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1

Leete, Art. "Narratives of Indigenous Resistance in North-Western Siberia in the 1930s." Suomen Antropologi: Journal of the Finnish Anthropological Society 47, no. 3 (2023): 53–73. http://dx.doi.org/10.30676/jfas.115574.

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The paper discusses official and Indigenous views of the Khanty and Forest Nenets uprising against the Soviets, known as the Kazym War (1931–1934). The rebellion is well documented in archival sources and covered by scholarly research, popular essays, and novels. Almost a century after the uprising, Indigenous narratives about the uprising are still circulating in local communities. Specifically, this paper addresses selected episodes of the Kazym War reflected both in official and Indigenous narratives. I focus on the analysis of diverse modes of narrating hybrid knowledge produced in a conta
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2

Shastina, Tatiana P. "A SHAMAN IN THE LITERARY IMAGE OF THE SOVIET NATIONAL PERIPHERY. OIROTIA, 1920S–1930S." Vestnik Tomskogo gosudarstvennogo universiteta, no. 392(3) (March 1, 2015): 43–53. http://dx.doi.org/10.17223/15617793/392/7.

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3

Jung, Hyeyoung. "A World of Pre-modern Bizarreness and Fantasy." Hankuk University of Foreign Studies Literature Studies 89 (February 28, 2023): 55–75. http://dx.doi.org/10.22344/fls.2023.89.55.

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The subject of this study is the Korean novel Baeksado (The Picture of White Serpent) (1939). It depicts a female shaman who worships snakes, a man's maniacal love for that female shaman, and the tragic fate that the two face as a result of that love. This study tries to search for the root of the horror, dream, bizarreness, and beauty of the 'Picture of White Serpents’--the fantasy created by dozens of snakes wrapped around a woman's beautiful body—which cannot be explained by modern rationality. The Baek Baek Gyo (White Cult) Incident, which shook Korean society in the late 1930s when Baeksa
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4

Sundström, Olle. "Is the shaman indeed risen in post-Soviet Siberia?" Scripta Instituti Donneriani Aboensis 24 (January 1, 2012): 350–87. http://dx.doi.org/10.30674/scripta.67426.

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In his exhaustive study of ‘shamanism’ among the Altaic peoples in Southern Siberia, the renowned Soviet ethnographer Leonid P. Potapov contends that ‘under the present conditions there are no remnants or survivals of Shamanism as such left in Altai’. What remains are legends and reminiscences, but these can no longer be told by people with personal experiences of Altaic ‘shamans’ and their rituals. According to Potapov, modern socialist culture has changed the minds of the Altaic peoples to the degree that they are now a materialistically thinking people, and ‘shamanism’ has completely disapp
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5

Дампилова, Л. С., and Д. А. Носов. "Tatyana Kapitovna Alekseeva’ Legacy in the Collections of Institute of Oriental Manuscripts of RAS and the Center of Oriental Manuscripts and Xylographs of IMSBT SB (to the 110th anniversary of her birth)." ТРАДИЦИОННАЯ КУЛЬТУРА 24, no. 2 (2023): 164–74. http://dx.doi.org/10.26158/tk.2023.24.2.014.

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В статье содержится предварительная характеристика наследия малоизвестного на сегодняшний день собирателя шаманского фольклора западных бурят — Татьяны Капитовны Алексеевой. Она работала в 1940-е гг. на территории современного Осинского района Иркутской области РФ. Круг ее информантов был узок, что позволило собирателю подробно зафиксировать репертуар шаманов, приложив к текстам детальное описание обрядов. Источниковой базой исследования стали два фонда архива Центра восточных рукописей и ксилографов ИМБТ СО РАН (г. Улан-Удэ) и одна единица хранения из коллекции монгольских рукописей ИВР РАН (
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6

Jagielski, Sebastian, and Robert Gałązka. "The Political Unconscious of Polish 1990s Cinema." Polish Review 70, no. 1 (2025): 31–50. https://doi.org/10.5406/23300841.70.1.03.

