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Journal articles on the topic '19th century culture'

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Published: 4 June 2021
Last updated: 4 February 2022

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1

Seo,Jong-Moon. "The Korean Culture of the 19th Century." Korean Language and Literature ll, no. 149 (2008): 159–83. http://dx.doi.org/10.17291/kolali.2008..149.006.

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2

Siegfried, Susan L., and Judy Sund. "Recent Approaches to 19th-Century Visual Culture." Art Journal 55, no. 2 (1996): 19. http://dx.doi.org/10.2307/777741.

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3

Siegfried, Susan L., and Judy Sund. "Recent Approaches to 19th-century Visual Culture." Art Journal 55, no. 2 (1996): 19. http://dx.doi.org/10.1080/00043249.1996.10791752.

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4

Driel, Lodewijk van. "19th-century linguistics." Historiographia Linguistica 15, no. 1-2 (1988): 155–85. http://dx.doi.org/10.1075/hl.15.1-2.09dri.

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Summary In this paper an attempt has been made to draw a picture of linguistics in the Netherlands during the 19th century. The aim of this survey is to make clear that the influence of German linguistics on Dutch works of the period is characteristic of the development of Dutch linguistics in that century. Emphasis has been placed on the period 1800–1870; three traditions are distinguished: First of all there is the tradition of prescriptive grammar and language instruction. Next attention is drawn to the tradition of historical-comparative linguistics. Finally, by about the middle of the century, the linguistic views of German representatives of general grammar become prominent in Dutch school grammars. Successively we point to the reception by the schoolmasters of K. F. Becker’s (1775–1849) work; then Taco Roorda (1801–1874) is discussed, and the relationship between L. A. te Winkel (1809–1868) and H. Steinthal (1823–1899) is presented. In conjunction with Roorda’s work on Javanese the analysis of the so-called exotic languages is mentioned, an aspect of Dutch linguistics in the 19th century closely connected with the Dutch East Indies. It is obvious that the German theme is one of the most conspicuous common elements in 19th-century Dutch linguistics, as Dutch intellectuals in many respects took German culture as a model.
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Troyansky, David G., and Maryanne Cline Horowitz. "Race, Class and Gender in 19th-Century Culture." History Teacher 26, no. 1 (1992): 109. http://dx.doi.org/10.2307/494095.

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Keim, Curtis A., and Ronald Takaki. "Iron Cages: Race and Culture in 19th-Century America." International Journal of African Historical Studies 34, no. 1 (2001): 218. http://dx.doi.org/10.2307/3097337.

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7

Saylor, Thomas, and John Breuilly. "19th Century Germany: Politics, Culture and Society 1780-1918." History Teacher 36, no. 2 (2003): 261. http://dx.doi.org/10.2307/1555746.

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Morgan, David. "The Visual Culture of American Protestantism in the 19th Century." Caminhando 25, no. 2 (2020): 143–65. http://dx.doi.org/10.15603/2176-3828/caminhando.v25n2p143-165.

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The study of Protestant visual culture requires a number of correctives since many scholars and Protestants themselves presume images have played no role in religious practice. This essay begins by identifying misleading assumptions, proposes the importance of a visual culture paradigm for the study of Protestantism, and then traces the history of image use among American Protestants over the course of the nineteenth century. The aim is to show how the traditional association of image and text, tasked to evangelization and education, evolved steadily toward pictorial imagery and sacred portraiture. Eventually, text was all but eliminated in these visual formats, which allowed imagery to focus on the personhood of Jesus, replacing the idea of image as information with image as formation.
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Greenblatt, Samuel H. "Phrenology in the Science and Culture of the 19th Century." Neurosurgery 37, no. 4 (1995): 790–805. http://dx.doi.org/10.1227/00006123-199510000-00025.

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Greenblatt, Samuel H. "Phrenology in the Science and Culture of the 19th Century." Neurosurgery 37, no. 4 (1995): 790???805. http://dx.doi.org/10.1097/00006123-199510000-00025.

