Relevant bibliographies by topics / 19th century culture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic '19th century culture'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "19th century culture"

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Seo,Jong-Moon. "The Korean Culture of the 19th Century." Korean Language and Literature ll, no. 149 (2008): 159–83. http://dx.doi.org/10.17291/kolali.2008..149.006.

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Siegfried, Susan L., and Judy Sund. "Recent Approaches to 19th-Century Visual Culture." Art Journal 55, no. 2 (1996): 19. http://dx.doi.org/10.2307/777741.

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Siegfried, Susan L., and Judy Sund. "Recent Approaches to 19th-century Visual Culture." Art Journal 55, no. 2 (1996): 19. http://dx.doi.org/10.1080/00043249.1996.10791752.

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Driel, Lodewijk van. "19th-century linguistics." Historiographia Linguistica 15, no. 1-2 (1988): 155–85. http://dx.doi.org/10.1075/hl.15.1-2.09dri.

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Summary In this paper an attempt has been made to draw a picture of linguistics in the Netherlands during the 19th century. The aim of this survey is to make clear that the influence of German linguistics on Dutch works of the period is characteristic of the development of Dutch linguistics in that century. Emphasis has been placed on the period 1800–1870; three traditions are distinguished: First of all there is the tradition of prescriptive grammar and language instruction. Next attention is drawn to the tradition of historical-comparative linguistics. Finally, by about the middle of the century, the linguistic views of German representatives of general grammar become prominent in Dutch school grammars. Successively we point to the reception by the schoolmasters of K. F. Becker’s (1775–1849) work; then Taco Roorda (1801–1874) is discussed, and the relationship between L. A. te Winkel (1809–1868) and H. Steinthal (1823–1899) is presented. In conjunction with Roorda’s work on Javanese the analysis of the so-called exotic languages is mentioned, an aspect of Dutch linguistics in the 19th century closely connected with the Dutch East Indies. It is obvious that the German theme is one of the most conspicuous common elements in 19th-century Dutch linguistics, as Dutch intellectuals in many respects took German culture as a model.
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Troyansky, David G., and Maryanne Cline Horowitz. "Race, Class and Gender in 19th-Century Culture." History Teacher 26, no. 1 (1992): 109. http://dx.doi.org/10.2307/494095.

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Keim, Curtis A., and Ronald Takaki. "Iron Cages: Race and Culture in 19th-Century America." International Journal of African Historical Studies 34, no. 1 (2001): 218. http://dx.doi.org/10.2307/3097337.

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Saylor, Thomas, and John Breuilly. "19th Century Germany: Politics, Culture and Society 1780-1918." History Teacher 36, no. 2 (2003): 261. http://dx.doi.org/10.2307/1555746.

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Morgan, David. "The Visual Culture of American Protestantism in the 19th Century." Caminhando 25, no. 2 (2020): 143–65. http://dx.doi.org/10.15603/2176-3828/caminhando.v25n2p143-165.

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The study of Protestant visual culture requires a number of correctives since many scholars and Protestants themselves presume images have played no role in religious practice. This essay begins by identifying misleading assumptions, proposes the importance of a visual culture paradigm for the study of Protestantism, and then traces the history of image use among American Protestants over the course of the nineteenth century. The aim is to show how the traditional association of image and text, tasked to evangelization and education, evolved steadily toward pictorial imagery and sacred portraiture. Eventually, text was all but eliminated in these visual formats, which allowed imagery to focus on the personhood of Jesus, replacing the idea of image as information with image as formation.
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Greenblatt, Samuel H. "Phrenology in the Science and Culture of the 19th Century." Neurosurgery 37, no. 4 (1995): 790–805. http://dx.doi.org/10.1227/00006123-199510000-00025.

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Greenblatt, Samuel H. "Phrenology in the Science and Culture of the 19th Century." Neurosurgery 37, no. 4 (1995): 790???805. http://dx.doi.org/10.1097/00006123-199510000-00025.

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Dissertations / Theses on the topic "19th century culture"

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Alderson, David. "Religion, manliness and imperialism in 19th century culture." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295953.

