Academic literature on the topic '1970s Photography'

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Journal articles on the topic "1970s Photography"

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Pullum, Lindsey. "A Resolute Display." Anthropology of the Middle East 14, no. 1 (2019): 87–107. http://dx.doi.org/10.3167/ame.2019.140106.

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In this article, I analyse a collection of photographs from the Israeli Druze village Daliyat al-Carmel during the summer of 2015. I locate these photographs of Druze life within the current movement of Israeli/Palestinian photography and mobilise this photographic archive as a form of decolonisation and visual critique relating to the Israeli state. Through a close analysis of photographs documenting residents and activities of Daliyat al-Carmel from the 1930s to the 1970s, I argue photographs of Druze unsettle dominant tropes within Israeli and Palestinian visual discourse. The result is the
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Rodríguez, Juanita. "Picturing the Peasant in Orlando Fals Borda’s Work 1950s-1970s." Master, Vol. 5, no. 2 (2020): 60–69. http://dx.doi.org/10.47659/m9.060.art.

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Orlando Fals Borda, a renowned Colombian sociologist, who worked for both the academia and the government from the 1950s to 90s, wrote two works on Colombian peasantry and its relation with big landowners that were published with a selection of photographs of peasants, landowners, and grassroots movements. These works and their images have had an impact on the construction of peasant- and landowner visual icons in recent Colombian history, as they have been used in books, primers, and exhibitions since their creation, and they had a crucial influence on the visual propaganda of the Agrarian Re
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Hill, Sarah Patricia. "Double exposures: the photographic afterlives of Pasolini and Moro." Modern Italy 21, no. 4 (2016): 409–25. http://dx.doi.org/10.1017/mit.2016.46.

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Photographs play a crucial role in the ways the lives and deaths of Pier Paolo Pasolini and Aldo Moro are remembered in Italian culture. Locating photographs of the two men taken before and after their murders against the backdrop of the changes in photographic practice that took place in Italy from the period of the economic boom in the late 1950s through to the early 1970s, this article explores and compares the cultural meanings of the photographs of the bodies of these two very different but equally symbolic public figures, both alive and dead. Analysing the significance of these images in
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Ben-Choreen, Tal-Or K. "Emergence of Fine Art Photography in Israel in the 1970s to the 1990s Through Pedagogical and Social Links with the United States." Contemporary Review of the Middle East 6, no. 3-4 (2019): 252–65. http://dx.doi.org/10.1177/2347798919872588.

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The flourishing of photography as a tool for expressive reportage and artistic practice transformed photographic education during the mid-twentieth century. American-based academic institutions quickly established reputations in the emerging fine art field as leaders in photographic education drawing international students from diverse locations, including Israel. Many Israelis who studied photography in American institutions returned to Israel bringing with them the knowledge they had gained while abroad. This article considers the impact of American pedagogical models and social networks on
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Yacavone, Kathrin. "The Cultural Institutionalization of Photography in France: A Brief History." Nottingham French Studies 53, no. 2 (2014): 122–35. http://dx.doi.org/10.3366/nfs.2014.0080.

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This article provides a historical overview of the cultural institutionalization of photography in France, with a particular focus on the pioneering initiatives of individual photography enthusiasts throughout the 1970s to promote photographic culture. These efforts were roughly simultaneous with changes in acquisition and exhibition practices on the part of fine art museums and collections with respect to photography, in response to an increasing world-wide recognition of its status as an art form. The article explains how, despite the promotion of photography as a French invention and a cont
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Sosnowska, Anna. "Dynamics of mid-channel bars in the Middle Vistula River in response to ferry crossing abutment construction." Open Geosciences 12, no. 1 (2020): 290–98. http://dx.doi.org/10.1515/geo-2020-0049.

