Academic literature on the topic '1972-1973'
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Journal articles on the topic "1972-1973"
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Damisch, Hubert, and Meyer Schapiro. "Letters, 1972–1973." October 167 (February 2019): 25–123. http://dx.doi.org/10.1162/octo_a_00337.
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Between January 1972 and December 1973 French art-historian/philosopher Hubert Damisch and American art-historian Meyer Schapiro exchanged forty-four letters. During this short period, the two scholars discussed many issues concerning the state of art history and its relationship to semiotics and psychoanalysis. A recurring topic was Freud's famous lapse of memory concerning the name of the Renaissance artist Luca Signorelli—what to make of the lapsus in art-historical terms and how to make use of it in analyzing Signorelli's cycle of frescoes at the Cathedral of Orvieto in Italy. Damisch was then beginning to work on a book devoted to the subject while Schapiro was writing a small essay on the topic.
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Short, Andrew D. "Alaskan Arctic Coastal Fieldwork (1972-1973)." Journal of Coastal Research 101, sp1 (August 26, 2020): 36. http://dx.doi.org/10.2112/jcr-si101-008.1.
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Arnold, GW, PG Ozanne, KA Galbraith, and F. Dandridge. "The capeweed content of pastures in south-west Western Australia." Australian Journal of Experimental Agriculture 25, no. 1 (1985): 117. http://dx.doi.org/10.1071/ea9850117.
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The capeweed (Arctotheca calendula) content of pastures in the agricultural areas of Western Australia was estimated from coloured aerial photographs taken during flowering. Linear regressions were obtained between a visual score for capeweed content based on colour and the actual capeweed content of calibration sites. Surveys in 1972, 1973 and 1975 showed that 1973 was a year of high capeweed content in all areas compared with 1972 and 1975. The content was higher in lower-rainfall wheatbelt areas, where it averaged about 50% of pasture dry matter in 1973, than in the high-rainfall grazing areas, where the average was 37%. Fluctuations from year to year were followed on fixed sites between 1973 and 1977. The high rainfall sites varied more from year to year in capeweed content than did the low-rainfall sites. A detailed survey of one farm was made between 1972 and 1976 and this confirmed the indications from the other broadscale surveys that 1973 and 1976 were years that favoured capeweed. They were years when germination was followed by a 4-5 week dry period. Soil type and position in the landscape were also shown to influence the capeweed content of pastures.
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ROSENBERG, TH. "TRANSACTIONS OF THE DANISH OPHTHALMOLOGICAL SOCIETY 1972-1973." Acta Ophthalmologica 52, no. 3 (May 27, 2009): 406–14. http://dx.doi.org/10.1111/j.1755-3768.1974.tb00393.x.
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Asimakoulas, Dimitris. "Framing Brecht and the Greek Student Movement (1972-1973)." Meta 54, no. 2 (July 16, 2009): 233–47. http://dx.doi.org/10.7202/037678ar.
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Abstract This paper examines the subversive function of an anthology of Bertolt Brecht’s political essays that was published in Greece at the time the student movement was emerging. The collection was launched in 1971, four years after the military coup in Greece. Drawing on the notion of frame from social movements theory, the paper focuses on the trajectory of the Greek student movement and the main frames that brought it forward as the most successful form of resistance against the junta. Then the paper illustrates how the Brecht anthology in particular captures the general climate of cultural and political opposition that created the resonance deemed necessary for the success of the student movement.
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Zelevansky, Paul. "The One That Got Away: Europe Notebook 1972–1973." Psychoanalytic Review 105, no. 6 (December 2018): 687–707. http://dx.doi.org/10.1521/prev.2018.105.6.687.
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Matsuda, T. "Synthesis of a regularly interstratified 2:1 margarite and beidellite (34 Å phase)." Clay Minerals 33, no. 2 (June 1998): 363–67. http://dx.doi.org/10.1180/000985598545534.
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Regularly interstratified mica-smectites and chlorite-smectites have been synthesized by Ueda & Sudo (1966), Frank-Kamenetskij et al. (1972), Matsuda & Henmi (1973, 1974) and by Eberl (1978). Only a few studies have been carded out, however, on regularly interstratified minerals whose spacings exceed 30 Å (Lazarenko & Korolev, 1970; Sato & Kizaki, 1972).
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Blair, D. "A Revision of the Subfamily Microscaphidiinae (Platyhelminthes, Digenea, Microscaphidiidae) Parasitic in Marine Turtles (Reptilia, Chelonia)." Australian Journal of Zoology 34, no. 2 (1986): 241. http://dx.doi.org/10.1071/zo9860241.
