Relevant bibliographies by topics / 1922-1945

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '1922-1945'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "1922-1945"

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Blum, Cinzia Sartini, and Ruth Ben-Ghiat. "Fascist Modernities: Italy, 1922-1945." South Central Review 19, no. 2/3 (2002): 95. http://dx.doi.org/10.2307/3189871.

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Griffin, Roger. "Fascist Modernities: Italy 1922–1945." Journal of Jewish Studies 52, no. 2 (2001): 389–91. http://dx.doi.org/10.18647/2377/jjs-2001.

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Mellone, James Tasato. "Fascist Modernities: Italy, 1922–1945." History: Reviews of New Books 30, no. 2 (2002): 63. http://dx.doi.org/10.1080/03612759.2002.10526030.

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De Grazia, Victoria, and Chantal Testa. "Fascisme et féminisme latin. Italie, 1922-1945." Genèses 5, no. 1 (1991): 107–31. http://dx.doi.org/10.3406/genes.1991.1079.

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Gibson, Mary, and Victoria De Grazia. "How Fascism Ruled Women: Italy, 1922-1945." American Historical Review 98, no. 2 (1993): 526. http://dx.doi.org/10.2307/2166925.

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Strachan, Hew. "Fascist warfare, 1922-1945: aggression, occupation, annihilation." Small Wars & Insurgencies 32, no. 6 (2021): 1023–25. http://dx.doi.org/10.1080/09592318.2021.1951989.

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Carta, Silvio. "Sardinia in fascist documentary films (1922–1945)." Journal of Italian Cinema & Media Studies 1, no. 2 (2013): 171–87. http://dx.doi.org/10.1386/jicms.1.2.171_1.

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Reich, Jacqueline, and Victoria De Grazia. "How Fascism Ruled Women: Italy 1922-1945." Italica 71, no. 1 (1994): 132. http://dx.doi.org/10.2307/479421.

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Matelski, Dariusz. "Losy polskiego dziedzictwa kultury na radzieckiej Ukrainie (1922–1991) Część I: 1922–1945." Nowa Polityka Wschodnia 8, no. 1 (2015): 99–138. http://dx.doi.org/10.15804/npw2015107.

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Myers, Kathleen. "The Hitler Youth: Origins and Development 1922–1945." Journal of the American Academy of Child & Adolescent Psychiatry 41, no. 2 (2002): 232. http://dx.doi.org/10.1097/00004583-200202000-00021.

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Dissertations / Theses on the topic "1922-1945"

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Buszman-Szklarska, Maria. "Zapomniany nurt pisarstwa śląskiego (1922-1945)." Doctoral thesis, Katowice : Uniwersytet Śląski, 2006. http://hdl.handle.net/20.500.12128/5029.

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W rozprawie zaprezentowane zostały sylwetki czterech pisarzy oraz ich twórczość, są nimi: Maksymilian Jasionowski, Alfons Pośpiech, Franciszek Pilarek i Józef Ryszka, których twórczość została omówiona dokładnie, ze szczególnym naciskiem na okres 1922-1945. W każdym rozdziale starano się pokazać także szerzej problemy polityczne, społeczne czy kulturalne, stanowiące tło dla opisywanego dorobku, ważne przy przyjętym w dysertacji sposobie ujmowania i opisywania problematyki literackiej. Badane teksty stanowią element literatury popularnej, która tak jak inne utwory winny być interpretowane za pomocą literaturoznawczych narzędzi badawczych. W niniejszej rozprawie starano się, zgodnie z sugestiami badawczymi K. Heskiej-Kwaśniewicz oraz K. Kossakowskiej-Jarosz, nie porównywać utworów autorstwa omawianych pisarzy z twórczością ogólnopolską. O błędzie zestawiania i oceniania literatury śląskiej na tle ogólnopolskiej pisała K. Heska-Kwaśniewicz już pod koniec lat osiemdziesiątych: „ [ ...] twórczość śląska posiadała barwę plebejską. [ ...] nawet jeśli tworzyli ją inteligenci śląskiego pochodzenia. Fakt ten uwarunkowany dziejami historycznymi dzielnicy określił więc zarówno twórców, jak i odbiorców. Owa barwa plebejska była później często dla badaczy myląca, określano ją jako "zapóźnienie kulturowe" gdyż nie znajdując podobnego zjawiska w polskiej kulturze literackiej, to co powstawało na Śląsku porównywano z podobnymi zjawiskami niewspółrzędnymi, a porównania wypadały zawsze na niekorzyść twórców śląskich."
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Graf, von Hardenberg Wilko. "Fascist nature : environmental policies and conflicts in Italy, 1922-1945." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613230.

