Relevant bibliographies by topics / 1932-1951

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic '1932-1951'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "1932-1951"

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ÖZDEMİR, Yavuz. "Halkevleri (1932'den 1951'e)." Journal of Turkish Research Institute, no. 45 (January 1, 2011): 235. http://dx.doi.org/10.14222/turkiyat1058.

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ÇANAK, Erdem. "KIRKLARELİ HALKEVİ VE FAALİYETLERİ (1932-1951)." Journal of Academic Social Sciences 85, no. 85 (2018): 35–64. http://dx.doi.org/10.16992/asos.14511.

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ÇAĞLAYAN, Ercan. "Halkevlerinin Vilayat-ı Şarkiyye'deki Faaliyetleri (1932-1951)." Journal of Turkish Studies 10, Volume 10 Issue 9 (2015): 105. http://dx.doi.org/10.7827/turkishstudies.8571.

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REBOLEIRA, ANA SOFIA P. S., ALBERTO SENDRA, FERNANDO GONÇALVES, and PEDRO OROMÍ. "The first hypogean dipluran from Portugal: description of a new species of the genus Litocampa (Diplura: Campodeidae)." Zootaxa 2728, no. 1 (2019): 50. http://dx.doi.org/10.11646/zootaxa.2728.1.4.

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Knowledge of Portuguese Campodeidae is scant, with only 7 previous papers (Wygodzinsky 1944a; Condé 1951; Sendra 1990; Sendra & Moreno 2004, 2006; Gama et al. 2000a,b), with a total of 13 epigean species: Eutrichocampa Silvestri (1 sp.), Campodea Westwood (6 spp.) and Podocampa Silvestri (6 spp.). Three of these species are endemic to mainland Portugal: C. machadoi Condé, 1951, P. jorgei Wygodzinsky, 1944 and P. seabrai Wygodzinsky, 1944. Only one species, Podocampa cardini Silvestri, 1932, has been recorded from a Portuguese cave environment (Condé 1955); this species previously had been known as an epigean species from Sierra de Aralar in Navarra, Spain (Silvestri 1932). Intensive sampling efforts over the last four years in Portuguese karstic caves revealed the presence of a morphospecies originally assigned to Podocampa fragiloides Silvestri, 1932, which is often found in moist epigean environments of the Iberian Peninsula influenced by the Atlantic Ocean (A. Sendra, pers. obs.).
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Maciel, Ulisses Augusto Guimarães. "SAMUEL BECKETT E O IRRACIONALISMO COMO EXPRESSÃO IDEOLOGICA DA BURGUESIA." Revista de Literatura, História e Memória 17, no. 29 (2021): 232–44. http://dx.doi.org/10.48075/rlhm.v17i29.25993.

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A partir de uma realidade devastada pelos extremos do pensamento reacionário da primeira metade do século XX, Samuel Beckett (1906-1983) propõe uma ruptura com o realismo moderno, de modo a evidenciar o avançado estágio de decadência do modelo ideológico burguês. No presente artigo, discutimos justamente a influência desse contexto histórico-social no processo de composição da literatura beckettiana entre os anos de 1932 e 1953, sendo Dream of fair to middling women (1932), Murphy (1939), Molloy (1951), Malone morre (1951) e O inominável (1953) os romances que orientaram esse estudo em diálogo com a filosofia de Georg Lukàcs (1885-1971), dando ênfase às obras Marxismo e a teoria da literatura (1968) e The meaning of contemporary Realism (1969).
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Menke, Martin. "Diktatur und Diaspora: Das Bistum Meissen, 1932-1951 (review)." Catholic Historical Review 91, no. 4 (2005): 845–47. http://dx.doi.org/10.1353/cat.2006.0055.

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Korkud AYDIN, Mehmet. "Malatya Halkevince Gerçekleştirilen 26 Eylül Dil Bayramı Kutlamaları(1932-1951)." Journal of Turkish Studies 11, Volume 11 Issue 21 (2016): 1. http://dx.doi.org/10.7827/turkishstudies.11281.

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Enyeart. "Revolutionizing Cultural Pluralism: The Political Odyssey of Louis Adamic, 1932-1951." Journal of American Ethnic History 34, no. 3 (2015): 58. http://dx.doi.org/10.5406/jamerethnhist.34.3.0058.

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Makarevičius, V. K. "Naumas Ickovičius (1906-1984)." Problemos 34 (October 5, 2014): 127–28. http://dx.doi.org/10.15388/problemos.1986.34.6509.