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Abstract Andrzej Żuławski's Szamanka [She-Shaman, 1996], based on a screenplay by feminist writer Manuela Gretkowska, uses obscene fantasy to expose the social dynamics of 1990s’ Poland. These were obscured by the ideological fantasies that reinforced the reactionary ideology of the transition, excluding the lower classes from the transformation project and blocking emancipatory potentials. She-Shaman, I contend, provocatively revives a longstanding fear of invasion by “wild” provincial migrants who threaten to infect the health body of the middle class, on the one hand, and, on the other, of
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7

Kersten, Carool. "Sultans, Shamans & Saints." American Journal of Islam and Society 26, no. 3 (2009): 141–44. http://dx.doi.org/10.35632/ajis.v26i3.1385.

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Few people in North American academia are more knowledgeable aboutIslam in Southeast Asia, and especially in Indonesia, than Howard Federspiel.The forte of his own research contributions lays not so much in innovativeanalyses as in presenting comprehensive and useful overviews forspecialists and novice students alike. As a political scientist, he made hisname with his study of Indonesia’s Persatuan Islam (PERSIS), a modernistIslamic organization active from the 1920s until the 1950s – the critical timeframe during which the Dutch colony gained its independence. This was followedby further cont
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8

Hangartner, Judith. "The Contribution of Socialist Ethnography to Darhad 'Shamanism'." Inner Asia 12, no. 2 (2010): 253–70. http://dx.doi.org/10.1163/000000010794983469.

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AbstractThis article analyses socialist ethnographies of the Darhad in northernmost Mongolia. It compares accounts of the early 1930s by the Buryat scholars Sanjeev and Zhamtsarano with those of the 1960s by the Mongolian ethnographer Badamhatan and the Hungarian scholar Diószegi. It shows how these accounts increasingly identified the Darhad with the shamans among them and laid the ground for the widespread present-day perception of the Darhad as 'shamanists'. Furthermore, it discusses how socialist ethnographies were connected to the larger Mongolian socialist nationality project and contrib
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9

Brumble, H. David. "Social Scientists and American Indian Autobiographers: Sun Chief and Gregorio's “Life Story”." Journal of American Studies 20, no. 2 (1986): 273–89. http://dx.doi.org/10.1017/s0021875800015061.

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Social scientists collected many, many American Indian autobiographies during the 1930s, 1940s, and early 1950s, autobiographies of Apaches, Navajos, Hopis, Zunis, Papagos, Kiowas, Sioux, a Kwakiutl, autobiographies of shamans, shepherds, hunters, farmers, men, and women. Many of these are now moldering in the dark reaches of forgotten file cabinets, but a remarkable number were published, and for this we must be grateful. These narratives are to us a legacy, affording us some sense of what it means to see the world and the self according to ancient habits of mind.
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10

Hwang, Merose. "Shamans and Superstitious Mothers: Modern Healthcare Discourse in 1920s-30s Korea." Asian Journal of Women's Studies 18, no. 1 (2012): 30–61. http://dx.doi.org/10.1080/12259276.2012.11666121.

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11

강인혜. "The Meaning of Tale, Folklore, and Shamans Represented in Dureong, 1980s’ Minjung Art Movement Group." Korean Bulletin of Art History ll, no. 52 (2019): 195–216. http://dx.doi.org/10.15819/rah.2019..52.195.

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12

Petrushko, Vitalii. "Cosmogonic views in the mythology of the Korean people." Ethnic History of European Nations, no. 67 (2022): 123–27. http://dx.doi.org/10.17721/2518-1270.2022.67.16.

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The traditional culture of the Korean people is not considerably studied in Ukrainian historiography, compared to Chinese or Japanese mythologies. While Korean traditional culture has much in common with the nations of the East Asia region, it also has many unique socio-cultural phenomena that are very perspective for research. The mythology of the Korean people has come down to our time thanks to traditional Korean shamanism, which was greatly influenced by Buddhism and Taoism. This unical confluence of religious systems deserves attention from researchers. Korean mythology does not have a st
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13

Батьянова, Елена Петровна. "From the history of field ethnography of South-Western Siberia: The Teleuts and ethnographers." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (August 31, 2019): 123–30. http://dx.doi.org/10.26158/tk.2019.20.2.010.

