Dissertations / Theses on the topic '19th (1861- )'
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Stites, Russell. "Creating the Character of North Texas: Demographics and Geography, 1841-1861." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609095/.
Full textGilliland, Jason A. "Residential mobility in Montreal, 1861-1901." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68095.
Full textStudies of present-day household mobility provide a well-developed set of theories, on which several hypotheses were based. Multivariate regression analysis was performed using the binomial logit model to assess the relative effects of ethnicity, tenure, occupational status, age, household size, marital status and rent, on rates of household persistence.
Alves, Cláudio José 1970. "Natureza e cultura nas ilustrações da Comissão Científica de Exploração, (1851-1861)." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280561.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Essa Tese refere-se à iconografia da Comissão Científica de Exploração enviada ao Ceará, em 1859 até 1861, por D. Pedro II. As aquarelas, os desenhos e as litografias da expedição foram produzidos a partir da atuação do pintor José dos Reis Carvalho, do poeta Gonçalves Dias e dos naturalistas Francisco Freire Alemão e Manoel Ferreira Lagos. Ao compararmos o trabalho de José dos Reis Carvalho para a Comissão Científica de Exploração com as influências estéticas de sua época, nele iremos perceber que, ao tratar da questão da seca, expressou elementos próprios da realidade local e da cultura brasileira, ali identificadas com o sertanejo e seu modo de vida na aridez da caatinga. Como um ilustrador científico, mas com um padrão estético próprio, deu às suas obras um caráter histórico envolto de questões sociais da época e representou o homem em conflito com uma paisagem que o hostilizava. Por meio de artigos e manuscritos sob as questões climáticas e culturais relacionadas ao Ceará, e pela bibliografia adquirida pela Comissão Científica de Exploração, delimitamos o espaço documental que justificou a produção iconográfica do pintor voltada para o tema das secas e para os costumes locais. O poeta Gonçalves Dias compôs um indianismo no qual se voltou a reconstituir a identidade nacional através das reminiscências culturais das antigas tribos Tupis e Tapuias. Permitiu o nascimento de uma etnografia de caráter científico baseada nas características linguísticas, tecnológicas e estéticas destes povos antigos e presentes nos grupos indígenas existentes no período. Os artefatos que ele recolheu no Amazonas, remeteu ao Museu Nacional do Rio de Janeiro e foram litografados pelo Imperial Instituto Artístico, expressam a importância que estes objetos assumiram como documentos iconográficos relacionados à História da Cultura Brasileira que esteve motivada por uma ideologia nativista. O botânico Francisco Freire Alemão e o zoólogo Manoel Ferreira Lagos, além de promoverem a identificação e a classificação de diversas espécies da biodiversidade cearense, dedicaram-se a produzir registros visuais para inaugurarem uma produção bibliográfica ilustrada no Brasil que ainda era incipiente. O interesse pela aplicação das técnicas acadêmicas do desenho Freire Alemão manifestou em seus singelos desenhos de vilas e plantas presentes na Biblioteca Nacional e outros que foram publicados na revista Guanabara. No entanto, sua maior e mais relevante produção iconográfica relacionada à botânica está na sua Flora Cearense, um manuscrito de valioso valor estético e histórico
Abstract: This thesis refers to the iconography of the Scientific Exploration Commission sent to Ceará, from 1859 until 1861, by D.Pedro II. The watercolors, drawings and lithographs of the expedition were produced in the work of the painter José Carvalho dos Reis, the poet Gonçalves Dias along with the naturalists Francisco Freire Alemão and Manoel Ferreira Lagos. Comparing the work of José dos Reis Carvalho with the aesthetic influences of his age, we will realize that, when addressing the issue of drought, he attempted to identify in Brazilian culture the proper elements of the local reality. As a scientific illustrator, but with a proper aesthetic standard, promoted in his works a historical character of social issues in his epoch and represented the Brazilian man conflict with the hostile landscape. Through articles and manuscripts on themes related to Ceará climate and culture, and literature acquired by the Scientific Exploration Commission, we delimited a documental research that was justified by the painter iconographical production turned into issue of drought and local culture. The poet Gonçalves Dias wrote an Indianism in which