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1984 m. rugsėjo 16 d. mirė TSKP narys, Didžiojo Tėvynės karo dalyvis, Lietuvos TSR nusipelnęs dėstytojas, filosofijos mokslų daktaras, Vilniaus valstybinio pedagoginio instituto Filosofijos katedros profesorius Naumas Ickovičius. Jis gimė 1906 m. Donecke. 1932 m. baigė Maskvos istorijos ir filosofijos institutą. Nuo 1951 m. dėstė Vilniaus valstybiniame pedagoginiame institute. Nagrinėjo dialektinio materializmo kategorijų (ypač santykinumo ir absoliutumo) problemas, parašė tris monografijas, mokslinių straipsnių.
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Fortin, Marcel. "La Caveau d'Ottawa: Une Troupe Amateur en Quête de Légitimité (1932-1951)." Theatre Research in Canada 7, no. 1 (1986): 33–49. http://dx.doi.org/10.3138/tric.7.1.33.

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Dissertations / Theses on the topic "1932-1951"

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Mitzscherlich, Birgit. "Diktatur und Diaspora : das Bistum Meißen 1932-1951 /." Paderborn : F. Schöningh, 2005. http://catalogue.bnf.fr/ark:/12148/cb39964999r.

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Mitzscherlich, Birgit. "Diktatur und Diaspora : das Bistum Meissen 1932-1951 /." Paderborn : Schöningh, 2005. http://www.h-net.org/review/hrev-a0f7v7-aa.

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Ayata, Asude. "(Re)imagining Turkey : Bureaucratic relations in the creation of a national identity during the Kemalist single-party regime 1932-1951." Thesis, Stockholms universitet, Institutionen för etnologi, religionshistoria och genusvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194625.

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This study is an exploration of the social engineering of the single-party era through the lenses of state officials in their work of propagating the nationalist state ideology. It aims to bring the state officials, in their (re)production of the beliefs and values as products and as the (re)producers of the state ideology, to the forefront. More specifically, it studies the negotiations and the contestations between state officials in regards to three main social structures which are (ethno)nationalism, womanhood, and laicism. A fourth social structure is the hierarchical relations within the state bureaucracy. A deeper understanding of the social engineering through the lenses of state officials is provided through a discursive close reading of the archival data regarding the activities of Halkevleri (People’s Houses), which were state institutions through which the state ideology was propagated to the people.
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Aleman, Anca. "Recherches sur la pensée musicale de Glenn Gould : l’empreinte de l’héritage schoenbergien." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040123.

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Cette thèse se propose de démontrer que, au-delà de son image d’interprète de la musique de Jean-Sébastien Bach, le pianiste Glenn Gould a développé, à travers ses nombreux écrits, une véritable pensée musicologique, qui surprend par sa cohérence et dont les racines sont à chercher en réalité du côté d’Arnold Schoenberg, le compositeur qui l’aura le plus influencé. Nous nous attachons donc ici à l’observation et à l’analyse de cette pensée à travers les écrits du musicien canadien, l’objectif étant la mise en évidence du rapport existant avec la pensée de Schoenberg. L’analyse comparative menée ici repose sur les principes que Gould avait lui-même placés au fondement de sa pensée : le raisonnement justifiable, l’esprit de re-création, le concept inductif et la musicologie scientifique. Pour ce faire, nous avons adopté un cheminement logique passant successivement par les domaines suivants : méthode, création musicale, interprétation, critique, pédagogie et enregistrement<br>This research tends to demonstrate that, beyond the picture of the performer of Johann Sebastian Bach’s music, Glenn Gould, the pianist, has developed through his numerous writings a real musicological thought which is distinguished by a strong coherence ; its roots are in fact to be found in Arnold Schoenberg’s thought, the composer whose influence was the most important for Gould. We intend here to propose an analytical and critical observation of Glenn Gould’s musicological thought by using the principles upon which he had himself set his thought, which are : justified reasoning, re-creation spirit, inductive concept and scientific musicology. With that aim, we used a logical progression examining successively the following themes : the method, the musical creation, the musical performance, the criticism, the pedagogy and finally the recording
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Morii, Ryo. "André Gide, une oeuvre à l'épreuve de l'économie." Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC001.

