To see the other types of publications on this topic, follow the link: 19th century historical fiction.
Journal articles on the topic '19th century historical fiction'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic '19th century historical fiction.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Logan, Thad. "Victorian Treasure Houses: The Novel and the Parlor." Keeping Ourselves Alive 3, no. 2-3 (1993): 283–97. http://dx.doi.org/10.1075/jnlh.3.2-3.12vic.
Full textAbstract:
Abstract The domestic interior plays a significant role in realistic fiction and in 19th-century bourgeois life. The development of conventions for describing interiors in the novel coincides with the historical appearance of elaborately decorated parlors and with the feminization of domestic space. Both middle-class interiors and realistic fiction are characterized by a proliferation of detail, and their stylistic similarity can be mapped onto the emergence of a commodity culture. The fictive rhetoric of materiality and identity reflects complex relations of gender, property, and signification in the social world. (Cultural criticism; literary criticism; gender studies)
2
Langgård, Karen. "Greenlanders Seen Through the Eyes of Signe Rink." Nordlit 11, no. 2 (2007): 113. http://dx.doi.org/10.7557/13.1574.
Full textAbstract:
Signe Rink (1836-1909) published four volumes of fiction in Danish, all of them stories from Greenland of the 19th century: Grønlændere. 1886 (155 pages); Grønlændere og Danske i Grønland. 1887 (204 pages); Koloni-idyler. 1888 (262 pages) and Fra det Grønland som gik. Et par Tidsbilleder fra Trediverne. 1902 (264 pages). Some of the stories are short, some are not short at all, actually, e.g. Rink 1902 consists only of two parts, the first one 205 pages long. The focus here will be on this fiction written by Signe Rink: a case study in how genres of fiction might open up for the possibility of going beyond the dominant discourse and for instance throw light at the role played by Greenlanders in colonial Greenland of the 19th century, and how it might be possible now a century later to disentangle the threads of different discourses, through reflectiveresearch - drawing on historical studies, anthropology, cultural studies and post-colonial studies.
3
Myshanych, Yaroslav. "Ukrainian Historiographic Prose of the 18th – the First Half of the 19th century in Assessment of Mykhailo Maksymovych." Слово і Час, no. 10 (October 16, 2019): 52–58. http://dx.doi.org/10.33608/0236-1477.2019.10.52-58.
Full textAbstract:
The essay reviews the studies of Mykhailo Maksymovych that deal with the three works of the 18th–19th-century Ukrainian historiography. According to M. Maksymovych, one may classify the syncretic historiographic works within three main types. These are Cossack chronicles of the late 17th – early 18th centuries, journalistic pamphlets of the late 18th century, and historical novels of the mid-19th century. The scholar used different approaches analyzing the works from the mentioned groups (chronicle by Hryhorii Hrabianka, “History of Ruthenians”, and “The Commoners’ Council” by Panteleimon Kulish). The scholarly historiography of the time was not still shaped enough and the works from the field could have features of fiction and research studies simultaneously. The authors, who didn’t understand history as a separate research field, were free of modern limits and could easily use both fictional and research techniques within the same work. The strict critical attitude of the scholar towards the chronicle by Hryhorii Hrabianka changed into tolerant in the case of “History of Ruthenians” and moderate critical in the analysis of “The Commoners’ Council”. M. Maksymovych tried to be objective in covering historical processes and worked hard to develop a scholarly approach in the evaluation of Ukrainian historiographical prose. Maksymovych took into account the specificity of every single work and, based on the ideas of his predecessors and contemporaries, rather accurately defined the proper frames of the scholarly historiography. At the same time, the scholar didn’t deny the value of fictional works based on historical events.
4
Chiri Jaime, Sandro. "La intriga en los relatos de Ricardo Palma." Aula Palma, no. 18 (December 31, 2019): 297–313. http://dx.doi.org/10.31381/ap.v0i18.2613.
Full textAbstract:
ResumenLa intriga participa como elemento neurálgico en las tradiciones que Ricardo Palma escribe durante más de medio siglo; vale decir, opera como eje articulador del gran mosaico histórico-ficcional que el escritorperuano se autoimpone como reto artístico personal y como legado a la colectividad de lectores. El presente trabajo rastrea los aportes de Palma en estos temas del arte narrativo.Palabras clave: relato, intriga, Ricardo Palma, tensión, suspense, personajes, ficción.
 AbstractThe intrigue plays a crucial part in the Traditions that Ricardo Palma writes for over half a century. It functions as an articulating axis of the great historical fictional mosaic that the 19th-century Peruvian writer imposes on himself as a personal and artistic challenge as well as a legacy for his readers. The following work tracks Palma’s contributions in these areas of the art of storytelling.Keywords: story, intrigue, Ricardo Palma, tension, suspense, characters, fiction.
5
Ziemann, Andreas. "Die Kraft der Zeitutopie im 19. Jahrhundert." Zeitschrift für Medien- und Kulturforschung 7, no. 2 (2016): 47–62. http://dx.doi.org/10.28937/1000107550.
Full textAbstract:
"Der Aufsatz fokussiert die literarische Gattung von Utopie und Science Fiction als empirisches und historisches Material und untersucht an ausgewählten Texten des 19. Jahrhunderts, über welche zukünftigen Medien, Medienpraktiken und menschlichen Lebensformen dort geschrieben und (antizipativ) reflektiert wird. Zeitutopien, so die forschungsleitende These, fungieren als Modell und Entstehungsherd innovativer (Medien-) Techniken und besitzen eine spezifische Gestaltungskraft neuer Lebenswelten. The paper focuses on the literary genre of utopia and science fiction as empirical and historical material. With reference to selected texts from the 19th century, it outlines which future media, media practices and human life forms are discussed in an often anticipatory way. The thesis is that time utopias act as a model and source of innovative (media) technologies and have a specific power to design new worlds. "
6
Popa, Eugen Octav. "The Method and the Madness." Romanian Journal of Communication and Public Relations 23, no. 1 (2021): 85. http://dx.doi.org/10.21018/rjcpr.2021.1.320.
Full textAbstract:
I highly recommend Hanganu-Bresch and Berkenkotter’s work to anyone who is interested in the vicissitudes of early psychiatric diagnosis, confinement and treatment. The book is well written and well documented. The reader benefits form the authors’ admirable knowledge on the evolution of psychiatry in the 19th century, the social co-creation of the institution of asylum and the many genres of discourse (from admission reports to science fiction) that have shaped these developments. While the book offers but a snapshot of a more extended historical process, I believe there is a lot to learn from such a snapshot.
7
Kizelbach, Urszula. "Влияниe Вальтера Скотта на историческую прозу А.С. Пушкина: „Роб Рой” и „Капитанская дочка”". Studia Rossica Posnaniensia, № 41 (20 червня 2018): 105–19. http://dx.doi.org/10.14746/strp.2016.41.9.
Full textAbstract:
This article analyses the influence of Sir Walter Scott’s historical fiction (Rob Roy) on the development of the historical novel in Russia in the first half of the 19th century, based on the example of Pushkin’s The Captain’s Daughter. The author argues that both Scott and Pushkin had a similar approach to their national and local history and collected historical material in the same way (through archival research and by contacting local people who had witnessed the events of the Jacobite Rebellion, 1715, and the Pugachev Rebellion, 1773–1775). A close analysis of both texts presents examples of a similar poetics of the narration, dialectal use of language and dialogue, and the use of local colour and folk elements, such as folk songs or old sayings, which serve as mottos for particular chapters in the novels.
8
Dasgupta, Soumit. "The First Cadaveric Dissection in India." Sushruta Journal of Health Policy & Opinion 14, no. 1 (2021): 1–4. http://dx.doi.org/10.38192/14.1.14.
Full textAbstract:
Historical Perspective
 The first cadaver dissection in India in the 19th century after millennia of social prejudices took place in the recently established Calcutta Medical College in 1835, the first medical college in Asia imparting western medical education to British, Anglo Indians and Indians in the empire. The first scientific approach to medical sciences commenced following this landmark event and set the trend for future liberal attitudes in society and contributed to the Bengal Renaissance of the 19th century. This is a fictional account of the day when it happened. Only the characters and the fact that the dissection occurred are real.
9
Olszok, Charis. "THE LITTERSCAPE AND THE NUDE: HISTORY ESCAPES IN MANSUR BUSHNAF'SAL-ʿILKA(CHEWING GUM)." International Journal of Middle East Studies 51, № 1 (2018): 1–19. http://dx.doi.org/10.1017/s0020743818000478.
Full textAbstract:
AbstractMansur Bushnaf'sal-ʿIlka(Chewing Gum; 2008) is the author's sole novel, born of his twelve-year imprisonment in a Libyan jail, and his reflection on the nation's subjection to international marginalization and dictatorial rule under Gaddafi. The novel is centered on a 19th-century nude which confounds all who encounter it, and which lies neglected in a corner of Tripoli's Red Palace Museum. Through this statue, and the novel's broader poetics of stasis and “chewing,” I explore howturāthin Bushnaf's work, and wider Libyan fiction, is depicted through its abject vulnerability and exposure to historical vicissitudes, reflecting the parallel exclusion of human lives from rights and agency. Inal-ʿIlka, I examine how this is formulated into a defamiliarizing perspective on the postmodern, and on historical trauma and erasure, in which the possibility of narrative is a driving concern, rooted in existential reflection, as well as the real precarity of those who tell stories in Libya.
10
Pashkov, Aleksandr. "Antip Panov from the White Sea Coast in the Historical Memory of Russian Society." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 3 (July 21, 2021): 15–26. http://dx.doi.org/10.37482/2687-1505-v099.