the identity of Brazilian people was reconstructed through the cultural remnants of Tupi and Tapuias ancient tribes. He allowed the birth of an ethnography scientific nature based on linguistic features, technology and aestheticism of these ancient people in the indigenous groups presented in his time. The artifacts he has collected in the Amazon were sent to the National Museum of Rio de Janeiro and they were lithographed by the Imperial Art Institute, which express the importance of these objects as iconographic documents related to the history of art and culture in Brazil. The botanist Francisco Freire Alemão and the zoologist Manoel Ferreira Lagos, beyond promoting the identification and classification of several biodiversity species in Ceará, they produced visual records to inaugurate an illustrated bibliographical production in Brazil, which was still incipient at that. The interest of Freire Alemão, in applying the academic techniques of drawing, was expressed in his single drawing of villages and plants present in the National Library and others that were published in Guanabara. However, his greatest and most relevant iconographic production related to botany is in his Flora of Ceará, a manuscript of valuable historical and aesthetic value
Doutorado
Historia da Arte
Doutor em História
Silva, Maria Antonia Couto da. "Um monumento ao Brasil = considerações acerca da recepção do livro Brasil Pitoresco, de Victor Frond e Charles Ribeyrolles (1859-1861)." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280228.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Nesta tese analisei a recepção do livro Brasil Pitoresco, de autoria dos franceses Charles Ribeyrolles e Victor Frond (1859-1861), considerado pelo crítico Alexandre Eulálio como um dos "mais altos momentos da nossa iconografia oitocentista". A consulta aos periódicos do fim dos anos 1850 e inicio da década seguinte revelou novos dados sobre o contexto histórico em que a publicação foi realizada e, sobretudo, acerca de sua importância no meio artístico brasileiro. O livro apresenta um conjunto de imagens que associam fotografia e litografia, duas inovações técnicas relacionadas ã modernidade. Em relação à repercussão do livro, duas cartas do escritor Victor Hugo destinadas a Ribeyrolles, amplamente divulgadas em sua época, nos levam a refletir sobre o papel relevante que a fotografia e a litografia assumiram no campo artístico brasileiro no século XIX, e sobre a importância do livro enquanto obra de caráter abolicionista e liberal. Concebido para representar o Brasil na Exposição Universal de Londres em 1862, o livro causou grande impacto em sua época, tanto pelo texto como pelas ilustrações. Entre as litografias, produzidas na França a partir das fotografias de Frond, podemos destacar a série de vistas do Rio de Janeiro e a que registra o trabalho escravo nas fazendas fluminenses, a mais conhecida atualmente. As imagens do Brasil Pitoresco, amplamente divulgadas, ganharam autonomia em relação ao livro, e trouxeram inovações formais que se revelaram importantes para a produção de pintores e fotógrafos do período.
Abstract: In this thesis I have analyzed the reception of the book the Brazil Pittoresco (Picturesque Brazity, produced by the French Charles Ribeyrolles and Victor Frond (1859-1861), and considered by the critic Alexandre Eulálio as one of the "highest moments of our 19th century iconography". The search on periodicals of the end of the 1850's and the beginning of the following decade has revealed new data about the historical context of the book's publication and, moreover, about its importance to the artistic Brazilian realm. The book presents a series of images that associate photography with lithography, two technical innovations that relate to modernity. Repercussion wise, two letters from the writer Victor Hugo to Ribeyrolles, amply publicized back then, lead us into reflecting upon the relevant role assumed by the book regarding the 19th century Brazilian artistic realm and upon its importance as a liberal and abolitionist work. Conceived in order to represent Brazil in the 1862's London Universal Exhibition, the book produced a huge impact on its times, be it because of its text or because of its illustrations. Among the lithographs, which were produced in France from Frond's photographs, we call attention upon the Rio de Janeiro's landscape series and the one that records slave work at haciendas in the Fluminense region. The latter is the most studied nowadays. The Brazil Pittoresco images, which were amply publicized, gained autonomy and brought about formal innovations that proved to be important for the production of painters and photographers of the period.
