Relevant bibliographies by topics / 1923-2020

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic '1923-2020'

Author: Grafiati
Published: 7 September 2021
Last updated: 5 February 2022

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Journal articles on the topic "1923-2020"

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Epelbaum, Jacques. "Roger Acher (1923-2020)." Biologie Aujourd’hui 214, no. 3-4 (2020): 149–50. http://dx.doi.org/10.1051/jbio/2020017.

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Schewe, Phillip F. "Freeman Dyson (1923–2020)." Nature 579, no. 7799 (2020): 342. http://dx.doi.org/10.1038/d41586-020-00747-5.

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Wilczek, Frank. "Freeman Dyson (1923–2020)." Science 368, no. 6492 (2020): 715. http://dx.doi.org/10.1126/science.abb8579.

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Eddé, Anne-Marie, Monik Kervran, and Jacqueline Sublet. "Arlette Nègre (1923-2020)." Arabica 67, no. 5-6 (2020): 451–57. http://dx.doi.org/10.1163/15700585-12341581.

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Dompnier, Bernard. "Jean Delumeau (1923-2020)." Revue Mabillon 31 (January 2020): 5–6. http://dx.doi.org/10.1484/j.rm.5.124710.

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André, Jacques. "Hendrik Vervliet: 1923–2020." TUGboat 42, no. 1 (2021): 6. http://dx.doi.org/10.47397/tb/42-1/tb130andre-vervliet.

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Patmore, Greg. "George Strauss, 1923–2020." Journal of Industrial Relations 63, no. 2 (2021): 111–13. http://dx.doi.org/10.1177/0022185620986712.

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Krumenacker, Yves. "In MemoriamJean Delumeau (1923-2020)." Chrétiens et sociétés, no. 26 (March 9, 2020): 5–7. http://dx.doi.org/10.4000/chretienssocietes.5395.

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Dainton, John. "Freeman Dyson FRS (1923–2020)." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 378, no. 2172 (2020): 20200139. http://dx.doi.org/10.1098/rsta.2020.0139.

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Taroni, Andrea. "Philip Warren Anderson (1923–2020)." Nature Physics 16, no. 5 (2020): 502. http://dx.doi.org/10.1038/s41567-020-0904-y.

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Dissertations / Theses on the topic "1923-2020"

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Weinberg, Alexis. "Temps de l’écriture et poétique du point aveugle : théorie et pratique (Bernard Pingaud, Henri Thomas)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC091.

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Nous nous intéressons dans cette thèse à la relation originale et problématique qui s’est établie, dans la période qui va de l’après-guerre jusqu’à la fin des années 1970, entre, d’une part, la temporalité de l’écriture telle que vécue par l’écrivain et, d’autre part, la temporalité produite par le texte. Le schème paradoxal qui préside à cette relation pourrait se résumer ainsi : écrire pour savoir pourquoi écrire. Si la formule semble consonner avec la vulgate d’une écriture autotélique, elle nous semble plus profondément poser la question complexe du désir du scripteur, quand toute relation univoque entre le dedans et le dehors est mise en cause. Pour mener à bien cette étude, nous procédons en deux grands moments. Le premier aborde cette configuration par un bord théorique : nous suivons le fil du syntagme de « point aveugle », en ses acceptions métaphoriques et conceptuelles, dans un corpus essayistique extrait du grand moment théorique français. La seconde propose deux parcours de lecture dans les œuvres littéraires narratives fictionnelles de Bernard Pingaud et d’Henri Thomas – écrivains qui, selon des modalités distinctes, montrent deux voies d’articulation originale des registres temporels considérés. Aussi différents soient-ils, ils partagent ce principe : écrire pour savoir ce que, sans cette traversée, on ne pourrait savoir, en s’affrontant à cet irréductible point aveugle qui se donne comme condition de possibilité et d’impossibilité du sens<br>The focus of this thesis is the relationship - in the period between the end of World War Two and the late 1970s - between the temporality of writing as experienced by the writer, and the temporality produced by the text itself. The paradoxical structure of this relationship can be captured by the following formula: writing in order to know why one writes. Though this formula may seem to invoke the modernist received wisdom concerning autotelitic writing, this thesis takes it as the starting point in order to understand the desires of the “scriptor” (to use Roland Barthes’s term) when all unambiguous relations between the internal and the external are called into doubt. This study will proceed in two major parts. The first will apply a theoretical lens to the notion of the “blind spot” as it appears in its various metaphorical and conceptual senses in the essayistic corpus of so-called “French theory”. The second will consist of a literary analysis of the fictional narratives of Bernard Pingaud and Henri Thomas: writers who, each in their own distinct modalities, reveal an original way of articulating the forms of temporality at the center of this study. As different as they are, Pingaud and Thomas each share the aim of writing in order to understand that which, without writing, one could never understand. In pursuit of this aim, both writers come face-to-face with a blind spot that poses itself as the condition of both the possibility and the impossibility of meaning
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Khodr, Fadi. "Pour une archéocritique du texte poétique contemporain. Yves Bonnefoy, Salah Stétié et Adonis." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA001.