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11

Anisimov, Kirill V. "Biographical plot in the regional culture of the 19th century." Sibirskiy filologicheskiy zhurnal, no. 1 (March 1, 2004): 43–50. http://dx.doi.org/10.17223/18137083/6/3.

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Burrow, John. "A common culture? Nationalist ideas in 19th-century European Thought." History of European Ideas 32, no. 3 (2006): 333–44. http://dx.doi.org/10.1016/j.histeuroideas.2006.05.002.

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13

Vishnevskaya, Evgenia E. "V. Odoevsky and Almanac “Mnemozina” in the History of Russian Book Culture of the 19th Century." Bibliotekovedenie [Library and Information Science (Russia)], no. 2 (April 1, 2009): 64–71. http://dx.doi.org/10.25281/0869-608x-2009-0-2-64-71.

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The article deals with the questions related to the impact of the remarkable person of V.F. Odoevsky on the book culture of Russia in the 19th century. He is known to be a brilliant writer, enlightener and book collector. In the beginning of 19th century he started to publish the almanac “Mnemosina” which is still actual today and considers as a still not explored event of book culture.
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14

Korneeva, Julia Vasilievna, and Natalia Viktorovna Makarova. "Health culture of the Central Volga area population in the XIX century." Samara Journal of Science 5, no. 4 (2016): 114–17. http://dx.doi.org/10.17816/snv20164208.

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The following paper considers the health culture of the Central Volga area population in the 19th century and its influence on the region economy. The authors compare necessary medical assistance at the beginning and at the end of the century and using various sources including the archival ones come to the conclusion that the state didnt pay much attention to the organization of health care in the region economy at the beginning of the 19th century: lack of health culture which could include the necessary number of medical institutions, lack of professionally trained medical staff, rules and recommendations about a healthy lifestyle. However by the end of the century the situation had undergone positive changes - there were medical institutions with beds and rooms available enough for patients, there were charity societies with medical care for people in need; the state spent money to ensure personnel functioning and hospital equipment, as well as injections that were free for the population. At the end of the 19th century the health culture of the population became an integral part of Central Volga area economy and the country in general. It increased the standard of life as well as its quality.
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Shirey, Heather. "Engaging Black European Spaces and Postcolonial Dialogues through Public Art: Yinka Shonibare’s Nelson’s Ship in a Bottle." Open Cultural Studies 3, no. 1 (2019): 362–72. http://dx.doi.org/10.1515/culture-2019-0031.

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Abstract Yinka Shonibare’s Nelson’s Ship in a Bottle, installed on the Fourth Plinth of London’s Trafalgar Square from May 24, 2010, to January 30, 2012, temporarily transformed a space dominated by the 19th-century monumental sculpture of Lord Horatio Nelson, Britain’s most famous naval hero. When installed in Trafalgar Square, Shonibare’s model ship in a bottle, with its sails made of factory-printed textiles associated with West African and African-European identities, contrasted dramatically with the bronze and stone that otherwise demarcate traditional sculpture. Shonibare’s sculpture served to activate public space by way of its references to global identities and African diasporic culture. Shonibare’s Nelson’s Ship, this paper argues, inserted a black diasporic perspective into Trafalgar Square, offering a conspicuous challenge to the normative power that defines social and political space in Great Britain. The installation in Trafalgar Square was only temporary, however, and the work was later moved to the National Maritime Museum in Greenwich, where it is on permanent display. This paper provides an investigation of the deeper historical references Shonibare made to the emergence of transnational identities in the 19th century and the continued negotiation of these identities today by considering the installation of Nelson’s Ship in a Bottle in relation to both sites.
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Kuzina, N. "Reception of the Manifestations of the Culture of Egypt in Russian Literature." Bulletin of Science and Practice 5, no. 11 (2019): 395–403. http://dx.doi.org/10.33619/2414-2948/48/49.

