst Jünger World War I (1914–1918) was one of two wars in Europe which Germany sought. One of the participants of the war was a German soldier and writer Ernst Jünger, who described his experiences in Storm of Steel (In Stahlgewittern). His diaries are a valuable source of knowledge of the Great War. Sincere confessions of a German soldier who during the war was promoted through the ranks is also a story of a daily life on the front of both Jünger and the subordinates of the German Emperor – Wilhelm II. The diary holds a special place among books about war due to their origi
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Mankov, Sergei A. "Medieval motives in memorialization of the Great War." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 67–71. http://dx.doi.org/10.30725/2619-0303-2021-2-67-71.

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The article examines the European experience of creating war memorials dedicated to the World War I, using the motives of medieval architecture. The fascination with the Middle Ages, spread through the art and literature of the Neo-Gothic and national Romanism period, was emotionally rethought by the generation that survived the catastrophe of the global conflict of 1914–1918. At the new stage, the symbolic harsh images of the Middle Ages turned out to be more consonant with the social creation of former front-line soldiers than the classical antique forms used in the memorialization of wars i
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Macdonald, Kate. "Rethinking the depiction of shell-shock in British literature of the First World War, 1914–1918." First World War Studies 8, no. 1 (2017): 37–61. http://dx.doi.org/10.1080/19475020.2017.1338147.

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Pachmuss, Temira, and Ben Hellman. "Poets of Hope and Despair: The Russian Symbolists in War and Russian Revolution (1914-1918)." World Literature Today 70, no. 3 (1996): 721. http://dx.doi.org/10.2307/40042247.

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Janev, Vladimir. "The residence of the foreign medical experts in Macedonia during the World War I (1914-1918)." Scientific knowledge - autonomy, dependence, resistance 29, no. 2 (2020): 65–72. http://dx.doi.org/10.37708/bf.swu.v29i2.5.

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During the World War I, several different armies were waging war at the territory of Macedonia. Throughout their stay, besides the conduct of military operations, they also had a military medical services as a part of their armies. It is interesting to note that professional military notes were written by military doctors, which were published in their countries after the World War I. Among the foreign medical experts was Isabel Galloway Emslie Hutton. She was a Scottish medical doctor who specialized in mental health and social work.
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Tomasevic, Jasmina. "Movies about the First World War: Shaping the collective memory. Cases of Serbian/Yugoslav and Greek cinematography." Balcanica, no. 53 (2022): 95–113. http://dx.doi.org/10.2298/balc2253095t.

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The First World War brought radical changes to the political map of Europe and took more than 15 million lives on both warring sides. This conflict of unprecedented proportions has left deep traces on the lives of people who found themselves in a whirlwind of war. Therefore, it is no wonder that the theme of war was present in various types of human creativity - through literature (especially autobiographical genres), art, but also popular culture, where movies rightly took centre stage. Even during the period 1914-1918, the film became the main weapon of propaganda. Through this instrument, t
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Klepuszewski, Wojciech. ""Some Corner of a Foreign Field That Is [Not] For Ever England”: Brexit and Poetry." Porównania 30, no. 3 (2021): 155–66. http://dx.doi.org/10.14746/por.2021.3.10.

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Although it would be absurd to compare the 2016 Brexit referendum and whatever happened in its aftermath to the tragedy of the Great War, surprising as it may seem, the two have something in common. This is so because the 1914–1918 period triggered a flood of poetry, written not only by established literary figures, but also by thousands of civilians who found it a means of expressing their emotions. By the same token, the post-referendum years produced a poetic response on the part of ordinary citizens. This article tries to take a closer look at how once again British citizens turn to poetry
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Tratsiak, Zoya. "The specifics of the First World War theme Positioning in Belarusian Prose of the 1920s–30s." Studia Białorutenistyczne 18 (January 8, 2025): 141–57. https://doi.org/10.17951/sb.2024.18.141-157.

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The article examines the results of the study of Belarusian literature of the 1920s and 30s, dedicated to the events of the First World War. Based on the prose by Symon Baranavykh, Zmìtrok Biadula, Platon Galavach, Ales Garodni, Cìshka Gartny, Maksìm Garetskì, Mìkhas Zaretskì, Kandrat Krapìva, Yanka Lìmanovskì, Mìkola Loban, Mìkhas Lynkov, Mìkhas Mialeshka, Makar Pasladovich, Eduard Samujlonak, Yan Skrygan, Kuzma Chorny, the main thematic groups are distinguished: front, rear, and refugee, the theme of life under German occupation. The complementarity of these groups is proven. They comprehens
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Stanulevich, Nadezhda. "The Market for Photographic Goods in Russia During World War I (Based on Professional Periodicals)." Journal of Economic History and History of Economics 25, no. 4 (2024): 717–36. https://doi.org/10.17150/2308-2488.2024.25(4).717-736.