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Cette thèse consiste à synthétiser le thème de l'économie chez Gide. En prenant comme corpus principal les oeuvres de la fin du XIXe siècle, de Paludes (1895) à L'Immoraliste (1902), nous montrons que l'intérêt de l'auteur pour l'économie n'est pas seulement sensible dans sa dernière période, représentée par Les Faux-monnayeurs (1926), mais aussi au début de sa carrière. À l'époque considérée, l'écrivain a accès à plusieurs questions concernant l'économie dépensière, telles que nombre de philosophes contemporains et modernes, comme Nietzsche, Mauss, Bataille et Derrida, les prennent au sérieux, et on peut y confirmer l'attitude de l'auteur qui tente de réconcilier le capitalisme et la contre-économie. En outre, Gide réagit, à sa manière, aux tendances politico-économiques sous la Ille République des années 1890, notamment au solidarisme que Charles Gide, l'oncle économiste de Gide, promeut et à la crise de la monnaie d'or que cet oncle met en cause depuis la même période. Cette réaction de Gide présuppose son intérêt pour l'économie sociale et monétaire que les républicains de l'époque adoptent. À tout cela, il faut ajouter qu'au-delà de l'« économie du moi » qui constitue le fondement de l'économie gidienne, Gide présente le thème de l'économie libidinale et du monnayage du corps, thème qui nous permet de considérer l'affinité avec la pensée de Pierre Klossowski. En replaçant les textes « économiques » de Gide dans le contexte historique et intellectuel de l'époque et en les considérant éventuellement du point de vue moderne, nous faisons remarquer la singularité et l'actualité de la pensée de l'auteur ainsi que l'impact de diverses questions que celle-ci implique<br>This dissertation consists in synthesizing the theme of the economy in Gide. By taking as main corpus the works of the end of the 19th century, from Paludes (1895) to L'Immoraliste (1902) we try to show that the interest of the author for the economy is not only noticeable in his last period, that Les Faux-monnayeurs (1926) represent, but also at the beginning of his career. During the period under consideration, the writer has access to several questions concerning the economy of expenditure, as certain contemporary and modem ideologists (Nietzsche, Mauss, Bataille, Derrida, etc. ) take them seriously, and one can confirm here the attitude of the author who tries to reconcile capitalism with the counter-economy. Besides, Gide reacts, in his own way, to the politico-economic tendencies under the Third Republic during the 1890s, notably to the solidarism which Charles Gide, uncle economist of Gide, promotes and to the crisis of the gold currency which the uncle questions since the same period. Gide's reaction presupposes his interest for the social and monetary economy that the republicans of the period adopt. Moreover, beyond the "economy of the ego" which constitutes the foundation of the gidien economy, Gide presents the theme of the libidinal economy and the mintage of the body, the theme that allows us to consider the affinity with the thought of Pierre Klossowski. By replacing the "economic" texts of Gide in the historic and intellectual context of the time and by considering them possibly from the modern point of view, we point out the peculiarity and the topicality of the thought of the author as well as the impact of diverse questions which this thought implies
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Rahma, Awalia. "Sufi order and resistance movement : the Sans̄ưiyya of Libya, 1911-1932." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30206.

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This thesis is a study of the Sanusiyya order, in which particular emphasis is placed on its role as a resistance movement. Based on a survey of the social, economic, religious and political activities of this sufi brotherhood and its involvement in the tribal system of the North Africa during the first three decades of this century, an attempt will be made to identify on the one hand the factors that contributed to the strength of its resistance to Italian invasion, and on the other, the elements that led to its failure. It is argued that its initial success in the resistance benefited from the network of the zawiyas where ikhwan from different tribes were integrated socially and economically in accordance with strong Islamic values. However, lack of military training and weapons, dependency on a prominent figure, competing ambitions within the Sanusi family and geographical distance ultimately weakened the resistance.
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Yeo, Keum-Mee. "Du moi intime au double filmique : le regard et la voix dans la représentation de soi chez les trois cinéastes français, Jean Cocteau, Francois Truffaut et Romain Goupil." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030077.