Doutorado
Historia da Arte
Doutor em História
Godoi, Rodrigo Camargo de 1980. "Um editor no Império : Francisco de Paula Brito (1809-1861)." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281161.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Por intermédio da biografia de Francisco de Paula Brito (1809-1861), esta tese investiga o aparecimento do editor moderno no Rio de Janeiro no momento em que esses empreendedores de bens culturais impressos igualmente surgiam em diferentes cidades do ocidente, como Paris e Nova York. No caso brasileiro, fazer frente ao consumo de literatura francesa na capital do Império, bem como forjar alianças políticas no contexto de formação do Estado Nacional foram fatores determinantes no processo estudado
Abstract: Analysing the biography of Francisco de Paula Brito (1809-1861), this dissertation investigates the emergence of modern publishers in Rio de Janeiro, at a time when these entrepreneurs appeared in different cities worldwide such as Paris and New York. In the Brazilian case, determining factors in this process were the need to forge political alliances in the context of the Nation's birth, as well as the confrontation of the consumption of French literature at the Empire's capital
Doutorado
Historia Social
Doutor em História
Brill, Kristen Cree. "Rewriting southern womanhood in the American Civil War." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608254.
Full textRomero-Valderrama, Ana. "La coalición pedracista : elecciones y rebeliones para una re-definición de la participación política en México (1826-1828)." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1905.
Full textMagness, Penny J. "An Application of Marxian and Weberian Theories of Capitalism: the Emergence of Big Businesses in the United States, 1861 to 1890." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801922/.
Full textAnderson, Scott Patrick 1956. "The adminstrative and social reforms of Russia's military, 1861-1874: Dmitrii Miliutin against the ensconced power elite." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11004.
Full textAs a key figure in Imperial Russia's Great Reforms from 1861 to 1874, Count Dmitrii Alekseevich Miliutin has received a good deal of attention by historians and scholars; however, his recently published memoirs have yet to be used extensively as the foundation for any study. Having them readily at one's fingertips would be a boon by itself, but to examine them using a different methodology could potentially provide a totally unique perspective. The methodology in question was based on the assumption that war influenced societies and society affected how war was conducted. By reexamining Imperial Russia's military administrative and social reforms with the newly published memoirs and afore-mentioned methodology, Miliutin's logic in formulating the reforms became apparent, as did his intended results, which included a challenge to the privileged status of Russia's ensconced power elites.
Committee in Charge: Dr. Alan Kimball, Chair; Dr. Julie Hessler; Dr. Alex Dracobly
Smith, Cessna R. "The Pursuit of Commerce: Agricultural Development in Western Oregon, 1825-1861." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/258.
