Relevant bibliographies by topics / 1935 Tour

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  2. Dissertations / Theses
  3. Books
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Academic literature on the topic '1935 Tour'

Author: Grafiati
Published: 19 February 2023

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Journal articles on the topic "1935 Tour"

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Potter, Michelle. "The Dandré-Levitoff Russian Ballet, 1934–1935: Australia and beyond." Dance Research 29, no. 1 (May 2011): 61–96. http://dx.doi.org/10.3366/drs.2011.0005.

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This article explores the year-long tour of the Dandré-Levitoff Russian Ballet between 1934 and 1935. The company performed in South Africa, Singapore, Java, Australia, Ceylon, India and Egypt and was led by two sets of principals, Vera Nemchinova and Anatole Oboukhoff in South Africa and then Olga Spessivtseva and Anatole Vilzak with Spessivtseva being replaced by Natasha Bojkovich following Spessivtseva's decline mid-way through the Australian season. The company performed works largely drawn from the Pavlova repertoire and used Pavlova's name and her commitment to classical ballet to justify the company agenda. The article addresses some of the misconceptions that have arisen about the tour in previously published sources. It also fills in some of the specific details of the tour and gathers scattered information relating to schedule and repertoire into three appendices.
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Khokhlova, Daria. "To the problems of difference in interpretations of the plot of D. D. Shostakovich’s ballet “The Limpid Stream”." Человек и культура, no. 3 (March 2020): 43–51. http://dx.doi.org/10.25136/2409-8744.2020.3.33137.

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The object of this research is the plot of D. D. Shostakovich’s ballet “The Limpid Stream”. The subject is the interpretation of this plot in the versions of F. G Lopukhov (1935) and A. O. Ratmansky (2003), as well as peer review on these spectacles. The goal of this work consists in determination of the crucial for the concepts of ballet masters differences of libretto (as a literary foundation of the plot) in the three versions of the ballet, and comparison of perception of the plot in the year of its first staging and at the present. The considered problematic required application of historical approach – attraction of the materials and articles for the period of 1935-1936. The historiographical analysis allowed translating and examining one of the most recent peer reviews on the spectacle – the English-language reviews on the “Limpid Stream” of Ratmansky, presented on the London tour of Bolshoi Theatre in August 2019. The article also utilizes practical experience of author’s work with Ratmansky and participation in the aforementioned tours (performing the role of Zina).The main tool for solution of the set problem became the comparative analysis of the varieties of libretto (authors – Lopukhov and Piotrovsky) of the three versions of ballet “The Limpid Stream”. It is concluded that the first versions of ballet were popular among the public, but aroused negative or ambiguous feedback, which led to the removal of spectacle from the repertoire. The last version is regularly performed in the repertoire of Bolshoi Theatre, including on the tour, being well regarded by the public and sophisticated British critics.
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Tsaur, Sheng-Hshiung, Der-Huang Wu, Chang-Hua Yen, and Ming-Hsiu Wu. "Promoting Relationship Marketing of Tour Leaders’ Blog: The Role of Charisma." International Journal of Tourism Research 16, no. 5 (February 25, 2013): 417–28. http://dx.doi.org/10.1002/jtr.1935.

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Risum, Janne. "The Foreign-Policy Aspect of Mei Lanfang’s Soviet Tour in 1935." Nordic Theatre Studies 31, no. 2 (May 18, 2020): 89–101. http://dx.doi.org/10.7146/nts.v31i2.120123.

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The Soviet tour in 1935 of the eminent Chinese male interpreter of female roles, Mei Lanfang, attracted justified international attention as a pioneering instance of cultural and aesthetic exchange. This is not least due to the fact that it was the first time a traditional Chinese theatre troupe made a guest appearance in Europe and that so many prominent Russian and other European theatre innovators consequently eagerly followed the event and reacted to the traditional Chinese stage conventions according to their very different aesthetic points of view. Complementing my published research over the years into the details of this major intercultural stage event, in this article I reverse my perspective and almost exclusively focus on its foreign-policy context. I demonstrate that from the more pragmatic point of view of international politics at the time, another aspect of Mei’s tour was much more important: It was an act of cultural diplomacy which helped break a deadlock in foreign relations between the Soviet Union and the Republic of China, and in so doing helped facilitate their formation of a defensive military alliance in response to the rapidly increasing Japanese aggression against them both. War memories, as well as memory wars, formed part of this foreign policy staging of Mei Lanfang’s Soviet guest appearance and its subsequent documentation.
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López, Bernat, and Helle Kettner-Høeberg. "From Macro to Mega." Communication & Sport 5, no. 1 (July 24, 2016): 69–94. http://dx.doi.org/10.1177/2167479515598956.

