Relevant bibliographies by topics / 1938-1952

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic '1938-1952'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic '1938-1952.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "1938-1952"

1

Marski, Ulrike, and Dieter Wieland. "Rezension von: Wieland, Dieter, Gassenlicht." Württembergisch Franken 88 (January 19, 2023): 271. http://dx.doi.org/10.53458/wfr.v88i.5097.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Schmitt Scheubel, Robert. "Einsteins "Riemann" in der Zeit von 1938 bis 1952." Die Musikforschung 55, no. 4 (2021): 386–94. http://dx.doi.org/10.52412/mf.2002.h4.775.

Full text
Abstract:
Das Riemann-Musik-Lexikon wurde maßgeblich von Alfred Einstein mitgestaltet, doch gelang es dem Schott-Verlag im Sog des Nationalsozialismus, den Juden Einstein auszubooten. Auch heutige Nutzer des Lexikons sollten über diesen Sachverhalt nicht hinwegsehen.
 bms online (Schöner, Oliver)
APA, Harvard, Vancouver, ISO, and other styles
3

TOMENIUS, JOHN. "The Incidence of Peptic Ulcer in Stockholm 1938-1952." Acta Medica Scandinavica 152, no. 5 (2009): 391–411. http://dx.doi.org/10.1111/j.0954-6820.1955.tb03497.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Prinsloo, Dioné. "Dr. H.F. Verwoerd en die Ossewa-Brandwag 1938–1952." Kleio 17, no. 1 (1985): 73–85. http://dx.doi.org/10.1080/00232088585310071.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Pacteau, Séverine. "Le ministère bordelais (1938-1952) du pasteur Hébert Roux." Revue historique de Bordeaux et du département de la Gironde 18, no. 1 (2012): 245–64. http://dx.doi.org/10.3406/rhbg.2012.1122.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Yushkevych, V. "Participation of American diplomacy in International conferences on refugees (1938 - 1952)." Zaporizhzhia Historical Review 1, no. 53 (2019): 267–73. http://dx.doi.org/10.26661/zhv-2019-1-53-36.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Malsberger, John W. "The Transformation of Republican Conservatism: The U.S. Senate, 1938-1952." Congress & the Presidency 14, no. 1 (1987): 17–31. http://dx.doi.org/10.1080/07343468709507965.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Del Pozo, José. "Los gobiernos radicales en Chile frente al desarrollo (1938-1952)." Caravelle 53, no. 1 (1989): 37–64. http://dx.doi.org/10.3406/carav.1989.2406.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Fontana, Fabiana. "Shakespeare, teatro moderno e movimento amador – a experiência do Teatro do Estudante do Brasil de Paschoal Carlos Magno." Pitágoras 500 4, no. 2 (2014): 43–62. http://dx.doi.org/10.20396/pita.v4i2.8634701.

Full text
Abstract:
Com a finalidade de apresentar o âmbito no qual se deu o aparecimento de Shakespeare no Brasil, no que tange às encenações de textos do dramaturgo por grupos e companhias nacionais, o pre- sente artigo aborda alguns dos aspectos principais dos espetáculos do Teatro do Estudante do Brasil, criados a partir de obras do poeta inglês, e apresentados entre os anos 1938-1952.
APA, Harvard, Vancouver, ISO, and other styles
10

Mayhew, David R., and John W. Malsberger. "From Obstruction to Moderation: The Transformation of Senate Conservatism, 1938-1952." American Historical Review 106, no. 3 (2001): 1014. http://dx.doi.org/10.2307/2692431.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "1938-1952"

1

Ortega, Orozco Adriana. "Les expositions d’art mexicain dans l’espace transnational : circulations, médiations et réceptions (1938 – 1952 – 2000)." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA024.