Full textRossini, Gabriel Almeida Antunes 1981. "A dinâmica do tráfico interno de escravos na franja da economia cafeeira paulista (1861-1887)." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/286525.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia
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Resumo: Esta pesquisa aborda a dinâmica do tráfico interno de escravos na franja da economia cafeeira paulista, entre 1861-1887. Este estudo tem como lócus privilegiado alguns importantes centros cafeicultores do Oeste Paulista pertencentes à Zona da Baixa Paulista (Rio Claro, Araras e Araraquara). Os resultados apresentados nesta pesquisa foram decorrentes da análise de 814 escrituras de compra e venda de escravos que registraram a comercialização de 1.756 indivíduos das mais diferentes idades, origens e ambos os sexos. Este estudo é estruturado em quatro partes. Além da introdução, na segunda parte, discutimos aspectos relativos aos recortes espacial, temporal e ao núcleo documental utilizado e também abordamos elementos da expansão cafeeira e do comércio interno de escravos. Na terceira, expomos os resultados das diversas apreciações econômicas e demográficas relativas aos indivíduos que sofreram o fado das diferentes modalidades do tráfico interno de cativos. Por fim, expomos as nossas conclusões
Abstract: This research deals with the dynamics of internal slave trade during the coffee boom era in São Paulo, between 1861 and 1887. The localities where we focus this research are the cities of Rio Claro, Araras and Araraquara, in the western zone of the São Paulo, also known as "Baixa Paulista", where important coffee plantations were developed. The research is based on the analysis of 814 deeds of purchase and sale of slaves, with these transactions involving 1.756 persons, of different ages, origins and sex. The study is structured in four parts, an introduction, a section focused on describing our local samples, including aspects related to growth of coffee production and associated growth of the trade of slaves. In the third section, we present the results of our economic and demographic analysis developed upon the territorial, economic and demographic sample. This section is followed by a conclusion
Doutorado
Historia Economica
Doutor em Desenvolvimento Economico
Dias, Alan Modesto. "Augusto Emilio Zaluar e os homens sem senhor: Vida cotidiana na peregrinação pela província de São Paulo, 1860 - 1861." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/12963.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The dissertation analyzes the daily routine of poor and free men conductors, small grocers, leprous, women and hillbillies described by the Portuguese writer Augusto Emílio Zaluar, in his written literary work Peregrinação pela Província de São Paulo, 1860 1861. (Peregrination through the Province of São Paulo). His documentary scope is based on trip accounts from the 19th century, work manuscripts and letters from the Agricultural Congress of Rio de Janeiro in 1878. The dissertation is divided into 3 chapters as following. The first chapter goes over the universe of particularities that establish the process of repeated visits of the Portuguese America, the intentions of foreign travelers from the 19th century, as well as their assessment prospect before the values and customs of poor and free men. The second chapter goes over the peculiarities of the roads between small cities from countryside and conductors and small grocer s daily routine. The third chapter goes over the urban scenery and the daily routine of leprous, women and hillbillies
A dissertação analisa a vida cotidiana dos homens pobres e livres condutores, vendeiros, leprosos, mulheres e caipiras descritos pelo português Augusto Emílio Zaluar, em sua obra Peregrinação pela Província de São Paulo, 1860 1861. Seu escopo documental é fundamentado em relatos de viagem do século XIX, ofícios manuscritos e cartas do Congresso Agrícola do Rio de Janeiro de 1878. A dissertação está dividida em três capítulos. No primeiro analisa o universo de especificidades que determinaram o processo de revisitação da América Portuguesa, a intencionalidade dos viajantes de origem estrangeira no século XIX, assim como a sua perspectiva avaliativa diante dos valores e costumes dos homens pobres e livres. No segundo, aborda as particularidades dos caminhos terrestres entre as cidades do interior e a vida cotidiana de condutores e vendeiros. No terceiro, analisa o cenário urbano e a cotidianidade de leprosos, mulheres e caipiras
Ballou, Charles F. "Hospital medicine in Richmond, Virginia during the Civil War : a study of Hospital No. 21, Howard's Grove and Winder hospitals /." Thesis, This resource online This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-02092007-102013/.
Full textWebb, Charlotte. "Science goes South : John Millington, Frederick Barnard, and the University of Mississippi, 1848-1861 /." Thesis, This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-07212009-040329/.
Full textWilliams, David J. (History teacher). "Company A, Nineteenth Texas Infantry: a History of a Small Town Fighting Unit." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699958/.
Full textShaw, Hunter D. "For home and country Confederate nationalism in western North Carolina." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4583.
Full textID: 029050263; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2010.; Includes bibliographical references (p. 146-151).
M.A.
Masters
Department of History
Arts and Humanities
Trusz, Alice Dubina. "Entre lanternas mágicas e cinematógrafos : as origens do espetáculo cinematográfico em Porto Alegre (1861-1908)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15547.