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The Vuelta a España is one of the three cycling Grand Tours, a long-established (first staged in 1935) and global sports mega event. Nonetheless, in the mid-noughties, it went through a financial and identity crisis, which culminated with the French company, Amaury Sport Organisation (ASO), the organizer of the Tour de France, taking over the Spanish race in 2008. This research, an in-depth case study based on semistructured interviews and analysis of all the relevant corporate documentation and online activity, aims at shedding light on how the new ASO management has refloated the race through a reinforcement of its globalization and mediatization, on the lines of the managerial policies already in place for the Tour de France since the early 80s. This article also proposes a small theoretical refinement of the “mega sporting event” concept, moving from a binary, yes–not typology, to a four-level scale including micro (local), meso (provincial/subnational), macro (national or regional), and mega (global) sporting events. In this sense, this article concludes that the communication strategies set up by the new ASO management have pushed the Vuelta beyond the macro and towards the mega level.
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Hall, M. Ann, and Bruce Kidd. "History and Individual Memory: The Story of Eva Dawes." Sport History Review 48, no. 2 (November 2017): 126–43. http://dx.doi.org/10.1123/shr.2017-0003.

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Eva Dawes Spinks (1912–2009) was an outstanding Canadian high jumper in the 1930s. The present paper traces her early life, successful athletic career, and her decision in 1935 to join a group of athletes on a goodwill tour of the Soviet Union organized by the Workers’ Sports Association of Canada. Upon her return, Dawes was suspended by the Women’s Amateur Athletic Union of Canada. She retired from competition and became involved in the Canadian campaign to boycott the 1936 Berlin Olympics. Much later, Dawes adamantly denied any political involvement. The purpose of this paper is to examine and possibly explain the incongruity between the historical evidence and Dawes’s later denials. More broadly, it is a discussion about the relationship between history and individual memory.
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Feng, Wei, and Ye Pi. "Antiquity to Modernity: Mei Lanfang’s Preparatory and Presentational Strategies for his American and Soviet Visits." New Theatre Quarterly 38, no. 1 (February 2022): 60–74. http://dx.doi.org/10.1017/s0266464x21000427.

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The Chinese actor Mei Lanfang and his retinue prepared several documents for his visits to the USA in 1930 and the USSR in 1935. Using these primary sources, this article explores the reasons why Mei presented traditional Chinese theatre differently in each context. One reason was winning popularity among specifically targeted audiences, as indicated by the carefully selected programmes, explanatory discourses, and illustrations from promotional materials. Through a comparative examination, this article argues that, for the American tour, Mei made traditional Chinese theatre an emblem of ancient Chinese art, while, for the Soviet tour, he endorsed the Soviet Union’s social and artistic enterprises, labelling traditional Chinese theatre a modern art. Both images, one static and the other dynamic, were authentic representations of the multifaceted contemporary Chinese theatre as it underwent modernization. Wei Feng received his PhD in Theatre Studies from Trinity College Dublin and teaches in the School of Foreign Languages and Literature at Shandong University. He is the author of Intercultural Aesthetics in Traditional Chinese Theatre: From 1978 to the Present (Palgrave Macmillan, 2020). Ye Pi (corresponding author) teaches in the School of Foreign Languages and Literature at Shandong University, specializing in Russian literature.
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Murphy, Mary-Elizabeth. "“The Servant Campaigns”: African American Women and the Politics of Economic Justice in Washington, D.C., in the 1930s." Journal of Urban History 44, no. 2 (December 6, 2017): 187–202. http://dx.doi.org/10.1177/0096144217746164.

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When Franklin D. Roosevelt, a Democrat, was elected president in 1932, most African Americans did not support him since they were still loyal to the Republican Party. Moreover, New Deal policies, especially the Social Security Act in 1935, excluded farmers and domestics, and thus, most African Americans. One of the people who encouraged black voters to switch to the Democratic Party was Elizabeth McDuffie, a black servant in the Roosevelt White House. In the 1936 election, McDuffie went on the campaign trail and toured Chicago, Cleveland, Springfield, and St. Louis. As a domestic servant, McDuffie was a familiar face to southern migrants, and she convinced many black voters to switch to the Democratic Party. After her campaign tour concluded, McDuffie became acquainted with the large black population in Washington, D.C. McDuffie worked alongside middle-class activists to increase economic opportunities for women workers by sponsoring training programs for servants. But, as this article demonstrates, most black servants did not want training programs; they desired higher wages, better jobs, and inclusion in the Social Security Act. Working-class women in Washington wrote letters to the newspaper and in 1938, 10,000 rioted for jobs as federal charwomen, jobs that paid higher wages and offered savings for retirement. After McDuffie witnessed these events, she became a vocal critic of the limitations of New Deal programs while continuing to praise Roosevelt and the Democratic Party. This article argues that Elizabeth McDuffie’s career in Washington illuminates the contradictions of New Deal politics for black women workers.
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Brisset, Nicolas, and Raphaël Fèvre. "Peregrinations of a Corporatist Economist: François Perroux’s Travels in Fascist Europe." History of Political Economy 53, no. 4 (June 23, 2021): 745–81. http://dx.doi.org/10.1215/00182702-9308953.