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Christian manliness emerges from a period of intense counter-revolution in English history, one in which protestantism and especially Anglicanism - plays an important ideological role in legitimating English national development. The form of manliness associated with Kingsley et al crystallises various aspects of the protestant ethic - conscience, independence and the redemptive value of work - into an ideology of English masculinity which becomes prescriptive and institutionalised in the public schools of the second half of the century. This sense of masculinity is established as an important part of English imperial hubris. For this reason, the thesis is very much concerned with England's relations with Ireland - a nation stigmatised as unfit for self-rule because predominantly Catholic. backward and effeminate. The thesis begins by outlining in broad terms elements of protestant Englishness, and moves on to look at the emergence of christian manliness as an extension of the counter-revolutionary concerns of the christian socialist Charles Kingsley. It is in this cultural context of manly protestantism that the 'effeminacy' of 1. H. Newman and other Catholicising elements in the Anglican Church are considered. After analysing dominant characteristics of English writers' conceptions of Ireland, the thesis looks at the contradictory ways in which Gerard Manley Hopkins's admiration for the male body is bound up with a patriotism at odds with his Catholicism, and argues that the specific elements of this patriotism determine the 'desolations' of his final years in Ireland Finally, Oscar Wilde's relations to English culture are considered - specifically. his understanding of his Celtishness as subversive of English puritanism; a subversiveness ultimately still indebted - because antithetical - to English manliness.
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Flath, James A. "Printing culture in rural North China." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56541.pdf.

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Neal, Allison Jayne. "(Neo-)Victorian impersonations : 19th century transvestism in contemporary literature and culture." Thesis, University of Hull, 2012. http://hydra.hull.ac.uk/resources/hull:7208.

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Davis, Michael A. "Jacksonian Volcano: Anti-Secretism and Secretism in 19th Century American Culture." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378109351.

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Conway, S. M. "A hidden culture : Lan Na court textiles and dress in the 19th century." Thesis, University of Brighton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311437.

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The inland states of Lan Na were part of an extended cultural area that included western Laos, the eastern Shan states and southwest China. The culture of these inland states was distinctive from coastal Southeast Asia, but was as rich and as complex. The major outside influence was Sinhalese Theravada Buddhism originating from Sri Lanka, which assimilated, or in some cases was grafted onto, ancient indigenous spirit religion beliefs. The textiles and dress of Lan Na developed from the integration of local cultures and societies in the hills and valleys, and from inland trade. A relatively egalitarian ideology permitted the flowering of indigenous skills and innovations, especially among women. This thesis examines, through the medium of 19th century court dress and textiles, how Lan Na society was affected by the threat of British and French colonial expansionism, handled with great skill and diplomacy by the King of Siam. Changes in Lan Na court dress can be viewed as a metaphor for the political maneuvers of the Siamese to remain independent of colonial rule, a unique achievement in Southeast Asia. The Lan Na princes were issued with Euro-Siamese uniforms that displayed their total allegiance to Siam. Meanwhile the princesses continued to wear indigenous dress both at home, and at the Siamese courts, symbolizing political alliances between Siam and Lan Na. The thesis concludes that as women, by custom, did not change the essential elements of their dress, particularly their woven skirts, it was they who transmitted complex cultural messages that continue to represent a cherished indigenous society
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Dudley, Anú King. "What Was in the Doctor's Bag?: A Material Culture Study of the Performance of Medicine in Antebellum New England." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/DudleyAK2007.pdf.

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Spragg, Kimberly R. "Juan Montalvo and the culture of revolution in Ecuador : the nineteenth and twentieth century response to his violent rhetoric." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1061885.