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Viallet, Jean-Pierre. "La Chiesa valdese di fronte allo stato fascista, [1922-1945] /." Torino : Claudiana, 1985. http://catalogue.bnf.fr/ark:/12148/cb37644976w.

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Texte remanié de: Th. 3e cycle--Grenoble--Université. Titre de soutenance : Les vaudois d'Italie de Giolitti à Mussolini, 1911-1945.<br>Les dates contenues dans le titre figurent sur la couverture. Notes bibliogr. Index.
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Fernandes, Liliane Alves. "As Santas Casas da Misericórdia na República Brasileira 1922-1945." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/18506.

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O principal objectivo desta dissertação é o de conhecer um pouco melhor o processo de implementação das Santas Casas de Misericórdia no Brasil, dando especial ênfase à sua expansão durante o período de consolidação da República brasileira, mais concretamente entre 1922 a 1945. A necessária contextualização levou a pesquisa sobre as Misericórdias até à fase colonial e imperial do Brasil, acabando por demonstrar que as mesmas se fortaleceram no segmento de assistência médica, durante o período em análise, tomando o Estado brasileiro dependente das suas actividades. Este trabalho discute ainda o imaginário social da caridade e filantropia e a forma como tais preceitos configuraram a assistência médico-social no país. ABSTRACT; This dissertation aims to better know the implementation process of the Santas Casas de Misericórdia in Brazil, highlighting their expansion during the Republic, mainly between 1922 and 1945. For a better historical contextualization the study explores the Brazil's colonial and imperial phases, demonstrating that the Misericórdias progressively strength their power in the medical assistance segment, becoming the State dependent of their activities. The dissertation also discusses the philanthropy and charity's collective social imagery, as well as the way in which such concepts shaped the medico-social assistance in the country.
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DA, LIO NICOLO'. "Il Regio Esercito fra fascismo e Guerra di Liberazione, 1922-1945." Doctoral thesis, Università del Piemonte Orientale, 2016. http://hdl.handle.net/11579/103569.

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Obiettivo di questo studio è analizzare l'istituzione militare italiana, tanto nel tempo di pace come nel tempo di guerra, nel tentativo di superare la dicotomia che finora ha separato questi due momenti che ne caratterizzarono l'esistenza. Lo scopo non è quindi solo quello di studiare l'élite militare, il ruolo dell'esercito nella cementazione dell'identità nazionale attraverso una socializzazione rivolta idealmente all'intera popolazione maschile, o l'influenza reciproca tra armi e politica; né, d'altro canto, ci si vuole limitare allo studio delle battaglie, dei combattenti o degli uomini in guerra. Unendo questi momenti, rimasti fin'ora isolati come diversi oggetti d'indagine, la speranza è quella di poter riportare alla luce le trame che li legano gli uni agli altri, individuandone le continuità e discontinuità in un ampio spettro diacronico.
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FERRARINI, FABIO. "ITALIANI E TEDESCHI ALLA CONQUISTA CULTURALE DEL 'GRANDE NORD' (1922-1945)." Doctoral thesis, Università degli Studi di Milano, 2020. http://hdl.handle.net/2434/733695.

