Academic literature on the topic '1929 to 1950'
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Journal articles on the topic "1929 to 1950"
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SÆTHER, O. A., and L. C. FERRINGTON JR. "Nomenclature notes on some orthoclads (Diptera: Chironomidae)." Zootaxa 322, no. 1 (October 7, 2003): 1. http://dx.doi.org/10.11646/zootaxa.322.1.1.
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New nomenclatorial acts are proposed for chironomids in anticipation of publication on the Fauna Europaea, a database of the scientific names and distribution of all living multicellular European land and fresh-water animals. Thienemanniella caspersi Sæther is proposed as a new replacement name for Th. similis Caspers & Reiss, 1989. Five new generic combinations are given: Dactylocladius albipennis Goetghebuer, 1921, Orthocladius (Dactylocladius) brevifurcatus Edwards, 1926, and Lindebergia bothnica Tuiskunen, 1984 are transferred to Pseudosmittia Goetghebuer; while Smittia lacunarum Goetghebuer, 1931 and Smittia (Pseudosmittia) terrestris Goetghebuer , 1943 are both transferred to Bryophaenocladius Thienemann. Twenty-two new synonyms are given: Pseudosmittia amamibifurca Sasa, 1990 is a junior synonym of Pseudosmittia mathildae Albu, 1968; Pseudosmittia antillaria Sæther, 1981 of Pseudosmittia forcipata (Goetghebuer, 1921); Pseudosmittia arenaria flava Strenzke, 1960 of Pseudosmittia arenaria Strenzke, 1960; Smittia avicularia Goetghebuer, 1950 of Pseudosmittia trilobata (Edwards, 1929); Smittia brachyptera Goetghebuer, 1934 of Pseudosmittia conjuncta (Edwards, 1929); Pseudosmittia brevitarsis Brundin, 1947, Pseudosmittia kurobaokasia Sasa & Okazawa, 1992, Smittia oxoniana Edwards, 1937 not Edwards, 1922, and Pseudosmittia schachti Caspers & Reiss, 1989 of Pseudosmittia ruttneri Strenzke & Thienemann, 1942; Spaniotoma (Smittia) curticosta Edwards, 1929 of Pseudosmittia albipennis (Goetghebuer, 1921); Smittia hamata Freeman, 1956 of Pseudosmittia danconai (Marcuzzi, 1947); Pseudosmittia linguata Caspers & Reiss, 1989 of Pseudosmittia nishiharaensis Sasa & Hasegawa, 1988; Smittia longitibia Goetghebuer, 1933 and Pseudosmittia mediocarinata Caspers & Reiss, 1989 of Pseudosmittia nanseni (Kieffer, 1926); Spaniotoma (Smittia) recta Edwards, 1929 and Pseudosmittia togarisea Sasa & Okazawa, 1992 of Pseudosmittia oxoniana (Edwards, 1922); Spaniotoma (Smittia) scotica Edwards, 1929, Pseudosmittia togasitea Sasa & Pseudosmittia triplex Strenzke, 1950 is a valid species and not a synonym of P. forcipata (Goetghebuer, 1921) as stated in Ashe & Cranston (1990). Pseudosmittia virgo montana Strenzke, 1950 is raised to species level as Pseudosmittia montana. The following names are nomina dubia: Camptocladius flaviventris Kieffer, 1921, Camptocladius hexalobus Kieffer, 1924, Camptocladius longicrus Kieffer, 1921, Pseudosmittia restricta Brundin, 1956, Smittia (Pseudosmittia) tenebrosa Goetghebuer, 1943, Camptocladius trifoliatus Kieffer, 1924, Smittia (Pseudosmittia) vicana Goetghebuer, 1943.
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Vergunovs, Viktors. "Rīgas Politehniskā institūta absolvents agronoms Boriss Jenkens (1873–1943)." Inženierzinātņu un augstskolu vēsture 2 (November 1, 2018): 133–52. http://dx.doi.org/10.7250/iav.2018.011.
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Raksts veltīts Rīgas Politehniskā institūta (RPI) absolventa (1900) agronoma Borisa Jenkena (Борис Карлович Єнкен; 1873–1943) dzīvei un radošajam mantojumam. B. Jenkens bija Ukrainas nacionālās lauksaimniecības organizators, zinātnieks, selekcionārs, pedagogs, vēsturnieks un agrārās zināt- nes bibliogrāfs. Pētījums veikts, izmantojot maz zināmus un nesen plašākai publikai lietošanai nodotus dokumentus Krievijas Federācijas un Ukrainas arhīvos, kā arī monogrāfijas un publikācijas periodiskajos izdevumos. Rakstā analizēti zinātnieka dzīves un darbības periodi, kas skar nacionālās lauksaimniecības izmēģinājumu organizāciju un ieviešanu galvenokārt selekcijas un sēklaudzēšanas jomā. Akcents likts uz B. Jenkena zinātniski pedagoģisko darbību Ukrainā: Harkovā (1908–1919; 1925–1926; 1930), Odesā (1924), Maslovkā (1927–1929) un Kijevā (1928–1929).
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Astafurova, Yulia V., Maxim Yu Proshchalykin, and Maximilian Schwarz. "New and little-known species of the genus Sphecodes Latreille (Hymenoptera, Halictidae) from Southeast Asia." ZooKeys 937 (June 1, 2020): 31–88. http://dx.doi.org/10.3897/zookeys.937.51708.
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The available information about the cleptoparasitic bees of the genus Sphecodes in Southeast Asia is summarized. Thirty-one species are currently known from this area. Four new species are described: Sphecodes discoverlifei Astafurova & Proshchalykin, sp. nov. (Laos), S. engeli Astafurova & Proshchalykin, sp. nov. (Laos, Vietnam), S. ilyadadaria Astafurova, sp. nov. (Indonesia), and S. pseudoredivivus Astafurova & Proshchalykin, sp. nov. (Laos). Nine species are newly recorded from South East Asia: S. chaprensis Blüthgen, 1927 (Laos), S. howardi Cockerell, 1922 (Malaysia, Myanmar, Thailand), S. kershawi Perkins, 1921 (Indonesia, Malaysia, Myanmar, Thailand), S. laticeps Meyer, 1920 (Thailand, Vietnam), S. montanus Smith, 1879 (Laos), S. sauteri Meyer, 1925 (Laos), S. sikkimensis Blüthgen, 1927 (Laos, Myanmar), S. simlaensis Blüthgen, 1924 (Laos), and S. turneri Cockerell, 1916 (Laos). Based on type specimens, new synonymies have been proposed for Sphecodes kershawi Perkins, 1921 = S. javanensis Blüthgen, 1927, syn. nov.; S. simlaensis Blüthgen, 1924 = S. simlaellus Blüthgen, 1927, syn. nov.; S. laticeps Meyer, 1920 = S. biroi mariae Cockerell, 1930, syn. nov. Lectotypes are designated for Sphecodes biroi Friese, 1909, S. simlaellus Blüthgen, 1927, and S. laticeps Meyer, 1920. The female of Sphecodes sauteri Meyer, 1925, and the male of S. turneri Cockerell, 1916 are described for the first time.
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Pyzhyk, A. М. "Втілення в радянському художньому кіно образів «ворога» та «героя» періоду Української революції 1917-1921 рр." Науково-теоретичний альманах "Грані" 21, no. 6 (July 5, 2018): 28–38. http://dx.doi.org/10.15421/171881.
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Проаналізовано втілення в радянських художніх фільмах 1920-х – 1950-х рр. образів «ворога» та «героя» доби Української революції. Спираючись на підходи історичної імагології, відображено специфіку формування та пропагування кінематографічних образів, тематично пов’язаних із 1917–1921 рр. Підкреслено, що на думку партійних ідеологів кінематограф мав стати знаряддям поширення комуністичної ідеології та формування в суспільстві уявлень про революційне минуле. Встановлено, що зображення революційних подій через призму ідеологічних вимог влади було одним із провідних напрямків радянського кінематографа. Фільми різних жанрів відображали боротьбу більшовиків за встановлення та утримання влади у 1917–1921 рр., формували у глядачів стійкі візуальні образи «ворога» революції та «героя». З’ясовано, що ці образи мали відмінне змістове наповнення та екранне втілення у різні періоди розвитку радянського кінематографа. Так, у 1920-х роках у художніх фільмах «Остап Бандура» (1924 р.), «Пілсудський купив Петлюру» (1926 р.), «Два дні» (1927 р.), «Звенигора» (1927 р.), «Арсенал» (1929 р.) та ін. «ворогів» представляли підступними, продажними, безжальними і водночас жалюгідними та комічними. «Герої», не дивлячись на непривабливий зовнішній вигляд, показані близькими до глядача та переконаними в перемозі під час боротьби за революційну правду. У 1930-х роках, в умовах сформованої тоталітарної системи, протилежні образи зазнають певних змін і отримують додаткові риси. Так, у фільмах «Щорс» (1939 р.) та «Вершники» (1939 р.) «вороги» все більш скритні та лицемірні, а «герої» – відверті, цілеспрямовані, прямолінійні, впевнені в рішеннях і діях партійного керівництва. Встановлено, що головним персоніфікованим «ворогом» у радянському художньому кіно довоєнної доби став Симон Петлюра. У роки німецько-радянської війни та в післявоєнний період у фільмах «Олександр Пархоменко» (1942 р.) та «Правда» (1957 р.) «ворогів» зображували менш емоційно, але більш зневажливо – як невпевнених і безвольних, а революційних «героїв», навпаки – свідомими, врівноваженими, які діють за планом, розробленим вождями комуністичної партії. Доведено, що впродовж всього існування радянського кінематографа, протиставлення образів «ворога» і «героя» дозволяло показати неминучість поразки українських національних сил і перемоги більшовиків.