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A revision of the subfamily Microscaphidiinae Looss, 1900 is presented and characters of taxonomic significance discussed. The genus Microscaphidium Looss, 1900, contains M. reticulare (van Beneden, 1859) Looss, 1901 (synonyms M. japonicum Oguro, 1941; M. caballeroi Groschaft, 1977); M. aberrans Looss, 1902 (synonym M. reticulare in part); and M, warui, sp. nov. Confusion in the literature over the identities of M. reticulare and M. aberrans is discussed. A neotype is selected for the former species and a lectotype for the latter. Polyangium linguatula (Looss, 1899) Looss, 1902 (synonyms P. miyajimai Kobayashi, 1921; P. colymbi Poche, 1925; P. longiseminale Chattopadhyaya, 1972) is the sole species in Polyangium Looss, 1902. The genus Angiodictyum Looss, 1902 contains A. parallelum (Looss, 1901) Looss, 1902; A. posterovitellatum Chattopadhyaya, 1972; A. longum, sp, nov.; A. glossoides, sp. nov. Polygorgyra, gen. nov., is proposed for P. cholados, sp. nov. Microscaphidium chelonei Chattopadhyaya, 1972 nec Mehrotra, 1973 and Angiodictyum anteroporum Chattopadhyaya, 1972 are regarded as species inquirendae. Microscaphidium chelonei Mehrotra, 1973 nec Chattopadhyaya, 1972 is a nomen nudum. The following species are recorded for the first time from the green turtle, Chelonia mydas (L.) in Australian waters: Microscaphidium reticulare; M. aberrans; M. warui; Angiodictyum posterovitellatum; A. longum; Polygorgyra cholados.
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ALENCAR, JERÔNIMO, FRANCISCO C. CASTRO, HAMILTON A. O. MONTEIRO, ORLANDO V. SILVA, NICOLAS DÉGALLIER, CARLOS BRISOLA MARCONDES, and ANTHONY E. GUIMARÃES. "New records of Haemagogus (Haemagogus) from Northern and Northeastern Brazil (Diptera: Culicidae, Aedini)." Zootaxa 1779, no. 1 (May 30, 2008): 65. http://dx.doi.org/10.11646/zootaxa.1779.1.6.
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Haemagogus (Haemagogus) is restricted mostly to the Neotropical Region, including Central America, South America and islands (Arnell, 1973). Of the 24 recognized species of this subgenus, 15 occur in South America, including the Antilles. However, the centre of distribution of the genus Haemagogus is Central America, where 19 of the 28 species (including four species of the subgenus Conopostegus Zavortink [1972]) occur (Arnell, 1973).
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Godfrey, David, and Leslie Vaughan. "Historical Prevalence of Radiological Appendicular Osteoarthritis in Cats (1972–1973)." Journal of the American Animal Hospital Association 54, no. 4 (July 1, 2018): 209–12. http://dx.doi.org/10.5326/jaaha-ms-6555.
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ABSTRACT Interest in feline osteoarthritis has grown recently; this might be due to increased prevalence or increased awareness. This study records the presence of appendicular osteoarthritis in a subset of the United Kingdom cat population in the 1970s and estimates its prevalence. One hundred cats euthanized in 1972–1973 had a series of skeletal radiographic images taken post mortem. Each joint was put into a set with or without osteoarthritis according to the presence or absence of a specified set of radiographic features. Limited historical data were analyzed. The prevalence of osteoarthritis in these cats was 74%. There is no evidence that feline osteoarthritis is a “novel” disease. The prevalence was similar to recent prospective radiological surveys. Recent interest in the condition may have derived from more attention being paid to feline medicine and welfare.
Dissertations / Theses on the topic "1972-1973"
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Lumpkin, Jonathan. "The Politics of Peace for Vietnam: The Paris Peace Conference 1972/1973." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/honors_theses/56.
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The 1972 Paris Peace Talks between Henry Kissinger and Le Duc Tho brought the American involvement in the Vietnam War to a close by early 1973. The main sticking points theretofore were stipulations in draft cease-fire agreements allowing Northern troops to remain in the South and the National Liberation Front's participation in South Vietnam's government. President of South Vietnam Nguyen Van Thieu adamantly opposed both proposed stipulations lest his power be diluted. Thus, Kissinger had to broker a diplomatic agreement between Thieu and Le Duc Tho which was acceptable to US foreign policy viz. “peace with honor.”
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Lima, Alexandre Siqueira. "Primavera nos dentes : desbunde, anticomunismo e repressão na cidade em quadrinhos (1972-1973)." reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/24724.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Humanas, Departamento de História, Programa de Pós-graduação em História, 2017.Submitted by Raquel Almeida (raquel.df13@gmail.com) on 2017-08-14T17:37:11Z No. of bitstreams: 1 2017_AlexandreSiqueiraLima.pdf: 30497167 bytes, checksum: 5a9c1df459a348d671adfc858920ef88 (MD5)
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No ano de 1973 uma operação foi desencadeada pelo Comando Militar do Planalto tendo como alvo repúblicas estudantis e seus moradores. Esta dissertação é um estudo caso abordando a dupla dimensão desse momento: a experiência contracultural em Brasília e a repressão policial sob os(as) estudantes e a Universidade de Brasília. Na primeira parte da dissertação, trabalho algumas das matrizes que influenciaram o pensamento e o estilo de vida dessa juventude em Brasília, por meio de uma análise de um jornal alternativo produzido por estudantes da UnB em 1972 e de algumas memórias sobre a Universidade, as repúblicas e Brasília naquele momento. Problematizarei a atribuição negativa dada a esses seguimentos enquanto despolitizados e indiferentes à resistência e a luta contra a ditadura. Na segunda parte, trabalho a dinâmica da construção do discurso do relatório à respeito dessa operação militar, trabalhando algumas das matrizes que influenciaram a teoria elaborada pelos órgãos de segurança e informação; e analiso algumas das dinâmicas da repressão em Brasília por meio do depoimento das pessoas atingidas pela operação. Com isso faço uma relação do discurso dos documentos da repressão com o discurso e a memória dessa experiência contracultural da juventude em Brasília.
