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Dissertations / Theses on the topic '1940-2010'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Wright, Lauren E. "The American Serial Rapist: 1940-2010." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1397845726.

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2

Kemppainen, K. (Karoliina). "”Olkaamme veljiä vieraalla maaperällä”:Oulun Karjalaseura vuosina 1940–2010." Master's thesis, University of Oulu, 2013. http://urn.fi/URN:NBN:fi:oulu-201306061558.

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Pro gradu -tutkielmani aiheena on Oulun Karjalaseura ry:n toiminta vuosina 1940–2010. Talvi- ja jatkosodan aluemenetysten myötä yli 400 000 karjalaista joutui jättämään kotiseutunsa, ja jo keväällä 1940 siirtoväki perusti valtakunnallisen Karjalan Liiton ajamaan asioitaan. Pian alettiin perustaa paikallisia seuroja, ensimmäisten joukossa Oulun Karjalaseura syyskuussa 1940. Sen tarkoituksena oli yhdistää Ouluun asettunut siirtoväki ja huolehtia heidän edunvalvonnastaan. Alusta asti mukana oli paljon virkistystoimintaa, kuten juhlia ja urheilua. Jatkosodan aikana suurin osa Oulun karjalaisista p

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3

Ivener, Ramona. "Kunskapens händer : Kunskapstraditioner, maskulinitet och förändring i Lesjöfors 1940-2010." Doctoral thesis, Karlstads universitet, Institutionen för samhälls- och kulturvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-30972.

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Lesjöfors, located in the municipality of Filipstad in Värmland, has a mining history dating back to the 1600s. In the mid-1970s, however, Lesjöfors, like Bergslagen at large, suffered from the international recession, and structural change had a major impact on this region, affecting society as well as individuals. These transformations form the basis of this thesis. In today’s society, knowledge or training is constantly in demand. However, the political context does not always allow for a consideration of the impact of decisions on small local communities and individuals in rural areas. Eve

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4

Giudici, Marco. "Migration, memory and identity : Italians and nation-building in Wales, 1940-2010." Thesis, Bangor University, 2012. https://research.bangor.ac.uk/portal/en/theses/migration-memory-and-identity-italians-and-nationbuilding-in-wales-19402010(a96d8824-e385-4e27-867d-4b16801257b9).html.

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Despite being a numerical minority, Italians have become one of Wales’ most noticeable migrant groups, their narratives figuring prominently in Welsh popular culture and collective memory. Yet, like other ethnic minorities in Wales, they have been neglected in academic enquiry, with the history of immigration to Britain being traditionally addressed in an Anglocentric perspective. This thesis aims to fill this academic gap and provide an original historical contribution to migration studies. In so doing, it primarily aims to disclose two under-investigated areas of investigation; firstly, smal

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5

Almeida, Wilson Ricardo Antoniassi de. "Terceiro Grupo Escolar De Limeira-SP (1940-2010) : a dinâmica do tempo-espaço escolar." Universidade Federal de São Carlos, 2016. https://repositorio.ufscar.br/handle/ufscar/8427.

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Submitted by Alison Vanceto (alison-vanceto@hotmail.com) on 2017-01-16T11:23:23Z No. of bitstreams: 1 TeseWRAA.pdf: 213253379 bytes, checksum: 944ee210c0a0ac09450ff69e9bc15f83 (MD5)<br>Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2017-01-17T12:01:17Z (GMT) No. of bitstreams: 1 TeseWRAA.pdf: 213253379 bytes, checksum: 944ee210c0a0ac09450ff69e9bc15f83 (MD5)<br>Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2017-01-17T12:01:27Z (GMT) No. of bitstreams: 1 TeseWRAA.pdf: 213253379 bytes, checksum: 944ee210c0a0ac09450ff69e9bc15f83 (MD5)<br>M

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6

Santo, Sandra Medeiros. "A expansão urbana, o Estado e as águas em Feira de Santana (1940-2010)." Faculdade de Arquitetura e Urbanismo, 2012. http://repositorio.ufba.br/ri/handle/ri/25832.