Full textThis historical study on the origins of the cinematographic spectacle in Porto Alegre investigates the practices which characterized the commercial exploitation of the cinematographer for entertainment purposes from its introduction in the city in november 1896 to the opening of the first permanent theaters specialized in cinematographic exhibitions, in 1908, which gave start to the process of sedentarization of the exhibiting activity. Cinema did not appear as an accomplished spectacle genre and neither the projection spectacle was a new practice; it was closely linked to the tradition of the magic lantern projection spectacles of the 19th century, as explained by the extension of the research to 1861. Between 1896 and 1908, the cinematograph has shifted from being solely a new technical invention and a new mode of projection of optical images to becoming a new spectacular genre, independent from other cultural practices, previous and contemporary, with which it had established various forms of association. Throughout this period, the cinematograph was commercially explored in a discontinuous and temporary fashion by a number of itinerant cinematographic exhibitors who occupied existing entertainment centers and created specialized exhibition spaces, proposing distinct ways of organization of the spectacle and of the programs. The heterogeneity of the exhibition also allowed diversified access from the public to cinema and introduced a great variety of possibilities for the audience to appropriate it, conferring an unparalleled dynamic to the process of affirmation of cinema as a specific spectacle genre and a new cultural practice.
Martin, Johnathan Paul. "The Great Hanging." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849655/.
Full textAndrews, Matthew Paul. "Durham University : last of the ancient universities and first of the new (1831-1871)." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:52d639b8-a555-48ce-8226-af71d19cb346.
Full textLeach, Kristine. "Nineteenth and twentieth century migrant and immigrant women : a search for common ground." Scholarly Commons, 1994. https://scholarlycommons.pacific.edu/uop_etds/2280.
Full textBallesteros, Nicholas A. "Forging Their Legacy: Cooperation and Accommodation in the Lower Rio Grande Valley, 1848-1870." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404527/.
Full textMartin, Johnathan Paul. ""The Great Hanging"." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc849655/.
Full textThieffry, Sandrine. "L'édition musicale à Bruxelles au temps de Léopold Ier, 1831-1865." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209941.
Full textSeuls les éditeurs de musique les plus importants de cette période ont été envisagés ici. Ils sont au nombre sept dont un domine largement les six autres. Il s’agit de la maison Schott frères. Tous ces éditeurs ont été traités avec le même soin et de la même manière, autour de trois axes de recherche :la production, la diffusion et la consommation de la musique.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Papiez, Katarzyna. "Préserver la polonité en exil : les formes de mobilisation politique de l’Hôtel Lambert en France et dans l’Empire ottoman (1831-1853)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL166.
Full textThis thesis shows the role of l’Hôtel Lambert, political party led by Prince A. J. Czartoryski from Paris, and his agency, founded by Michał Czaykowski, in Constantinople, in the struggle for Poland’s freedom. Through the comparison of the political actions taken by these two characters from France and the Ottoman Empire in the first half of the 19th century, emerges the analysis of the modus operandi of l’Hôtel Lambert, guided by the hope of reconquering independence of the oppressed homeland and to preserve “la polonité” abroad. This research is complemented by the study of the reception policy of the Sublime Porte, vis-à-vis the refugees of the Hungarian Revolution who seek asylum on the Ottoman territory, in which the conversion to Islam of some of these exiles holds an important place. Moreover, the analysis of the cultural transfer in the two host countries and of the socio-economic situation of the Polish refugees in the Ottoman Empire gives an in-depth view of the construction of the interactions of these exiles in their new societies. Another aspect of this research is centered on the creation of the Polish colony in the Ottoman Empire, social laboratory of “la polonité” in exile
Bean, Christopher B. "A Stranger Amongst Strangers: An Analysis of the Freedmen's Bureau Subassistant Commissioners in Texas, 1865-1868." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9122/.
Full textFolsom, Bradley 1979. "Joaquín de Arredondo in Texas and Northeastern New Spain, 1811-1821." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699939/.