In the year of 1973 an operation was triggered by the Military Command of the Planalto having as target student republics and their inhabitants. This dissertation is a case study addressing the double dimension of this moment: the countercultural experience in Brasilia and the police repression under the students and the University of Brasilia. In the first part of the dissertation, I work some of the matrices that influenced the thinking and lifestyle of this youth in Brasília, through an analysis of an alternative journal produced by UnB students in 1972 and of some memoirs about the University, the republics and Brasilia at that time. I will problematize the negative attribution given to these follow-ups as depoliticized and indifferent to resistance and the struggle against dictatorship. In the second part, I work on the dynamics of the construction of the report's discourse on this military operation, working some of the matrices that influenced the theory elaborated by the security and information organs; And I analyze some of the dynamics of repression in Brasilia through the testimony of the people affected by the operation. With this I make a relation of the discourse of the documents of repression with the discourse and the memory of this countercultural experience of youth in Brasilia.
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Schnieder, Elizabeth F. "The Devil is in the Details: Nebraska's Rescission of the Equal Rights Amendment, 1972-1973." Bowling Green, Ohio : Bowling Green State University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1262547247.
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Tortell, David. "Continuous interruption : Picasso, Pound, and the structures of collage." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26342.
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In this thesis I argue against the conventionally held belief that collage as a form is defined through the mutual differences existing between the inserted material fragment and those signifiers that surround it. Examining works by Pablo Picasso and then turning my attention to Ezra Pound's Cantos, I seek to establish, within the related frameworks of visual and verbal collage respectively, a structural model of these and other such works predicated upon the continuity, not the distinctiveness, of fragment and host-text. Collage, I hope to show, is necessarily organic in structure due to the unstable nature of the linguistic sign, a phenomenon of language that informs the thesis from beginning to end. Ultimately, I aim to present this model as a metaphor for perception generally, as both a delineation and demonstration of the way in which one comes to know the world.
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Catalá, Luciane Souza. "Identidade em jogo : a questão identitária à luz do duplo em Selva de pedra (1972-1973), de Janete Clair." reponame:Repositório Institucional da UFPR, 2017. http://hdl.handle.net/1884/52594.
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Orientadora : Profª Drª Clóvis Mendes GrunerDissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em História. Defesa: Curitiba, 21/10/2017
Inclui referências : f. 130-134
Resumo: A telenovela, central no cenário cultural brasileiro, deve muito de sua repercussão às transformações ocorridas a partir da década de 1970 em sua linguagem, que se consolidou por meio de inovações formais, de conteúdo e de interpretação, combinando ao eixo folhetinesco e melodramático, de caráter esquemático e polarizado, elementos considerados realistas, que pretendiam se aproximar do cotidiano brasileiro. Tais transformações permitiram à telenovela tornar-se o programa televisivo de maior audiência, ao passo que Janete Clair era quem estava à frente dessa reformulação dramática, enquanto principal autora do horário nobre da Rede Globo, emissora que, contando também com a telenovela como carro-chefe de sua programação, tornava-se hegemônica no período. Entre 1970 a 1974, a autora escreveu "Irmãos Coragem", "O Homem que Deve Morrer", "Selva de Pedra" e "O Semideus", telenovelas que tinham como tema central o duplo, elemento narrativo que produz efeitos dramáticos a partir de conflitos identitários, e que se encontra entre os temas mais recorretes da história da telenovela brasileira, apresentando-se na forma de gêmeos antagônicos, sósias, dupla personalidade, nova identidade, disfarces, encarnação, usurpação ou troca de identidade, entre outros. O tema consiste, portanto, em uma via de acesso para a compreensão dessa nova linguagem e de seu processo de consolidação, estando também diretamente relacionado à conquista de 100% de audiência, marca inédita alcançada em 1972 por um capítulo de "Selva de Pedra", em que a personagem principal, que havia assumido uma nova identidade, é desmascarada. Dentro dessa linguagem que incorpora a preocupação com a verossimilhança sem abandonar a tradição melodramática - voltada para a produção de efeitos hiperbólicos e sensacionais -, o duplo é um recurso que retira sua eficácia simbólica do jogo com a questão identitária, que por sua vez extrapola o universo narrativo e apresenta especial relevância naquele contexto de mudanças sociais, culturais e econômicas, não se resumindo à dimensão individual, remetendo também ao problema sempre atualizado da identidade nacional, que, durante a ditadura civil-militar, estava associado ao projeto de modernização em curso, de que a modernização televisiva - e da teledramaturgia - era parte. A pesquisa propõe-se, a partir de tais questões, elucidar os fundamentos culturais da eficácia simbólica do duplo e sua relação com a questão mais ampla da identidade, assim como as particularidades, semânticas e audiovisuais, do duplo em "Selva de Pedra", de Janete Clair, em suas articulações com o contexto sócio-histórico em que a telenovela estava inserida. Palavras-chave: Duplo. Selva de Pedra. Janete Clair. Telenovela. Melodrama. Modernização televisiva.
