Academic literature on the topic '1922-1956'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1922-1956.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "1922-1956"
1
Grove, Eric. "French Cruisers 1922–1956." Mariner's Mirror 100, no. 2 (April 3, 2014): 245–46. http://dx.doi.org/10.1080/00253359.2014.891824.
Full text
2
Dr. Laith Ahmed Ali. "النشاط الثقافي لليهود في مصر 1922-1956." journal of the college of basic education 27, no. 112 (March 27, 2022): 282–302. http://dx.doi.org/10.35950/cbej.v27i112.5054.
Full textAbstract:
النشاط الثقافي لليهود في مصر "1922-1956" انقسم الى ثلاثة أقسام، القسم الأول الصحافة اليهودية فقد مارس اليهود حريتهم الكاملة في إصدار صحفهم ومجلاتهم من دون أي قيود، وقد اتسمت صحفهم ومجلاتهم بدعم ومساندة الحركة الصهيونية وتبني طروحاتها في إنشاء وطن قومي لليهود في فلسطين واستحضارها للتأريخ اليهودي وتأكيدها لوحدة اليهود في كل العالم والتثقيف بأهمية اللغة العبرية والعناية بها باتجاه إبراز الخصوصية اليهودية بشخصيتها وملامحها الواضحة خدمة لتحقيق غاياتها المعروفة في هذا الصدد. أما في مجال إنشاء الجمعيات الثقافية اليهودية فقد كان لهم باع في ذلك أيضاً وهذه الجمعيات خدمت ذات التوجه، فضلاً عن النهوض بالواقع الثقافي لليهود عموماً من خلال عقد الندوات والمحاضرات التوعوية لأبناء الطائفة وللمجتمع ككل لإيصال صوتهم وبيان قدرتهم في الأبداع. لم يبرز في المدة محل البحث سوى عدد محدود من الكتاب اليهود على رأسهم مراد فرج ليشع وإسرائيل ولفنسون فالأول كان مندمجاً مع الفكر الصهيوني وسعى لتوظيف فكره لخدمة مخططاته فمهد لإيجاد صلة بين اللغة العبرية والعربية والأصول اليهودية التي حاول إثبات أنها تعود للجزيرة العربية، كذلك الأمر مع الثاني الذي جهد لتأكيد صلة القربى بين اليهود والعرب وانهم أبناء عمومة برأيه. لم يندمج اليهود بحركة الثقافة العربية في مصر لتأثرهم بالثقافة الأوروبية لا سيما الفرنسية منها فكانت هي اللغة المعتمدة في مدارسهم وصحفهم وكتبهم وحتى بعض محاضراتهم الثقافية، فكان تأثيرهم ضئيلاً ضمن محيطهم. على أنه لا يمكن إغفال أنه على الرغم من الوعي الثقافي اليهودي المتقدم إلا أن العديد من اليهود لم يكونوا يجيدون اللغة العبرية وبالتالي كانت العديد من نشاطات طائفتهم هي لبحث سبل الارتقاء بهم في هذا الصدد، عن طريق أنشاء الجمعيات الثقافية ووضع المؤلفات اللغوية المختلفة.
3
LAMBKIN, KEVIN J. "Revision of the Hylicellidae of the Late Triassic of Queensland (Hemiptera: Cicadomorpha: Hylicelloidea)." Zootaxa 4790, no. 3 (June 12, 2020): 525–39. http://dx.doi.org/10.11646/zootaxa.4790.3.7.
