Relevant bibliographies by topics / 19th century historical fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic '19th century historical fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "19th century historical fiction"

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Logan, Thad. "Victorian Treasure Houses: The Novel and the Parlor." Keeping Ourselves Alive 3, no. 2-3 (1993): 283–97. http://dx.doi.org/10.1075/jnlh.3.2-3.12vic.

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Abstract The domestic interior plays a significant role in realistic fiction and in 19th-century bourgeois life. The development of conventions for describing interiors in the novel coincides with the historical appearance of elaborately decorated parlors and with the feminization of domestic space. Both middle-class interiors and realistic fiction are characterized by a proliferation of detail, and their stylistic similarity can be mapped onto the emergence of a commodity culture. The fictive rhetoric of materiality and identity reflects complex relations of gender, property, and signification in the social world. (Cultural criticism; literary criticism; gender studies)
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Langgård, Karen. "Greenlanders Seen Through the Eyes of Signe Rink." Nordlit 11, no. 2 (2007): 113. http://dx.doi.org/10.7557/13.1574.

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Signe Rink (1836-1909) published four volumes of fiction in Danish, all of them stories from Greenland of the 19th century: Grønlændere. 1886 (155 pages); Grønlændere og Danske i Grønland. 1887 (204 pages); Koloni-idyler. 1888 (262 pages) and Fra det Grønland som gik. Et par Tidsbilleder fra Trediverne. 1902 (264 pages). Some of the stories are short, some are not short at all, actually, e.g. Rink 1902 consists only of two parts, the first one 205 pages long. The focus here will be on this fiction written by Signe Rink: a case study in how genres of fiction might open up for the possibility of going beyond the dominant discourse and for instance throw light at the role played by Greenlanders in colonial Greenland of the 19th century, and how it might be possible now a century later to disentangle the threads of different discourses, through reflectiveresearch - drawing on historical studies, anthropology, cultural studies and post-colonial studies.
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Myshanych, Yaroslav. "Ukrainian Historiographic Prose of the 18th – the First Half of the 19th century in Assessment of Mykhailo Maksymovych." Слово і Час, no. 10 (October 16, 2019): 52–58. http://dx.doi.org/10.33608/0236-1477.2019.10.52-58.

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The essay reviews the studies of Mykhailo Maksymovych that deal with the three works of the 18th–19th-century Ukrainian historiography. According to M. Maksymovych, one may classify the syncretic historiographic works within three main types. These are Cossack chronicles of the late 17th – early 18th centuries, journalistic pamphlets of the late 18th century, and historical novels of the mid-19th century. The scholar used different approaches analyzing the works from the mentioned groups (chronicle by Hryhorii Hrabianka, “History of Ruthenians”, and “The Commoners’ Council” by Panteleimon Kulish). The scholarly historiography of the time was not still shaped enough and the works from the field could have features of fiction and research studies simultaneously. The authors, who didn’t understand history as a separate research field, were free of modern limits and could easily use both fictional and research techniques within the same work. The strict critical attitude of the scholar towards the chronicle by Hryhorii Hrabianka changed into tolerant in the case of “History of Ruthenians” and moderate critical in the analysis of “The Commoners’ Council”. M. Maksymovych tried to be objective in covering historical processes and worked hard to develop a scholarly approach in the evaluation of Ukrainian historiographical prose. Maksymovych took into account the specificity of every single work and, based on the ideas of his predecessors and contemporaries, rather accurately defined the proper frames of the scholarly historiography. At the same time, the scholar didn’t deny the value of fictional works based on historical events.
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Chiri Jaime, Sandro. "La intriga en los relatos de Ricardo Palma." Aula Palma, no. 18 (December 31, 2019): 297–313. http://dx.doi.org/10.31381/ap.v0i18.2613.