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AbstractThe investigation focused on the non-migrating mid-channel bars that emerged in the river channel as a consequence of river engineering. A reach of around 280 km of Middle Vistula River (Poland) was taken into account as the study site. The most vivid examples of the river engineering works potentially influencing the river channel are the ferry crossings. Along the Middle Vistula River reach, there are 17 ferry crossings that were constructed from 1970s to 1990s. A cartographic analysis was carried out to determine the influence of the ferry crossing construction over the river channe
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Fensham, R. J., and R. J. Fairfax. "Assessing woody vegetation cover change in north-west Australian savanna using aerial photography." International Journal of Wildland Fire 12, no. 4 (2003): 359. http://dx.doi.org/10.1071/wf03022.

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Models to calibrate tree and shrub cover assessed from aerial photography with field measurements were developed for a range of vegetation types in north-western Australia. The models verify previous studies indicating that woody cover can be successfully determined from aerial photography. The calibration models were applied to estimates of woody vegetation cover determined for 279 randomly located sample areas in the Ord–Victoria Rivers region using aerial photography from 1948 to 1950 and 1988 to 1997. Overstorey cover increased from a regional average of 11.5% to 13.5% and understorey cove
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Fairfax, R. J., and R. J. Fensham. "Corrigendum to: Assessing woody vegetation cover change in north-west Australian savanna using aerial photography." International Journal of Wildland Fire 13, no. 1 (2004): 131. http://dx.doi.org/10.1071/wf03022_co.

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Models to calibrate tree and shrub cover assessed from aerial photography with field measurements were developed for a range of vegetation types in north-western Australia. The models verify previous studies indicating that woody cover can be successfully determined from aerial photography. The calibration models were applied to estimates of woody vegetation cover determined for 279 randomly located sample areas in the Ord–Victoria Rivers region using aerial photography from 1948 to 1950 and 1988 to 1997. Overstorey cover increased from a regional average of 11.5% to 13.5% and understorey cove
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Witt, Andrew. "The Evicted." Arts 8, no. 3 (2019): 95. http://dx.doi.org/10.3390/arts8030095.

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The following essay examines Anthony Hernandez’s photographic work from the early 1970s to the present. The essay addresses how Hernandez reimagines the genre of street photography in Los Angeles, countering the misconception that the genre, so dominant in the history of the medium, is nearly inexistent in California.
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Aleksey, Glushaev. "Catch a Sight of "Church": Amateur Photographs as a Window into the Life of Evangelical Christians of the USSR." TECHNOLOGOS, no. 1 (2021): 66–75. http://dx.doi.org/10.15593/perm.kipf/2021.1.06.

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It is known that the documents from the State archives concerning the history of religious life in the USSR had the primary importance and they are remained the same. However, a significant part of historical documents are kept by believers. Film and photo documents are of particular interest. The “visual turn” in the historiography of the beginning of 2000s opened up new opportunities for studying film sources and photographic documents. The attention of historians has focused on the symbolic and linguistic systems of transmission of film and photographic messages, on the visualization of eth
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Dissertations / Theses on the topic "1970s Photography"

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Cerejido, Elizabeth. "Grey Area: Contextualizing Cuban Photography of the 1970s." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/222.

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This study examines the photographic production of the 1970s in Cuba through print media and aims to situate its role and function within the cultural politics that dominated this decade. The photographic image played a distinctly prominent role in the construct of a euphoric narrative that defined the early Revolutionary period. However, at the onset of the 1970s, the social, political and cultural life of the country was marked by a centralization and institutionalization of power that challenged the autonomy of artists and intellectuals. The medium of photography functioned almost exclus
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Statzer, Mary Kathryn. ""Photography into Sculpture": Peter Bunnell, Robert Heinecken and Experimental Forms of Photography Circa 1970." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/556851.

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Despite present day attitudes and practices in which combinations of photography and other mediums of art are readily accepted, this was rarely the case during the 1960s and 1970s. The pioneering 1970 Museum of Modern Art exhibition Photography into Sculpture, which is the focus of this dissertation, is a compelling exception. Organized by Peter Bunnell, the exhibition highlighted work by twenty-three artists that mixed photographic imagery with three-dimensional forms. The resulting objects often dislocated "straight" photography’s reliance on the image and optical description as its primary
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Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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Swensen, James R. "The Rephotographic Survey Project (19770-1979) and the Landscape of Photography." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194916.