Full textAbstract:
This extinct cicadomorphan family Hylicellidae was a significant element of the Late Triassic (Norian) hemipteran fauna of south-eastern Queensland, represented by the tegmina of five monotypic genera from the fossil insect localities at Mount Crosby, Denmark Hill and Dinmore. Of the five, Mesothymbris Evans, 1956, from Mount Crosby, has previously been re-examined. The present work revises the remaining four genera: Hylicella Evans, 1956, with Hylicella colorata Evans, 1956, Mount Crosby; Crosbella Evans, 1956 (= Mesocicadella Evans, 1956, syn. nov.), with Crosbella elongata Evans, 1956 (= Crosbella alata Evans, 1956, syn. nov. = Mesocicadella venosa Evans, 1956, syn. nov. = Mesocicadella punctata Evans, 1961, syn. nov.), Mount Crosby; Triassoscelis Evans, 1956, with Triassoscelis anomala Evans, 1956, Mount Crosby; and Mesocixiodes Tillyard, 1922, with Mesocixiodes termioneura Tillyard, 1922 (= Mesocixiodes brachyclada Tillyard, 1922, syn. nov.), Denmark Hill, Dinmore. The Hylicellidae remains poorly defined as is its generic composition, however, the four Queensland Triassic genera are quite distinct. Hylicella is distinguished by the partial fusion of CuA1 with M3+4, and the very large intra-medial cell, and Crosbella and Triassoscelis by the peculiar parallelogram-like CuA1 cell and the widened peripheral membrane at CuA. Triassoscelis differs from Crosbella in its broader, more squat wing shape, CuA fork in line rather than proximal to the M fork, and much less proliferated apical venation. Mesocixiodes is distinguished by the alignment of the crossvein field at the claval apex to form a fairly even series of long, sub-equal apical cells. On the basis of the proliferated and variable apical venation, the presence of weakly developed costal veinlets, and the fusion of M and CuA at a single point to close the basal cell, Crosbella and Triassoscelis, are ascribed to the subfamily Vietocyclinae. The relationships of the three other Queensland genera, Hylicella, Mesocixiodes, and Mesothymbris remain obscure, and they are retained in the undefined catch-all subfamily Hylicellinae. With the exception of the hindwing, Mesojassula marginata Evans, 1956, the revision of the cicadomorphan fauna of the Mount Crosby Formation is now complete, resulting in an inventory of five species of Dysmorphoptilidae, four of Hylicellidae and two of Archijassidae, with the dysmorphoptilid Dysmorphoptiloides elongata Evans, 1956, as the dominant species.
4
Kuffert, Len. "Seeing, Selling, and Situating Radio in Canada, 1922–1956." Canadian Historical Review 100, no. 2 (May 2019): 303–5. http://dx.doi.org/10.3138/chr.100.2.br09.en.
Full text
5
LAMBERT, ANDREW. "French Battleships 1922-1956 - By John Jordan and Robert Dumas." International Journal of Nautical Archaeology 39, no. 2 (August 3, 2010): 467–68. http://dx.doi.org/10.1111/j.1095-9270.2010.00290_21.x.
Full text
6
Costa, Fabrício Lemos da, and Sílvio Augusto de Oliveira Holanda. "A recepção de "Grande sertão: veredas", de Guimarães Rosa, por Paulo Mendes Campos, no contexto jornalístico e das crônicas." Jangada: crítica | literatura | artes 1, no. 16 (January 30, 2021): 188–212. http://dx.doi.org/10.35921/jangada.v1i16.284.
Full textAbstract:
Este artigo tem por objetivo refletir sobre a recepção de Grande sertão: veredas (1956), de Guimarães Rosa (1908-1967), por Paulo Mendes Campos (1922-1991), no contexto das crônicas, no qual chamaremos, neste trabalho, de “recepção de primeiras horas”, feito em contexto de divulgação em periódico, na conhecida Revista Manchete, em 13 de Outubro de 1956, na Coluna “Conversa Literária”, nº 234. Trata-se da crônica “Grande sertão: veredas (João Guimarães Rosa)” (1956). Ressaltaremos, nesta interpretação realizada no mesmo ano de publicação do romance, sua particularidade artística, assim como analisaremos sua leitura que enfatiza os elementos internos à narrativa de Guimarães Rosa, isto é, a interseção entre o universal e o moderno no pensamento do personagem Riobaldo. Além disso, para o comentário da leitura do romance rosiano por Campos, dialogaremos com outros intérpretes da obra do escritor mineiro, quanto ao que estamos considerando como primeira recepção, como Alvarenga (1956), Candido (1956 e 1957), Milliet (1959) e Proença (1958).
7
Bershadskaya, Marianna, and Boris Babkin. "Voeslav Mole and Yuri Verkhovsky. Double portrait on the background of the Civil War." Russian-Slovenian relations in the twentieth century, no. IV (2018): 244–60. http://dx.doi.org/10.31168/2618-8562.2018.4.3.3.