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ResumenLa intriga participa como elemento neurálgico en las tradiciones que Ricardo Palma escribe durante más de medio siglo; vale decir, opera como eje articulador del gran mosaico histórico-ficcional que el escritorperuano se autoimpone como reto artístico personal y como legado a la colectividad de lectores. El presente trabajo rastrea los aportes de Palma en estos temas del arte narrativo.Palabras clave: relato, intriga, Ricardo Palma, tensión, suspense, personajes, ficción.
 AbstractThe intrigue plays a crucial part in the Traditions that Ricardo Palma writes for over half a century. It functions as an articulating axis of the great historical fictional mosaic that the 19th-century Peruvian writer imposes on himself as a personal and artistic challenge as well as a legacy for his readers. The following work tracks Palma’s contributions in these areas of the art of storytelling.Keywords: story, intrigue, Ricardo Palma, tension, suspense, characters, fiction.
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Ziemann, Andreas. "Die Kraft der Zeitutopie im 19. Jahrhundert." Zeitschrift für Medien- und Kulturforschung 7, no. 2 (2016): 47–62. http://dx.doi.org/10.28937/1000107550.

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"Der Aufsatz fokussiert die literarische Gattung von Utopie und Science Fiction als empirisches und historisches Material und untersucht an ausgewählten Texten des 19. Jahrhunderts, über welche zukünftigen Medien, Medienpraktiken und menschlichen Lebensformen dort geschrieben und (antizipativ) reflektiert wird. Zeitutopien, so die forschungsleitende These, fungieren als Modell und Entstehungsherd innovativer (Medien-) Techniken und besitzen eine spezifische Gestaltungskraft neuer Lebenswelten. The paper focuses on the literary genre of utopia and science fiction as empirical and historical material. With reference to selected texts from the 19th century, it outlines which future media, media practices and human life forms are discussed in an often anticipatory way. The thesis is that time utopias act as a model and source of innovative (media) technologies and have a specific power to design new worlds. "
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Popa, Eugen Octav. "The Method and the Madness." Romanian Journal of Communication and Public Relations 23, no. 1 (2021): 85. http://dx.doi.org/10.21018/rjcpr.2021.1.320.

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I highly recommend Hanganu-Bresch and Berkenkotter’s work to anyone who is interested in the vicissitudes of early psychiatric diagnosis, confinement and treatment. The book is well written and well documented. The reader benefits form the authors’ admirable knowledge on the evolution of psychiatry in the 19th century, the social co-creation of the institution of asylum and the many genres of discourse (from admission reports to science fiction) that have shaped these developments. While the book offers but a snapshot of a more extended historical process, I believe there is a lot to learn from such a snapshot.
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Kizelbach, Urszula. "Влияниe Вальтера Скотта на историческую прозу А.С. Пушкина: „Роб Рой” и „Капитанская дочка”". Studia Rossica Posnaniensia, № 41 (20 червня 2018): 105–19. http://dx.doi.org/10.14746/strp.2016.41.9.

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This article analyses the influence of Sir Walter Scott’s historical fiction (Rob Roy) on the development of the historical novel in Russia in the first half of the 19th century, based on the example of Pushkin’s The Captain’s Daughter. The author argues that both Scott and Pushkin had a similar approach to their national and local history and collected historical material in the same way (through archival research and by contacting local people who had witnessed the events of the Jacobite Rebellion, 1715, and the Pugachev Rebellion, 1773–1775). A close analysis of both texts presents examples of a similar poetics of the narration, dialectal use of language and dialogue, and the use of local colour and folk elements, such as folk songs or old sayings, which serve as mottos for particular chapters in the novels.
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Dasgupta, Soumit. "The First Cadaveric Dissection in India." Sushruta Journal of Health Policy & Opinion 14, no. 1 (2021): 1–4. http://dx.doi.org/10.38192/14.1.14.

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Historical Perspective
 The first cadaver dissection in India in the 19th century after millennia of social prejudices took place in the recently established Calcutta Medical College in 1835, the first medical college in Asia imparting western medical education to British, Anglo Indians and Indians in the empire. The first scientific approach to medical sciences commenced following this landmark event and set the trend for future liberal attitudes in society and contributed to the Bengal Renaissance of the 19th century. This is a fictional account of the day when it happened. Only the characters and the fact that the dissection occurred are real.
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Olszok, Charis. "THE LITTERSCAPE AND THE NUDE: HISTORY ESCAPES IN MANSUR BUSHNAF'SAL-ʿILKA(CHEWING GUM)." International Journal of Middle East Studies 51, № 1 (2018): 1–19. http://dx.doi.org/10.1017/s0020743818000478.