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The interest on fascism in Scandinavia and Finland is due to the importance that Nazism gave to the ‘nordic race’, its mythology and its cultural heritage. Fascism did not become very popular in the Nordic countries and it did not achieve power anywhere (the only exception was the case of Vidkun Quisling). This study, focused on Italian and German cultural propaganda in the Nordic countries, could show us that fascism was a global and transnational doctrine with diverse reformulations or ramifications. Therefore, this research could also be useful to the analysis of Mussolini’s struggle against Nazi political and cultural influence in the Nordic area. Organisations and associations like the Società Dante Alighieri (Dante Alighieri Society) and the Nordische Gesellschaft (Nordic Society), embodied the cultural comparison between the trope of Rome and the Germanic Weltanschauung. Moreover, the matter of race broke the network of the European right-wing groups and brought the failure of the ‘Fascist International’ dream. Consequently, the contradiction between the Latin and the Nordic interpretations of the world, made the Italo-German alliance fragile and inefficient.
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Samblancat, Miranda Neus. "Ideario y ficción en la obra novelística de Ángel Samblancat (1922-1945)." Doctoral thesis, Universitat Autònoma de Barcelona, 1990. http://hdl.handle.net/10803/32184.

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Estudio histórico y temático, en tres volúmenes, de la obra novelística, aparecida entre las fechas 1922-1945, del periodista, jurista, político y escritor Ángel Samblancat Salanova ( Graus, 1885- México, 1963). La investigación tiene como hilo conductor el análisis del pensamiento político y social de autor, basado en un conjunto de manuscritos inéditos y su proyección en su obra de ficción. El trabajo se completa con la presentación de una novela inédita, Chamaca, escrita en México a mediados de los años cincuenta. El análisis de los códigos narrativos del autor, y su relación con su ideario y con su estética, conduce a interpretar y valorar la producción novelística de Á.Samblancat como un conjunto narrativo incardinado históricamente y a la vez como un conjunto de obras muy próximo, por su función ejemplificadora y combativa, a comprometidas parábolas sociales en torno a la lucha por la libertad y la justicia social, tema unificador de su obra de ficción. Con ello consigue el autor fijar en la memoria colectiva un pensamiento y unos valores que trascienden la información inmediata para depurarse, aquilatarse y prolongarse en una obra que a través de un intencionado lenguaje y una serie de recursos formales ( simbolismo del color y del fuego, antroponimia evangélica, toponimia paródica, tipología de personajes y persuasión retórica) adquiere un valor revolucionario permanente. De este modo funde el autor en su obra de ficción un pensamiento monitorio de timbre costista y federalista en torno al problema de España y a su concepción del estado, con una garba de voces libertarias, en torno a la liberación de la mujer.<br>Estudi històric i temàtic, en tres volums, de l'obra novel.lística, apareguda entre les dates 1922-1945, del periodista, jurista, polític i escriptor Ángel Samblancat Salanova (Graus, 1885 - Mèxic, 1963). La investigació té com a fil conductor l'anàlisi del pensament polític i social de l'autor, basat en un conjunt de manuscrits inèdits i la seva projecció en la seva obra de ficció. El treball es completa amb la presentació d'una novel.la inèdita, Chamaca, escrita a Mèxic a mitjans dels anys cinquanta. L'anàlisi dels codis narratius de l'autor, i la seva relació amb el seu ideari i la seva estètica condueix a interpretar i valorar la producció novel.lística de A.Samblancat com un conjunt narratiu insertat històricament, i a la vegada com un conjunt d'obres molt pròxim, per la seva funció exemplificadora i combativa, a compromeses paràboles socials en torn a la lluita per la llibertat i la justicia social, tema unificador de la seva obra de ficció. Amb això l'autor aconsegueix fixar en la memòria col.lectiva un pensament i uns valors que trascendeixen la informació inmediata, a fi i efecte de depurar-se, aquilatar-se i prolongar-se en una obra que a través d'un ús intencionat del llenguatge i una sèrie de recursos formals (simbolisme del color i del foc, antroponimia evangèlica, toponimia paròdica, tipologia dels personatges i persuassió retòrica) adquireix un valor revolucionari permanent. D'aquesta manera l'autor fon en la seva obra de ficció un pensament monitori de timbre costista i federalista en torn al problema d'Espanya i la seva concepció de l'estat, amb un grup de veus llibertàries en torn a la alliberació de la dona.<br>Historical and thematical study, in three volumes, of the fiction works published between 1922 and 1945 by the journalist, politician and writer Angel Samblancat Salanova (Graus, 1885 - Mexico, 1963). The basis of the research is the analysis of the political and social thought of the author, based on the non-published manuscripts and their projection on his fiction works. The research is complemented with a presentation of the non published novel Chamaca, written in Mexico in the fifties. The analysis of the narrative codes of the author, and its relationshop with his ideology and his aesthetics drives us to interpret and value the novels written by A.Samblancat as a narrative set historically ingrained. Because of its protesting function, the group of novels are very close to social parables around the fight for freedom and justice, a unifying theme in the works of the author. A.Samblancat is able to fix in the collective memory a thought and a set of values that transcend immediate information in a work that, with a special use of language and formal style (symbolism of colour and fire, evangelic antroponomy, parodic toponomy, typology of characters and rethorical persusssion) acquires a permanent revolutionary value. In addition, the author merges in his literary work a federal and "costista" solution to the Spanish problem and its model of state, as well as a chorus of libertarian voices around the emancipation of women.
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Martin, Jean-Pierre. "Henri Michaux : Dérives du "Berger d'eau" : écritures de soi, expatriation (1922-1945)." Paris 4, 1992. http://www.theses.fr/1992PA040170.