Full textaf, Geijerstam Jan. "Landscapes of Technology Transfer : Swedish Ironmakers in India 1860–1864." Doctoral thesis, KTH, Industrial Economics and Management, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3784.
Full textIn the early 1860s three Swedes, Nils Wilhelm Mitander,Julius Ramsay and Gustaf Wittenström, were engaged by theBritish to build and run charcoal-based ironworks in India.These works, the Burwai Iron Works of the British Government inthe case of Mitander and the privately owned Kumaon Iron Worksin the case of Ramsay and Wittenström, were both to bebased on the most modern European technology. The projects werepioneering in Indian ironmaking. The ambitions were high andstakes big, but after only a few years the projects were closedand the Swedes returned home.Landscapes of Technology Transferpresents a detailedstudy of the Kumaon and Burwai Iron Works, from their firstconception to their final closure. The investigation isbasically empirical and a fundamental question is: Why were theworks never brought into full and continuous production?
The ironworks projects should be considered as processes oftechnology transfer rather than fully fledged and completedtransfers. In spite of this lack of success, or maybe becauseof it, the history of the ironworks and the Swedes also forms afruitful case to put other questions of wide relevance. Itexposes workings and effects of colonialism and offers anexplanation of the late development of India's iron and steelindustry and analyses of the complex totality forming theprerequisites for a successful transfer of technology. The longtraditions of bloomery ironmaking in India and ismarginalisation is also discussed.
Landscapes of Technology Transferis a comprehensiveempirical study. From a local and individual perspective ittraces lines of connection across boundaries of time andgeography. The historical landscapes of technology transfer aredescribed in their cultural, social, economic and politicaldimensions and the thesis underlines the importance of a closeacquaintance with local settings and conditions, where historyis manifested in a physical presence. The remains of theironworks and theirlocal landscapes in present-day India areused as a central source for writing their histories. There isalso a strong emphasis on the use of photographs and drawingsas sources.
The outcome of the projects was the result of the interplaybetween the local and the global, between a diversity ofconcrete factors influencing the construction of the works andtheir running and their colonial character. The studyemphasises the importance of technological systems andnetworks, both on a micro and a macro level. On a local leveldemanding logistics, a sometimes adverse climate, theprocurement of charcoal and iron ore in sufficient quantitiesand the build up of knowledge of ironmaking posed serious butnot insurmountable difficulties. Most obstacles were overcomealready during the first few years of the 1860s, the period ofthe Swedes, but to put the works into full and continuousproduction would have needed perseverance and purposefulefforts to support and protect the iron production, at leastduring an initial period. In the end the position of India as acolonial dependency, subjected to the primacy of Britishinterests, set the limits of the projects.
Key words:History of technology, industrial heritagestudies, industrial archaeology, technology transfer,diffusion, technological systems, landscapes of technology,iron and steel, charcoal iron, direct and indirect ironmaking,bloomeries, 19th century, industrial history,industrialisation, de-industrialisation, underdevelopment,colonialism, India, Sweden, Great Britain, global history,annales.
Af, Geijerstam Jan. "Landscapes of Technology Transfer : Swedish Ironmakers in India 1860–1864." Doctoral thesis, KTH, Industriell ekonomi och organisation, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3784.
Full textQc 20170119
Ceccarelli, Marco. "Revolutionary self-fulfilment? : individual radicalisation and terrorism in Fyodor Dostoyevsky's Notes from underground, Crime and punishment and The devils." University of Western Australia. European Languages and Studies Discipline Group. European Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2010.0007.
Full textMilewicz, Przemysław. "Visions of nation in Poland, 1815-1831." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609456.
Full textMurphy, Michael B. "The Kimberlins Go To War: A Union Family in Copperhead Country." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2230.
Full textTitle from screen (viewed on July 29, 2010). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): John R. Kaufman-McKivigan, Robert G. Barrows, Kevin C. Robbins. Includes vitae. Includes bibliographical references (leaves 145-151).