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AbstractMansur Bushnaf'sal-ʿIlka(Chewing Gum; 2008) is the author's sole novel, born of his twelve-year imprisonment in a Libyan jail, and his reflection on the nation's subjection to international marginalization and dictatorial rule under Gaddafi. The novel is centered on a 19th-century nude which confounds all who encounter it, and which lies neglected in a corner of Tripoli's Red Palace Museum. Through this statue, and the novel's broader poetics of stasis and “chewing,” I explore howturāthin Bushnaf's work, and wider Libyan fiction, is depicted through its abject vulnerability and exposure to historical vicissitudes, reflecting the parallel exclusion of human lives from rights and agency. Inal-ʿIlka, I examine how this is formulated into a defamiliarizing perspective on the postmodern, and on historical trauma and erasure, in which the possibility of narrative is a driving concern, rooted in existential reflection, as well as the real precarity of those who tell stories in Libya.
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Pashkov, Aleksandr. "Antip Panov from the White Sea Coast in the Historical Memory of Russian Society." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 3 (July 21, 2021): 15–26. http://dx.doi.org/10.37482/2687-1505-v099.

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This article turns to the episode of the rescue of Peter I by a local peasant Antip Panov during a storm on the White Sea in June 1694 and covers its reflection in the historical memory of Russian society. This incident is confirmed by several written sources, the most valuable being the story of the Arkhangelsk merchant M.A. Mamonov retold by I.I. Golikov, which contains information about the conflict between the tsar and Panov. Until the mid-19th century, all Peter the Great’s biographers mentioned his rescue in a storm in 1694, but kept silent about the conflict. N.G. Ustryalov rejected I.I. Golikov’s information about Panov, who “boldly shouted at the terrible tsar”, considering it an “invention”. At the same time, a complex of historical legends about Panov had been formed, recorded by S.V. Maksimov in 1855. In fact, Antip Panov became one of the central figures in the historical memory of the Pomors about Peter I and his era. The 19th-century legends contain fictional details and migratory subjects. By the early 20th century, Panov had been viewed by society as both a real historical character and a folk hero. This happened because Panov was mentioned in written historical sources as well as in oral history, which after several generations was transformed into historical legends. These folk traditions have influenced regional historical descriptions as well as Russian historiography. Using the legend about the rescue of Peter I by Antip Panov as an example, the article concludes that collective historical memory is formed on the basis of oral history, which is eventually converted into historical legends, which, in turn, affect both regional historical descriptions and national historiography
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Dissertations / Theses on the topic "19th century historical fiction"

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Kelly, Rita Olivia. "Constructed meanings and contesting voices : the Opium War in archival, historical and fictional Anglophone narratives." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/206694.

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This thesis explores the ways in which the Opium War has been represented in both non-fictional and fictional Anglophone narratives. It looks at the construction of various 19th century discourses surrounding this historical event and the different meanings it has been endowed with through such discourses. It then examines the ways in which some of those meanings have been challenged in more recent accounts. The purpose of this thesis is to show how and why certain ideas are constructed and propagated, and how these in turn can be questioned, challenged and reinterpreted, giving us a wider perspective, and thus better understanding, of the said event. The study is divided into two parts: non-fiction and fiction. The non-fiction section includes two chapters on the discourses of the Opium War, one on translation and one on historical texts while the second section focuses on two contemporary fictional narratives of the Opium War. Chapters one and two are based on a selection of 19th century archival documents and constitute a discussion of the discourses that have been formed around the Opium War in five specific fields: political, economic, religious, medical and legal. An analysis of these discourses will show them to be part of a larger sinophobic discourse that constructed China as Britain’s cultural inferior around the time of the conflict. To view the Opium War in terms of cultural encounter requires a discussion of translation. Chapter three investigates the role and importance of translation and translators in creating and/ or sustaining the meanings created by these various discourses. Chapter four is an analysis of two more recent historical narratives: one a history of opium, the other a history of the Opium War. These texts contribute to an expanded understanding of the 19th century conflict as they offer different and more contemporary meanings with regard to the war that partly challenge earlier ones. Because of that, they also mark a transition towards my discussion of fictional narratives where the focus is on introducing new speaking positions that contest those ideas, images and ‘truths’ propagated by narratives such as those that are part of the Opium War discourses. Chapter five investigates how Timothy Mo’s An Insular Possession goes against an important aspect of such discourses, that of hierarchy, by emphasizing cultural incommensurability and cross-cultural miscommunication between the British and the Chinese while refusing to stratify the two into cultural and civilizational hierarchies. Chapter six examines the ways in which Amitav Ghosh invents a new narrative of the Opium War in the first two parts of an intended trilogy: Sea of Poppies and River of Smoke. This last chapter looks at how, by focusing on the silenced Indian aspect of the Opium War and the unexplored Sino-Indian side of the conflict, Ghosh transforms the war from an exclusively Sino-British to a more global event.<br>published_or_final_version<br>English<br>Doctoral<br>Doctor of Philosophy
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Walker, Stanwood Sterling. "The classical-historical novel in nineteenth-century Britain." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3036607.