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Les études consacrées aux écrits poétiques d’Yves Bonnefoy, de Salah Stétié et d’Adonis ne parviennent pas vraiment à en fournir un modèle de décodage pratique. Ceci est principalement dû à leur enfermement herméneutique. Loin de nous opposer à ces études, nous entendons les compléter ou parfois les nuancer. Pour combler les lacunes qui persistent et endiguent l’accès au sens, nous proposons alors une nouvelle approche qui s’inspire des méthodes de l’archéologie et qui est capable de fédérer d’autres approches critiques dans le seul but de mieux comprendre le figural à l’œuvre dans le texte littéraire. En guise de prospection, nous choisissons d’analyser trois poèmes dont les titres font explicitement allusion à des vestiges archéologiques ou des cités antiques. Cette partie introductive qui s’apparente à une étude de l’archéologie dans l’imaginaire nous dirige vers la nécessité d’opérer une archéologie de l’imaginaire permettant de jeter les bases d’une archéocritique. Une fouille préventive de quelques poèmes d’Adonis, extraits pour la plupart de son recueil «Singuliers», projette d’en offrir une nouvelle lecture réorientant des articles et études publiés à leur sujet. Néanmoins, la partie consacrée à l’œuvre de Salah Stétié adopte plutôt une fouille extensive dans le but d’en éclairer de nouvelles facettes restées jusque-là dans la pénombre pour ne pas dire dans l’ombre. Au fil des chapitres et notamment à partir de l’analyse du poème « Le K », l’archéocritique permet d’élucider progressivement l’enjeu principal de la quête ontologique en déblayant les « interférences culturelles » que constituent les arrière-textes décelés. Enfin, « la traduction au sens large » illustrée dans un poème d’Yves Bonnefoy nous invite à une lecture minutieuse d’un autre poème où il est explicitement question de traduction. L’un des arrière-textes de ce poème nous pousse à relire « La longue chaîne de l’ancre (Ales Stenar) » déjà abordé au début du travail pour valider certaines hypothèses et conjectures formulées. Ainsi, cette étude – dont plusieurs passages croisent des textes des trois poètes et d’autres encore – permet-elle de déboucher sur une mise au jour des strates de la parole ontologique de chacun d’eux, et d’ébaucher une mise au point de la terminologie archéocritique<br>Studies on the poetic writings of Yves Bonnefoy, Salah Stétié and Adonis did not really manage to provide a practical decoding model. This is mainly due to their confinement hermeneutics. Far from us to oppose these studies, we intend to complete or reorient them. In order to fill the gaps that remain and try to access to the meaning, we propose a new approach that draws on archaeological methods and is able to federate other critical approaches for the sole purpose of a better understanding of the figural at work in the literary text. As a prospection, we choose to analyze three poems referring explicitly to archaeological remains or ancient cities. This introductory part which may be considered as a study of archaeology in the imagination shows us the need to operate archaeology of the imagination to lay the foundations of archaeocriticism. A rescue excavation of some poems of Adonis, mostly from his collection "Singuliers", plans to offer a new reading redirecting articles and studies published about them. However, the section on the work of Salah Stétié adopts a rather extensive excavation in order to illuminate new facets remained in the shadow. Over the chapters, and particularly from the analysis of the poem “Le K”, archaeocriticism allows gradually elucidate the main issue of the ontological quest by clearing “cultural interferences” posed by the background-texts detected. Finally, “the translation writ large” illustrated in a poem by Yves Bonnefoy calls us to a careful reading of another poem in which it is explicitly question of translation. One of the background-text of the poem urges us to reread “La longue chaîne de l’ancre (Ales Stenar)” already analyzed in the beginning of our work, in order to validate certain assumptions and conjectures. Thus, this study – in which many passages intersect the texts of the three poets and others – leads to discover ontological strata of each poet work, and to draft an archaeocritic terminology
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Marrucho, Ana Cristina Ferreira Assunção. ""Presença" ou a contra-revolução do modernismo português: a crítica de um mito ou o mito da crítica?" Master's thesis, 2008. http://hdl.handle.net/10400.2/612.