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Submitted by Biblioteca de Arquitetura (bibarq@ufba.br) on 2018-04-27T14:50:33Z No. of bitstreams: 1 Sandra MEDEIROS SANTO.pdf: 48451644 bytes, checksum: 158680f6400c4b419a144f6333f8b2c6 (MD5)<br>Approved for entry into archive by Biblioteca de Arquitetura (bibarq@ufba.br) on 2018-04-27T14:51:24Z (GMT) No. of bitstreams: 1 Sandra MEDEIROS SANTO.pdf: 48451644 bytes, checksum: 158680f6400c4b419a144f6333f8b2c6 (MD5)<br>Made available in DSpace on 2018-04-27T14:51:24Z (GMT). No. of bitstreams: 1 Sandra MEDEIROS SANTO.pdf: 48451644 bytes, checksum: 158680f6400c4b419a144f6333f8b2c6 (MD5)<br>O fenôme

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7

Vinci, Tony M. "Ghost, Animal, Android: Trauma, Posthuman Ethics, and Radical Vulnerability in American Literature, 1940-2010." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/857.

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Ghost, Animal, Android: Trauma, Posthuman Ethics, and Radical Vulnerability in American Literature, 1940-2010 The dissertation argues that the literary topoi of the ghost, animal, and android function as ethical categories offering access to traces of trauma that operate beyond the boundaries of the human. The study revises the traditional argument that the literatures of trauma work to heal the victims of personal and cultural catastrophes by emphasizing work by William Faulkner, Toni Morrison, William Heyen, and Philip K. Dick that resists an oversimplified notion of healing and instead ex

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8

Brown, Daniel Richard. "A HISTORY AND ANALYSIS OF THE ADVANCEMENTS IN JAZZ TUBA PERFORMANCE FROM 1940 UNTIL 2010." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/195330.

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The purpose of this study is to provide a history of the development of jazz tuba performance from 1940 until 2010. The history consists of profiles of jazz tubists that developed or participated in new styles of jazz tuba performance. Musical figures are provided for different decades of change. Figures are taken from the original scores or transcribed from recordings and analyzed to highlight advancements.

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9

Zaidan, Sarah Z. "The adventures of MetaMan : the superhero as a representation of modern Western masculinity (1940-2010)." Thesis, Kingston University, 2011. http://eprints.kingston.ac.uk/22375/.

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The Adventures ofMetaMan: The Superhero as a Representation ofModem Western Masculinity (1940-2010) is a practice-based research project. The aim of this research project is to develop interactive works of art that interrogate superhero narratives and representations of male identity, with the potential to relate to the experiences of relevant users in educational environments. At the current stage of the project, young men aged 11-14 in the English school system are a possible target audience. The work of art takes the form of interactive software written in Adobe Flash, with additional visua

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10

Azevedo, Ana Lucia de Faria e. "Fora do quadro: discursos sobre educação e cinema (Argentina e Brasil- 1910/1940 e 1990/2010)." Universidade Federal de Minas Gerais, 2014. http://hdl.handle.net/1843/BUOS-9TDHRF.

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This theory carried out in the landmarks of the Latin-American Doctorate in Education, analyses the conceptions and possibilities related to the relations between cinema and education, contained in pedagogic speeches produced by Brazilian and Argentinian intellectuals at two moments of the century XX: from 1910 to 1940 and from 1990 to 2010.. The choice of time frame is due to the fact that, in these two periods, the settings of these discourses assume distinct and significant features. From the methodological point of view, we chose a research approach that especially considers the socio-hist

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11

von, Krogh Torbjörn. "Understanding Media Accountability : Media Accountability in Relation to Media Criticism and Media Governance in Sweden 1940-2010." Doctoral thesis, Mittuniversitetet, Institutionen för informationsteknologi och medier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-16679.

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The concepts of media accountability, media criticism and media governance are analysed and discussed in a Swedish setting; how they relate to each other and interact. This is achieved by using various methods – a survey to editors, analy- ses of parliamentary debates, interviews, direct observation and document stu- dies – in studying different stakeholders, media representatives and governance conditions in Sweden during the last 70 years. The findings point in a direction of dynamic complexities with a central role for media criticism. The type, level and intensity of media criticism may af

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12

Friestino, Fernando Simões 1981. "Estudo da mortalidade em trabalhadores da mineração do amianto no Brasil no período de 1940 a 2010." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/312612.

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Orientador: Ericson Bagatin<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Ciências Médicas<br>Made available in DSpace on 2018-08-26T01:11:44Z (GMT). No. of bitstreams: 1 Friestino_FernandoSimoes_M.pdf: 3256668 bytes, checksum: 1a5ab3a1ce5d99130355669ac4a7fd5f (MD5) Previous issue date: 2014<br>Resumo: Introdução:O asbesto é uma fibra mineral utilizada por suas características distintas, e usada como matéria-prima para produtos na indústria têxtil e construção civil. O asbesto é considerado carcinogênico para humanos. O Brasil está entre os quatro maiores produt

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13

Dixon, James Richard Bruce. "Public art and contemporary archaeology in the context of urban regeneration : ongoing change in central Bristol 1940-2010." Thesis, University of the West of England, Bristol, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569226.