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Fung, Kit-ting. "Decolonizing fictions : the subversion of 19th century realist fiction /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23473010.

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Drake, George A. "Historical space in the eighteenth-century novel /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9425.

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Mucha, Márcia. "Modernidade e modernização em O selvagem da ópera e A máquina de madeira." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2675.

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Este trabalho tem por objetivo analisar as representações da modernidade e da modernização em duas obras da literatura brasileira contemporânea: O selvagem da ópera (1994), de Rubem Fonseca, e A máquina de madeira (2012), de Miguel Sanches Neto. Tanto uma obra quanto a outra põem em xeque o Brasil do Segundo Império com críticas às suas políticas sociais, tecnológicas e culturais, na tentativa de superar os entraves relegados pelo regime colonial e escravocrata. Nessa perspectiva, investe-se na trajetória dos protagonistas: o maestro Antônio Carlos Gomes e o inventor da máquina de escrever, o padre Francisco João de Azevedo. O sangue negro do primeiro e as origens humildes de ambos funcionam como paradigma de um Brasil que quer se modernizar, mas que não se enquadra em um modelo importado, eurocêntrico. Na base do estudo, contempla-se o gênero romance, na concepção bakhtiniana, e seus laços com a consolidação da classe burguesa, dialogando com a leitura oferecida por alguns críticos da modernidade como Marshall Berman e Antony Giddens. Dentre as expressões romanescas, privilegia-se a ficção histórica, por seu diálogo mais estreito com o discurso da história, teorizado por György Lukács. Já as leituras de Roberto Schwarz e de Silviano Santiago, além dos estudos historiográficos de Thomas Skidmore e de Lilia Moritz Schwarcz, nortearão o trabalho no que se refere à sociedade brasileira do século XIX.<br>This work aims to analyze the modernity and modernization representations in two works of Brazilian contemporary literature: O selvagem da ópera (1994), by Rubem Fonseca, and A máquina de madeira (2012), by Miguel Sanches Neto. Both one book and the other one challenge the Brazil of the Second Empire by criticizing its social, technological and cultural policies in an attempt to overcome the obstacles relegated by the colonial and enslaver rule. From this perspective, it invests in the protagonists’ trajectory: the composer Antônio Carlos Gomes and the typewriter inventor, a priest named Francisco João de Azevedo. The black blood of the former and the humble origins of both function as paradigms of this Brazil which wants to modernize, but which does not fit into an imported, Eurocentric model. On the basis of the study, the novel genre is contemplated in the Bakhtinian conception and its ties to the consolidation of the bourgeois class, dialoguing with the reading offered by some critics of modernity like Marshall Berman and Antony Giddens. Among the romanesque expressions, historical fiction is privileged, for its more intimate dialogue with the discourse of history, theorized by György Lukács. The Roberto Schwarz and Silviano Santiago readings, as well as Thomas Skidmore and Lilia Moritz Schwarcz historiographical studies, will guide the work regarding the Brazilian society of the nineteenth century.
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Van, der Hoek Jessica. "The faithful and/or flattering in 19th Century portraiture." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/13996.