Full textAbstract:
This article turns to the episode of the rescue of Peter I by a local peasant Antip Panov during a storm on the White Sea in June 1694 and covers its reflection in the historical memory of Russian society. This incident is confirmed by several written sources, the most valuable being the story of the Arkhangelsk merchant M.A. Mamonov retold by I.I. Golikov, which contains information about the conflict between the tsar and Panov. Until the mid-19th century, all Peter the Great’s biographers mentioned his rescue in a storm in 1694, but kept silent about the conflict. N.G. Ustryalov rejected I.I. Golikov’s information about Panov, who “boldly shouted at the terrible tsar”, considering it an “invention”. At the same time, a complex of historical legends about Panov had been formed, recorded by S.V. Maksimov in 1855. In fact, Antip Panov became one of the central figures in the historical memory of the Pomors about Peter I and his era. The 19th-century legends contain fictional details and migratory subjects. By the early 20th century, Panov had been viewed by society as both a real historical character and a folk hero. This happened because Panov was mentioned in written historical sources as well as in oral history, which after several generations was transformed into historical legends. These folk traditions have influenced regional historical descriptions as well as Russian historiography. Using the legend about the rescue of Peter I by Antip Panov as an example, the article concludes that collective historical memory is formed on the basis of oral history, which is eventually converted into historical legends, which, in turn, affect both regional historical descriptions and national historiography
11
Gimadeev, Timur. "The feedback on the Slavophile theory of the Hussite movement in the Czech non-fiction historical literature (before 1918)." Slavic Almanac, no. 1-2 (2019): 46–58. http://dx.doi.org/10.31168/2073-5731.2019.1-2.1.03.
Full textAbstract:
This article deals with the reflection of Czech historians and political writers on the works of Russian Slavophilehistorians about the Hussite movement. The apologists of the Slavophile concept (such as P. Novikov and A. Th. Hilferding) defended the idea of the succession between Orthodoxy and the Hussite movement, supposing that Orthodoxy was brought to Czechia by Cyril and Methodius. This conception remained highly unpopular among the Czech authors. The professional Czech historians, such as J. Kalousek and J. Goll indicated that the information on such continuity is first found in the sources only starting from the mid-16th century, and noted that the communion in both forms was also spread in the West. The Czech authors that were studying the Russian Thought of the 19th century, such as P. Durdík and J. Perwolf, saw this concept as a mere transplantation of the contemporary Slavophile ideology into the past. The Catholic authors headed by A. Lenzrevealed numerous differences between the Hussite and Orthodox creeds.It was only J. V. Kalaš to advocate the Slavophile concepts, but this was caused by his uncritical acceptance of Russian Slavophile literature. The rest of the Czech authors were united in the criticism of the Slavophile publications that was caused by the national solidarity of the Czech intelligentsia and by the weak academic grounds of this theory.
12
Nelin, Timur. "Myths About the Charrua: Truth and Fiction in the History of the Indigenous People of Uruguay." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 1 (February 2020): 171–82. http://dx.doi.org/10.15688/jvolsu4.2020.1.14.
Full textAbstract:
Introduction. The article is devoted to the Charrua, a little-known indigenous people of Uruguay. This people was exterminated in the first half of the 19th century, giving rise to a number of myths about its history and culture. The author tries to find out, what information about the Charrua is based on facts, and what is a historical myth. The researcher considers such cases as the anthropological characteristics of the Charrua, the structure of the people, the history of its name, the case of the murder of Juan Diaz de Solis in 1516 and the history of the Natives taken to Paris in 1833. Methods and materials. The author uses the principles of historicism, objectivity, the general scientific, historical and genetic method. The data of linguistics, physical anthropology and ethnology are also involved. The article provides historiographical and source analysis related to the Charrua materials. Analysis. The physical appearance of the Charrua is related to the pampido anthropological type of the Chaco region. The tribe was heterogeneous and consisted of different groups. The name “Charrua” is of European origin and it is often used as a generic term for several related tribes. According to the sources, the Charrua were not involved in the murder of Juan Diaz de Solis. The latest historical studies of the Charrua taken to France show that there was not wonderful escaping of two members of this tribe. Results. The study shows that the most part of the existing historical and anthropological myths about the Charrua are completely or partially untrue.
13
Lavocat, Françoise. "Dido Meets Aeneas: Anachronism, Alternative History, Counterfactual Thinking and the Idea of Fiction." Journal of Literary Theory 14, no. 2 (2020): 194–214. http://dx.doi.org/10.1515/jlt-2020-2009.
Full textAbstract:
AbstractThe anachronistic character of the loving relationship between Dido and Aeneas was widely and commonly discussed among commentators, critics, and writers in the early modern period. From the 16th century onwards, when the word »anachronism« appeared in vernacular languages, its definition was even inseparable from the example borrowed from the Aeneid. The purpose of this article is to interrelate early modern debates on anachronism, reflections on the status of fiction and the history of fiction.Starting with the hypothesis that anachronism is a form of counterfactual, the questions posed in this article are: did forms of counterfactuals exist before the 19th century, to what extent did they differ from contemporary alternative histories and, if so, why? The story of Dido and Aeneas in the Aeneid can be considered »counterfactual«, because this version of the narrative about the queen of Carthage was opposed to another, which was considered to be historical and which made Dido a privileged embodiment of female virtue and value.Several important shifts are highlighted in this article. With the exception of St. Augustine (who saw in Vergil’s anachronism confirmation of the inanity of fiction), before the 16th century indifference towards anachronism prevailed: the two versions of Dido’s story were often juxtaposed or combined. If Vergil’s version of Dido’s story was condemned, it was for moral reasons: the exemplary version, considered more historically accurate, was favored throughout the Middle Ages, notably by Petrarch and Boccaccio.From the 16th century onwards, however, increased acquaintance with Aristotle’s Poetics promoted greater demand for rationality and plausibility in fables. This coincided with the appearance of the word »chronology« and its development, which led to a new understanding of historical time. Anachronism then appeared to be a fault against verisimilitude, and as such was strongly condemned, for example by the commentator on Aristotle, Lodovico Castelvetro. At the same time, the argument of poetic license was also often invoked: it actually became the most common position on this issue. Vergil’s literary canonization, moreover, meant that the version of Dido’s life in the Aeneid was the only story that was known and cited, and from the 17th century onwards it totally supplanted the exemplary version. Strangely enough, permissiveness towards anachronism in treatises, prefaces, or comments on literary works was not accompanied by any development of counterfactual literature in early modern period. Indeed, in both narrative and theatrical genres fiction owed its development and legitimization to the triumph of the criterion of plausibility.This article, however, discusses several examples that illustrate how the affirmation of fiction in the early modern period was expressed through minor variations on anachronism: the counterfictional form of Ronsard’s epic, La Franciade, which represents an explicit deviation from the Iliad; the metaleptic meeting of Vergil and Dido in the Underworld in Fontenelle’s Le dialogue des morts; and the provocative proposal for a completely different version of Dido’s life, which was made in an early 17th century Venetian operatic work by an author who claimed to be anti-Aristotelian. This study thus intends to provide an aspect of the story of fiction. The change of perspective on anachronism marks a retreat from moral argument, with privilege given to aesthetic criteria and relative independence with regard to history – while still moderated by the criterion of verisimilitude, as underlined by the abbé d’Aubignac, as well as Corneille.
14
Vo, Nhon Van. "TRANSLATED LITERATURE IN COCHINCHINA IN THE LATE 19th CENTURY AND IN THE EARLY 20th CENTURY." Science and Technology Development Journal 13, no. 1 (2010): 5–12. http://dx.doi.org/10.32508/stdj.v13i1.2099.
Full textAbstract:
Being colonized by France, Cocochina (the South of Vietnam) was the region where Western literature was introduced into earlier than the North. Truong Minh Ky was considered the first translator of Western literature in Vietnam. His earliest works of translation appeared in 1884. By the early 20th century, introduced to Vietnamese readers were Western literary works not only of French origin but also of British, American and Russian origins; not only poetry, prose but also drama. In the late 19th century, many writers such as Truong Vinh Ky, Huynh Tinh Cua were interested in Chinese literature. In the first decade of the 20th century, a wide variety of Chinese novels were translated into Vietnamese, forming a strong movement of translating "truyen Tau” (Chinese fictions). The remarkable characteristics of the translation of Western literature in Cochinchina were as follows - The newspapers and magazines in “Quoc Ngu” (Vietnamese language written in Latin characters) where the first works of translation were published played very important role. - The translators were greatly diverse, coming from different social and cultural backgrounds. - More translation was made on prose. Novels of martial arts, historical stories, novels of heroic deeds attracted the attention of the translators and the publishers. Therefore, they were translated much more than romance novels were, because of their compatibility with popular audience. - By translating the works of Western literature, the writers tried to express new concepts of humanism, such as women rights, or gender issues. Translated literature in Cocochina in the late 19th and early 20th centuries reflects a paradox: Western influences started to leave their marks but the Chinese influence was still strongly engraved. However, this was a remarkable step in the journey of modernization of national literature. Through these early translated works, new literary genres were introduced and Vietnamese readers gradually became familiar with them. Translation experiences were the first steps for Cocochina writers to achieve thorough understanding, to learn Western writing techniques and styles, which helped them become the pioneers of new literature in Vietnam.
15
Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.