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In 1976 two young photographers, Mark Klett and JoAnn Verburg, and a photo-historian named Ellen Manchester came together with an idea to rephotograph sites in the American West that had originally been documented by survey photographers such as William Henry Jackson and Timothy O'Sullivan. By the spring of 1977 and with the support of various organizations they began a project that spanned the next three years and would eventually become known as the Rephotographic Survey Project (RSP). In many ways, the RSP represents an important moment in the history of photography and the representation o
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Shubinski, Barbara Lynn. "From FSA to EPA: project documerica, the dustbowl legacy, and the quest to photograph 1970s America." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/434.

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This dissertation interprets the images and archival records of Project Documerica, the Environmental Protection Agency's photography project that ran from 1971 to 1977. Directed by Gifford Hampshire, a former National Geographic editor, Documerica was modeled on 1930s Farm Security Administration photography, which had helped establish the documentary genre through iconic images of Depression-era America. Whereas the FSA had shown the human costs of the Dust Bowl, Documerica aimed to reveal the natural and social costs of the environmental crisis. Vocal public environmental concern made Docum
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Yamamoto, Patrícia Hitomi. "Circuito em transformação: O Estado de São Paulo e a cultura fotográfica paulistana nos anos 1970." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-29112018-121419/.

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Esta dissertação visa investigar o circuito fotográfico paulistano da década de 1970 a partir das matérias publicadas no jornal O Estado de S. Paulo. Esta fonte mostrou-se particularmente propícia para o estudo do intenso processo de transformação pelo qual passou a fotografia no período. O objetivo não é reconstituir os eventos passados descritos nas matérias, mas antes, defender a hipótese de que é possível identificar uma cultura fotográfica paulistana característica da década de 1970 que viria a ter importantes desdobramentos nos anos seguintes. Os textos analisados foram reunidos em quatr
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Almeida, Juliana Gisi Martins de. "Fotografia e práticas artísticas : os discursos dos artistas nos anos 1960 e 1970." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/72686.

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Este trabalho apresenta uma investigação sobre a fotografia produzida por artistas nos anos 1960 e 1970, a partir de uma análise discursiva dos textos que os próprios artistas escreveram na época. Proponho que a especificidade da concepção de fotografia dos anos 1960 e 1970 é resultado de um processo complexo: habitando uma exterioridade selvagem da disciplina das artes visuais naquele momento, a fotografia é escolhida por artistas como uma estratégia importante em uma disputa discursiva pelas definições de arte que resulta na sua formação como objeto para a disciplina das artes visuais. Esta
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Elder, Tanya. "Capturing change : the practice of Malian photography, 1930s-1990s /." Linköping : Tema, Univ, 1997. http://www.bibl.liu.se/liupubl/disp/disp97/arts168s.htm.

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Nachabe, Yasmine. "Marie al-Khazen's photographs of the 1920s and 1930s." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=107742.

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Marie al-Khazen was a Lebanese photographer who lived between 1899 and 1983. Her photographs were mostly taken between the 1920s and 1930s in the North of Lebanon. They were compiled by Mohsen Yammine, a Lebanese collector who later donated the photographs to the Arab Image Foundation. Her work includes a collection of intriguing photographs portraying her family and friends living their everyday life in Zgharta. Al-Khazen seized every opportunity to use her camera to capture stories of her surroundings. She not only documented her travels around tourist sites in Lebanon but also sought creati
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Yip, Wai-ka Olivia. "The ritual staging of the self comparing Post-1980s contemporary photography from China and the photographic imagery of Cindy Sherman /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209877.

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Books on the topic "1970s Photography"

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Grannis, LeRoy. Surf photography of the 1960s and 1970s. Taschen, 2006.

