Academic literature on the topic '19th Century French workers’ movement'

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Journal articles on the topic "19th Century French workers’ movement"

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Maurer, Jean-Luc. "The Thin Red Line between Indentured and Bonded Labour: Javanese Workers in New Caledonia in the Early 20th Century." Asian Journal of Social Science 38, no. 6 (2010): 866–79. http://dx.doi.org/10.1163/156853110x530778.

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AbstractThis short article presents a relatively unknown historical experience of indentured labour having seen thousands of Javanese workers being sent from the end of the 19th century to the outbreak of WWII by the colonial authorities of the Netherlands Indies to New Caledonia, a French colony in the south-west Pacific. Being drawn from a comprehensive study of historical sociology written in French and published in 2006, it summarises the reasons behind this odd labour migration movement and focuses on the recruitment and working conditions of these indentured labourers. Its main argument is to show that there are many points of comparison between past and present forms of labour migration and that one finds some elements of bondage in both of them, the red line being therefore very thin indeed between indentured labour of the colonial period and present day globalisation migrant workers recruitment and employment practices.
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Fields, Marjory Diana. "Women in American Labour Movement." International Journal of Public and Private Perspectives on Healthcare, Culture, and the Environment 3, no. 2 (2019): 59–66. http://dx.doi.org/10.4018/ijppphce.2019070104.

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In this article, the author examines the history of exclusion and sex-based discrimination against U.S. women workers seeking to join unions established by men. The author describes how groups of women and girls working in fabric mills in the 19th Century took strike action against work speed up and increased production requirements, making demands for higher wages, equal pay with men, improved working conditions, clean water, health care and time off. Then, in the early 20th century, women teachers formed their own unions to gain increased pay and pension plans, and for social justice. These unions continue to the present seeking also social justice and exercising political power.
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Hakoniemi, Elina. "The Labor Movement As an Educational Movement: A Conceptual History of Sivistys Within the Finnish Workers’ Educational Association 1920s–1960s." International Labor and Working-Class History 99 (2021): 75–95. http://dx.doi.org/10.1017/s014754792000023x.

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AbstractEducation and popular adult education have been central in the development of Nordic societies, and as such, emphasis on education has also been an essential component of the Nordic labor movements. The article focuses on the conceptual history of sivistys (Bildung), a key concept and a characteristic element of the Finnish workers’ educational movement through the Finnish Workers’ Educational Association during its era of political education from the 1920s until the 1960s. Workers’ education took the concept sivistys from 19th century projects for people’s education, and thus tied workers’ education tightly to the broader field of Nordic popular adult education. In fact, the Finnish workers’ educational movement received more influence from Nordic people’s education than international socialist theories and programs for workers’ education – of which the use of the concept sivistys is a clear example.
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Clark, Maribeth. "The Quadrille as Embodied Musical Experience in 19th-Century Paris." Journal of Musicology 19, no. 3 (2002): 503–26. http://dx.doi.org/10.1525/jm.2002.19.3.503.

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During the 1830s in Paris the quadrille, a five-movement figure dance, became musically omnipresent to the distress of many critics, who saw the genre as detrimental to French music and musical taste. Discussions of the dance in journalism and literature associate bourgeois women and girls and working-class men with promotion of the genre. As a figure dance with walking steps, the quadrille was enjoyed by respectable women who experienced it as a safe frame for civilized social interaction, although their male counterparts found the dance boring and uninviting. In contrast, working-class men were known for their engaging and energetic performances as cancanneurs, improvisatory dancers exhibiting a lack of control associated with political instability and revolution. Quadrilles were perceived to have a negative influence on musical education for girls, who resembled the cancanneurs in their mechanical and animalistic qualities, and who preferred quadrilles over more ambitious pieces for piano. More serious was the perceived damage that arrangements of operas as quadrilles inflicted on the original, reducing great works to the banal through simplification. By serving as an example of all that stands in opposition to art in French music, the quadrille contributed to the formulation of the concept of music as art.
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Olivier, Laurent. "The origins of French archaeology." Antiquity 73, no. 279 (1999): 176–83. http://dx.doi.org/10.1017/s0003598x00087998.