Full text
Abstract:
S’inscrivant à la croisée de l’histoire des expositions et des relations culturelles internationales, la thèse a pour principal objectif l’étude de la construction d’une certaine image de la nation mexicaine à l’étranger à travers l’art et de la manière dont celle-ci a été perçue par des audiences diverses dans différentes contrées. Pour ce faire, la thèse propose une étude de la présence de l’art mexicain dans l’espace transnational analysant des phénomènes de circulation, médiation et réception autour de la première grande exposition d’art mexicain itinérante en Europe. Entre 1952 et 1953, l’exposition Art mexicain du précolombien à nos jours a été présentée successivement à Paris, Stockholm, Londres et Mexico. Cette manifestation culturelle participe d’une longue génèse qui remonte aux années 1920. Après plusieurs tentatives échouées, l’idée de présenter une exposition d’art mexicain en Europe émerge à nouveau dans le monde de l’après-guerre, impulsée par le gouvernement mexicain et une constellation d’acteurs européens étatiques et non-étatiques qui ont fait que le projet se concretise en 1952. La thèse étudie les enjeux que cette manifestation a répresentés pour ses promoteurs, ainsi que la manière dont son discours curatorial consacre une certaine rhétorique nationaliste qui insiste sur la continuité du génie artistique mexicain à travers les époques. L’étude des réceptions et des va-et-vient au sein de l’espace euro-américain est alors menée à travers l’analyse des diverses représentations autour du Mexique exprimées par les publics européens, ainsi que par les manières dont la société mexicaine resignifie les réactions européennes vis-à-vis de l’art mexicain afin de les adapter au contexte local. Ensuite, ce travail se concentre sur les adhésions et les rejets exprimés au Mexique par rapport à ce portrait de lo mexicano impulsé depuis l’État. La thèse démontre comment cette exposition est devenue par la suite un modèle pour la présentation de l’art mexicain à l’étranger, décliné à plusieurs reprises dans les décennies suivantes comme le fer de lance de la diplomatie culturelle mexicaine<br>Located in the intersection of the fields of History of Exhibitions and History of International Cultural Relations, this thesis studies the construction of a particular image of the Mexican nation abroad through the medium of art, and the ways in which this image was perceived by diverse audiences in different countries. The thesis analyzes the circulation, mediation and reception of Mexican art in a transnational context for the first major traveling exhibition of Mexican art in Europe.Between 1952 and 1953, the exhibition Art mexicain du précolombien à nos jours (Mexican art from pre-Columbian times to the present day) was successively presented in Paris, Stockholm, London and Mexico City. This cultural event draws upon a long prehistory that dates back to the 1920s. After several failed attempts, the idea of presenting an exhibition of Mexican art in Europe reemerges in the postwar period driven by the Mexican government and a constellation of European state and non-state actors, leading up to the opening of the exhibition in Paris on May 20, 1952.The thesis studies the stakes that various promoters had in the exhibition as well as the ways in which its curatorial discourse crystallized a nationalist rhetoric that stresses the continuity of the mexican artistic genius through the ages. It further investigates the different receptions and interactions within the Euro-American space by analyzing the various representations of Mexico articulated by the European publics; conversely, it examines the ways in which Mexican society resignifies the European reactions vis-à-vis Mexican art and adapts them to the local context. Moreover, this work scrutinizes the approvals and rejections expressed by the Mexican public with regard to the particular image of lo mexicano promoted by the state. The thesis demonstrates how this exhibition became a model for the display of Mexican art abroad, reappearing several times in various declensions over the following decades as a trademark of Mexican cultural diplomacy
APA, Harvard, Vancouver, ISO, and other styles
2

Carbonera, Ildo. "Trajetórias da narrativa ítalo-brasileira : 'dove è la cuccagna?'." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15306.