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This article examines François Perroux’s corporatist thought from the interwar period to the Vichy period, in the light of his travels in Italy, Germany, Austria, and Portugal from 1934 to 1935. We will show that Perroux’s critical analysis of what he called “fascist”—politically authoritarian and economically corporatist—regimes is central to grasp his intellectual and institutional trajectory. To do so, we reconstruct Perroux’s original diagnostic regarding these regimes, stressing the way he distinguished the totalitarian model of Italy and Germany from the national-Catholic model outlined by Austria and Portugal. Then, we show that Perroux’s travels influenced his economic thought, both theoretically and methodologically. Eventually, the diagnostic he drew from his mid-1930s tour within foreign experiences will also help shed light on the way he welcomed and tried to guide Vichy France’s socio-economic reforms.
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MacPherson, Ian. "An Authorative Voice: the Reorientation of the Canadian Farmers’ Movement, 1935 to 1945." Historical Papers 14, no. 1 (April 26, 2006): 164–81. http://dx.doi.org/10.7202/030841ar.

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Résumé L'agriculture canadienne a subit de multiples transformations depuis le siècle dernier ; divers organismes ont tour à tour jalonné l'éveil de la conscience rurale qu'on observe dans la deuxième moitié du dix-neuvième siècle de même qu'ils ont caractérisé le militantisme qui se manifeste au début du vingtième. Les années trente verront ce mouvement adopter une orientation beaucoup plus axée sur les problèmes du marché et, en 1935, on fonde la Canadian Chamber of Agriculture. C'est sur les activités qui ont marqué la première décennie de cette association que se penche l'auteur de cet article. Un des premiers objectifs de cet organisme fut d'établir de solides structures régionales-provinciales. La Chambre préconisait la mise sur pied d'un marché ordonné, l'instauration de services sociaux adéquats en milieu rural, l'amélioration du système de crédit en vigueur et l'élaboration d'une politique nationale convenable en matière d'agriculture. Au cours de la deuxième grande guerre, l'association eu gain de cause sur plusieurs points. Cependant, en cours de route, le mouvement se transforma peu à peu en groupe de pression et perdit graduellement son aspect propagandiste. On semblait désormais accepter que, bien qu'il soit maintenant plus clairement défini, le rôle de l'agriculture était appelé à diminuer dans la vie canadienne.
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Dissertations / Theses on the topic "1935 Tour"

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Ponsford, Megan. "Progressive rebels of Boy's Own Adventure? The 1935 Australian Cricket tour of India; breaking down social and racial barriers." Thesis, Federation University of Australia, 2016. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/154168.

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In October 1935, a touring party embarked on the inaugural tour of India by an Australian cricket team. To a great, and somewhat stereotypical, extent popular representations of IndianeAustralian relations are viewed through the lens of cricket – the national game in both countries. This dissertation about a significant, yet overlooked, chapter in sporting history examines the Australian cricketers’ response to the social, racial and political hierarchies of lateecolonial India. The experience of the touring party encouraged a reeimagining of ideological perspectives and this thesis identifies a uniquely Australian subjectivity to the British colonisation of India. The tour between the colony (India) and the dominion (Australia) can be interpreted as an antie imperial gesture. Both countries were attempting to forge relationships that would be independent from Britain. The role of cricket, itself experiencing a renaissance during the 1930s as it transformed from a largely amateur pursuit to an increasingly professional occupation is interrogated. As part of this transformation international cricket positioned itself as an increasingly politicised global entity within the broader turbulence of the firstehalf of the twentieth century. All those involved in the tour are now dead. However a close historical analysis of previously lost, highly personalised, primary material (letters, manuscripts, photographs and cricket ephemera) enables an interpretation of the players’ experience. This thesis argues that sporting events can be interpreted as cultural ciphers yet scholars and the wider sportsewriting community have neglected the historical significance of the 1935/36 tour. The unofficial status of the tour and its highly professional emphasis alienated it from the amateur ideals of Australian cricket. This transnational, multiedisciplinary approach addresses a lacunae in the professional trajectory of cricket. It also provides a new understanding and historical counter narrative of idetwentieth century IndianeAustralian sporting history and cultural exchange.
Doctor of Philosophy
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Ducoulombier, Romain. "Régénérer le socialisme : aux origines du communisme en France (1905-1925)." Paris, Institut d'études politiques, 2007. http://www.theses.fr/2007IEPP0027.