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Косыгина, Светлана Валерьевна. "Воспроизводство населения Новониколаевской и Алтайской губерний в 1920-1927 гг." Izvestiya of Altai State University, no. 6(110) (December 13, 2019): 62–66. http://dx.doi.org/10.14258/izvasu(2019)6-10.
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Впервые представлены показатели воспроизводства населения Алтайской и Новониколаевской губерний с целью охарактеризовать развитие демографического перехода после Первой мировой и Гражданской войн в 1920-1927 гг. Были сделаны выводы, что демографические кризисы не остановили поступательный процесс демографического перехода, а лишь на время прервали его. Коэффициенты рождаемости в губернии были сверхвысокими, коэффициенты смертности до 1926 г. были выше «нормы», тенденция снижения смертности наметилась лишь к 1927 г. Определены причины изменений численности населения, наивысший рост численности пришелся на 1926 г., минимальный уровень наблюдался в 1920-1922 гг.
Показатели брачности в 1920-1924 г. были стабильно высокими, средний показатель был выше 10%о. С 1925 г. интенсивность брачности снизилась, но средний показатель в 1925-1927 гг. оставался выше среднего (8,7%), брачность была высокой, как следствие, с 1923 г. мы наблюдаем увеличение прироста населения губерний.
Хронологические рамки охватывают 1920-1927 гг. Выбор нижней границы связан с возможностью сравнить самые кризисные эпидемические коэффициенты 1920-1922 гг. с «нестабильными» послевоенными. Верхняя граница — 1927 г. — определяется значительным снижением коэффициента смертности в обеих губерниях.
В работе выдвинуты следующие задачи: на основе архивных документов определить изменения численности и режима воспроизводства населения губернии; выявить отличия в воспроизводстве населения Новониколаевской и Алтайской губерний. Метод вычисления общих коэффициентов воспроизводства населения и табличный метод применялись во всей работе.
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Gulyás, László. "A tartományi rendszer és a nemzeti kérdés Romániában 1950-1968." Tér és Társadalom 24, no. 3 (September 1, 2010): 163–76. http://dx.doi.org/10.17649/tet.24.3.1334.
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Közép-Európa első világháború utáni új térfelosztásának egyik fontos, de kevésbé ismert jellemzője, hogy a területi folyamatok egyik legnagyobb nyertese a román állam volt, melynek területe az 1914. évi 139,1 ezer km 2-ről 1920-ra 295,9 ezer km 2-re nőtt, azaz a román állam 156,8 ezer km2 területi nyereséget könyvelhetett el a közép-európai átrendeződés következtében. Az így megszülető Nagy-Románia egyik kulcskérdése a közigazgatási térfelosztás, melynek jelentőségét jól mutatja, hogy a 20. század folyamán a román politikai elit 12 alkalommal hajtott végre közigazgatási reformot (1926, 1929, 1936, 1938, 1950, 1952, 1956, 1960, 1968, 1981, 1991, 1998). Ezek a közigazgatási reformok általában a megyerendszert próbálták megreformálni. Jelen tanulmány a szocialista korszak azon négy közigazgatási reformját (1950, 1952, 1956, 1960) elemzi, melyek a megye helyett tartományi rendszert akartak Románián belül működtetni, illetve a tanulmány záró részében röviden kitér az 1968. évi reformra, mely visszaállította a megyerendszert.
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Volkovitsh, M. G., and M. Yu Kalashian. "A new species of Sphenoptera (subgenus Chrysoblemma) from Iran with taxonomic notes on some Palaearctic species of Sphenoptera from subgenera Chrysoblemma, Hoplistura and Tropeopeltis (Coleoptera: Buprestidae)." Zoosystematica Rossica 11, no. 2 (June 25, 2003): 331–42. http://dx.doi.org/10.31610/zsr/2002.11.2.331.
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Sphenoptera (Chrysoblemma) zarudniana sp. n. from South Iran is described and compared with closely related species. The synonymy is established for the following taxa: S. (C.) striatipennis Jakovlev, 1885 (= potanini Jakovlev, 1889, procera Reitter, 1890, synn. n.), S. (C.) tamaricis Klug, 1829 (= asiatica Gory & Laporte, 1839, filiformis Gory & Laporte, 1839, walteri Reitter, 1890, dilotti Obenberger, 1929, pseudoignita Alexeev, 1978, synn. n.), S. (C.) amplicollis Jakovlev, 1899 (= phryne Jakovlev, 1905, obtusangula Obenberger, 1927, synn. n.), S. (C.) orichalcea Pallas, 1781 (= meyeri Gebler, 1830, australis Gory & Laporte, 1839, pruinosa Abeille de Perrin, 1891, chrysis Jakovlev, 1899, ostenta Jakovlev, 1908, phoebas Jakovlev, 1908, sinkiangensis Obenberger, 1927, synn. n.), S. (C.) tristicula Reitter, 1895 (= elegans Jakovlev, 1900, syn. n.), S. (C.) tomentosa Jakovlev, 1886 (= ahngeri Jakovlev, 1900, scintilla Jakovlev, 1908, synn. n.), S. (C.) punctatissima Reitter, 1895 (= venus Obenberger, 1927, syn. n.), S. (C.) jakowlewi Reitter, 1895 (= apta Jakovlev, 1903, syn. n.), S. (C.) pubescens Jakovlev, 1886 (= anniae Obenberger, 1927, amudarjensis Obenberger, 1929, synn. n.), S. (Hoplistura) semenovi Jakovlev, 1889 (= reitteri Jakovlev, 1891, sagitta Semenov, 1899, lamaica Obenberger, 1920, jedlickai Obenberger, 1927, synn. n.), S. balassogloi Jakovlev, 1885 (= protracta Jakovlev, 1885, flagrans Semenov, 1895, morawitzi Semenov, 1896, venusta Jakovlev, 1904, synn. n.), S. (H.) mesopotamica Marseul, 1865 (= turkestanica Jakovlev, 1885, fulgurans Obenberger, 1920, mesopotamica deserti Obenberger, 1920, mesopotamica sartica Obenberger, 1927, namanganensis Obenberger, 1927, synn. n.), S. (Tropeopeltis) servistana Obenberger, 1929 (= kambyses Obenberger, 1930, syn. n.), S. (T.) schneideri Reitter, 1898 (= lebedevi Obenberger, 1928, mujunkumensis Obenberger, 1928, synn. n.). A replacement name, S. (C.) obenbergeriana nom. n. proposed for the homonym S. amudarjensis Obenberger, 1952. Lectotypes are designated for 54 nominal species and 12 infraspecific taxa. Taxonomic, nomenclatural, distributional, and biological notes for many species are given.
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LI, HOUHUN, and KLAUS SATTLER. "A taxonomic revision of the genus Mesophleps Hübner, 1825 (Lepidoptera: Gelechiidae)." Zootaxa 3373, no. 1 (July 4, 2012): 1. http://dx.doi.org/10.11646/zootaxa.3373.1.1.