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The paper presents analysis of historiosophical themes, images and motifs reflecting the Egyptian culture in Russian literature of the 19th–20th centuries. They were popular among the authors of the early 20th century not only because of interest in artifacts found in the 19th century but also — and first of all — as part of a significant metaphor ‘Pre-revolutionary / Post-revolutionary Russia VS. Egypt’. There is shown the process of creating this comparison being much later than the ‘Russia VS. Europe’ paradigm in the context of the ‘Myth of St. Petersburg’, which included elements of the Egyptian theme (Sphinxes of the Neva) by the 20th century.
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Węgrzyn, Iwona. "Kłopotliwe dziedzictwo sarmatyzmu. Romantyczni twórcy wobec postaci starosty kaniowskiego Mikołaja Bazylego Potockiego." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 20 (December 20, 2020): 166–91. http://dx.doi.org/10.24917/20811853.20.11.

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The paper is not only an attempt at reconstructing the literary legend of Mikołaj Potocki, a governor from Kaniów, but also a story about the helplessness of the Polish 19th‑century writers against the crazy magnate, his legend and Sarmatism, which he represented. Works by Kraszewski, Groza, Grabowski, Jankowski and many other authors, which are dedicated to Mikołaj Potocki, seem to be an interesting testimony of the 19th‑century writers’ struggle with the tradition of their ancestors (not always obvious and accepted). They also make it possible to formulate a thesis about the 19th‑century retouch of pre‑Enlightenment noble culture (rejecting cruelty as a component of knightly identity of noble culture and eliminating characters evoking confusion from among the pantheon of ancestors, for example those described as tricksters by anthropologists).
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18

Calder, William M., and Christopher Stray. "Classics in 19th and 20th Century Cambridge: Curriculum, Culture and Community." Classical World 94, no. 2 (2001): 206. http://dx.doi.org/10.2307/4352545.

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19

Ofrim, Alexandru. "Attitudes towards prehistoric objects in Romanian folk culture (19th-20th century)." Swedish Journal of Romanian Studies 2, no. 1 (2019): 91–108. http://dx.doi.org/10.35824/sjrs.v2i1.18751.

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In the present study we intend to reconstruct the attitudes of Romanian peasants towards the vestiges of prehistoric material culture. They have been in contact with a diversity of prehistoric artefacts: polished and perforated stone axes, silex arrow tips, chisels, scrapers, spindle whorls, jewellery, etc. We try to find answers to the following questions: What people thought about the origin of prehistoric artefacts? What meanings were associated with such artefacts? What was their place in the collective imaginary? Which were the uses of these objects?
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20

Jo, Yun-suk. "A Study on the 19th Century Western Paintings and Tea Culture." Journal of Tea Culture & Industry Studies 36, no. ll (2017): 71–94. http://dx.doi.org/10.21483/qwoaud.36..201706.71.

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21

Motovnikova, E. "Organic Criticism in the Russian Intellectual Culture in the 19th Century." Voprosy filosofii, no. 9 (September 2019): 28–31. http://dx.doi.org/10.31857/s004287440006315-1.

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22

Guillamon, Guillermina. "Ni "campo" ni "mundo": Aportes y herramientas para historiar la cultura musical de principios del siglo XIX en Buenos Aires = Neither "field" nor "world": Contributions and theoretical tools to historicise the musical culture of the early 19th century in Buenos Aires." REVISTA DE HISTORIOGRAFÍA (RevHisto) 30 (May 28, 2019): 287. http://dx.doi.org/10.20318/revhisto.2019.4754.