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В статье анализируются традиции взаимоотношений между этнографами и их информантами, представляющими коренные народы Южной Сибири. Прослежено, как эти традиции формировались и развивались начиная с XVIII в. Подчеркнуто определяющее влияние на их характер Алтайской духовной миссии, а также выдающихся этнографов XIX - начала XX в., столпов полевой этнографии Южной Сибири: В. И. Вербицкого, В. В. Радлова, Г. Н. Потанина, А. В. Анохина. Обращено внимание на взаимодействие миссионеров и этнографов, на их гуманитарное и научное сотрудничество в общении с коренным населением. Подробно рассмотрена спе
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14

Baulo, A. V. "SUBSTITUTE OFFERING: AN OB UGRIAN RITUAL TRADITION SURVIVING IN THE 20TH AND EARLY 21ST CENTURY." Archaeology, Ethnology & Anthropology of Eurasia 46, no. 3 (2018): 122–28. http://dx.doi.org/10.17746/1563-0110.2018.46.3.122-128.

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The substitute offering is a little known ritual practice described by Artturi Kannisto among the northern Khanty and Mansi in the early 1900s, and by the Novosibirsk ethnographers in 1985–2017. Substitution was practiced in case of the offeror’s illness, absence of a requisite domestic animal or unsuccessful hunt. In such cases, instead of actual animals, their effi gies were offered to the patron spirits—fi gurines of horses, reindeer, cows, sheep, and cocks cut from birch-bark or cast of lead; alternatively, purchased toys were offered. A substitute could be a pencil drawing or an embroider
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15

MALTSEVA, OLGA VL. "The Amur Fishermen: Their Mythical History in the Oral and Written Dimensions." Martor. The Museum of the Romanian Peasant Anthropology Review 27 (November 15, 2022): 29–46. http://dx.doi.org/10.57225/martor.2022.27.03.

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Before the 1930s, the peoples who inhabited the Amur region located in Eastern Russia transmitted traditional information only orally within their groups. That accumulated knowledge was a fundamental cornerstone for their mental world and mainly reflected the social processes that had been unfolding in the large river valley. The Three Suns Nanai cosmogony legend, which tells the story of the three suns that melted and scorched the Earth, is a good example for understanding the local history. The basic myth is split into several actions, forming independent subplots with separate characters an
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16

Isaev, A. P., P. S. Fedotov, P. R. Nogovitsyn, V. P. Nogovitsyn, and V. Y. Gabyshev. "The Cult of Eagle in the Mythology of the Khangalassians." Raptors Conservation, no. 2 (2023): 211–15. http://dx.doi.org/10.19074/1814-8654-2023-2-211-215.

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The cult of eagle in the beliefs of the Yakutian (Sakha) people was described in detail in the beginning of the 20th century in the articles of V.M. Ionov (1913) and L.J. Shtenberg (1925). In recent years, the question of the semantics of the image of an eagle in the traditional culture of the Yakuts was addressed by U.P. Suzdalova (2020), the meanings of this bird of prey in mythological representations of the Sakha and Buryats by V.V. Ushnitsky (2021). Besides that, in a number of works related to the mythology of the Yakutian people, there is a mention of the eagle cult for Sakha (Kulakovsk
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17

Tikhomirov, N. V. ""Even Teenagers Practiced Shamanism": Routine of Shamanism in Yakutia in 1920s as Described in the Autonomous Yakutia Newspaper." SibScript 26, no. 3 (2024): 404–14. http://dx.doi.org/10.21603/sibscript-2024-26-3-404-414.

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The article describes the social role of shamanism in Yakutia in the 1920s. The newspaper of Autonomous Yakutia served as the main source. The research is the first-of-its-kind attempt to study Yakut shamanism as a socio-cultural phenomenon based on a comprehensive analysis of local mass media. The newspaper described the shamanic practices, people’s attitude, and anti-shamanism measures. The editorial office received many letters from villagers and medical workers that described the everyday life of the Yakuts, as well as their attitude to traditions and Soviet modernization. Some letters cam
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18

Park, Yuhee. "A Study on South Korean Films of the 1970s Based on the Relationship between the Changing Representations of Shamans and Censorship." Journal of Literature and Film 22, no. 3 (2021): 709–38. http://dx.doi.org/10.36114/jlf.2021.12.22.3.709.

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19

С.В., БУРАЕВА, та БУРАЕВА О.В. "ШАМАНИЗМ ЭВЕНКОВ НИЖНЕЙ ТУНГУСКИ: ВИЗУАЛЬНЫЕ МАТЕРИАЛЫ ИЗ ФОНДА П.П. ХОРОШИХ, 1930 Г." Гуманитарные науки в Сибири 30, № 2 (2023): 58–64. http://dx.doi.org/10.15372/hss20230207.