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Comment peut-on transformer un Je réel en œuvre ? À quoi peut-on reconnaître dans une œuvre l’identité de ce Je et de l’auteur ? Dans cette recherche, nous voudrions tenter d’explorer un espace autobiographique dans le domaine cinématographique, à partir de la présence d’un double filmique du cinéaste, d’un autre moi dont l’identité se construit et se prolonge de film en film.Dans le cinéma français, nous pouvons relever trois types de double filmique : l’« Orphée-poète » de Jean Cocteau, l’« Antoine Doinel » de François Truffaut, et cet « ancien militant de la génération 68 » de Romain Goupil. Au travers de ces figures de l’image de soi, les trois cinéastes, dont les univers filmiques se différencient radicalement les uns des autres, parviennent à se raconter eux-mêmes au-delà de toute référence biographique.Afin de mettre en lumière certaines caractéristiques de l’expression du Je, nous voudrions étudier les diverses facettes du regard porté sur soi : nous y verrons ce regard croisé avec un moi-autre, qui nous mènera jusqu’au regard impossible sur sa propre mort. Tous ces regards seront aussi étudiés au travers des diverses modalités de la façon dont nous entendons la voix du cinéaste. Le regard de l’auteur se dédouble sans cesse dans une inlassable dialectique entre le moi réel et un autre moi. De ce dédoublement du regard résulte d’ailleurs une forme de polyphonie. Si nous parvenons à reconnaître une œuvre comme autobiographique, c’est du fait de ce dédoublement du regard et de la voix, qui s’opère à l’intérieur de l’œuvre elle-même<br>In which way does a cineaste transforme his or her reel self into works? How can we recognize this self-image in the films? This study concerns the autobiographical expression in the films of sevral french cineastes, such as Jean Cocteau, François Truffaut, and Romain Goupil, those who intended constantly to create their own cinematic double all over their works. We will see the distinctive character of self-expression films through the various aspects of cineastes’ introspective gaze : those toward his « another self », toward his own death, etc. These gazes might be also examined in relations with the various ways that we can hear the polyphonic voices of cineastes
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Fournier, Laure. "Les problèmes de la causalité mentale." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3058.

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Quel type de choses sont les raisons que nous donnons pour expliquer nos comportements ? Sont-ce des entités dans nos cerveaux causalement responsables de nos actions ? Sinon, doit-on accepter le dualisme cartésien ? Faut-il croire avec Davidson que les raisons sont des entités physiques pourtant impossibles à identifier en termes physiques ? Nous proposons une réponse alternative : les raisons sont des choses dont nous ne faisons pas l’expérience. Elles peuvent être dites guider nos actions, en vertu d’une cohérence que nous acquérons à travers le temps, en même temps qu’une identité personnelle claire. On défend donc ici la thèse wittgensteinienne selon laquelle les raisons ne sont pas des causes, et l’on cherche ce qu’elles sont positivement. Car il y a bien une différence, dans la réalité physique, entre agir pour une raison ou l’autre. Mais c’est une réalité que l’on recherche et construit, et non que l’on observe et nomme. En parlant de nos raisons, on parle avant de savoir, pour faire advenir quelque chose –quelque chose de physique, comme toute chose.On soutient ainsi contre Kim qu’il est possible de croire à la pertinence propre des raisons, tout en restant moniste, sans dommage pour la rationalité humaine.Tout ceci a d’importantes conséquences éthiques : l’évaluation des raisons et intentions n’est sensée que si elle est une tentative pour bien agir ; elle sera toujours non pertinente pour définir les actions passées, et cela remet gravement en cause la notion de mérite. Ainsi proposons-nous de concevoir la morale de façon dynamique, comme étant ce que l’on cherche toujours à rendre possible<br>What kind of things are the reasons we use to explain our behavior? Are they material entities in the brain, causing actions? Are they, as Davidson says, physical entities that we cannot identify in physical terms? Are we forced to accept Cartesian dualism? This thesis proposes another answer. Reasons are not experienced. They are sought through action and conceptualization. They may be said to guide our actions, but not as events which cause actions; rather, they serve, over time, to construct coherent behavior and stable personal identity.We defend here the Wittgensteinian thesis that reasons are not causes. We show that it is consistent with monism. The difference between acting for this or that reason does exist in reality, but it is a reality that we construct and pursue, not one that we experience and name. This is because when we give reasons, we speak before knowing, in order to make something exist.Thus we argue, against Kim, that it is possible to be a monist, to defend the importance of rational explanations, and to deny the possibility of reducing reasons to causes. Indeed, the knowledge necessary to do so would be far beyond the knowledge we require to speak the language of reasons.This conception of reasons as things that we seek rather than thing that we experience has important consequences in ethics. Namely, that the evaluation of reasons or intentions only makes sense when one attempts to act appropriately; it is irrelevant in defining past actions. This means that the very idea of merit is problematic, and that morality itself is something we must constantly work to make possible
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"居正法律思想與司法實踐: 1932-1948". Thesis, 2008. http://library.cuhk.edu.hk/record=b6074703.