Full text
Abstract:
Marcado por fortes tendências para o gênero ensaístico, num intercâmbio constante e instável entre Ficção, História e Experiência Pessoal, o presente estudo tem por base os romances Os Malavoglia (Giovanni Verga), Pai patrão (Gavino Ledda), Vita e Stória de Nanetto Pipetta (Aquiles Bernardi), O quatrilho, A cocanha e A babilônia (José Clemente Pozenato), Juliano Pavolini e A suavidade do vento (Cristovão Tezza), Mamma, son tanto felice, O mundo inimigo e Vista parcial da noite (Luiz Ruffato). O corte epistemológico pode ser representado por duas trajetórias: a) da Itália para a América – Brasil; b) das pequenas comunidades do interior para a cidade grande. No mundo de descendência italiana imigrante, as simulações e as ilusões elaboradas pela Ficção estão mais próximas da Realidade que aquelas proporcionadas por institutos e associações, em seus argumentos e artimanhas para “resgatar as raízes” e “cultivar as tradições”, representadas por eventos como noites italianas, jantares típicos, encontros de famílias e programas radiofônicos. Nos romances, a ausência desses “eventos” é absoluta; não há brindes, nem missas de encomendação e sepultamento. Ao fim e ao cabo, o homem do campo, pós-moderno, descendente dos antigos imigrantes italianos, tornou-se um ser globalizado sem sair de casa.<br>This study in the manner of an essay reflects a constant but unstable interchange between Fiction, History and Personal Experience. It is based on the following novels: Os Malavoglia (Giovanni Verga), Pai patrão (Gavino Ledda), Vita e Stória de Nanetto Pipetta (Aquiles Bernardi), O quatrilho, A cocanha and A babilônia (José Clemente Pozenato), Juliano Pavolini and A suavidade do vento (Cristovão Tezza), Mamma, son tanto felice, O mundo inimigo and Vista parcial da noite (Luiz Ruffato). Two epistemological paths have a point of departure and a point of arrival: a) from Italy to Brazil / America; b) from small backcountry communities to the big city. Among the descendants of italian immigrants the simulations and illusions processed by fiction are closer to reality than those offered by institutions and associations in their argueing and tricking for "retrieval of the roots" and "reclaiming traditions", embodied by events like italian evenings, typical dinners, family encounters, and radio programs. In the novels, there is an absolute absence of such "events", no glasses are raised in honor of anything, no requiem and inhumation masses are held. Post-modern countryside people of Italian descent in Brazil have become globalized without even leaving home.
APA, Harvard, Vancouver, ISO, and other styles
3

Sene, Abib. "Sémiotique de l'espace et sémantique du discours littéraire dans les oeuvres de Ngugi wa Thiong'o, George Lamming et William Boyd." Thesis, Tours, 2014. http://www.theses.fr/2014TOUR2030/document.

Full text
Abstract:
Les sociétés africaines, caribéennes, et anglaises présentent, quoique partageant, d’une manière formelle, des caractéristiques, des profils divers en raisons des spécificités des milieux physiques dans lesquels elles se déploient. Ainsi, il a été important, dans ce travail, d’établir un lien nombrileux entre l’espace et le discours. En effet, l’analyse sémiotique de l’espace littéraire dans les oeuvres de Ngugi wa Thiong’o, George Lamming et William Boyd a conduit à une conclusion qui prend valeur d’importance dans des événements et des réalités politico-sociales. Etudiée sous un angle sémiotique, la nomenclature de ces réalités fait sens dans des contextes et cotextes communicationnels à travers lesquels se lisent des aspects pragmatiques. Les toits langagiers et les contenus énonciatifs laissent observer des logiques positionnelles et transformationnelles, lesquelles épousent fondamentalement des aspects de la continuité et de la discontinuité. Et cela fait du message textuel un récit anthropologique relaté dans un univers interactionnel qui forme un tout de signification<br>African, Caribbean, and English societies, in spite of the fact that they share common features, remain different in their profile on the grounds of the particularities of the physical spaces that witness their expressions and the specific goals they target within historical, cultural, political and economic data that form out their social stratification. In this way, it becomes important, as a main idea of this work, to put on surface the intrinsic link between space and discourse. A semiotic analysis of literary space in Ngugi wa Thiong’o’s, George Lamming’s and William Boyd’s works has led to a concluding argument which highlights social and political realities. Read through a semiotic stand, the nomenclature of these events and realities root their meaning in communicating scenarios which portray pragmatic aspects. Levels of language and nature of messages help to observe some logic of positions and transformations that imply continuity and discontinuity dimensions. What affects to the literary message an anthropological account narrated into a framework of interactions that articulate a totalizing significance
APA, Harvard, Vancouver, ISO, and other styles
4