Full textAbstract:
The article focuses on the friendly and creative relations between the Slovenian art historian, poet and essayist Vojeslav Mole (1886– 1973) and the Russian prominent poet, interpreter, literary historian and theorist Yuriy Verhovskiy (1878–1956). Being recruited to army in 1914 Mole got captured almost at once and spent practically six years in Siberia. In 1919 in Tomsk he met Verhovskiy, who translated several of his poems and published them in his book «Sun in captivity» (1922). One of the Mole’s poems in «Tristia ex Siberia» (1922) is devoted «To the friend ― poet Yuriy Nik. Verhovskiy».
8
Montes, Marcos. "Alicia Jurado escribe sobre teatro en la Revista SUR." Cuadernos de Literatura, no. 18 (July 26, 2022): 89. http://dx.doi.org/10.30972/clt.0185993.
Full textAbstract:
La novelista, ensayista, traductora y biógrafa Alicia Jurado (1922-2011) publicó una serie de reseñas teatrales en la Revista SUR entre 1956 y 1964. Estos siete escritos resumen la visión que la publicación tenía acerca del teatro europeo, en primer lugar, y del argentino, después. Se constata a través de la pluma y de las opiniones de una de sus colaboradoras más asiduas.
9
Botasheva, Z. B. "On Formation and Development into Russian Amateur Dramatic Performances in Karachay-Cherkessia (1922–1956)." Naučnaâ mysl' Kavkaza 85, no. 1 (March 2016): 89–95. http://dx.doi.org/10.18522/2072-0181-2016-85-1-89-95.
Full text
10
Savaria, Maude. "Courrier « féminin » ? Les normes de genre selon Colette dans La Presse, 1922–1956." Cahiers d'histoire 38, no. 1 (2020): 134. http://dx.doi.org/10.7202/1078680ar.
Full textDissertations / Theses on the topic "1922-1956"
1
Soussi, Tassadit Hadji. "L'Egypte sous domination britannique (1922-1956)." Montpellier 3, 1986. http://www.theses.fr/1986MON30013.
Full textAbstract:
1922 : annee de la proclamation de l'independance egyptienne. Mais il ne s'agit la que d'une independance de droit et non de fait. Il faudra en effet encore trentequatre ans aux egyptiens pour bouter hors d'egypte les britanniques, wui occupent le pays depuis 1882. Cette etude est une analyse des relations anglo-egyptiennes au cours de la periode allant de la proclamation de l'independance jusqu'a l'evacuation totale des troupes britanniques en 1956. Comment la grande-bretagne, apres que l'independance fut proclamee, continue-t-elle d'exeercer une grande influence sur les affaires interieur et exterieur de l'egypte? -quelles sont les etapes du nationalisme egyptien en qui conduiront a l'affranchissement total du pays? quelles sont les repercussions de la presence britannique sur les affaires interieures et exterieures de l'egypte? tels sont les trois points traites dans cette these1922 : egypt's independence has just been proclaimed. But it is an independence de jure and not de facto. It will indeed take some thirty-four years more to the egyptians to oust the british from egypt, which has been occupied since 1882. This research work is an analysis of the anglo-egyptian relations during the period starting from the proclamation of the independence until the complete withdrawal of the british troops in 1956. - how will britain, after 1922, keep on having a great effet on egypt's affair? - what are the various stages of the egyptian nationalism which will lead the country to complete emancipation? - what are the consequential effects caused by the british presence on egypt's home and foreign policy
2
Sugiyama, Yoshiko. "Sur le même banc d'école : Louis Macheul et la rencontre franco-arabe en Tunisie lors du Protectorat français (1883-1908)." Aix-Marseille 1, 2007. http://www.theses.fr/2007AIX10030.
Full textAbstract:
En 1883, Louis Machuel (1848-1922), premier directeur de l'Enseignement public en Tunisie coloniale (1883-1908), met en place les écoles primaires publiques, françaises et franco-arabes, que fréquentaient les composantes fort variées de la société coloniale tunisienne. Le parcours culturel et intellectuel de Louis Machuel motive le choix du système d'enseignement franco-arabe. Il tente de réaliser une "laïcité" dans l'espace scolaire, laïcité qui englobe toutes les religions de la Tunisie coloniale. Machuel a certaines affinités culturelles avec les musulmans du nord de l'Afrique et intervient dans le système de l'enseignement arabe classique avec l'intention de faire de Tunis colonial, le centre des études arabo-musulmanes. Il collabore avec les réformateurs tunisiens dans l'intention de moderniser l'instruction des musulmans tunisiens. Or, leur objectif diverge : Machuel s'y engage pour renforcer et faire accepter la présence française en Tunisie ; les musulmans tunisiens y voient le moyen d'introduire, parmi leurs compatriotes, un "esprit nouveau" puisé dans les Lumières françaises mais aussi dans les pensées réformistes arabes.