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The nineteenth century's creation of different optical devices such as the camera obscura, the kaleidoscope and the thaumatrope signifies a change in the perception of vision at the time. The aim of this dissertation is to examine the work of four artists with reference to nineteenth century concerns surrounding vision. The scope for this examination is limited to the painted portraiture of Dante Gabriel Rossetti and John Singer Sargent and photographic portraiture of Julia Margaret Cameron and Félix Nadar Tournachon. Rossetti and Cameron represent two Victorian artists whose vision is turned inward to the imagination, with feelings of nostalgia and sentimentalism evoked in their portraits. This dissertation argues that the act of turning the eye inwards to the imagination is at the root of the flattering quality of these two artists' portraits. A further argument is that the sustained use of literary reference is the catalyst to the inward vision seen in these two Victorian artists' work. I examine Dante Gabriel Rossetti‟s later phase of idealised and "flattering" portraits of women in relation to the sonnets that Rossetti began to physically attach to either the frame or canvas of the portrait. The use of literary reference as catalyst to the inward vision is discussed namely through Julia Margaret Cameron‟s photographic portraits based on Alfred, Lord Tennyson's Enoch Arden. Cameron's allegorical and often mythological portraits of women are then analysed in order to establish the "flattering" quality of her portraits. With regards to the two artists who have been termed "faithful", an examination of their more outward vision and focus on the exterior realities is discussed. An exposition surrounding Félix Nadar Tournachon's "faithful" photographic portraits of nineteenth-century celebrities follows the discussion on Cameron. In order to further enquire into the notion of nineteenthcentury celebrities, an examination of John Singer Sargent follows. With the idea of Sargent being torn between the faithful and the flattering, I examine his more faithful Portrait of Madame X in relation to his later flattering celebrity portraits painted in the Grand Manner. In conclusion it will be suggested that Victorian and French ideas of vision and representation differed, exemplified by these four artists. These two very different perceptions of vision, one inward and the other outward, is the root of my distinction between the "faithful" and the "flattering" as manifested in portraiture.
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Roach, Katherine. "Between magic and reason : science in 19th century popular fiction." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/13687/.

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The scientist in fiction is much maligned. The mad, bad scientist has framed much of the debate about literary representations of science and with good reason since he is a towering icon of popular culture. Yet, I will propose that an equally preeminent figure provides an alternative model of science in fiction. This is the detective. Links between developing scientific disciplines and the emerging genre of detective fiction have been well described to date. Yet the history of the detective as scientific icon has not been told, particularly not as it engages with the history of the mad scientist. These two paragons of modem culture developed from a groundswell of gothic narrative and imagery that emerged in the late 18th century and continued to entertain and challenge audiences throughout the 19th century, as they still do to this day. My aim is to recover some of the complexity of past public images of science, and the understandings that such icons relate to, as they develop and meander through a variety of 19th century fictions. In a series of time slices I relate these figures, their iconography and narratives, to contemporary debates about science and follow through the elements that each generation retains, remoulds and claims for their own time. Ultimately, I hope to show that an panalysis of the mad scientist alongside other fictional scientific figures provides a far more nuanced picture of potential meanings, than the negative and fearful response that he is often assumed to represent. This is significant because both these icons are current in popular culture today and as such are part and parcel of the present pool of cultural resources that provides tools for thinking about science and society in the 21st century.
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Harris, Katharine. "The neo-historical aesthetic : mediations of historical narrative in post-postmodern fiction." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/76623/.

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Dredge, Sarah. "Accommodating feminism : Victorian fiction and the nineteenth-century women's movement." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.