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Ever since the judicial reform in late Qing, all aspects linking to China law reforms were forced to be aligned with the national goal of abolishing the unequal treaties between China and foreign powers. Forty years' legal history, as the epochal era in shaping the modern Chinese legal system, became an integral part of history of the national movement against unequal treaties. Within the period where Ju Zheng was dominant in the sphere of law, the judiciary under party control and the nation-wide discussions on China new legal system were two successive processes of the national movement: the former was meant to create solidarity and political space needed for the anti-unequal-treaties movement, and the latter was measured to offer cultural continuity and identity consensus essential for national autonomy en course toward modernity. What's more, nationalism became the overarching ideology in legal sphere during Ju's times, and its repercussions helped foment a solid legal nationalization movement. This movement was embodied in organizations at the national level, namely the National Conference of Justices and the National Association in Jurisprudence of Republic of China. Second, the movement has two essential features: Party control over the judiciary and building of a new Chinese legal system. In this legal nationalization movement, Ju Zheng was the central figure and leader from the beginning right through the end.<br>For more than sixteen years (1932-1948) Mr. Ju Zheng was the most influential figure of the national judiciary under the Nanjing Regime, making the case of his legal thoughts and practices highly illustrative of the legal history of modern China. Building on Mr. Ju's personal background and experiences, this thesis attempts to foster a better understanding of Ju Zheng and his era in terms of legal history.<br>This thesis consists of five chapters: The first chapter introduces the scope of inquiry, the main themes of the study, the sources and the literature on this subject. Next chapter documents Ju Zheng's efforts in tackling the problems of Supreme Court inherited from his predecessors during his first three years in the key position of the judiciary. The third Chapter deals with the process of party control over the judiciary. In hindsight, this process went through two stages: first, it was a project to revolutionize the justices which ended up making most judges party members; the atmosphere of the next stage manifested in an article of Ju Zheng which called attentions to efficacious partisan indoctrinations and to ground nationalism as the guideline for the justices. This process of intermingling of the judiciary and the party did generate some positive results. For instance, it created a vigorous nation-wide movement to seek abolition of the unequal treaties with foreign powers, which later on undergirded the judicial pattern of deciding amnesty cases by Ju Zheng judiciary. Chapter four explores the legal nationalization movements initiated from the National Conference of Justices in the year of 1935, vividly epitomized in the following nation-wide discussions in 1930s and 1940s on how to create a new legal system embedded in China context. The discussions eventually converged to two distinct lines: the first line claimed that it was the long-lasting Chinese culture (zhong guo gu you) that was to become the starting-point for a new legal system; in contrast, the second line argued for "rebuilding" (chong xin jian li ) a new legal system for the modern China. The last chapter offers a few concluding remarks.<br>江照信.<br>Adviser: Billy So Kee-long.<br>Source: Dissertation Abstracts International, Volume: 70-06, Section: A, page: 2184.<br>Thesis (doctoral)--Chinese University of Hong Kong, 2008.<br>Includes bibliographical references (p. 180-190).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstracts in Chinese and English.<br>School code: 1307.<br>Jiang Zhaoxin.
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Carvalho, Fernando Jorge Monteiro de 1956. "Criatividade e tecnologia : (re)design dos processos de produção serigráfica, novos projetos para a sua exposição e divulgação : novas formas de projetar a comunicação redescobrindo tecnologias tradicionais." Doctoral thesis, 2018. http://hdl.handle.net/10451/33927.

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1º vol.- 179 p ; Anexo I: Múltiplo serigráfico em Portugal, análise da produção. - 139 p ; Anexo II: Nova abordagem na comunicação ao múltiplo serigráfico. - 155 p ; Anexo III: Papel Japonês com aditivos, apenas consultável na Biblioteca<br>Design has a key role combining development and conception in communication activities and creative industries. Therefore, investigation and theoretical studies have been developed concerning philosophers, designers, artists and authors, approaching the single artistic and communication derived object as a massification object. The relationship between Creativity and Technology allows that each one reinforces its qualities, and values the produced objects, developing an investigation that combines alternative transversal technology; integrating in the communication object different components. The interdisciplinary characteristics of Design and Graphic Production shared with other sectors allow promoting cultural, social, historical, political and scientifical values, integrated in the works of communication and artistic production. The study providing used methodology and integrated projects of different designers and artists, observed in their relations with the different processes, such as Drawing, Design and Graphic and Artistic Production, engaging comparative technological involvements with diverse processes of Experimentation, consent to extend the knowledge developed in the objects created in this context. New approaches in the serigraphic production processes (re)design, projecting exhibitions and communication, throughout studies carried on with design students, transforming canvas into production and project making, in close collaboration with designers and plastic artists, from which we select, in a first instant, seven projects, is what exemplifies the essential importance of the current investigation, which brings together Creativity and Technology, five of which were published completed. The association and involvement between the presented project with Scientifical Institutions, Non-Governmental Organizations, in Portugal and abroad, provide a dimension that justifies the ultimate objective in the opening of experimental spaces, as well as the creation of new interest areas, which in time will allocate the exportation of the Graphic Production, Design, Communication and Multiple Production Arts results
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Books on the topic "1932-1951"