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David Bailey - locations: The 1970s archive. Thames & Hudson, 2003.

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Harrison, Martin. David Bailey: Locations : the 1970s archive. Thames & Hudson, 2003.

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Allen, Richard. Street shots / hooky: New York City photographs 1970s. City Pound Press, 2012.

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Hollywood, Beverly Hills, & other perversities: Pop culture of the 1970s and 1980s. Ten Speed Press, 2008.

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Owens, Ken. Western movie photographs and autographs: 50 years of western movies, 1920s-1970s. Schiffer Pub. Limited, 2012.

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Malde, Harold E. Repeat photography at Chaco Culture National Historical Park, New Mexico, based on photographs made in the 1930s, 1970s, and the year 2000. The Institute, 2001.

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Rice, Mark. Through the lens of the city: NEA photography surveys of the 1970s. University Press of Mississippi, 2005.

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Through the lens of the city: NEA photography surveys of the 1970s. University Press of Mississippi, 2005.

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Classic Concerts of the 1970s: The Encores Continue. Leathers Publishing, 2004.

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Book chapters on the topic "1970s Photography"

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Evans, Jennifer V. "The Long 1950s as Radical In-Between: The Photography of Herbert Tobias." In Queer 1950s. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137264718_2.

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"Men’s Blazers and Jackets of the 1970s, 1980s, and 1990s." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa196.

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"Women’s Blazers and Jackets of the 1970s, 1980s, and 1990s." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa197.

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"Fashion 1970s–2000s." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa121.

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"3. Photography (1900–1970s)." In The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 2: The Rise of Black Artists. Harvard University Press, 2014. http://dx.doi.org/10.37862/aaeportal.00146.007.

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Lee, Youngjune. "Reconciling the Animal and the City in Photography." In Beyond Imperial Aesthetics. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455874.003.0009.

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By carefully analyzing South Korean photographer Kim Kichan's works on the ordinary people's lives in the streets of Seoul in the 1970s, this chapter problematizes two photographic ideologies that have informed South Korea's anticolonial minjung nationalism: photography as a truthful record of reality and as a nostalgic emblem of the past. Instead of indexing such notions of linear history, this chapter treats Kim Kichan's works as the interfaces located among diverse forces and elements in the matrix of history that far exceed the nationalist horizon of minjung imaginary. More specifically, Kim Kichan's photographs foreground the three-partite relationship ofhuman-animal-environment in narrow streets, providing a significant axis around which the very notion of the human and its agency are redefined.
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"Underwear from the 1970s to 2000." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa016.

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"Dancewear on the Catwalk, 1970s–2000s." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa191.

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"Hair from the 1970s to 2000." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa195.

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"1970s Style: Key Themes and Trends." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa200.

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Conference papers on the topic "1970s Photography"

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Arquero de Alarcón, María, Nishant Mittal, Dhara Mittal, and Olaia Chivite Amigo. "DAM[N]ED: Mechanizing a Sacred River Landscape Redrawing Territorial Systems in the Narmada River Valley." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.56.

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This essay traces the story of the Narmada River and its transformation from a sacred landscape to one of the largest mechanized territorial systems in the world. The Narmadatravelssome 1,300 kilometers from Amarkantaktothe Arabian Sea; enabling the livelihood of millions, shaping distinct regional identities and embodying a rich cultural imaginary for those worshiping her holy waters. The infrastructural potential of the river was first formulated as a megaregional project in the 1940s to modernize and bring prosperity to the watershed. Under implementation since the 1980s, the “Narmada Valle
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Szmitkowska, Agata. "FROM THE LUFTWAFFE HEADQUARTERS TO A SANATORIUM”. THE ARCHITECTURE OF THE HOLIDAY RESORT OF THE WARSAW EXECUTIVE BOARD OF THE TRADE UNION OF THE BOOK, PRESS AND RADIO EMPLOYEES IN GOŁDAP, MASURIA." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/26.