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Resumen: En el presente artículo se analizan y sistematizan diversos trabajos provenientes tanto de la historia cultural como de la sociología, con el objetivo de señalar herramientas conceptuales y perspectivas metodológicas que permiten problematizar el análisis de la cultura musical de principios de siglo XIX. El fin último es, entonces, mostrar cómo a partir de diversos aportes teóricos y analíticos, la música constituye un objeto de estudio posible de ser abordado por las ciencias sociales.Palabras clave: Cultura musical, historia cultural, sociología de la música, Buenos Aires siglo XIX.Abstract: This article analyses and systematises works from both cultural history and sociology, in order to point out conceptual tools and methodological perspectives that allow the analysis of musical culture at the beginning of the 19th century to be problematised. The main objective is to show how, based on diverse theoretical and analytical contributions, music constitutes an object of study that can be addressed by the social sciences.Key words: Musical culture, cultural history, sociology of music, Buenos Aires 19th century.
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Malanchuk-Rybak, Oksana. "Periodization of the history of Ukrainian culture of the nineteenth century: basic models." Bulletin of Lviv National Academy of Arts, no. 40 (July 1, 2019): 11–18. http://dx.doi.org/10.37131/2524-0943-2019-40-1.

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The article explores the historiographical developments concerning the periodization of the history of Ukrainian culture of the 19th century. The first model is the periodization of cultural and national revival in 19th century Ukraine. Main periods: academic (the time of collecting cultural and historical heritage); organizational (the time of creation of national cultural and educational organizations); political (the time of creation of parties and other organizations that enable the nation to participate in political processes). The basic idea of this periodization is to show the processes of building of the nation and building of the country in the nineteenth century through the emergence and development of new phenomena in culture. The second model is the Pan-European cultural and historical periodization, which identifies such major periods of the nineteenth-century cultural history like Romanticism and Positivism.
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Knight, William. "Samuel Wilmot, Fish Culture, and Recreational Fisheries in late 19th century Ontario." Scientia Canadensis 30, no. 1 (2009): 75–90. http://dx.doi.org/10.7202/800527ar.

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Abstract Historians have shown that fish culturists and anglers enjoyed a mutually beneficial relationship in 19th century North America. Sharing interests in producing and protecting fish for recreation, the two groups supported emerging regimes of fisheries administration and fish culture that privileged angling and game fish species. In Ontario, it has been argued that anglers achieved control of inland fisheries with help from state fish culturist Samuel Wilmot who, as a sportsman, shared anglers' recreational perspective. A closer look at Wilmot and fish culture in late 19th century Ontario, however, reveals a more complex struggle over recreational fisheries administration. I show that game fish culture under Wilmot was subordinated to fish culture programs that supported the Great Lakes commercial fisheries. Indeed, Wilmot resisted anglers' refraining of Ontario's fisheries as a private recreational resource. By the 1890s, however, this position was unpopular with Ontario's anglers and government officials, who demanded greater provincial control over recreational fisheries and fish culture. It was only after Wilmot's retirement in 1895 that game fish culture received higher priority in Ontario with both federal and provincial governments engaging in programs of wild bass transfers. In 1899, Ontario won a share of fisheries jurisdiction and established its first provincial fisheries administration, which laid the basis for more comprehensive programs of game fish culture in the 20th century.
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Zhou, Ting. "Chinese Folk Photographic Creations of Western Photographers." Asian Social Science 13, no. 7 (2017): 190. http://dx.doi.org/10.5539/ass.v13n7p190.

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Folk cultures contribute to the important composition of the traditional culture in China, a multiracial ancient civilization enjoying a profound history. Folk photography opens a window for the world to enable people in other countries to understand China as well as its traditional culture. Western photographers have created a large amount of folk photographs during over a century of corresponding development. These works mean not only great significances to the documentation and heritage of Chinese folk cultures but also enormous contributions to the communication of Chinese folk cultures towards the global community. The paper reviewed the Chinese folk photographic creations of western photographers from mid-19th century to early 21st century, and discussed the connotations and meanings of these works.
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Rubin, Avi. "FROM LEGAL REPRESENTATION TO ADVOCACY: ATTORNEYS AND CLIENTS IN THE OTTOMAN NIZAMIYE COURTS." International Journal of Middle East Studies 44, no. 1 (2012): 111–27. http://dx.doi.org/10.1017/s0020743811001279.