Full textAbstract:
This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” like Ban Wang's and Yomi Braester's recent efforts, although for historical reasons modern Chinese literature studies are allergic to historical and sociological methodologies.Monster is comparative, mixing diverse – sometimes little read – post-May Fourth and Cold War-era works with pieces from the 19th and 20th fins de siècle. Each chapter is a free associative rhapsody (sometimes brilliant, sometimes tedious; often neo-Freudian), evoking, from a recurring minor detail as in new historicist criticism, a major binary trope or problematic for Wang to “collapse” or blur. His forte is making connections between works. The findings: (1) decapitation (loss of a “head,” or guiding consciousness?) in Chinese fiction betokens remembering or “re-membering” (of the severed), as in an unfinished Qing novel depicting beheaded Boxers, works by Lu Xun and Shen Congwen, and Wuhe's 2000 commemoration of a 1930 Taiwanese aboriginal uprising; (2) justice is poetic, but equals punishment, even crime, in late Qing castigatory novels, Bai Wei, and several Maoist writers; (3) in revolutionary literature, love and revolution blur, as do love affairs in life with those in fiction; (4) hunger, indistinct from anorexia, is excess; witness “starved” heroines of Lu Xun, Lu Ling, Eileen Chang and Chen Yingzhen; (5) remembering scars creates scars, as in socialist realism, Taiwan's anticommunist fiction, and post-Mao scar literature; (6) in fiction about evil (late Ming and late Qing novels; Jiang Gui), inhumanity is all too human and sex blurs with politics; (7) suicide can be a poet's immortality, from Wang Guowei to Gu Cheng; (8) cultural China's most creative new works invoke ghosts again, obscuring lines between the human, the “real,” and the spectral.
16
Sugiera, Małgorzata. "Other Stories: Experimental Forms of Contemporary Historying at the Crossroads Between Facts and Fictions." Art History & Criticism 14, no. 1 (2018): 5–15. http://dx.doi.org/10.2478/mik-2018-0001.
Full textAbstract:
Summary The process of questioning the authority of academic history—in the form in which it emerged at the turn of the 19th century—began in the 1970s, when Hayden White pointed out the rhetorical dimension of historical discourse. His British colleague Alun Munslow went a step further and argued that the ontological statuses of the past and history are so different that historical discourse cannot by any means be treated as representation of the past. As we have no access to that which happened, both historians and artists can only present the past in accordance with their views and opinions, the available rhetorical conventions, and means of expression. The article revisits two examples of experimental history which Munslow mentioned in his The Future of History (2010): Robert A. Rosenstone’s Mirror in the Shrine (1988) and Hans Ulrich Gumbrecht’s In 1926 (1997). It allows reassessing their literary strategies in the context of a new wave of works written by historians and novelists who go beyond the fictional/factual dichotomy. The article focuses on Polish counterfactual writers of the last two decades, such as Wojciech Orliński, Jacek Dukaj, and Aleksander Głowacki. Their novels corroborate the main argument of the article about a turn which has been taking place in recent experimental historying: the loss of previous interest in formal innovations influenced by modernist avant-garde fiction. Instead, it concentrates on demonstrating the contingency of history to strategically extend the unknowability of the future or the past(s) and, as a result, change historying into speculative thinking.
17
Egorova, Kseniia B. "Volhynian Revolution or Emergence of Conspiracy Theories in the Borderlands of the Russian Empire." Vestnik of Saint Petersburg University. History 65, no. 3 (2020): 710–20. http://dx.doi.org/10.21638/11701/spbu02.2020.302.
Full textAbstract:
This article is devoted to the issue of the emergence of conspiracy theories and their existence in the borderlands; the research is focused on the western boundaries of the Russian Empire, belonging to the Polish-Lithuanian Commonwealth before its partition. The material relating to these territories enables to have a fresh look on genesis of “the conspiracy theories’” in society, on the one hand, to reflect on the peculiarity of the borderland as a special cultural space, and, on the other hand, to add specific characteristics of “conspiracy theories” of the borderlands to the list of contributory factors to emergence of conspiracy theories in society. Reference to the west borders of the Russian Empire enables to use the material related to the beginning of 19th century, which is important for further development of the conspiracy study in Russia. This article centers around the analysis of “The letters written by court counsillor Opytov to countess Starozhilova with historical overview of the political mood of the nobility in Volhynian governorate”. Life of Volhynian Governorate at the beginning of the 19th century is reflected in the letters which contain the exposure of the Polish gentry’s plot against the Russian stateness. The extent of the “historicity” of this document and the possibility of assessing the situation in this region based on so-called Opytov’s evidence raise doubts. The performed analysis shows that Opytov’s letter was a fiction aimed at a narrow circle of readers familiar with the situation in Volhynia and western regions in general. The text of this letter contains the encrypted conspiracy narratives, known to Opytov’s contemporaries, which can become the key to understanding what type of text it is.
18
Laurent, Thierry. "Prosper Mérimée et la Pologne." Cahiers ERTA, no. 24 (2020): 89–102. http://dx.doi.org/10.4467/23538953ce.20.019.13221.
Full textAbstract:
Prosper Mérimée and Poland Prosper Mérimée (1803‐1870), writer and scholar, member of the French Academy, has often evoked in his correspondence, his fictional accounts and his historical studies, the political and cultural past of Poland as well as its conflicting relations with Russia during the 19th century. Unlike many of his romantic contemporaries, he was rather insensitive to the plight of the Poles and made no effort to understand them better. His fear of revolutionary convulsions, his anti‐Catholic prejudices, his too superficial knowledge of local realities and his growing love for Russia throughout his life, probably explain his views. However, we should not forget his friendship with some Poles in exile in France and his support for the Historical and literary library of Paris.
19
Laurent, Thierry. "Prosper Mérimée et la Pologne." Cahiers ERTA, no. 24 (2020): 89–102. http://dx.doi.org/10.4467/23538953ce.20.019.13221.
Full textAbstract:
Prosper Mérimée and Poland Prosper Mérimée (1803‐1870), writer and scholar, member of the French Academy, has often evoked in his correspondence, his fictional accounts and his historical studies, the political and cultural past of Poland as well as its conflicting relations with Russia during the 19th century. Unlike many of his romantic contemporaries, he was rather insensitive to the plight of the Poles and made no effort to understand them better. His fear of revolutionary convulsions, his anti‐Catholic prejudices, his too superficial knowledge of local realities and his growing love for Russia throughout his life, probably explain his views. However, we should not forget his friendship with some Poles in exile in France and his support for the Historical and literary library of Paris.
20
Skorik, Evgeniya A. "Non-equivalent vocabulary in social-political texts of the XVIII century." Russian Language Studies 18, no. 2 (2020): 232–49. http://dx.doi.org/10.22363/2618-8163-2020-18-2-232-249.
Full textAbstract:
The article deals with the non-equivalent vocabulary in socio-political texts of the 18th century. The interest to this type of vocabulary is growing (especially in translation and linguoculturology): every year there are more and more works studying non-equivalent vocabulary with national-cultural specificity of meaning in various resources: fiction, textbooks, press, dictionaries. However, these studies are carried out on the texts of the 19th-21st centuries. In this article, we for the first time analyze this vocabulary in the artistic texts of the 18th century. The authors of the texts (the research materials) are well-known historical figures of the period: Catherine II, M.V. Lomonosov, V.N. Tatishchev, V.K. Trediakovsky, A. Matseevich, P.A. Plavilshikov. The main criterion for text selection was the level of knowledge of non-equivalent vocabulary in them. It is for the first time when identification and description of non-equivalent vocabulary was held in socio-political texts. The purpose of this research is to identify, describe and analyze non-equivalent words in the texts. The practical significance of the research is in the fact that its results can be used in classes of Russian as a foreign language, when compiling dictionaries of non-equivalent vocabulary or linguistic and regional dictionaries, when translating the source texts into foreign languages and making comments. The theoretical significance of the research is in the fact that its results became the basis for further research of non-equivalent vocabulary with national-cultural specificity of meaning. As a result of the research, there were identified the quantity and quality of non-equivalent words. The discovered non-equivalent words were classified into several thematic groups: household items, titles, military vocabulary, social groups, etc., and into types of non-equivalent vocabulary: words-realities, lacunae, exotisms, deviations from the common language norm, etc. In order to have a complete picture of this linguistic phenomenon, it is necessary to make wider the chronological and genre framework of the research material in the future. It is possible to use not only texts of the 18th-21st centuries as a source, but also texts of earlier periods; it is necessary to use not only works of fiction, dictionaries, press, but also to research sociopolitical texts: documents, scientific works, letters.
21
Rossouw, Ronel, and Bertus van Rooy. "Diachronic changes in modality in South African English." English World-Wide 33, no. 1 (2012): 1–26. http://dx.doi.org/10.1075/eww.33.1.01ros.
Full textAbstract:
In this paper we aim to contribute to both the synchronic and diachronic description of the grammar of South African English (SAfE) in its written register. In the handful of previous studies on the variety’s grammar (e.g. Bowerman 2004b) the traditional method of pointing out peculiarities has restricted its research potential to a great extent, whereas we now endeavour to move in the opposite direction of full description in the hope of creating a comparative platform with other Southern Hemisphere Englishes (SHEs). A historical corpus of written SAfE is used to trace the path of modality from the 19th to the late 20th century as preserved in letters, newspapers and fictional writing. The findings are, firstly, that modals decline only in the second half of the 20th century, after remaining relatively stable throughout the 19th and first half of the 20th century, and, secondly, that semi-modals do not increase in usage to the same extent as observed for other varieties of English. These patterns are attributed to a number of forces: trade-off relations between different modals to move away from excessive politeness to more direct forms, and developments within particular registers that favoured or disfavoured the use of specific modals.
