Relevant bibliographies by topics / 1938-1952

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic '1938-1952'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

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Journal articles on the topic "1938-1952"

1

Marski, Ulrike, and Dieter Wieland. "Rezension von: Wieland, Dieter, Gassenlicht." Württembergisch Franken 88 (January 19, 2023): 271. http://dx.doi.org/10.53458/wfr.v88i.5097.

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Schmitt Scheubel, Robert. "Einsteins "Riemann" in der Zeit von 1938 bis 1952." Die Musikforschung 55, no. 4 (2021): 386–94. http://dx.doi.org/10.52412/mf.2002.h4.775.

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Das Riemann-Musik-Lexikon wurde maßgeblich von Alfred Einstein mitgestaltet, doch gelang es dem Schott-Verlag im Sog des Nationalsozialismus, den Juden Einstein auszubooten. Auch heutige Nutzer des Lexikons sollten über diesen Sachverhalt nicht hinwegsehen.
 bms online (Schöner, Oliver)
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TOMENIUS, JOHN. "The Incidence of Peptic Ulcer in Stockholm 1938-1952." Acta Medica Scandinavica 152, no. 5 (2009): 391–411. http://dx.doi.org/10.1111/j.0954-6820.1955.tb03497.x.

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Prinsloo, Dioné. "Dr. H.F. Verwoerd en die Ossewa-Brandwag 1938–1952." Kleio 17, no. 1 (1985): 73–85. http://dx.doi.org/10.1080/00232088585310071.

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Pacteau, Séverine. "Le ministère bordelais (1938-1952) du pasteur Hébert Roux." Revue historique de Bordeaux et du département de la Gironde 18, no. 1 (2012): 245–64. http://dx.doi.org/10.3406/rhbg.2012.1122.

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Yushkevych, V. "Participation of American diplomacy in International conferences on refugees (1938 - 1952)." Zaporizhzhia Historical Review 1, no. 53 (2019): 267–73. http://dx.doi.org/10.26661/zhv-2019-1-53-36.

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Malsberger, John W. "The Transformation of Republican Conservatism: The U.S. Senate, 1938-1952." Congress & the Presidency 14, no. 1 (1987): 17–31. http://dx.doi.org/10.1080/07343468709507965.

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Del Pozo, José. "Los gobiernos radicales en Chile frente al desarrollo (1938-1952)." Caravelle 53, no. 1 (1989): 37–64. http://dx.doi.org/10.3406/carav.1989.2406.

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Fontana, Fabiana. "Shakespeare, teatro moderno e movimento amador – a experiência do Teatro do Estudante do Brasil de Paschoal Carlos Magno." Pitágoras 500 4, no. 2 (2014): 43–62. http://dx.doi.org/10.20396/pita.v4i2.8634701.

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Com a finalidade de apresentar o âmbito no qual se deu o aparecimento de Shakespeare no Brasil, no que tange às encenações de textos do dramaturgo por grupos e companhias nacionais, o pre- sente artigo aborda alguns dos aspectos principais dos espetáculos do Teatro do Estudante do Brasil, criados a partir de obras do poeta inglês, e apresentados entre os anos 1938-1952.
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Mayhew, David R., and John W. Malsberger. "From Obstruction to Moderation: The Transformation of Senate Conservatism, 1938-1952." American Historical Review 106, no. 3 (2001): 1014. http://dx.doi.org/10.2307/2692431.

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Dissertations / Theses on the topic "1938-1952"

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Ortega, Orozco Adriana. "Les expositions d’art mexicain dans l’espace transnational : circulations, médiations et réceptions (1938 – 1952 – 2000)." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA024.

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S’inscrivant à la croisée de l’histoire des expositions et des relations culturelles internationales, la thèse a pour principal objectif l’étude de la construction d’une certaine image de la nation mexicaine à l’étranger à travers l’art et de la manière dont celle-ci a été perçue par des audiences diverses dans différentes contrées. Pour ce faire, la thèse propose une étude de la présence de l’art mexicain dans l’espace transnational analysant des phénomènes de circulation, médiation et réception autour de la première grande exposition d’art mexicain itinérante en Europe. Entre 1952 et 1953, l
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Carbonera, Ildo. "Trajetórias da narrativa ítalo-brasileira : 'dove è la cuccagna?'." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15306.