Montgomery, Alison Skye. "Imagined families : Anglo-American kinship and the formation of Southern identity, 1830-1890." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:bbfb161e-513d-4c2c-9325-4e60d17b4fba.
Full textManrique, Gómez Marta 1974. "Recepción político-literaria de Calderón : de la querella calderoniana a Menéndez Pelayo y sus discípulos." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115630.
Full textThe study of these has allowed me to demonstrate that the reception of Calderon has been strongly influenced by the presence and interaction of these aspects. As the century progresses, the figure of the playwright becomes increasingly identified with the ideals of the National identify established by political conservatives.
In the first chapter, I analyse what happened in this intellectual conflict contextualizing it ideologically in the calderonian polemics of the eighteenth century, and frame it within relevant events in the formation of national identity.
The next two chapters analyse the development of the querella calderoniana and the subsequent appropriation of Calderon, in one of the darkest moments for the written press in Spain, corresponding with Fernando VII's absolutist regime. This study has been achieved through close readings of various periodicals, literary and ideological discourses of this epoch.
The final chapter concentrates on the conservative appropriation of Calderon effectuated by Menendez Pelayo, one of the most important intellectual figures of nineteenth century in Spain, who attempted to integrate this appropriation with others preceding it. A brief section of conclusions summarizes the theses, followed by a selected bibliography.
Bornstein, Robert J. (Robert Jay). "Galician Jewish emigration, 1869-1880." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23709.
Full textSliwka, Anne. "Transplanting liberal education : higher education in 19th century Bombay Presidency, India (1821-1904)." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267493.
Full textBuvron, Jean-Marcel. "Le renouveau musical dans les cathédrales en France de 1801 à 1860 - Le Mans -." Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2003.
Full textIn 1857, Joseph d’Ortigue saw that the music schools attached to French cathedrals in the first half of the 19th century could never play the part they had had for centuries, until they were closed in 1791. Though they were at first officially aided, all the cathedrals failed when they tried to revive their musical activity : the catholic church did not succeed in giving back to their celebrations the brilliance of music and song that had been theirs before the Revolution. Studying the Le Mans music school from 1801 to 1860 – it was « one of the first to be re-estblished and one of the most flourishing » –, this thesis analyses the main causes of this inevitable failure: the uncertainty of financial resources, the evolution of habits of thought as regarded religion, the incomplete training of the new generation of church musicians, as well as the changes in musical tastes. In the years 1830-1840, the liturgy and its music are hotly argued about by those in favour of an expressive music and those advocating a restoration of plain chant. The musical revival in cathedrals – notably in Le Mans – was eventually achieved only after a reform of the liturgy defining which music is most suitable for divine worship. With the return of the Roman liturgy and Gregorian chant, over fifty years were necessary for religious ceremonies to gain in coherency what they had lost in brilliance
Fortney, Jeffrey L. Jr. "Slaves and Slaveholders in the Choctaw Nation: 1830-1866." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc28371/.
Full textPoueymirou, Margaux Lynn Rosa. "The sixth sense : synaesthesia and British aestheticism, 1860-1900." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/952.
Full textAli, Shara. "The 'pronunciamiento' in Yucatán : from independence to independence (1821-1840)." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1693.
Full textBédard, Éric. "Le moment réformiste : la pensée d'une élite canadienne-française au milieu du XIXe siècle." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85126.
Full textReformist thinking was reconstituted from three kinds of sources: the reconstruction of debates in the legislative assembly, the French-Canadian "ministerial press" of the mid-nineteenth century, and the many reformist writings left by the figures under study, including government reports, personal diaries, public discussions and two novels. Attentive study of these sources reveals five main axes of thought, revolving around the time, politics, the economy, the social fabric and religious concerns. A chapter is devoted to each of these themes.