Abstract: The telenovela, central to the Brazilian cultural scene, owes much of its repercussion to the transformations that occurred since the 1970s in its language, which was consolidated through formal innovations of content and interpretation, combining the folhetinesque and the melodramatic, of schematic and polarized axis, elements considered realistic, that intended to reach Brazilian everyday life. Such transformations allowed the telenovela to become the television program with the highest audience, while Janete Clair was the one who was at the head of this dramatic reformulation, as the main author of Globo Network's prime time, which, also counting on the telenovela as a car- head of its programming, became hegemonic in the period. Between 1970 and 1974, the author wrote "Irmãos Coragem", "O Homem que Deve Morrer", "Selva de Pedra" and "O Semideus", telenovelas that had as their central theme the double, narrative element that produces dramatic effects from identity conflicts, and that is among the most recurrent themes in the history of the Brazilian telenovela, appearing in the form of antagonistic twins, doppelgängers, double personality, new identity, disguises, incarnation, usurpation or identity exchange, among others. The theme is therefore a way of accessing the new language and its consolidation process, and is also directly related to the achievement of a 100% audience, an unprecedented mark achieved in 1972 by a chapter of "Selva de Pedra", in which the main character, who had assumed a new identity, is unmasked. Within this language that incorporates the concern for verisimilitude without abandoning the melodramatic tradition - aimed at the production of hyperbolic and sensational effects -, the double is a resource that withdraws its symbolic effectiveness from playing with the identity issue, which in turn extrapolates the narrative universe and presents a special relevance in that context of social, cultural and economic changes, not being limited to the individual dimension, also referring to the ever updated problem of national identity, which during the civil-military dictatorship was associated with the current modernization project, that television modernization - and television drama - was part. The research proposes, from these questions, to elucidate the cultural foundations of the symbolic efficacy of the double and its relationship with the broader issue of identity, as well as the semantic and audiovisual peculiarities of the double in Janete Clair's "Selva de Pedra", in its articulations with the socio-historical context in which the telenovela was inserted. Keywords: Double. Selva de Pedra. Janete Clair. Telenovela. Melodrama. Television modernization.
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Barros, Patrícia Marcondes de [UNESP]. "Provocações brasileiras: a imprensa contracultural made in Brazil : coluna Underground (1969-1971), Flor do mal (1971) & a Rolling Stone brasileira (1972-1973)." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/103166.
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A presente pesquisa tem como objetivo a análise do movimento contracultural brasileiro no período de 1969 a 1973, através de algumas publicações da chamada imprensa alternativa, editadas no Rio de Janeiro por Luiz Carlos Maciel. As fontes elencadas para esta pesquisa são: a coluna Underground (1969-1971), veiculada no semanário O Pasquim (1969-1991), o jornal Flor do Mal (1971), bem como a versão brasileira da revista Rolling Stone (1972-1973), entre centenas de impressos alternativos que emergiram na época. Através do estudo dessas fontes, mapeou-se e caracterizou-se a contracultura no Brasil, seus caminhos e descaminhos, em um período de recrudescimento do regime militar, que cerceava qualquer manifestação de oposição ao sistema vigente. Ironicamente, essa fase consistiu um período fértil de proliferação dos alternativos. Estes, através da arte e do humor, davam respostas desconcertantes àquele momento vivido, originando a formação do discurso da chamada nova consciência nos trópicos. Grande parte dessas produções alternativas, especificamente as de cunho underground, permaneceu no anonimato, sendo divulgada apenas em círculos restritos. Contudo, mesmo sendo um trabalho consumido por minorias vindas, sobretudo, da classe média, estavam ligadas ao surgimento de uma nova consciência de juventude, de caráter internacional, e que resultou na utopia hippie vivida em vários pontos do planeta. Embora não tivessem uma definição ideológica, em termos de uma razão marxista, voltavam-se para uma situação contracultural, em relação aos textos divulgados pela imprensa convencional...
The present study analyzes the countercultural movement in Brazil from 1969 to 1973, through investigation of publications by the alternative press, edited in Rio de Janeiro by Luiz Carlos Ferreira Maciel. The sources listed for this research including the following: the column named Underground (1969-1971), published in the weekly newspaper O Pasquim, the newspaper Flor do Mal (1971); and the Brazilian version of Rolling Stone magazine (1972-1973); as well as hundreds of publications that appeared during that period. Through the study of these sources, Brazilian counterculture was mapped and characterized, in a period when the military regime was increasing its power, cornering any oppositional manifestation to the ruling system. Ironically, this situation consisted of a very fertile period for the proliferation of the alternative press. By means of art and humor this press was giving surprising answers to that living moment, creating the discursive formation of the so-called new tropical consciousness. A great part of these alternative productions, specifically the underground ones, remained anonymous, being divulged only in restricted circles. However, even though it was a work consumed mainly by minorities coming from the middle class, these practices were linked to the appearance of a new youth consciousness; international in its feature, resulting in the hippie utopia that lived in many places around the planet. Although lacking a defined ideology, in terms of having a Marxist reason, they turned to the countercultural situation, in relation to the texts published by the conventional press... (Complete abstract, click electronic access below)
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Barros, Patrícia Marcondes de. "Provocações brasileiras : a imprensa contracultural made in Brazil : coluna Underground (1969-1971), Flor do mal (1971) & a Rolling Stone brasileira (1972-1973) /." Assis : [s.n.], 2007. http://hdl.handle.net/11449/103166.