22
Samir, Aseel, and Rabie Salama. "Struttura e narratore ne I Promessi Sposi di Alessandro Manzoni." Romanica Silesiana 17 (June 29, 2020): 138–50. http://dx.doi.org/10.31261/rs.2020.17.11.
Full textAbstract:
In the early 19th century, the Italian literature did not have a mature novel, as is known today. The Italian novelist, Manzoni, and his masterpiece The Betrothed, set a solid basis for the contemporary Italian novel; thanks to its’ narrative characteristics that helped the novelist in achieving different reformative goals, woven stupendously with fictional, historical and realistic threads. The main purpose of this study is to apply an analytical and thematic approach on the structure and narrator of the novel. Furthermore, the research aims to distinguish the main artistic characteristics adopted from the European historical novel. The study then focuses on analyzing the function of the anonymous author’s fictional frame and how it created a diversity in the narrative levels. The research also highlights the importance of the omniscient narrator, the strong relations between the narrator and the narratee, the different narrative perspectives, and finally the polyphony: techniques that enhanced the realistic dimension of the novel.
23
Blagova, A. R., and N. V. Kutukova. "Journalists about Journals: Textbook Review Russian Magazines of the 19th— early 20th Centuries." Concept: philosophy, religion, culture 5, no. 1 (2021): 193–95. http://dx.doi.org/10.24833/2541-8831-2021-1-17-193-195.
Full textAbstract:
The 2021 publication of the MGIMO editorial, a textbook called Russian Magazines of the 19th — early 20th Centuries is a collection of articles by the faculty of the School of international journalism. The collection gives an idea of the formation and development of Russian journalism at the turn of the centuries, the Silver age of the Russian culture. It is this period that is marked by epochal events that have radically changed the life of society. Thick magazines, the subject of research in this collection, were the mouthpiece of not only socio-political, but also cultural events. Having appeared at the end of the 18th century, they acquired real spread in late 19th century, making the sphere of Russian journalism flourish and develop the professional standards. The thick periodical magazines were brought to life by the peculiar conditions of Russia’s development. Such magazines were not only a literary and artistic collection, but also a political newspaper that embodied the dialogue traditions of both conservatives and radicals. Readers of literary magazines and the authors of articles shaped the intellectual environment that determined the cultural advancement of the country and became significant point on the cultural landscape themselves. In the historical and cultural context of this period, the textbook helpfully explains a few little-known facts from the life of the authors whose publications and editorial activities determined the fate of the journals. Until now, such journals as Bozhii mir (God’s World) and several others have not been the subject of scientific interest. Therefore, the novelty and of the research conducted is important. The authors offer the explanation of why they choose this specific set of magazines. It is due to the place they had the process of formation and development of Russian journalism. The textbook emphasizes that the magazines published not only fiction works, their role was much more significant: they were the arena of political and literary struggle, gave the floor to express certain aesthetic or social principles and represented a type of a popular encyclopedia, thus acting as providers of education. In this way, among the instances why the textbook is of interest for educational purposes one should mention that the history of journalism of the period is reflected in the history of Russian culture.
24
Jardine, Boris, and Matthew Drage. "The total archive: Data, subjectivity, universality." History of the Human Sciences 31, no. 5 (2018): 3–22. http://dx.doi.org/10.1177/0952695118820806.
Full textAbstract:
The complete system of knowledge is a standard trope of science fiction, a techno-utopian dream and an aesthetic ideal. It is Solomon’s House, the Encyclopaedia and the Museum. It is also an ideology – of Enlightenment, High Modernism and absolute governance. Far from ending the dream of a total archive, 20th-century positivist rationality brought it ever closer. From Paul Otlet’s ‘Mundaneum’ to Mass-Observation, from the Unity of Science movement to Wikipedia, the dream of universal knowledge dies hard. As a political tool, the total archive encompasses population statistics, gross domestic product, indices of the Standard of Living and the international ideology of the United Nations Educational, Scientific and Cultural Organization, the World Health Organization, the free market and, most recently, Big Data. Questions of the total archive engage key issues in the philosophy of classification, the poetics of the universal, the ideology of surveillance and the technologies of information retrieval. What are the social structures and political dynamics required to sustain total archives, and what are the temporalities implied by such projects? This introduction and the articles that follow describe and place in historical context a series of concrete instances of totality. Our analysis is arranged according to four central themes: the relationship between the Archive (singular) and archives (plural); the image of the archive and the aesthetics of totality; pathologies of accumulation; and the specific historical trajectory of the total archive in the 19th and 20th centuries.
25
Kolykhalova, Olga A., and Anna Yu Kuldoshina. "Perceptions of Russian Literature in Britain in the end of the XIX — beginning of the XX century." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 4 (2019): 119–29. http://dx.doi.org/10.25205/1818-7935-2019-17-4-119-129.
Full textAbstract:
The purpose of the article is to analyze the existing ideas about Russian literature in Britain at the end of the 19th and the first half of the 20th centuries. A brief overview of the advancement of works by Russian classics among British readers is given. The spread of Russian literature in Britain had been progressing slowly for a long time due to the difficulty in translation and the lack of interest in Russia and Russian culture. However, at the end of the 19th and the first half of the 20th centuries, the situation changed in the British literary community. This period saw a plethora of publications of translations of Russian fiction that were accomplished by professional translators, Slavonic scholars, and writers. These translations appeared in periodicals and other print formats. The article provides an overview of the translation of works of F. M. Dostoevsky, L. N. Tolstoy, A. P. Chekhov, who have become the most understandable and accessible to the English mentality. It happened thanks to such outstanding translators as C. Garnett, Aylmer and Louise Maude, S. S. Koteliansky (who worked in collaboration with V. Woolf, J. M. Murry), R. E. C. Long and others. Having gained access to high-quality translations of Russian classics, British writers began to study their works in greater detail. The British saw the influence of English and European writers (W. Shakespeare, Ch. Dickens, J.-J. Rousseau, J. W. Goethe, V. Hugo, etc.), e.g., in F. M. Dostoevsky’s works. However, later the Russian influence could also be felt in the Western novel, modifying it. There is an opinion that the works of A. P. Chekhov, translated by Garnett, changed the English short story, making it exactly as we know it. V. Woolf, J. Joyce, B. Shaw, J. Galsworthy, A. Bennett and others admired the depth, style, and language of Russian writers. Translation of works of great Russian authors facilitated the flow of information about Russia and expanded the Brit’s view on the country and its people. It once again confirms the existence of mutual cultural exchange between the two countries from a historical perspective. It can be argued that, despite all the complexities of the relationship, the mutual influence of the literatures of the two countries is quite significant.
26
Rudin, Bärbel. "KLIENTELISMUS ALS THEATERGEWERBLICHE MIGRATIONSSTRATEGIE." Daphnis 42, no. 1 (2013): 141–70. http://dx.doi.org/10.1163/18796583-90001129.
Full textAbstract:
The continental expansion of the Elizabethan-Jacobean Theatre and the transnational influence of its drama attracted historical interest in the long 19th century, but the topic was then largely neglected for several decades in German-speaking areas for some decades, as a consequence of the war. The standstill in research, visible in the mass of out-dated standard literature, established the creation of numerous legends. A prime example which is examined here in close detail is the persistence of fictional biographical narratives relating to the English theatre director John Spencer. The trigger was a false Brandenburgish prince. An extensive concealed and interlinked control mechanism steered the “choreography of traveling people”* in the opening up of the continental theatre business: clientelism.
27
Olczak, Z. "Creating the collection of Russian books in the Library of the Warsaw educational district in 1832–1850." Bibliosphere, no. 1 (April 29, 2020): 65–72. http://dx.doi.org/10.20913/1815-3186-2020-1-65-72.
Full textAbstract:
The author discusses the process of creating the collection of Russian books in the first half of the 19th century in the contemporary Library of University in Warsaw. Three types of sources were used: 1) the reports of the superintendents of the Warsaw Education District prepared in 1841–1860 and stored as part of the archival collections of the Ministry of Education of the Russian Empire in Russian State Historical Archives in StPetersburg; 2) the printed catalog of A. F. Smirdin Library – a copy with annotations of Warsaw librarians held by the University Library in Warsaw; 3) a hand-written catalog of Russian books held by the Library of Warsaw Education District in 1850 stored in the Archives of the University Library in Warsaw. Their analysis allowed the author the following statements about the collection of the Russian books: 1) in 1850 the collection included 4055 titles in 6493 volumes; 2) this collection makes 9% of the whole Library collection; 3) the subject of the collection is humanities (Russian literature, Russian philology, history of Russia and world history, theology and religion nearly absent); 4) the collection is of a very high cultural value (it includes rare and valuable editions of books of most prominent Russian writers of the first half of the 19th century, for instance first editions of Pushkin’s works); 5) main trends in Russian books acquisition were the history of Russia, politics, fictions and analyses of these works.
28
Medvedeva, Olga V. "The social prestige of the professions of a documentalist and archivist in Russia." Tambov University Review. Series: Humanities, no. 188 (2020): 221–31. http://dx.doi.org/10.20310/1810-0201-2020-25-188-221-231.