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In contemporary scientific research, the most marked result of the last 30 years has been the development of a specifically American science and its emancipation from the old European intellectual heritage of the 19th century and the interwar period. This movement, marked in archaeology by the birth of the New Archaeology in the 1960s and 1970s, followed by the anti-processual reaction of the 1980s and 1990s, has been accompanied by a process of globalization of the archaeological discipline, leading to the unification of methods and theory. The birth of a world market dominated by the United States, characterized by mass consumption and the hegemony of the economic over the political, has imposed new practices of archaeology, which post-processual scholars have been quick to exploit.
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Scorgie, Glen G. "Bible Study as Luminous Converting Encounter: Swiss Pietist Initiatives in 19th-Century French Canada." Journal of Spiritual Formation and Soul Care 12, no. 2 (2019): 198–211. http://dx.doi.org/10.1177/1939790919870122.

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This article examines the understanding and use of Scripture in the evangelistic endeavors of “awakened” pietistic francophone Swiss Protestant missionaries in 19th-century French Canada (after 1867, Quebec). It begins by sketching the roots of this transatlantic initiative in Le Réveil, the Continental francophone expression of the Second Evangelical Awakening. It then shows how within this movement historic Protestant Bible-centeredness converged with an intensified pietistic expectation that receptive contemplation of Scripture (especially in conversational settings) could evoke profoundly experiential and transforming encounters with the divine. The records of the Swiss missionaries also display a mystic-like apprehension of Scripture’s luminosity, and of conversion as a comprehensively illuminating and radiant experience. This account challenges the assumption that mystical tendencies necessarily lead to privatized spirituality, while illustrating how a distinct form of evangelical spirituality stimulated missionary endeavor and shaped missionary practice.
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Conord, Fabien. "Les nationalistes français et le milieu sportif, de l’entre-deux-guerres aux années 1960 : Une relation privilégiée." STADION 44, no. 1 (2020): 158–82. http://dx.doi.org/10.5771/0172-4029-2020-1-158.

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Nationalism, a political trend born in Europe at the end of the 19th century, operates in the classical political field through leagues and parties, but also spreads throughout society. During the interwar period, many French nationalist activists became involved in sports federations and the Olympic movement. They formed genuine networks which they mobilised as a political resource. Some of these even managed French sport during the Second World War. After the Second World War, the sports movement played a significant role as a refuge for leaders compromised with the regime set up by Philippe Pétain and even with the occupying forces. From the 1920s to the 1960s, many federations were presided over by nationalists (cycling, fencing, swimming, Basque pelota, motor sports, tennis), as was the French Olympic Committee, where Armand Massard and then Jean de Beaumont succeeded each other between 1933 and 1967. This article illustrates that sport and politics are often linked: it shows how, through the itinerary of a group of leading figures in the sports movement, the privileged link between French nationalism and certain sports was established over a period of about half a century.
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GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

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Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open, as well as cities such as Zahle, Damascus and Aleppo, Jesuit schools were opened in Beirut. With the opening of American Protestant schools, the influence of the relevant schools in the emergence and development of the idea of Arab nationalism is inevitable. Especially in Beirut, it would be appropriate to state that the aim of using languages such as French and English instead of Arabic education in missionary schools is to instill Western culture and to attract students to Christianity. The students of the Syrian Protestant College, who constituted the original of the American University of Beirut, worked against the Ottoman Empire within the society they established and aimed to establish an independent secular Arab state. Beirut comes to the fore especially in areas such as poetry and theater before the “Nahda” movement that started in Egypt during the reign of Kavalalı Mehmet Ali Pasha with Napoleon's invasion of Egypt. The advances that paved the way for the development of modern literature in Beirut before Egypt will find a place in the field of literature later. In this study, it is aimed to present information on literary and cultural activities that took place in Beirut and emphasize the importance of Beirut in modern Arabic literature in the 19th century.
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GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