Gómez, Gálvez Mauricio. "Les formes d’appropriation dans la musique savante chilienne, XXe-XXIe siècles : transfert culturel, acculturation, métissage." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040149.

Full text
Abstract:
Cette thèse se focalise sur l’étude de quatre compositeurs chiliens contemporains de la seconde moitié du XXe siècle/début du XXIe (Cirilo Vila, Sergio Ortega, Patricio Wang et Andrés González), dont l’échelonnement générationnel permet d’embrasser un demi siècle de musique, et ayant pour dénominateur commun le fait d’avoir mené des carrières dans l’espace « euro-latinoaméricain ». La première partie de la thèse présente un panorama succinct de la musique savante chilienne dès l’indépendance du pays au XIXe siècle, en mettant l’accent sur le processus d’institutionnalisation de la vie musicale au pays, ainsi que sur les discours explicitement ou implicitement énoncés sur l’identité nationale/culturelle en musique. La deuxième partie analyse en détail, à travers une approche biographique, les parcours transnationaux et les œuvres des quatre compositeurs choisis, afin de comprendre, entre autres aspects, comment opèrent les processus de changement culturel à l’échelle d’une vie artistique. Enfin, la troisième partie présente une série d’études centrées sur l’analyse du rôle de passeurs culturels joué par les compositeurs chiliens (à la fois en tant que pédagogues et en tant que traducteurs de langages musicaux exogènes) ; l’impact de la circulation internationale et la globalisation ; les liens entre musique et politique, ainsi qu’entre art savant et populaire ; le rôle de la France et de l’Europe dans les processus d’acculturation ; les résultats du métissage culturel (à travers des cas concrets) ; ces études se complétant par une typologie des formes d’appropriation sonore opérés dans la musique de ces compositeurs<br>This thesis focuses on the study of four contemporary Chilean composers from the second half of the 20th century and beginning of 21st century who developed their careers in the ‘euro-latin-american’ space (Cirilo Vila, Sergio Ortega, Patricio Wang, and Andrés González), and whose generational intersections allow to cover half a century of music. The first part of the thesis presents a brief panorama of Chilean concert music, from the independence of the country at the beginning of the 19th century until our days. The survey emphasizes the process of institutionalization of the musical life, as well as the implicit or explicit discurses, which are presented regarding the national cultural identity in relation to music. The second part analyzes in detail, through a biographical approach, the transnational trajectories of the four composers under study. The aim is to understand, among other aspects, how the processes of cultural change work at the level of a given artistic life. The third part, attempts to elucidate 1. the specificity of Chilean musicians through a multifactorial approach, presenting a series of studies towards analyzing the role of cultural transmitter performed by Chilean composers (within their double function as pedagogues and translators of exogenous languages); 2. the impact of the international circulation and the globalization on their works; 3. the links between music and politics as well as the links between high and popular art; 4. the role of France and Europe in the processes of acculturation; 5. the results of cultural hybridization (through concrete cases), and finally, 6. a typology of the ways of sonic appropriation
APA, Harvard, Vancouver, ISO, and other styles
5

Sawamura, Hiroshi. "A history of the National Recreation Association of Japan, 1938-1952." 1988. http://catalog.hathitrust.org/api/volumes/oclc/18788718.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Carver, Mark Dean. "The unionization of Erwin's Mill : a history of TWUA Local 250, in Erwin, North Carolina : 1938-1952 /." 2004. http://www.lib.ncsu.edu/theses/available/etd-11062004-203826/unrestricted/etd.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

KHERFI, Chahnaz. "Le Groupe des Libéraux Constitutionnels : entre référent européen et expérience égyptienne (1919-1938)." Doctoral thesis, 2004. http://hdl.handle.net/1814/5856.