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The article explores trends in the market for photographic goods in Russia during World War I. The impact of wartime conditions on the production and sale of photographic items has not previously been the subject of academic research. Meanwhile, existing literature on the history of photography considers this period a turning point in the development of journalistic photography. To objectively evaluate this cultural heritage and the technical capabilities of early 20th-century photographers, a comprehensive study of the photographic market in the second half of the 1910s is necessary. The prim
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Petrovic, Ilija. "Foreign medical help in Serbian liberation wars from 1912 until 1918." Archive of Oncology 18, no. 4 (2010): 143–48. http://dx.doi.org/10.2298/aoo1004143p.

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This work concerns involvement of the foreign medical missions during the Serbian Liberation Wars from 1912 until 1918, the work of their members immediately behind the front lines and in the back, healing of the wounded and the diseased, especially at the time of the great epidemics of typhoid fever, and also the efforts of numerous Serbian friends who collected the funds and material for equipping and sending of those missions. An American mission which came first to Serbia, soon after the beginning of the war operations and which was led by Dr. Edward Ryan, was specially mentioned. For many
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Rozmus, Jacek. "Militarne reprezentacje w prozie Tadeusza Kudlińskiego." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 18 (December 12, 2018): 153–62. http://dx.doi.org/10.24917/20811853.18.12.

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The view of Europe betweeen 19th and 20th centuries was shaped mainly by militarism. It is confirmed by the works of Michael Howard, Ian F.W. Beckett, Martin van Creveld, and also material culture, which is the heritage of those times. Architecture, technology, as well assculptures and paintings created shortly before the First World War are an illustration of how Polish literature reacted to the conflict of 1914–1918. In Tadeusz Kudliński’s novel Smak świata, where the main character is an officer of the Austro-Hungarian artillery, the world is dominated by machines: railway, telephone etc. A
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Robertson, Iain. "Governing the Highlands: The Place of Popular Protest in the Highlands of Scotland after 1918." Rural History 8, no. 1 (1997): 109–24. http://dx.doi.org/10.1017/s0956793300001151.

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This paper seeks to explore the relationship between agencies of government and crofting tenantry in the Highlands of Scotland, as manifested in events of popular protest after 1914. These events seem to have received little attention when compared to disturbance of earlier periods, which have been extensively documented, and the period after 1918 in particular has been under represented in the literature. Furthermore the actions of agencies of government were significantly different in this later period. Where before the Great War government actions were wholly reactive, this paper will demon
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Ladygina, Yuliya. "Beyond the Trenches: Ol'ha Kobylians'ka’s Literary Response to the First World War." East/West: Journal of Ukrainian Studies 2, no. 2 (2015): 111. http://dx.doi.org/10.21226/t2s888.

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<p class="EW-abstract"><strong>Abstract:</strong> Ol'ha Kobylians'ka’s short stories about the First World War constitute a rare case of a Ukrainian woman writing on one of the greatest catastrophes in modern history, a subject neglected even in Ukraine. Drawing on recent scholarship on First World War literature, this research proves that Kobylians'ka’s war stories deserve a re-evaluation, not as long-ignored curiosities from the pen of Ukraine’s most sophisticated writer of the time, but as insightful psychological studies of Western Ukrainians and as valuable cultural docu
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Katanić, Filip, and Vlatka Dugački. "Andrija Štampar’s actions in combating infectious diseases during World War I (1914–1918)." Studia lexicographica 17, no. 33 (2023): 37–69. http://dx.doi.org/10.33604/sl.17.33.2.

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Radom se prikazuje djelovanje Andrije Štampara tijekom Prvoga svjetskog rata (1914‒1918) na suzbijanju zaraznih bolesti na području Banske Hrvatske. Prikazuje se kako je masovna pojava zaraznih bolesti tijekom Prvoga svjetskog rata, tipičnih za nehigijenske, ratne uvjete, poslužila Štamparu kao presudno formativno iskustvo u oblikovanju njegovih razmišljanja vezano uz suzbijanje takvih tipova bolesti, uviđajući važnost edukacije stanovništva, preventive i cijepljenja, što je pak utjecalo na njegove daljnje koncepcije i poglede na organizaciju, ustroj i djelovanje javnoga zdravstva. Također se
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Gibson, Stephanie. "First World War posters at Te Papa." Tuhinga 23 (June 1, 2012): 69–84. https://doi.org/10.3897/tuhinga.23.e34201.