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Dias, Ana Cristina Ferreira. "A literatura como corpo do tempo : a História de Portugal com a mediação da literatura no pensamento de Eduardo Lourenço." Master's thesis, 2016. http://hdl.handle.net/10400.2/5720.

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Ao longo das últimas quase sete décadas, Eduardo Lourenço veio desenvolvendo uma abordagem teórica particular para repensar a História de Portugal através da compreensão da expressão cultural de cada época e, especificamente, usando a mediação da Literatura. Neste trabalho, o nosso primeiro grande objectivo foi tentar perceber o seu método, nessa área de reflexão, a partir da exploração de alguns dos caminhos que Eduardo Lourenço, ele próprio, nos indica, desde logo no que se refere ao diálogo que estabelece com alguns outros pensadores: Michelet, ao qual se junta contra o positivismo na História; Bergson, para discutir a sua noção de Duração, como atributo qualitativo do tempo psicológico, em vez de uma medida quantitativa da existência cronológica e, finalmente, em conexão forte com os anteriores, Péguy, com quem partilha a concepção da Literatura como um instrumento privilegiado de compreensão trans-temporal, bem como a atitude radical contra o já feito e já pensado, estando sempre disponível para repensar tudo. À luz desta análise metodológica, tentámos, em sequência, ilustrar de que forma Eduardo Lourenço favorece a nossa compreensão de algumas problemáticas centrais do ser Português – quer reais, quer mitificadas – na nossa Duração colectiva associada à longeva nacionalidade, utilizando, para o efeito, a mediação da Literatura. Do religioso teatro medieval vicentino, ao poema épico de Camões sobre a Expansão, continuando para o romântico início do século XIX e prosseguindo para as várias interpelações à Nação, feitas por movimentos como a Geração de 70 ou o grupo de Orpheu, chegámos à vida em ditadura (que experienciámos através das reacções literárias do Neo-Realismo e dos Filhos de Álvaro de Campos) até 1974, quando a Revolução libertou novas vozes e temáticas, como o colonialismo. Dado que Eduardo Lourenço continua, e esperamos que prossiga, por muito tempo, a pensar sobre nós, para nós e connosco, temos também o privilégio de contar com ele para equacionar, desde já, o caótico presente em que vivemos, neste caso através de Gonçalo M. Tavares e da sua contra-epopeia para o século XXI.<br>Over the last almost seven decades, Eduardo Lourenço has developed a particular theoretical approach to rethink Portuguese History through the understanding of cultural expression of each epoch with the mediation of Literature. In this work, our first main aim was to understand his method, in this specific area of thought, beginning with the exploitation of some paths that Eduardo Lourenço, himself, indicates to us, in what concerns to the dialogue he has established with some other thinkers: Michelet to join him against the positivism in History; Bergson to discuss his concept of Duration as a qualitative attribute of psychological time, rather than a quantitative measure of chronological existence and, finally, in strong connection to the others, Péguy, to share his conception of literature as a privileged instrument to trans-temporal understanding as well as his radical attitude, against the ready-made and the already thought, being at all time available to rethink everything, from scratch. Enlightened by that methodological analysis, we tried, subsequently, to illustrate how Eduardo Lourenço favours our comprehension on some of key Portuguese problematics - both real and mythic – of our collective Duration over centuries of nationality, with the mediation of Literature. From religious medieval theatre of Gil Vicente, to Camões epic poetry on Expansion, continuing to the early nineteenth century Romanticism and then following to Geração de 70 and Orpheu exhortations to the Nation, we arrived to life under dictatorship (with literary reactions through Neo-realism and Filhos de Alvaro de Campos) until 1974, when the Revolution has freed new voices and thematic, as colonialism. Considering that Eduardo Lourenço continues, and hopefully will continue, for a long time, to think about us, for us and with us, we have also the privilege to count on him to think about the chaotic present we are living in, through Gonçalo M.Tavares deconstructive epic poem for the XXI century.
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Campinho, José Maria Cibrão. "Imagologia literária e identidade nacional em Eduardo Lourenço, Almeida Garrett e Eça de Queirós." Doctoral thesis, 2018. http://hdl.handle.net/10400.2/7249.