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Le communisme en France est né d'une entreprise de régénération révolutionnaire du socialisme engagée par une jeune relève militante au sortir de la Grande Guerre, sous l'influence du bolchevisme arrivé au pouvoir en Russie en 1917. Mieux à notre sens que les arguments de la greffe et de l'accident d'Annie Kriegel, l'hypothèse de la régénération de l’idéal et des pratiques socialistes éclaire d'une manière renouvellée la création en France d’un nouveau type d’organisation révolutionnaire au prix du sacrifice de l’unité socialiste. Notre lecture s’appuie sur le triptyque formé par les concepts de régénération, d’ascétisme et de relève : ensemble, ils permettent de saisir la dynamique de la triple relève des hommes, des principes et des attitudes de vie socialistes qui préside à la naissance de la SFIC. Cet élan régénérateur suscité par la guerre ne peut cependant être appréhendé que dans la continuité des principes et des pratiques du mouvement ouvrier avant 1914. Le communisme puise en particulier dans le très riche imaginaire ouvriériste du mouvement ouvrier organisé français avant 1914, mais aussi dans toute la gamme des pratiques sacrificielles qu’il a inventées pour garantir la fidélité de ses membres. C’est dans la guerre pourtant que s’enracine cette aspiration forte, nourrie de la « trahison » d’août 1914 et réclamée par la dissolution de l'identité socialiste dans la rhétorique patriotique. L'histoire de la scission est indissociable de celle de la minorité de guerre. La scission de 1920 engage pour elle une nouvelle histoire : celle de la création d’un parti et de pratiques politiques inédites qui ont dès 1921 doté le Parti communiste de sa radicale originalité
The creation of the French Communist Party in 1920 can be considered part of a decisive “time of split-ups” in post-war European socialism. It gave birth to a radically new type of party-form. The militant revolution that the communists called for can be regarded as a successful political “relief” operation : a new generation of young militants, financed and backed up in its rise by the Communist International, plain in its rejection of war and united by shared sociological caracteristics, was quickly carried to the head of these movements in an exceptional historical context. These militants despised the old “socialist” order and its oligarchs and called for a complete rejuvenation, a profound regeneration of socialist ideals and political practices. Considered from the French point of view, the stages and consequences of this Europe-wide crisis are central to the understanding of the general turmoil of the interwar years. This revolution will be scrutinized here through the concept of regeneration and of revolutionary asceticism, which imposed itself in the new Communist party in the beginning of the 1920s. Born from the rejection of the "treason" of august 1914, the will to regenerate socialism roots itself in workerism and ascetical practices peculiar to the French Labor movement before 1914. But it also gave birth to a radically new type of party, with its own new political practices unknown to the French Labor movement before the war
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Le, Pajolec Sébastien. "Tous les garçons et les filles de leur âge : jeunesse et cinéma en France (1953-1975)." Paris 1, 2005. http://www.theses.fr/2005PA010704.

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"Cette recherche analyse les relations que le cinéma français a entretenues avec la question de la jeunesse du milieu des années 1950 au milieu des années 1970. La France découvre, ou redécouvre, sa jeunesse. L'industrie cinématographique participe à cet engouement médiatique. Les films sur les adolescents envahissent les écrans. Dans le même temps, le milieu cinématographique fait face lui aussi à une demande de rajeunissement. À travers plusieurs générations, celles de la Guerre d'Algérie, de Salut les Copains et de Mai-68, les cinéastes ont filmé l'évolution des comportements juvéniles: le conflit des générations, l'émergence d'une culture adolescente. Les films présentent des discours sur les adolescents et les réactions qu'ils ont suscitées dans la société. L'étude de ces réalisations met en lumière le désir d'émancipation de la jeunesse et sa constitution en une catégorie autonome. Cette recherche témoigne aussi de la modernisation de la France des " Trente Glorieuses ". "
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Bernot, Marine. "Ford Madox Ford (1873-1939) en quête d'identité : chroniques et vagabondages impressionnistes." Thesis, Toulon, 2017. http://www.theses.fr/2017TOUL3001.