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Isaac J. Barrera, a noted scholar of Ecuadorian literature, succinctly described the nineteenth-century Liberal essayist, Juan Montalvo, in this way. "Two completely different aspects exist in the intellectual personality of Montalvo, that of the elegant, traditional writer ... and that of the terrible polemicist, possessing a scathing pen [and] ignited rage." Indeed, it was Montalvo's "scathing pen" and "ignited rage" combined with his exceptional mastery of the Castillian language which distinguished his writing from that of other Ecuadorian reformers. Yet, the Ecuadorian's insulting polemics and violent rhetoric encouraged and perpetuated an already existing "culture of revolution" in Ecuador. Indeed, the eyes of the country seemed fixed on Montalvo. He was at the center of Ecuadorian political thought and he personified the hope of those of radical opinion. For example, in 1875, after reading The Perpetual Dictator, his polemical pamphlet directed against the tyrannical practices of then Ecuadorian President, Gabriel Garcia Moreno, three of Montalvo's disciples assassinated the Dictator. Montalvo, believing he now had proof of the power of his words, exclaimed, "No doubt my ideas took root; ... it is my pen that killed him."This thesis will examine three aspects of Juan Montalvo and the culture of revolution in Ecuador. The second chapter entitled, "'It is My Pen that Killed Him!': The Assassination of Garcia Moreno," will examine Montalvo's rhetoric of violence and its results. Chapter three, "Montalvo as Icon: Nationalism, Personalism and Rebellion," will explore how a nation's heroes influence the cultural and revolutionary flavor of the particular region or country. The fourth chapter, "Indoctrination of the Innocent: Montalvo in Education," will analyze how the culture of revolution has not only penetrated Ecuadorian education but is perpetuated through the education of the Ecuadorian youth.This investigation will also provide supplemental awareness of Montalvo's general motives as well as a representative sketch of a nineteenth-century, Latin American liberal. An understanding of this Ecuadorian is also necessary for related research regarding other twentieth-century, Spanish speaking authors, such as Miguel Unamuno, for whom Montalvo was an influential figure. Furthermore, a clear assessment of Montalvo, and the forces against which he fought, portrays Latin American authoritarianism and personalism and reflects the social and religious mentality of the Ecuadorian elite and middle class in the nineteenth century. Despite Montalvo's influential position in Ecuador and his worldwide reputation as an opponent of tyranny and defender of liberty, only a few select passages of his writings have been translated into English. Likewise, English language scholarship on Montalvo is sorely lacking; most of the few existing articles are sparse, replete with errors, and tailored to a popular audience.<br>Department of History
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Giguere, Joy M. ""The Dead Shall be Raised": The Egyptian Revival and 19th Century American Commemorative Culture." Fogler Library, University of Maine, 2009. http://www.library.umaine.edu/theses/pdf/GiguereJM2009.pdf.

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Ressetar, Tatyana. "The seaside resort towns of Cape May and Atlantic City, New Jersey development, class consciousness, and the culture of leisure in the mid to late Victorian era." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4826.

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"Victorianism" is a highly controversial, sometimes ironic, term penned by historians throughout various works that has come to hold dramatic weight in both its meaning and its influence. Though the term is usually most closely associated with nineteenth century England, Victorianism was a highly influential movement in American culture simultaneously as well, specifically in the spheres of home, work, and play. Of those, "play," or leisure, is undoubtedly the least explored, especially before the latter decades of the twentieth century. Prior to this period, most literature about the Victorians, with the exception of a few works, only dealt with masculinity, religion, and the rigid dynamic of the nineteenth century household. Recently, historians like James Walvin, Pamela Horn, and Hugh Cunningham have attempted to draw attention to Victorian leisure with excellent works on pastimes and society during the nineteenth century, but they represent only a few. However, many works of this caliber focus on England, the "birthplace" of Victorianism. Thus, this work attempts to emphasize that the cultural phenomenon of Victorianism was just as present in the United States. Despite the recurring themes of the home and the workplace so often chosen by scholars, it is actually within the realm of leisure that the controversial issues of the Victorian period and its people can be best observed. Class, race, and gender were three major components of the Victorian culture that shaped the various forms of leisure and recreation, as well as the specific restrictions on those amusements.; All of these factors had a shared, tremendous influence on the progress (or lack thereof) towards a more modern era and society that occurred at the turn of the twentieth century. In the pages to follow, the numerous contradictions and paradoxes of Victorian leisure in America will be examined, ultimately demonstrating how pastimes and recreation (and their outlets) in the mid to late nineteenth century were neither truly Victorian nor truly progressive, but indeed a combination of both. This creates further irony during this controversial period. However, before exploring these outlets, the term "Victorian" will be examined while placing it into the context of mid to late nineteenth century Americans who belonged to all classes of travelers. It will become apparent that American Victorians had much invested in their values, but were also willing to break the rules regarding certain amusements and pleasures. Moreover, the "democratization" of leisure will be highlighted as the upper and lower classes began to enjoy the same recreations. Marked innovations of the period will also be discussed, as to highlight their importance on Victorian leisure and its development, which will also be referred to throughout the chapters. These topics will be addressed before examining the specific Victorian leisure culture of two of America's oldest seaside destinations: Cape May and Atlantic City, both in New Jersey. The guests, accommodations and transportation, and offerings at these resort towns will act as a mirror into mid to late nineteenth century culture. There, the contradictory ideals and rules of Victorianism are exhibited as the resorts rose to prominence. The decline of "elite-only" leisure and the rise of the "excursionist" will be examined throughout the progression of the towns' growth and boom periods.; Exploring the ironies of Victorian leisure through the proverbial lens of Cape May and Atlantic City proves effective, as the towns came to represent opposite ends of the "socially acceptable" spectrum after a short period, and were full of similar inconsistencies and paradoxes themselves. Additionally, their current fates remain a product of their polarized Victorian heydays, further proving the influence of seaside resort culture, the late Victorian period, and its ideals on the broader field of American leisure history.<br>ID: 030646179; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 118-133).<br>M.A.<br>Masters<br>History<br>Arts and Humanities<br>History; Public History Track
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White, Claire. "Work and leisure in late nineteenth-century French literature and visual culture." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610774.

