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Relevant bibliographies by topics / 1980s Cinema

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Dissertations / Theses

Academic literature on the topic '1980s Cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Dissertations / Theses on the topic "1980s Cinema"

1

Higbee, William Edward. "Marginality and ethnicity in French cinema of the 1980s and 1990s." Thesis, University of Exeter, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364416.

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2

Shin, Chi-Yun. "Diaspora and cinematic formations : black British cinema,the 1980s and 1990s." Thesis, University of Exeter, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400903.

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3

Oliveira, Sandra Cristina Reis Marques de. "Representations of American youth in Hollywood film in the 1980s." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/2762.

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Mestrado em Estudos Ingleses<br>O presente trabalho propõe-se examinar diferentes representações da adolescência no cinema de Hollywood, particularmente na década de 80. Esta dissertação inicia a sua análise debruçando-se sobre as representações da adolescência no cinema de Hollywood, no período após a II Guerra Mundial, numa tentativa de determinar alguns acontecimento que afectaram a forma como essas representações evoluíram até ao final da década de 80. Finalmente, uma reflexão sobre os aspectos mais relevantes das representações da adolescência no cinema na época conservadora de Ronald Rea

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4

Atakav, Atil. "The representation of women in Turkish cinema in the 1980s." Thesis, Southampton Solent University, 2009. http://ssudl.solent.ac.uk/774/.

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This thesis examines the relationship between feminism and cinema in the context of the women's movement and women's films of the 1980s. In focusing on the nature and implications of the representation of women constructed in Turkish cinema and the issues addressed by the women's movement, it argues that there are connections to be made on an analytical and theoretical level between the two sets of practices. The thesis argues that the enforced depoliticisation introduced after the coup (on 12th September 1980) by the incoming military government is responsible for uniting feminism and film. F

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5

Davison, Annette. "Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s." Thesis, University of Sheffield, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310816.

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6

Walsh, Lau Man Yee Eliza, and 劉敏儀. "In search of identity: Hong Kong as seen through its cinema from the 1950s to the early 1980s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31213728.

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7

Walsh, Lau Man Yee Eliza. "In search of identity : Hong Kong as seen through its cinema from the 1950s to the early 1980s /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17312048.

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8

Pope, Andy. "The History Boys? : masculinity, memory and the 1980s in British cinema, 2005-2010." Thesis, University of Portsmouth, 2015. https://researchportal.port.ac.uk/portal/en/theses/the-history-boys(e147f773-1714-4322-9860-29255fc745f5).html.

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This study will consider the function of cinema in British society’s ongoing relationship with the 1980s. Its focus on a key period of recent British film history acknowledges popular culture’s flourishing identification with this decade, reflected through a number of media including literature, music and fashion. I argue that with seventeen films set in the 1980s and produced between 2005 and 2010, British cinema is at the centre of this retrospective, providing a unique perspective on our relationship with the era. But what are the determinants of this mediated reminiscence and what does it

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9

Olson, Eric Lars. "Great Expectations: The Role of Myth in 1980s Films with Child Heroes." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/32929.

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This study performed a mythic analysis on three films with child heroes including E.T. the Extra-Terrestrial, Stand by Me, and The Goonies. Several unifying themes were extracted and then compared with the dominant values of Reagan America to determine if these films provided a unique cultural outlook. While most of the uncovered themes have been recognized in other films of the era, the theme of childhood as a community in peril is unique. It is purported these films pass judgment on Reagan as a dubious national patriarch, and that it is possible that this is a function that many myths

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10

Davies, William James. "A textual and theoretical reframing of Derek Jarman's films in the context of British cinema in the 1970s and 1980s." Thesis, Keele University, 2016. http://eprints.keele.ac.uk/2476/.

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The purpose of this work is to present a reframing and repositioning of films made by Derek Jarman via in-depth textual analysis (rarely seen previously) and attention to relevant theoretical connections (such as heritage, pastiche, camp, adaptation). These discussions are anchored to a consistent contextual grounding within the British film industry/culture, which includes consideration of the history and role/s of the BFI, dialogues with debates of national cinema and heritage, an assessment of Channel 4’s impact and influence, and an investigation into the function of British Film Year and

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