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Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open, as well as cities such as Zahle, Damascus and Aleppo, Jesuit schools were opened in Beirut. With the opening of American Protestant schools, the influence of the relevant schools in the emergence and development of the idea of Arab nationalism is inevitable. Especially in Beirut, it would be appropriate to state that the aim of using languages such as French and English instead of Arabic education in missionary schools is to instill Western culture and to attract students to Christianity. The students of the Syrian Protestant College, who constituted the original of the American University of Beirut, worked against the Ottoman Empire within the society they established and aimed to establish an independent secular Arab state. Beirut comes to the fore especially in areas such as poetry and theater before the “Nahda” movement that started in Egypt during the reign of Kavalalı Mehmet Ali Pasha with Napoleon's invasion of Egypt. The advances that paved the way for the development of modern literature in Beirut before Egypt will find a place in the field of literature later. In this study, it is aimed to present information on literary and cultural activities that took place in Beirut and emphasize the importance of Beirut in modern Arabic literature in the 19th century.
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Ferenc, Tomasz. "Praca, robotnicy, archiwa, fotografia — utrwalanie stereotypów i walka o emancypację". Kultura i Społeczeństwo 59, № 3 (2015): 203–21. http://dx.doi.org/10.35757/kis.2015.59.3.10.

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Work, workers, and workers’ living conditions quickly became a field of interest for photographers. Already by the middle of the 19th century there were photographs showing working people. Nevertheless, the contexts in which such photographs were taken varied considerably. The first part of this article presents, in the historical perspective, the different causes and strategies involved in making these types of documents, up to the moment when photographs began to appear that had been made by workers themselves. The movement to photograph workers, which developed in the first decades of the 20th century, is recalled in the second part of the article (using the examples of the Weimar Republic and Soviet Russia). The third part is devoted to photographic projects whose purpose was to increase the productivity of, and control over, workers. Photography is presented as a scientific tool for measuring movement and as an illustration of the most effective manners of organizing work. At the end, the Digital Repository of Worker Photography is described, as an example of work on a collection of photos and the creation of a platform permitting further work, but also as a legal and methodological problem.
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Dissertations / Theses on the topic "19th Century French workers’ movement"

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Campailla, Giovanni. "Democrazia e riconoscimento : l'emancipazione ottocentesca nel pensiero di Jacques Rancière." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100044/document.

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Récemment, le débat concernant la pensée politique est en venu aborder les concepts de démocratie et de reconnaissance. Jacques Rancière est surtout connu pour ses idées sur la démocratie, mais ses recherches sur l’émancipation ouvrière au XIXe siècle en France l’ont amené à proposer des réflexions importantes sur la question de la reconnaissance. En partant de l’idée de « post-démocratie », la présente recherche remarque qu’il n’y a pas chez Rancière une « théorie » de la démocratie ou de la reconnaissance qui donnerait de ces concepts une définition complète, mais que ces deux concepts sont l’occasion d’une « intervention critique » en faveur de « la part des sans-part ». On montre également que la manière dont Rancière a développé cette intervention a pris des formes différentes. Dans sa période de la maturité, il a identifié l’espace social à la « police », en risquant ainsi de produire une dichotomie entre le social et la « politique ». Néanmoins, dans cette même période, il a pensé l’agentivité du sujet socio-politique entre le social et la politique. Ce continuum du social et du politique avait été amplement exploré dans les années 1970, à l’occasion de ses premiers écrits sur la « parole ouvrière » des années 1830-1851, qui était interprétée comme une expérience qui ré-tord ou dé-tord la non-reconnaissance par la nomination d’un sujet supplémentaire. Dans les années 1980, Rancière a changé de position en mettant au second plan l’expérience sociale et en centrant l’analyse sur l’expérience individuelle. Il a ainsi abouti à une conception « suspensive » de la reconnaissance. Pour faire ressortir les enjeux de cette transformation, cette thèse pose Rancière au cœur du débat contemporain par l’intermédiaire de confrontations critiques avec des auteurs et des traditions de pensée. La conclusion générale est qu’il faut entendre l’« intervention critique » de Rancière comme une manière de penser et d’intervenir déterminée par les expériences du tort<br>Recent debates on political thought often circle around the concepts of democracy and recognition. Jacques Rancière is mostly known for his work on the former, but in his archival studies of the Nineteenth Century French workers’ movement the latter appears central. Starting from his idea of “post-democracy”, this study claims that Rancière doesn’t have a “theory” of democracy or of recognition that would provide an exact explanation of what these concepts mean. Rather, both are objects of a “critical intervention” in favour of “the part that has no part” in the political space. However, the way in which Rancière develops his intervention has taken different forms. In fact, in his mature period he classifies the social space as the “police” order in a way that risks to produce a dichotomy with “politics”. At the same time, he nonetheless thinks the agency of the socio-political subject between the domain of the social and the domain of politics. Such an interrelation has been explored extensively in the 70s, in his early writings on the “workers’ speech/voice” [parole ouvrière] of 1830-1851 as a social experience twisting the non-recognition by means of the nomination of a supplementary subject. In the 80s, Rancière changed his position moving away from the analysis of the social experience while scrutinizing more deeply the individual experience of the wrong. The goal was a “suspensive” idea of recognition. Thus, to evaluate such a transformation, this dissertation places Rancière’s work in the contemporary debate through critical confrontations with some thinkers and traditions. Finally, the study stresses that the Rancièrian “critical intervention” should be understood as a way of thinking and intervening informed by the experiences of the wrong
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Couton, Philippe. "The institutional participation of French and immigrant workers in 19th-century France /." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36901.