Full textAbstract:
The work is devoted to the issue of the social prestige of the professions of a documentalist and archivist in Russia. The prestige of the professions is indicated by the data of scientific publications and examples taken from the works of fiction and art, which are also a reflection of the public perceptions of each historical stage. Professions are formed simultaneously with the de-velopment of public administration, and their prestige depended on the level of the hierarchy at which a particular position was located. One of the highest posts in the state service of the Russian Empire was the position of personal secretary. A prestigious service was considered to be in the Moscow Archive of the College of Foreign Affairs. In the 19th century the posts of secretary and state secretary were prestigious. In the first half of the 20th century, the replacement of old quali-fied personnel with ordinary workers takes place. In the second half of the 20th century we can talk about a certain rise in prestige by continuing to organize the scientific organization of labor, creating a powerful material, technical and legal basis that regulates records management and archiving. Currently, there are changes in the technology of working with documents related to digitalization, the emergence of new positions, the profession of documentalist is in demand and is more universal in comparison with the profession of archivist. On the basis of the analysis of the questionnaire of archivists, we identify the key factors of the prestige of the documentalist and archivist, among which the main ones are economic and social. A number of state-economic, vocational-educational and public measures are proposed to increase the prestige of professions.
29
Babicheva, Maya. "“Twice Crowned” (Leonid Yuzefovich – Laureate of the Big Book)." Stephanos Peer reviewed multilanguage scientific journal 47, no. 3 (2021): 86–97. http://dx.doi.org/10.24249/2309-9917-2021-47-3-86-97.
Full textAbstract:
The article discusses the two-aspect nature of the contribution of L.A. Yuzefovich into Russian culture, as a reflection of the specifics of his gift. The criterion for the writer’s achievements was chosen to be a double leader in the national literary prize «Big Book» (a unique case in its history). The purpose of the article is to show the genre specificity of the individual style of Yuzefovich, which doubled the significance of his works for Russian literature and culture in general. The well-known Bulgakovʼs metaphor is applicable to the work of this writer completely. In this case, the right and left hand of the pianist can be considered fiction and documentary proze. A writer’s achievements in each of these areas greatly contribute to his success in the other. The leading place in the work of Yuzefovich the fiction writer is occupied by a large epic form. His novels with criminal plot, as a rule, have a pronounced detective line. The action takes place in different eras in different locations. These are Moscow and Western Europe of the 17th century, imperial Petersburg of the late 19th – early 20th centuries, Perm in the 1920s., etc. Specific historical details are reproduced in detail, the atmosphere of the era is recreated. Critics have repeatedly noted the writer’s ability to convey the spirit of the times in artistic form. The documentary prose of this author is a continuation of his scientific career (he is PhD in historical sciences). The beginning of this direction in his work was laid by the artistically revised dissertation research of the scientist. Subsequently, the main interest of Yuzefovich as the author of documentary proze focused on the events of the Civil War in Siberia and the Far East. The writer’s historical books have a fascinating plot and are written in good literary language. The best (to date) works of Yuzefovich of each of the named directions were awarded the Big Book Prize (the 1st place), awarded for a significant contribution to Russian culture and increasing the social significance of Russian literature. These are the novel «Cranes and the Dwarfs» (prize 2009) and the documentary novel «Winter Road» (prize 2015). Both works reveal important stages in Russian history and, at the same time, deserve high praise for their artistic form.
30
Veremenko, V. A. "“On the proper keeping of linen and clothes”: organization of laundry in urban noble-intellectual families of Russia in the second half of the 19th — early 20th century." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 1(52) (February 26, 2021): 144–53. http://dx.doi.org/10.20874/2071-0437-2021-52-1-13.
Full textAbstract:
The article is aimed at characterization of the ways of laundry organization in the urban noble-intellectual families of post-reform Russia, identification of the extent of innovations in this area, and of the degree of transition of this activity from the field of domestic labour to social production. The sources of the research include paperwork of laundry facili-ties, statistical data, numerous housekeeping manuals and instructions for laundry organization, memoirs, diaries and house books of urban nobles, especially noble women, and, finally, fiction and publicistic writings of this period. The study follows a methodological approach that combines research methods characteristic for the history of everyday life (first of all, historical reconstruction method), the theory of sociocultural dynamics, and the theory of “topochron”. The author concludes that, despite the significant increase of personal participation of educated housewives in household chores, which took place at the end of the 19th — beginning of the 20th century, this change did not extend to laundry, which was completely delegated to a special person — laundress. The employee herself could act as a single-family domestic servant, a worker who served in a laundry establishment or an independent day laborer who offered her ser-vices to all concerned. Moreover, the first group — laundresses — domestic servants — was extremely rare in the post-reform period. Washing could be carried out both “at the owners’ home”, and “on the side”. “Home washing”, which provided a theoretical opportunity for the employer to control the employee’s activities, was regarded as more preferable, both in terms of service quality and price. Active development of the laundry networks in the late 19th — early 20th century, some of which used machine washing, had little impact on lives of educated citizens. The laundries were oriented, first of all, to work with institutions, and among the “citizens” their services were mainly used by small noble-intellectual families who did not have an opportunity to invite a day labourer. Throughout the post-reform period, handwashing continued to be the most popular way to care for clothing, and the nature of the laundress’s labor re-mained virtually unchanged, still staying “backbreaking” and extremely poorly mechanized.
31
Jaeckel, Volker. "LOS ALEMANES COMO PERSONAJES LITERARIOS EN LA LITERATURA COLOMBIANA CONTEMPORÁNEA." Anuari de Filologia. Literatures Contemporànies, no. 9 (December 18, 2019): 41–61. http://dx.doi.org/10.1344/aflc2019.9.5.
Full textAbstract:
This paper will analyze the image of Germans in Colombian literature from the 1970s to the present day. Although the Germans played an important role in the colonization of the Kingdom of New Granada since the 16th century, we detected a greater presence of this figures with a more decisive role in the novels, in the 19th and especially the 20th centuries. Mainly soldiers, exiles, Jews, emigrants and Nazis of German origin left their traces in the literature of the Latin American country. To carry out the analysis we will present and comment on five novels written in the last 40 years focusing on characters of German origin or where Germans as literary figures have an influence on the development of the narrative. Both texts with historical characters and those with fictional characters will be treated.
32
Tkachenko, Roman. "Utopia of S. Podolynsky and its echo in Ukrainian literature." Synopsis: Text Context Media 26, no. 2 (2020): 42–47. http://dx.doi.org/10.28925/2311-259x.2020.2.4.
Full textAbstract:
The article deals with the connections between S. Podolynsky and Ukrainian literature, namely his artistic, educational and non-fiction works, scientific studies that testify to the philosophical principles of that era, create an additional explanatory context for the literary process, and the influence of the scientist's ideas on art literature. The object of study was mainly the texts of the thinker, such as “Steam machine” and “Human work and its relation to the distribution of energy.” The relevance of the study is seen in the need for a comprehensive understanding of the so-called populism, which in its individual samples went beyond provinciality and intellectual limitations, attesting to the art of the next era. The defining feature is the cultural and historical method established in Ukrainian literary studies. The novelty of intelligence is to shift the focus to little-known figures and marginal genres of Ukrainian literature. Interest in the figure of S. Podolynsky, what grew over time in a separate direction of research, dates back to the periods of national revival in the 20th century. Historians and economists wrote the most about him. However, physicians, physicists, biogeochemists, ecologists from Ukraine and abroad have gradually joined. The grows of the number of researchers and, in particular, the diversification of the subject of research with the involvement of all new areas of science is evidenced by the underestimated true scale of the personality of the Ukrainian thinker over the decades. We consider it necessary to focus, firstly, the genre specificity of the work “Steam machine” in the context of that day attracts attention, secondly, on the search for the echo of the ideas of this scientist in Ukrainian literature of the 19th and the first third of the 20th century. It is argued that the ideas of S. Podolynsky, in particular the autotrophy of mankind, as well as compositional and genre innovations could have influenced on the formation of scientific and social science fiction in Ukrainian literature. From our point of view, the proposed problem has the prospect of further elaboration, in particular the hypothesis about the connection between the futurological forecasts of S. Podolynsky and the ideological and artistic content of the short story by Panas Myrny “Dream” and V. Vynnychenko’s novel “Sun Machine”.
33
Макаренко, Евгения Константиновна. "GENRE SPECIFICITY OF BIOGRAPHICAL SKETCHES ABOUT RUSSIAN MOVEMENTS BY E. POSELYANIN." Tomsk state pedagogical university bulletin, no. 1(213) (January 11, 2021): 95–103. http://dx.doi.org/10.23951/1609-624x-2021-1-95-103.