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Marcado por fortes tendências para o gênero ensaístico, num intercâmbio constante e instável entre Ficção, História e Experiência Pessoal, o presente estudo tem por base os romances Os Malavoglia (Giovanni Verga), Pai patrão (Gavino Ledda), Vita e Stória de Nanetto Pipetta (Aquiles Bernardi), O quatrilho, A cocanha e A babilônia (José Clemente Pozenato), Juliano Pavolini e A suavidade do vento (Cristovão Tezza), Mamma, son tanto felice, O mundo inimigo e Vista parcial da noite (Luiz Ruffato). O corte epistemológico pode ser representado por duas trajetórias: a) da Itália para a América – Brasi
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Sene, Abib. "Sémiotique de l'espace et sémantique du discours littéraire dans les oeuvres de Ngugi wa Thiong'o, George Lamming et William Boyd." Thesis, Tours, 2014. http://www.theses.fr/2014TOUR2030/document.

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Les sociétés africaines, caribéennes, et anglaises présentent, quoique partageant, d’une manière formelle, des caractéristiques, des profils divers en raisons des spécificités des milieux physiques dans lesquels elles se déploient. Ainsi, il a été important, dans ce travail, d’établir un lien nombrileux entre l’espace et le discours. En effet, l’analyse sémiotique de l’espace littéraire dans les oeuvres de Ngugi wa Thiong’o, George Lamming et William Boyd a conduit à une conclusion qui prend valeur d’importance dans des événements et des réalités politico-sociales. Etudiée sous un angle sémiot
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Gómez, Gálvez Mauricio. "Les formes d’appropriation dans la musique savante chilienne, XXe-XXIe siècles : transfert culturel, acculturation, métissage." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040149.

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Cette thèse se focalise sur l’étude de quatre compositeurs chiliens contemporains de la seconde moitié du XXe siècle/début du XXIe (Cirilo Vila, Sergio Ortega, Patricio Wang et Andrés González), dont l’échelonnement générationnel permet d’embrasser un demi siècle de musique, et ayant pour dénominateur commun le fait d’avoir mené des carrières dans l’espace « euro-latinoaméricain ». La première partie de la thèse présente un panorama succinct de la musique savante chilienne dès l’indépendance du pays au XIXe siècle, en mettant l’accent sur le processus d’institutionnalisation de la vie musicale
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Sawamura, Hiroshi. "A history of the National Recreation Association of Japan, 1938-1952." 1988. http://catalog.hathitrust.org/api/volumes/oclc/18788718.html.

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Carver, Mark Dean. "The unionization of Erwin's Mill : a history of TWUA Local 250, in Erwin, North Carolina : 1938-1952 /." 2004. http://www.lib.ncsu.edu/theses/available/etd-11062004-203826/unrestricted/etd.pdf.

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KHERFI, Chahnaz. "Le Groupe des Libéraux Constitutionnels : entre référent européen et expérience égyptienne (1919-1938)." Doctoral thesis, 2004. http://hdl.handle.net/1814/5856.

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Defence date: 21 May 2004<br>Examining board: Prof. Beber Johansen, EHESS, Paris ; Prof. Henry Laurens, Collège de France ; Prof. Bo Stråth, Institut Universitaire Européen (superviseur) ; Prof. Peter Wagner, Institut Universitaire Européen<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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Sequeira, Maria Luísa Paiva 1966. "O minimalismo nas produções escultórica e arquitetónica." Doctoral thesis, 2013. http://hdl.handle.net/10451/8680.

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Tese de doutoramento, Belas-Artes (Escultura), Universidade de Lisboa, Faculdade de Belas-Artes, 2012<br>Quando tudo se torna estético a própria noção de arte corre o risco de desaparecer. O facto de se privilegiar a imagem à custa de exercícios plástico-formais, de maior ou menor complexidade, tem conduzido a uma compreensão empobrecida do espaço construído, transformando o espaço social numa abstração fetichizada. Assim, debruçámo-nos, fundamentalmente, sobre a produção artística ao nível da escultura e da arquitetura, a partir de meados do séc. XX, de forma a compreender, de que modo os pro
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Books on the topic "1938-1952"

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Benavides, Leopoldo. El Periodo 1938-1952. Facultad Latinoamericana de Ciencias Sociales, 1985.

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Rodríguez, María Teresa Ventura. El sindicalismo oficial en Puebla 1938-1952. Benemérita Universidad Autónoma de Puebla, Dirección de Fomento Editorial, 2014.

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Wifredo, Lam, Blanc Giulio V, Herzberg Julia P, Sims Lowery Stokes, Balderrama Maria R, and Studio Museum in Harlem, eds. Wifredo Lam and his contemporaries, 1938-1952. Studio Museum in Harlem, 1992.

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Hrabal, Bohumil. Poupata: Křehké i rabiátské texty z let 1938-1952. 2nd ed. Mladá fronta, 1992.