Full text
Abstract:
Defence date: 21 May 2004<br>Examining board: Prof. Beber Johansen, EHESS, Paris ; Prof. Henry Laurens, Collège de France ; Prof. Bo Stråth, Institut Universitaire Européen (superviseur) ; Prof. Peter Wagner, Institut Universitaire Européen<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
APA, Harvard, Vancouver, ISO, and other styles
8

Sequeira, Maria Luísa Paiva 1966. "O minimalismo nas produções escultórica e arquitetónica." Doctoral thesis, 2013. http://hdl.handle.net/10451/8680.

Full text
Abstract:
Tese de doutoramento, Belas-Artes (Escultura), Universidade de Lisboa, Faculdade de Belas-Artes, 2012<br>Quando tudo se torna estético a própria noção de arte corre o risco de desaparecer. O facto de se privilegiar a imagem à custa de exercícios plástico-formais, de maior ou menor complexidade, tem conduzido a uma compreensão empobrecida do espaço construído, transformando o espaço social numa abstração fetichizada. Assim, debruçámo-nos, fundamentalmente, sobre a produção artística ao nível da escultura e da arquitetura, a partir de meados do séc. XX, de forma a compreender, de que modo os progressos tecnológicos que ocorreram, durante e após o período da 2ª grande guerra, tiveram uma influência determinante no processo conceptual de idealização da escultura e da arquitetura a partir de então. Para além disso, tomou-se como ponto de partida o movimento Minimalista, como o movimento artístico surgido durante a década de sessenta, que se afirmou por negar a arte cartesiana europeia, pela via fenomenológica e por contestar os limites disciplinares definidos pelo Modernismo. Neste campo indefinido, propício à pluralidade de linguagens e ao confronto de protagonismos, a emergência de uma estética “minimal” assumiu rapidamente um sentido disciplinador de contenção e economia visual. Uma espécie de estabilização canónica que traduziu uma prática escultórica e arquitetónica reconduzidas ao limite mínimo da sua expressão plástica.<br>When everything becomes aesthetic the concept of art itself becomes in danger of disappearing. The increasing focus on image, at the expense of plastic-formal exercises, of varying complexity, has led to an impoverished understanding of the built environment, transforming the space into a social fetishized abstraction. Thus, we focused primarily on the sculptural and architectural productions, from mid XXth century, in order to understand how the technological advances that took place during and after the period of the 2nd World War, had a decisive influence on the conceptual processes of idealization of sculpture and architecture since then, allowing an approximation of the two areas. The Minimalist movement, became a refernce to the contemporary art for its ability to deny the European Cartesian art throug fenomenology, besides it contested the Modernist limits of the arts and defended a new interdisciplinary way of understanding it. In this indefinite field, enabling the plurality of languages and the confrontation of protagonisms, the emergence of a "minimal" aesthetic quickly assumed a sense of discipline based in a restraint visual economy. A sort of stabilization canon that reflected a sculptural and architectural practice reduced to the minimum of its plastic expression.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "1938-1952"

1

Benavides, Leopoldo. El Periodo 1938-1952. Facultad Latinoamericana de Ciencias Sociales, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rodríguez, María Teresa Ventura. El sindicalismo oficial en Puebla 1938-1952. Benemérita Universidad Autónoma de Puebla, Dirección de Fomento Editorial, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Wifredo, Lam, Blanc Giulio V, Herzberg Julia P, Sims Lowery Stokes, Balderrama Maria R, and Studio Museum in Harlem, eds. Wifredo Lam and his contemporaries, 1938-1952. Studio Museum in Harlem, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hrabal, Bohumil. Poupata: Křehké i rabiátské texty z let 1938-1952. 2nd ed. Mladá fronta, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Ferrari, Debora. Leoncillo: Opere 1938-1952 : Museo internazionale delle ceramiche, Faenza. Skira, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Parisot, Henri. Un' amicizia senza corpo: La corrispondenza Parisot-Savinio, 1938-1952. Sellerio, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Grell, Isabelle. Les chemins de la liberté de Sartre: Genèse et écriture (1938-1952). P. Lang, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kako smo nastali i uz mnoge oscilacije stasali: Institut u periodu 1938-1952. Ekonomski institut Zagreb, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