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Madox Ford est une des grandes figures, non seulement de la littérature d’expressionanglaise, mais de la vie culturelle et artistique d’Europe occidentale dans le premier tiersdu XXe siècle. Il est très lié à Henry James et à Conrad (avec qui il écrit trois romans),joue un rôle de premier plan comme éditeur et contribue au développement del’impressionnisme littéraire et à l’instauration du « modernisme ». Cosmopolite par sesantécédents (anglais, allemand, français), grand voyageur partagé entre l’Angleterre, lesEtats-Unis et la France (surtout la Provence, sa terre d’élection et Toulon), Ford estl’auteur d’une oeuvre considérable qui compte plus de 80 ouvrages. Marine Bernot achoisi d’analyser plus particulièrement une dizaine de récits de souvenirs de toutes sorteset deux récits de voyage qu’il publie de 1904 à 1937. On y découvre toute une époque, unécrivain original et une personnalité d’une rare complexité – politiquement avancé,féministe et libertaire, écologiste avant la lettre, quelque peu visionnaire, un homme quiparle aux gens d’aujourd’hui
Ford Madox Ford is one of the most important figures, not only of English literature butof the Western European cultural and artistic world of the twentieth century. Closelyconnected with Henry James and Joseph Conrad (with whom he wrote three novels incollaboration), Ford played a vital role as editor, contributor to literary impression and aspioneer of “modernism”. Cosmopolitan by birth (English, German, French), this tirelessvoyager, torn between England, the United States and France (especially Provence, hischosen domain and Toulon), Ford is the author of a voluminous sum of publicationsmade up of more than 80 books and other items. The author of this thesis, Marine Bernot,has chosen to concentrate on a dozen or so memoirs covering the years going from 1904to 1937, focusing particularly on two travel ‘novels’, Provence and The Great TradeRoute. These works, which give an original insight into the first half of the twentiethcentury, introduce the reader to an original and complex personality – politicallyadvanced, feminist, non-conformist, ecologist ahead of his times, visionary –, a man inharmony with contemporary preoccupations
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Di, Pietro Antonietta. "Italianità on Tour: From the Mediterranean to Southeast Florida, 1896-1939." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/1003.

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Italianità on Tour is a cultural history of Italian consciousness in Italy and Southeast Florida from 1896 to 1939. This dissertation examines literary works, folktales, folksongs, artworks, buildings and urban planning as imprints and cultural constructions of Italianità on both sides of the Atlantic, with a special emphasis on the transformations experienced on that journey. The real and/or imagined geo-cultural similarities between the Mediterranean and the Caribbean encouraged pioneers in Southeast Florida to conjure in their new setting an idea of Italianità, regardless of the presence of Italians in the area. Therefore, assessing Italianità, constitutes an important feature in understanding cultural constructions of identities in Miami and neighboring areas. This study, seeks to add Southeast Florida’s Caribbean-Italian identity to the existing scholarship on several Italian diaspora representations, whether from a cultural ethnic perspective or from a sense of national belonging. More generally, it will show that there was no quintessential Italian national culture, but only representations of it that élites in Italy and South Florida manufactured, and on the other hand, immigrants imagined and performed upon arrival to America.
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Watson, Brent Byron. "Far Eastern tour, the experiences of the Canadian Infantry in Korea, 1950-1953." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0001/NQ41363.pdf.

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Aunoble, Eric. "« Le communisme tout de suite ! » : Le mouvement des communes en Ukraine soviétique (région de Kharkiv) de 1919 à 1935." Phd thesis, Ecole des Hautes Etudes en Sciences Sociales (EHESS), 2007. http://tel.archives-ouvertes.fr/tel-00202394.

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En menant l'enquête au plus près des acteurs, cette thèse étudie toutes les formes de communes autour de la première capitale de l'Ukraine soviétique.
En 1919, les communes sont des formes de mobilisation politique et sociale des plébéiens ruraux en interaction avec l'État soviétique. Cette « Kommuniâ » provoque une cruelle réaction pogromiste dans les campagnes.
Sous la NEP, des communes urbaines apparaissent sous la direction d'étudiants, d'artistes, de pédagogues... Ce « Nouveau Mode de vie » est aussi un laboratoire du contrôle social pour le pouvoir et les élites. Les communes paysannes n'occupent par contre qu'une place marginale socialement et idéologiquement.
Cela prépare la subversion de l'utopie par le pouvoir après 1929. « Collectivisation complète » et famine ont raison des communes rurales. L'opposition des communards ruraux et urbains est réelle mais peu audible. Grâce à la rhétorique révolutionnaire de la guerre civile, le pouvoir empêche toute expression des classes pauvres.
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Rischitelli, Victor Emanuel, and res cand@acu edu au. "Henry Cowell (1897-1965) and the Impact of His First European Tour (1923)." Australian Catholic University. School of Arts and Sciences, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp130.17052007.

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In 1923, American composer and pianist, Henry Cowell (1897-1965) gave his first highly successful concert tour of Europe, playing his own unique compositions. This thesis details this tour and discusses its impact. Considering the enormous impact of Cowell’s tour, it has only been discussed briefly. Cowell performed in many European cities, especially in Vienna, Berlin, Paris and London, achieving positive reviews and some notoriety. I discuss how and why he created such an impact, not only during the tour but also immediately following it, in relation to musical life in Europe and the differences between his piano music and the piano music that was being heard at the time. On his tour, Cowell showcased many new piano techniques he had invented, some of which he had discussed in his treatise New Musical Resources (1919). His clusters, string-piano technique and to some degree, his experiments with time and metre, were very new and influenced later generations of composers. His music created such passionate responses from the Europeans that when he returned to America, attitudes towards him and his music had changed for the better. In Europe, Cowell was also impressed by the various societies and publications devoted to new music and as a result he founded, in America, the New Music Society and the publication New Musical Quarterly. These promoted mostly American composers devoted to avant-garde developments in music, providing the foundation for the development of American music.
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Rischitelli, Victor Emanuel. "Henry Cowell (1897-1965) and the impact of his first European tour (1923)." Thesis, Australian Catholic University, 2005. https://acuresearchbank.acu.edu.au/download/22499f8178eef53694d86fa09101a2c739354d9e9c972a95eeede55759e24f24/5709117/65067_downloaded_stream_292.pdf.