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AbstractProfessional attorneyship emerged in the Ottoman Empire in tandem with the consolidation of the Nizamiye (“regular”) court system during the late 19th century. This article analyzes the emergence of an Ottoman legal profession, emphasizing two developments. First, the Nizamiye courts advanced a formalist legal culture, exhibited, inter alia, by the expansion of legal procedure. Whereas the pre-19th century court of law was highly accessible to lay litigants, the proceduralization of court proceedings in the 19th century limited the legibility of the judicial experience to legal experts, rendering legal counseling almost indispensible in civil and criminal litigation. Second, the reformers made efforts to render state-granted legal license a sign of professional competence, presenting a formal distinction between the old “agents” (vekils), who lacked formal legal training, and the professional “trial attorneys” (dava vekils). In practice, however, lawyers of both categories had to adapt to the Nizamiye formalist culture.
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Kuniczuk-Trzcinowicz, Agnieszka. "Co słychać w Zakopanem? Wspomnienia Władysława Matlakowskiego na tle relacji podhalańskich z przełomu wieków." Góry, Literatura, Kultura 10 (May 25, 2017): 147–54. http://dx.doi.org/10.19195/2084-4107.10.13.

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How are things in Zakopane? Władysław Matlakowski’s Wspomnienia [Memories] compared to turn-of-the-century accounts from PodhaleThe author introduces the figure of Władysław Matlakowski, a 19th-century “modern man” of many talents, today slightly forgotten despite his important contribution to science and culture in the second half of the 19th century. Chałubiński — awell-known Warsaw physician — became strongly assimilated into the Tatra landscape and people, when he was suffering from tuberculosis. That is why he became passionate about trying to save the highlanders’ culture and language. His memories of his journey and journal of his illness constitute avaluable source of information about how Matlakowski viewed the world around him, and show the sensitivity of this writer and translator.
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Eber, Irene. "Reception of Old Testament Ideas in 19th Century China." Journal of Chinese Philosophy 45, no. 3-4 (2018): 150–56. http://dx.doi.org/10.1163/15406253-0450304006.

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This paper explores some of the strategies used for translating the Old Testament from Hebrew into Chinese and its subsequent reception and interpretation. Special attention will be devoted to the Ten Commandments and important personalities like Abraham or Moses. According to their reception, they were endowed with characteristics valued in Chinese history and culture. The introduction of science seemingly contradicted the questions of Creation. Since Creation and the scientific perceptions of the universe were interconnected, those people dealing with Scriptural translation had to exercise special ingenuity to resolve the contradictions.
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Kruglova, M. G. "Romantic Style in American Music and Its Place in Courses of Disciplines of Universities of Culture and Art." Uchenye Zapiski RGSU 19, no. 4 (2020): 220–27. http://dx.doi.org/10.17922/2071-5323-2020-19-4-220-227.

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in the development of American music of the 19th century, researchers find stylistic trends in romanticism. During this period, the characteristic features of national musical thinking and the features of the composer’s work of US composers manifest themselves. A similar thing was observed in European music of the same century: the Polish national composer school was formed in Chopin’s works, Liszt embodied the features of Hungarian music, Grieg – Norwegian, etc. Since the beginning of the 19th century, American composers have been passionate about European romantic trends, but at the same time they have gone and developed along their special path. The influence of Schubert, Schumann, Mendelssohn is felt in the works of American composers of the mid-19th century, in the literature of the USA romanticism manifested itself much earlier, and its development was peculiar and special due to the ethnic and historical development of the country. However, all these most important historical pages still remain almost without the attention of scholars, researchers, and are also absent from the courses of music history not only colleges, but also universities of art culture. In this work, an attempt is made to outline ways to master the artistic and creative experience of composers of the USA of the 19th century in the process of studying professional disciplines by students of universities of culture and art and at the same time enriching the scientific experience of musicology with new discoveries in the field of American romantic music.
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Taranovski, T. "Constitutionalism and Political Culture in Imperial Russia (Late 19th – Early 20th Century)." BRICS Law Journal 6, no. 3 (2019): 22–48. http://dx.doi.org/10.21684/2412-2343-2019-6-3-22-48.