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A Imagologia Literária trouxe aos Estudos Literários e Culturais uma renovada e ampla perspectiva de abordagem da Literatura enquanto produto cultural específico com elevado valor identitário. Sucedânea da Literatura Comparada, a Imagologia Literária procura no texto literário as linhas configuradoras de representação de identidade. Foi o ensaísta Eduardo Lourenço quem primeiro estabeleceu uma imagologia identitária portuguesa resultante da leitura crítica da nossa Literatura moderna e contemporânea. Partindo das suas reflexões e da abordagem proposta pela recente Imagologia Literária, esta investigação pretende mostrar como se processa a articulação da Literatura com a questão da representação literária e da identidade nacional na obra de Almeida Garrett e Eça de Queirós. No primeiro capítulo faz-se uma síntese do estado actual dos estudos imagológicos e propõe-se a aplicação da sua metodologia no interior de uma mesma cultura, no plano temporal, em diferentes momentos da sua História; o segundo capítulo é dedicado ao pensamento de Eduardo Lourenço sobre a Literatura como via de interpretação e parte do processo de configuração da identidade nacional; o terceiro capítulo mostra como, através da renovação da língua e cânone literário, Almeida Garrett contribuiu para reformular a imagem identitária de Portugal; o quarto e último capítulo, mais extenso, procura analisar a relação de interdependência entre as opções estético-literárias de Eça de Queirós e a sua eficácia imagológica; explícita ou veladamente, Portugal é o tema recorrente do trajecto literário de Eça de Queirós, sobre o qual desenvolveu uma incansável demanda estético-literária iluminadora dos múltiplos aspectos da complexa questão da identidade nacional portuguesa.<br>Literary imagology has brought literary and cultural studies a broad new approach for treating literature as a specific cultural product with a high identity value. Literary imagology, in place of comparative literature, mines literary texts for configurative outlines of identity representation. The essayist Eduardo Lourenço was the first person to establish an imagology of Portuguese identity as a result of a critical reading of our modern and contemporary literature. Based on his reflections and the approach proposed by recent literary imagology, this research aims to show how literature articulates with the question of national identity in the work of Almeida Garrett and Eça de Queirós. The first chapter outlines the current state of imagological studies, and proposes applying its methodology within the same culture at different moments of its history. The second chapter is dedicated to Eduardo Lourenço's thinking on literature as a way of interpreting, and part of the process of configuring, national identity. The third chapter shows how Almeida Garrett, by renewing the literary canon and language, helped reformulate the image of Portuguese identity. The lengthier fourth and final chapter aims to analyse the relationship of interdependence between the esthetic-literary choices of Eça de Queirós and their imagological effectiveness: Portugal, overtly or covertly, is the leitmotif of the literary output of Eça de Queirós, on the basis of which he created an insatiable esthetic-literary demand by casting light on the manifold aspects of the complex question of Portuguese national identity.
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Books on the topic "1923-2020"

