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Books on the topic '1970s. Fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

New hard-boiled writers, 1970s-1990s. Bowling Green State University Popular Press, 2000.

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2

The 1970s: A decade of contemporary British fiction. Bloomsbury Academic, 2014.

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3

Hoobler, Dorothy. The 1970s: Arguments. Millbrook Press, 2002.

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4

Seamus, Cooney, ed. Living on luck: Selected letters, 1960s-1970s, volume 2. Black Sparrow Press, 1995.

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5

Heroes, monsters and values: Science fiction films of the 1970s. Cambridge Scholars, 2011.

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6

Berryman, Charles. Decade of novels: Fiction of the 1970s : form and challenge. Associated Faculty Press, 1990.

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7

Heusel, Barbara Stevens. Patterned aimlessness: Iris Murdoch's novels of the 1970s and 1980s. University of Georgia Press, 1995.

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8

Peterson, Nadezhda L. Subversive imaginations: Fantastic prose and the end of Soviet literature, 1970s-1990s. Westview Press, 1997.

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9

Semrau, Janusz. American self-conscious fiction of the 1960s and 1970s: Donald Barthelme, Robert Coover, Ronald Sukenick. UAM, 1986.

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10

American self-conscious fiction of the 1960s and 1970s, Donald Barthelme, Robert Coover, Ronald Sukenick. Wydawn. Nauk. Uniwersytetu im. Adama Mickiewicza w Poznaniu, 1986.

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11

Sargent, Pamela. Women of Wonder, the Classic Years: Science Fiction by Women from the 1940s to the 1970s. Harvest Books, 1995.

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12

Private and fictional words: Canadian women novelists of the 1970s and 1980s. Methuen, 1987.

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13

Heusel, Barbara Stevens. Patterned aimlessness: Iris Murdoch's novels of the 1970s and the 1980s. University of Georgia Press, 1995.

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14

Bull, Jeoffrey Steven. Trying nothing: Appraisals on nihilism in American fiction of the 1970s. National Library of Canada = Bibliothèque nationale du Canada, 1997.

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15

Stuart, Vivian. Research fellow. Ulverscroft, 1986.

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16

Maxwell, Patricia Anne Ponder. The Bewitching Grace. ereads.com, 2002.

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17

Denise, Robins. The dark corridor. F. A. Thorpe, 1996.

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18

Wilde, Jennifer. The lady of Lyon House. Magna Large Print Bks., 1993.

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19

Quick, Amanda. A rhapsody of love. Magna, 1985.

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20

Wherever Lynn Goes. Magna Large Print Books, 1995.

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21

Partial visions: Feminism and utopianism in the 1970s. Routledge, 1991.

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22

The Lorimer Legacy. Grafton, 1986.

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23

Bestsellers Popular Fiction Of The 1970s. Taylor & Francis Ltd, 2011.

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24

Solar Flares: Science Fiction in The 1970s. Liverpool University Press, 2014.

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25

Solar Flares Science Fiction In The 1970s. Liverpool University Press, 2012.

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26

The 1970s: Arguments. Millbrook Press, 2001.

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27

Valman, Nadia. Jewish Fictions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0022.

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This chapter looks at the characteristic genres in which British-Jewish writers have worked in the post-war period. Beginning with the Jewish writers of the 1950s and 1960s, the chapter considers the ways that they use the form of the realist novel to document, mythologize, or lament social mobility. The impact of the Holocaust was increasingly part of public discourse from the 1970s. Jewish writers turned to satirical or comic fiction to confront the taboos and silences associated with this history. By the 1980s, when, for many Jews, links to Jewish history had been lost, Jewish fiction drew upon a new desire to recover the past, not in geographical but in genealogical terms.

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28

Bestsellers Vol. 6: Popular Fiction of The 1970s. Taylor & Francis Group, 2010.

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29

Webby, Elizabeth. The Short Story in Australia. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0020.

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This chapter examines the history of the short story in Australia. Australia's tradition of short fiction writing dates back to the mid-nineteenth century. In the days when Australian novels were mainly published in England, the short story was a source of income for many authors. By the 1950s, the type of realist story favoured by Henry Lawson — using a colloquial, usually male, voice and featuring working-class characters and bush settings — had been established as the Australian tradition. The chapter first considers short stories written in the 1950s and 1960s, which reflect versions of realism and modernism, before discussing works published in the 1970s and 1980s that deal with postmodernism and feminism. It also looks at short stories published since the 1990s, such as Gail Jones' The House of Breathing, Tony Birch's Father's Day (2009), and Cate Kennedy's Like a House on Fire (2012).