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The genus Mesophleps Hübner (Lepidoptera: Gelechiidae) is revised; 54 available names (including one unjustifiedemendation), one junior primary homonym and one unavailable name were considered; type material of 44 previouslydescribed nominal species was examined. Nine new species are described: M. acutunca sp. nov., M. bifidella sp. nov., M.unguella sp. nov., M. gigantella sp. nov., M. coffeae sp. nov., M. parvella sp. nov., M. aspina sp. nov., M. truncatella sp.nov. and M. undulatella sp. nov. Two possibly new species are discussed but not formally named for lack of material.Twenty-five new combinations are introduced: M. safranella (Legrand, 1965) comb. nov., M. epichorda (Turner, 1919)comb. nov., M. tabellata (Meyrick, 1913) comb. nov., M. crocina (Meyrick, 1904) comb. nov., M. ochracella (Turati,1926) comb. nov., M. geodes (Meyrick, 1929) comb. nov., M. catericta (Meyrick, 1927) comb. nov., M. tephrastis(Meyrick, 1904) comb. nov., M. cycnobathra (Lower, 1898) comb. nov., M. tetrachroa (Lower, 1898) comb. nov., M.ochroloma (Lower, 1901) comb. nov., M. trichombra (Lower, 1898) comb. nov., M. mylicotis (Meyrick, 1904) comb. nov.,M. macrosemus (Lower, 1900) comb. nov., M. apentheta (Turner, 1919) comb. nov., M. meliphanes (Lower, 1894) comb.nov., M. chloranthes (Lower, 1900) comb. nov., M. centrothetis (Meyrick, 1904) comb. nov., M. chloristis (Meyrick,1904) comb. nov., M. argonota (Lower, 1901) comb. nov., Megacraspedus arnaldi (Turati & Krüger, 1936) comb. nov.,Aponoea cinerellus (Turati, 1930) comb. nov., Pycnobathra acromelas (Turner, 1919) comb. nov., Sarotorna mesoleuca(Lower, 1900) comb. nov., S. dentata Meyrick, 1904, comb. nov. One species, Nothris mesophracta Turner, 1919, isremoved from Mesophleps but no current genus is available. Fourteen new synonymies (one genus, 13 species-group taxa)are established: Bucolarcha Meyrick, 1929, syn. nov. of Mesophleps Hübner, [1825]; Stiphrostola longinqua Meyrick,1923, syn. nov. and Brachyacma trychota Meyrick, 1929, syn. nov. of M. ioloncha (Meyrick, 1905); Lipatia crotalariellaBusck, 1910, syn. nov. of M. adustipennis (Walsingham, 1897); Brachyacma epichorda Turner, 1919, syn. nov. of M.epiochra (Meyrick, 1886); Mesophleps pudicellus var. apicellus Caradja, 1920, syn. nov. and Mesophleps silacellus subsp.calaritanus Amsel, 1939, syn. nov. of M. silacella (Hübner, 1796); Mesophleps lala Agenjo, [1961], syn. nov. of M.corsicella (Herrich-Schäffer, 1856); Crossobela barysphena Meyrick, 1923, syn. nov. of M. trinotella Herrich-Schäffer,1856; Mesophleps orientella Nel & Nel, 2003, syn. n. and Mesophleps gallicella Varenne & Nel, 2011, syn. nov. of M.ochracella (Turati, 1926); Nothris centrothetis Meyrick, 1904, syn. nov. and Nothris chloristis Meyrick, 1904, syn. nov.of M. chloranthes (Lower, 1900); Mesophleps cinerellus Turati, 1930, syn. nov. of Aponoea obtusipalpis Walsingham,1905. One genus and one species are recalled from synonymy: Pycnobathra Lower, 1901, gen. rev., and M. ioloncha(Meyrick, 1905) sp. rev. Lectotypes are designated, in accordance with the Code, article 74.7.3, for 14 species: Gelechiapalpigera Walsingham, 1891; Paraspistes ioloncha Meyrick, 1905; Lathontogenus adustipennis Walsingham, 1897;Brachyacma epichorda Turner, 1919; Nothris crocina Meyrick, 1904; Nothris ochracella Turati, 1926; Nothris tephrastisMeyrick, 1904; Ypsolophus ochroloma Lower, 1901; Ypsolophus macrosemus Lower, 1900; Nothris centrothetis Meyrick,1904; Nothris chloristis Meyrick, 1904; Ypsolophus argonota Lower, 1901; Mesophleps arnaldi Turati & Krüger, 1936,and Mesophleps cinerellus Turati, 1930. Mesophleps is a widely distributed Old World genus, except for one New Worldspecies, with seed-feeding larvae on Cupressaceae, Cistaceae, Cruciferae (Brassicaceae), Leguminosae (Fabaceae), Rubiaceae and doubtfully Dipterocarpaceae.
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Savitskaya, T. A., T. V. Makarova, and V. A. Trifonov. "Epidemiological characteristics of diphtheria morbidity in the Republic of Tatarstan in 1994." Kazan medical journal 77, no. 3 (June 15, 1996): 227–28. http://dx.doi.org/10.17816/kazmj104461.
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Before the introduction of planned vaccination against diphtheria in Tatarstan, the number of diphtheria cases per 100 thousand people was 25.3 in 1920-1929 - 25.3, 1930-1939 - 66.5, 1940-1949 - 75.4, 1950-1959 - 67,2. Planned vaccination, which began in 1955-1956, contributed to a decrease in the number of cases. Over the following decades, the average incidence rate per 100,000 population steadily decreased and was in 1960-1969 - 5.2, 1970-1979 - 0,07. However, in 1982-1985 there was a slight increase in the number of diphtheria cases, so the average morbidity rate for 1980-1989 slightly increased (0.09 per 100 thousand population).
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Vergunov, Victor. "Graduate of Riga Polytechnic Institute, agronomist Boris Jenken (1873–1943)." History of Engineering Sciences and Institutions of Higher Education 2 (November 1, 2018): 137–56. http://dx.doi.org/10.7250/hesihe.2018.011.
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The article is dedicated to the life and creative heritage of the graduate of the Riga Polytechnic Institute (RPI; 1900) agronomist Boris Jenken (Борис Карлович Єнкен; 1873–1943). B. Jenken was an organizer, scientist, breeder, educator, historian and bibliographer of agrarian science of the Ukrainian national agriculture. The study was carried out using not well-known and recently distributed documents for use in the archives of the Russian Federation and the Ukraine, as well as monographs and publications in periodicals. The article analyses the life and activity periods of the researcher related to the organization and implementation of national agricultural trials, mainly in the field of breeding and seed growing. The emphasis was placed on B. Jenkens’ scientific and pedagogical work in Ukraine: in Kharkiv (1908–1919; 1925–1926; 1930), Odessa (1924), Maslovka (1927–1929), and Kyiv (1928–1929).
Dissertations / Theses on the topic "1929 to 1950"
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Berthé, Gaffiero Catherine. "Le cinéma policier français (1910-1950) : du film à énigme au film criminel." Paris 1, 2003. http://www.theses.fr/2003PA010559.
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Catégorie peu étudiée, le Whodunit ou film à énigme a cependant fait les beaux jours du cinéma français de l'avènement du parlant jusqu'aux années cinquante. Ce type de récit peut se définir comme la restitution d'un récit absent, celui d'un crime à reconstituer, auquel il faut assigner un auteur : par cette déconstruction et reconstruction narrative, le film à énigme, tout comme son pendant littéraire le roman policier à énigme, peut être considéré comme l'émergence d'un regard critique moderne sur le bastion réaliste qui domine nos modes narratifs tant littéraires que cinématographiques. L'on se rend compte que cette forme, de marginale dans le cinéma muet, s'installe dès 1929 au sein de notre cinématographie et se verra balayée dans les années cinquante par l'émergence d'un nouveau type de cinéma policier que nous qualifions de " film criminel ". Il importe donc de savoir quelles furent les raisons, avant 1929, de la rareté du film à énigme au sein du cinéma français, quelles furent celles qui contribuèrent, pendant une vingtaine d'années, à l'essor du Whodunit et enfin celles qui contribuèrent à son déclin et à son remplacement, dans le cadre de la perception de la catégorie, par le film criminel. Partant de l'hypothèse que le film à énigme est un révélateur des modes narratifs en vigueur par la déconstruction qu'il opère afin d'un faire émerger un sens caché (Qui a tué ?) ce parcours, qui démarre aux années dix pour s'achever aux années cinquante nous donne l'occasion de visiter les modes narratifs successifs qui ont sous-tendu le cinéma français et de nous interroger sur la place laissée à une certaine modernité, voire post-modernité, dans le cadre d'une écriture cinématographique encore largement dominée par le réalisme de la représentation.
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Prytz, Johan. "Speaking of Geometry : A study of geometry textbooks and literature on geometry instruction for elementary and lower secondary levels in Sweden, 1905-1962, with a special focus on professional debates." Doctoral thesis, Uppsala : Department of Mathematics, Uppsala university, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-7902.
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Forsell, Gustaf. "Klerikal fascism : En deskriptiv innehållsanalys av Sveriges Religiösa Reformförbund, 1929-1950." Thesis, Uppsala universitet, Religionshistoria, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323871.
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The aim of this thesis is to examine how Christianity and fascism can be concatenated. The thesis has been conducted as a descriptive content analysis of the Swedish Association of Religious Reform (Sveriges Religiösa Reformförbund), established in 1929. In order to identify the Association’s socio-theological project and agenda, a Foucauldian inspired social constructionism theory has been applied. This thesis argues that by relying on a mission to ‘complete’ the Lutheran Reformation, which considered religion and culture alike, the Association’s struggle for a religious ‘rebirth’ also referred to the rebirth of Swedish culture and society. This assumption was correlated with contemporary conceptions of ‘race’ and Jews, culminating into the perception of Jesus as a masculine Aryan ideal.
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Kassel, Elena von. "Poésie et sciences sociales, sources du documentaire anglais des années 1930-1950 : l'exemple de Humphrey Jennings." Paris 10, 2003. http://www.theses.fr/2003PA100074.