3
Borovik, Samira de Souza Brandão. "Guerreiros do alfabeto estelar : iniciação em performance e xamantismo na criação do espetaculo Ka, de Renato Cohen." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285027.
Full textAbstract:
Orientador: Regina Aparecida Polo MullerAcompanha Anexo B (Video de 35min - Ka: hipermidia sobre a obra de Velimir Khlebnikov)
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-11T00:42:46Z (GMT). No. of bitstreams: 1 Borovik_SamiradeSouzaBrandao_M.pdf: 173146443 bytes, checksum: 70cb438b5d05d04d50bc1783a33667e4 (MD5) Previous issue date: 2005
Resumo: Esta pesquisa é a descrição do processo iniciático em performance e xamanismo na criação do espetáculo Ka ¿ Cena Zaum de Vélimir Khlébnikov, do ponto de vista da atuação. Encenado por Renato Cohen no ano de 1998, como conclusão do curso de graduação em Artes Cênicas da Unicamp, o espetáculo teve um rico processo de preparação dos atores pela via ritual e performática. Os workshops de criação, os ensaios do grupo e as apresentações públicas são analisados a partir de registros pessoais (caderno de anotações) e visuais (fotografias e filmagens de ensaios e apresentações). A reflexão sobre o treinamento ritual é feita a partir da descrição dos encontros com o xamã Lynn Mário e das cenas que surgiram sob essa influência. A condução do encenador é também analisada, assim como as cenas e os locais de apresentação. Alguns temas surgiram do envolvimento com a pesquisa como a criação a partir da Body Art, do Treino e do Fluxo na interpretação. A orientação da pesquisa teve início em 2002 com Renato Cohen, que por ocasião de sua morte passou a ser orientada pela Profª Dra. Regina Polo Müller
Abstract: This research is the description of the initiation process in performance and shamanism in the play Ka ¿ Cena Zaum de Vélimir Khlébnikov, according to the actor's point of view. Staged by Renato Cohen in 1998, as conclusion to my graduation course in Drama Studies at Unicamp, the play was rich in the process of actor training in ritual and performance. The group workshops, rehearsals and public shows are analysed from personal and audiovisual records, as well as the ritual experiences and according to the way Cohen used to lead the group. The reflection of the ritual training is done through the description of the encounters with the shaman Lynn Mário and the scenes that emerged as a consequence of this experience. Some themes came up during this research such as Body Art, Training and Flow in contemporary acting. This academic orientation was started in 2002 by Renato Cohen and after his death was later continued by Regina Müller
Mestrado
Mestre em Artes
4
Vrillaud-Meunier, Jacqueline. "Paul Léautaud dans son journal (1922-1935)." Paris 4, 1986. http://www.theses.fr/1986PA040200.