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30

LGBTQ Young Adult Fiction: A Critical Survey, 1970s-2010s. McFarland & Company, Incorporated Publishers, 2017.

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31

M, Hutchins William, ed. Egyptian tales and short stories of the 1970s and 1980s. The American University in Cairo Press, 1987.

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32

Slusser, George. Fictional Directions. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038228.003.0004.

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This chapter considers how Gregory Benford became a scientist-writer by focusing on the two directions that his subsequent fiction will take. As a writer, Benford came up through the science fiction pathway. The goal from the outset was to write serious fiction about the new world that science offered to mankind, and to present, in fictional works, the role of scientists in shaping and understanding that brave new world. Benford published his first novel in 1970, to be followed by a formative period of intense creative activity from the early 1970s to the early 1980s. This chapter examines how the interweaving of fictional directions in Benford's career as a scientist-writer find their common focus in the defining of a single character type—the scientist, or person of scientific vision, at work doing science. To this end, the chapter analyzes two “bookend” novels: Deeper than the Darkness (1970) and Against Infinity (1983).

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33

The Abducted Heart. ereads.com, 2001.

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34

Patrick, Maxine. The Abducted Heart. eReads.com, 2000.

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35

Sargent, Pamela. Women of Wonder, the Contemporary Years: Science Fiction by Women from the 1970s to the 1990s. Harvest Books, 1995.

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36

Pamela, Sargent, ed. Women of wonder: The contemporary years : science fiction by women from the 1970s to the 1990s. Harcourt Brace, 1995.

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37

Pamela, Sargent, ed. Women of wonder: The classic years : science fiction by women from the 1940s to the 1970s. Harcourt Brace, 1995.

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38

Private and Fictional Words: Canadian Women Novelists of the 1970s And 1980s. Taylor & Francis Group, 2014.

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39

Howells, Coral Ann. Private and Fictional Words: Canadian Women Novelists of the 1970s And 1980s. Taylor & Francis Group, 2015.

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40

Evans, Mary, Sarah Moore, and Hazel Johnstone. Detecting the Social: Order and Disorder in Post-1970s Detective Fiction. Palgrave Macmillan, 2018.

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41

Archie's Americana: Best of the 1970s. IDW Publishing, 2012.

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42

Waugh, Charles G., and Isaac Asimov. The Mammoth Book of Fantastic Science Fiction: Short Novels of the 1970s. Carroll & Graf Publishers, 1992.

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43

McBain, Laurie. Devil's Desire. Avon, 1987.

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44

Quick, Amanda. The Secret Fear. G K Hall & Co, 2000.

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45

Devil's Desire. Avon Books (Mm), 1987.

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46

Devil's Desire. Sourcebooks Casablanca, 2010.

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47

Edgar, Mary S. Duchess. Ulverscroft Large Print Books, 1992.

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48

Denise, Robins. Forbidden. Hodder & Stoughton, 2013.

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49

Girls Transforming Invisibility And Ageshifting In Childrens Fantasy Fiction Since The 1970s. McFarland & Co Inc, 2013.

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50

Bailey, James. Muriel Spark's Early Fiction. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475969.001.0001.

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This book presents a detailed critical analysis of a period of significant formal and thematic innovation in Muriel Spark’s literary career. Spanning the mid-1950s to the mid-1970s, it identifies formative instances of literary experimentation in texts including The Comforters, The Driver’s Seat and The Public Image, with an emphasis on metafiction and the influence of the nouveau roman. As the first critical study to draw extensively on Spark’s vast archives of correspondence, manuscripts and research, it provides a unique insight into the social contexts and personal concerns that dictated her fiction. Offering a distinctive reappraisal of Spark’s fiction, the book challenges the rigid critical framework that has long been applied to her writing. In doing so, it interrogates how Spark’s literary innovations work to facilitate moments of subversive satire and gendered social critique. As well as presenting nuanced re-readings major works like The Prime of Miss Jean Brodie, it draws unprecedented attention to lesser-discussed texts such as her only stage play, Doctors of Philosophy, and early short stories.

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