La ruptura de la nación: Historia del movimiento obrero mexicano desde 1938 hasta 1952. Universidad Nacional Autónoma de México, Instituto de Investigaciones Sociales, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Brunn, Walter von. Briefe von Walter von Brunn (1876-1952) an Tibor Györy (1869-1938) aus den Jahren 1924-1937: Ein Beitrag zum Korrespondentennetz Tibor Györys mit deutschen Medizinhistorikern. Gardez!, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "1938-1952"

1

Moebius, Stephan. "René Königs Züricher Vorlesungen (1938 – 1952)." In Zyklos 1. Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-03960-8_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

"LE CORBUSIERS ENTWICKLUNG ZWISCHEN 1938 UND 1952." In Raum, Zeit, Architektur. Birkhäuser, 2015. http://dx.doi.org/10.1515/9783035605778-051.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Malinowski, Grzegorz. "Three-valuedness of Kleene and Bochvar." In Many-Valued Logics. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198537878.003.0008.

Full text
Abstract:
Abstract Kleene (1938, 1952) and Bochvar (1938) are the founders of the original three-valued constructions motivated epistemologically by the indeterminacy or absurdity of some propositions at a certain stage of scientific investigation. The assumed status of the third logical value is somewhat different from the classical values of truth and falsity. The resulting logics, both propositional and predicate, are simulaneously allied to and distant from the classical logic. In what follows the fundamentals of these epistemologically established systems of logic are discussed. Further, we give an overall exposition of two related constructions motivated by partiality in associating (classical) truth-values to sentences: supervaluations and the partial logic.
APA, Harvard, Vancouver, ISO, and other styles
4

"2.2.5.3. Die dreiwertigen Systeme K3, K3* von Kleene [1938], [1952]." In Nichtklassische Logik. De Gruyter, 1990. http://dx.doi.org/10.1515/9783112620021-027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Laine, Kimmo, and Kimmo Laine. "Minors and independents." In Finnish Film Studios. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474446808.003.0003.

Full text
Abstract:
The dominance of the majors during the Finnish studio era was never total. Despite the difficulties in working outside the big companies, some of the minors and independents achieved a remarkable output, and some of the established classics like The Stolen Death (1938) and The White Reindeer (1952), discussed in this chapter, were produced independently. This chapter charts the challenges – lack of money and facilities – as well as the benefits – creative freedom – of working on the outskirts of studio production. The relation between major, minor, independent and amateur film production is also discussed.
APA, Harvard, Vancouver, ISO, and other styles
6

"II. Am Puls der Zeit: Deutschland, Europa und der Westen (1938–1952)." In Transatlantis. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111106663-002.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ward, Julie. "Teatro de Ulises and Teatro Orientación." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2030-1.

Full text
Abstract:
Teatro de Ulises and Teatro Orientación were companies founded in Mexico City in the early twentieth century by members of the modernist/avant-garde literary group Contemporáneos. Celestino Gorostiza (1904–1967), Xavier Villaurrutia (1903–1950), Salvador Novo (1904–1974), and Gilberto Owen (1904–1952) founded the Teatro de Ulises in 1927. The company dissolved in 1928, but in 1932 Gorostiza went on to found the Teatro Orientación, which had two runs (1932–4 and 1938–9). Both companies aimed to bring translations of international modernist and avant-garde plays to the Mexican stage, a goal that earned them criticism from nationalist contemporaries.
APA, Harvard, Vancouver, ISO, and other styles
8

White, G. Edward. "Exposure." In Alger Hiss’s Looking-Glass Wars. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195153453.003.0002.