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Public art has long been seen as a phenomenon with little intimate connection to its surroundings, whether it is as a discursive formation surrounding a work or an abstract object encountered by passers-by as a relatively passive aesthetic experience. This thesis seeks to demonstrate how public artworks, rather than having sites formed around them by discourse, or sitting still within physical locations, actually create their own multi-layered sites through a process of enrolment and implication of a wide network of factors; physical, spatial, temporal, political and more. Taking inspiration f

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14

Ikpo, Ley G. "Côte d'Ivoire ˸ enjeux démocratiques : les acteurs politiques et leurs actions au sein de la société ivoirienne de 1940 à 2010." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCB244/document.

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La démocratie, selon le temps et l'espace, a été le commun de différentes civilisations. Plusieurs mouvements populaires ont été menés, afin de forger une véritable démocratie. Les réformes de 1936 du Front populaire en France permirent à la Côte d'Ivoire de fonder une classe politique et le PDCI tout seul dirigea le territoire jusqu'au 30 mars 1990. En 1999, Bédié fut renversé du pouvoir et remplacé par le Général Guei qui lui fut chassé du pouvoir confisqué par un mouvement de masse populaire, en octobre 2000. En septembre 2002, une attaque est lancée pendant que Gbagbo était en visite offic

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15

Soares, dos Santos Ronan. "A construção de Cidades no Brasil: Capital, poder público, população e a produção do espaço urbano em Vitória da Conquista (1940 - 2010)." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/132960.

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Este trabalho, baseado em pesquisa empírica e bibliográfica, pretende reconstituir a relação entre o poder público, o capital imobiliário, a população e a produção do espaço urbano na cidade de Vitória da Conquista – Ba, no período compreendido entre 1940 a 2010, e descrever com essa produção resultou numa cidade segregada. Nesse sentido, pretende-se acompanhar a evolução do espaço urbano e da legislação urbanística de Vitória da Conquista, a partir da década de 1940, quando a cidade começa a viver o processo de urbanização, passando pela elaboração do primeiro plano diretor, na década de 1970

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16

Lagacé, Jean-Philippe. "Sur la possibilité d'une esthétique critique : le débat entre Walter Benjamin et Theodor W. Adorno." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27691/27691.pdf.

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17

Abbas, Nabila. "Das Imaginäre und die Revolution : die Imaginäre des tunesischen Revolutionsprozesses." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080004.

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Mon approche de la révolution tunisienne se concentre sur les imaginaires des acteurs tunisiens qui ont contribué à la chute du régime de Ben Ali : Quels imaginaires politiques ont-ils ? Quelles critiques formulent-ils à l’égard de ce régime ? À quelles idées, normes, valeurs font-ils référence dans leurs critiques ? J’examine les imaginaires de différents acteurs : défenseurs des droits humains, syndicalistes, féministes, citoyens, jeunes, chômeurs, cyberactivistes et islamistes. J’identifie d'abord les imaginaires qui ont contribué à l’érosion de l’ancien régime (imaginaires critiques), avan

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18

Vaičiulytė, Eglė. "Susirinkimų, pramogų, draugijų, spaudos teisinis reguliavimas Lietuvoje 1918-1940 metais." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20110124_130122-17615.

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Magistro baigiamojo darbo tikslas yra išanalizuoti ir įvertinti susirinkimų, pramogų draugijų, spaudos teisinio reguliavimo teorinius bei praktinius aspektus. Magistro baigiamojo darbo chronologinės ribos – 1918 – 1940 metai – visapusiškai sutampa su nepriklausomos Lietuvos valstybės gyvavimo laikotarpiu. Pirmojoje darbo dalyje laiko riba apima parlamentinį laikotarpį, kuomet šalyje buvo kuriamos ir plėtojamos spaudos, draugijų, susirinkimų ir pramogų laisvės, šių teisių reguliavimui buvo kuriama nacionalinė teisinė bazė. Antrojoje darbo dalyje analizuoju autoritarinių nuostatų įsigalėjimą šal

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19

Parageau, Perrine. "Formes et enjeux des récits d'enfance contemporains, 1980-2010 : Pierre Bergounioux, Marguerite Duras, Annie Ernaux, Jean-Marie Gustave Le Clézio." Lille 3, 2011. http://www.theses.fr/2011LIL30015.