Full textAbstract:
Введение. Известный в дореволюционной России публицист и духовный писатель Евгений Поселянин (настоящая фамилия Погожев), пройдя путь сомнений в вере и получив духовное возрождение в Оптиной Пустыни, стал участником развернувшейся между интеллигенцией и представителями Русской Православной Церкви дискуссии начала XX в. Церковность эстетического сознания Е. Поселянина определила основную задачу всего его творчества, заключавшуюся в воспроизведении и передаче духовного мира Русского Православия. Цель. Творчество известного духовного писателя и публициста конца XIX – начала XX в. Евгения Николаевича Поселянина, совершенно забытое на несколько десятилетий советской эпохи, требует реабилитации и серьезного научного исследования. Материал и методы. Исследуется сборник жизнеописаний Е. Поселянина «Русские подвижники 19-го века» (1900 г.). Работа написана в русле исторической поэтики. Результаты и обсуждение. В литературной деятельности Поселянина отразились важнейшие духовно-культурные искания его современников и художественно-эстетические тенденции конца XIX – начала XX в. Религиозное возрождение начала XX в. привело к сдвигу границ внутри русской культуры, при котором произошло сближение и взаимовлияние богословия, философии, науки с художественной литературой, что отразилось на трансформации традиционных художественно-эстетических форм. В творчестве Е. Поселянина можно проследить, как церковные темы и православное содержание облекаются в характерные для светской литературы и отходящие от строгих жанровых канонов литературные формы, которые становятся более пластичными жанровыми образованиями, открытыми для выражения и передачи современным человеком опыта духовной жизни. Заключение. Книга Е. Поселянина «Русские подвижники 19-го века» представляет собой документ русской духовной жизни XVIII–XIX столетий. В этом сборнике биографических очерков традиционализм жизнеописания святого размывается жанровыми новациями: включением структурных элементов из других художественных и публицистических церковных жанров (патерики, проповеди, церковная история) и популярной в светской литературе беллетризованной мемуарно-биографической прозы. Introduction. Evgeny Poselyanin, a well-known publicist and spiritual writer in pre-revolutionary Russia, having traveled the path of doubts in faith and received a spiritual revival in Optina Pustyn, became a participant in the discussion between the intelligentsia and representatives of the Russian Orthodox Church at the beginning of the 20th century. The ecclesiastical nature of E. Poselyanin’s aesthetic consciousness determined the main task of all his work, which was to reproduce and transmit the spiritual world of Russian Orthodoxy. Aim and objectives. The work of the famous spiritual writer and publicist of the late 19th – early 20th centuries. Evgeny Nikolaevich Poselyanin, completely forgotten for several decades of the Soviet era, requires «rehabilitation» and serious scientific research. Material and methods. The article examines the collection of biographies of E. Poselyanin «Russian ascetics of the 19th century» (1900 edition). The research is written in the mainstream of historical poetics. Results and discussion. Poselyanin’s literary activity reflected the most important spiritual and cultural searches of his contemporaries and artistic and aesthetic tendencies of the late 19th – early 20th centuries. Religious revival of the early 20th century led to a shift in boundaries within Russian culture, during which there was a convergence and mutual influence of theology, philosophy, science with fiction, which was reflected in the transformation of traditional artistic and aesthetic forms. In the work of E. Poselyanin, one can trace how church themes and Orthodox content are clothed in literary forms characteristic of secular literature and departing from strict genre canons, which are becoming more plastic genre formations open for the expression and transmission of the experience of spiritual life by modern man. Conclusion. The book by E. Poselyanin «Russian ascetics of the 19th century» is a document of Russian spiritual life in the 18th – 19th centuries. In this collection of biographical sketches, the traditionalism of the life of the saint is eroded by genre innovations: the inclusion of structural elements from other artistic and journalistic church genres (paterics, sermons, church history) and fictionalized, memoir and biographical prose popular in secular literature.
34
Fischer, Ronald, Johannes Alfons Karl, Markus Luczak–Roesch, Velichko H. Fetvadjiev, and Adam Grener. "Tracing Personality Structure in Narratives: A Computational Bottom–Up Approach to Unpack Writers, Characters, and Personality in Historical Context." European Journal of Personality 34, no. 5 (2020): 917–43. http://dx.doi.org/10.1002/per.2270.
Full textAbstract:
We present a new method for personality assessment at a distance to uncover personality structure in historical texts. We focus on how two 19th century authors understood and described human personality; we apply a new bottom–up computational approach to extract personality dimensions used by Jane Austen and Charles Dickens to describe fictional characters in 21 novels. We matched personality descriptions using three person–description dictionaries marker scales as reference points for interpretation. Factor structures did not show strong convergence with the contemporary Big Five model. Jane Austen described characters in terms of social and emotional richness with greater nuances but using a less extensive vocabulary. Charles Dickens, in contrast, used a rich and diverse personality vocabulary, but those descriptions centred around more restricted dimensions of power and dominance. Although we could identify conceptually similar factors across the two authors, analyses of the overlapping vocabulary between the two authors suggested only moderate convergence. We discuss the utility and potential of automated text analysis and the lexical hypothesis to (i) provide insights into implicit personality models in historical texts and (ii) bridge the divide between idiographic and nomothetic perspectives. © 2020 European Association of Personality Psychology
35
Green, Dani, and Angel Daniel Matos. "Right to Read: Reframing Critique: Young Adult Fiction and the Politics of Literary Censorship in Ireland." ALAN Review 44, no. 3 (2017): 54–60. http://dx.doi.org/10.21061/alan.v44i3.a.6.
Full textAbstract:
If you briefly peruse the American Library Association’s annual compilation of the “Top Ten Most Frequently Challenged Books,” it would not be farfetched for you to assume that censorship is an act that is nearly exclusive to children’s and young adult (YA) literature. The complex and close relationship between informational suppression and YA fiction should come as no surprise—authority figures and institutions often want to “protect” children and adolescents from ideas and depictions of realities that they consider harmful. At times, these parental and institutional forces outright question teenagers’ competence when it comes to comprehending and thinking through difficult social and literary issues. While YA literature is often susceptible to acts of censorship, is it possible that the very literary traits of this genre might provide us with the critical tools needed to counteract the suppression of information and ideas? To what extent do YA novels articulate ideas and critiques that other genres of literature refuse (or are unable) to discuss? This issue of The ALAN Review is particularly invested in expanding our understanding of YA literature by exploring the stories that can or cannot be told in different contexts, communities, and locations. While an understanding of the acts of censorship that occur in a US context offers us a glimpse into the tensions that arise between ideas, publishers, and target audiences, an examination of censorship in non-US contexts allows us to further understand the historical and cultural foundations that lead to the institutional suppression of knowledge. Additionally, a more global understanding of these issues could push us to understand the ways in which YA fiction thwarts censorship in surprising, unexpected ways. To nuance our understanding of censorship by adopting a more global perspective, I have collaborated with my friend and colleague Dani Green, who offers us an account of contemporary acts of censorship in Ireland and the ways in which Irish YA literature is particularly suited to express ideas that are deemed unspeakable and unprintable. Dani is a scholar of 19th-century British and Irish literature with an interest in issues of modernity, space, and narrative. As an academic who specializes in both historicist and poststructuralist study, Dani is particularly suited to think through the fraught historical and literary situation of contemporary Ireland and the ways in which YA fiction escapes (and perhaps challenges) the pressures of nationalistic censorship and self-censorship. In the following column, she provides us with a brief overview of the past and present state of censorship in Ireland, focusing particularly on how contemporary Irish writers steer away from offering critiques of Ireland’s economic growth during the mid-1990s to the early 2000s. After sharing this historical context, Dani conducts a case study in which she focuses on how Kate Thompson’sYA novel The New Policeman (2005) blends elements from fantasy and Irish mythology to both communicate and critique Ireland’s economic boom. By taking advantage of elements commonly found in YA texts, she argues that Thompson’s The New Policeman enables a cultural critique that is often impossible to achieve in other forms of Irish literature. Dani ultimately highlights the potential of YA fiction to turn censorship on its head through its characteristic implementation of genre-bending, formal experimentation, and disruption of the familiar.
36
Golovchiner, V. E., and T. L. Vesnina. "Origins and functions of comic in feuilleton as literature phenomenon." Sibirskiy filologicheskiy zhurnal, no. 3 (2020): 107–17. http://dx.doi.org/10.17223/18137083/72/8.
Full textAbstract:
The genesis of a feuilleton phenomenon in the periodic press, always attracting the readers’ attention, has not been thoroughly researched. The work aims to identify the feuilleton origins and clarify the nature of its expressive means and comic functions. The research materials include the records of the feuilleton discussions in the Soviet press (1922–1926), a collection of works “Feuilleton” (1927), later works on the feuilleton and historical poetics. The following factors are considered to have contributed to the rise of the feuilleton: increased potential of the printing press at the turn of the 19th century, emergence of commercial periodicals, publishers’ interest in increasing the subscribers’ number, growing opposition to the regulatory trends of classicism and acute interest of romanticists in folklore and freedom to use its expressive means in the artistic sphere. The feuilleton is conceptualized as a young form, independent of genre canons, developing the low farce and slapstick comedy expressive means and its comic potential. According to ancestral memory, the comic means as basic artistic expression suggests both mockery and pleasure function for the feuilleton audience and predetermines the double existence of the feuilleton text and difference in naming at different times and in different publications. Texts published in periodicals are traditionally viewed as feuilletons, though the same texts published elsewhere can be considered short fiction forms. The paper defines the feuilleton as belonging to periodicals but distinguished among official and serious papers by its wording and free form of a mostly comic statement, pleasing for readers.
37
Polishchuk, Volodymyr. "PANTELEIMON KULISH IN THE FATE AND WORKS OF MYKHAILO STARYTSKYI (APPROACHING THE ISSUE)." Слово і Час, no. 3 (May 26, 2021): 3–21. http://dx.doi.org/10.33608/0236-1477.2021.03.3-21.
Full textAbstract:
The paper focuses on the relationship of two Ukrainian literature classics of the 19th century Panteleimon Kulish and Mykhailo Starytskyi, the viewpoint of the latter being basic in this research. The study reveals some aspects of biographical and then creative nature that had an impact on the outlook of the younger writer (M. Starytskyi). There were noticeable differences in the characters and temperaments of the two writers. The noble tolerance on the part of M. Starytskyi allowed maintaining a constructive dialogue between colleagues, despite the substantial worldview and historiosophical ‘swings’ of P. Kulish in the 1870s and 80s. As to typological convergences and differences in the field of literature, it is noted that P. Kulish’s “Commoners’ Council” (“Chorna Rada”) had a signifi cant and long-lasting impact on Starytskyi’s outlook and subsequently his prose works (especially fiction). The prophetic potential of Kulish’s novel (commoners’ councils as the causes of ‘ruin’, the destructive nature of the thoughtless spontaneity of the masses, the threat of populism, etc.) was realized in Starytskyi’s writings. The study shows that in different spheres of creative work, both P. Kulish and M. Starytskyi tended to innovations and experiments focused on the best achievements of European literatures. Special attention is paid to the debatable issue of the classics’ priority in ‘breaking the patterns’ of imitating Shevchenko’s manner of verse (based on the judgments of I. Franko, M. Zerov, and Ye. Nakhlik). The author of the paper defends the view of at least simultaneous overcoming the mentioned patterns by P. Kulish and M. Starytskyi. Some analytical comments are given to M. Starytskyi’s judgments about T. Shevchenko, contained in his letters to P. Kulish. The analysis of M. Starytskyi’s works (novels, dramas, some poems) shows that their author did not share the views of the late works by P. Kulish concerning the historical role of the Cossacks and haidamak movement.