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This paper examines a collection of international First World War posters held by the Museum of New Zealand Te Papa Tongarewa (Te Papa), in terms of its provenance, reception and display at the end of, and in the years immediately after, the First World War (1914–19). The paper details how and why the posters entered the Dominion Museum (now Te Papa) in 1918–19, their subsequent display from 1921 to 1924, and how they were received during this period. The posters came to New Zealand as a result of transnational networks that existed in the British Empire. They were intended for the national co
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Machovenko, Jevgenij, and Dovile Valanciene. "CONSTITUTIONAL FOUNDATIONS FOR THE COORDINATION OF RECEIPTED AND NATIONAL LITHUANIAN LAW IN 1918–1920." Constitutional and legal academic studies, no. 2 (July 16, 2021): 69–77. http://dx.doi.org/10.24144/2663-5399.2020.2.08.

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The research object of this study is the provisions of the Provisional Constitutions of 1918, 1919 and 1920 concerning the establishment of the Lithuanian legal system. The aim of the study was to determine what was the basis for the reception of foreign law and the particularism of the law, what law was recepted and what was the relationship between it and the newly created national law. The main methods used are systematic, teleological, historical, linguistic, and comparative. This article presents an original vision of recepted law and a critical assessment of the interwar Lithuanian gover
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Turygin, Aleksandr A. "“WE HAVE ALWAYS BELIEVED THAT OUR PEOPLE ARE CAPABLE OF GREAT ACHIEVEMENTS”: THE PAN-GERMANS’ WAR PLANS IN 1914-1918." RSUH/RGGU Bulletin. Series Political Sciences. History. International Relations, no. 4 (2024): 47–58. http://dx.doi.org/10.28995/2073-6339-2024-4-47-58.

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The basic understanding of the Pan-German League in historical literature is, as a rule, inextricably linked with the popular belief in the incitement of a military sentiment within the German society on the eve and during the First World War, as well as in the fact that Pan-Germans paved the way for the rooting of National Socialism during the Weimar Republic. If we limit ourselves to only studying the mass literature published by the Pan-German League in large editions, then, undoubtedly, this idea is true. The Pan-Germans really offered the Germans their vision of Germany’s military goals,
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Ben-Merre, David, and Robert Scholes. "War Poems from 1914." PMLA/Publications of the Modern Language Association of America 124, no. 5 (2009): 1747–60. http://dx.doi.org/10.1632/pmla.2009.124.5.1747.

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In October 1912 the first issue of Harriet Monroe's new journal, Poetry: A magazine of verse, appeared. The last has yet to come. In an era when little magazines came and went like mayflies, Poetry came and has refused to go. The journal had it all—in its early years it was at the forefront of debates about imagism, vers libre, and other issues concerning the “proper” form and content for poetry. Monroe, its editor, is still insufficiently appreciated as a major figure in literary modernism. We hope to change that. Supported by a grant from the National Endowment for the Humanities, the Modern
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Danielyan, Taron, Hermine Baburyan, and Svetlana Barseghyan. "ARMENIAN CHILDREN’S FICTION IN “HASKER” AND “AGHBYUR” MAGAZINES DURING WORLD WAR I." Children's Readings: Studies in Children's Literature 24 (2023): 149–67. http://dx.doi.org/10.31860/2304-5817-2023-2-24-149-167.

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The given article is the first study of the Armenian children’s literature on the military theme, presented in the Armenian children’s and youth periodicals of Tiflis in 1914–1918. The similarities and differences between the children’s literature on these topics and the artistic reflection of the war in the magazines “Aghbyur” (“Source”) and “Hasker” (“Spikes”) are revealed. In the course of the analysis it has been disclosed that during World War I, military topics did not become dominant from a quantitative point of view, but materials of different genres and formats on the military topic w
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Nikolić, Srboljub, Milan Mihajlović, Igor Epler, and Nikola Milanović. "Economic consequences of the First World War." Trendovi u poslovanju 12, no. 2 (2024): 55–67. https://doi.org/10.5937/trendpos2402055n.