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This article presents the architecture, origin and the vicissitudes of the holiday resort which was dedicated to employees of the state media institutions of that time and which is representative of Polish holiday centres in Poland in the 1970s. It was developed near a town called Gołdap in northern Poland in the area of the Masurian Lake District which constituted a part of German East Prussia before 1945. The centre was planned in the land which operated as the Main Headquarters of the General Command of Luftwaffe during II World War. One of the key principles assumed by the designer of the
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Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.

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Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the
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Prishchepova, Valeriya. "Baluchis, Jemshids, Khazareis of Turkmenia in photographic collections of the 1920s." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-303-312.

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Platonova, Nadezhda. "Studies in the sphere of archaeological technology in RAIMK/GAIMK (1920–1930s)." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-285-293.

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Lestari, Endang Sri. "Visual Character of the Area Support Corridor: Case Study of the Great Mosque of Palembang." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021151n3.

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The aim of this study is to understand what was changed in a Levantine mansion in the Buca district of Izmir, from its construction date to now. Since the construction date is 1876, the study is scoped into a 150 years period in time. The data collection method includes photographic documentation and laser measurements. The evaluation method is comparative analysis to relate the common properties of Levantine houses with the plan typology and the traces in the building. A short periodization and descriptions of each space have been made. The mansion had not experienced radical changes, even if
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Ergül, Emre, and Beste Demircan. "A Levantine Mansion: Buca Guidance Centre for Disabled Students." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021137n2.

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The aim of this study is to understand what was changed in a Levantine mansion in the Buca district of Izmir, from its construction date to now. Since the construction date is 1876, the study is scoped into a 150 years period in time. The data collection method includes photographic documentation and laser measurements. The evaluation method is comparative analysis to relate the common properties of Levantine houses with the plan typology and the traces in the building. A short periodization and descriptions of each space have been made. The mansion had not experienced radical changes, even if
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Allen, R. H., R. J. Fijol, S. Szykman, and R. D. Sriram. "Representing the Charters of Freedom Encasements in a Design Repository: A Case Study." In ASME 2001 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/detc2001/cie-21292.

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Abstract We report on a case study representing, in an evolving design repository, the design essence of new encasements for the United States Charters of Freedom (CoF) — namely the Constitution, the Declaration of Independence and the Bill of Rights. Specifically redesigned for the purpose of housing and preserving our national documents, the nine encasements each consist of three principal systems — a sealing system, a placement system and a safeguarding system. The encasements were needed to replace the ones manufactured in the early 1950s, because of glass deterioration; these newer encase
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Horikoshi, Satoshi. "ELUCIDATION OF ELECTROMAGNETIC WAVE EFFECT AND OUTGOING OF FUTURE TREND IN MICROWAVE CHEMISTRY AND BIOLOGY." In Ampere 2019. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/ampere2019.2019.9783.

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The German chemist Theodor Grotthuss was the first to formulate the first law of photochemistry in 1817; he postulated that a reaction could be driven by light when the energy of light is absorbed by molecules [1]. After that, photochemistry has greatly contributed to the development of photography. In addition, second laws of photochemistry (Stark-Einstein law) was enacted, and these two laws have elevated photochemistry as an academic (science) discipline over the last one hundred years. In addition, because of advances in light sources and various devices (engineering), such materials and p
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Rose, Jerry G., Paulo Fonseca Teixeira, and Nathan E. Ridgway. "Utilization of Asphalt/Bituminous Layers and Coatings in Railway Trackbeds: A Compendium of International Applications." In 2010 Joint Rail Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/jrc2010-36146.

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During the past thirty years the use of a layer(s) of hot-mix asphalt pavement within railway track structures has steadily increased until it is becoming a common consideration or practice for specific conditions and areas in several countries throughout the world. This practice augments, and for certain designs replace, the traditional granular support materials. It is considered to be a premium trackbed design. The primary documented benefits are to provide additional support to improve load distributing capabilities of the trackbed components, decrease load-induced subgrade pressures, impr
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