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İzmir Halkevi (1932-1951). İzmir Büyükşehir Belediyesi Kültür Yayını, 2008.

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Türkiye'de halkevleri ve halkodaları,1932-1951. Anı Yayıncılık, 2006.

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Azcan, İbrahim. Türk modernleşmesi sürecinde: Trabzon Halkevi, 1932-1951. Serander, 2003.

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Bir ideolojik seferberlik deneyimi: Halkevleri, 1932-1951. Boğaziçi Üniversitesi Yayınevi, 2002.

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Diktatur und Diaspora: Das Bistum Meissen 1932-1951. Schöningh, 2005.

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Cumhuriye döneminde kalkınmanın mihenk taşı: Halkevleri, 1932-1951. 24 Saat Yayıncılık, 2006.

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Mitzscherlich, Birgit. Diktatur und Diaspora: Das Bistum Meissen 1932-1951. Schöningh, 2005.

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Halkevlerinin kuruluşu, yapısı ve Yozgat Halkevi (1932-1951). Siyasal Kitabevi, 2013.

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Diegelmann, Josef. Als Rhöner Kind im "Dritten Reich": Lebenserinnerungen 1932-1951. Rhön Verlag, 1997.

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Tunceli'de kurulan halkevleri ve halkodaları (1932-1951): Yazışmalar, belgeler, fotoğraflar. Kalan Yayınları, 2012.

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Book chapters on the topic "1932-1951"

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Otte, Gunnar. "Richard A. Peterson (1932 – 2010) und Paul J. DiMaggio (*1951)." In Klassiker der Soziologie der Künste. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-01455-1_33.

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Gottwaldt, Alfred. "Maybach-Dieselmotoren in Schnelltriebwagen der Deutschen Reichsbahn von 1932 bis 1951." In Technikpionier Karl Maybach. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-25118-5_24.

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Zajicek, Benjamin. "A Soviet System of Professions: Psychiatry, Professional Jurisdiction, and the Soviet Academy of Medical Sciences, 1932–1951." In Russian and Soviet Health Care from an International Perspective. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-44171-9_5.

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Morey, Elsie Darrah, and Paul C. Lyons. "Correspondence and plant-fossil exchanges between William C. Darrah and European paleobotanists (1932–1951)." In Historical Perspective of Early Twentieth Century Carboniferous Paleobotany in North America. Geological Society of America, 1995. http://dx.doi.org/10.1130/mem185-p35.

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Munson, Kim A. "The Evolution of Comics Art Exhibitions in the United States, 1930–1951." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0007.

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This 2018 essay by art historian Kim A. Munson shares the details of her research on exhibits of original comic art in U.S. museums and galleries from 1930-1954. This chapter discusses several shows of the 1930’s from Thomas Nast at the Whitney (1932) to the display of the first Walt Disney animation cel purchased by the Metropolitan Museum of Art (1939). This chapter discusses World War II exhibits at the Metropolitan. This chapter discusses The Comic Strip: Its Ancient and Honorable Lineage and Present Significance, organized for the American Institute of Graphic Arts by Jessie Gillespie Willing (AIGA, 1942), which is a touring exhibit with historical works, comics, and comic books. Milton Caniff was a pioneer and advocate of comics exhibits representing himself (The Art of Terry and the Pirates 1939-1946) and later with the newly formed National Cartoonist Society organizing many shows including 20,000 Years of Comics (1949 Savings Bond Tour), and American Cartooning (Met Museum, 1951).
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Bryer, Anthony. "James Cochran Stevenson Runciman 1903–2000." In Proceedings of the British Academy, Volume 120, Biographical Memoirs of Fellows, II. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197263020.003.0018.