38
Gedeeva, Daria B. "О жанровом многообразии калмыцкой деловой письменности XVII-XIX вв." Oriental Studies 13, № 5 (2020): 1446–55. http://dx.doi.org/10.22162/2619-0990-2020-51-5-1446-1455.
Full textAbstract:
Introduction. The Kalmyks are one of the few peoples in Russia to have developed a script system of their own centuries ago. Spiritual culture of the ethnos can be traced in numerous original and translated texts of philosophical treatises, medical writings, historical chronicles, grammar essays, diaries of Buddhist pilgrims, fiction, recorded folklore materials, etc. The Kalmyk vertical script was also used for official writing. From the 17th century onwards, in the Lower Volga Kalmyks would expand their knowledge of Russian record keeping procedures (in diplomatic, military and economic contacts), however, adhering to their own writing traditions. Archival materials available attest to that the then genres of Kalmyk official writing were diverse enough, which makes it essential to reveal and investigate some authentic genre samples, classify the latter, identifying certain structural, stylistic, and language features. Goals. So, the paper seeks to essentially and structurally describe the revealed genres. Materials. The work analyzes documents stored by the National Archive of Kalmykia. Conclusions. Current research results indicate in the 17th-19th centuries the Kalmyks did possess a comprehensive official writing system characterized by genre diversity, which makes the introduction of the terms ‘Kalmyk official writing’ and ‘genre of Kalmyk official writing’ reasonable and necessary. The study delineates a number of functional genres, such as cāǰiyin bičiq, zarčim (Cyrillic цааҗин бичг) ‘codes, regulations’, amur yabuxu bičiq (Cyr. амр йовх бичг) ‘letter of discharge’, ayiladxal bičiq (Cyr. әәлдхл бичг) ‘report, dispatch’, erelge (Cyr. эрлһ) ‘petition’, andaγār (Cyr. андһар) ‘vow’, tō (Cyr. то) ‘register’, and the vastest one — bičiq (Cyr. бичг) ‘epistolary message’. However, there are still titles of documents to explore, e.g., bičiq tamaγa (Cyr. бичг тамһ) ‘letter-seal’, elči bičiq (Cyr. элч бичг) ‘letter (to be delivered by) a special messenger’, zarliq (Cyr. зәрлг) ‘order; decree’, etc. In this context, further research of Kalmyk official writing documents can be a priority focus of Mongolian studies. Archival sources are only being discovered, and have not been studied due to large numbers. Thus, the genre structure presented is incomplete and shall definitely be revised or extended.
39
Subotsky, Fiona. "Psychiatrists in 19th-century fiction." British Journal of Psychiatry 195, no. 5 (2009): 402. http://dx.doi.org/10.1192/bjp.195.5.402.
Full text
40
Griškaitė, Reda. "The Intellectual Games of Teodor Narbutt: Šiauriai as the Museum of the Lithuanian Antiquities." Knygotyra 75 (December 28, 2020): 259–326. http://dx.doi.org/10.15388/knygotyra.2020.75.68.
Full textAbstract:
The article analyses a particular 19th century manor, classed among the category of the so-called intellectual manors – Teodor Narbutt’s (or Teodor Mateusz Ostyk-Narbutt, 1784–1864) Šiauriai manor (Pol. Szawry; Grodno Province, since 1843 – Vilnius Province, Lyda County). All the texts by Narbutt – fictional as well as the scientific works, including the famous Dzieje narodu litewskiego (The History of the Lithuanian Nation, vol. 1–9, Vilnius, 1835–1841) – were collected in this place. Throughout the years, the manor became a unique workshop for the historian in which one could find a rich library, collections of manuscripts, and Lithuanian artefacts. Up until now, the researchers have focused most of their attention on the contents and the assembly of Narbutt’s collection of books and periodical publications, while the collection of artefacts has received less limelight. The collections of historical documents, numismatic objects, and art pieces, which for the landowner-historian were no less important, have also been left on the margins. The aim of this article is: by employing the already analysed and completely new archival resources, take a different look at the collections once stored in Šiauriai, while, at the same time, cultivating the idea that the gathering of them was particularly purposeful and was perceived as a formation of a “compulsory” material, necessary for the writing of the history of Lithuania.
41
Griškaitė, Reda. "The Intellectual Games of Teodor Narbutt: Šiauriai as the Museum of the Lithuanian Antiquities." Knygotyra 75 (December 28, 2020): 259–326. http://dx.doi.org/10.15388/knygotyra.2020.75.68.
Full textAbstract:
The article analyses a particular 19th century manor, classed among the category of the so-called intellectual manors – Teodor Narbutt’s (or Teodor Mateusz Ostyk-Narbutt, 1784–1864) Šiauriai manor (Pol. Szawry; Grodno Province, since 1843 – Vilnius Province, Lyda County). All the texts by Narbutt – fictional as well as the scientific works, including the famous Dzieje narodu litewskiego (The History of the Lithuanian Nation, vol. 1–9, Vilnius, 1835–1841) – were collected in this place. Throughout the years, the manor became a unique workshop for the historian in which one could find a rich library, collections of manuscripts, and Lithuanian artefacts. Up until now, the researchers have focused most of their attention on the contents and the assembly of Narbutt’s collection of books and periodical publications, while the collection of artefacts has received less limelight. The collections of historical documents, numismatic objects, and art pieces, which for the landowner-historian were no less important, have also been left on the margins. The aim of this article is: by employing the already analysed and completely new archival resources, take a different look at the collections once stored in Šiauriai, while, at the same time, cultivating the idea that the gathering of them was particularly purposeful and was perceived as a formation of a “compulsory” material, necessary for the writing of the history of Lithuania.
42
Palma, Luís Manuel. "Tracking the ancestral Portuguese name of the osprey across the Atlantic: hints from language, literature, history and geography." Arquivos de Zoologia 48, no. 4 (2017): 115. http://dx.doi.org/10.11606/issn.2176-7793.v48i1p115-130.
Full textAbstract:
Guincho, the traditional Portuguese name of the osprey (Pandion haliaetus) is unique and ancestral. It is found in several sorts of fictional literature from the 16th up to the early 20th centuries in the form of a metaphor born from an old popular proverb. The first time the name appears as the vernacular designation of the osprey is in a 17th falconry treatise, and then in old dictionaries and early ornithological monographs and catalogues throughout the 18th to early 20th centuries. In Portugal, however, the name barely survives, partly due to the species demise in the country during the 20th century, but mainly because it was gradually replaced by an erudite term in ornithological literature since the middle 19th century. However, given the conspicuousness of the species and its nests, the name and its composites are retained in a number of places along the coast. And, following the Portuguese diaspora of the 16th-18th centuries, the term spread to the archipelagos of Madeira, Cape Verde and the Canaries where it impregnated the local vocabulary and again gave the name to many coastal places. Then, it moved from the Canaries to the Spanish speaking areas of the Caribbean riding the mass migration of Canary Islanders to the new colonies. In consequence, the traditional Portuguese name of the osprey is still fully used in several island countries across the Atlantic. The remarkable presence of the ancestral Portuguese name of the osprey in language, literature and geography allows its rehabilitation as the proper popular name of the species and sanctions its legitimacy as a tool for reconstructing the ancient historical ranges of the osprey. Ultimately, revaluing the name is also a matter of cultural preservation, which compliments and enriches the current efforts for the species recovery in Portugal.
43
Pridmore, Saxby. "Suicide in 19th-century Australian fiction." Australian & New Zealand Journal of Psychiatry 51, no. 10 (2017): 1058–59. http://dx.doi.org/10.1177/0004867417699475.
Full text
44
Przybos, Julia. "Polish Decadence: Leopold Staff's Igrzysko in the European Context." Nordlit 15, no. 2 (2012): 79. http://dx.doi.org/10.7557/13.2045.