Full text
Abstract:
Abstract The exposure of Alger Hiss as a Communist and a Soviet agent began with a story about Hiss told by his accuser Whittaker Chambers. In 1952 Chambers produced a long, polished version of that story in his memoirs, Witness. He was at that time a celebrity, the star prosecution witness at the 1949 and 1950 perjury trials of Hiss, whom Chambers had accused of being in a Communist cell with him, and passing him stolen government documents, in the 1930s. Chambers admitted to having been a member of the Communist Party of the United States and an under-cover Soviet agent, but stated that he had broken with the Soviets in 1938 and become a rabid anti-Communist.
APA, Harvard, Vancouver, ISO, and other styles
9

"Louise Bourgeois’s Melancholy Objects to be Used." In Modernist Objects, edited by Lynn M. Somers. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979503.003.0009.

Full text
Abstract:
Over a decade before the French-American sculptor Louise Bourgeois underwent psychoanalysis in New York (1952–1985), her work mined territories of psyche, body, home, and exile. Bourgeois’s papers from 1940 onward reveal that she shared Freud’s description of neurotics, hysterics, and artists as suffering from reminiscences. Scottish psychoanalyst W. R. D. Fairbairn identified the last of these in 1943 as “war neuroses,” just six years before Bourgeois debuted her first mature sculptures. These abstract “personages” served as melancholy surrogates for lost objects, the friends and family Bourgeois left in 1938 in Occupied France. In the 1960s, she further reduced the body to ambivalent amalgams of part-objects made from plaster and latex, suggesting swollen nodes, skin, and sex organs. Of particular interest are two papers published by Fairbairn in 1938 that extend the inner world of the individual to the field of object relations via the transposition of the symbolically “restored object.” Fairbairn conceived the radical notion of restitution, the mental process of repairing damage in the artist’s inner object world. These principles resonate with Bourgeois’s métier and a postwar sculptural aesthetic that probed the phenomenal experience of anxiety, exile, and psychoanalysis on the Self and others.
APA, Harvard, Vancouver, ISO, and other styles
10

Anderson, Orson L. "Finite Strain." In Equations of State of Solids for Geophysics and Ceramic Science. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195056068.003.0006.

Full text
Abstract:
Abstract In this chapter we consider a few EoS’s based on finite strain. The classical theory of infinitesimal elasticity is based on two assumptions: 1) the strains are uniquely determined by the stresses and are reversible, and 2) the strains are limited to ‘linear’ elasticity; that is, they are so small that squares and products are negligible. In finite strain, the first assumption is retained, but the restriction to small strains is removed (Murnaghan, 1937). In generalized elasticity theory, finite strain representations go back to Love (1927), but practical expressions for finite strain were developed by Birch (1938, 1952). He used Murnaghan’s basic theory but restricted it to the case where the initial stress is a large hydrostatic pressure. The crucial assumption in finite strain theory is in the formal relationship between compression and coordinate displacement (see Stacey et al., 1981).
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "1938-1952"

1

Wilming, D. "The Historic Olympic Stadium in Helsinki of 1938. Development of Highly Dynamically Loaded Uplift Bearings for the new Modern Stand Roofs Integrate Inconspicuous in the Monumental Protected Facade." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0625.