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James Cochran Stevenson Runciman (SR) lived a long life, which may be brought to order by identifying four overlapping phases. In the first, SR, went up from Eton (where as a Colleger he transferred from Classics to History) to Trinity College, Cambridge, in 1921 at the age of eighteen, graduating (double first) in 1924, where he was fellow (1927–38, honorary fellow from 1965) and University lecturer (1932–8). His grandfather's death in 1938 allowed SR to choose to become an ‘independent scholar’, a second phase which never ended. But a third phase supervened from 1940–7, SR's more fruitful equivalent of Edward Gibbon's service with the Hampshire Militia in 1759–62. It was a period of independence and maturity away from home. The British Academy's election of SR to its fellowship in 1957 marks the beginning of a fourth phase. It came after the conclusion of SR's greatest uncommissioned work, A History of the Crusades, 3 vols. (Cambridge, 1951–4).
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Wagner, Anton. "6. Saving the Nation's Aesthetic Soul: B.K. Sandwell at the Montreal Herald, 1900-1914, and Saturday Night, 1932-1951." In Establishing Our Boundaries, edited by Anton Wagner. University of Toronto Press, 1999. http://dx.doi.org/10.3138/9781442674622-007.

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"Representations of the Christian Female Virtue in Roman Film Epics: The Sign of the Cross (1932) and Quo Vadis (1951)." In The Reception of Ancient Virtues and Vices in Modern Popular Culture. BRILL, 2017. http://dx.doi.org/10.1163/9789004347724_011.

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Lawlor, Timothy E., and David J. Hajher. "The Mammals." In Island Biogeography in the Sea of Cortés II. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195133462.003.0018.

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In The Log of the Sea of Cortez, that memorable treatise of science, adventure, and philosophy, John Steinbeck (1951) made bare mention of mammals. Of course, the main purpose of that effort was to chronicle a trip to the Gulf of California to collect invertebrates in the company of Steinbeck’s friend and scientist, Ed Ricketts. The party visited four islands—Tiburón, Coronados, San José, and Espíritu Santo. At anchor off Isla Tiburόn, Steinbeck reported a swarm of bats that approached their boat. One bat was collected but, to the best of our knowledge, it was never identified or preserved. Aside from some descriptions of taxa (e.g., Butt 1932), relatively little was known at the time about mammals from islands in the Sea of Cortés. There is now a reasonably rich history of systematic and biogeographic studies of mammals in and adjacent to the Sea of Cortés (for general reviews, see Orr 1960; Huey 1964; Lawlor 1983; and Hafner and Riddle 1997). Here we summarize much of that information and explore biogeographic patterns that emerge from it, add important recent records of bats, and evaluate new evidence about the origins of insular faunas and the ecological processes and human impacts that affect colonization and persistence of mammals on gulf islands. The terrestrial mammalian fauna of islands in the Sea of Cortés (including islands off the Pacific coast of Baja California) comprises 45 species, of which 18 currently are recognized as endemics (but see below), representing 5 orders, 9 families, and 14 genera (app. 12.1). Collectively they share relationships with mainland representatives on both sides of the gulf and are divisible into 28 clades of species or species groups (app. 12.2). Rodents are disproportionately represented, constituting a total of 35 species and 76 of 97 total insular occurrences, and they are the only nonvolant mammals to become established on distant oceanic islands. In addition, except for the few species of lagomorphs, which occur only on landbridge islands, a greater proportion of mainland species of rodents occurs on islands than is the case for other groups of mammals.
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Milchunas, Daniel G., and William K. Lauenroth. "Effects of Grazing on Vegetation." In Ecology of the Shortgrass Steppe. Oxford University Press, 2008. http://dx.doi.org/10.1093/oso/9780195135824.003.0020.