Full textAbstract:
Dans un premier temps, approche d'un certain Léautaud basée tout d'abord sur l'étude du "moi intime", a partir d'une analyse des principaux thèmes qui s'imposent dans la section du journal recouvrant les années 1922 à 1935 : thèmes de la claustration, la mort, l'amour et l'argent; puis, en fonction du "moi social", mise en évidence des aspects les plus pertinents de l'homme et de l'écrivain : le spectateur, le comédien, le critique et l'homme de lettres. Dans un deuxième temps, constat que, par le truchement de l'écriture, Léautaud est avant tout orienté vers l'entreprise de vivre. Celle-ci implique la quête de l'identité -recherche du passe, choix du double statut d'employé et d'écrivain, libération de toutes entraves sentimentales-, elle inclut également l'adoption d'une morale du plaisir (plaisirs de l'esprit, plaisirs des sens, plaisirs du moment) ayant pour unique règle : "fais ce que voudras". Dans un troisième temps enfin, démonstration est faite qu'un individu lance dans l'expérience irréalisable de cette vaine et orgueilleuse aventure "soi au centre de l'écriture" aboutirait inévitablement à l'impasse et ou à l'échec assure (la fin des illusions) s'il ne recourait pas (le temps des impostures) au compromis de la provocation, du jeu de la vérité sans faille de la mystification d'un Léautaud "récupéré" par le mytheFirst through the analysis of the most important themes such as "claustration", death, love and money occuring in the part of the diary from 1922 to 1935 we study what we call the "private self" but we emphasize too "the social self" through the most significant characteristics of both man and writer as the spectator, the actor, the critic and the man of letters : secondly, we show that to Léautaud writing is the only medium of accepting the act of living. That implies the identity quest through the past, the choice of the double statute of employee and writer, the rupture of all sentimental links and a personal way of life based on a moral of pleasures (intellectual, sensual and daily ones) which follows the rule: "do what you want
5
Brito, João Luiz Teixeira de. "Poética beat no cinema: “Howl” e On the road." www.teses.ufc.br, 2015. http://www.repositorio.ufc.br/handle/riufc/12650.
Full textAbstract:
BRITO, João Luiz Teixeira de. Poética beat no cinema: “Howl” e On the road. 2015. 228f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2015.Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2015-06-08T11:16:58Z No. of bitstreams: 1 2015_dis_jltbrito.pdf: 3466253 bytes, checksum: 20edd3103d946df889c4ffe55c09431e (MD5)
Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2015-06-08T12:59:14Z (GMT) No. of bitstreams: 1 2015_dis_jltbrito.pdf: 3466253 bytes, checksum: 20edd3103d946df889c4ffe55c09431e (MD5)
Made available in DSpace on 2015-06-08T12:59:14Z (GMT). No. of bitstreams: 1 2015_dis_jltbrito.pdf: 3466253 bytes, checksum: 20edd3103d946df889c4ffe55c09431e (MD5) Previous issue date: 2015
This paper constitutes a comparative study between the pinnacle works of the American beat generation of the twentieth century (“Howl”, by Allen Ginsberg, and On the road, by Jack Kerouac) e their filmic adaptations produced in the first decade of the twentieth first century. Our goal is to bring forth a dialogue established by these four objective elements, based on the analysis of the congress of their individual poetics, and, in light of this, to contribute to a process that appears to be contemporarily inescapable, the relations between cinema and literature. To this end, the following dissertation will consist of the study of regularities of behavior in the adaptation process presented in the corpus before us as a means of deducing and describing possible systemic norms that underlie and regulate the transpositions between the beat literary system and the contemporary cinematographic system. On the other hand, but not separately, as we understand adaptation as rounded semiotic systems, we must consider the contexts in which they are inserted and what relations they actualize within their arrival system, not only that but investigate possible analogies to the departure system, We hope to demonstrate that these different strands of the problem are intertwined and connected if we create a common filed of tension in which the art-works are able to sustain dialogue – this we endeavored to do with the stablishment of an organizing principle, the common theme of madness. Our goal is, ultimately, to try to equate the importance of the product of adaptation and its counterpart in our analysis, transforming the field of Translation Studies into something closer to Compared Studies – of Literature or Cinema, as if our objects of research were ontologically comparable entities. We base our endeavor to achieve this task in the works of Walter Benjamin (2012), Mikhail Bakhtin (2010), Itamar Even-Zohar (1990), Jacques Derrida (1995), Maurice Blanchot (1987), Michel Foucault (1989), Gideon Toury (1995), Patrick Catrysse (1992), amongst others.