Full textAbstract:
Decadent authors writing about the past share a common artistic practice: revisionist creativity. I argue in my Zoom sur les décadents that this particular type of creativity uses as its main device recombination of legends, myths, and historical events. Historical, cultural or religious figures are reexamined and shown in a new unexpected light. I show in my book how Villiers de Isle-Adam conflates two crucial battles of the Ancient world: Marathon (490 BC) and Thermopiles (480 BC) in ashort story called "Impatience de la foule." The final result of Villiers's telescoping of separate historical events is a seamless narrative. In Hugues Rebell's "Une Saison à Baia," Saint Paul attempts to convert Roman patricians who mock his incoherent speeches. In "La Gloire de Judas," Bernard Lazare departs from the Gospels and tells the tragic story of Judas whose betrayal made the salvation of the human race possible. In Lazare's short story, Judas is a self-effacing figure who doesn't act on his own but on Jesus Christ's specific order, who sworns him into secrecy.Common in French decadent fiction, religious revisionism was largely tolerated in the secular Third Republic. Whereas censorship was quick to punish naturalist authors writing about debauched clergy in contemporary France (e.g. Louis Deprez and Henry Fèvre's Autour d'un clocher) decadent authors reinventing ancient religious stories and retelling the life of catholic saints enjoyed a relative freedom ofexpression.It is my hypothesis that taken out of its secular context, religious revisionism of the kind practiced by French decadents may be seen as shocking transgression in a fiercely catholic country like Poland. In the country that lost its independence in 1794 and was ever since seeking to regain it, Catholic Church was perceived as an essential ally in the struggle against main occupying powers: Orthodox Russia, and Protestant Prussia. In the course of the 19th century Catholicism and patriotism had been effectively fused in Polish national conscience. In this charged political context a Polish author revisiting Church dogma or tradition was at risk of being perceived not only as a religious outcast but also as a traitor to the cause of Polish independence.To test my hypothesis I propose to examine Igrzysko (Game), a forgotten play by Leopold Staff. Admired today chiefly as a poet, the young Staff wrote Igrzysko in Poland after a long sojourn in Paris where he had lived among the international crowd of fin de siècle writers and artists. The play was first produced in Lemberg in 1909 and after a few performances vanished forever from Polish theatrical repertoire.Leopold Staff's play is set in ancient Rome and depicts tribulations of an actor who, while impersonating a Christian awaiting crucifixion, converts to Christianity. In his play, Staff revives the legend of Saint Genesius, an actor in Arles who died a martyr's death in 286 under Diocletian. In Spain, Saint Genesius's legend inspired Lope de Vega who wrote Acting is Believing (Lo fingido verdadero, 1607). In France, it was the source for Jean Rotrou's Saint Genest (1646). All told, the legend of Genesius is a popular theme for artists who wish to explore the distinction between art and life. An important addition to this old tradition, Staff's play contains, however, a decadent and potentially scandalous twist. Unlike in Acting is Believing and Saint Genest, the protagonist's conversion is very short lived in Igrzysko. Fearing pain, Staff's character commits suicide and is, therefore, condemned for eternity. In my paper, I will discuss the significance of Staff's religious transgression in the context of the turn of the century arch-catholic and patriotic Poland.
45
Rosovetskii, Stanislav. "On the Influence of Shevchenko's Autobiography on Kulish's." Actual issues of Ukrainian linguistics: theory and practice, no. 39 (2019): 37–57. http://dx.doi.org/10.17721/apultp.2019.39.37-57.
Full textAbstract:
In honor of the 200th anniversary of P. Kulish's birth, the article offers a multi-level comparison of autobiographies of two prominent Ukrainian writers of the 19th century. In the categories and concepts of modern literary criticism, the hypothesis of literary influence of T. Shevchenko on P. Kulish's perception of artistic autobiography genre is checked and confirmed. For this purpose, three texts are compared: an autograph of "Autobiography" by T. Shevchenko, deeply edited by P. Kulish for printing in "People's Reading" journal, a version of T. Shevchenko's "Autobiography" and an autobiography "My Life" by P. Kulish. The comparison is carried out at narratological, compositional, genre and intertextual levels. The historical background of the creation of each of the texts is analyzed. It is proved that the autograph of T. Shevchenko's "Autobiography" and P. Kulish's "My Life" both belong to the genre of artistic autobiography and have a compressed narrative structure. It is confirmed that T. Shevchenko didn't have extra-literary reasons for creating a third-person autobiography, unlike P. Kulish, who, moreover, was very likely to come under the literary influence of the text of T. Shevchenko and developed T. Shevchenko's narrative structure in his artistic autobiography. At the same time, it is assumed that literary influence might not be the main argument in choosing a third-person narration, since there were extra-literary reasons for keeping P. Kulish's incognito. It is noted that the text "My Life" of P. Kulish is more functional in the aspects of orientation to objectivity, emotional pressure and moderation of the author's image in literary life. Its narrative structure is compressed precisely for the sake of objectivity, addressees and consignees are implicit and difficult to isolate on each of the layers of the narrative structure precisely to mimic the non-fiction. The text of a letter to the author integrated into "My Life" is the only exception. It is concluded that hypothesis about literary influence of T. Shevchenko on P. Kulish within the genre of artistic autobiography is reliable and well-reasoned. To the author's mind, further studies should focus on finding evidence of unconscious literary influence of T. Shevchenko on P. Kulish in other genres, chances of discovering which in future are rather high.
46
Gage, Stephanie. "More Virulent Than Disease." Ecozon@: European Journal of Literature, Culture and Environment 11, no. 1 (2020): 188–91. http://dx.doi.org/10.37536/ecozona.2020.11.1.3191.
Full textAbstract:
“More Virulent than Disease” is a chapter from the historical novel, Painted Butterflies. This excerpt is written through the voice of Santiago Ramon y Cajal (1852 – 1934), Nobel Prize Winner, who is credited with being “The Father of Modern Neuroscience.” In this piece, Santiago is in his mid-twenties recounting the four years since his return from the Separatist War in Cuba (Ten Years War), where he served as a head physician in a remote jungle hospital. Here, he ruminates about his recovery from illnesses which he acquired in the tropics, from which he barely survived. His hopefulness, his need for artistic expression, his passion for the natural world and the courage he observed from others brought Santiago through one of the darkest periods of his life. Painted Butterflies follows the life and scientific work of Santiago Ramon y Cajal through his journal entries. His story is expressed through his 19th century lens, but is also seen through the eyes of a modern, fictional neuroscientist, Rebecca Calhoun, who is navigating graduate school in the United States. Across two centuries and continents, these scientists discover themselves and what drives their passions for living deeply and the excitement of discovery. When Santiago’s journal falls mysteriously into Rebecca’s hands, they become connected by a scientific theory, spurned by Santiago’s prescience into how memory works. As if Santiago is whispering in her ear, Rebecca pursues her idea on how to enhance the brain’s capacity for memory (and succeeds), but there is a caveat that takes her findings to an unexpected and more personal place.
47
Vandenbussche, Wim. "Arbeitersprache: A Fiction?" Variation in (Sub)standard language 13 (December 31, 1999): 87–103. http://dx.doi.org/10.1075/bjl.13.06van.
Full textAbstract:
Abstract. This article discusses the structure of working class language use {Arbeitersprache) in Bruges during the 19th century. It will be demonstrated that the written language of this 'silent majority' of the population was a defective and ill-construed code, displaying defects at all linguistic levels, and consequently testifying of semi-literacy or near-literacy. Through a set of representative text samples, we will discuss such features as inconsequent spelling, word omission, unfinished sentences, lack of coherence and stylistic unstableness. Through a comparison of examples from the beginning and the end of the 19th century, written by both trade servants and masters, it will be shown that defective language use was not limited to lower groups of the working class, nor to the earlier years of the century. At the end of this article, we will argue that a discussion of 19th century language use (and of 'Arbeitersprache' in particular) should not only concentrate on the writer's social class; social processes like literacy and schooling, which go beyond class boundaries, may have a far higher explanatory value in these matters.
48
Sharma, Dr Rajni, and Mrs Poonam Gaur. "Women Predicament in 'A Journey on Bare Feet' by Dalip Kaur Tiwana." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 14. http://dx.doi.org/10.24113/ijellh.v8i2.10391.
Full textAbstract:
The autobiographical impulse and act is central to woman's writing in India. The range of Indian women's writing generates an unending discourse on personalities, woman's emotions and ways of life. In a way, it presents the socio-cultural state in India from a woman's stance. It affords a peep into Indian feminism too. Besides giving a historical perspective, it throws ample light on woman's psychic landscape. It takes us to the deepest emotions of a woman's inner being. The varied aspects of woman's personality find expression in the female autobiographical literature. We find that a deeper study of women’s autobiographies unravel the hidden recesses of feminine psyche of Indian society. Whatsoever the position of women maybe, behind every social stigma, there is woman, either in the role of mother-in-law, sister‑in‑law or wife. The women writers with sharp linguistic, cultural and geographical environment represented the problems and painful stories of Indian women from 19th century until date. However, they have not shared the contemporary time of the history, the problems of patriarchal society, treatment women, broken marriages and the identity crises for the women remained similar. Women writers have also been presenting woman as the centre of concern in their novels. Women oppression, exploitation, sob for liberation are the common themes in their fiction.
 Dalip Kaur Tiwana is one of the most distinguished Punjabi novelists, who writes about rural and innocent women’s physical, psychological and emotional sufferings in a patriarchal society. As a woman, she feels women’s sufferings, problems, barricades in the path of progress as well as the unrecognized capabilities in her. Dalip Kaur Tiwana has observed Indian male dominated society very closely and has much understanding of social and ugly marginalization of women. She can be considered a social reformer as she is concerned with human conditions and devises for the betterment of women's condition in Indian Punjabi families. This paper focuses on the theme of feminist landscape. It presents the miserable plight of women characters. She has come across since her childhood. Women, who felt marginalized, alienated, isolated and detached in their lives, but were helpless as no law was there in her time to punish the outlaws. Dalip Kaur Tiwana beautifully portrays the landscape of her mind. The paper shows how Dalip Kaur Tiwana presents the unfortunate image of her mother, grandmother aunts and some other obscure women who were unable to mete out justice during their life time.
49
Öztekin, Özge. "19th Century Ankara Through Historical Poems." Journal of Ankara Studies 3, no. 2 (2015): 212–19. http://dx.doi.org/10.5505/jas.2015.19480.
Full text
50
McCue, Andy. "19th-Century Baseball Fiction: A Survey." Base Ball: A Journal of the Early Game 2, no. 1 (2008): 66–73. http://dx.doi.org/10.3172/bb.2.1.66.
Full text