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Orientador: Milton Carlos CostaBanca: Célia Reis Camargo
Banca: José Carlos Barreiro
Banca: Alexandre Felipe Fiúza
Banca: Gabriel Giannattasio
Resumo: A presente pesquisa tem como objetivo a análise do movimento contracultural brasileiro no período de 1969 a 1973, através de algumas publicações da chamada imprensa alternativa, editadas no Rio de Janeiro por Luiz Carlos Maciel. As fontes elencadas para esta pesquisa são: a coluna Underground (1969-1971), veiculada no semanário O Pasquim (1969-1991), o jornal Flor do Mal (1971), bem como a versão brasileira da revista Rolling Stone (1972-1973), entre centenas de impressos alternativos que emergiram na época. Através do estudo dessas fontes, mapeou-se e caracterizou-se a contracultura no Brasil, seus caminhos e descaminhos, em um período de recrudescimento do regime militar, que cerceava qualquer manifestação de oposição ao sistema vigente. Ironicamente, essa fase consistiu um período fértil de proliferação dos alternativos. Estes, através da arte e do humor, davam respostas desconcertantes àquele momento vivido, originando a formação do discurso da chamada "nova consciência nos trópicos". Grande parte dessas produções alternativas, especificamente as de cunho underground, permaneceu no anonimato, sendo divulgada apenas em círculos restritos. Contudo, mesmo sendo um trabalho consumido por minorias vindas, sobretudo, da classe média, estavam ligadas ao surgimento de uma nova consciência de juventude, de caráter internacional, e que resultou na utopia hippie vivida em vários pontos do planeta. Embora não tivessem uma definição ideológica, em termos de uma razão marxista, voltavam-se para uma situação contracultural, em relação aos textos divulgados pela imprensa convencional... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The present study analyzes the countercultural movement in Brazil from 1969 to 1973, through investigation of publications by the alternative press, edited in Rio de Janeiro by Luiz Carlos Ferreira Maciel. The sources listed for this research including the following: the column named Underground (1969-1971), published in the weekly newspaper O Pasquim, the newspaper Flor do Mal (1971); and the Brazilian version of Rolling Stone magazine (1972-1973); as well as hundreds of publications that appeared during that period. Through the study of these sources, Brazilian counterculture was mapped and characterized, in a period when the military regime was increasing its power, cornering any oppositional manifestation to the ruling system. Ironically, this situation consisted of a very fertile period for the proliferation of the alternative press. By means of art and humor this press was giving surprising answers to that living moment, creating the discursive formation of the so-called "new tropical consciousness". A great part of these alternative productions, specifically the underground ones, remained anonymous, being divulged only in restricted circles. However, even though it was a work consumed mainly by minorities coming from the middle class, these practices were linked to the appearance of a new youth consciousness; international in its feature, resulting in the hippie utopia that lived in many places around the planet. Although lacking a defined ideology, in terms of having a Marxist reason, they turned to the countercultural situation, in relation to the texts published by the conventional press... (Complete abstract, click electronic access below)
Doutor
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Stratford, Madeleine. "Entre les mots et les silences : la crise créative (et existentielle) dans la dernière phase de la poésie de Ingeborg Bachmann et de Alejandra Pizarnik." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19611.
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This master's thesis seeks to establish a comparison between the lyrical work of the Austrian Ingeborg Bachmann (1926-1973) and the Argentinean Alejandra Pizarnik (1936-1972). First, we draw from the similarities in the lives of both authors. Then, the survey of secondary literature shows that the two writers were the «black sheep» of their literary generation. Finally, our analysis focuses on the last phase of their lyrical production (1963-1966 for Bachmann; 1970-1972 for Pizarnik), most especially on two poems which are considered by the critics to be their «farewell» to poetry : «Keine Delikatessen» [No delicacies] by Bachmann (1963) and «En esta noche, en este mundo» [In this night, in this world] by Pizarnik (1971). We demonstrate that both poets show the same distrust of their medium, language, accompanied by a particular concern for silence, which appears in their respective poems both thematically and formally.
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Oliveira, Cassiano Francisco Scherner de. "O criticismo do rock brasileiro no jornalismo de revista especializado em som, m?sica e juventude : da Rolling Stone (1972-1973) ? Bizz (1985-2001)." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2011. http://tede2.pucrs.br/tede2/handle/tede/4436.