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L'introduction discute de l'oeuvre de Humphrey Jennings (1907-1950), les ouvrages le concernant, et sa méconnaissance relative en France. La première partie évoque la vie de Jennings, ses engagements artistiques et littéraires, y compris dans le surréalisme anglais, la fondation de Mass Observation et son oeuvre sur la révolution industrielle, Pandaemonium. La seconde partie traite de Jennings cinéaste, en commençant par une courte histoire du mouvement documentaire britannique et les premières expériences de Jennings au cinéma. Quand la Seconde Guerre mondiale éclate, Jennings s'engage totalement en réalisant des films de propagande. Mais, s'inspirant de la tradition anglaise, ses documentaires poétiques touchent profondément les peuples et remontent leur moral ; ils demeurent aujourd'hui l'un des témoignages les plus émouvants de cette époque. Suivent des analyses détaillées des films. Jennings est mort accidentellement en 1950, mais son travail d'après guerre est contesté. Certains pensent même que l'ensemble de son oeuvre n'a qu'un intérêt circonstanciel. Notre thèse montre que l'on en est loin et que l'oeuvre de Jennings poète peintre et cinéaste est une oeuvre inestimableThe introduction focuses on Humphrey Jennings' (1907-1950) accomplishments, and what studies have been done on him, and how he is relatively unknown in France. The first part evokes Jennings' life, his literary and artistic engagements, including the crucial roles he played in the British surrealist movement, the founding of Mass Observation and his compilation on the Industrial Revolution, Pandaemonium. The second part is about Jennings the filmmaker. It begins with a short history of the British documentary film movement and Jennings' first films. With the outbreak of the Second World War, Jennings devoted himself to making propaganda films. Drawing from British tradition, these poetic documentaries had a profound effect on civilians and raised their moral. Today, they remain the most moving and true accounts of that time. Detailed analysis of these films follow. Jennings died accidentally in 1950. But his work is underrated. Some critics even believing his reputation to depend solely on the exceptional circumstances of the war. This thesis assumes the total of Jennings' work as poet, painter and filmmaker in order to establish his place as major artist of the twentieth century
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Trubert, Jean-François. "La mise en oeuvre du "caractère gestuel de la musique" chez Kurt Weill dans les années 1927-1929 et ses incidences sur la forme de l'opéra "Aufstieg und Fall der Stadt Mahagonny"." Nice, 2005. http://www.theses.fr/2005NICE2012.
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Le tandem formé par Kurt Weill et Bertolt Brecht s'est imposé comme l'un des plus prolifiques de la République de Weimar. Emblème de cette collaboration, l'opéra Aufstieg und Fall der Stadt Mahagonny composé entre 1927 et 1929 est l'enjeu d'idées théoriques comme l' "opéra épique" ou encore le "Song". Dans un article de 1929, Weill décrit le "caractère gestuel de la musique" qui participe de la manifestation d'événements scéniques et de la construction de la forme du drame comme synthèse de ses expériences. Le but de cette étude est d'interroger sa mise en œuvre musicale dans le cadre de la collaboration avec Brecht pendant la phase de création de cet opéra. L'approche adoptée privilégie une analyse concrète des phénomènes musicaux dans le contexte de la représentation, en tentant de saisir comment la musique parvient à la fois à s'insérer dans une dramaturgie et à en modeler la formeThe Kurt Weill and Bertolt Brecht's partnership has established itself to the most significant of the Weimar Republic. Composed between 1927 and 1929, the opera Aufstieg und Fall der Stadt Mahagonny is both emblematic and purpose-made for such ideas like "epic opera" or "Song", that are resultant of the author's reflections about relationship between music and theatre. In a 1929 paper, Kurt Weill has lead to the "gestic character of music", which is relevant to local drama events as well as the global construction of the form. The aim of this study is to understand this particular musical feature in the period of the collaboration between Weill and Brecht during the creation phase of Mahagonny. The approach wants to focus on musical analysis, to understand how musical idiom can both lead the dramaturgy and shape its form
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Marchi, Claudio. "La vie et le cinéma de Monty Banks : reconstruction historique du parcours professionnel de l'acteur et metteur en scène Mario Bianchi (1897-1950)." Paris 1, 2012. http://www.theses.fr/2012PA010738.
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Cunha, Luciana Bicalho da. "As roupas esportivas em Revista na cidade de Belo Horizonte (1929-1950) = moldes, recortes e costuras." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/275049.
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Orientador: Carmen Lúcia SoaresDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação Física
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Resumo: Esta dissertação teve por objetivo compreender e analisar a configuração da moda esportiva na cidade de Belo Horizonte, indiciando traços de uma educação do corpo a ela associada. Buscamos também identificar as idéias de corpo, vestuário e comportamento circulantes na capital, procurando reconhecer interlocutores, projetos e instituições envolvidas nessas prescrições de moda. Para tanto, definimos como fontes documentos que circularam na cidade no período de 1929 a 1950, tais como revistas, livros de memória e documentos iconográficos. O desenvolvimento desta pesquisa nos permitiu perceber a importância da moda esportiva na reconfiguração dos corpos e nos comportamentos na cidade de Belo Horizonte. A nova cultura urbana, baseada na modernização de hábitos e de costumes da população, propõe um novo modelo corporal no qual se configuram novos padrões vestimentares. As roupas destinadas às práticas corporais vão se tornando uma necessidade ao longo do tempo e vão, lentamente, desenhando novas formas do parecer, exibindo partes do corpo antes escondidas e modelando os contornos do novo corpo enrijecido pelo esporte. Para fazer circular todas essas concepções de roupa e corpo, as revistas foram acionadas a divulgar imagens modelos por meio das seções de moda e de publicidade e das fotografias de eventos esportivos. Dessa maneira, as roupas esportivas, em sua materialidade, sentidos e funções, participaram efetivamente de uma revolução das aparências e dos comportamentos na capital mineira
Abstract: This thesis aimed to comprehend and analyze the configuration of sportswear in the city of Belo Horizonte, indicating traces of an education of the body associated to it. We also tried to identify ideas of the body, clothing and behavior that circulated throughout that capital seeking to recognize interlocutors, projects and institutions involved in those prescriptions of fashion. For that, we defined as sources, documents that circulated throughout the city from 1929 and 1950, such as magazines, memoirs and iconographic documents. The development of this research allowed us to realize the importance of sportswear for the reconfiguration of bodies and behaviors in Belo Horizonte. The new urban culture, based on the modernization of habits and customs of the population, proposes a new model of body which configures new dressing patterns. The clothes destined to body practices become a necessity along the time slowly drawing new ways of ?appearing to be?, exhibiting parts of the body that were once hidden and modeling the outline of the new body, stiffed by sports. In order to make all those conceptions of clothing and body circulate, the magazines were driven to publicize images through the sections of fashion, publicity and photographs of sporting events. Thus, sportswear, in its materiality, meanings and purposes, effectively took place in a revolution of the appearances and behaviors of the capital of the State of Minas Gerais
Mestrado
Educação Fisica e Sociedade
Mestre em Educação Física
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Loureiro, Felipe Pereira. "Nos fios de uma trama esquecida: a indústria têxtil paulista nas décadas pós-depressão (1929-1950)." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8137/tde-11072007-102513/.
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Estudar a indústria têxtil paulista, um dos mais importantes setores fabris no final dos anos (19)20, é, de uma certa mneira, compreender uma parte fundamental daquilo que abrange o complexo industrial brasileiro. O objeto desse estudo, nesse sentido, é a evolução econômica da indústria têxtil do estado de São Paulo durante as duas décadas pós-Depressão (1929-1950). Seu desempenho produtivo, as mudanças das suas estruturas subsetoriais e espaciais e suas relações de trabalho são alguns dos aspectos que este trabalho pretende examinarTo study São Paulo\'s textile industry, one of the most important ones in the late 1920s., is, in a certain way, to comprehend a fundamental part of what the brazilian industrial complex comprises. The object of this study, thus, is the economic evolution of São Paulo state\'s textile industry during the two post-depression decades (1929-1950). Its production performance, the changings of its sub-sectorial and spacial structures and its labour relations are some of the aspects that this work seeks to examine.
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Salinas, Castañeda Julia Angélica. "El Ennui en La tentación del fracaso. Diario personal (1950-1978) de Julio Ramón Ribeyro." Master's thesis, Pontificia Universidad Católica del Perú, 2014. http://tesis.pucp.edu.pe/repositorio/handle/123456789/6967.