Full text
Abstract:
&lt;p&gt;The historic Olympic stadium in Helsinki of 1938, venue of the Olympic Games in 1952, is elaborately modernized at present. The individual impression as a historic building, particularly the distinctive facade, is preserved in detail. Observing the severe restrictions of monumental protection, the now 80 years old building is complemented, among other things, by the construction of a warm-up running racetrack hall and a mall with shops as well as new stand roofs for both stands. In this context, MAURER develops special structural uplift bearings for the new roof construction. The distinctive feature is transferring primarily occurring tensile loads (secondary alternating pressure loads) kinematically precise to the substructure while balancing relative movements and relative torsion. The architecture requires smallest structures that meet highest safety requirements.&lt;/p&gt;
APA, Harvard, Vancouver, ISO, and other styles
2

BARLAS, Dilek. "TÜRKİYE CUMHURİYETİ DIŞ POLİTİKASINA GENEL BAKIŞ 1923-1960." In 9. Uluslararası Atatürk Kongresi. Atatürk Araştırma Merkezi Yayınları, 2021. http://dx.doi.org/10.51824/978-975-17-4794-5.13.

Full text
Abstract:
1923-1938 Atatürk dönemi dış politikasını bağlantısız bir dış politika diye nitelendirebiliriz. Bu dönemde Türkiye hiçbir büyük güce kendisini bağımlı hissetmemiştir. Zaten dünya ekonomik krizi nedeniyle tüm ülkeler içlerine kapanmak zorunda kalmıştır. Öte yandan kriz nedeniyle güçlenen Faşist İtalya ve Nazi Almanya’sı çevrelerine tehdit oluşturmaya başlamışlar ve bu durum Türkiye’yi komşuları ile daha yakın bir ilişkiye girmesini sağlamıştır. Atatürk özellikle Balkan ülkeleri ile iş birliğine önem vermiş hatta bu iş birliğini Akdeniz’e de yaymak istemiştir. 1939 yılında savaşın başlamasıyla Türkiye, İngiltere ve Fransa ile ittifak antlaşması imzalamak zorunda kalmıştır. Buna rağmen Türkiye bu ülkeler safında savaşa girmeyerek tarafsız bir politika izlemiştir. Savaşın sonuna doğru Birleşmiş Milletlerin bir parçası olabilmek için Mihver devletlerine savaş ilan etmiştir. 1946 yılında Missouri’nin Türkiye’yi ziyareti Ankara’nın Washington ile yakınlaşmasına doğru atılan ilk adımdır. Bundan sonraki adım Truman doktrinini Türkiye’nin kabul etmesidir. 1947’den sonra Pax Britannica döneminden Pax Americana dönemine geçilmiş, Türkiye de kaçınılmaz olarak yeni dünya düzeninin içerisinde yerini almaya başlamıştır. Türkiye’nin ABD ile ilişkisi Avrupa devletleri ile olan ilişkilerinden farklıdır. Osmanlı mirasından dolayı Avrupa’nın büyük güçlerine karşı temkinli davranan Türkiye, ABD ile ilişkileri geliştirmekte daha istekli davranmıştır. Oysa İngiltere bölgeden hemen çekilmemiştir. 1957 Eisenhower Doktrinine kadar özellikle Ortadoğu bölgesinde ABD ve İngiltere birlikte hareket etmişlerdir. Ankara Washington ile daha yakın ilişkiye girmek istese de ABD bölgeye temkinli yaklaşmaktadır. 1952 yılında Türkiye’nin NATO’ya girişi iki ülkeyi birbirine daha yakınlaştırmıştır. 1955 yılında ABD, İngiltere’nin üye olduğu Bağdat Paktını desteklese de ancak 1957 yılında Eisenhower Doktrini ile Ortadoğu’da daha etkili hale gelmiştir. Ankara’nın İngiltere ve ABD’ye karşı ikilemli tutumu da bu tarihten sonra daha netleşmiştir.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "1938-1952"

1

Research Department - Population, Employment and Social Conditions - Employment - Memoranda on Social Conditions - 1938 - 1952. Reserve Bank of Australia, 2023. http://dx.doi.org/10.47688/rba_archives_2006/17634.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Research Department - Balance of Payments - Import Price Index - Memoranda - Notes for Base, 1932/1933, 1936/1937, 1938/1939, 1948/1949, 1950/1951, 1952/1953, 1957/1958. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_2006/14410.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography