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1

Stites, Russell. "Creating the Character of North Texas: Demographics and Geography, 1841-1861." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609095/.

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Several historians have identified North Texas as constituting a unique cultural region in antebellum Texas, due to the more limited cotton and slave economies and greater opposition to secession. Different settlement patterns have been put forward as an explanation for the distinct "character" of North Texas, with North Texas being portrayed as being settled largely by migrants from the Upper South while the rest of the state was primarily settled by Lower Southerners. The argument rests on the assumption of differing economic and political cultures between Upper and Lower Southerners. This study investigates migration into North Texas counties and the economic life and secession vote in those counties. It challenges the simplistic dichotomy between migrants from the Upper and Lower South by demonstrating the similar rates at which these two groups grew cotton and owned slaves. It also illustrates how geographic considerations better explain the apparent distinctions between North Texas and the rest of the state. Transportation limitations are likely the reason for the more limited cultivation of cotton and, consequently, the lowered importance of slavery in North Texas. Concerns about Indian depredations following the removal of federal troops in the case of secession also seem to have promoted Unionist turnout in the secession vote. The seemingly unique qualities of North Texas appear to have been more practical than political.
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2

Gilliland, Jason A. "Residential mobility in Montreal, 1861-1901." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68095.

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Residential change is a pervasive condition of North American society. In a lifetime, a person may go through many decisive and interrelated changes in occupational status, family situation and dwelling-place. This research tests the relationships among three major processes: residential mobility, social mobility, and family formation in Montreal between 1861 and 1901. Using sample households from three cultural communities: French Canadian, Irish Catholic, and British Protestants, it was determined that the majority of households were highly mobile, yet remained within a compact geographical area. Mobility is seen as a response to a changing set of needs and opportunities, and families facilitated adjustment through extensive networks of kinship and neighbouring.
Studies of present-day household mobility provide a well-developed set of theories, on which several hypotheses were based. Multivariate regression analysis was performed using the binomial logit model to assess the relative effects of ethnicity, tenure, occupational status, age, household size, marital status and rent, on rates of household persistence.
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3

Alves, Cláudio José 1970. "Natureza e cultura nas ilustrações da Comissão Científica de Exploração, (1851-1861)." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280561.

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Orientador: Luiz Cesar Marques Filho
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Essa Tese refere-se à iconografia da Comissão Científica de Exploração enviada ao Ceará, em 1859 até 1861, por D. Pedro II. As aquarelas, os desenhos e as litografias da expedição foram produzidos a partir da atuação do pintor José dos Reis Carvalho, do poeta Gonçalves Dias e dos naturalistas Francisco Freire Alemão e Manoel Ferreira Lagos. Ao compararmos o trabalho de José dos Reis Carvalho para a Comissão Científica de Exploração com as influências estéticas de sua época, nele iremos perceber que, ao tratar da questão da seca, expressou elementos próprios da realidade local e da cultura brasileira, ali identificadas com o sertanejo e seu modo de vida na aridez da caatinga. Como um ilustrador científico, mas com um padrão estético próprio, deu às suas obras um caráter histórico envolto de questões sociais da época e representou o homem em conflito com uma paisagem que o hostilizava. Por meio de artigos e manuscritos sob as questões climáticas e culturais relacionadas ao Ceará, e pela bibliografia adquirida pela Comissão Científica de Exploração, delimitamos o espaço documental que justificou a produção iconográfica do pintor voltada para o tema das secas e para os costumes locais. O poeta Gonçalves Dias compôs um indianismo no qual se voltou a reconstituir a identidade nacional através das reminiscências culturais das antigas tribos Tupis e Tapuias. Permitiu o nascimento de uma etnografia de caráter científico baseada nas características linguísticas, tecnológicas e estéticas destes povos antigos e presentes nos grupos indígenas existentes no período. Os artefatos que ele recolheu no Amazonas, remeteu ao Museu Nacional do Rio de Janeiro e foram litografados pelo Imperial Instituto Artístico, expressam a importância que estes objetos assumiram como documentos iconográficos relacionados à História da Cultura Brasileira que esteve motivada por uma ideologia nativista. O botânico Francisco Freire Alemão e o zoólogo Manoel Ferreira Lagos, além de promoverem a identificação e a classificação de diversas espécies da biodiversidade cearense, dedicaram-se a produzir registros visuais para inaugurarem uma produção bibliográfica ilustrada no Brasil que ainda era incipiente. O interesse pela aplicação das técnicas acadêmicas do desenho Freire Alemão manifestou em seus singelos desenhos de vilas e plantas presentes na Biblioteca Nacional e outros que foram publicados na revista Guanabara. No entanto, sua maior e mais relevante produção iconográfica relacionada à botânica está na sua Flora Cearense, um manuscrito de valioso valor estético e histórico
Abstract: This thesis refers to the iconography of the Scientific Exploration Commission sent to Ceará, from 1859 until 1861, by D.Pedro II. The watercolors, drawings and lithographs of the expedition were produced in the work of the painter José Carvalho dos Reis, the poet Gonçalves Dias along with the naturalists Francisco Freire Alemão and Manoel Ferreira Lagos. Comparing the work of José dos Reis Carvalho with the aesthetic influences of his age, we will realize that, when addressing the issue of drought, he attempted to identify in Brazilian culture the proper elements of the local reality. As a scientific illustrator, but with a proper aesthetic standard, promoted in his works a historical character of social issues in his epoch and represented the Brazilian man conflict with the hostile landscape. Through articles and manuscripts on themes related to Ceará climate and culture, and literature acquired by the Scientific Exploration Commission, we delimited a documental research that was justified by the painter iconographical production turned into issue of drought and local culture. The poet Gonçalves Dias wrote an Indianism in which the identity of Brazilian people was reconstructed through the cultural remnants of Tupi and Tapuias ancient tribes. He allowed the birth of an ethnography scientific nature based on linguistic features, technology and aestheticism of these ancient people in the indigenous groups presented in his time. The artifacts he has collected in the Amazon were sent to the National Museum of Rio de Janeiro and they were lithographed by the Imperial Art Institute, which express the importance of these objects as iconographic documents related to the history of art and culture in Brazil. The botanist Francisco Freire Alemão and the zoologist Manoel Ferreira Lagos, beyond promoting the identification and classification of several biodiversity species in Ceará, they produced visual records to inaugurate an illustrated bibliographical production in Brazil, which was still incipient at that. The interest of Freire Alemão, in applying the academic techniques of drawing, was expressed in his single drawing of villages and plants present in the National Library and others that were published in Guanabara. However, his greatest and most relevant iconographic production related to botany is in his Flora of Ceará, a manuscript of valuable historical and aesthetic value
Doutorado
Historia da Arte
Doutor em História
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4

Silva, Maria Antonia Couto da. "Um monumento ao Brasil = considerações acerca da recepção do livro Brasil Pitoresco, de Victor Frond e Charles Ribeyrolles (1859-1861)." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280228.

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Orientador : Cláudia Valladão de Mattos
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Nesta tese analisei a recepção do livro Brasil Pitoresco, de autoria dos franceses Charles Ribeyrolles e Victor Frond (1859-1861), considerado pelo crítico Alexandre Eulálio como um dos "mais altos momentos da nossa iconografia oitocentista". A consulta aos periódicos do fim dos anos 1850 e inicio da década seguinte revelou novos dados sobre o contexto histórico em que a publicação foi realizada e, sobretudo, acerca de sua importância no meio artístico brasileiro. O livro apresenta um conjunto de imagens que associam fotografia e litografia, duas inovações técnicas relacionadas ã modernidade. Em relação à repercussão do livro, duas cartas do escritor Victor Hugo destinadas a Ribeyrolles, amplamente divulgadas em sua época, nos levam a refletir sobre o papel relevante que a fotografia e a litografia assumiram no campo artístico brasileiro no século XIX, e sobre a importância do livro enquanto obra de caráter abolicionista e liberal. Concebido para representar o Brasil na Exposição Universal de Londres em 1862, o livro causou grande impacto em sua época, tanto pelo texto como pelas ilustrações. Entre as litografias, produzidas na França a partir das fotografias de Frond, podemos destacar a série de vistas do Rio de Janeiro e a que registra o trabalho escravo nas fazendas fluminenses, a mais conhecida atualmente. As imagens do Brasil Pitoresco, amplamente divulgadas, ganharam autonomia em relação ao livro, e trouxeram inovações formais que se revelaram importantes para a produção de pintores e fotógrafos do período.
Abstract: In this thesis I have analyzed the reception of the book the Brazil Pittoresco (Picturesque Brazity, produced by the French Charles Ribeyrolles and Victor Frond (1859-1861), and considered by the critic Alexandre Eulálio as one of the "highest moments of our 19th century iconography". The search on periodicals of the end of the 1850's and the beginning of the following decade has revealed new data about the historical context of the book's publication and, moreover, about its importance to the artistic Brazilian realm. The book presents a series of images that associate photography with lithography, two technical innovations that relate to modernity. Repercussion wise, two letters from the writer Victor Hugo to Ribeyrolles, amply publicized back then, lead us into reflecting upon the relevant role assumed by the book regarding the 19th century Brazilian artistic realm and upon its importance as a liberal and abolitionist work. Conceived in order to represent Brazil in the 1862's London Universal Exhibition, the book produced a huge impact on its times, be it because of its text or because of its illustrations. Among the lithographs, which were produced in France from Frond's photographs, we call attention upon the Rio de Janeiro's landscape series and the one that records slave work at haciendas in the Fluminense region. The latter is the most studied nowadays. The Brazil Pittoresco images, which were amply publicized, gained autonomy and brought about formal innovations that proved to be important for the production of painters and photographers of the period.
Doutorado
Historia da Arte
Doutor em História
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5

Godoi, Rodrigo Camargo de 1980. "Um editor no Império : Francisco de Paula Brito (1809-1861)." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281161.