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Previous issue date: 2011-01-26No final do s?culo XVII, surgiram os primeiros peri?dicos que veiculavam cr?ticas e detalhes dos acontecimentos que envolviam a m?sica e o seu p?blico. Nesse contexto, apareceu a profiss?o do cr?tico, conhecido na ?poca como ?rbitro das artes. Desde ent?o, a cr?tica musical se faz presente no mundo impresso como um g?nero jornal?stico que processa a media??o entre o artista e o p?blico. Em suma, essa ? a ess?ncia da cr?tica musical. A proposta desta tese ? realizar uma an?lise a respeito da cr?tica musical referentes aos grupos brasileiros que representaram o g?nero rock do in?cio da d?cada de 1970 at? o princ?pio dos anos 2000. A documenta??o escolhida para esta pesquisa foram as revistas. Rolling Stone (edi??o brasileira, editada entre 1972 a 1973); Pop (editada entre 1972 a 1979); M?sica (editada entre 1976 a 1983); Somtr?s (editada entre 1979 a 1989); Pipoca Moderna (editada entre 1982 a 1983) e Bizz (editada entre 1985 e 2001). Nesta an?lise, percebe-se que a cr?tica musical era muito incipiente e limitada, principalmente nas primeiras publica??es, Rolling Stone e Pop. A partir da segunda metade dos anos 70, com o surgimento das revistas M?sica e Somtr?s, a cr?tica musical come?ou a se desenvolver e se profissionalizar. Por?m o rock brasileiro daquela ?poca era visto com desconfian?a por parte dos cr?ticos. Na d?cada seguinte, o g?nero passou ser valorizado gra?as ao alcance mercadol?gico e tamb?m de prest?gio. Contudo tal valoriza??o n?o se sustentou por muito tempo, tanto em mercado e prest?gio quanto na cr?tica musical: n?o existia unanimidade dos cr?ticos em rela??o ao rock brasileiro. Por outro lado, grupos que postulavam como undergrounds conquistaram a simpatia da imprensa musical. Ap?s sucumbir a uma perda de espa?o na m?dia, entre o final dos anos 1980 e o ?nicio da d?cada de 1990, houve um abrandamento no tom da cr?tica especializada nesse g?nero. Em suma, tratava-se da figura do cr?tico atuando como mediador entre os m?sicos e um p?blico consumidor que o pr?prio cr?tico julgava ideal.
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Oliveira, Cassiano Francisco Scherner de. "O criticismo do rock brasileiro no jornalismo de revista especializado em som, música e juventude: da Rolling Stone (1972-1973) à Bizz (1985-2001)." Pontifícia Universidade Católica do Rio Grande do Sul, 2011. http://hdl.handle.net/10923/2203.
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Previous issue date: 2011In the late seventeenth century, appeared the first journals that published reviews and details of events involving music and its audience. In this context, the profession of critics emerged, being known then as “arts referee”. Since then, the music criticism is present in print world as a journalistic genre that mediates artist and audience. In short, this is the essence of music criticism. The purpose of this thesis is to analyze the music criticism about Brazilian groups that represented Brazilian rock from the 1970s until the early 2000s. The documents chosen for this study were representative magazines about this genre. They are: Rolling Stone (Brazilian edition, from 1972 to 1973); Pop (from 1972 to 1979); Música (from 1976 to 1983); Somtrês (from 1979 to 1989); Pipoca Moderna (from 1982 to 1983) and Bizz (from 1985 to 2001). In this analysis, it is realized that music criticism was very weak and limited, especially in early publications, like Rolling Stone and Pop. From the late 1970s on, with the advent of the magazines Música e Somtrês, music criticism began to develop and professionalize. But Brazilian rock was then looked with suspicion by critics. In the following decade, that genre has come to be valued through the market power and prestige as well. But that recovery was not sustained for long, in market, prestige and music criticism: there wasn’t unanimity among critics about Brazilian rock. Moreover, groups that postulated as underground gained the sympathy of the music press. After succumbing to a loss of space in the media, between the late 1980s and the early 1990s, there was a slowdown in critics’ tone specialized in this genre. In short, this was the music critic figure acting as mediator between the musicians and a consuming public that the very critic thought ideal.
No final do século XVII, surgiram os primeiros periódicos que veiculavam críticas e detalhes dos acontecimentos que envolviam a música e o seu público. Nesse contexto, apareceu a profissão do crítico, conhecido na época como “árbitro das artes”. Desde então, a crítica musical se faz presente no mundo impresso como um gênero jornalístico que processa a mediação entre o artista e o público. Em suma, essa é a essência da crítica musical. A proposta desta tese é realizar uma análise a respeito da crítica musical referentes aos grupos brasileiros que representaram o gênero rock do início da década de 1970 até o princípio dos anos 2000. A documentação escolhida para esta pesquisa foram as revistas. Rolling Stone (edição brasileira, editada entre 1972 a 1973); Pop (editada entre 1972 a 1979); Música (editada entre 1976 a 1983); Somtrês (editada entre 1979 a 1989); Pipoca Moderna (editada entre 1982 a 1983) e Bizz (editada entre 1985 e 2001). Nesta análise, percebe-se que a crítica musical era muito incipiente e limitada, principalmente nas primeiras publicações, Rolling Stone e Pop. A partir da segunda metade dos anos 70, com o surgimento das revistas Música e Somtrês, a crítica musical começou a se desenvolver e se profissionalizar. Porém o rock brasileiro daquela época era visto com desconfiança por parte dos críticos. Na década seguinte, o gênero passou ser valorizado graças ao alcance mercadológico e também de prestígio. Contudo tal valorização não se sustentou por muito tempo, tanto em mercado e prestígio quanto na crítica musical: não existia unanimidade dos críticos em relação ao rock brasileiro. Por outro lado, grupos que postulavam como undergrounds conquistaram a simpatia da imprensa musical. Após sucumbir a uma perda de espaço na mídia, entre o final dos anos 1980 e o ínicio da década de 1990, houve um abrandamento no tom da crítica especializada nesse gênero. Em suma, tratava-se da figura do crítico atuando como mediador entre os músicos e um público consumidor que o próprio crítico julgava ideal.
