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Books on the topic '1935 Tour'

Author: Grafiati

Published: 19 February 2023

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1

M, Crosbie Jane E., and Ulster Folk and Transport Museum., eds. A tour of the Ardes, 1910-1935: Historicphotographs of the Ards and North-east Down from the W.A. Green Collection at the Ulster Folk and Transport Museum. Belfast: Friar's Bush, 1990.

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2

Tour of duty: Action in WWII, Korea & Vietnam. Plainville, CT: Woodstock Books, 2004.

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3

Cavanagh, William C. C. A tour of the Bulge battlefield. Barnsley, South Yorkshire: Leo Cooper, 2001.

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4

Norris, Jim. Ballard walking tour, 1880-1985. Los Olivos, Calif: Olive Press Publications, 1985.

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5

University College Dublin. School of Architecture. Spring tour guide book 1995. Edited by O'Neill Shane 1975-. Dublin: University College Dublin, School of Architecture, 1995.

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6

Richardson, Maureen. Washi tour, Japan October 1995. Hay-on-Wye, Herts: Richardson,Romilly, Brilley, 1995.

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7

Didi-Huberman, Georges. Images malgré tout. Paris: Minuit, 2003.

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8

Blanckaert, Serge. Dunkerquois sur tous les fronts, 1939-1945: Histoires de guerre. Lille: Voix du Nord, 1996.

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9

Daniélou, Alain. Le tour du monde en 1936. [Paris]: Flammarion, 1987.

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10

Chédaille, Jean. Tours: Les bombardements. Montreuil-Bellay: Editions C.M.D., 1997.

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11

Regard, Fabienne. Mémoire d'une Suisse en guerre: La vie-- malgré tout (1939-1945). Yens sur Morges [Switzerland]: Cabédita, 2002.

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12

The second tour. 2nd ed. U.K: Spinetinglers Pub., 2011.

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13

Canadian Pacific Railway Company. Pacific coast tours ... 1915. [Canada?: Canadian Pacific Railway, 1994.

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14

Braud, Pierre. Chroniques de la Tour de flore: 1940-1946. [France]: P. Braud, 1992.

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15

The tour. Charleston, SC: [CreateSpace Independent Publishing Platform], 2012.

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16

Tout commença à Nuremberg. Paris: Berg international, 2004.

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17

Brinkley, Douglas. Tour of Duty. New York: HarperCollins, 2004.

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18

Pierre, Miquel. 1937, au lendemain du Front populaire. Paris: Denoël, 1997.

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19

Tous coupables? Genève: Labor et Fides, 1998.

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20

Octobre 1995: Tous les espoirs, tous les chagrins. Montréal, Québec: Québec Amérique, 2015.

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21

To taxidi tou Mataroa, 1945: Ston kathrephtē tēs mnēmēs. Athēna: Vivliopōleion tes Hestias, I.D. Kollarou & Sias, 2007.

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22

Viviane, Mikhalkov, ed. Vivre et c'est tout. Paris: Le Grand livre du mois, 2006.

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23

Wainwright, Alfred. Wainwright's tour in the Lake District: Whitsuntide 1931. London: Michael Joseph, 1993.

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24

Birkenshaw, John W. Report on a Japanese study tour April 1985. Leatherhead: Pira, Printing & Information Technology Division, 1985.

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25

Ed, Geldard, ed. Wainwright's tour in the Lake District: Whitsuntide 1931. London: Michael Joseph, 1993.

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26

Dixon, George H. 1905: The triumphant tour of the N.Z. footballers. Auckland, N.Z: David Ling Pub. in association with Auckland Museum, 1999.

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27

J, Carney William. A guided tour: 3 Spearhead. Lake Forest, Ill: W.J. Carney, 1988.

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28

Hubault, Annie. Trous et tours de mémoire. Paris: L'Harmattan, 2002.

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29

Andreadēs, Geōrgios A. Pōs kai giati nikēsame tous Italous to '40. Athena: Ekdosē Eurōekdotikē, 1993.

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30

Walter Benjamin's transit: A destructive tour of modernity. Bethesda: Academica Press, 2010.

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31

Menini, Jules. De La Tour du Pin au maquis de l'Aveyron: Les martyrs de l'inutile? La Tour du Pin: Editions du Portail, 1994.

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32

Hanish, James. James Hanish: Biographical sketch and a tour of Berry Creek, Benton and Polk Counties, Oregon: 1930-1938. Corvallis, Or: OSU Research Forests, 1994.

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33

Ordioni, Pierre. Les cinq jours de Toul: (18-22 juin 1940). Ostwald: Editions du Polygone, 2001.

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34

Gur, Zipora. Poland/Prague study tour: A journey of remembrance, May 2000. Pittsburgh?]: The Jewish Education Institute and The Holocaust Center of Pittsburgh of the United Jewish Federation, 2000.

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35

Daylight upon magic: The royal tour of Canada, 1939. Toronto, Ont., Canada: Macmillan of Canada, 1989.

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36

Florentin, Eddy. Guide des plages du débarquement et de la bataille de Normandie: 6 juin-12 septembre 1944. [Paris]: Perrin, 2003.

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37

Center, Kennedy Space. Kennedy Space Center Tours: Tourbook 1985. Wausau, USA: Graphic House Inc., 1985.