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Recent theories of the social consequences of institutions point to aspects of class and ethnic relations that are not fully captured by conventional institutional perspectives. Using some of these recent theoretical contributions, this thesis analyzes the influence of institutional conditions on the mobilization of French and immigrant workers in late 19th-century northern France. Two main institutional structures are discussed: France's unique network of labour courts, and the socialist cooperatives created by Flemish workers in the 1880s. The empirical, chiefly archival evidence suggests two main conclusions: labour movements emerged and evolved strongly influenced by the judicial framing of labour relations, which they in turn sought to use and modify to their advantage; the institutional innovation of Flemish immigrant workers had a durable influence on the organization of labour politics in northern France, and contributed to their integration as active social and political participants.
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Morriello, Francesco Anthony. "The Atlantic Revolutions and the movement of information in the British and French Caribbean, c. 1763-1804." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/274901.

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This dissertation examines how news and information circulated among select colonies in the British and French Caribbean during a series of military conflicts from 1763 to 1804, including the American War of Independence (1775-1783), French Revolutionary Wars (1792-1802), and the Haitian Revolution (1791-1804). The colonies included in this study are Barbados, Jamaica, Guadeloupe, Martinique, and Saint-Domingue. This dissertation argues that the sociopolitical upheaval experienced by colonial residents during these military conflicts led to an increased desire for news that was satiated by the development and improvement of many processes of collecting and distributing information. This dissertation looks at some of these processes, the ways in which select social groups both influenced and were affected by them, and why such phenomena occurred in the greater context of the 18th and early 19th century Caribbean at large. In terms of the types of processes, it examines various kinds of print culture, such as colonial newspapers, books, and almanacs, as well as correspondence records among different social groups. In terms of which groups are studied, these include printers, postal service workers, colonial and naval officials, and Catholic missionaries. The dissertation is divided into five chapters, the first of which provides insight into the operation of the mail service established in the aforementioned colonies, and the ways in which the Atlantic Revolutions impacted their service in terms of the different historical actors responsible for collecting and distributing correspondences. Chapter two looks at select British and French colonial printers, their print shops, and the book trade in the Caribbean isles during the 18th century. Chapter three delves into the colonial newspapers and compares the differences and similarities among government-sanctioned newspapers vis-à-vis independently produced papers. It uses the case of the Haitian Revolution to track how news of the slave insurrection was disseminated or constricted in the weeks immediately following the night of 22 August 1791. Chapter four examines the colonial almanac as a means of connecting colonial residents with people across the wider Atlantic World. It also surveys the development of these pocketbooks from mere astrological calendars to essential items that owners customized and frequently carried on their person, given the swathes of information they featured after the American War of Independence. The final chapter looks at the daily operations of Capuchin and Dominican missionaries in Martinique and Guadeloupe at the end of the 18th century and how they maintained their communications within the islands and with the heads of their Catholic orders in France, as well as in Rome. Overall, this project aims to fill in some of the gaps in the literature regarding how select British and French colonial residents received and dispatched information, and the effect this had in their respective Caribbean islands. It also sheds light on some of the ways that slaves were incorporated into the mechanisms by which information was collected and distributed, such as their encounters with printers, employment as couriers, and use as messengers to relay documents between colonial officials. In doing so, it hopes to encourage future discussion regarding how information moved in the British and French Caribbean amid periods of revolution and military conflict, how and why these processes changed, and the impact this had on print culture and mail systems in the post-revolutionary period of the 19th century.
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Mann, Georgia M. "Eugéne-Emmanuel Viollet-le-Duc (1814-1879) and the Romantic Reform Movement In Architecture." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500411/.