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Books on the topic "19th century culture"

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Perry, Claire. Young America: Childhood in 19th-century art and culture. Yale University Press, 2005.

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Iron cages: Race and culture in 19th-century America. Oxford University Press, 1990.

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Iron cages: Race and culture in 19th-century America. Oxford University Press, 2000.

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Bloody Scotland: Crime in 19th Century Scotland. Black & White Publishing, 2014.

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Divergent modernities: Culture and politics in 19th century Latin America. Duke University Press, 2001.

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Schmidt, Bettina. Creating order: Culture as politics on 19th and 20th century South Africa. Third World Centre, University of Nijmegen, 1996.

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Codman, Charles. Charles Codman: The landscape of art and culture in 19th-century Maine. Portland Museum of Art, Maine, 2002.

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Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia), ed. Drawing and watercolours in Russian culture: First half of the 19th century. Palace Editions, 2005.

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Culture and anomie: Ethnographic imagination in the nineteenth century. University of Chicago Press, 1991.

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Marx, Adolph Bernhard. The music of the nineteenth century and its culture. Cambridge University Press, 2009.

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Book chapters on the topic "19th century culture"

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Hochfelder, David. "The Communications Revolution and Popular Culture." In A Companion to 19th-Century America. Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch22.

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Freitag, Florian. "‘Scribner’s Illustrated New Orleans’: Convergence Culture and Periodical Culture in Late 19th-Century America." In Göttinger Schriften zur Englischen Philologie. Göttingen University Press, 2015. http://dx.doi.org/10.17875/gup2021-1702.

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Andersson, Robert. "A Culture of Intervention—Vagrancy and Drug Treatment in Sweden from the Late 19th Century Until Today." In Scandinavian Penal History, Culture and Prison Practice. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-58529-5_5.

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Trampus, Antonio. "Francesco Saverio Salfi and the Eulogy for Antonio Serra: Politics, Freemasonry, and the Consumption of Culture in the Early 19th Century." In Antonio Serra and the Economics of Good Government. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137539960_13.

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Josephson, Olle. "174. Conversational culture in 19th century Scandinavia." In The Nordic Languages, Part 2, edited by Oskar Bandle, Kurt Braunmüller, Ernst Hakon Jahr, et al. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110197068-056.

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Schulze, Reinhard. "Mass Culture and Islamic Cultural Production in 19th Century Middle East." In Mass Culture, Popular Culture, and Social Life in the Middle East. Routledge, 2019. http://dx.doi.org/10.4324/9780429035289-8.