Este trabalho constitui um estudo comparativo entre as produções literárias pinaculares da geração beat americana de meados do século XX (“Howl” de Allen Ginsberg e On the Road de Jack Kerouac) e as suas reescrituras fílmicas produzidas na primeira década do século XXI. Procuramos aqui trazer a diálogo as quatro obras e, fundamentando-nos em uma análise do congresso de suas poéticas, contribuir para o estudo de um processo que nos parece contemporaneamente inescapável, a relação entre cinema e literatura. Para tanto, a presente dissertação consistirá do estudo das regularidades de comportamento do processo tradutor apresentadas no corpus que nos é possível analisar de modo a deduzir e descrever as possíveis normas sistêmicas que subjazem e regulam as transposições entre o sistema literário beat e o sistema cinematográfico contemporâneo. Por outro lado, mas não separadamente, na medida em que enxergamos as adaptações como sistemas semióticos acabados, devemos considerar os contextos em que elas se inserem e que relações elas desenvolvem dentro do sistema de chegada, além de investigarmos possíveis analogias com os contextos e sistemas de partida. Esperamos demonstrar que estes lados do problema se interligam se criarmos um campo tenso comum em que as obras possam dialogar, o que buscamos fazer através do estabelecimento de um princípio organizador, o tema comum da loucura. Nossa proposta é, finalmente, tentar igualar a importância do produto da tradução e do elemento de partida em nossa análise, transformando o campo dos estudos da tradução em algo mais próximo dos Estudos Comparados – de Cinema ou Literatura, como se nossos objetos fossem seres ontologicamente equiparáveis. Pautamo-nos, para realizar esta tarefa, nos trabalhos de Walter Benjamin (2012), Mikhail Bakhtin (2010), Itamar Even-Zohar (1990), Jacques Derrida (1995), Maurice Blanchot (1987), Michel Foucault (1989), Gideon Toury (1995), Patrick Catrysse (1992), entre outros.
6
Jorge, Carolina Silva Lopes Nunes. "Desenho instalação: o espaço como suporte." Master's thesis, 2020. http://hdl.handle.net/10451/41602.
Full textAbstract:
Despite being considered the “mother of all arts”, Drawing has been relegated for centuries to a secondary role. In freeing itself from this condition, it became a privileged means of autonomous expression, flourishing as an independent art. Following trends such as Conceptualism or Minimalism, which defines as bases of other ways of action that assume space, such as content and graphic concept, Drawing gains an expanded field of action in real space, opens a new set of approaches. An example of this new dimension is Picasso's photographic light drawings made in real space without immediate physical support.
The present work is based on this framework of change, starting from the methodical study of the potential of space as a support for drawing. Through the analysis of several artists who explore Drawing Installation, as a theoretical foundation based on the historical context of Installation Art, it was possible to define the basis of a project developed in this domain. The results allow us to conclude that space as a support increases the potential for traditional drawing practice in two-dimensional physical supports, contributing to a new way of thinking.
Books on the topic "1922-1956"
1
Jordan, John. French battleships, 1922-1956. Annapolis, Md: Naval Institute Press, 2009.
Find full text
2
Ali, Lukman. Unsur adat Minangkabau dalam sastra Indonesia, 1922-1956. Jakarta: Balai Pustaka, 1994.
Find full text
3
Alberto, Cova, and Fumi Gianpiero, eds. L'intervento dello stato nell'economia italiana: Continuità e cambiamenti (1922-1956). Milano, Italy: FrancoAngeli, 2011.
Find full text
4
al-Wujūd al-Barīṭānī fī al-idārah al-Miṣrīyah, 1922-1956. al-Qāhirah: al-Majlis al-Aʻlá lil-Thaqāfah, 2009.
Find full text
5
Laitinen, Kai. Aino Kallaksen mestarivuodet: Tutkimus hänen tuotantonsa päälinjoista ja taustasta 1922-1956. Helsingissä: Otava, 1994.
Find full text
8
Dumas, Robert, and John Jordan. French Battleships 1922-1956. Pen & Sword Books Limited, 2009.
Find full text
9
Dumas, Robert, and John Jordan. French Battleships, 1922-1956. Pen & Sword Books Limited, 2020.
Find full text
10
Dumas, Robert, and John Jordan. French Battleships, 1922-1956. Pen & Sword Books Limited, 2009.
Find full textBook chapters on the topic "1922-1956"
1
Toews, Anne Frances. "15. “Flesh, Bone, And Blood”: Working-Class Bodies And The Canadian Communist Press, 1922–1956." In Contesting Bodies and Nation in Canadian History, 328–46. Toronto: University of Toronto Press, 2013. http://dx.doi.org/10.3138/9781442663152-019.
Full text
2
Huber, Josef Georg, Horst Schmidt-Böcking, and Bretislav Friedrich. "Walther Gerlach (1889–1979): Precision Physicist, Educator and Research Organizer, Historian of Science." In Molecular Beams in Physics and Chemistry, 119–61. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63963-1_8.