Books on the topic "1972-1973"
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Jelena, Hekman, ed. Zvjezdana kuga: Zatvorski zapisi 1972-1973. Zagreb: Globus, 1995.
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Corbalá, Gonzalo Martínez. Instantes de decisión: Chile, 1972-1973. Miguel Hidalgo, México, D.F: Grijalbo, 1998.
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Daphermos, Olympios. To antidiktatoriko phoitētiko kinēma, 1972-1973. [Greece]: Themelio, 1992.
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Bétourné, Françoise. Lacan-L'index: Encore, Séminaire XX (1972-1973). Paris: L'Harmattan, 2001.
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Pellegrini, Aldo. Escrito para nadie: Poemas inéditos, 1972/1973. Barcelona: Argonauta, 1989.
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Lemus, Claudio Bertoni. ¿A quién matamos ahora?: Cuadernos 1972-1973. Santiago, Chile: Ediciones Universidad Diego Portales, 2011.
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Bétourné, Françoise. Lacan - l'index: Encore : Séminaire XX (1972-1973). Paris: L'Harmattan, 2001.
Find full textBook chapters on the topic "1972-1973"
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Bidmon, Agnes. "Aus dem Notizbuch 1972, 1973 Rom Worlds End (1973)." In Brinkmann-Handbuch, 235–39. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05408-1_28.
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Serre, Jean-Pierre. "Résumé des cours de 1972–1973." In Oeuvres - Collected Papers III, 173–78. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-642-39816-2_98.
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Kuhlmann, Michael. "1972/1973: Die WDR-Redakteure planen eine „Jugendschiene“." In „Fünf nach sieben – Radiothek“, 28–55. Wiesbaden: Springer Fachmedien Wiesbaden, 2010. http://dx.doi.org/10.1007/978-3-658-24239-8_3.
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Gibson, Bryan R. "Nixon and the Kurdish Intervention: August 1972–October 1973." In Sold Out? US Foreign Policy, Iraq, the Kurds, and the Cold War, 143–61. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137517159_7.
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Wittmann, Erich Christian. "When Is a Proof a Proof?" In Connecting Mathematics and Mathematics Education, 61–76. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-61570-3_5.
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AbstractIn his famous talk at ICME 2 (Exeter 1972) the French mathematician R. Thom pointed out that any conception of mathematics teaching necessarily rests on a certain view of mathematics (Thom 1973, 204). As a consequence mathematics education cannot develop without close links to mathematics.
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Bigalke, Hans-Günther. "Erste Ablehnungen durch die DFG — Konkurrenz aus den USA? (1972–1973)." In Heinrich Heesch, 214–32. Basel: Birkhäuser Basel, 1988. http://dx.doi.org/10.1007/978-3-0348-7246-1_14.
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Thomas, Nicola. "Form and Community: Derek Mahon’s ‘Beyond Howth Head’ (1972) and Sarah Kirsch’s ‘Wiepersdorf’ Cycle (1973)." In Space, Place and Poetry in English and German, 1960–1975, 109–35. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90212-8_5.
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Hall, Stuart. "1980[1973]. ‘Encoding, decoding.’ In Culture, Media, Language. Working Papers in Cultural Studies, 1972-1979, ed. by Centre for Contemporary Cultural Studies, 128-138. London: Routledge." In The Discourse Studies Reader, 112–21. Amsterdam: John Benjamins Publishing Company, 2014. http://dx.doi.org/10.1075/z.184.211hal.
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"1972-1973." In Bibliothèque de l'Ecole des Hautes Etudes, Sciences Religieuses, 24–25. Turnhout: Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.behe-eb.4.00364.
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"1972–1973:." In Ambassadors of Realpolitik, 147–82. Berghahn Books, 2016. http://dx.doi.org/10.2307/j.ctvss40sn.10.
Full textConference papers on the topic "1972-1973"
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Dülger, Fikret, Salih Gencer, and Almıla Burgaç. "Intensity of Metal (Steel) Use Hypothesis: A Test for Turkish Economy." In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.00992.