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Ferrari, Debora. Leoncillo: Opere 1938-1952 : Museo internazionale delle ceramiche, Faenza. Skira, 1995.

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Parisot, Henri. Un' amicizia senza corpo: La corrispondenza Parisot-Savinio, 1938-1952. Sellerio, 1999.

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Grell, Isabelle. Les chemins de la liberté de Sartre: Genèse et écriture (1938-1952). P. Lang, 2005.

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Kako smo nastali i uz mnoge oscilacije stasali: Institut u periodu 1938-1952. Ekonomski institut Zagreb, 1992.

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La ruptura de la nación: Historia del movimiento obrero mexicano desde 1938 hasta 1952. Universidad Nacional Autónoma de México, Instituto de Investigaciones Sociales, 1986.

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Brunn, Walter von. Briefe von Walter von Brunn (1876-1952) an Tibor Györy (1869-1938) aus den Jahren 1924-1937: Ein Beitrag zum Korrespondentennetz Tibor Györys mit deutschen Medizinhistorikern. Gardez!, 2004.

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Book chapters on the topic "1938-1952"

1

Moebius, Stephan. "René Königs Züricher Vorlesungen (1938 – 1952)." In Zyklos 1. Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-03960-8_11.

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"LE CORBUSIERS ENTWICKLUNG ZWISCHEN 1938 UND 1952." In Raum, Zeit, Architektur. Birkhäuser, 2015. http://dx.doi.org/10.1515/9783035605778-051.

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Malinowski, Grzegorz. "Three-valuedness of Kleene and Bochvar." In Many-Valued Logics. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198537878.003.0008.

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Abstract Kleene (1938, 1952) and Bochvar (1938) are the founders of the original three-valued constructions motivated epistemologically by the indeterminacy or absurdity of some propositions at a certain stage of scientific investigation. The assumed status of the third logical value is somewhat different from the classical values of truth and falsity. The resulting logics, both propositional and predicate, are simulaneously allied to and distant from the classical logic. In what follows the fundamentals of these epistemologically established systems of logic are discussed. Further, we give an overall exposition of two related constructions motivated by partiality in associating (classical) truth-values to sentences: supervaluations and the partial logic.
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"2.2.5.3. Die dreiwertigen Systeme K3, K3* von Kleene [1938], [1952]." In Nichtklassische Logik. De Gruyter, 1990. http://dx.doi.org/10.1515/9783112620021-027.

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Laine, Kimmo, and Kimmo Laine. "Minors and independents." In Finnish Film Studios. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474446808.003.0003.

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The dominance of the majors during the Finnish studio era was never total. Despite the difficulties in working outside the big companies, some of the minors and independents achieved a remarkable output, and some of the established classics like The Stolen Death (1938) and The White Reindeer (1952), discussed in this chapter, were produced independently. This chapter charts the challenges – lack of money and facilities – as well as the benefits – creative freedom – of working on the outskirts of studio production. The relation between major, minor, independent and amateur film production is also discussed.
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"II. Am Puls der Zeit: Deutschland, Europa und der Westen (1938–1952)." In Transatlantis. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111106663-002.

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Ward, Julie. "Teatro de Ulises and Teatro Orientación." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2030-1.

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Teatro de Ulises and Teatro Orientación were companies founded in Mexico City in the early twentieth century by members of the modernist/avant-garde literary group Contemporáneos. Celestino Gorostiza (1904–1967), Xavier Villaurrutia (1903–1950), Salvador Novo (1904–1974), and Gilberto Owen (1904–1952) founded the Teatro de Ulises in 1927. The company dissolved in 1928, but in 1932 Gorostiza went on to found the Teatro Orientación, which had two runs (1932–4 and 1938–9). Both companies aimed to bring translations of international modernist and avant-garde plays to the Mexican stage, a goal that earned them criticism from nationalist contemporaries.
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White, G. Edward. "Exposure." In Alger Hiss’s Looking-Glass Wars. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195153453.003.0002.

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Abstract The exposure of Alger Hiss as a Communist and a Soviet agent began with a story about Hiss told by his accuser Whittaker Chambers. In 1952 Chambers produced a long, polished version of that story in his memoirs, Witness. He was at that time a celebrity, the star prosecution witness at the 1949 and 1950 perjury trials of Hiss, whom Chambers had accused of being in a Communist cell with him, and passing him stolen government documents, in the 1930s. Chambers admitted to having been a member of the Communist Party of the United States and an under-cover Soviet agent, but stated that he had broken with the Soviets in 1938 and become a rabid anti-Communist.
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"Louise Bourgeois’s Melancholy Objects to be Used." In Modernist Objects, edited by Lynn M. Somers. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979503.003.0009.