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This thesis examines French architect Eugene-Emmanuel Viollet-le-Duc (1814-1879), who combined eighteenth-century Rationalism with the historicist, anti-academic message of Romanticism, which was impelling the nineteenth-century architectural reform movement into the industrial age. Sources used include Viollet-le-Duc's architectural drawings and published works, particularly volume one of his Entretiens sur l'Architecture. The study is arranged chronologically, and it discusses his career, his restoration work, and his demands for reform of architectural education. One chapter contains a detailed analysis of his Entretiens. This thesis concludes that Viollet-le-Duc was as much a historian as he was an architect, and it notes that his hopes for reform were realized in the twentieth century.
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Dessy, Clément. "Les écrivains devant le défi nabi: positions, pratiques d'écriture et influences." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209795.

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En 1888, une communauté de peintres s’associe sous l’appellation « Nabis ». Ce terme, issu de l’hébreu, signifie à la fois les « prophètes » et les « initiés ». Paul Sérusier qui vécut sa rencontre avec Paul Gauguin comme une révélation est à l’origine de la formation du groupe. Une année auparavant, le symbolisme littéraire triomphe en France et suscite l’émulation parmi une nouvelle génération d’écrivains qui se cristallise autour de /La Revue Blanche/ et le /Mercure de France/. Entre les Nabis et les symbolistes s’établit dès lors un intense réseau de collaborations. Tant dans l’élaboration des décors et programmes du Théâtre de l’œuvre de Lugné-Poe que dans l’illustration d’ouvrages d’André Gide, d’Alfred Jarry ou encore de Jules Renard, les Nabis participent activement à la vie littéraire de leur temps tout en s’incarnant volontairement comme une avant-garde picturale. Les échanges nombreux entre peintres et écrivains sont alors loin de se limiter à de simples commandes. Ils aboutissent souvent à des amitiés durables comme celles qui unirent Gide à Maurice Denis et Jarry à Pierre Bonnard. La recherche s’interroge sur la motivation de cette nouvelle génération d’écrivains qui sollicita le groupe nabi, ainsi que sur la nature des projets qui les unirent. Les revues littéraires occupent une place importante dans le rassemblement entre les écrivains et ce groupe de peintres. La volonté d'identifier une aile picturale qui fasse écho dans le champ artistique au désir d'innover dans le champ littéraire stimule les sollicitations des écrivains de la seconde génération symboliste. Les Nabis, qui se méfient toutefois d'une soumission trop grande au fait littéraire, induisent par leurs développements artistiques et leurs théories les paramètres d'une nouvelle relation entre peintres et écrivains dans laquelle ces derniers ne recherchent plus la domination stratégique de l'art littéraire sur la peinture.<p>Outre ces considérations historiques, le rapprochement souhaité entre les deux groupes fut tel que la production littéraire ne put qu’être influencée par les théories des Nabis. La tendance "formaliste" représentée par ce groupe pictural a souvent conduit les chercheurs à prendre acte de l'autonomie tant du littéraire que du pictural dans les échanges entre Nabis et écrivains. Les influences sont cependant nombreuses de la peinture vers la littérature. Il est toutefois nécessaire de prendre en compte des écrivains oubliés par l'histoire littéraire, tels Romain Coolus, Gabriel Trarieux ou Louis Lormel, pour percevoir les effets de cette influence picturale. La reprise d'un dispositif de couleurs, exaltées ou déformées, le jeu poétique sur le thème de la ligne ou de l'arabesque fondent une recherche d'effet visuel dans l'écriture qui entend renouveler les images poétiques. Ce constat entre en résonance avec la rénovation picturale revendiquée par les Nabis. Des esthétiques communes entre peintres et écrivains, tournant autour des notions de synthèse, simplicité, de la référence à l'enfance ou à la fantaisie humoristique rassemblent Nabis et poètes qui les soutiennent dans une communauté d'initiés à l'art nouveau.<br>Doctorat en Langues et lettres<br>info:eu-repo/semantics/nonPublished
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Koenigsknecht, Theresa A. ""But the half can never be told" : the lives of Cannelton's Cotton Mill women workers." Thesis, 2013. http://hdl.handle.net/1805/4655.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>From 1851 to 1954, under various names, the Indiana Cotton Mills was the dominant industry in the small town of Cannelton, Indiana, mostly employing women and children. The female industrial laborers who worked in this mill during the middle and end of the nineteenth century represent an important and overlooked component of midwestern workers. Women in Cannelton played an essential role in Indiana’s transition from small scale manufacturing in the 1850s to large scale industrialization at the turn of the century. In particular, this work will provide an in-depth exploration of female operatives’ primary place in Cannelton society, their essential economic contributions to their families, and the unique tactics they used in attempts to achieve better working conditions in the mill. It will also explain the small changes in women’s work experiences from 1854 to 1884, and how ultimately marriage, not industrial work, determined the course of their later lives.
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Bažantová, Jitka. "Vnímání ženské nahoty v 2. polovině 19. století v kontextu francouzského umění." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-350253.