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Gifts, Be Creative. JUNE 2020 MY 97th BIRTHDAY: Funny Gift Idea for Lockdown and Social Distancing. Quarantined Turning 97 YEARS OLD Anniversary Gift Better Than a Card. Birthday Born in June 1923. Gag Journal Notebook 6x9 College Rulled 120 Pages. Independently Published, 2020.

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Luke, Christina. A Pearl in Peril. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190498870.001.0001.

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A Pearl in Peril: Heritage and Diplomacy in Turkey explores the relationship between an urban core and her rural hinterland. Known as the Pearl of the Mediterranean, Izmir is Turkey’s third largest city with a vast and changing countryside. Luke investigates Izmir’s hinterland in the context of its vexed and contested past as well as its burgeoning future. From the Greek “Big Idea” (Megali Idea) that foreshadowed the “Asia Minor Catastrophe” to Turkey’s first post–World War I International Fair in 1923 and the design of Izmir’s Kültürpark, this study probes the pivoting place of cultural heritage in the countryside of Izmir, from Classical ruins to active industrial landscapes. Case studies reveal contested negotiations and the legacies of the extraction industry, archaeologists, and the League of Nations; the untold story of the Tennessee Valley Authority’s project in the Aegean and open intelligence at the Izmir International Fairs; the effects at Sardis from Abu Simbel’s exorbitant price tag; and the relationship between organic olives, the European Union, highway expansion, and the preservation of Bin Tepe, Turkey’s largest royal burial. These examples illustrate the art of negotiation and diplomatic practice in archaeology as reflected in treaties, development dollars, and corporatism from the late nineteenth century to current day. Future centennial events of the League of Nations in 2020 and the Republic of Turkey in 2023 offer opportunities for reflection of Europe’s promise, Turkey’s vision, and the global context of heritage studies, human rights, and agendas of development.
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Zangwill, Andrew. A Mind Over Matter. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198869108.001.0001.

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Philip W. Anderson (1923–2020) is widely regarded as one of the most accomplished and influential physicists of the second half of the twentieth century. Educated at Harvard, he served during World War II as a radar engineer, and began a thirty-five year career at Bell Laboratories in 1949. He was soon recognized as one of the pre-eminent theoretical physicists in the world, specializing in understanding the collective behavior of the vast number of atoms and electrons in a sample of solid matter. He won a one-third share of the 1977 Nobel Prize for Physics for his discovery of a phenomenon common to all waves in disordered matter called Anderson localization and the development of the Anderson impurity model to study magnetism. At Cambridge and Princeton Universities, Anderson led the way in transforming solid-state physics into the deep, subtle, and coherent discipline known today as condensed matter physics. He developed the concepts of broken symmetry and emergence and championed the concept of complexity as an organizing principle to attack difficult problems inside and outside physics. In 1971, Anderson was the first scientist to challenge the claim of high-energy particle physicists that their work was the most deserving of federal funding. Later, he testified before Congress opposing the Superconducting Super Collider particle accelerator. Anderson was a dominant figure in his field for almost fifty years. At an age when most scientists think about retirement, he made a brilliant contribution to many-electron theory and applied it to a novel class of high-temperature superconductors.
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Book chapters on the topic "1923-2020"

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Löffler, Beate. "Catholic Church Architecture in Japan, 1923–2020." In The Palgrave Handbook of the Catholic Church in East Asia. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9365-9_42-1.