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Kociołek, Katarzyna. "Landscaping Irishness in the 19th Century." In From Queen Anne to Queen Victoria. Readings in 18th and 19th century British literature and culture. Warsaw University Press, 2018. http://dx.doi.org/10.31338/uw.9788323536123.pp.133-144.

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"Literary Culture And Arabic Manuscripts In 19th-Century Ilọrin." In The Trans-Saharan Book Trade. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004187429.i-424.43.

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"Edmond R. Smith’s writing lesson: Archive and representation in 19th-century Araucanía." In Written Culture in a Colonial Context. BRILL, 2012. http://dx.doi.org/10.1163/9789004225244_004.

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"Indo-Muslim Culture in Hyderabad: Old City Neighborhoods in the 19th Century." In Indo-Muslim Cultures in Transition. BRILL, 2012. http://dx.doi.org/10.1163/9789004218871_009.

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Conference papers on the topic "19th century culture"

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Kaname, Mariko. "Considering the Drawing Education for Children during the 19th Century to the 20th Century in England." In 2nd International Conference of Art, Illustration and Visual Culture in Infant and Primary Education. Editora Edgard Blücher, 2012. http://dx.doi.org/10.5151/edupro-aivcipe-30.

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Stroy, Lilia. "The Role of Exiled Poles in the Art Process in Siberia,19th Century." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.104.

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Iloliev, A. "Scribal culture in late 19th century Badakhshan: a case study of Mubarak-i Wakhani." In International scientific conference " Readings in memory of B.B. Lashkarbekov dedicated to the 70th anniversary of his birth". Yazyki Narodov Mira, 2020. http://dx.doi.org/10.37892/978-5-89191-092-8-2020-0-0-326-332.

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Bian, Jiasheng, and Qiao Jiang. "The Development Course and Reflection of Japanese Direct Teaching Method From Late 19th Century to Mid 20th Century." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.274.

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"Agricultural Information and the State in the Late 19th Century: The Annual Reports of the United States Department of Agriculture." In iConference 2014 Proceedings: Breaking Down Walls. Culture - Context - Computing. iSchools, 2014. http://dx.doi.org/10.9776/14415.

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Ardiyanti, G., and T. Christomy. "The Encounter of Islam and Javanese in Sultan Ngarum, a 19th Century Manuscript." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296700.

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Osipova, Elena A. "Linguoculturological Aspects of Studying Serbian Heroic Epos in the Works of Russian Slavists of the First Half of the 19th Century." In 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210313.045.

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Tsydene, Shirap. "Pre-Revolutionary Historiography of the History of Local Self-Government in Buryat." In Irkutsk Historical and Economic Yearbook 2020. Baikal State University, 2020. http://dx.doi.org/10.17150/978-5-7253-3017-5.53.

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With the inclusion of Buryats in the Russian state, the need arose to create management mechanisms and inclusion are of the Buryats in Russian culture. This need became the subject of research by theoreticians of scientific thought and state building, which formed over the 19th century, the historiographic foundation. The article highlights the issues formed and the development of historiography on the history of local self-government.
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Baeva, Olga. "Architecture of Russian Provincial Theatres of the Second Half of the 19th Century in the Regional and Global Aspects of Culture." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.98.

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Haug, Judith I. "»Manch eine*r liegt, morgens noch trunken, im Rosengarten« – Rekonstruktionen osmanischer Musikgeschichte in Gesangstextsammlungen." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.56.

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In Ottoman music culture, song text collections (güfte mecmūʿaları) play a crucial role in transmitting vocal repertoire. They employ paratext which supplies information about modal and rhythmic organisation as well as genre, composer and author attribution. In combination with oral tradition continuing until the present day, this method was understood as sufficient in the prevalent absence of notation until roughly the mid-19th century. Using the example of “Kimi mestāne seḥer yār ile gülşende yatur” by Rūḥī-yi Baġdādī, a poem set to music at least three times since around the mid-17th century which is still part of the repertoire today, we explore possibilities of evaluating güfte mecmūʿaları as source material for the historiography of Ottoman art music.
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Reports on the topic "19th century culture"

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Choi, Jeong. A Study on the Characteristics of Joseon Doll Costume in MOA as Cultural Product in Late 19th Century. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1719.