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Une pratique hétérodoxe de la lecture chez le jeune Michaux, ses rencontres avec le mysticisme chrétien et avec les sciences naturelles, ont préludé aux débuts littéraires (1922-1927), souvent négligés par la critique. Une étude diachronique des premiers textes tente d'en montrer l'importance. Les recueils et les textes épars publiés entre 1927 et 1945 mettent en scène une écriture de soi diversifiée, qui refuse le pathos et la confidence autobiographique, traverse tous les genres, et se veut transcription de l'expérience intérieure. Un autoportrait diffracte se dessine dans les récits, les poèmes et les livres de pérégrination. Dans le même temps, une poétique de l'expatriation et de la dérive cherche une voie originale. Confrontée aux monstres de l'histoire, l'épopée du sujet prend, pendant la guerre d'autres formes. Ma recherche a prêté une attention particulière aux textes rares et non repris, à la correspondance et aux projets avortés<br>After describing the heterodox practice of reading of the early years. Michaux's meeting with Christian mysticism and natural science, I then intend to stress the importance of his often neglected literary debut (1922-1927), through a diachronic study. Between 1927 and 1945, a diversified writing of the self, refusing pathos and autobiographic confidence, means to be a transcription of the inner experience through any possible literary genre, and draws a diffracted self-portrait in the stories, travel books and poems. In the meantime, a poetics of expatriation is trying to find its own original way. Confronted with the monsters of history during the war, it will take new forms. In this study, I’ve paid particular attention to the rare and only once published texts, to the letters and aborted projects
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Vilnet, Geneviève. "La photographie et le cinéma dans les romans d'Oswald de Andrade (1922-1945)." Paris 3, 2001. http://www.theses.fr/2001PA030177.

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L'écrivain moderniste brésilien Oswald de Andrade (1890-1954), journaliste, essayiste, critique, poète d'avant-garde, dramaturge et romancier publie, de 1922 à 1945 sept romans, dont une trilogie et un diptyque. Parallèlment, il rédige une oeuvre critique féconde, axée sur la défense des arts, suivant un axe esthétique et sociologique. Connu en France pour ses liens avec l'avant-garde artistique et littéraire des années 20, il lance au Brésil plusieurs manifestes et participe aux revues modernistes de l'époque. L'analyse de ses romans montre une présence exceptionnelle de la photographie et du cinéma. En effet, l'écrivain s'appuie sur les deux arts représentatifs de la modernité pour approfondir ses recherches sur le mouvement de déconstruction-construction du texte littéraire qu'il rapproche du texte artistique. Il se réfère en particulier au cadrage, à l'effet-travelling puis au montage. Ce travail autour de l'art lui permet également d'aborder la question de l'identité, de l'écrivain puis de l'intellectuel et l'incite à s'interroger sur le sens de la littérature<br>The Brasilian writer Oswald de Andrade (1890-1954), journalist, poetry, dramatist and novelist, published seven novels, from 1922 to 1945. Paralely, the author produced critical works about defense of art and famous manifestos. The analysis of the impact of photography and cinema, like moderns arts, in the novels, explained the process of an unconstruction and construction of the form. This work and the. . . . . . . . Question about the sense of literature
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Costa, Francisco de Assis. "Capital estrangeiro e agricultura na Amazônia: a experiência da Ford Motor Company (1922-1945)." reponame:Repositório Institucional do FGV, 2012. http://hdl.handle.net/10438/9834.