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Balkaya, İhsan Sabri. "Türkiye Cumhuriyeti’nde Eğitim (1923-2020)." In Eğitim Tarihi. Ankara Pegem Akademi Yayıncılık, 2020. http://dx.doi.org/10.14527/9786257052849.10.

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Voltmer, Rita. "Jean Delumeau (1923–2020) und die Entdeckung des „pays de la peur“." In Angstkonstruktionen. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110729603-003.

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Peixoto, João Amendoeira, and Ana Cristina Martins. "Vieira Guimarães (1864-1939) e a arqueologia em Tomar: uma abordagem sobre o território e as gentes." In Arqueologia em Portugal 2020 - Estado da Questão - Textos. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa07.

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Born in Tomar in 1864, graduated in medicine from Escola Médico Cirúrgica de Lisboa, José Vieira Guimarães died in Lisbon in 1939. During his life performed several actions to enhance cultural heritage from Tomar. He had participated in archaeological projects, publications and contacted with scholars like the archaeologist José Leite de Vasconcelos. José Vieira Guimarães was involved in associations and academies, was a member of Association of Portuguese Archaeologists, had participated in excavations, investigated, published articles and books, participated in congresses, confirmed the hypothesis of Seilium romana being located in Tomar. We present unprecedented content about his participation in a congress in 1923, as well as, we consider that he had fault with the potential proof of his work.
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Conference papers on the topic "1923-2020"

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Li, Zheng, Miao Zhao, Jing Li, Yiming Zhi, Lin Li, and Qingyang Hong. "The XMUSPEECH System for the AP19-OLR Challenge." In Interspeech 2020. ISCA, 2020. http://dx.doi.org/10.21437/interspeech.2020-1923.

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Walsh, Matthew T., and Mason A. Peck. "Survey of Methods for Calculating Impulsive $\Delta V$-Minimizing Orbit Transfer Maneuvers." In AIAA Scitech 2020 Forum. American Institute of Aeronautics and Astronautics, 2020. http://dx.doi.org/10.2514/6.2020-1923.

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Chen, Yu-Ting, Tse-Yi Tu, and Paul C. P. Chao. "The Multi Wavelength Arrayed Flexible PPG Sensing Patch for to Estimate Heart Rate and Blood Oxygen." In ASME 2020 29th Conference on Information Storage and Processing Systems. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/isps2020-1923.

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Abstract This study aims to develop the Photoplethysmography (PPG) sensor patch for to estimate the heart rate (HR) and blood oxygen (SpO2). A newly developed multi wavelength arrayed flexible OLED-OPD PPG sensing patch elevates the performance of motion artifact for not only for heart rate estimation but also blood oxygen estimation. The PPG sensing patch ensures the long-time continuous monitoring of the PPG signal from the wrist artery during sleeping, walking and cycling. The accuracy of the HRs is 92% and the accuracy of SpO2 is 95%.
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Ismail, Salah. "The Hidden Heritage of Ankara Citadel: an Ambigous Future between Conservation and Transformation." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.223.

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Although Ankara gained international attention mainly after its declaration as Capital of the Turkish Republic in 1923, the city hosts many buildings and monuments from different historical eras. The remains of Roman, Byzantine, Seljuk and Ottoman Empires discovered in the center of the city, clearly bear witness to the rich and diverse heritage of the capital. However, this heritage appears as less documented, studied and even not properly conserved. The citadel of Ankara, which dominates the narrow streets of the old city has withstood its long history very well and today houses a small neighborhood made up of valuable Ottoman wooden buildings. The link to the Roman and Medieval periods is still tangible. The Roman theatre remains at the foot of the hill are still observable, while the stone columns and beams used in the construction of the walls in a later era. The aim of this paper is to document and present the different historical eras of the castle, focusing on the remains of the medieval era. Analyzing the key features of the castle and the previous intervention on it will support the identification of the potentials of the site. Finally, recommendations for future work of architectural preservation will be elaborated on the basis of national and international conservation guidelines.
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Journal articles
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