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In 1923, American composer and pianist, Henry Cowell (1897-1965) gave his first highly successful concert tour of Europe, playing his own unique compositions. This thesis details this tour and discusses its impact. Considering the enormous impact of Cowell's tour, it has only been discussed briefly. Cowell performed in many European cities, especially in Vienna, Berlin, Paris and London, achieving positive reviews and some notoriety. I discuss how and why he created such an impact, not only during the tour but also immediately following it, in relation to musical life in Europe and the differences between his piano music and the piano music that was being heard at the time.
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Tuck, Alexander. "Spain's national cycling tour and the politics of regional and national identity, 1975-2000." Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/73433/.

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This thesis examines the banal nationalism of La Vuelta Ciclista a España (Spain’s national cycling tour) in the post-Franco period. In light of recent work completed on post-Franco Spanish nationalism, this project provides a robust empirical analysis of four newspaper’s coverage of the race between 1975 and 2000. The object of this thesis is to provide empirical ballast to a number of hypotheses and suggestions that have been made, primarily as to the role of informal symbols such as sport in the immediate post-Franco period where formal national symbols suffered a delegitimisation. There are two major themes in this work: firstly, a theme that comprises Spanish national identity and nationalism in the post-Franco period, and secondly, a theoretical theme that looks to interrogate and develop Michael Billig’s theory of Banal Nationalism (Billig 1996). Utilising Billig’s original publication, as well as other work on Le Tour de France, this thesis constructs a mixed quantitative/qualitative content analysis of newspapers in this period, seeking to expand our knowledge of informal national symbols beyond areas, such as football, where analyses have already been done. Newspapers from the main territorial cleavage in the country, Spain and Catalonia, are represented in an examination of the growth of La Vuelta as a national symbol as well as how this has been mediated across political and territorial lines.
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Books on the topic "1935 Tour"

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M, Crosbie Jane E., and Ulster Folk and Transport Museum., eds. A tour of the Ardes, 1910-1935: Historicphotographs of the Ards and North-east Down from the W.A. Green Collection at the Ulster Folk and Transport Museum. Belfast: Friar's Bush, 1990.

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Tour of duty: Action in WWII, Korea & Vietnam. Plainville, CT: Woodstock Books, 2004.

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Cavanagh, William C. C. A tour of the Bulge battlefield. Barnsley, South Yorkshire: Leo Cooper, 2001.

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Norris, Jim. Ballard walking tour, 1880-1985. Los Olivos, Calif: Olive Press Publications, 1985.

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University College Dublin. School of Architecture. Spring tour guide book 1995. Edited by O'Neill Shane 1975-. Dublin: University College Dublin, School of Architecture, 1995.

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Richardson, Maureen. Washi tour, Japan October 1995. Hay-on-Wye, Herts: Richardson,Romilly, Brilley, 1995.

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Didi-Huberman, Georges. Images malgré tout. Paris: Minuit, 2003.

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Blanckaert, Serge. Dunkerquois sur tous les fronts, 1939-1945: Histoires de guerre. Lille: Voix du Nord, 1996.

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Daniélou, Alain. Le tour du monde en 1936. [Paris]: Flammarion, 1987.

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Chédaille, Jean. Tours: Les bombardements. Montreuil-Bellay: Editions C.M.D., 1997.

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Book chapters on the topic "1935 Tour"

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Ponsford, Megan. "Conclusion." In The 1935 Australian Cricket Tour of India, 197–99. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-10.

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Ponsford, Megan. "Intorduction." In The 1935 Australian Cricket Tour of India, 1–20. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-1.

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Ponsford, Megan. "The launch of Indian-Australian cricket." In The 1935 Australian Cricket Tour of India, 113–42. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-6.

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Ponsford, Megan. "Who are these Australian fellows with ‘Grim determination and astounding stamina’?" In The 1935 Australian Cricket Tour of India, 73–96. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-4.

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Ponsford, Megan. "Photographic reportage and the colonial imaginary." In The 1935 Australian Cricket Tour of India, 160–84. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-8.

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Ponsford, Megan. "The atmosphere vibrated with triumphant joy." In The 1935 Australian Cricket Tour of India, 185–96. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-9.