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The quantity of steel consumed can be considered as an indicator of industrial development as nations move to higher stages of industrialization, since the steel consumption has been thought to be closely linked to the rate of economic growth, which influences the level of activity in steel intensive sectors (Huh, 2011). After the World War II, the worldwide metal consumption increased rapidly and, this led to a concern about the supply of metals and a fear of early depletion (Wårell, 2014). As part of a broader effort to develop simple but accurate techniques for forecasting the future demand for metals, the International Iron and Steel Institute (1972) and Malenbaum (1973) suggested the intensity of use hypothesis during the 1970s. This hypothesis maintains that the intensity of metal use is a function of economic development as measured by real GDP (Guzmán et al. 2005). Intensity of use curve rises, peaks, and then decline as per capita income increases. For this hypothesis the intensity of metal use depends on the economic development in a country and changes over the development stages of the economy. Therefore the relationship between intensity of metal use and economic development exhibits an inverted U-shaped pattern. The main purpose of this study is to test the intensity of (steel) use hypothesis for Turkey during the period 1955-2012 using the cointegration technique with structural break. Given the dataset and time series techniques used, results indicate that the steel consumption and real GDP have the long-run relationship.
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Couchman, Peter, Arti Bhatia, and Daryl Ronsky. "The Conception, Design and Implementation of 36″ by 48″ Dual Diameter In-Line Cleaning and Inspection Tools in a Crude Oil Transmission System." In 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-202.
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Enbridge operates the world’s longest hydrocarbon transmission system. The pipeline infrastructure has experienced additions over its 50 years of operation. The expansions were implemented as successively larger pipe sections upstream from pumping stations. After completing three lines (20″, 24″ and 34″) in parallel configuration, 48″ sections were installed upstream from pumping stations in 1972 and 1973. In order to accommodate future throughput requirements, part of the Enbridge’s 1998 Terrace Expansion Project was designed to connect the 48″ pipe sections into a continuous line with 36″ pipe sections. The first Terrace Expansion design included sending and receiving traps for both the 36″ and the 48″ sections. An intricate network of crossover piping and mainline valves would allow in-line tools to be both launched and received at the diameter transition point without impacting flow. Since the transition points occur anywhere from 10 to 40 kilometers upstream from pumping stations, more aboveground facility locations would be added. Enbridge approached vendors of the different in-line inspection technologies to conduct feasibility studies for building 36″ by 48″ dual diameter tools for pipeline cleaning, geometry and metal loss inspection applications in January 1998. Enduro Pipeline Services, Williamson Industries (TD Williamson) and Pipeline Integrity International (PII) were selected to assemble the working tools based on the viability of their technical presentations and cost estimates. The development of 36″ by 48″ dual diameter cleaning and inspection tools would save Enbridge time and money by eliminating the need to install traps and associated valving at the transition areas. As a result, the accelerated schedule and targeted project completion for inspection in Enbridge’s Terrace Expansion line within a twelve-month time frame was accepted by all parties. This paper discusses the phases of the project from the technical feasibility studies, original and progression of design concepts, test loop execution and actual field use and validation of the tool performance and information.
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Facciolo, Luca, and Tomas Almberger. "RELAP5 Evaluation vs. Marviken Full Scale Containment Experiments." In 17th International Conference on Nuclear Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/icone17-75106.
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A model of the Marviken Power Station has been built with the analysis code RELAP5. The model has been tested against the measurement data from the experiments run in the facility under the period August 1972 to April 1973 when a series of full-scale blowdown test have been performed. The aim of the work is the employment and the evaluation of the mono-dimensional code RELAP5 for the containment response analysis. Two different blowdown experiments have been selected and used as comparison for the validation test. The simulations have been performed using models that include the main hydraulic and thermal features described in the actual facility. The heat structures and the pressurizers, used to simulate the spray cooling system, have been introduced and treated in separated cases for a better understanding of the response of the model with regards to the presence of these components. In this way it has been possible to distinguish the effects caused by the heat structures from the results induced by the pressurizers. In this way three configurations have been used for each blowdown, one which describes the mere hydraulic system, a second one with the addition of detailed heat structures and a third one including the spray system. The temperature and the pressure initial values for the simulations are not in a steady state but they reproduce the conditions as described at the beginning of each experiments. The discharge rate and the specific enthalpy are accurately set according to the experimental data. The model response for the global fluid pressure and temperature behaviour is, in general, in good agreement with the experimental local data. The difference between the calculations and the experiments are mainly attributed to the inefficient heat transfer between the non-condensable phase (air) and the walls of the structure: the energy is therefore retained in the gas without the possibility to be released to the surroundings causing higher temperatures and pressures in the fluid itself in comparison with the experiments. Furthermore, a one-dimensional model is not able to predict a good mixing of the fluid in the wetwell as it happens in the reality thanks to the natural convection. The pressure, the temperature, the condensation rate as well as the energy in the drywell and in the wetwell are discussed in the paper and compared with the experimental results. In this paper, due to space limitations, only the results for the hydraulic and the heat structure configurations from one blowdown experiment will be discussed.
Reports on the topic "1972-1973"
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Secretary's Department - London Letters - From London (Indexed) - December 1972 - June 1973. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2008/04711.
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Papua New Guinea - Advisory Committee on Central Banking in Papua New Guinea (ACCENT) - Proceedings 1972 - 1973. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2006/04306.
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