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Gutiérrez Rodríguez, Encarnación. Entangled Migrations The Coloniality of Migration and Creolizing Conviviality. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, 2021. http://dx.doi.org/10.46877/rodriguez.2021.35.

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This Working Paper discusses entangled migrations as territorially and temporally entangled onto-epistemological phenomena. As a theoretical-analytical framework, it addresses the material, epistemological and ethical premises of spatial-temporal entanglements and relationality in the understanding of migration as a modern colonial phenomenon. Entangled migrations acknowledges that local migratory movements mirror global migrations in complex ways, engaging with the analysis of historical connections, territorial entrenchments, cultural confluences, and overlapping antagonistic relations across nations and continents. Drawing on European immigration to the American continent and specifically to Brazil in the 19th century, this argument is tentatively developed by discussing two opposite moments of entangled migrations, the coloniality of migration and creolizing conviviality. To do this, the paper engages first with the theoretical framework of spatial-temporal entanglements. Second, it approaches the coloniality of migration. Finally, it briefly discusses creolizing conviviality.
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Tweet, Justin S., Vincent L. Santucci, Kenneth Convery, Jonathan Hoffman, and Laura Kirn. Channel Islands National Park: Paleontological resource inventory (public version). National Park Service, 2020. http://dx.doi.org/10.36967/nrr-2278664.

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Channel Island National Park (CHIS), incorporating five islands off the coast of southern California (Anacapa Island, San Miguel Island, Santa Barbara Island, Santa Cruz Island, and Santa Rosa Island), has an outstanding paleontological record. The park has significant fossils dating from the Late Cretaceous to the Holocene, representing organisms of the sea, the land, and the air. Highlights include: the famous pygmy mammoths that inhabited the conjoined northern islands during the late Pleistocene; the best fossil avifauna of any National Park Service (NPS) unit; intertwined paleontological and cultural records extending into the latest Pleistocene, including Arlington Man, the oldest well-dated human known from North America; calichified “fossil forests”; records of Miocene desmostylians and sirenians, unusual sea mammals; abundant Pleistocene mollusks illustrating changes in sea level and ocean temperature; one of the most thoroughly studied records of microfossils in the NPS; and type specimens for 23 fossil taxa. Paleontological research on the islands of CHIS began in the second half of the 19th century. The first discovery of a mammoth specimen was reported in 1873. Research can be divided into four periods: 1) the few early reports from the 19th century; 2) a sustained burst of activity in the 1920s and 1930s; 3) a second burst from the 1950s into the 1970s; and 4) the modern period of activity, symbolically opened with the 1994 discovery of a nearly complete pygmy mammoth skeleton on Santa Rosa Island. The work associated with this paleontological resource inventory may be considered the beginning of a fifth period. Fossils were specifically mentioned in the 1938 proclamation establishing what was then Channel Islands National Monument, making CHIS one of 18 NPS areas for which paleontological resources are referenced in the enabling legislation. Each of the five islands of CHIS has distinct paleontological and geological records, each has some kind of fossil resources, and almost all of the sedimentary formations on the islands are fossiliferous within CHIS. Anacapa Island and Santa Barbara Island, the two smallest islands, are primarily composed of Miocene volcanic rocks interfingered with small quantities of sedimentary rock and covered with a veneer of Quaternary sediments. Santa Barbara stands apart from Anacapa because it was never part of Santarosae, the landmass that existed at times in the Pleistocene when sea level was low enough that the four northern islands were connected. San Miguel Island, Santa Cruz Island, and Santa Rosa Island have more complex geologic histories. Of these three islands, San Miguel Island has relatively simple geologic structure and few formations. Santa Cruz Island has the most varied geology of the islands, as well as the longest rock record exposed at the surface, beginning with Jurassic metamorphic and intrusive igneous rocks. The Channel Islands have been uplifted and faulted in a complex 20-million-year-long geologic episode tied to the collision of the North American and Pacific Places, the initiation of the San Andreas fault system, and the 90° clockwise rotation of the Transverse Ranges, of which the northern Channel Islands are the westernmost part. Widespread volcanic activity from about 19 to 14 million years ago is evidenced by the igneous rocks found on each island.
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