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Este trabajo realiza un estudio de La Tentación del Fracaso Diario Personal de Julio Ramón Ribeyro, a partir de la aplicación del tópico del ennui como factor de análisis e interpretación en el mundo interior, exterior y artístico del escritor peruano. Después de definir al ennui como una enfermedad del espíritu y el cuerpo, que afecta a las personas con una sensibilidad muy especial, se examina el ánimo apesadumbrado, triste, apático e inactivo, víctima de una depresión crónica en el escritor. Este registra cómo se enfrenta al mundo exterior que le resulta adverso y difícil debido a la falta de salud, carencias económicas, desorden y caos causados por su vida bohemia y ausencia de inspiración para su creación literaria, todas situaciones que lo limitan, entristecen y deprimen. El desánimo y la frustración se hacen evidentes en su vida artística, afectando la producción literaria ficcional al pasar por períodos de parálisis creativa, los que se tornan en productivos respecto de la escritura de los diarios en los que confiesa su desolación y angustia.This study examines La Tentación del Fracaso Diario Personal written by Julio Ramón Ribeyro, a peruvian writer. The analysis focuses on the influence of ennui in the diarist’s inner, external and artistic world. After defining ennui as an illnes of soul and body that affects people with special sensitivity, we find the writer’s inner world analysis that reveals his sad, apathetic and inactive mood suffering from chronic depression. The writer tells us how he struggles with the external world full of adversity and difficulties due to bad health, economic problems, disorder and chaos caused by his bohemian lifestyle and lack of inspiration for his literary work, situations that limit, discourage and depress his dejected spirit. Despondency and frustration are evident in the writers’s artistic life affecting his fictional literary production during periods of creative paralysis, that turn to be productive for La Tentación del Fracaso when the diarist writes in his diary confessing his bleakness and anguish.
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Raynal-Charnay, Amélie. "Le festival de Salzbourg et l'identité autrichienne 1917-1950." Paris 1, 2011. http://www.theses.fr/2011PA010511.
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Créé en 1917 sous la forme d 'une association pour célébrer Mozart, le festival de Salzbourg tient sa première édition en 1920. La toute jeune Autriche républicaine souffre alors d'une grave crise économique et du traumatisme lié à la perte de l'Empire et l'effondrement des Habsbourg. Max Reinhardt et Hugo von Hofmannsthal, chargés de la programmation, veulent faire de ce festival une manifestation pluridisciplinaire et internationale. Malgré l 'hostilité de la population et le désintérêt du Bund, les deux hommes parviennent à attirer des visiteurs étrangers à Salzbourg qui devient un événement culturel mondial majeur à partir de 1925. Le festival connaît cependant des déficits financiers à répétition couverts par le Land, la ville et le Bund qui finissent par entrer dans le conseil d'administration. La manifestation a beau être critiquée pour sa programmation conservatrice, elle devient synonyme d' excellence musicale et contribue à renforcer l'image d'une Autriche mélomane. Harcelée par le Reich en 1933 et 1934, le festival fait figure de bastion antinazi jusqu'à l'Anschluss en 1938. Sa1zbourg est alors instrumentalisé au service de la propagande de Goebbels qui l'utilise notamment pour soutenir le moral des troupes. En 1945, l'armée américaine victorieuse réussit l'exploit de restaurer le festival trois mois seulement après son entrée dans Salzbourg. C'est l'un des premiers signes de la construction d'une Autriche libre, démocratique et indépendante de l' Allemagne.
Books on the topic "1929 to 1950"
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Mehler, Karl Heinz. Davongekommen: Jugendzeit eines Mannheimers 1929-1950. Mannheim: Pylon, 1999.
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Dorli, Blaga, and Blaga Lucian 1895-1961, eds. Jurnale: 1919, 1936-1939, 1939-1940, 1959-1960. Cluj-Napoca: Casa Cărții de Știință, 2008.
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Mas, Salvador. El Rawson que yo viví: (1929-1950). Buenos Aires: Torres Agüero Editor, 1994.
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Chirat, Raymond. Catalogue, courts-métrages français de fiction, 1929-1950. [Paris]: Editions Mémoires de cinéma, 1996.
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González, Enrique Bautista. Apuntes para la historiografía de la cristiada, 1926-1950. Guadalajara, Jalisco, México: Asociación Pro-Cultura Occidental, 2006.
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McNeill, William Hardy. Hutchins' university: A memoirof the University of Chicago, 1929-1950. Chicago: University of Chicago Press, 1991.
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Mills, Gene. Another time, another place: Growing up in Swannanoa, 1929-1950. Boone, N.C: Parkway Publishers, 2002.
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Walsh, Patricia Burke Bard. The attic of my memory: The early years, 1929-1950. Fort Collins, Colo. (1538 Whedbee St., Fort Collins 80525): Huffer Design Group, 1994.
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Tölzer, Peter. Peter Tölzer: Plakatentwürfe 1929-1950 : Plakateria : 218. Wechselausstellung im Wiener Rathaus, März-Mai 1990. Wien: Wiener Stadt- und Landesbibliothek, 1990.
Find full textBook chapters on the topic "1929 to 1950"
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van Dalen, Dirk. "1920 – 1929." In The Selected Correspondence of L.E.J. Brouwer, 209–366. London: Springer London, 2011. http://dx.doi.org/10.1007/978-0-85729-537-8_4.
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Dae-jung, Kim. "1924–1959." In Conscience in Action, 3–49. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7623-7_1.
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Berry, Kenneth J., Janis E. Johnston, and Paul W. Mielke. "1920–1939." In A Chronicle of Permutation Statistical Methods, 19–100. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-02744-9_2.
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Dae-jung, Kim. "1959–1970." In Conscience in Action, 51–121. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7623-7_2.
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Berry, Kenneth J., Janis E. Johnston, and Paul W. Mielke. "1940–1959." In A Chronicle of Permutation Statistical Methods, 101–97. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-02744-9_3.
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Widdowson, Peter. "1940–1959." In The Palgrave Guide to English Literature and its Contexts, 1500–2000, 194–211. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-00099-5_7.
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Armitage, Sue, and Laurie Mercier. "1900–1920." In Speaking History, 39–70. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1007/978-0-230-10491-4_3.
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Ecker, Berthold, and Wolfgang Hilger. "1951–1959." In Die fünfziger Jahre The 1950s, 56–62. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-7091-0052-3_6.
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Almlid, Geir K. "Fighting Supranationalism, 1950–1959." In Britain and Norway in Europe Since 1945, 43–75. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-61473-7_3.
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Müller, Peter. "Budapest 1920–1928." In Sternwarten in Bildern, 162–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-58082-6_58.
Full textConference papers on the topic "1929 to 1950"
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"The Three-Hundred-Year Demographic History of Ekaterinburg: Sources and Historiography." In XII Ural Demographic Forum “Paradigms and models of demographic development”. Institute of Economics of the Ural Branch of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.17059/udf-2021-1-12.
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The paper presents the results of the historical study of the population formation in Ekaterinburg over a 300-year period. Historical sources and the process of accumulating knowledge about the number of city residents were examined. Analysis of population data revealed that the process of collecting demographic information on Russia (and, accordingly, on Ekaterinburg) took a century and a half (from the 18th century until almost the 1870s). The role of the head of the Ekaterinburg mining plants, academician I. F. Herman, in the development of population tables is shown. Since 1873, when the first one-day census of the city’s population was conducted, and then 1887, statistical and demographic information has become representative. The main source for examining the population formation of the city were the censuses of 1897, 1920, 1923, 1926, 1931, 1937, 1939, 1959, 1979, 1989, 2002, 2010, as well as the current population records. A brief review of historical literature showed that the study of the population of Ekaterinburg is in its infancy.
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Pérez Romero, Manuel. "Del Master-plan al Non-plan: una evolución desde los sistemas conservativos a los sistemas auto-organizados." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5921.
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En un período de intensos quince años entre 1954 y 1969 se fragua un cambio de paradigma de los modelos conservativos definidos por el movimiento moderno hasta los sistemas auto-organizados. Esta profunda transformación puede ser explicada a partir de dos líneas paralelas: por un lado por las declaraciones de intenciones o manifiestos que surgen en oposición a los sistemas cerrados y por otra por las influencias de las teorías científicas de la época. Seis manifiestos con una cierta condición interdisciplinar, debido a su contagio con campos como la biología, la química, la cibernética o la autoorganización, cambiarán el rumbo de este nuevo urbanismo emergente: el Manifiesto de Doorn (1954), el Manifiesto de la Open Form de Oskar Hansen (1959), los Principios de la Urbanismo Móvil de Yona Friedman (1959), el Manifiesto Metabolista (1960), la arquitectura aditiva de Jorn Utzon (1958-1970) y finalmente el provocativo manifiesto-experimento "Non-Plan: An Experiment in Freedom" de Paul Barker, Peter Hall, Reyner Banham y Cedric Price. During a vivid period of fifteen years between 1954 and 1969, there’s a paradigm shift from conservative
models defined by the modern movement to self-organizing systems. Two parallel lines can explain this
profound transformation: on one side, by the statements or manifestos in opposition to closed systems and,
on the other, by the influences of scientific theories at the time. Six manifestos with a certain interdisciplinary
condition, associated to fields such as biology, chemistry, cybernetics or self-organization, change the
direction of this new emerging urbanism: The Doorn Manifesto (1954), Oskar Hansen’s Open Form
Manifesto (1959), Yona Friedman’s Principles of Mobile Urbanism (1959), the Metabolist Manifesto (1960),
Additive architecture by Jorn Utzon (1958-1970) and finally the provocative experiment-manifesto "Non-Plan:
An Experiment in Freedom” by Paul Barker, Peter Hall, Reyner Banham and Cedric Price
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Dubois, Marc. "Le Corbusier et la Belgique / Son Héritage." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.896.