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The research field of this thesis is framed by the major political and legal women's movement campaigns from the 1840s to the 1870s: the debates over the Married Women's Property Act; over philanthropy and methods of addressing social ills; the campaign for professional opportunities for women, and the arguments surrounding women's suffrage. I address how these issues are considered and contextualised in major works of Victorian fiction: Anne Bronte's The Tenant of Wildfell Hall (1848), Elizabeth Gaskell's North and South (1855), Charlotte Bronte's Villette (1853), and George Eliot's Middlemarch (1871--2).<br>In works of fiction by women, concepts of social justice were not constrained by layers of legal abstraction and the obligatory political vocabulary of "disinterest." Contemporary fiction by women could thus offer some of the most developed articulations of women's changing expectations. This thesis demonstrates that the Victorian novel provides a distinct synthesis of, and contribution to, arguments grouped under the rubric of the "woman question." The novel offers a perspective on feminist politics in which conflicting social interests and demands can be played out, where ethical questions meet everyday life, and human relations have philosophical weight. Given women's traditional exclusion from the domain of legitimate (authoritative) speech, the novels of Gaskell, the Bronte's, and Eliot, traditionally admired for their portrayal of moral character, play a special role in giving voice to the key political issues of women's rights, entitlements, and interests. Evidence for the political content and efficacy of these novels is drawn from archival sources which have been little used in literary studies (including unpublished materials), as well as contemporary periodicals. Central among these is the English Woman's Journal. Conceived as the mouthpiece of the early women's movement, the journal offers a valuable record of the feminist activity of the period. Though it has not been widely exploited, particularly in literary studies, detailed study of the journal reveals close parallels between the ideological commitments and concerns of the women's movement and novels by mid-Victorian women.
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Hayes, Timothy Scott McGowan John. "Stories of things remote replacing the self in 19th-century adventure fiction /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1464.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English; Department/School: English.
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Books on the topic "19th century historical fiction"

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Clavell, James. Tai-Pan: The epic novel of the founding of Hong Kong. Delta Trade Paperbacks, 2009.

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Clavell, James. Tai-Pan. Plaza & Janes, 1990.

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Tai-Pan: The epic novel of the founding of Hong Kong. Delta Trade Paperbacks, 2009.

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The historical novel in nineteenth-century Europe: Representations of reality in history and fiction. Oxford University Press, 2011.

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Martin, Kat. Nothing but velvet. St. Martin's Paperbacks, 1997.

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Martin, Kat. Lü lin qing ren. Lin bai chu ban she you xian gong si, 1999.

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Notestein, Carol. Bends in the tree: A collection of stories about the Civil War and life in the 19th century. Pacific Prairie Publications, 1989.

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Lindsey, Johanna. Secret Fire. Avon Books, 1987.

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Lindsey, Johanna. Secret fire. Thorndike Press, 1996.

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1775-1817, Austen Jane, ed. The third sister: A sequel to Sense and sensibility. Donald I. Fine, 1996.

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Book chapters on the topic "19th century historical fiction"

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Roberts, Adam. "Early 19th-Century SF." In The History of Science Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_6.

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Ward, James. "Rereading Hogarth and Pope: Authenticity and Academic Fictions of the Eighteenth Century." In Reading Historical Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291547_5.

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Maxey, Ruth. "US Historical Fiction Since 2000." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_1.

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Klemann, Hein A. M., and Joep Schenk. "The Rhine in the long 19th century." In Transnational Regions in Historical Perspective. Routledge, 2019. http://dx.doi.org/10.4324/9781315617404-2.

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Shostak, Debra. "Paternity, History, and Misrepresentation in Viet Thanh Nguyen’s The Sympathizer." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_10.

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Martin, Rebecca. "Queering the “Lost Year”: Transcription and the Lesbian Continuum in Susan Choi’s American Woman." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_11.

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West, Mark. "The Contemporary Sixties Novel: Post-postmodernism and Historiographic Metafiction." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_12.

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De Cristofaro, Diletta. "“What’s the Plot, Man?”: Alternate History and the Sense of an Ending in David Means’ Hystopia." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_13.

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Hawkes, DeLisa D. "“To Avenging My People”: Speculating Revenge for US Slavery in Dwayne Alexander Smith’s Forty Acres." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_14.

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Newman, Judie. "Folklore, Fakelore, and the History of the Dream: James McBride’s Song Yet Sung." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_2.

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Conference papers on the topic "19th century historical fiction"

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Anisimov, Andrei. "GOTHIC FICTION TRADITIONS IN THE 19TH CENTURY AMERICAN LITERATURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.060.

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Grayson, Siobhán, Karen Wade, Gerardine Meaney, Jennie Rothwell, Maria Mulvany, and Derek Greene. "Discovering structure in social networks of 19th century fiction." In WebSci '16: ACM Web Science Conference. ACM, 2016. http://dx.doi.org/10.1145/2908131.2908196.

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Gilevich, Nikita. "Rreasons and circumstances of accession of Novgorod to Moscow on historical works and fiction of the XVIII Century." In VII Information school of a young scientist. Central Scientific Library of the Urals Branch of the Russian Academy of Sciences, 2019. http://dx.doi.org/10.32460/ishmu-2019-7-0036.