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This article analyzes the possibility of development of liberal constitutionalism in the Russian Empire during the post-reform period in the late 19th – early 20th century within the context of European history, of which Russia was an integral component. It argues that the Russian autocracy had the potential to transform itself into a constitutional monarchy during the period that followed the Great Reforms of the 1860s (1861–1881) and, second, during the Revolution of 1905–1906 and in its aftermath. This promising evolutionary process was cut short by World War I and rejected by the Soviet period of Russian history that followed. Obstacles to constitutional government were mostly objective in character, but perhaps the most significant problem was the fragmentation and insufficient development of Russian political culture, or better said, cultures that failed to produce the consensus required for effective creation and functioning of a constitutional regime. This failure was further exacerbated by an evolutionary radicalization of revolutions in modern European history that culminated in October 1917. The author concludes that the events of the late 1980s and the Revolution of 1991 changed the character of the Russian historical landscape and provided the potential for renewed development of a pluralistic political system and a strong civil society that is its precondition.
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Friedman, Lawrence M. "Civil Wrongs: Personal Injury Law in the Late 19th Century." American Bar Foundation Research Journal 12, no. 2-3 (1987): 351–78. http://dx.doi.org/10.1111/j.1747-4469.1987.tb00541.x.

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This is a report of data drawn from a study of personal injury actions in the Superior Court of Alameda County, California, and in the federal district court for Northern California, for the period 1880–1900. Tort actions, in this period, were relatively uncommon compared to the number of accidents. The most frequent type of action was against common carriers—railroads and street railways. Malpractice actions were rare. Most fired cases were settled or dropped out before full trial and jury verdict. Though plaintiffs won damages in most jury cases, the overall finding is that the system provided little compensation for most victims of accidents. Tort law and practice disfavored passengers less than employees or “trespassers.” Three types of barrier blocked the path to compensation: legal doctrines which made recovery difficult; an accident-compensation system which, especially for workers, discouraged enforcement of claims; and the legal culture, which was a culture of low expectations.
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TRETIAKOV, Nikolay V. "CONSTRUCTIONAL FEATURES OF BUIDINGS IN SAMARA IN THE LATE 19TH CENTURY - IN THE EARLY 20TH CENTURY." Urban construction and architecture 6, no. 4 (2016): 23–29. http://dx.doi.org/10.17673/vestnik.2016.04.4.

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The aim of research is the analysis of constructional features of buildings in Samara in the late 19th century - in the early 20th century. Some of these buildings are still in operation being at the same time monuments of history and culture. Special and common features of construction solutions of foundations, walls, floor slabs and roof structures are marked. It is proved that economic considerations such as relative deficit and high cost of building materials - rolled steel, brick, broken stones - have a great influence on buildings structures. The examples of construction solutions of some buildings - monuments of history and culture are viewed.
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Ljøgodt, Knut. "‘Northern Gods in Marble’: the Romantic Rediscovery of Norse Mythology." Romantik: Journal for the Study of Romanticisms 1, no. 1 (2012): 141. http://dx.doi.org/10.7146/rom.v1i1.15854.

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The Norse myths were rediscovered in the late 18th century, and became important to contemporary culture during the first half of the 19th century. The Romantics discussed the usage of themes from Norse mythology; soon, these themes became widespread in art and literature. Their popularity is closely connected with the national ideals and political situations of the period, but they were often given individual artistic interpretations. The Romantic interest in Norse myths and heroes held sway over artists and writers throughout the 19th century.
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Lillie, Timothy. "Quakers and Disability: Theory and Practice in the 19th Century." Canadian Journal of Disability Studies 4, no. 3 (2015): 26. http://dx.doi.org/10.15353/cjds.v4i3.230.