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Orientador: Jefferson Cano
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Por intermédio da biografia de Francisco de Paula Brito (1809-1861), esta tese investiga o aparecimento do editor moderno no Rio de Janeiro no momento em que esses empreendedores de bens culturais impressos igualmente surgiam em diferentes cidades do ocidente, como Paris e Nova York. No caso brasileiro, fazer frente ao consumo de literatura francesa na capital do Império, bem como forjar alianças políticas no contexto de formação do Estado Nacional foram fatores determinantes no processo estudado
Abstract: Analysing the biography of Francisco de Paula Brito (1809-1861), this dissertation investigates the emergence of modern publishers in Rio de Janeiro, at a time when these entrepreneurs appeared in different cities worldwide such as Paris and New York. In the Brazilian case, determining factors in this process were the need to forge political alliances in the context of the Nation's birth, as well as the confrontation of the consumption of French literature at the Empire's capital
Doutorado
Historia Social
Doutor em História
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6

Brill, Kristen Cree. "Rewriting southern womanhood in the American Civil War." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608254.

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7

Romero-Valderrama, Ana. "La coalición pedracista : elecciones y rebeliones para una re-definición de la participación política en México (1826-1828)." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1905.

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The pedracista electoral coalition that was formed in Mexico during the 1828 presidential elections was deliberately ignored by the traditional historiography of the early national period. Instead it concentrated on the leaders of the liberal struggle, deeming this alliance unworthy of study. There were essentially two key reasons why this happened. On the one hand, General Manuel Gómez Pedraza (1789-1851) was not an archetypal liberal patriot in the mould of those heroes that were exalted and written about by Mexico’s Porfirian and PRIísta historians. His politics were associated with a certain ideological indeterminateness as a result of his moderate stance, proving problematic to historians who were intent on developing a liberal and subsequently post-revolutionary historia patria. On the other hand, the official historiography accepted, unquestioningly, the critical version of his actions that his opponents circulated at the time. As a result of this, the yorkino version of the events is the one that prevailed, casting Pedraza in the role of staunch anti-yorkino in a simplistic bipartisan vision of Mexican politics that depicted the political tensions of the time as a clear-cut confrontation between the pedracista aristocrats and the democratic yorkino followers of mulatto hero of the War of Independence, General Vicente Guerrero (1783-1831). This two-dimensional dichotomy has only recently started to be nuanced by the revisionist historiography of the last thirty years. This has been due, in great measure, to the fact that the traditional interpretation of the pedracista coalition posed a number of significant problems when attempting to understand the political behaviour of the people involved. Above all, it was an interpretation that proved incapable of explaining how such a variety of political tendencies, represented by those individuals who joined the alliance that backed Pedraza’s presidential candidacy, could have come together; i.e., anti-masonic groups, the imparciales, certain yorkinos and former escoceses. This thesis aims to explain what brought these individuals, whose political ideas were ostensibly incompatible, together, in what resulted in a particularly resourceful and successful electoral force. The pedracista coalition represented the first political formation in Mexico that came together specifically to win a presidential election. It was one which set out to bring an end to the political interference of Masonic societies in Mexico, and in particular, that of the Rite of York lodges. It also challenged the yorkinos’ electoral campaign by criticising their leader, Guerrero, and, by highlighting the negative aspects of their Masonic faction. It pointed out, moreover, the dangers inherent in a central administration led by guerrerista yorkinos and, in so doing, made clear the problems that were to be found in the political ideas these individuals stood for, depicting them as partisan, ignorant, and representative of the popular classes. The pedracista coalition argued that the presidency needed to go to someone who did not belong to any particular party, who was virtuous, who was renowned for being hard-working and energetic in government, and who belonged to the exclusive circles frequented by the “hombres de bien”. Given that Pedraza won the elections, it is evident that his coalition benefited from a constitutional structure that favoured his candidacy, gaining, at the same time, the public validation of the governmental authorities in place at the time. However, Pedraza’s candidacy was defeated by the armed mobilizations that ensued in the pronunciamientos pro-yorkino followers launched from October to November 1828, and was consequently eliminated from the political scene until late 1832 given that the leaders of the imparciales as well as Pedraza himself chose not to fight back or support a counter-revolution. During the electoral campaign, the pedracista coalition displayed, with astounding clarity, what it thought were the essential qualities a president needed to possess and, likewise presented a distinctive appreciation of how it thought the Mexican political class should behave. In this sense, the coalition’s views, captured in its votes, networks and press articles, offer a fascinating snapshot of what were the fundamental themes of the Mexican republic during its formative years as a nation-state, and how this ignored political grouping interpreted them. Of particular interest is the manner in which the pedracista coalition explored the ways in which political legitimacy, participation and representation were to be understood, defended, and systematised. By studying the pedracista coalition this thesis offers, for the first time, a detailed analysis of the nature and dynamics of Mexican politics in the mid-late 1820s, as experienced, discussed, and represented by the short-lasting yet effective alliance that was forged around the candidacy of Manuel Gómez Pedraza.
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Magness, Penny J. "An Application of Marxian and Weberian Theories of Capitalism: the Emergence of Big Businesses in the United States, 1861 to 1890." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801922/.

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This study was an examination of businesses that became big businesses in the United States during the time period between the years of 1861 and 1890, a period of time frequently referred to as the “big business era.” The purpose of the study was to identify actions taken by businesses that enabled them to become and remain big businesses. A secondary purpose of the study was to show that these actions were explained by theories of Karl Marx and Max Weber. The results of the study showed that businesses which took specific actions were able to become and remain big businesses and these actions were explained by the theories of Marx and Weber. The results of the study demonstrate the ability of classical sociological theory to explain macro-level social change.
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Anderson, Scott Patrick 1956. "The adminstrative and social reforms of Russia's military, 1861-1874: Dmitrii Miliutin against the ensconced power elite." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11004.

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x, 90 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
As a key figure in Imperial Russia's Great Reforms from 1861 to 1874, Count Dmitrii Alekseevich Miliutin has received a good deal of attention by historians and scholars; however, his recently published memoirs have yet to be used extensively as the foundation for any study. Having them readily at one's fingertips would be a boon by itself, but to examine them using a different methodology could potentially provide a totally unique perspective. The methodology in question was based on the assumption that war influenced societies and society affected how war was conducted. By reexamining Imperial Russia's military administrative and social reforms with the newly published memoirs and afore-mentioned methodology, Miliutin's logic in formulating the reforms became apparent, as did his intended results, which included a challenge to the privileged status of Russia's ensconced power elites.
Committee in Charge: Dr. Alan Kimball, Chair; Dr. Julie Hessler; Dr. Alex Dracobly
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Smith, Cessna R. "The Pursuit of Commerce: Agricultural Development in Western Oregon, 1825-1861." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/258.

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This thesis examines how the pursuit of commercial gain affected the development of agriculture in western Oregon's Willamette, Umpqua, and Rogue River Valleys. The period of study begins when the British owned Hudson's Bay Company began to farm land in and around Fort Vancouver in 1825, and ends in 1861--during the time when agrarian settlement was beginning to expand east of the Cascade Mountains. Given that agriculture in Oregon, as elsewhere, would eventually reach a standard of national development, and given that most of Oregon's immigrants arrived poor and lacked the farm implements needed for subsistence, the question this study asks is what methods and motivations guided Oregon's first agrarian settlers to improve their industry? It is the central premise of this study that commerce was the sine qua non of agricultural development, and that commercial gain was the incentive that underpinned the improvements necessary to its progress. The question itself necessarily involves physiographical and climatological conditions, existing and potential markets, and a merchant class whose commercial motivations were beyond doubt. Two additional matters that weigh substantially through most of this paper need to be mentioned: First, because not all farmers were commercially-oriented, the focus is on individuals, including merchants, whose entrepreneurial activities contributed the most to agriculture; second, the discovery of gold in California in 1848, and in southern Oregon in the early 1850s, had a huge and lasting influence on Oregon agriculture and on the overall economy.
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Rossini, Gabriel Almeida Antunes 1981. "A dinâmica do tráfico interno de escravos na franja da economia cafeeira paulista (1861-1887)." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/286525.

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Orientador: Ligia Maria Osorio Silva
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia
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Resumo: Esta pesquisa aborda a dinâmica do tráfico interno de escravos na franja da economia cafeeira paulista, entre 1861-1887. Este estudo tem como lócus privilegiado alguns importantes centros cafeicultores do Oeste Paulista pertencentes à Zona da Baixa Paulista (Rio Claro, Araras e Araraquara). Os resultados apresentados nesta pesquisa foram decorrentes da análise de 814 escrituras de compra e venda de escravos que registraram a comercialização de 1.756 indivíduos das mais diferentes idades, origens e ambos os sexos. Este estudo é estruturado em quatro partes. Além da introdução, na segunda parte, discutimos aspectos relativos aos recortes espacial, temporal e ao núcleo documental utilizado e também abordamos elementos da expansão cafeeira e do comércio interno de escravos. Na terceira, expomos os resultados das diversas apreciações econômicas e demográficas relativas aos indivíduos que sofreram o fado das diferentes modalidades do tráfico interno de cativos. Por fim, expomos as nossas conclusões
Abstract: This research deals with the dynamics of internal slave trade during the coffee boom era in São Paulo, between 1861 and 1887. The localities where we focus this research are the cities of Rio Claro, Araras and Araraquara, in the western zone of the São Paulo, also known as "Baixa Paulista", where important coffee plantations were developed. The research is based on the analysis of 814 deeds of purchase and sale of slaves, with these transactions involving 1.756 persons, of different ages, origins and sex. The study is structured in four parts, an introduction, a section focused on describing our local samples, including aspects related to growth of coffee production and associated growth of the trade of slaves. In the third section, we present the results of our economic and demographic analysis developed upon the territorial, economic and demographic sample. This section is followed by a conclusion
Doutorado
Historia Economica
Doutor em Desenvolvimento Economico
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Dias, Alan Modesto. "Augusto Emilio Zaluar e os homens sem senhor: Vida cotidiana na peregrinação pela província de São Paulo, 1860 - 1861." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/12963.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The dissertation analyzes the daily routine of poor and free men conductors, small grocers, leprous, women and hillbillies described by the Portuguese writer Augusto Emílio Zaluar, in his written literary work Peregrinação pela Província de São Paulo, 1860 1861. (Peregrination through the Province of São Paulo). His documentary scope is based on trip accounts from the 19th century, work manuscripts and letters from the Agricultural Congress of Rio de Janeiro in 1878. The dissertation is divided into 3 chapters as following. The first chapter goes over the universe of particularities that establish the process of repeated visits of the Portuguese America, the intentions of foreign travelers from the 19th century, as well as their assessment prospect before the values and customs of poor and free men. The second chapter goes over the peculiarities of the roads between small cities from countryside and conductors and small grocer s daily routine. The third chapter goes over the urban scenery and the daily routine of leprous, women and hillbillies
A dissertação analisa a vida cotidiana dos homens pobres e livres condutores, vendeiros, leprosos, mulheres e caipiras descritos pelo português Augusto Emílio Zaluar, em sua obra Peregrinação pela Província de São Paulo, 1860 1861. Seu escopo documental é fundamentado em relatos de viagem do século XIX, ofícios manuscritos e cartas do Congresso Agrícola do Rio de Janeiro de 1878. A dissertação está dividida em três capítulos. No primeiro analisa o universo de especificidades que determinaram o processo de revisitação da América Portuguesa, a intencionalidade dos viajantes de origem estrangeira no século XIX, assim como a sua perspectiva avaliativa diante dos valores e costumes dos homens pobres e livres. No segundo, aborda as particularidades dos caminhos terrestres entre as cidades do interior e a vida cotidiana de condutores e vendeiros. No terceiro, analisa o cenário urbano e a cotidianidade de leprosos, mulheres e caipiras
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Ballou, Charles F. "Hospital medicine in Richmond, Virginia during the Civil War : a study of Hospital No. 21, Howard's Grove and Winder hospitals /." Thesis, This resource online This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-02092007-102013/.

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Webb, Charlotte. "Science goes South : John Millington, Frederick Barnard, and the University of Mississippi, 1848-1861 /." Thesis, This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-07212009-040329/.

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Williams, David J. (History teacher). "Company A, Nineteenth Texas Infantry: a History of a Small Town Fighting Unit." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699958/.

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I focus on Company A of the Nineteenth Texas Infantry, C.S.A., and its unique status among other Confederate military units. The raising of the company within the narrative of the regiment, its battles and campaigns, and the post-war experience of its men are the primary focal points of the thesis. In the first chapter, a systematic analysis of various aspects of the recruit’s background is given, highlighting the wealth of Company A’s officers and men. The following two chapters focus on the campaigns and battles experienced by the company and the praise bestowed on the men by brigade and divisional staff. The final chapter includes a postwar analysis of the survivors from Company A, concentrating on their locations, professions, and contributions to society, which again illustrate the achievements accomplished by the veterans of this unique Confederate unit. As a company largely drawn from Jefferson, Texas, a growing inland port community, Company A of the Nineteenth Texas Infantry differed from other companies in the regiment, and from most units raised across the Confederacy. Their unusual backgrounds, together with their experiences during and after the war, provide interesting perspectives on persistent questions concerning the motives and achievements of Texas Confederates.
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Shaw, Hunter D. "For home and country Confederate nationalism in western North Carolina." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4583.

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This study examines Confederate nationalism in Western North Carolina during the Civil War. Using secondary sources, newspapers, civilian, and soldiers' letters, this study will show that most Appalachians demonstrated a strong loyalty to their new Confederate nation. However, while a majority Appalachian Confederates maintained a strong Confederate nationalism throughout the war; many Western North Carolinians were not loyal to the Confederacy. Critically analyzing Confederate nationalism in Western North Carolina will show that conceptions of loyalty and disloyalty are not absolute, in other words, Appalachia was not purely loyal or disloyal.
ID: 029050263; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2010.; Includes bibliographical references (p. 146-151).
M.A.
Masters
Department of History
Arts and Humanities
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17

Trusz, Alice Dubina. "Entre lanternas mágicas e cinematógrafos : as origens do espetáculo cinematográfico em Porto Alegre (1861-1908)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15547.

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Este estudo histórico sobre as origens do espetáculo cinematográfico em Porto Alegre investiga as práticas que caracterizaram a exploração comercial do cinematógrafo para fins de entretenimento desde a sua introdução na cidade em novembro de 1896 até a abertura das primeiras salas permanentes especializadas na exibição cinematográfica, em 1908, e que deram início ao processo de sedentarização da atividade exibidora. O cinema não surgiu como um gênero espetacular acabado e tampouco foi uma prática inédita enquanto espetáculo de projeções, mas esteve estreitamente vinculado à tradição dos espetáculos de projeções de lanterna mágica do século XIX, o que explica a extensão da pesquisa a 1861. Entre 1896 e 1908, o cinematógrafo deixou de ser apenas uma nova invenção técnica e uma nova modalidade de projeção de imagens ópticas para se constituir e afirmar como novo gênero espetacular, autônomo de outras práticas culturais que lhe foram anteriores e contemporâneas e com as quais estabeleceu diferentes formas de associação. Ao longo deste período, o cinematógrafo foi explorado comercialmente de modo descontínuo e temporário por diferentes exibidores cinematográficos itinerantes que ocuparam centros de diversões já existentes e criaram espaços especializados de exibição, propondo distintos modos de organização do espetáculo e dos programas. A heterogeneidade da exibição também facultou um acesso diversificado do público ao cinema e possibilitou uma grande variedade nas formas de sua apropriação pelos espectadores, conferindo uma dinâmica ímpar ao processo de afirmação do cinema como gênero espetacular específico e nova prática cultural.
This historical study on the origins of the cinematographic spectacle in Porto Alegre investigates the practices which characterized the commercial exploitation of the cinematographer for entertainment purposes from its introduction in the city in november 1896 to the opening of the first permanent theaters specialized in cinematographic exhibitions, in 1908, which gave start to the process of sedentarization of the exhibiting activity. Cinema did not appear as an accomplished spectacle genre and neither the projection spectacle was a new practice; it was closely linked to the tradition of the magic lantern projection spectacles of the 19th century, as explained by the extension of the research to 1861. Between 1896 and 1908, the cinematograph has shifted from being solely a new technical invention and a new mode of projection of optical images to becoming a new spectacular genre, independent from other cultural practices, previous and contemporary, with which it had established various forms of association. Throughout this period, the cinematograph was commercially explored in a discontinuous and temporary fashion by a number of itinerant cinematographic exhibitors who occupied existing entertainment centers and created specialized exhibition spaces, proposing distinct ways of organization of the spectacle and of the programs. The heterogeneity of the exhibition also allowed diversified access from the public to cinema and introduced a great variety of possibilities for the audience to appropriate it, conferring an unparalleled dynamic to the process of affirmation of cinema as a specific spectacle genre and a new cultural practice.
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18

Martin, Johnathan Paul. "The Great Hanging." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849655/.