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38

1935 Australian Cricket Tour of India. Taylor & Francis Group, 2022.

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39

Steichen, James. 1935. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190607418.003.0005.

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This chapter revisits the circumstances by which the American Ballet became the resident dance company at the Metropolitan Opera in 1935. Many accounts have construed this engagement as a surprise development, but in fact the company lobbied heavily to secure it, and were successful thanks to Edward Warburg’s close ties with the management of the opera and the Juilliard organization. Evidence reveals that choreographer Ruth Page had been a leading candidate before internal dynamics at the opera led to the selection of Balanchine. During these negotiations the American Ballet had the opportunity to perform again for the public, in part in the course of a short-lived cross-country tour. This ambitious tour was cut short as a result of mismanagement on the part of Warburg and led to questions about whether the American Ballet was in fact ready to assume their new role at the opera.

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40

Miller, Diane Disney, Didier Ghez, and Bob McLain. Disney's Grand Tour: Walt and Roy's European Vacation, Summer 1935. Theme Park Press, 2013.

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41

Miller, Diane Disney, Michael Barrier, Didier Ghez, and Bob McLain. Disney's Grand Tour: Walt and Roy's European Vacation, Summer 1935. Theme Park Press, 2014.

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42

Ponsford, Megan. 1935 Australian Cricket Tour of India: Breaking down Social and Racial Barriers. Taylor & Francis Group, 2022.

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43

Ponsford, Megan. 1935 Australian Cricket Tour of India: Breaking down Social and Racial Barriers. Taylor & Francis Group, 2022.

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44

Ponsford, Megan. 1935 Australian Cricket Tour of India: Breaking down Social and Racial Barriers. Taylor & Francis Group, 2022.

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45

Murphy, Chuck. Graceland: An Interactive Pop-Up Tour. Quirk Books, 2006.

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46

Scotland in 1788: Farington's tour : articles from the Scotsman newspaper in February 1935 regarding the tour of Scotland made by Joseph Farington, R.A., 1788. {S.l.}: {s.n.}, 2000.

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47

Skeel, Sharon. Catherine Littlefield. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190654542.001.0001.

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Born in Philadelphia in 1905, Catherine Littlefield first learns dancing from her mother, Caroline (called Mommie), who was an expert pianist, and from a local dancing master, C. Ellwood Carpenter. As a teenager, Catherine becomes a Ziegfeld dancer and takes lessons from Luigi Albertieri in New York. She returns home in 1925 to help Mommie teach at the Littlefield School (among her students is Zelda Fitzgerald) and stage dances for women’s musical clubs and opera companies. William Goldman hires Catherine to produce routines in commercial theaters throughout Philadelphia and becomes her boyfriend. Catherine, Mommie, and Catherine’s sister, Dorothie, travel to Paris so the sisters can study ballet with Lubov Egorova. They become friendly with George Balanchine in Paris and help him establish his first American school and company when he comes to the United States in 1933. Catherine marries wealthy Philadelphia attorney Philip Leidy and founds her Philadelphia Ballet Company in 1935. She choreographs—and her company presents—the first full-length, full-scale production of Sleeping Beauty in the United States as well as popular ballet Americana works such as Barn Dance and Terminal. Her company’s European tour in 1937 is the first ever by an American classical ballet troupe. Catherine loses some of her protégées to the newly formed Ballet Theatre and disbands her company after the United States enters World War II; she then choreographs Broadway musicals, Sonja Henie’s Hollywood Ice Revues, and Jimmy Durante’s NBC television show before dying in 1951 at age forty-six.

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48

Platte, Nathan. Making Music in Selznick's Hollywood. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.001.0001.

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Making Music in Selznick’s Hollywood explores the network of musicians and filmmakers whose work defined the sound of Hollywood’s golden age (c. 1920s–1950s). The book’s central character is producer David O. Selznick, who immersed himself in the music of his films, serving as manager, critic, and advocate. By demonstrating music’s value in film and encouraging its distribution through sheet music, concerts, radio broadcasts, and soundtrack albums, Selznick cultivated audiences’ relationship to movie music. But he did not do it alone. Selznick’s films depended upon the men and women who brought the music to life. This book shows how a range of specialists, including composers (Max Steiner, Dimitri Tiomkin, Franz Waxman, and others), orchestrators, music directors (Lou Forbes), editors (Audray Granville), writers, instrumentalists, singers, and publicists, helped make the music for Selznick’s films stand apart from competitors’. Drawing upon thousands of archival documents, this book offers a tour of American cinema through its music. By investigating Selznick’s efforts in the late silent era, his work at three major Hollywood studios, and his accomplishments as an independent producer (including his films with Alfred Hitchcock), this book reveals how the music was made for iconic films like King Kong (1933), A Star is Born (1937), The Prisoner of Zenda (1937), Gone with the Wind (1939), Rebecca (1940), Spellbound (1945), The Third Man (1948), and A Farewell to Arms (1957).

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49

Griffiths, Peter. The Australian Tour to England, 1953 (Australian Tours Series). State Mutual Book & Periodical Service,, 1993.

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50

Forden, Lesley. The Ford Air Tours 1925 - 1931. 2nd ed. Aviation Foundation of America, 2002.

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