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Ponsford, Megan. "Bhupinder and Tarrant: players of the game." In The 1935 Australian Cricket Tour of India, 21–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-2.

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Ponsford, Megan. "Beer, banquets and a Patiala Peg: food and drink on tour." In The 1935 Australian Cricket Tour of India, 143–59. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-7.

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Ponsford, Megan. "Neither home nor away." In The 1935 Australian Cricket Tour of India, 97–112. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-5.

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Ponsford, Megan. "The has-beens and never will-bes." In The 1935 Australian Cricket Tour of India, 53–72. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003263456-3.

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Conference papers on the topic "1935 Tour"

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Ferrell, W. R., M. G. Payne, and W. R. Garrett. "Extreme pressure broadening of three-photon resonances in noble gases." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1985. http://dx.doi.org/10.1364/oam.1985.tux2.

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A pressure-broadening study of three-photon and one-photon resonances was performed using counterpropagating, linearly polarized laser beams. Self-broadening, as well as the collision-induced effects due to the presence of a second noble gas, was investigated for the 6s, 6s′, 5d and 7s of xenon and the 5s′ of krypton. A multiphoton ionization scheme in a calibrated proportional counter is the basis of a new technique by which collisional processes can be investigated for high pressure regimes which have previously been inaccessible to investigation, particularly for self-broadening where the mean free path of the photons is of the order of 10−3 cm for pressures as low as 1 Torr. Using this technique, we have recorded the collision-induced widths and shifts of the resonance for pressures up to 1000 Torr. In the hundreds of torr range, asymmetric, self-broadening line shapes were observed with full widths and shifts which were greater than five times the laser bandwidth (0.002-0.005 nm).
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Lojo Tizón, Mª del Carmen. "El imaginario del agua en Rachilde (1860-1953)." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2952.

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Rachilde, escritora francesa que desarrolló su carrera literaria desde finales del siglo XIX hasta mediados del siglo XX, introduce de manera recurrente elementos acuáticos en sus novelas. La mare aux grenouilles, estanque situado muy cerca de la casa donde la escritora nació, es crucial para la formación del imaginario del agua en Rachilde, y muy a menudo este está presente en su producción literaria. En el prefacio de su obra À mort (1886), la escritora narra las pesadillas que sufría durante la adolescencia en las que un ahogado salía de dicho estanque e iba a su encuentro. En su novela autobiografíca Les Rageac (1921), Rachilde cuenta cómo su madre ahoga a sus mascotas en el mismo estanque. En consecuencia, Rachilde desarrolla una temprana asociación entre el agua y la muerte, debido a las primeras y negativas experiencias que mantiene con el universo acuático. Además, Rachilde perteneció a la corriente decadente de finales del siglo XIX, por lo que el agua siempre representa la impureza, el mal y la destrucción en las novelas publicadas durante tal periodo. Durante la Decadencia, la máxima representación del mal es la femme fatale. La femme fatale es la figura por excelencia del imaginario rachildiano, y en la obra de Rachilde existe una estrecha relación entre el agua y la mujer. Prueba de ello es La Tour d’Amour, novela publicada en 1899. En dicha novela, Rachilde lleva a cabo una personificación del mar que invierte la asociación tradicional mer/mère, pues en el caso de Rachilde, el mar se convierte en símbolo de la no maternidad. En conclusión, el agua nunca es para Rachilde fuente de vida, sino fuente de destrucción y muerte.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2952
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Kolb, Fabian. "Tanztheater und filmische Ästhetik. Cineastische Einflüsse und Gestaltungsweisen in den Kompositionen für die Ballets Suédois 1920–1925." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.60.

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The central role that avant-garde music and dance theatre played in the interplay and synthesis of the arts and media in the 1920s, particularly in Paris, is well known. However, the creative potential of ballet has hardly been recognized in its manifold relationships with film and cinematic-inspired expression. The extent to which especially ballet music interacted with the latest cinematographic principles and techniques and referred to cinematic aesthetics in a variety of ways can instructively be seen regarding the productions of the Ballets Suédois. This is discussed in this article with an exemplary look at Les Mariés de la Tour Eiffel (1921), Within the Quota (1923), Skating Rink (1922) and Relâche (1924). By that it becomes clear that the transmedia inclusion of cinematographic ideas not only inspired the vocabulary of avant-garde dance and modern choreography, but was also distinctively reflected in the conception and composition of film-affected music.
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Aker, Pamela M., Philip A. Moortgat, and Jian-Xiang Zhang. "MDSRS imaging: a spectroscopic tour through the diffuse part of the electric double layer." In SPIE's 1995 International Symposium on Optical Science, Engineering, and Instrumentation, edited by Janice M. Hicks, Wilson Ho, and Hai-Lung Dai. SPIE, 1995. http://dx.doi.org/10.1117/12.221468.