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The subject of this thesis is to analyze the perception of a naked female body in French society of the 2nd half of the 19th century. The work focuses on discovering, highlighting and interpreting the theme of female nudity in artistic works of this period, which provoked strong reactions and influenced contemporary culture. The first part is consecrated to the position of women in the 2nd half of the 19th century society on historical, social and cultural backgrounds and its changes in the ambience of the first wave of the women's movement. The attention is brought to some significant representatives of early feminism and to the goals and innovations these personalities were aiming to achieve. The second part of the thesis describes and analyzes selected works of art on the theme of female nudity. First, it deals with the works of academic painters who were the bearers of traditional artistic ideals and academic rules for displaying naked female body. Their artistic production is nowadays somewhat underestimated. In art history, however, it plays an important role. Therefore, the value of their work for the study of the perception of a naked female body is not omitted. The interest then turns to the Impressionism, the outstanding 2nd half of the 19th century art movement. In the center of...
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Marešová, Andrea. "Překladatelky z francouzštiny v dějinách překladu: české ženy a období po národním obrození." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-358058.

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In the context of current discussions about gender and feminism this works tries to look deeper into the question of gender in translatology where gender in particular takes on the double role - on the one hand the role of grammatical gender in its linguistic form and on the other the role of social gender construction with regards to the person who translates. The aim of this work apart from the theoretical insight in the connected domains is mainly to assemble a concise overview of translations from French written by the Czech female translators in the second half of the 19th century. Additionally, the work also treats the question of Czech emancipation movement and contributes at least with basic biographical information to the knowledge of mentioned female translators. The acquired data for the overview of translations from French were assembled in the form of bibliographical index which reflects both translations published as books and in the periodical press for each of the female translators. The results of this work allow to consider one chapter of Czech history translation from the "female point of view" and at the same time might serve as a basis for further research in this field.
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Books on the topic "19th Century French workers’ movement"

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Mission and method: The early nineteenth-century French public health movement. Cambridge University Press, 1992.

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Poem & symbol: A brief history of French symbolism. Pennsylvania State University Press, 1990.

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Keller, Barbara G. The Middle Ages reconsidered: Attitudes in France from the eighteenth century through the romantic movement. P. Lang, 1994.

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The decadent republic of letters: Taste, politics, and cosmopolitan community from Baudelaire to Beardsley. University of Pennsylvania Press, 2013.

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The breviary of the Decadence: J.-K. Huysmans's A rebours and English literature. AMS Press, 2001.

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Rising star: Dandyism, gender, and performance in the fin de siècle. Princeton University Press, 1998.