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Over a decade before the French-American sculptor Louise Bourgeois underwent psychoanalysis in New York (1952–1985), her work mined territories of psyche, body, home, and exile. Bourgeois’s papers from 1940 onward reveal that she shared Freud’s description of neurotics, hysterics, and artists as suffering from reminiscences. Scottish psychoanalyst W. R. D. Fairbairn identified the last of these in 1943 as “war neuroses,” just six years before Bourgeois debuted her first mature sculptures. These abstract “personages” served as melancholy surrogates for lost objects, the friends and family Bourgeois left in 1938 in Occupied France. In the 1960s, she further reduced the body to ambivalent amalgams of part-objects made from plaster and latex, suggesting swollen nodes, skin, and sex organs. Of particular interest are two papers published by Fairbairn in 1938 that extend the inner world of the individual to the field of object relations via the transposition of the symbolically “restored object.” Fairbairn conceived the radical notion of restitution, the mental process of repairing damage in the artist’s inner object world. These principles resonate with Bourgeois’s métier and a postwar sculptural aesthetic that probed the phenomenal experience of anxiety, exile, and psychoanalysis on the Self and others.
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Anderson, Orson L. "Finite Strain." In Equations of State of Solids for Geophysics and Ceramic Science. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195056068.003.0006.

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Abstract In this chapter we consider a few EoS’s based on finite strain. The classical theory of infinitesimal elasticity is based on two assumptions: 1) the strains are uniquely determined by the stresses and are reversible, and 2) the strains are limited to ‘linear’ elasticity; that is, they are so small that squares and products are negligible. In finite strain, the first assumption is retained, but the restriction to small strains is removed (Murnaghan, 1937). In generalized elasticity theory, finite strain representations go back to Love (1927), but practical expressions for finite strain were developed by Birch (1938, 1952). He used Murnaghan’s basic theory but restricted it to the case where the initial stress is a large hydrostatic pressure. The crucial assumption in finite strain theory is in the formal relationship between compression and coordinate displacement (see Stacey et al., 1981).
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Conference papers on the topic "1938-1952"

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Wilming, D. "The Historic Olympic Stadium in Helsinki of 1938. Development of Highly Dynamically Loaded Uplift Bearings for the new Modern Stand Roofs Integrate Inconspicuous in the Monumental Protected Facade." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0625.

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&lt;p&gt;The historic Olympic stadium in Helsinki of 1938, venue of the Olympic Games in 1952, is elaborately modernized at present. The individual impression as a historic building, particularly the distinctive facade, is preserved in detail. Observing the severe restrictions of monumental protection, the now 80 years old building is complemented, among other things, by the construction of a warm-up running racetrack hall and a mall with shops as well as new stand roofs for both stands. In this context, MAURER develops special structural uplift bearings for the new roof construction. The dist
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BARLAS, Dilek. "TÜRKİYE CUMHURİYETİ DIŞ POLİTİKASINA GENEL BAKIŞ 1923-1960." In 9. Uluslararası Atatürk Kongresi. Atatürk Araştırma Merkezi Yayınları, 2021. http://dx.doi.org/10.51824/978-975-17-4794-5.13.

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1923-1938 Atatürk dönemi dış politikasını bağlantısız bir dış politika diye nitelendirebiliriz. Bu dönemde Türkiye hiçbir büyük güce kendisini bağımlı hissetmemiştir. Zaten dünya ekonomik krizi nedeniyle tüm ülkeler içlerine kapanmak zorunda kalmıştır. Öte yandan kriz nedeniyle güçlenen Faşist İtalya ve Nazi Almanya’sı çevrelerine tehdit oluşturmaya başlamışlar ve bu durum Türkiye’yi komşuları ile daha yakın bir ilişkiye girmesini sağlamıştır. Atatürk özellikle Balkan ülkeleri ile iş birliğine önem vermiş hatta bu iş birliğini Akdeniz’e de yaymak istemiştir. 1939 yılında savaşın başlamasıyla T
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Reports on the topic "1938-1952"

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Research Department - Population, Employment and Social Conditions - Employment - Memoranda on Social Conditions - 1938 - 1952. Reserve Bank of Australia, 2023. http://dx.doi.org/10.47688/rba_archives_2006/17634.

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Research Department - Balance of Payments - Import Price Index - Memoranda - Notes for Base, 1932/1933, 1936/1937, 1938/1939, 1948/1949, 1950/1951, 1952/1953, 1957/1958. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_2006/14410.

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