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Submitted by Estagiário SPT BMHS (spt@fgv.br) on 2012-05-29T14:43:16Z No. of bitstreams: 2 000047150.pdf: 6629121 bytes, checksum: ff4d4c2b2a010f154503d34839a5d715 (MD5) 000047151.pdf: 2220362 bytes, checksum: f36561eeab3f611683c0ae6dba17128b (MD5)<br>Approved for entry into archive by Estagiário SPT BMHS (spt@fgv.br) on 2012-05-29T14:44:00Z (GMT) No. of bitstreams: 2 000047150.pdf: 6629121 bytes, checksum: ff4d4c2b2a010f154503d34839a5d715 (MD5) 000047151.pdf: 2220362 bytes, checksum: f36561eeab3f611683c0ae6dba17128b (MD5)<br>Made available in DSpace on 2012-05-29T14:44:06Z (GMT). No. of bitstreams: 2 000047150.pdf: 6629121 bytes, checksum: ff4d4c2b2a010f154503d34839a5d715 (MD5) 000047151.pdf: 2220362 bytes, checksum: f36561eeab3f611683c0ae6dba17128b (MD5)<br>O objetivo deste trabalho é a reconstituição histórica da Companhia Ford Industrial do Brasil entendida, de um lado, como um momento do processo de concentração e centralização do capital empreendido pela Ford Motor Company enquanto parcela individual do capital global; de outro, como forma especifica de materialização deste processo.
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Books on the topic "1922-1945"

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Alonso, Miguel, Alan Kramer, and Javier Rodrigo, eds. Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5.

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Saint-Marc, Hélie de. Notre Histoire (1922-1945). Editions Les Arènes, 2002.

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Fascist modernities: Italy, 1922-1945. University of California Press, 2001.

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Petrák, Katalin. Magyarok a Szovjetunióban, 1922-1945. Napvilág, 2000.

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Veneruso, Danilo. L' Italia fascista: 1922-1945. Il Mulino, 1996.

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Český fašismus, 1922-1945, a kolaborace, 1939-1945. Práh, 1999.

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Az őrvidéki magyarság sorsa, 1922-1945. Magyar Nyugat, 2011.

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Kazashvili, V. G. Sovetskai︠a︡ voennai︠a︡ aviat︠s︡ii︠a︡ 1922-1945 gg. Vostochnyĭ gorizont, 2003.

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Cipriani, Renato. Antifascismo e Resistenza in Valchiavenna: 1922-1945. L'officina del libro, 1999.

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How fascism ruled women: Italy, 1922-1945. University of California Press, 1992.

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Book chapters on the topic "1922-1945"

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Alonso, Miguel, Alan Kramer, and Javier Rodrigo. "Introduction." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_1.

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Rutherford, Jeff. "The German War in the East: The Radical Variant of Fascist War." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_10.

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Kralj, Lovro. "The Evolution of Ustasha Mass Violence: Nation-Statism, Paramilitarism, Structure, and Agency in the Independent State of Croatia, 1941." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_11.

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Zaugg, Franziska Anna. "From the Milizia Fascista Albanese to the SS Division ‘Skanderbeg’: Between Imposing Fascist Ideology and Adapting Local Warfare." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_12.

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Kramer, Alan. "From Great War to Fascist Warfare." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_2.

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Reichardt, Sven. "National Socialist Assessments of Global Fascist Warfare (1935–1938)." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_3.

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Alonso, Miguel. "Civil War, Total War, Fascist War: Rebel Violence and Occupation Policies in the Spanish Civil War (1936–1939)." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_4.

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Rodrigo, Javier. "Fascist Civil Warfare: Mussolini’s Wars in Spain and Italy, 1936–1945." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_5.

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Osti Guerrazzi, Amedeo. "Cultures of Total Annihilation? The German, Italian, and Japanese Armies During the Second World War." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_6.

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Virtue, Nicolas G. "Technology and Terror in Fascist Italy’s Counterinsurgency Operations: Ethiopia and Yugoslavia, 1936–1943." In Fascist Warfare, 1922–1945. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27648-5_7.

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