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During the 19th century, the Religious Society of Friends, or Quakers, were among the religious groups of the time who made sure to “take care of their own,” by ensuring that sick, dependent, or disabled members of their congregations who came to their official attention were cared for. The Quaker process was heavily influenced by the book of discipline that each Yearly Meeting adopted as a set of rules for living for their members and that particularly described ways of dealing with the poor. This paper examines the Quakers of the early to mid-19th century, elements of the discipline of Indiana Yearly Meeting in particular, and examines the case of Samuel Price, who was supported as an “insane person” for 45 years. Use and interpretation of formal entries in the minutes of some parts of the Society of Friends in Indiana, in those days, is an important part of understanding what happened to Price, since the nature and extent of recording practices was deeply culturally embedded in the practices of Quakers who lived in a manner similar to that of Amish cultures in the 21st century. The paper touches on changes in the Midwestern culture that surrounded the Friends and how it affected them. Some indications of parallels for today are also examined.
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Kirillova, Natalia B. "Metamorphoses of Russian Mass Culture." Observatory of Culture 16, no. 5 (2019): 536–41. http://dx.doi.org/10.25281/2072-3156-2019-16-5-536-541.

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The article is a review of the monograph “Russian Mass Culture: From Baroque to Post-Modernism” by Doctor of Philosophy, Professor of the Russian State University for the Humanities, Academician of the Russian Academy of Natural Sciences I.V. Kondakov. The book, which consists of seven chapters, is devoted to the history of the emergence and development of mass culture in Russia from ancient times to the beginning of the 20th century. Studying its ori­gins dating back to antiquity, the author proves that Russian mass culture received an “impulse of indepen­dence” in the 17th century, as the culture was becoming personified, which means a personal principle was coming forward in it. It was during that period, associated with the emergence of Russian Baroque, that two paradigms appeared — Pre-Renaissance and Pre-Enlightenment, which led to the subsequent juxtaposition of “mass” and “elite” cultures in Russia first before Peter the Great and then after his period. The author gives an interesting assessment to the period of the Russian Enlightenment of the 18th century, when there happened a demarcation of the noble culture into libe­ral-democratic and conservative directions. Moreover, the former contributes to “massification”, and the latter – to “individualization” of Russian culture. The crisis of the classical paradigm in the 19th century, including the “literature-centrism” and “critical-centrism” of Russian culture, ultimately led to the formation of new artistic movements, new genres and styles, that is, to the modernization of Russian culture at the turn of the 19th—20th centuries. In this regard, the Silver Age turned out to be an “exquisite and ephemeral construction of the Russian Renaissance” in paradoxical forms of symbolism and modernism.The review reflected the structural and substantive aspects of I.V. Kondakov’s monograph, the features of his theoretical analysis, the specifics of style and language. The article evaluates the publication, reveals its uniqueness and scientific significance for modern humanitarian science, including history and cultural studies, literary criticism and philosophy, art criticism and aesthetics.
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Ginés Blasi, Mònica. "Chinese art and material culture in private collections of 19th century Barcelona." Locus Amoenus 13 (December 22, 2015): 139. http://dx.doi.org/10.5565/rev/locus.237.

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Kar, Prafulla C., and Shirley Samuels. "The Culture of Sentiment: Race, Gender, and Sentimentality in 19th Century America." MELUS 19, no. 2 (1994): 155. http://dx.doi.org/10.2307/467735.

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Sammons, Jeffrey L., and Jefferson S. Chase. "Inciting Laughter: The Development of 'Jewish Humor' in 19th-Century German Culture." Modern Language Review 96, no. 4 (2001): 1141. http://dx.doi.org/10.2307/3735958.

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Reitter, Paul, and Jefferson Chase. "Inciting Laughter: The Development of "Jewish Humor" in 19th Century German Culture." German Quarterly 74, no. 2 (2001): 211. http://dx.doi.org/10.2307/3072851.

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Roe, Jae Shik. "Chinese Religious Culture View of Timothy Richard in the Late 19th Century." CHUNGGUKSA YONGU (The Journal of Chinese Historical Researches) 112 (February 28, 2018): 111–32. http://dx.doi.org/10.24161/chr.112.111.