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Résumé: À la suite de l’exposition de Paris 1925, le peintre René Guiette demande à LC de lui construire une maison avec atelier à Anvers. Ce bâtiment superbe existe encore, le seul témoignage de LC construit en Belgique! LC vient pour la première fois à Bruxelles en 1926 pour donner une conférence. Après une deuxième conférence en 1928 il reçoit une commande de Jean Canneel-Claes pour une maison, publiée par Le Corbusier en 1929 comme « Maison pour M. X à Bruxelles ». En 1930, il est présent à Bruxelles pour le congres CIAM. En 1933, LC participe au concours pour la Rive Gauche d’Anvers. En 1938 on lui demande de participer à l’ exposition de Liège en 1939, mais rien n’est construit. LC est présent à l’exposition Universelle de Bruxelles 1958 avec le pavillon exceptionnel pour Philips. Après l’expo, Le Poème Electronique est démoli. Keywords: LC 5xBelgique, Stynen & De Meyer, deSingel, Riverside Tower. DOI: http://dx.doi.org/10.4995/LC2015.2015.896
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Rodionova, Oxana. "MILESTONES IN TRANSLATING CHINESE LITERATURE FOR CHILDREN INTO RUSSIAN LANGUAGE." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.31.
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The purpose of this study is to observe the overall picture of translations of Chinese literature for children into Russian language from the first editions to the present day. In addition to compiling a complete chronological list of all Chinese books translated into Russian from the category of children’s reading, our tasks included identifying and characterizing the main periods, trends and patterns in the development of translation and book publishing of Chinese children’s literature in Russian, analyzing the dynamics of translations in different years, analyzing the activities of translators who contributed to the development of cultural ties between the two countries, listing the names of the best illustrators, whose work played an important role in popularizing Chinese literature for children, identifying the main problems in translation and publication of children’s Chinese books in Russia at different periods. After studying the general picture of translations of Chinese literature for children into Russian, as well as taking into account the nature of historical events and political relations between China and Russia, we propose to distinguish the following seven periods in translation: 1779–1917; 1918–1949; 1950–1959; 1960–1980; 1981–1991; 1992–2013; since 2014.
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dos Santos, Camila, and Andreia Machado Oliveir. "Zonas de Ação da Comunicação em Arte e Tecnologia - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g142.
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Zonas de Ação Comunicativa em Arte e Tecnologia – ZACAT, é uma pesquisa de mestrado desenvolvida no âmbito do Programa de Pós-Graduação em Artes Visuais da Universidade Federal de Santa Maria (PPGART-UFSM), dentro da área de concentração de Arte Contemporânea e linha de pesquisa Arte e Tecnologia, sob a orientadora da Dra. Andrea Machado Oliveira. ZACAT é um conjunto de poéticas sonoras e visuais, que consiste numa investigação sobre práticas comunicacionais artísticas de caráter ativista. Em primeiro lugar, através de estratégias e propostas diversificadas para diferentes interlocutores vividos em 2019, em diferentes espaços da cidade de Santa Maria — ruas, museus, galerias de arte, universidade, escola, redes sociais, espaço das ondas de rádio. Posteriormente, devido ao cenário mundial apresentado desde 2020, com a pandemia de COVID-19, a poética passa por transformações significativas. Além das estratégias artísticas e comunicacionais passarem por mudanças de abordagem, o espaço Santa Maria desloca-se para o do Clube Naturista Colina do Sol (CNCS), localizado no município de Taquara, também no Rio Grande do Sul — não urbanizado e imerso no meio selvagem, com menos interferência da ação humana, o que proporciona outras formas de escuta e conexão, além da relação com o corpo, comunicação e tecnologia, como o uso de plataformas on-line de realidade virtual para compartilhar o trabalho realizado. Para abordar a construção desta pesquisa, são utilizados estudos sobre metodologia da pesquisadora e artista plástica Sandra Rey (1953). Como fundamentação teórica, faz-se referência à ideia de micropolítica, conceito que remete aos filósofos Michel Foucault (1926-1984) e Gilles Deleuze (1925-1995), e à crítica de arte Suely Rolnik (1948). As práticas artísticas ativistas baseiam-se nas experiências de coletivos brasileiros da década de 1990 até a atualidade, conforme visto na historiografia do Art Ativismo dos anos 1950, com filósofos autonomistas italianos como Giorgio Agamben (1942) e Franco Berardi (1949). Para apoiar a noção de Arte e Comunicação, partimos de autores como Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello e Giselle Beiguelman. O conceito de dispositivo surge da investigação teórica e é um mediador das práticas artísticas, tendo como referência Agamben, Foucault, Vilém Flusser (1920-1991) e Gilbert Simondon (1924-1989). Desde performances, passando por instalações, áudios, vídeos e experiências interativas presenciais ou via redes virtuais, esta pesquisa busca dar visibilidade à micropolítica cotidiana, com suas memórias, afetos, impulsos de vida formalizados ou efêmeros em momentos de encontro.
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Magalhães, Ana. "Le Corbusier’s legacy in the tropics: modern architecture in Angola and Mozambique (1950-70)." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.978.
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Abstract: Le Corbusier’s work and thought are a predominant influence over the Modern Movement, and their worldwide spreading acquired a significant dimension during the Second Post-War period. Such predominance of the architectural models conveyed by Le Corbusier may have originated in the rationale enunciated in his written work, which clearly explains a set of doctrinaire parameters, or in his active determinant role in international organisations such as the CIAM, but particularly in his ability to become a global architect, which led to a large international publication of his work. This paper intends to analyse the significance of the Corbusian legacy in architectural production in Angola and Mozambique during the 1950s and 1960s. These two former Portuguese colonies, far away from the centre of power dominated by the dictatorship of the so-called Estado Novo, were tantamount to a land of freedom and were, for a significant range of young architects working and building there, a laboratory for testing new languages of the Modern Movement, particularly on the basis of the Corbusian vocabulary. Two of those young architects Vasco Vieira da Costa (1911- 1982) and Fernão Simões de Carvalho (1929-), who worked in Angola from the beginning of the 50s, were trainees in Le Corbusier’s Paris ateliers. In addition to the work developed by those two architects, the specificity of the architectural production in Angola and Mozambique, particularly private order work, is clearly referenced to the Corbusian lexicon, whether in a more orthodox or a more hybrid way. Keywords: Le Corbusier; Le Corbusier’s legacy; Architecture in Lusophone Africa; Colonial; Tropical. DOI: http://dx.doi.org/10.4995/LC2015.2015.978
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Kirillova, Zoya N. "Tatar Education from 1920-1930." In 2nd International Forum on Teacher Education. Cognitive-crcs, 2016. http://dx.doi.org/10.15405/epsbs.2016.07.49.
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dos Santos, Camila, and Andreia Machado Oliveir. "Zonas de acción comunicativa en el arte y la tecnología - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g141.
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Zonas de Acción de Comunicación en Arte y Tecnología (ZACAT) es una investigación de maestría desarrollada dentro del Programa de Posgrado en Artes Visuales de la Universidade Federal de Santa Maria (PPGART-UFSM), dentro del área de concentración de Arte Contemporáneo y de investigación en Arte y Tecnología, bajo la supervisión de la Dra. Andrea Machado Oliveira. ZACAT es un conjunto de poéticas sonoras y visuales que consiste en una investigación sobre prácticas comunicacionales artísticas de carácter activista. En primer lugar, a través de estrategias y propuestas diversificadas para diferentes interlocutores experimentadas en 2019 en diferentes espacios de la ciudad de Santa María —calles, museos, galerías de arte, universidad, escuela, redes sociales, espacios de ondas de radio—. Posteriormente, debido al escenario mundial presentado desde 2020, con la pandemia del virus SARS-CoV-2, que provocó la enfermedad del Nuevo Coronavirus, COVID-19, la poética sufrió transformaciones significativas. Además de las estrategias artísticas y comunicacionales que experimentaron cambios de enfoque, el espacio de Santa María se trasladó al del Clube Naturista Colina do Sol (CNCS), ubicado en el municipio de Taquara, también en Rio Grande do Sul. Se trata de un espacio no urbanizado, inmerso en un medio salvaje y menos interferido por la acción humana, lo que proporciona otras formas de escucha y conexión, además de la relación con el cuerpo, la comunicación y la tecnología, así como el uso de plataformas de realidad virtual online para compartir el trabajo llevado a cabo. Para abordar la construcción de esta investigación se utilizan los estudios sobre metodología de la investigadora y artista Sandra Rey (1953). Como fundamento teórico se hace referencia a la idea de micropolítica, concepto que remite a los filósofos Michel Foucault (1926-1984) y Gilles Deleuze (1925-1995) y a la crítica de arte Suely Rolnik (1948). Las prácticas artísticas activistas se basan en las experiencias de los colectivos brasileños desde la década de 1990 hasta la actualidad, como se ve en la historiografía del Activismo Artístico de la década de 1950, con filósofos autonomistas italianos como Giorgio Agamben (1942) y Franco Berardi (1949). Para apoyar la noción de Arte y Comunicación partimos de autores como Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello y Giselle Beiguelman. El concepto de dispositivo surge de la investigación teórica y es un mediador de las prácticas artísticas, teniendo como referencia a Agamben, Foucault, Vilém Flusser (1920-1991) y Gilbert Simondon (1924-1989). Desde performances, pasando por instalaciones, audio, video y experiencias interactivas en persona o vía redes virtuales, esta investigación busca dar visibilidad a la micropolítica cotidiana, con sus recuerdos, afectos e impulsos de vida formalizados o efímeros en momentos de encuentros.