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Marine, W., L. Patrone, and M. Sentis. "Nanoclusters formation by Laser Ablation." In The European Conference on Lasers and Electro-Optics. Washington, D.C.: Optica Publishing Group, 1998. http://dx.doi.org/10.1364/cleo_europe.1998.cmf1.

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In this communication we present a new synthesis method of silicon nanoclusters (Sin, where n > 20) by conventional laser ablation technique. Ablation and deposition were performed by ArF excimer laser (λ = 193 nm, pulse duration t = 15 ns, FWHM) in different background gases: He, Ar, O2, H2 or their mixtures. Typically, the gas pressure was about 0.1-5 Torr.
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Nicholson, J., W. Rudolph, J. McIver, G. Hager, and R. Tate. "Collisional Relaxation in Low-Pressure Photolytic Iodine Lasers." In Modern Spectroscopy of Solids, Liquids, and Gases. Washington, D.C.: Optica Publishing Group, 1995. http://dx.doi.org/10.1364/msslg.1995.sthb5.

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When the molecules in a gas are photolyzed by a short exitation pulse, the resulting initial velocity distribution can be broader and have a different mean velocity than the velocity distribution the gas has in thermal equilibrium. The velocity distribution then relaxes into thermal equilibrium, the mechanism for this relaxation being collisional. Using time-resolved Doppler spectroscopy, the corresponding relaxation time for C3F7I at 0.1 Torr has been measured to be approximately 5 μs [1], for example.
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Harrison, R. G., D. J. Biswas, and I. A. Al-Saidi. "Demonstration of Self-Pulsing Instabilities and Routes to Chaos in a Single Mode Homogeneously Broadened Raman Laser." In Instabilities and Dynamics of Lasers and Nonlinear Optical Systems. Washington, D.C.: Optica Publishing Group, 1985. http://dx.doi.org/10.1364/idlnos.1985.wc1.

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We report huge pulsating instabilities in a single mode homogeneously broadened Raman laser. Ruelle-Taken, intermittent and period-doubling routes to chaos are observed. The laser, which uses NH3 as the active medium near-resonantly pumped on the aR(6,0) transition by a CO2 laser, emits on aP(8,0) transition at ~ 12.8 μm. This lasing transition has recently been clearly identified as Raman in origin for NH3 pressures 1 - 20 torr and pump intensity ~ 600 kW/cm2 (operating conditions for our experiment) and possesses extremely high gain ~ 10% cm−1 [1].
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OZARSKI, R. G., D. A. BENDER, B. M. GIM, and L. G. SEPPALA. "High-power target plane characterization diagnostics tor the Nova laser." In Conference on Lasers and Electro-Optics. Washington, D.C.: OSA, 1985. http://dx.doi.org/10.1364/cleo.1985.thm9.

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Vásquez Sáenz, Henry Ferney. "Simbolismo y presencia subversiva del agua en L’Ombre de Venceslao y La Tour de la Défense de Copi." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3159.

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Raúl Damonte Botana, conocido artísticamente como Copi, fue un escritor, dramaturgo y dibujante argentino (1939-1987) que llegó a París en los años 60 del siglo pasado. Allí escribió y publicó en francés la mayor parte de sus obras hasta su muerte. Dentro de su gran variedad literaria (novelas, historietas, obras de teatro) resaltamos dos en las que el agua es un motivo recurrente que condiciona la intriga y los espacios donde evolucionan los personajes. En La Sombra de Wenceslao (escrita originalmente en español), el agua aparece en espacios abiertos y está en permanente contacto con los personajes. Se trata de un elemento omnipresente que, a pesar de generar vida, se transforma en un componente destructor que incita a la muerte. En La Tour de la Défense (escrita en francés) nos encontramos en un espacio cerrado e íntimo donde el agua es un elemento ambiguo que apasiona e inquieta: por un lado despierta los deseos sexuales más desenfrenados y por otro, propicia la aparición de bestias escalofriantes destinadas a ser devoradas.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3159
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Sankur, Haluk, C. Pritt, and Jeffrey G. Nelson. "Plasma luminescence generated in laser evaporation of optical thin-film material." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1985. http://dx.doi.org/10.1364/oam.1985.fl2.

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The emission of the plasma generated when a pulsed CO2 laser is used to evaporate an optical thin-film material is analyzed by means of an optical multichannel analyzer in the 200-900-nm region. Source materials were Al2,O3, SiO2, HfO2, TiO2, and ZnO, which are absorbing at 10.6 µm. Very rich atomic spectra were obtained indicating the presence of excited neutrals, as well as singly, doubly, and triply ionized anions and cations. Molecular emission (e.g., Al–O) was observed when background gas pressures of O2, He, Ar, or N2 were increased to the range of 0.1–10 Torr. The optical power dependence of the emission intensity is nonlinear, indicating saturation behavior.
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