Academic literature on the topic '1961-1975 Street theater Street theater'

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Journal articles on the topic "1961-1975 Street theater Street theater"

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Finke, Laurie A., and Susan Aronstein. "GOT GRAIL? MONTY PYTHON AND THE BROADWAY STAGE." Theatre Survey 48, no. 2 (2007): 289–311. http://dx.doi.org/10.1017/s0040557407000695.

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Money matters. In Act 2 of Spamalot, Eric Idle's Broadway musical based on the 1975 cult classic Monty Python and the Holy Grail, the show's star, Tim Curry, as King Arthur, comments that the characters are running around in a “dark and very expensive forest.” The joke, it turns out, is entirely on us. Monty Python and the Holy Grail was an inexpensive independent film, costing $250,000 to make, a bargain compared to the same year's The Rocky Horror Picture Show ($1,200,000) and Python's own 1979 Life of Brian ($4,000,000). From its release, Holy Grail ran continuously in many theatres, and la
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Sinno, Wael. "How People Reclaimed Public Spaces in Beirut during the 2019 Lebanese Uprising." Journal of Public Space, Vol. 5 n. 1 (January 31, 2020): 193–218. http://dx.doi.org/10.32891/jps.v5i1.1258.

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Over the past years, popular uprisings across the Middle East continue to grow. Throughout these movements, public spaces have played a crucial role in allowing citizens to express their demands. Public spaces have brought people together, providing the space for citizens to assert their rights to freedom of speech and demanding basic rights. Since 17 October 2019, Lebanon has been experiencing a similar civic movement. Expressions and manifestations of this movement have used underutilized public spaces across the country. For instance, in Beirut, the retrieve of public spaces has taken place
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Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

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Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari
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Mahboob, Usman. "Deliberations on the contemporary assessment system." Health Professions Educator Journal 2, no. 2 (2019): 66–69. http://dx.doi.org/10.53708/hpej.v2i2.235.

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There are different apprehensions regarding the contemporary assessment system. Often, I listen to my colleagues saying that multiple-choice questions are seen as easier to score. Why can’t all assessments be multiple-choice tests? Some others would say, whether the tests given reflect what students will need to know as competent professionals? What evidence can be collected to make sure that test content is relevant? Others come up with concerns that there is a perception amongst students that some examiners are harsher than others and some tasks are easier than others. What can be done to ev
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A.Bennett, Simon. "A City Divided." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1950.

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Imaginings of cities are powerful...imagination can be either an escape...or an act of resistance or both (Bridge and Watson 2000: 16). Imagination and the city are closely entwined for Gary Bridges and Sophie Watson who organise the relationship between the city and the imagination in two areas: how the city affects the imagination and how the city is imagined. They see that the city provides both constraints and stimulus on the imagination of all its inhabitants. From screenwriters to urban planners to policy makers to city visitors from suburbs or country towns, each person has his or her i
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Mudie, Ella. "Unbuilding the City: Writing Demolition." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1219.

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IntroductionUtopian and forward looking in tenor, official narratives of urban renewal and development implicitly promote normative ideals of progress and necessary civic improvement. Yet an underlying condition of such renewal is frequently the very opposite of building: the demolition of existing urban fabric. Taking as its starting point the large-scale demolition of buildings proposed for the NSW Government’s Sydney Metro rail project, this article interrogates the role of literary treatments of demolition in mediating complex, and often contradictory, responses to transformations of the b
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Jethani, Suneel. "New Media Maps as ‘Contact Zones’: Subjective Cartography and the Latent Aesthetics of the City-Text." M/C Journal 14, no. 5 (2011). http://dx.doi.org/10.5204/mcj.421.

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Any understanding of social and cultural change is impossible without a knowledge of the way media work as environments. —Marshall McLuhan. What is visible and tangible in things represents our possible action upon them. —Henri Bergson. Introduction: Subjective Maps as ‘Contact Zones’ Maps feature heavily in a variety of media; they appear in textbooks, on television, in print, and on the screens of our handheld devices. The production of cartographic texts is a process that is imbued with power relations and bound up with the production and reproduction of social life (Pinder 405). Mapping in
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Felton, Emma. "Brisbane: Urban Construction, Suburban Dreaming." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.376.

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When historian Graeme Davison famously declared that “Australia was born urban and quickly grew suburban” (98), he was clearly referring to Melbourne or Sydney, but certainly not Brisbane. Although the Brisbane of 2011 might resemble a contemporary, thriving metropolis, its genealogy is not an urban one. For most of its history, as Gillian Whitlock has noted, Brisbane was “a place where urban industrial society is kept at bay” (80). What distinguishes Brisbane from Australia’s larger southern capital cities is its rapid morphology into a city from a provincial, suburban, town. Indeed it is Bri
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Totman, Sally, and Mat Hardy. "The Charismatic Persona of Colonel Qaddafi." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.808.

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Introduction In any list of dictators and antagonists of the West the name of Libya’s Colonel Muammar Qaddafi will always rank highly as one of the most memorable, colourful and mercurial. The roles he played to his fellow Libyans, to regional groupings, to revolutionaries and to the West were complex and nuanced. These various roles developed over time but were all grounded in his self-belief as a messianic revolutionary figure. More importantly, these roles and behaviours that stemmed from them were instrumental in preserving Qaddafi’s rule and thwarting challenges to it. These facets of Qad
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Karlin, Beth, and John Johnson. "Measuring Impact: The Importance of Evaluation for Documentary Film Campaigns." M/C Journal 14, no. 6 (2011). http://dx.doi.org/10.5204/mcj.444.

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Introduction Documentary film has grown significantly in the past decade, with high profile films such as Fahrenheit 9/11, Supersize Me, and An Inconvenient Truth garnering increased attention both at the box office and in the news media. In addition, the rising prominence of web-based media has provided new opportunities for documentary to create social impact. Films are now typically released with websites, Facebook pages, twitter feeds, and web videos to increase both reach and impact. This combination of technology and broader audience appeal has given rise to a current landscape in which
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Dissertations / Theses on the topic "1961-1975 Street theater Street theater"

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Shawyer, Susanne Elizabeth. "Radical street theatre and the yippie legacy : a performance history of the Youth International Party, 1967-1968." 2008. http://hdl.handle.net/2152/17999.

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In 1967 and 1968, members of the Youth International Party, also known as Yippies, created several mass street demonstrations to protest President Lyndon Baines Johnson’s handling of the United States’ military involvement in the war in Vietnam. The Yippies were a loose network of hippies, anti-war activists, and left-wing radicals committed to cultural and political change. This dissertation investigates how the Yippies used avant-garde theories of theatre and performance in their year of demonstrating against the Johnson administration. The Yippies receive little attention in most histories
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Books on the topic "1961-1975 Street theater Street theater"

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Cosse, Isabela. 1975: Año de la orientalidad : identidad, memoria e historia en una dictadura. Ediciones Trilce, 1996.

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Mass.) Boston Landmarks Commission (Boston. Report on the potential designation of Modern Theater, 523-525 Washington Street, Boston, Massachusetts as a landmark under chapter 772 of the acts of 1975, as amended. 2002.

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Boston, Landmarks Commission (Boston Mass ). Report of the Boston landmarks commission on the potential designation of the liberty tree building as a landmark under chapter 772 of the acts of 1975, as amended. 1985.

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