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Chekayeva, Rachima. "HISTORICAL FORMATION WOODEN HOUSES OF PETROPAVLOVSK FROM 19TH TO EARLY 20TH CENTURY." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb51/s17.017.

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Bakharev, D. S. "Northern Trans-Urals at the end of the 19th century: the experience of ethnodemographic analysis." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-257-265.

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Kokkinakis, Dimitrios, Ann Ighe, and Mats Malm. "Gender-Based Vocation Identification in Swedish 19th Century Prose Fiction using Linguistic Patterns, NER and CRF Learning." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0710.

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Baranov, A. N., and D. O. Dobrovol’skij. "STYLE DYNAMICS OF THE RUSSIAN WRITTEN SPEECH OF THE 19TH CENTURY: A CORPUS STUDY." In International Conference on Computational Linguistics and Intellectual Technologies "Dialogue". Russian State University for the Humanities, 2020. http://dx.doi.org/10.28995/2075-7182-2020-19-48-61.

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The starting point of the present paper is the hypothesis that the distribution of discursive words characterizes the trends in the development of the writing style of the 19th century. The paper presents and discusses the results of an experiment based on the data of the Russian National Corpus on the frequency of using discursive words with the semantics of epistemic modality, such as konechno, razumeetsya (both roughly meaning ‘of course’), po-vidimomu ‘apparently’, kak kazhetsya, kazalos’ by (both ≈ ‘it would seem’), naverno ≈ ‘as it were’, veroyatno ‘probably’, pozhaluy ≈ ‘maybe’, deystvitel’no ‘really’, etc. We show that the frequency of this group of expressions increases in the second half of the 19th century. A similar trend is also observed for some syntactic constructions with the same semantics: (ya) dumayu, chto… ‘(I) think that...’; (ya) schitayu, chto… ‘(I) believe that...’; (mne) kazhetsya, chto… ‘it seems to me that’. The revealed regularity is considered as a discursive practice in changing the style of fiction, which consisted in expanding the modus part of the utterance as compared to the earlier period. The discursive practice of expanding the modus was inherent only to a group of innovative writers (first of all, F. M. Dostoevsky, M. E. SaltykovShchedrin, L. N. Tolstoy, I. A. Goncharov, A. F. Pisemsky, P. I. MelnikovPechersky, N. S. Leskov, and I. S. Turgenev), who, however, due to their talent, social significance, and the number of published texts, had a significant impact on the language of fiction. The task of studying the dynamics of artistic style is to identify and describe a set of discursive practices that establish written discourse as such.
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Kozlova, M. A. "The reflections of the concepts “constitution” and “revolution” in the Russian periodicals of the first quarter of the 19th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-328-335.

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Plekh, O. A. "“Dear sir Mikhailo Matveyevich ...”: letters to the director-general of the Russian-American company M. M. Buldakov in the first quarter of the 19th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-89-98.

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Filimonov, A. V. "The contribution of the chiefs of the Altai district to the development of the activities of public non-political organizations at the end of the 19th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-174-180.

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Reports on the topic "19th century historical fiction"

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Gutiérrez Rodríguez, Encarnación. Entangled Migrations The Coloniality of Migration and Creolizing Conviviality. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, 2021. http://dx.doi.org/10.46877/rodriguez.2021.35.

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This Working Paper discusses entangled migrations as territorially and temporally entangled onto-epistemological phenomena. As a theoretical-analytical framework, it addresses the material, epistemological and ethical premises of spatial-temporal entanglements and relationality in the understanding of migration as a modern colonial phenomenon. Entangled migrations acknowledges that local migratory movements mirror global migrations in complex ways, engaging with the analysis of historical connections, territorial entrenchments, cultural confluences, and overlapping antagonistic relations across nations and continents. Drawing on European immigration to the American continent and specifically to Brazil in the 19th century, this argument is tentatively developed by discussing two opposite moments of entangled migrations, the coloniality of migration and creolizing conviviality. To do this, the paper engages first with the theoretical framework of spatial-temporal entanglements. Second, it approaches the coloniality of migration. Finally, it briefly discusses creolizing conviviality.
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