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Grazing by large native ungulates and semiaridity are the two main forces that have had a large infuence in shaping the current-day structure of the shortgrass steppe ecosystem (Milchunas et al., 1988). With the uplift of the Rocky Mountain chain during the Miocene (approximately one million years ago), forests of the Great Plains were gradually replaced by grasslands (Axelrod, 1985). Large grazing and browsing animals inhabited the Great Plains during the middle to late Pleistocene, as did grasses of the genera Stipa, Agropyron, Oryzopsis, and Elymus (Axelrod, 1985; Stebbins, 1981). Bison occurred both east and west of the Rockies during the Wisconsin glacial period in the latter part of the Pleistocene (Wilson, 1978). During the early Holocene, approximately 10,000 years ago, bison and grasses of the genera Bouteloua, Buchloë, Andropogon or Schizachyrium, and Sorghastrum concomitantly increased throughout the Great Plains (Stebbins, 1981), but bison did not proliferate west of the continental divide (Mack and Thompson, 1982; Van Vuren, 1987). The natural shift in fauna from horses, pronghorn, and camels to bison and wild sheep from Eurasia is thought to have favored the spread of shortgrasses such as Bouteloua and Buchloë (Stebbins, 1981). Furthermore, grassland flora east and west of the Rocky Mountains probably had separate origins (Leopold and Denton, 1987). The shortgrass steppe is unique from other North American semiarid ecosystems in having bison play an important role. Bison did not proliferate west of the Rocky Mountains as they did on the Great Plains to the east. This is due in part to a lack of coincidence in timing of bison lactation and the phenological development of C3 grasses in the more Mediterranean–like climate west of the Rockies, in contrast to the mix of C3 and C4 grasses and pattern of spring–summer precipitation on the Great Plains (Mack and Thompson, 1982). Other explanations for the low numbers of bison west of the Rocky Mountains include physiographic barriers restricting immigration (Kingston, 1932), low p rotein content of forage (Daubenmire, 1985; Johnson, 1951), heavy snowfall as a cause of mortality (Daubenmire, 1985), and low aboveground primary production coupled with disjunct suitable habitat (Van Vuren, 1987). Bison a lso did not prosper in the southwestern United States, nor did a large herbivore fauna develop in South America (Stebbins, 1981).
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Conference papers on the topic "1932-1951"

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KILIÇ, Fahri. "TÜRKİYE’DE CUMHURİYET DÖNEMİ YAYGIN HALK EĞİTİMİ: BOLU HALKEVİ ÖRNEĞİ." In 9. Uluslararası Atatürk Kongresi. Atatürk Araştırma Merkezi Yayınları, 2021. http://dx.doi.org/10.51824/978-975-17-4794-5.23.

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Halkevleri, açıldıktan kısa bir süre sonra Türkiye’nin dört bir yanına yayılmış, özellikle 1932-1951 yılları arasında Türkiye’nin toplumsal ve kültürel tarihinde önemli rol oynamıştır. Cumhuriyet’in kurulmasından sonra gerçekleştirilen İnkılâpların halka tanıtılması ve öğretilmesi için yaygın bir eğitim kurumu olan halkevleri, Dil-Edebiyat ve Tarih, Güzel Sanatlar, Temsil, Spor, İçtimaî Yardım, Halk Dershaneleri ve Kurslar, Kütüphane ve Neşriyat, Köycülük, Müze ve Sergi şubelerinden oluşan dokuz alanda faaliyet göstermiştir. Türkiye’de 19 Şubat 1932’de açılan ilk 14 halkevinden birisi olan Bolu Halkevi şubeleri ile birlikte önemli sosyo-kültürel faaliyetler yürütmüştür. Halkevi bünyesinde, kütüphaneler ve okuma salonları açılmış, mesleki kurslar düzenlemiş, konferanslar verilmiş, temsiller sergilemiş, balolar düzenlemiş, yöresel ve ulusal törenlerine katılmıştır. Çeşitli alanlarda kitap ve broşürler yayımladığı gibi düzenli olarak (1941-1942) yıllar arasında Duygular, (1944 -1947) yılları arasında da Abant adıyla bir dergi çıkartılmıştır. Bu çalışmada nitel araştırma yöntemlerinden doküman inceleme tekniği kullanılmıştır. İncelemede alan yazınının dışında, arşiv kaynakları, süreli yayınlar, tetkik eserler ve anılara başvurulmuştur. Elde edilen bulgular ışığında topluma Cumhuriyet ilkelerinin benimsetilmesi için oluşturulan Halkevlerinin kuruluşu, faaliyetleri ve Türkiye’nin sosyo-ekonomik ve kültürel yapısına yaptığı katkı Bolu örneğinde ele alınmıştır.
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Reports on the topic "1932-1951"

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Research Department - Central Bank - General - Gold Standard - 1932 - 1951. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_2006/16359.

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Research Department - Balance of Payments - Import Price Index - Rebasing - 1928/1929, 1932/1933, 1936/1937, 1938/1939, 1950/1951, 1957/1958. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_2006/14412.

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Research Department - Balance of Payments - Import Price Index - Memoranda - Notes for Base, 1932/1933, 1936/1937, 1938/1939, 1948/1949, 1950/1951, 1952/1953, 1957/1958. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_2006/14410.

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