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"The Great Hanging" is a documentary film that tells the story of the largest extra-legal mass hanging in U.S. History. This story is told through stage play recital of "October Mourning" written by historian and professor Dr. Pat Ledbetter. Using the stage play as a vehicle, the film showcases cinematic re-enactments based in the events in Gainesville, Texas during October 1862. These events show how a small community became overwhelmed by the fog of war and delved into madness as the Civil War crept closer and closer to their doorstep.
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19

Andrews, Matthew Paul. "Durham University : last of the ancient universities and first of the new (1831-1871)." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:52d639b8-a555-48ce-8226-af71d19cb346.

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This thesis is a study of Durham University, from its inception in 1831 to the opening of the College of Physical Science in Newcastle in 1871. It considers the foundation and early years of the University in the light of local and national developments, including movements for reform in the church and higher education. The approach is holistic, with the thesis based on extensive use of archival sources, parliamentary reports, local and national newspapers, and other primary printed sources as well as a newly-created and entirely unique database of Durham students. The argument advanced in this thesis is that the desire of the Durham authorities was to establish a modern university that would be useful to northern interests, and that their clear failure to achieve this reflected the general issues of the developing higher education sector at least as much as it did internal mismanagement. This places Durham in a different position relative to the traditional understanding of how universities and colleges developed in England and therefore broadens and deepens the quality of that narrative. In the light of the University's swift decline, and poor reputation, from the mid-1850s what were the ambitions of the founders and how did this deterioration occur? Were the critics' accusations against the University - principally that it was a theologically-dominated, inadequate imitation of Oxford, bound to the Chapter of Durham and ruled autocratically by its Warden - based on fact or prejudice? And if the critics were wrong, what were the factors that lead to the University's failings?
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20

Leach, Kristine. "Nineteenth and twentieth century migrant and immigrant women : a search for common ground." Scholarly Commons, 1994. https://scholarlycommons.pacific.edu/uop_etds/2280.

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This study considers the question of whether immigrant women in the nineteenth and twentieth centuries had similarities in their experiences as immigrants to the United States. Two time periods were examined : the years between 1815 and the Civil War and the years since 1965 . As often as was possible, first- person accounts of immigrant women were used. For the nineteenth century women, these consisted of published letters and diaries and an occasional autobiography. For the contemporary women, published accounts and interviews were used. Twenty- six women from sixteen different countries were interviewed by the author. The interviewees were from a broad spectrum of educational, socioeconomic, and religious backgrounds. The first chapter discusses reasons for emigration, the difficulties of leaving one's home, and the problems of the journey. The second chapter considers some of the problems of adjusting to a new environment, such as adapting to new kinds of food and housing, feelings of isolation, separation from family and friends, language problems, and prejudice. The third chapter deals with family issues. It examines how living in a culture with new freedoms and opportunities affected relationships with husbands and children. Many immigrant women, either by choice or necessity, worked outside the home for the first time after immigrating, which changed a woman's role within the family. This chapter also looks at the difficulty of watching one's children grow up in a culture with different expectations and standards of behavior. The conclusion drawn from this study is that many women who have immigrated to the United States, even those from very different times and situations, have had a surprising number of experiences and emotions in common as part of their immigrant experience
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21

Ballesteros, Nicholas A. "Forging Their Legacy: Cooperation and Accommodation in the Lower Rio Grande Valley, 1848-1870." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404527/.

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Forging Their Legacy: Cooperation and Accommodation in the Lower Rio Grande Valley is an examination of the relationships created during the mid-nineteenth century between Anglo and Tejano elites in the five counties that make up the Lower Rio Grande Valley. Conducted through a quantitative lens, the five-chapter study seeks to demonstrate that, although the period between 1848 and 1870 was fraught with conflict and violence, the Anglo and Tejano elite of the Lower Rio Grande Valley came together in cooperation in order not only to survive these troubling times but to prosper. The thesis begins by identifying and analyzing the economic and political elite in the Lower Rio Grande Valley during the 1850s. A new crop of Anglo immigrants arrived with the Mexican-American War, but only a small number willing to assimilate to local Tejano culture were able to leave their mark on the Lower Valley. Chapter 4 relates the effect of the Civil War on the elite of the Lower Valley. It explores the profitable cotton trade during the war and the struggle that both Anglo and Tejano elites faced during Reconstruction. The thesis concludes with a macro-analysis of the twenty-two-year period from 1848-1870. It summarizes overall trends found in both the Anglo and Tejano elite communities and challenges the often-repeated argument of rapid dispossession by Anglos.
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22

Martin, Johnathan Paul. ""The Great Hanging"." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc849655/.

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"The Great Hanging" is a documentary film that tells the story of the largest extra-legal mass hanging in U.S. History. This story is told through stage play recital of "October Mourning" written by historian and professor Dr. Pat Ledbetter. Using the stage play as a vehicle, the film showcases cinematic re-enactments based in the events in Gainesville, Texas during October 1862. These events show how a small community became overwhelmed by the fog of war and delved into madness as the Civil War crept closer and closer to their doorstep.
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23

Thieffry, Sandrine. "L'édition musicale à Bruxelles au temps de Léopold Ier, 1831-1865." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209941.

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Cette thèse retrace l'histoire de l'édition musicale, depuis la création artistique jusqu'à sa consommation, en passant par toutes les étapes de sa confection et de sa distribution. Une époque :la première moitié du XIXe siècle. Un lieu :Bruxelles. Des acteurs, les éditeurs eux-mêmes, mais aussi l’ensemble de leurs collaborateurs, à commencer par les compositeurs, mais aussi les graveurs et lithographes, les imprimeurs, les commissionnaires et autres marchands de musique qui ont participé à ce commerce spécifique. Un support physique enfin :la partition imprimée devenue un nouveau produit commercialisable et consommable.

Seuls les éditeurs de musique les plus importants de cette période ont été envisagés ici. Ils sont au nombre sept dont un domine largement les six autres. Il s’agit de la maison Schott frères. Tous ces éditeurs ont été traités avec le même soin et de la même manière, autour de trois axes de recherche :la production, la diffusion et la consommation de la musique.


Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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24

Papiez, Katarzyna. "Préserver la polonité en exil : les formes de mobilisation politique de l’Hôtel Lambert en France et dans l’Empire ottoman (1831-1853)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL166.

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Cette thèse montre le rôle de l’Hôtel Lambert, parti politique dirigé par le prince A. J. Czartoryski depuis Paris, et de son agence, fondée par Michał Czaykowski, à Constantinople, dans la lutte pour la liberté de la Pologne. À travers la comparaison des actions politiques menées par ces deux personnages depuis la France et l’Empire ottoman dans la première moitié du XIXe siècle, se dessine l’analyse des modus-operandi de l’Hôtel Lambert, guidé par l’espoir de reconquérir l’indépendance de la patrie opprimée et de préserver la polonité à l’étranger. Cette recherche est complétée par l’étude de la politique d’accueil de la Sublime Porte, vis-à-vis des réfugiés de la Révolution hongroise qui cherchent asile sur le territoire ottoman, dans laquelle la conversion à l’islam de certains de ces exilés tient une place importante. De plus, l’analyse du transfert culturel dans les deux pays d’accueil et de la situation socio-économique des réfugiés polonais dans l’Empire ottoman permet de donner une vision approfondie de la construction des interactions de ces exilés dans leurs nouvelles sociétés. Un autre versant de cette recherche est centré sur la création de la colonie polonaise dans l’Empire ottoman, laboratoire social de la polonité en exil
This thesis shows the role of l’Hôtel Lambert, political party led by Prince A. J. Czartoryski from Paris, and his agency, founded by Michał Czaykowski, in Constantinople, in the struggle for Poland’s freedom. Through the comparison of the political actions taken by these two characters from France and the Ottoman Empire in the first half of the 19th century, emerges the analysis of the modus operandi of l’Hôtel Lambert, guided by the hope of reconquering independence of the oppressed homeland and to preserve “la polonité” abroad. This research is complemented by the study of the reception policy of the Sublime Porte, vis-à-vis the refugees of the Hungarian Revolution who seek asylum on the Ottoman territory, in which the conversion to Islam of some of these exiles holds an important place. Moreover, the analysis of the cultural transfer in the two host countries and of the socio-economic situation of the Polish refugees in the Ottoman Empire gives an in-depth view of the construction of the interactions of these exiles in their new societies. Another aspect of this research is centered on the creation of the Polish colony in the Ottoman Empire, social laboratory of “la polonité” in exile
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Bean, Christopher B. "A Stranger Amongst Strangers: An Analysis of the Freedmen's Bureau Subassistant Commissioners in Texas, 1865-1868." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9122/.

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This dissertation is a study of the subassistant commissioners of the Freedmen's Bureau in Texas from late 1865 to late 1868. Its focus is two-fold. It first examines who these men were. Were they northern born or southern? Did they own slaves? Were these men rich, poor, or from the middle-class? Did they have military experience or were they civilians? How old was the average subassistant commissioner in Texas? This work will answer what man Freedmen's Bureau officials deemed qualified to transition the former slave from bondage to freedom. Secondly, in conjunction with these questions, this work will examine the day-to-day operations of the Bureau agents in Texas, chronicling those aspects endemic to all agents as well as those unique to certain subdistricts. The demand of being a Bureau agent was immense, requiring long hours in the office fielding questions and long hours in the saddle inspecting subdistricts. In essence, their work advising, protecting, and educating the freedmen was a never ending one. The records of the Freedmen's Bureau, both the records for headquarters and the subassistant commissioners, serve as the main sources, but numerous newspapers, Texas state official correspondences, and military records proved helpful. Immense amounts of information arrived at Bureau headquarters from field personnel. This work relies heavily on reports and letters in the Bureau agents' own words. This dissertation follows a chronological approach, following the various Bureau administrations in Texas. I believe this approach allows the reader to better glimpse events as they happened.
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Folsom, Bradley 1979. "Joaquín de Arredondo in Texas and Northeastern New Spain, 1811-1821." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699939/.

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Joaquín de Arredondo was the most powerful and influential person in northeastern New Spain from 1811 to 1821. His rise to prominence began in 1811 when the Spanish military officer and a small royalist army suppressed Miguel Hidalgo’s revolution in the province of Nuevo Santander. This prompted the Spanish government to promote Arredondo to Commandant General of the Eastern Internal Provinces, making him the foremost civil and military authority in northeastern New Spain. Arredondo’s tenure as commandant general proved difficult, as he had to deal with insurgents, invaders from the United States, hostile Indians, pirates, and smugglers. Because warfare in Europe siphoned much needed military and financial support, and disagreements with New Spain’s leadership resulted in reductions of the commandant general’s authority, Arredondo confronted these threats with little assistance from the Spanish government. In spite of these obstacles, he maintained royalist control of New Spain from 1811 to 1821, and, in doing so, changed the course of Texas, Mexican, and United States history. In 1813, he defeated insurgents and American invaders at the Battle of Medina, and from 1817 to 1820, his forces stopped Xavier Mina’s attempt to bring independence to New Spain, prevented French exiles from establishing a colony in Texas, and defeated James Long’s filibustering expedition from the United States. Although unable to sustain Spanish rule in 1821, Arredondo’s approval of Moses Austin’s petition to settle families from the United States in Texas in 1820 and his role in the development of Antonio López de Santa Anna, meant the officer continued to influence Mexico. Perhaps Arredondo’s greatest importance is that the study of his life provides a means to learn about an internationally contested region during one of the most turbulent eras in North American history.
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27

af, Geijerstam Jan. "Landscapes of Technology Transfer : Swedish Ironmakers in India 1860–1864." Doctoral thesis, KTH, Industrial Economics and Management, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3784.

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In the early 1860s three Swedes, Nils Wilhelm Mitander,Julius Ramsay and Gustaf Wittenström, were engaged by theBritish to build and run charcoal-based ironworks in India.These works, the Burwai Iron Works of the British Government inthe case of Mitander and the privately owned Kumaon Iron Worksin the case of Ramsay and Wittenström, were both to bebased on the most modern European technology. The projects werepioneering in Indian ironmaking. The ambitions were high andstakes big, but after only a few years the projects were closedand the Swedes returned home.Landscapes of Technology Transferpresents a detailedstudy of the Kumaon and Burwai Iron Works, from their firstconception to their final closure. The investigation isbasically empirical and a fundamental question is: Why were theworks never brought into full and continuous production?

The ironworks projects should be considered as processes oftechnology transfer rather than fully fledged and completedtransfers. In spite of this lack of success, or maybe becauseof it, the history of the ironworks and the Swedes also forms afruitful case to put other questions of wide relevance. Itexposes workings and effects of colonialism and offers anexplanation of the late development of India's iron and steelindustry and analyses of the complex totality forming theprerequisites for a successful transfer of technology. The longtraditions of bloomery ironmaking in India and ismarginalisation is also discussed.

Landscapes of Technology Transferis a comprehensiveempirical study. From a local and individual perspective ittraces lines of connection across boundaries of time andgeography. The historical landscapes of technology transfer aredescribed in their cultural, social, economic and politicaldimensions and the thesis underlines the importance of a closeacquaintance with local settings and conditions, where historyis manifested in a physical presence. The remains of theironworks and theirlocal landscapes in present-day India areused as a central source for writing their histories. There isalso a strong emphasis on the use of photographs and drawingsas sources.

The outcome of the projects was the result of the interplaybetween the local and the global, between a diversity ofconcrete factors influencing the construction of the works andtheir running and their colonial character. The studyemphasises the importance of technological systems andnetworks, both on a micro and a macro level. On a local leveldemanding logistics, a sometimes adverse climate, theprocurement of charcoal and iron ore in sufficient quantitiesand the build up of knowledge of ironmaking posed serious butnot insurmountable difficulties. Most obstacles were overcomealready during the first few years of the 1860s, the period ofthe Swedes, but to put the works into full and continuousproduction would have needed perseverance and purposefulefforts to support and protect the iron production, at leastduring an initial period. In the end the position of India as acolonial dependency, subjected to the primacy of Britishinterests, set the limits of the projects.

Key words:History of technology, industrial heritagestudies, industrial archaeology, technology transfer,diffusion, technological systems, landscapes of technology,iron and steel, charcoal iron, direct and indirect ironmaking,bloomeries, 19th century, industrial history,industrialisation, de-industrialisation, underdevelopment,colonialism, India, Sweden, Great Britain, global history,annales.

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28

Af, Geijerstam Jan. "Landscapes of Technology Transfer : Swedish Ironmakers in India 1860–1864." Doctoral thesis, KTH, Industriell ekonomi och organisation, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3784.

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In the early 1860s three Swedes, Nils Wilhelm Mitander,Julius Ramsay and Gustaf Wittenström, were engaged by theBritish to build and run charcoal-based ironworks in India.These works, the Burwai Iron Works of the British Government inthe case of Mitander and the privately owned Kumaon Iron Worksin the case of Ramsay and Wittenström, were both to bebased on the most modern European technology. The projects werepioneering in Indian ironmaking. The ambitions were high andstakes big, but after only a few years the projects were closedand the Swedes returned home.Landscapes of Technology Transferpresents a detailedstudy of the Kumaon and Burwai Iron Works, from their firstconception to their final closure. The investigation isbasically empirical and a fundamental question is: Why were theworks never brought into full and continuous production? The ironworks projects should be considered as processes oftechnology transfer rather than fully fledged and completedtransfers. In spite of this lack of success, or maybe becauseof it, the history of the ironworks and the Swedes also forms afruitful case to put other questions of wide relevance. Itexposes workings and effects of colonialism and offers anexplanation of the late development of India's iron and steelindustry and analyses of the complex totality forming theprerequisites for a successful transfer of technology. The longtraditions of bloomery ironmaking in India and ismarginalisation is also discussed. Landscapes of Technology Transferis a comprehensiveempirical study. From a local and individual perspective ittraces lines of connection across boundaries of time andgeography. The historical landscapes of technology transfer aredescribed in their cultural, social, economic and politicaldimensions and the thesis underlines the importance of a closeacquaintance with local settings and conditions, where historyis manifested in a physical presence. The remains of theironworks and theirlocal landscapes in present-day India areused as a central source for writing their histories. There isalso a strong emphasis on the use of photographs and drawingsas sources. The outcome of the projects was the result of the interplaybetween the local and the global, between a diversity ofconcrete factors influencing the construction of the works andtheir running and their colonial character. The studyemphasises the importance of technological systems andnetworks, both on a micro and a macro level. On a local leveldemanding logistics, a sometimes adverse climate, theprocurement of charcoal and iron ore in sufficient quantitiesand the build up of knowledge of ironmaking posed serious butnot insurmountable difficulties. Most obstacles were overcomealready during the first few years of the 1860s, the period ofthe Swedes, but to put the works into full and continuousproduction would have needed perseverance and purposefulefforts to support and protect the iron production, at leastduring an initial period. In the end the position of India as acolonial dependency, subjected to the primacy of Britishinterests, set the limits of the projects. Key words:History of technology, industrial heritagestudies, industrial archaeology, technology transfer,diffusion, technological systems, landscapes of technology,iron and steel, charcoal iron, direct and indirect ironmaking,bloomeries, 19th century, industrial history,industrialisation, de-industrialisation, underdevelopment,colonialism, India, Sweden, Great Britain, global history,annales.

Qc 20170119

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29

Ceccarelli, Marco. "Revolutionary self-fulfilment? : individual radicalisation and terrorism in Fyodor Dostoyevsky's Notes from underground, Crime and punishment and The devils." University of Western Australia. European Languages and Studies Discipline Group. European Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2010.0007.

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This thesis analyses Fyodor Dostoyevsky's discussion of individual radicalisation and terrorism in three of his major novels: Notes from Underground, Crime and Punishment and The Devils. Whilst the issues of radical ideology and terrorism have often been independently discussed by Dostoyevsky scholars, little attention has been devoted to the study of the process of radicalisation undergone by Dostoyevsky's protagonists, whereby the extreme fulfilment of radical ideals culminates in political violence. This investigation traces the evolution of Dostoyevsky's individual in the context of the radically changing socio-political environment of nineteenth-century Russia. The development of this individual will be examined throughout the novels as he initially questions, and is hostile to, radical ideology, gradually embraces its tenets and tests its validity through the use of violence and eventually engages in terrorist activity. Dostoyevsky felt himself impotent in the face of the gradual assimilation of utilitarian, materialistic and nihilist ideals by the new generation of Russian intellectuals. In the emulation of Western revolutionary culture, he came to see a threat to Russian nationhood, to true Russian identity and to traditional Russian values such as Orthodox Christianity. In his novels he sought to examine and question the ideologies of leading theorists influenced by Western radical thought; ideologies that he believed were flawed, deceptive and contradictory. This study focuses on the development of the themes of radicalisation and terrorism in the three chosen novels. Emphasis is laid on the devastating impact of radical ideology and terrorist activity on the individual.
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30

Milewicz, Przemysław. "Visions of nation in Poland, 1815-1831." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609456.

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31

Murphy, Michael B. "The Kimberlins Go To War: A Union Family in Copperhead Country." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2230.

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Thesis (M.A.)--Indiana University, 2010.
Title from screen (viewed on July 29, 2010). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): John R. Kaufman-McKivigan, Robert G. Barrows, Kevin C. Robbins. Includes vitae. Includes bibliographical references (leaves 145-151).
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32

Montgomery, Alison Skye. "Imagined families : Anglo-American kinship and the formation of Southern identity, 1830-1890." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:bbfb161e-513d-4c2c-9325-4e60d17b4fba.

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Anglo-American kinship, as a set of historical continuities linking the United States to Great Britain and as a reckoning of relatedness, constituted a valuable cultural resource for Southerners as they contemplated their place within the American nation and outside in the nineteenth century. Like the more conventional calculations of consanguinity and familial belonging it referenced, the Anglo-American kinship was contingent, convoluted, and, not infrequently, contested. Articulated at various times by masters and former slaves, ministers and merchants, plantation mistresses and politicians, this sense of belonging to an imagined transatlantic family transcended the boundaries of gender, race, and class as readily as it traversed national borders. Though grounded in biogenetic factors, the language of Anglo-American kinship encompassed claims of belonging predicated on confessional faith, language, and institutions as well as blood. This thesis considers the interaction between conceptions of Anglo-American kinship and the formation of Southern national identity, both unionist and separatist, between 1830 and 1890 by examining institutions and social rituals that both inculcated filiopietism and constructed Southerness in the Civil War era and beyond. The subjects under consideration in this study include the role of European travel in forging Southern distinctiveness before the war, ring tournaments and the ethos of medieval chivalry they promoted, the Protestant Episcopal Church and its role in managing the sectional crisis, postbellum immigration societies and their vision of the plantation South remade in the image of British manors, and the role that state historical associations played in reunion and the entrenchment of the Lost Cause mythology as the predominant historical framework for interpreting the American Civil War.
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33

Manrique, Gómez Marta 1974. "Recepción político-literaria de Calderón : de la querella calderoniana a Menéndez Pelayo y sus discípulos." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115630.

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This thesis examines the political and literary reception in Spain of the figure of Pedro Calderon de la Barca, Golden Age playwright, during the years comprising the start of the querella calderoniana until the end of the nineteenth century; a period dominated by the intellectual figure Marcelino Menendez Pelayo. The nineteenth century is characterized by widespread social, political, economic, religious and cultural change, as much as for the development of the intention, on the part of political ideologies in positions of power, to generate a concrete idea of the Nation; in short, a specific way of interpreting Spanish national identify. This changes and the process which followed the configuration of this idea of the nation are recorded in little studied and highly politicized print media of the time, as well as in various verbal polemics maintained over the course of the century.
The study of these has allowed me to demonstrate that the reception of Calderon has been strongly influenced by the presence and interaction of these aspects. As the century progresses, the figure of the playwright becomes increasingly identified with the ideals of the National identify established by political conservatives.
In the first chapter, I analyse what happened in this intellectual conflict contextualizing it ideologically in the calderonian polemics of the eighteenth century, and frame it within relevant events in the formation of national identity.
The next two chapters analyse the development of the querella calderoniana and the subsequent appropriation of Calderon, in one of the darkest moments for the written press in Spain, corresponding with Fernando VII's absolutist regime. This study has been achieved through close readings of various periodicals, literary and ideological discourses of this epoch.
The final chapter concentrates on the conservative appropriation of Calderon effectuated by Menendez Pelayo, one of the most important intellectual figures of nineteenth century in Spain, who attempted to integrate this appropriation with others preceding it. A brief section of conclusions summarizes the theses, followed by a selected bibliography.
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Bornstein, Robert J. (Robert Jay). "Galician Jewish emigration, 1869-1880." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23709.

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The purpose of this study is to determine how Galician Jewish emigration during the period 1869-1880 was affected by the Austrian Constitution of 21 December 1867, and in particular by Article IV of said constitution's Fundamental Law Concerning the General Rights of Citizens which granted freedom of movement for the first time to Habsburg subjects. Various demographic, economic, political and societal factors particular to migration, to Galicia and to Galician Jewry are examined in order to establish the effect of the 1867 Constitution on Galician Jewish emigration.
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35

Sliwka, Anne. "Transplanting liberal education : higher education in 19th century Bombay Presidency, India (1821-1904)." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267493.

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36

Buvron, Jean-Marcel. "Le renouveau musical dans les cathédrales en France de 1801 à 1860 - Le Mans -." Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2003.

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En 1857, Joseph d'Ortigue constatait que les maîtrises des cathédrales en France, en activité au cours de la première moitié du XIXe siècle, ne pourraient jamais prétendre au rôle qu'elles avaient rempli pendant des siècles avant leur fermeture en 1791. Malgré le soutien dans un premier temps des pouvoirs publics, la tentative de refondation souhaitée pour chaque cathédrale, s'est en effet soldée par un échec : l'Église catholique n'a pas réussi à redonner au culte l'éclat musical et cantoral qu'il revêtait avant la Révolution. À travers l'étude de la maîtrise du Mans de 1801 à 1860, « une des premières rétablies et une des plus florissantes », cette thèse analyse les principales causes de cet échec inévitable : l'incertitude des ressources financières, l'évolution des mentalités en matière de religion, la formation incomplète des nouvelles générations de musiciens d'Église, le changement des goûts musicaux. Dans les années 1830-40, la liturgie et sa musique sont l'objet de vives polémiques où s’affrontent les partisans d'une musique expressive et les militants d'une restauration du plain-chant. Le renouveau musical dans les cathédrales, et notamment au Mans, ne trouve finalement son accomplissement qu'après une réforme de la liturgie qui définit la musique la plus appropriée au culte. Avec le retour de la liturgie romaine et du chant grégorien, plus de cinquante ans d’efforts auront été nécessaires pour que les cérémonies religieuses gagnent en cohérence ce qu’elles ont perdu en éclat
In 1857, Joseph d’Ortigue saw that the music schools attached to French cathedrals in the first half of the 19th century could never play the part they had had for centuries, until they were closed in 1791. Though they were at first officially aided, all the cathedrals failed when they tried to revive their musical activity : the catholic church did not succeed in giving back to their celebrations the brilliance of music and song that had been theirs before the Revolution. Studying the Le Mans music school from 1801 to 1860 – it was « one of the first to be re-estblished and one of the most flourishing » –, this thesis analyses the main causes of this inevitable failure: the uncertainty of financial resources, the evolution of habits of thought as regarded religion, the incomplete training of the new generation of church musicians, as well as the changes in musical tastes. In the years 1830-1840, the liturgy and its music are hotly argued about by those in favour of an expressive music and those advocating a restoration of plain chant. The musical revival in cathedrals – notably in Le Mans – was eventually achieved only after a reform of the liturgy defining which music is most suitable for divine worship. With the return of the Roman liturgy and Gregorian chant, over fifty years were necessary for religious ceremonies to gain in coherency what they had lost in brilliance
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Fortney, Jeffrey L. Jr. "Slaves and Slaveholders in the Choctaw Nation: 1830-1866." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc28371/.