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В настоящем исследовании дан систематический обзор фотодокументов и рисунков из личного архива П.П. Хороших, созданных им во время экспедиции 1930 г. на Нижнюю Тунгуску и хранящихся в Центре восточных рукописей и ксилографов ИМБТ СО РАН. В них освещаются различные аспекты шаманизма эвенков. Авторами выполнена систематизация источников, раскрыта методика П.П. Хороших, показаны особенности фотофиксации, составления схем и зарисовок. Отдельно сгруппированы сведения о фотографиях шаманских обрядов у эвенков, отмечено, что значительное место занимают рисунки и схемы шаманских локаций, а также шаман
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20

Mo'tabarxon, Ozodbek qizi Soibjonova. "THE CONCEPT OF SHAME IN THE WORKS OF ABDULLAH WRATH (BASED ON ABDULLAH QAHHOR'S STORY "THE WOMAN WHO DIDN'T EAT RAISINS")." June 12, 2022. https://doi.org/10.5281/zenodo.6635466.

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<em>This article is based on Abdullah Qahhor&#39;s story &quot;The Woman Who Didn&#39;t Eat Raisins&quot; and is a semantic and lexical study of the concept of shame used in Uzbek linguoculturology in the 1920s and 1930s.</em>
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21

Kuusk, Külliki. "Uku Masingu luule arhailine kujundisüsteem / The Archaic Figurative System of Uku Masing’s." Methis. Studia humaniora Estonica 13, no. 16 (2017). http://dx.doi.org/10.7592/methis.v13i16.12455.

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Teesid: Artikkel vaatleb Uku Masingu poeetilist keelekasutust, täpsemalt tema metafoorsete keeleväljendite mõistmise ja moodustamise protsesse. Lähenedes tema luulele kognitiivse keeleteaduse meetoditega, kirjeldatakse, kuidas boreaalne vaimsus toob esile Masingu luule boreaalset isikupära.S U M M A R YThis paper focuses on the poetic language use of Estonian poet and theologian Uku Masing, and more speci­fically on his comprehension and construction of metaphorical linguistic expressions. One of the most unique authors in Estonian literature, his exceptional intellect and body of work, which
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22

Szczepanek, Tomasz. "Close enough – obrazy porażki transformacji ustrojowej w Polsce lat dziewięćdziesiątych XX wieku na przykładzie "Psów" Władysława Pasikowskiego i "Szamanki" Andrzeja Żuławskiego [“Close Enough”: Images of the Failure of the 1990s’ Political Transformation in Poland as Exemplified by Władysław Pasikowski’s "Psy" [Pigs] and Andrzej Żuławski’s "Szamanka" [She-Shaman]]." Studia Litteraria et Historica, no. 9 (December 31, 2021). http://dx.doi.org/10.11649/slh.2243.

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“Close Enough”: Images of the Failure of the 1990s’ Political Transformation in Poland as Exemplified by Władysław Pasikowski’s Psy [Pigs] and Andrzej Żuławski’s Szamanka [She-Shaman]This article problematizes the Polish cinema of the 1990s by analyzing it in terms of the aesthetic of failure. Of crucial importance for that interpretation is the postcolonial perspective. Seen from this perspective, Poland of the political transformation period appears a land of unfulfilled dreams of being-like-the-West. One of the spheres where this is visible is the Polish cinematography of that time. Close e
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23

Naves, Liliana C. "A Yup'ik dance mask from the early‐1900s connects Indigenous tradition and shorebird conservation." People and Nature, July 2025. https://doi.org/10.1002/pan3.70072.

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Abstract A dance mask from the early 1900s reveals connections between Yup'ik people of western Alaska and shorebirds as well as their shared struggle to thrive in the modern world. As a masterpiece of Yup'ik art, the shorebird mask was embraced by the French Surrealism (musée du quai Branly‐Jacques Chirac 70.2006.41.1, Museum of the American Indian 9/3415). Nevertheless, post‐collection iconographic descriptions disagreed with bird anatomy and the species that usually occur where this mask was collected. The objectives of this study were to better understand the iconography and meaning of the
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