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Roe, Jae Shik. "Chinese Religious Culture View of Timothy Richard in the Late 19th Century." CHUNGGUKSA YONGU (The Journal of Chinese Historical Researches) 112 (February 28, 2018): 111–32. http://dx.doi.org/10.24161/chr.112.132.

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Maffioli, Federica, and Gianfranco Medici. "Paul de Saint Robert: Sciences and Interdisciplinary Culture in the 19th Century." Advances in Historical Studies 03, no. 04 (2014): 221–28. http://dx.doi.org/10.4236/ahs.2014.34019.

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Crouter, Richard, and Jefferson W. Chase. "Inciting Laughter: The Development of "Jewish Humor" in 19th Century German Culture." German Studies Review 24, no. 3 (2001): 617. http://dx.doi.org/10.2307/1433434.

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Batunsky, Mark. "Islam and Russian culture in the first half of the 19th century." Central Asian Survey 9, no. 4 (1990): 1–27. http://dx.doi.org/10.1080/02634939008400723.

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Kapranov, S. "Nengo as Ideologeme of Japanese Political Culture (late 19th – early 21st century)." World of the Orient 2020, no. 4 (2020): 99–107. http://dx.doi.org/10.15407/orientw2020.04.099.

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Gleason, William. "Grounds for Fun: The Place of Play in 19th-Century American Culture." Nineteenth-Century Contexts 35, no. 5 (2013): 463–78. http://dx.doi.org/10.1080/08905495.2013.854975.

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RIJKE, VICTORIA DE. "YOUNG AMERICA: CHILDHOOD IN 19TH-CENTURY ART AND CULTURE BY CLAIRE PERRY." Art Book 13, no. 4 (2006): 50–51. http://dx.doi.org/10.1111/j.1467-8357.2006.00738.x.

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Yeremeyev, A. E. "Essayism as the leading form of artistic culture in the 19th century." Science of the Person: Humanitarian Researches 14, no. 4 (2020): 8–16. http://dx.doi.org/10.17238/issn1998-5320.2020.14.4.1.

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Nowicki, Jan. "Gotyk polski?" Politeja 16, no. 1(58) (2019): 341–59. http://dx.doi.org/10.12797/politeja.16.2019.58.18.

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Polish Gothic? Establishing Real and Imaginary Boundaries through Architecture in the II Half of the 19th Century
 Intensive development of national identities is a characteristic feature of the 19th century European science, culture and politics. In Poland this process was of great importance. Disintegration of the state and lack of its institutions resulted in even more determined attempts to define and divide what is “ours” from what is “foreign”. One of the most important ways of constructing this boundary was through architecture – its history and theory. In the second half of the 19th century more and more authors started to give their answers to the emerging question: are there any exceptional, individual features of Polish architecture? In this context I would like to investigate the concept of “Vistulian‑Baltic” style, which is interpreted by scholars as a first attempt to define Polish national style in architecture. Closer insight into 19th century narratives reveals how imaginary and real boundaries were established through architecture and its theory.
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Sergeyev, Tikhon, Vitaly Orlov, and Valery Andreev. "Chuvash Nikita Bichurin (Iakinf) and Buryat Dorzhi Banzarov — famous researchers of ethnic culture of Mongols in the 19th century." OOO "Zhurnal "Voprosy Istorii" 2020, no. 12-3 (2020): 143–52. http://dx.doi.org/10.31166/voprosyistorii202012statyi61.

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The article shows the contribution of two representatives of multinational Russia of the 19th century to the study of the ethnic culture of the Mongols: the first corresponding member of the Russian Academy of Sciences from the Chuvash, the founder of Sinology, an outstanding scientist-monk N. Ya. Bichurin (Fr. Iakinfa) (1777-1853) and the first Buryat scientist, the Buryat “Lomonosov”, Dorzhi Banzarov (1822-1855). Coming from the lower classes of the people, they became prominent representatives of the Russian democratic intelligentsia of the 19th century.
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