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Racial slavery was a critical element in the cultural development of the Choctaws and was a derivative of the peculiar institution in southern states. The idea of genial and hospitable slave owners can no more be conclusively demonstrated for the Choctaws than for the antebellum South. The participation of Choctaws in the Civil War and formal alliance with the Confederacy was dominantly influenced by the slaveholding and a connection with southern identity, but was also influenced by financial concerns and an inability to remain neutral than a protection of the peculiar institution. Had the Civil War not taken place, the rate of Choctaw slave ownership possibly would have reached the level of southern states and the Choctaws would be considered part of the South.
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38

Poueymirou, Margaux Lynn Rosa. "The sixth sense : synaesthesia and British aestheticism, 1860-1900." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/952.

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“The Sixth Sense: Synaesthesia and British Aestheticism 1860-1900” is an interdisciplinary examination of the emergence of synaesthesia conceptually and rhetorically within the ‘art for art’s sake’ movement in mid-to-late Victorian Britain. Chapter One investigates Swinburne’s focal role as both theorist and literary spokesman for the nascent British Aesthetic movement. I argue that Swinburne was the first to practice what Pater meant by ‘aesthetic criticism’ and that synaesthesia played a decisive role in ‘Aestheticising’ critical discourse. Chapter Two examines Whistler’s varied motivations for using synaesthetic metaphor, the way that synaesthesia informed his identity as an aesthete, and the way that critical reactions to his work played a formative role in linking synaesthesia with Aestheticism in the popular imagination of Victorian England. Chapter Three explores Pater’s methods and style as an ‘aesthetic critic.’ Even more than Swinburne, Pater blurred the distinction between criticism and creation. I use ‘synaesthesia’ to contextualise Pater’s theory of “Anders-streben” and to further contribute to our understanding of his infamous musical paradigm as a linguistic ideal, which governed his own approach to critical language. Chapter Four considers Wilde’s decadent redevelopment of synaesthetic metaphor. I use ‘synaesthesia’ to locate Wilde’s style and theory of style within the context of decadence; or, to put it another way, to locate decadence within the context of Wilde. Each chapter examines the highly nuanced claim that art should exist for its own sake and the ways in which artists in the mid-to-late Victorian period attempted to realise this desire on theoretical and rhetorical levels.
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39

Ali, Shara. "The 'pronunciamiento' in Yucatán : from independence to independence (1821-1840)." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1693.

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Unique to nineteenth-century Spain and Central America, the pronunciamiento can be interpreted as an act of insubordination against ruling authorities, which included a written document with a list of complaints or demands. The practice was almost always carried out by members of the army, but usually involved heavy participation by political and civilian sectors of society as well. The pronunciamiento more often than not contained a threat of military violence if the grievances of the pronunciados were not listened to; as a result, it carried with it the implicit consequence of armed revolt. The pronunciamiento was responsible for major political changes in early nineteenth-century Mexico and Yucatán, and was also one of the most powerful forces of political and societal destabilisation during this period. Indeed, the pronunciamiento was responsible for the establishment of federalist and centralist systems, changes of constitutions, and constant overthrows of presidents. This was also true on a smaller scale in Yucatán, as the pronunciamiento was not only used to depose governors and administrations, but was the key negotiatory mechanism between the Yucatecan and Mexican administrations; yucatecos resorted to the pronunciamiento to realise their secessions from and reunifications to Mexico throughout the early nineteenth century. The aim of this thesis is to expose the dynamic of the Yucatecan pronunciamiento. It will challenge the present depiction of the pronunciamiento as military exercise of destabilization, and will instead concentrate on exposing it as a highly intricate process of political representation and negotiation, at both local and national levels. This will not only contribute toward a greater understanding of pronunciamiento culture on a local and more general scale, but will also reveal a more comprehensive analysis of the socio-political and economic circumstances of nineteenth-century Yucatán. This in turn will aid in re-defining early nineteenth-century Mexico, questioning its traditional depiction as an age of “chaos”, and instead exposing it as one dominated by political and ideological forces and factions, who used the pronunciamiento to express their beliefs and to negotiate for change.
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40

Bédard, Éric. "Le moment réformiste : la pensée d'une élite canadienne-française au milieu du XIXe siècle." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85126.

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Between 1840 and the end of the 1850s, the French-Canadian elite dominating the political landscape was calling for "reformism". Besides belonging to the same generation, the members of this elite shared several features: they had accepted the Union, campaigned for responsible government and opposed annexation to the United States. This thesis aims to put forward some of the main ideas of this elite, and thereby of the reformist period. In the historiography of Canada and Quebec, the reformists are generally portrayed as founders, be it of a nation, a political regime or a bourgeois social order. To avoid teleological pitfalls, this thesis attempts to bring back, in context, the flavour of the thought of a particular time.
Reformist thinking was reconstituted from three kinds of sources: the reconstruction of debates in the legislative assembly, the French-Canadian "ministerial press" of the mid-nineteenth century, and the many reformist writings left by the figures under study, including government reports, personal diaries, public discussions and two novels. Attentive study of these sources reveals five main axes of thought, revolving around the time, politics, the economy, the social fabric and religious concerns. A chapter is devoted to each of these themes.
I argue that reformist thought has its own consistency, that is to say that it is distinct from the reactionary ultramontanism of Mgr Bourget and from the doctrinaire liberalism of "les rouges" and the "Institut canadien". It seeks to show that the reformists believed in the virtues of progress, of responsible government and of the free market, but that at the same time they were anxious about the future of their nationality. Their constant concern for the unity of their nationality and their will to establish, with the clergy, a more rigorous morality, able to "make people better", bears witness to this uneasiness about the future and a concern for preservation which typifies the conservative.
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41

McDaniel, Jan (Pianist). "Die Opernprobe by Albert Lortzing: a Critical Edition." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc503969/.

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The purpose of the present edition of Albert Lortzing's Die Opernprobe is to restore and clarify the composer's original intentions, which were often obscured or altered by the first published version, which appeared in 1899. This thesis is divided into two parts. Part One contains an introduction which discusses Lortzing's place in the history of German opera, the details surrounding the composition of Die Opernprobe, the musical and dramatic structure of the opera, and the sources used in the preparation of this edition. Part Two consists of a critical edition of the orchestral score, with the complete text of the spoken dialogue and stage directions. Critical notes and an English translation of the full text are included in two appendixes.
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42

Laudicina, Nelly. "Droit et métissages. Évolution et usages de la loi à la colonie de la Rivière Rouge, 1811-1869." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040222.