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Depuis le dernier quart du XIXe siècle, le récit d'enfance connaît un essor significatif. L'irruption de nouveaux enjeux, parfois de mutations radicales, tend aujourd'hui à modifier la physionomie du récit d'enfance. Les auteurs appréhendent l'enfant moins comme une fin que comme moyen. Une fonction de vecteur intellectuel lui dispute sa nature de sujet, sans néanmoins l'annihiler. Ce travail analyse le récit d'enfance contemporain de langue française à travers un corpus principal de quatre œuvres : L'Amant (M. Duras), La Maison rose (P. Bergounioux), Onitsha (J. -M. G. Le Clézio) et La Honte

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20

Cordeau, Françoise. "Le Cheval de Troie (roman) suivi de : L'expression du sentiment d'abandon chez Anne Hébert, Louise Desjardins, Bruno Roy et Björn Larsson." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28293/28293.pdf.

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21

Rivers, Joseph Henry. "Novel organometallic precursors for the Chemical Vapor Deposition of metal thin films." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-08-1940.

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With the growing demand for miniaturization of devices and for new materials with useful properties, the use of Chemical Vapor Deposition (CVD) for the manufacture of thin films is receiving growing attention. The synthesis of potentially volatile metal complexes and investigation of their use as CVD precursors is an important part of this process. The research presented addresses several major areas of this process, (i) the identification and synthesis of ligands which can impart volatility to a metal complex, (ii) the synthesis, characterization, and assessment of volatility of metal comple

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22

Aires, Tiago Manuel Martins. "Arlindo Barbeitos: poética da concisão." Master's thesis, 2009. http://hdl.handle.net/10451/1718.

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Tese de mestrado, Estudos Brasileiros e Africanos, Universidade de Lisboa, Faculdade de Letras, 2010<br>À poesia de Arlindo Barbeitos têm sido apontadas as características da brevidade e da concisão. Esta dissertação procura evidenciar os recursos que o autor utiliza para a construção de textos breves e, simultaneamente, concisos, partindo da discussão destes conceitos e sua aplicação na sua obra poética, de acordo com o programa que o próprio apresenta e defende. A sua poética da concisão é marcada pela novidade intencionalmente procurada, no sentido de se afastar da poesia panfletária e dire

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23

Moreira, Ana Sofia Velez da Conceição. "O lugar, a memória e o corpo." Master's thesis, 2012. http://hdl.handle.net/10451/5645.

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Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2012<br>El presente texto está dividido en dos componentes que se complementan, una teórica y otra práctica. La componente teórica del proyecto se desenvuelve principalmente entorno al concepto de la identidad y se centra en tres aspectos, el lugar, la memoria y el cuerpo, resaltando el lugar como contenedor de la memoria y reforzador de la identidad. Son investigadas, resumidamente, las definiciones de Marc Augé sobre el lugar y el no-lugar, el estudio de Maurice Halbwachs sobre la memoria y la memoria colectiva y la

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24

Vidal, Carlos 1964. "Invisualidade da pintura : história de uma obsessão (de Caravaggio a Bruce Nauman)." Doctoral thesis, 2009. http://hdl.handle.net/10451/2409.

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Tese de doutoramento, Belas-Artes (Pintura), Universidade de Lisboa, Faculdade de Belas-Artes, 2010<br>Um resumo deste estudo deve, em primeiro lugar, justificar o seu título: Invisualidade da Pintura: História de uma Obsessão (de Caravaggio a Bruce Nauman). Pretende-se uma definição da pintura que permita ou revele um seu denominador comum à videosfera (mas também à escultura ao cinema e ao teatro, áreas abordadas nesta investigação). Esse denominador comum define ou redefine a natureza, ou a marca e a existência, das duas disciplinas em causa (vídeo e pintura, em primeiro lugar, com su

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25

Bezerra, Bruno Luiz Vasconcelos Guimarães. "Literatura, memória e tradução : reflexões a partir da tradução de quatro contos no contexto das ditaduras na América Latina." Master's thesis, 2021. http://hdl.handle.net/10451/48196.

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Como contar o horror? Como se constrói uma memória do horror a partir da ficção? Neste trabalho avançamos para a tradução e análise de quatro contos da literatura latino-americana: O meu irmão atravessa a praça, do chileno Luis Alberto Tamayo; Confissões de um fugitivo, do boliviano Victor Montoya; A longa risada de todos esses anos, do argentino Rodolfo Fogwill e Curriculum Vitae, da paraguaia Lita Pérez Cáceres. Examina-se, a partir desses relatos, a maneira como as diferentes narrativas representam a noção de testemunho a fim de registrar os horrores das ditaduras militares no Cone Sul e co

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