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dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.
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Communication Action Zones in Art and Technology, in portuguese Zonas de Ações Comunicacionais em Arte e Tecnologia – ZACAT – is a master's research developed in Brazil, made before and during the SARS-CoV-2 virus pandemic, which causes the New Coronavirus disease. This artistic and academic work includes a set of sound and visual poetics based on an investigation of artistic communicational practices of an activist character, with the mediation of several questions about the current Brazilian history. Firstly, through diversified strategies and proposals for different interlocutors, with experiments in 2019, in different spaces in the city of Santa Maria, state of Rio Grande do Sul - streets, museums, art galleries, university, school, social networks, radio wave space. Subsequently, as a result of the world scenario presented from 2020, with the COVID-19 pandemic, the poetic undergoes significant transformations. In addition to the artistic and communicational strategies undergoing changes in approach, the Santa Maria space moves to that of the Clube Naturista Colina do Sol (CNCS), a naturist community located in the municipality of Taquara, also in Rio Grande do Sul. Not urbanized and immersed with the wild environment the least interfered by human action, which provides other forms of listening and connection, in addition to the relationship with the body, communication and technology, such as the use of online virtual reality platforms to share the work carried out. To approach the construction of this research, studies on methodology by the researcher and artist Sandra Rey (1953) are used. As a theoretical foundation, reference is made to the idea of micropolitics, a concept that refers to philosophers Michel Foucault (1926-1984) and Gilles Deleuze (1925-1995) and to art critic Suely Rolnik (1948). Activist artistic practices are based on the experiences of Brazilian collectives from the 1990’s to the present, as seen under the historiography of Art Activism from the 1950’s, with Italian autonomist philosophers such as Giorgio Agamben (1942) and Franco Berardi (1949). To support the notion of Art and Communication, authors such as Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello and Giselle Beiguelman are based on. The concept of device emerges from theoretical research and mediates artistic practices, having as reference Agamben, Foucault, Vilém Flusser (1920-1991) and Gilbert Simondon (1924-1989). From performances, through installations, through audio, video and face-to-face interactivity experiments or via virtual networks, this research seeks to give visibility to everyday micropolitics, with their memories, affections, formalized or ephemeral life impulses in moments of encounters. And how the artistic works can unfold in different contexts, in front of different audiences and under challenging conditions in terms of a larger historical context.
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Ratushnyak, Oleg. "COSSACK EMIGRANTS IN BULGARIA (1920 � 1930)." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.060.
Full textReports on the topic "1929 to 1950"
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Ricciulli-Marín, Diana, Jaime Bonet-Morón, and Gerson Javier Pérez-Valbuena. Cien años de finanzas públicas territoriales en Colombia. Banco de la República Colombia, December 2022. http://dx.doi.org/10.32468/chee.56.
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Usando series históricas de ingresos y gastos ejecutados por los distintos niveles de gobierno para el periodo 1923-2020, este documento describe la evolución de los desequilibrios fiscales verticales y horizontales entre el gobierno nacional, los departamentos y los municipios en Colombia. El análisis permite identificar cuatro grandes momentos de las finanzas públicas territoriales en Colombia. Las décadas de 1910 y 1920 constituyen un primer momento marcado por el fortalecimiento de la autonomía fiscal de los gobiernos subnacionales. Posteriormente, con la República Liberal en los treinta, inició un segundo periodo caracterizado por reformas centralizadoras que buscaron robustecer los ingresos del gobierno nacional central, y en menor medida los de municipios y departamentos. En el lapso de 1960-1990, los cambios se enfocaron en corregir los desbalances fiscales existentes a través del aumento de las transferencias a las regiones, la creación de institutos descentralizados y fondos territoriales, y la introducción de un nuevo estatuto tributario territorial en 1983. Finalmente, un último momento inicia con la Constitución Política de 1991, la cual dio un impulso final a la descentralización y abrió el camino hacia las reformas que construyeron el actual marco normativo de las finanzas públicas territoriales en Colombia.
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Story, Madison, and Adam Smith. Fort Hunter Liggett : a history and analysis. Engineer Research and Development Center (U.S.), January 2023. http://dx.doi.org/10.21079/11681/46340.
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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires Federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires Federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of Federal undertakings on those potentially eligible for the NRHP. Fort Hunter Liggett is located on California’s Central Coast within Monterey County. The fort has been used as a training facility for large-scale maneuvers and live-fire exercises since its establishment as a US Army training facility in 1941. The periods of significance for Criterion A are: from 1769 to 1833, relating to the founding and development of Mission San Antonio de Padua; from 1834 to 1923, relating to Euro-American land grants and ranchos; from 1923 to 1940, relating to Hearst’s purchase of the property and subsequent development; from 1940 to 1945, relating to the establishment of the Hunter Liggett Military Reservation (HLMR) and activities related to WWII; from 1959 to 1970, relating to the establishment and buildup of CDEC; and from 1975 to 1980, relating to HLMR’s redesignation as Fort Hunter Liggett and associated development. This report provides a comprehensive historic context for ranges, features, and buildings at Fort Hunter Liggett in support of Section 110 of the NHPA.
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Thomas, M. D. Magnetic and gravity characteristics of the Thelon and Taltson orogens, northern Canada: tectonic implications. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329250.
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Differences of opinion concerning the relationship between the Thelon tectonic zone and the Taltson magmatic zone, as to whether they are individual tectonic elements or two independent elements, have generated various plate tectonic models explaining their creation. Magnetic and gravity signatures indicate that they are separate entities and that the Thelon tectonic zone and the Great Slave Lake shear zone form a single element. Adopting the single-element concept and available age dates, a temporally evolving plate tectonic model of Slave-Rae interaction is presented. At 2350 Ma, an Archean supercontinent rifted along the eastern and southern margins of the Slave Craton. Subsequent ocean closure, apparently diachronous, began with subduction at 2070 Ma in the northern Thelon tectonic zone, followed by subduction under the Great Slave Lake shear zone at 2051 Ma. Subduction related to closure of an ocean between the Buffalo Head terrane and the Rae Craton initiated under the Taltson magmatic zone at 1986 Ma, at which time subduction continued along the Thelon tectonic zone. At 1970 Ma, collision in the northern Thelon tectonic zone is evidenced in the Kilohigok Basin. From 1957 to 1920 Ma, plutonism was active in the Taltson magmatic zone, Great Slave Lake shear zone, and southern Thelon tectonic zone. The plutonism terminated in the northern Thelon tectonic zone at 1950 Ma, but it resumed at 1910 Ma and continued until 1880 Ma. The East Arm Basin witnessed igneous activity as early as 2046 Ma, though this took place more continuously from 1928 to 1861 Ma; some igneous rocks bear subduction-related trace element signatures. These signatures, and the presence of northwest-verging nappes, may signify collision with the Great Slave Lake shear zone as a result of southeastward subduction, completing closure between the Slave and Rae cratons.
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Heikki, Nevanlinna. Petsamon magneettinen observatorio polaarivuonna 1932-1933: Varhaisia meteorologisia kokeita suomalaisella radioluotaimella. Finnish Meteorological Institute, 2022. http://dx.doi.org/10.35614/isbn.9789523361652.