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A l’arrivée des premiers colons à Assiniboia en 1811, le territoire n’est encore qu’un terrain de chasse pour les grandes compagnies de commerce des fourrures, qui obéissent aux codes d’une lex non scripta propre au milieu et à l’économie des Territoires Indiens. La colonie dépend ensuite de la tutelle juridique de la Compagnie de la Baie d’Hudson, qui gère ses institutions légales et gouvernementales à l’abri d’interventions canadiennes ou britanniques. Jusqu’à son annexion au Canada en tant que province du Manitoba en 1869, Assiniboia est le seul district de l’Ouest canadien continental doté d’institutions législatives et judiciaires. Cette thèse analyse l’évolution de la loi et du droit dans la société métisse de la Rivière Rouge (Assiniboia). A travers les sources des fonds législatifs et judiciaires de la colonie, les récits, correspondances et journaux de dirigeants, de missionnaires et d’habitants d’Assiniboia, ce travail observe les usages de l’outil juridique et ses effets normatifs sur les colons. Cette étude postule qu’un demi-siècle après sa création, la Rivière Rouge est un espace légal hybride, où le droit coutumier coexiste avec le droit institutionnel. Cette recherche démontre l’importante participation de la population à sa propre gouvernance et l’établissement progressif d’un pluralisme juridique qui savait reconnaître et respecter les altérités sociales de la Rivière Rouge, où se rassemblaient des Eurocanadiens, des Autochtones et une majorité d’individus métissés et semi-nomades. Enfin, cette étude met en évidence le rôle fondamental des Métis et du métissage dans tous les processus de changements légaux du territoire
This dissertation examines the evolution of law in Red River (Assiniboia) through the systems, ideas and events that informed the inhabitants’ concepts of rights, from the colony’s creation until its entry into the Canadian Confederation (as the province of Manitoba). Assiniboia was founded in 1811 in the unsettled Indian Territories which were used as hunting grounds by fur-trading companies, who developed the codes and practices of a lex non scripta on-site to regulate social norms, trade and competition. In the 1820s, the District of Assiniboia came under the management of the Hudson’s Bay Company and was placed under its jurisdiction, and, until the late 1860s, it was the only settlement of the western interior to have its own government and institutions. By looking at the legislative and judicial records of the district, the narratives, correspondence and journals composed by settlers, missionaries and rulers of Red River, this dissertation studies the uses of the law as a form of symbolic violence and a normative tool in the social context of the colony. This study contends that, half a century after its creation, Assiniboia was a hybrid legal space ruled simultaneously by customary and institutional law. It demonstrates the population’s active role in its own governance, and the gradual establishment of a legal pluralism that recognized and respected Red River’s multicultural society, one composed of French and English speaking settlers, Amerindians, and a majority of semi-nomadic people of mixed descent. Ultimately, this study highlights the fundamental role played by the Métis and their Native background in all of the changes to the territory’s legal system
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43

Laudicina, Nelly. "Droit et métissages, évolution et usages de la loi à la colonie de la Rivière Rouge, 1811-1869." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/23637.

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A l’arrivée des premiers colons eurocanadiens à Assiniboia en 1811, le territoire n’est encore qu’un terrain de chasse pour les grandes compagnies de commerce des fourrures, qui obéissent aux codes d’une lex non scripta propre au milieu et à l’économie des Territoires Indiens. La colonie dépend ensuite de la tutelle juridique de la Compagnie de la Baie d’Hudson, qui gère ses institutions gouvernementales, législatives et judiciaires à l’abri d’interventions canadiennes ou britanniques. Jusqu’à son annexion au Canada en tant que province du Manitoba en 1869, Assiniboia est le seul district de l’Ouest continental canadien doté de telles institutions. Cette thèse analyse l’évolution de la culture juridique de la société métissée de la Rivière Rouge (Assiniboia). A travers les sources des fonds législatifs et judiciaires de la colonie, les récits, correspondances et journaux de dirigeants, de missionnaires et d’habitants d’Assiniboia, ce travail observe les usages de l’outil juridique et ses effets normatifs sur les colons. Cette étude postule qu’un demi-siècle après sa création, la Rivière Rouge est un espace juridique hybride, où les lois coutumières coexistent avec celles du code civil de la colonie. Cette recherche démontre l’importante participation de la population à sa propre gouvernance et l’établissement progressif d’un pluralisme juridique, qui savait reconnaître et respecter les altérités sociales de la Rivière Rouge, où se rassemblaient des Eurocanadiens, des Autochtones et une majorité d’individus métissés et semi-nomades. Enfin, cette étude met en évidence le rôle fondamental des Métis et du métissage dans tous les processus de changements juridiques du territoire.
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44

Day, Joseph. "Leaving home and migrating in nineteenth-century England and Wales : evidence from the 1881 census enumerators' books (CEBs)." Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283973.

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45

Wilkinson, Myler 1953. "The dark mirror : American literary response to Russia, 1860-1917." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70290.

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This thesis is an intercultural and intertextual study of the ways in which an American literary identity has emerged out of an intense imaginative and political dialogue with Russian culture. Early portions of this study trace the historical connections which have drawn American writers into the orbit of Russian literature and culture during the period, 1860-1917. A theoretical chapter attempts to explain the intensity of this dialogue on several related levels: the figural relationship between two literatures which constantly transform each other; the psychic experience of an otherness between individuals and cultures which leads to provisional patterns of literary identity; and the transformation of a purely literary dialogue into the realm of social praxis. The second half of the thesis examines the careers of three major American writers--Henry James, Willa Carter, and Sherwood Anderson--as each reads the figures of Russian literature against a native American tradition, and in the process incorporates this "other" literature into that tradition. A concluding chapter initiates a discussion of the ways in which literary influence is also bound up with the dialogue of politics and power.
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46

McDonald, Kerry. "The experience of the pronunciamiento in San Luis Potosí, 1821-1849." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1965.

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The Hispanic phenomenon of the pronunciamiento, particularly prominent in nineteenth-century Mexico, is just one example of an insurrectionary political act that has contributed to the traditional portrait of chaos and disorder that has tainted much of our interpretation of the country‟s socio-political history. Once considered to be a violent, non-ideological, praetorian military act, recent studies reveal that the pronunciamiento was primarily a written petition that sought to further political proposals or address particular grievances through negotiation (albeit often backed by the threat of force). Although the military were largely the most visible leaders of the pronunciamiento, a plethora of political and civilian actors and interest groups partook in the practice with the intention of having their grievances/demands attended to by the national government. As well as being viewed as one of the causes of chronic instability, the pronunciamiento was also the primary mechanism employed to bring about tangible political changes throughout the country. At the local level of San Luis Potosí, the pronunciamiento seed also germinated and was used by all political groups and factions in their negotiations with local and national authorities alike. Local interests were often at the heart of these negotiations and so dictated the nature of the pronunciamiento in San Luis Potosí. This dissertation will explore and analyse the pronunciamiento practice, its origins, dynamics and nature, from the regional perspective of San Luis Potosí. Bearing in mind that the pronunciamiento was borne out of, and operated in a specific socio-political-economic context of constitutional disarray and transition, its analysis will also further our understanding of the broader socio-political culture not only of San Luis Potosí, but of Mexico in general. This in turn will contribute to the acknowledged need for reinterpretation and revaluation of the tumultuous period of early nineteenth-century Mexico. It will expose the period as an age of democratic revolutions; of intense political debate between emergent political groups and factions, who increasingly used the pronunciamiento to further an ideological stance, represent a spectrum of interests and force some kind of political change both at a national and regional level when all other constitutional options had been exhausted.
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47

Brick, Michael 1984. "The proffered pen: Saint-Simonianism and the public sphere in 19th century France." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11270.

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viii, 157 p.
The French "utopian socialist" movement known as Saint-Simonianism has long been recognized for its influence among 19th century engineers. An examination of the early Saint-Simonian journal, Le Producteur , however, reveals the articulation of an appeal to contemporary men of letters. A survey of the life and career of Hippolyte Carnot, a prominent Saint-Simonian man of letters, confirms and illustrates the nature of this appeal as it developed alongside Saint-Simonian ideology. Central to this appeal was the Saint-Simonians' attributing to the "artist" the role of moral educator. In their conceptualization of this function, the Saint-Simonians essentially presented a model of what Jürgen Habermas has termed the "public sphere" in strong contrast to that of classical liberalism. In the final analysis, however, the Saint-Simonians can be read as arguing not for the totalitarian domination of public life (as some have suggested) but rather the necessity of what Antonio Gramsci described as "hegemony."
Committee in charge: Dr. George Sheridan, Chair; Dr. David Luebke, Member; Dr. Daniel Pope, Member
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48

Belfiore, Grace Mary. "Family strategies in Essex textile towns, 1860-1895 : the challenge of compulsory elementary schooling." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670382.

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49

Gillin, Edward John. "The science of Parliament : building the Palace of Westminster, 1834-1860." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:65863190-6063-4320-813e-e60dd1a11fb2.

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This thesis examines science's role in the construction of Britain's new Houses of Parliament between 1834 and 1860. Architecturally the Gothic Palace embodies Victorian notions of the medieval and romanticized perceptions of English history. Yet in the mid-nineteenth century, the building not only reflected, but was involved in, the very latest scientific knowledge. This included chemistry, optics, geology, horology, and architecture as a science itself. Science was chosen, performed, trusted, displayed, contested, and debated through the physical space of government. Parliament was a place where science was done. Not only was knowledge imported to guide architectural construction, but it was actively produced within the walls of Britain's new legislature. I argue that this attention to science was not coincidental. Rather, it was a crucial demonstration of the changing relationship between science and politics. Science was increasingly asserted to be a powerful form of knowledge, and to an institution struggling to secure authority in the uncertainty of reformed British politics, it appeared a valuable resource for credibility. Contextualizing the use of science at Parliament in the political instability of the 1830s and 1840s emphasizes how the use of new knowledge was a potent practice of constructing political authority.
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50

You, Xuesheng. "Women's employment in England and Wales, 1851-1911." Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283968.

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