I argue that reformist thought has its own consistency, that is to say that it is distinct from the reactionary ultramontanism of Mgr Bourget and from the doctrinaire liberalism of "les rouges" and the "Institut canadien". It seeks to show that the reformists believed in the virtues of progress, of responsible government and of the free market, but that at the same time they were anxious about the future of their nationality. Their constant concern for the unity of their nationality and their will to establish, with the clergy, a more rigorous morality, able to "make people better", bears witness to this uneasiness about the future and a concern for preservation which typifies the conservative.
McDaniel, Jan (Pianist). "Die Opernprobe by Albert Lortzing: a Critical Edition." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc503969/.
Full textLaudicina, Nelly. "Droit et métissages. Évolution et usages de la loi à la colonie de la Rivière Rouge, 1811-1869." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040222.
Full textThis dissertation examines the evolution of law in Red River (Assiniboia) through the systems, ideas and events that informed the inhabitants’ concepts of rights, from the colony’s creation until its entry into the Canadian Confederation (as the province of Manitoba). Assiniboia was founded in 1811 in the unsettled Indian Territories which were used as hunting grounds by fur-trading companies, who developed the codes and practices of a lex non scripta on-site to regulate social norms, trade and competition. In the 1820s, the District of Assiniboia came under the management of the Hudson’s Bay Company and was placed under its jurisdiction, and, until the late 1860s, it was the only settlement of the western interior to have its own government and institutions. By looking at the legislative and judicial records of the district, the narratives, correspondence and journals composed by settlers, missionaries and rulers of Red River, this dissertation studies the uses of the law as a form of symbolic violence and a normative tool in the social context of the colony. This study contends that, half a century after its creation, Assiniboia was a hybrid legal space ruled simultaneously by customary and institutional law. It demonstrates the population’s active role in its own governance, and the gradual establishment of a legal pluralism that recognized and respected Red River’s multicultural society, one composed of French and English speaking settlers, Amerindians, and a majority of semi-nomadic people of mixed descent. Ultimately, this study highlights the fundamental role played by the Métis and their Native background in all of the changes to the territory’s legal system
Laudicina, Nelly. "Droit et métissages, évolution et usages de la loi à la colonie de la Rivière Rouge, 1811-1869." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/23637.
Full textDay, Joseph. "Leaving home and migrating in nineteenth-century England and Wales : evidence from the 1881 census enumerators' books (CEBs)." Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283973.
Full textWilkinson, Myler 1953. "The dark mirror : American literary response to Russia, 1860-1917." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70290.
Full textMcDonald, Kerry. "The experience of the pronunciamiento in San Luis Potosí, 1821-1849." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1965.
Full textBrick, Michael 1984. "The proffered pen: Saint-Simonianism and the public sphere in 19th century France." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11270.
Full textThe French "utopian socialist" movement known as Saint-Simonianism has long been recognized for its influence among 19th century engineers. An examination of the early Saint-Simonian journal, Le Producteur , however, reveals the articulation of an appeal to contemporary men of letters. A survey of the life and career of Hippolyte Carnot, a prominent Saint-Simonian man of letters, confirms and illustrates the nature of this appeal as it developed alongside Saint-Simonian ideology. Central to this appeal was the Saint-Simonians' attributing to the "artist" the role of moral educator. In their conceptualization of this function, the Saint-Simonians essentially presented a model of what Jürgen Habermas has termed the "public sphere" in strong contrast to that of classical liberalism. In the final analysis, however, the Saint-Simonians can be read as arguing not for the totalitarian domination of public life (as some have suggested) but rather the necessity of what Antonio Gramsci described as "hegemony."
Committee in charge: Dr. George Sheridan, Chair; Dr. David Luebke, Member; Dr. Daniel Pope, Member
Belfiore, Grace Mary. "Family strategies in Essex textile towns, 1860-1895 : the challenge of compulsory elementary schooling." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670382.
Full textGillin, Edward John. "The science of Parliament : building the Palace of Westminster, 1834-1860." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:65863190-6063-4320-813e-e60dd1a11fb2.
Full textYou, Xuesheng. "Women's employment in England and Wales, 1851-1911." Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283968.
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