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Books on the topic '19th century historical fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Clavell, James. Tai-Pan: The epic novel of the founding of Hong Kong. Delta Trade Paperbacks, 2009.

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2

Clavell, James. Tai-Pan. Plaza & Janes, 1990.

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3

Tai-Pan: The epic novel of the founding of Hong Kong. Delta Trade Paperbacks, 2009.

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4

The historical novel in nineteenth-century Europe: Representations of reality in history and fiction. Oxford University Press, 2011.

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5

Martin, Kat. Nothing but velvet. St. Martin's Paperbacks, 1997.

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6

Martin, Kat. Lü lin qing ren. Lin bai chu ban she you xian gong si, 1999.

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7

Notestein, Carol. Bends in the tree: A collection of stories about the Civil War and life in the 19th century. Pacific Prairie Publications, 1989.

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8

Lindsey, Johanna. Secret Fire. Avon Books, 1987.

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9

Lindsey, Johanna. Secret fire. Thorndike Press, 1996.

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10

1775-1817, Austen Jane, ed. The third sister: A sequel to Sense and sensibility. Donald I. Fine, 1996.

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11

Barrett, Julia. The third sister: A continuation of Sense and sensibility. Donald I. Fine, 1996.

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12

The woman's historical novel: British women writers, 1900-2000. Palgrave Macmillan, 2005.

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13

Velvet. Bloomsbury, 2012.

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14

Arcadia Snips and the steamwork consortium: Being a wholly accurate historical account concerning matters of steam, skullduggery, and the irresponsible application of reckless mathematics in the 19th century. Steam-Powered Press, 2009.

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15

The fabulous realm: A literary-historical approach to British fantasy, 1780-1990. Scarecrow Press, 1993.

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16

Edwards, Cassie. Savage persuasion. Leisure Books, 1991.

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17

The bonds of Earth. Robert Hale, 2012.

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18

Thomas, Dixon. The clansman: An historical romance of the Ku Klux Klan. M.E. Sharpe, 2001.

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19

ill, Klise M. Sarah, ed. Stand straight, Ella Kate: The true story of a real giant. Dial Books for Young Readers, 2010.

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20

Gender, genre, and Victorian historical writing. Garland Pub., 1998.

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21

Lindsey, Johanna. Love Me Forever. Avon Books, 1996.

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22

Lindsey, Johanna. Love Me Forever. G.K. Hall, 1995.

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23

Lindsey, Johanna. Love Me Forever. W. Morrow, 1995.

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24

Cookson, Catherine. The desert crop. Simon & Schuster, 1999.

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25

Cookson, Catherine. The Desert Crop. Mira, 1997.

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26

Cookson, Catherine. The desert crop. Thorndike Press, 1999.

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27

Cookson, Catherine. The desert crop. BCA, 1997.

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28

Cookson, Catherine. The desert crop. Simon & Schuster, 1999.

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29

Cookson, Catherine. The desert crop. Corgi Books, 1998.

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30

The vigilantes of Montana. Globe Pequot Press, 2003.

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31

History and cultural memory in neo-Victorian fiction: Victorian afterimages. Palgrave Macmillan, 2010.

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32

Covenant and republic: Historical romance and the politics of Puritanism. Cambridge University Press, 1996.

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33

Dennard, Susan. Something strange and deadly. HarperTeen, 2012.

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34

Doctorow, E. L. The waterworks. Franklin Library, 1994.

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35

Doctorow, E. L. The waterworks. Macmillan, 1994.

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36

Doctorow, E. L. The waterworks. Plume, 1997.

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37

Doctorow, E. L. The waterworks. Random House Large Print, 1994.

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38

Doctorow, E. L. The waterworks. Random House, 1994.

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39

Doctorow, E. L. El arca de agua. Editorial Atlántida, 1995.

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40

Doctorow, E. L. The waterworks. Picador, 1995.

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41

Susan, Howatch. Penmarik. Karre, 1988.

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42

Something strange and deadly. HarperTeen, 2012.

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43

Mackey, Heather. Dreamwood. Penguin Group (USA), 2014.

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44

Century in Scarlet: The Epic Novel of 19th-Century Revolution (Lost Treasures). Prion, 2001.

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45

Busse, Beatrix. Speech, Writing, and Thought Presentation in 19th-Century Narrative Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190212360.001.0001.

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Abstract:

The present study investigates speech, writing, and thought presentation in a corpus of 19th-century narrative fiction including, for instance, the novels Frankenstein, Jane Eyre, Wuthering Heights, Oliver Twist, and many others. All narratives typically contain a reference to or a quotation of someone’s speech, thoughts, or writing. These reports further a narrative, make it more interesting, natural, and vivid, ask the reader to engage with it, and, from a historical point of view, also reflect cultural understandings of the modes of discourse presentation. To a large extent, the way a reader perceives a story depends upon the ways discourse is presented, and among these, speech, writing, and thought, which reflect a character’s disposition and state of mind. Being at the intersection of linguistic and literary stylistics, this study develops a new corpus-stylistic approach for systematically analyzing the different narrative strategies of historical discourse presentation in key pieces of 19th-century narrative fiction, thus identifying diachronic patterns as well as unique authorial styles, and places them within their cultural-historical context. It shows that the presentation of characters’ minds reflects an ideological as well as an epistemological concern about what cannot be reported, portrayed, or narrated and that discourse presentation fulfills the narratological functions of prospection and encapsulation, marks narrative progression, and shapes readers’ expectations as to suspense or surprise.

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46

Space and Place in the Nineteenth Century British Historical Novel. Taylor & Francis Group, 2016.

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47

Tai-Pan. Flame, 1999.

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48

Tai-Pan. Random House Publishing Group, 2008.

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49

Tai-Pan. Dell, 1986.

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50

Fraser, Sara. Devil's Monk, The: A 19th century British mystery (A Thomas Potts Historical Mystery). Severn House Publishers, 2015.

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