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Mallarmé's children: Symbolism and the renewal of experience. University of California Press, 1999.

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8

Judy, Le Paul, ed. Gauguin and the impressionists at Pont-Aven. Abbeville Press, 1987.

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Jennings, Lawrence C. French Anti-Slavery: The Movement for the Abolition of Slavery in France, 18021848. Cambridge University Press, 2006.

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French Anti-Slavery: The Movement for the Abolition of Slavery in France, 18021848. Cambridge University Press, 2000.

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Book chapters on the topic "19th Century French workers’ movement"

1

Newman, Michael. "1. Socialist traditions." In Socialism: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198836421.003.0002.

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‘Socialist traditions’ looks at the early forms of socialism that arose in reaction to the poverty and inequality caused by the Industrial Revolution in the 19th century. Three key socialist theories—utopianism, anarchism, and Marxism—are explored. The utopians pioneered the idea of communes, anarchists and collectivists encouraged distrust in authority and hierarchy, and Karl Marx and Friedrich Engels introduced their concept of socialism as a result of the conflicts inherent in the capitalist system. Leninism in Russia was not a fully-fledged philosophical or political movement, but it was shaped by a socialist belief in the workers’ right to control their fate.
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Payre, Renaud, and Gilles Pollet. "On the path to public policy analysis: an ‘administrative science’ between reform and academy." In Policy Analysis in France. Policy Press, 2018. http://dx.doi.org/10.1332/policypress/9781447324218.003.0002.

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The chapter focuses on the creation of public policy analysis research groups in France from the end of the 19th century until the 1950s. It first shows the importance of an “administrative science”, which was never really institutionalized from an academic point of view, then proceeds to analyzing what kind of public policy thought was shaped through the “technocratic movement” during the interwar period. The latter movement brought together State engineers, high-ranking civil servants, trade unionists, and entrepreneurs who all focused on the importance of State reform. Finally, the chapter develops a genealogy of the French approach to public policy based on social sciences and sociology from the end of World War II until the 1950s.
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"Fire in the house." In Stirring the Pot of Haitian History, edited by Mariana Past and Benjamin Hebblethwaite. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859678.003.0004.

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This chapter explains how the ceremony at Bwa Kayiman—the Vodou ceremony of August 22, 1791, that set the Haitian revolution into motion—was able to come about. The ruling class of powerful landowners and French commissioners was theoretically unified; the class of free people—whether white, mixed race or black—was supposed to be in their fold so that their profiteering would churn on undisturbed. The revolution exploded when the ruling class could no longer balance competing interests and when the lower classes refused to participate in the conspiracy any longer. Trouillot traces the roots of discontent in Saint-Domingue to the class struggles between the French aristocracy, bourgeoisie and workers in eighteenth century enlightenment France. He also sheds light on the reverberations that French class conflicts had in Saint-Domingue. In the late 1780s, the local landowners began clamoring for free market control over where their products could be sold. France had exclusive purchasing privileges over the colony’s output. By 1790, this major rift emerged between French commissioners and the local landowners. At the same time, a deep rupture appeared between whites and free people of mixed race when racist whites rejected Ogé and Chavannes’s demands of greater equality for mixed race people. Instead of cultivating their coalition with mixed race people, the ruling class sent 1,500 white soldiers and 3,000 black recruits to crush the movement of the people of mixed race. The ruling class’s traditional coalition was severed in various places. The leaders of the enslaved population saw the power they had when properly armed; they detected the conflict among the whites and the whites versus mixed race people; and they received and transmitted the exciting news of equality proclaimed by the rising French revolutionaries. Underneath this political quicksand, the enslaved population had established the cornerstones of an indigenous culture: farming, Vodou religion and the Creole language. The small plots that enslaved people were encouraged to cultivate for food and the small income they generated created a passion for agrarian independence. Vodou gave enslaved people the conviction they needed to fight, as well as a means of organization and cultural preservation. The Creole language provided a foundation for a common culture. The chapter closes with an analysis of the maroon culture of runaways and rebels and why it was unable to secure widespread independence. Finally, it introduces the geographic and demographic realities that favored an uprising in the northern plains of Haiti.
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