Full textAbstract:
AbstractWalther Gerlach’s numerous contributions to physics include precision measurements related to the black-body radiation (1912–1916) as well as the first-ever quantitative measurement of the radiation pressure (1923), apart from his key role in the epochal Stern-Gerlach experiment (1921–1922). His wide-ranging research programs at the Universities of Tübingen, Frankfurt, and Munich entailed spectroscopy and spectral analysis, the study of the magnetic properties of matter, and radioactivity. An important player in the physics community already in his 20s and in the German academia in his later years, Gerlach was appointed, on Werner Heisenberg’s recommendation, Plenipotentiary for nuclear research for the last sixteen months of the existence of the Third Reich. He supported the effort of the German physicists to achieve a controlled chain reaction in a uranium reactor until the last moments before the effort was halted by the Allied Alsos Mission. The reader can find additional discussion of Gerlach’s role in the supplementary material provided with the online version of the chapter on SpringerLink. After returning from his detention at Farm Hall, he redirected his boundless elan and determination to the reconstruction of German academia. Among his high-ranking appointments in the Federal Republic were the presidency of the University of Munich (1948–1951) and of the Fraunhofer Society (1948–1951) as well as the vice-presidency of the German Science Foundation (1949–1961) and the German Physical Society (1956–1957). As a member of Göttinger Achtzehn, he signed the Göttingen Declaration (1957) against arming the Bundeswehr with nuclear weapons. Having made history in physics, Gerlach became a prolific writer on the history of physics. Johannes Kepler was his favorite subject and personal hero—as both a scientist and humanist.
3
Dibbs, Martin. "1956–1967: Sound into Vision; Popular into Pop." In Radio Fun and the BBC Variety Department, 1922—67, 229–74. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95609-1_6.
Full text
4
Bradshaw, Tancred. "Glubb, Tribes and Iraq, 1922–1930." In The Glubb Reports: Glubb Pasha and Britain’s Empire Project in the Middle East 1920–1956, 14–29. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137380111_2.
Full text
5
Klar, K. A. "Ventris, Michael (1922–1956)." In Encyclopedia of Language & Linguistics, 399. Elsevier, 2006. http://dx.doi.org/10.1016/b0-08-044854-2/05072-0.
Full text
6
"Ventris, Michael (George Francis) (1922–1956)." In Encyclopedic Dictionary of Archaeology, 1458. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_220079.
Full text
7
Earle, Ben. "‘In onore della Resistenza’." In Red Strains. British Academy, 2013. http://dx.doi.org/10.5871/bacad/9780197265390.003.0012.
Full textAbstract:
The post-1945 neo-realist movement in Italian cinema is one of the twentieth century's most enduring cultural legacies. In his Fourth Symphony, ‘In onore della Resistenza’ (1950), Mario Zafred (1922–87), the Zhdanovite music critic of the Communist Party daily L'Unità between 1949 and 1956, aligned his music with one of the great neo-realist themes, that of the partisan Resistance to the German occupation of Italy in the final two years of the war. Zafred's is the most notable Italian contribution to what is defined here as the mid-twentieth-century neo-realist symphony, a genre not precisely co-extensive with the socialist realist symphony of the Soviet bloc. Widely admired in the Italy of the 1950s, Zafred's music was swept off the stage of musical history by the ‘avant-garde’ revolution of the early 1960s. Half a century later, it is time to look again at the Fourth Symphony.
8
Heshmat, Dina. "1919 and the Trope of the Modern Nation." In Egypt 1919, 79–105. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458351.003.0004.
Full textAbstract:
This chapter is an analysis of two famous literary representations of the 1919 revolution, Tawfiq al-Hakim’s ‘Awdat al-Ruh (Return of the Spirit, 1933), and Naguib Mahfouz’ Bayn al-Qasrayn (Palace Walk, 1956), the first volume in his trilogy. The chapter shows that these two canonical works have been central in polishing a class-biased narrative about 1919 that sublimates the organised middle class’ role and imposes a myth-like image of Saad Zaghlul. In addition to its articulation of the concept of a modern Egyptian Nation, ‘Awdat al-Ruh posits 1919 as a key moment in the birth of that nation and identifies Saad Zaghlul as the embodiment of historical continuity with the country’s Pharaonic past. Likewise, Bayn al-Qasrayn insists on the trope of national unity through a depiction of the emergence of Egypt as a ‘new nation’, and presents the effendiyya as the main actors of the revolution. In addition, the chapter contains a brief analysis of an earlier short story about 1919: Mudhakkirat Hikmat Hanim (The Memoirs of Hikmat Hanim, 1921) by ‘Isa ‘Ubayd (189?-1922), a pioneering short story writer.