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The First World War (1914-1918) marked the beginning of the 20th century as one of the most destructive conflicts in human history. This paper analyzes the economic consequences of the war, focusing on the costs, both material and in terms of human losses, the major economic crisis, as well as the mortgage and agricultural crises. The central issue examined is the economic impact of the war on the world, with particular attention to its long-term effects. The hypothesis is that the war's consequences significantly shaped the economic and social landscape of the world throughout the 20th centur
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Behler, Felix. "“He’d seen it in the words of Owen and Brooke”: The Influence of Great War Poetry on Post-Millennium Soldier Poets." Anglica. An International Journal of English Studies, no. 32/3 (October 2023): 25–44. http://dx.doi.org/10.7311/0860-5734.32.3.03.

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To this day, the term “soldier poetry” is still predominantly associated in popu- lar perception with the 1914–1918 trench poets, such as Wilfred Owen, Siegfried Sassoon, or Isaac Rosenberg. And yet, the dawn of the new millennium, marked by the rise of the global War on Terror, saw a significant revival of the genre in Britain. One of the most noteworthy indicators of this is John Jeffcock’s anthology Heroes (2011), which has col- lected a hundred poems written by British soldiers who fought in recent conflicts – Iraq and Afghanistan in particular. While these poems are framed within the shif
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Bogomolov, Igor’ K. "Film Censorship in Russia during the First World War." LOMONOSOV HISTORY JOURNAL 65, no. 5, 2024 (2025): 70–96. https://doi.org/10.55959/msu0130-0083-8-2024-65-5-70-96.

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The article explores the censorship of cinema in Russia during the First World War and the 1917 Revolution. While the history of cinema in Russia has been comprehensively addressed in scientific literature, the structure and powers of cinematographic censorship during the period 1914–1918 remain to be fully elucidated. It is evident that these alterations were of considerable significance when compared to the pre-war period. The nation was divided into territories subject to “full” and “partial” military censorship, and the command of the front-line provinces was granted, among other things, t
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Kalnačs, Benedikts. "The Great War, Independence, and Latvian Literature." Przegląd Humanistyczny 62, no. 4 (463) (2019): 9–21. http://dx.doi.org/10.5604/01.3001.0013.2587.

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The article focuses on the representation of the year 1918 in Latvian literature. On November 18, the independent Republic of Latvia was proclaimed, and in the years to come international recognition of the state’s sovereignty followed. In retrospect, this event stimulated a number of salutary descriptions and interpretations and certainly provides a milestone in the history of the Latvian nation. It is, however, also important to discuss the proclamation of independence in the context of the Great War that brought a lot of suffering to the inhabitants of Latvia. Therefore, a critical evaluati
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Baker and Henderson. "A Forgotten Anthology: Jacqueline Trotter's <em>Valour and Vision: Poems of the War 1914–1918</em>." Style 55, no. 4 (2021): 544. http://dx.doi.org/10.5325/style.55.4.0544.

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Brassard, Geneviève. "Boys in Khaki Girls in Print: Women's Literary Responses to the Great War 1914-1918 by Jane Potter." Modern Language Review 102, no. 2 (2007): 498–99. http://dx.doi.org/10.1353/mlr.2007.0283.

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Matt, H. "GLOBAL CAPTIVITY IN THE FIRST WORLD WAR: PRISONERS OF WAR IN TURKESTAN, 1914 – 1916." edu.e-history.kz 31, no. 3 (2022): 392–404. http://dx.doi.org/10.51943/2710-3994_2022_31_3_392-404.

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This articleexamines the health of prisoners of war in Turkestan during the First World Warthrough the lens of internationalrelief. Using the example of typhus, it considers the spread of epidemic disease seen through the reports of Red Cross delegates who inspected the conditions in POW camps in theRussian Empire. Alongside this, the article contributes to the growing literature that considers wartime captivity from a global perspective; bycomparing imperial managementsof wartime captivity in the Russian, British and German Empires, this article reframes experiences of captivity in Turkestan
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Cox, John K., and Spencer C. Tucker. "The Great War, 1914-18." Slavic and East European Journal 44, no. 4 (2000): 691. http://dx.doi.org/10.2307/3086312.

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Frayn, Andrew. "Social Remembering, Disenchantment and First World War Literature, 1918–1930." Journal of War & Culture Studies 11, no. 3 (2018): 192–208. http://dx.doi.org/10.1080/17526272.2018.1490072.

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