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Tämä tutkimus käsittelee kansainvälisen polaarivuoden 1932–1933 aikana toimineen Petsamon magneettisen observatorion havaintotuloksia. Mukana on lyhyt katsaus polaarivuoden aikana ja sen jälkeen uudella suomalaisella meteorologisella radiosondilla tehdyistä kokeista 1930-luvun lopulla. Näitä kahta aihepiiriä yhdistää FM Mauri Tommila (1905–1971), joka toimi Petsamon observatorion johtajana ja joka sen jälkeen osallistui merkittävällä panoksella yhdessä Vilho Väisälän kanssa radiosondin kehittelyyn 1934–1939. Sondi valmistui operatiivisen sääpalvelun käyttöön vuonna 1936. Väisälän sondia testattiin vuosina 1937 ja 1939 Huippuvuorilla ja Atlantilla. Molemmissa retkikunnissa Tommila oli mukana. Petsamon observatorio oli yksi Suomen geofysikaalisen tiedeyhteisön kontribuutioista polaarivuoden tutkimus- ja havainto-ohjelmiin. Sen päätehtävä oli rekisteröidä maan magneettikentän vaihteluja jatkuvasti toimivilla laitteilla ajan havaintokäytäntöjen mukaisesti. Päävastuu observatorion toiminnoista oli Suomalaisella Tiedeakatemialla ja sen Sodankylän observatoriolla. Tarvittavat rekisteröintilaitteet oli hankittu Tanskan meteorologiselta laitokselta ja ne edustivat aikansa mittausteknologista huippua. Observatorio oli myös Ilmatieteen laitoksen tärkeä havainto- ja koeasema polaarivuoden ohjelmassa. Polaarivuoden havainto-ohjelman ja laiterakennuksien suunnittelun olivat tehneet Sodankylän magneettisen observatorion johtaja Eyvind Sucksdorff (1899–1955) ja Ilmatieteen laitoksen johtaja Jaakko Keränen (1883–1979). Keränen oli Sodankylän magneettisen observatorion ensimmäinen johtaja 1913–1917 (Nevanlinna, 2014). Petsamon observatorio sijaitsi lähellä Pohjoisen jäämeren rannikkoa Petsamojoen suistossa. Petsamo on nykyään Venäjän hallinnoimaa aluetta. Petsamon magneettinen observatorio oli toiminnassa 13 kuukautta 1.8.1932–31.8.1933 välisen ajan. Rekisteröintitulokset tieteelliseen käyttöön muodostuivat alan käytännön mukaisista magneettikentän eri komponenttien tuntikeskiarvoista. Mauri Tommila julkaisi tulokset taulukkojen muodossa yhdessä tarvittavien metadatatietojen kanssa kansainväliseen tutkimuskäyttöön (Tommila, 1937a). Tässä julkaisussa on yhteenveto tehdyistä magneettikentän mittauksista. Vertailu Sodankylässä tehtyihin samanaikaisiin rekisteröintituloksiin osoittavat, että Petsamon observatorion rekisteröintitulokset ovat olleet korkeatasoisia ja että julkaistu aineisto on tieteellisiin analyyseihin käyttökelpoista. Kaikki Suomen vanhat historialliset magneettiset rekisteröintiaineistot ovat nyt digitoitu Petsamon aineiston valmistuttua. Vanhin niistä on Helsingin magneettisen observatorion havainnot 1844–1910. Petsamon observatorioon rinnastuu Sodankylän magneettiseen ja meteorologiseen observatorioon polaarivuodelta 1882– 1883. Myös sen magneettiset ja meteorologiset havainnot uudelleen julkaisu ja digitoitu (Nevanlinna, 2017a).
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Романець, Наталя Радомирівна, and Валентин Васильович Іваненко. Роль місцевого партійно-державного апарату у здійсненні політики колективізації на Дніпропетровщині. Вид-во Дніпропетр. нац. ун-ту, 2009. http://dx.doi.org/10.31812/123456789/4188.
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Гаврилюк, М. Н., І. С. Митяй, and Володимир Іванович Стригунов. Самарський Сергій Левкович (1915–1998) — до сторіччя від дня народження. Черкаський університет, 2015. http://dx.doi.org/10.31812/0564/1496.
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таття присвячена життю та науковій творчості видатного українського зоолога – Сергія Левковича Самарського (1915-1998). Навчався в Дніпропетровському державному університеті (1936-1941), в аспірантурі Київського педагогічного інституту (1949-1952). Кандидат біологічних наук (1954). Працював в Одеському університеті ім. І. І. Мечникова (1956-1961); Черкаському педагогічному інституті (1961-1987), де очолював кафедру зоології. Здійснював наукові дослідження фауни й екології наземних хребетних Середнього Придніпров’я. Автор понад 100 наукових і науково-методичних робіт, зокрема першого українськомовного підручника для вишів із зоології хребетних. Популяризатор охорони природи. Керував аспірантурою, в якій підготував 23 кандидати біологічних наук у галузі зоології. Учасник Другої Світової Війни.
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Hostetler, Steven, Cathy Whitlock, Bryan Shuman, David Liefert, Charles Wolf Drimal, and Scott Bischke. Greater Yellowstone climate assessment: past, present, and future climate change in greater Yellowstone watersheds. Montana State University, June 2021. http://dx.doi.org/10.15788/gyca2021.
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The Greater Yellowstone Area (GYA) is one of the last remaining large and nearly intact temperate ecosystems on Earth (Reese 1984; NPSa undated). GYA was originally defined in the 1970s as the Greater Yellowstone Ecosystem, which encompassed the minimum range of the grizzly bear (Schullery 1992). The boundary was enlarged through time and now includes about 22 million acres (8.9 million ha) in northwestern Wyoming, south central Montana, and eastern Idaho. Two national parks, five national forests, three wildlife refuges, 20 counties, and state and private lands lie within the GYA boundary. GYA also includes the Wind River Indian Reservation, but the region is the historical home to several Tribal Nations. Federal lands managed by the US Forest Service, the National Park Service, the Bureau of Land Management, and the US Fish and Wildlife Service amount to about 64% (15.5 million acres [6.27 million ha] or 24,200 square miles [62,700 km2]) of the land within the GYA. The federal lands and their associated wildlife, geologic wonders, and recreational opportunities are considered the GYA’s most valuable economic asset. GYA, and especially the national parks, have long been a place for important scientific discoveries, an inspiration for creativity, and an important national and international stage for fundamental discussions about the interactions of humans and nature (e.g., Keiter and Boyce 1991; Pritchard 1999; Schullery 2004; Quammen 2016). Yellowstone National Park, established in 1872 as the world’s first national park, is the heart of the GYA. Grand Teton National Park, created in 1929 and expanded to its present size in 1950, is located south of Yellowstone National Park1 and is dominated by the rugged Teton Range rising from the valley of Jackson Hole. The Gallatin-Custer, Shoshone, Bridger-Teton, Caribou-Targhee, and Beaverhead-Deerlodge national forests encircle the two national parks and include the highest mountain ranges in the region. The National Elk Refuge, Red Rock Lakes National Wildlife Refuge, and Grays Lake National Wildlife Refuge also lie within GYA.
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Lamontagne, M., P. Archambault, and S. Halchuk. Macroseismic information for the seven largest moderate earthquakes of the Charlevoix seismic zone, Quebec, between 1870 and 2021: February 3, 1902, M 4.5; September 30, 1924, M 5.2; January 08, 1931, M 4.9; October 19, 1939, M 5.3; October 14, 1952, M 4.5; August 19, 1979, M 4.8; March 6, 2005, M 4.7. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/329135.
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This Open File Report provides the available macroseismic information for the seven largest moderate earthquakes that occurred in the Charlevoix Seismic Zone between 1870 and 2021. These earthquakes and their moment magnitude (M) are: 1) February 3, 1902, M 4.5; 2) September 30, 1924, M 5.2; 3) January 08, 1931, M 4.9; 4) October 19, 1939, M 5.3; 5) October 14, 1952, M 4.5; 6) August 19, 1979, M 4.8; 7) March 6, 2005, M 4.7. Five, possibly six, of these seven earthquakes occurred in the northeast portion of the CSZ, where the largest event of the period, the 1925 M 6.2 earthquake, also occurred. For each locality where the earthquakes were felt, macroseismic information is given and interpreted on the Modified Mercalli Intensity Scale. The original mail questionnaires filled by postmasters for earthquakes no. 3, 4, 5 and 6 are lost. Consequently, the main sources of information are the newspaper accounts except for no. 7 for which web-based questionnaires are available. The macroseismic information from localities in Canada and in the US (from NOAA) are tabulated in Microsoft Excel spreadsheets. Most newspaper clippings that have macroseismic information are included. The Open File also provides Google Earth kmz files that allow the felt information reports to be viewed in a spatial tool.
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A., ROUSIER. 100-year anniversary of the origin of the OIE at the 1921 Paris International Conference. O.I.E (World Organisation for Animal Health), March 2021. http://dx.doi.org/10.20506/bull.2021.nf.3164.
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Following the outbreak of rinderpest that devastated post-war Europe in 1920, Emmanuel Leclainche urged the coordination of an international conference to study epizootics and their prevention. The conference was held in Paris in May 1921 and called for the establishment of an International Office for the control of epizootics.
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Іваненко, Валентин, and Наталя Радомирівна Романець. Опір селян насильницькій колективізації та голодомору. Дніпропетровщина. КДПУ, 2009. http://dx.doi.org/10.31812/123456789/5686.
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У книзі з’ясовано причини, перебіг і наслідки селянського руху опору на Дніпропетровщині в умовах колективізації кінця 1920-х - початку 30-х рр. та Голодомору-Геноциду 1932-1933 рр. Простежена реакція селянства на страхітливі більшовицькі перетворення в українському селі, розглянуто форми опору, гасла, вплив на політику влад, описано Павлоградське повстання 1930 р., яке стало найпотужнішим виявом селянського спротиву на Дніпропетровщині.