9
Kovalev, Nikon I. "The Underground Man’s Reception by Nikolay Berdyaev and Gottfried Benn." In “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America, 417–24. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-417-424.
Full textAbstract:
The article proposes a discussion of Dostoyevsky reception by German expressionist writer Gottfried Benn (1886–1956). Benn’s reception is strongly influenced by Dostoyevsky’s critics such as Merezhkovsky, Berdyaev and Thomas Mann. The most important influence was Berdyaev’s Dostoyevsky: An Interpretation («Миросозерцание Достоевского »). Benn has read a German translation of the work and possessed a copy of it where he had left multiple notes. In a letter to a friend, Friedrich Oelze, Benn quoted Notes from Underground. Most likely, he quoted not the original, but Berdyaev’s quotation. The exact words he quoted, “Leid is die einzige Ursache des Bewusstseins, suffering is the sole origin of consciousness”, are not to be found in current German translations of Dostoyevsky. However, in one of his essays, Benn coined the term Dostojewskidunkel (“Dostoyevsky’s darkness”) which could be seen as a reference to German translations of 1921–1922 under the title Aus dem Dunkel der Grosstadt (From Big City Darkness). Berdyaev also speaks about Dostoyesky expressing “darkness of Russian people”. The main traits of Berdyaev’s Dunkel which lured Benn are irrationalism, labeling of Dostoyevsky’s art as Dionysian, lack of traditional novel-like psychologism and concept of suffering as the main source of art.
10
Smallman-Raynor, Matthew, and Andrew Cliff. "Asia and the Far East: Emerging and Re-emerging Diseases." In War Epidemics. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780198233640.003.0020.
Full textAbstract:
In the last chapter, our consideration of camp epidemics ended with an examination of a strange and debilitating illness that, prior to World War II, was hardly known to medical science—Q fever or ‘Balkan grippe’. Historically, Q fever is one of many seemingly ‘new’ diseases that have suddenly and unexpectedly erupted into military conciousness. In Chapter 2, for example, we saw how maladies such as the mysterious English sweating sickness, along with venereal syphilis, typhus fever, and yellow fever, appeared—ostensibly for the first time—in association with wars of the fifteenth, sixteenth, and seventeenth centuries. More recently, trench fever (World War I, 1914–18), scrub typhus (World War II, 1939–45) and Korean haemorrhagic fever (Korean War, 1950–3) provide twentieth-century examples of the emergence phenomenon (Macpherson et al., 1922–3; Philip, 1948; Gajdusek, 1956). At the same time, wars have also served to fuel the epidemic re-emergence of many classical diseases, of which human plague (Vietnam War, 1964–73), visceral leishmaniasis (Sudanese Civil War, 1956–), and diphtheria (Tajikistan Civil War, 1992–) are recent instances (Velimirovic, 1972; Seaman et al., 1996; Keshavjee and Becerra, 2000). In the present chapter, we develop the theme of war and disease emergence and re-emergence, taking selected conflicts and diseases in the Asian and Far Eastern theatres to provide examples. We begin in Sect. 9.2 by locating war within the broader conceptual framework of emerging and re-emerging diseases. Subsequent sections examine the wartime emergence of three zoonoses which, on their novel appearance in deployed western troops, prompted a series of landmark epidemiological investigations into the diseases concerned: scrub typhus among Allied forces in Burma–India during World War II (Sect. 9.3) and Japanese encephalitis and Korean haemorrhagic fever in the UN Command during the Korean War (Sect. 9.4). We then turn to the wartime re-emergence of classical diseases, illustrating the theme with reference to US troops (malaria) and Vietnamese civilians (human plague) during the Vietnam War (Sect. 9.5). The chapter is concluded in Section 9.6.