Academic literature on the topic '19th-century Italian literature'

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Journal articles on the topic "19th-century Italian literature"

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D’Orazio, Dario, and Sofia Nannini. "Towards Italian Opera Houses: A Review of Acoustic Design in Pre-Sabine Scholars." Acoustics 1, no. 1 (2019): 252–80. http://dx.doi.org/10.3390/acoustics1010015.

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The foundation of architectural acoustics as an independent science is generally referred to Sabine’s early studies and their application. Nevertheless, since the 16th Century, a great number of authors wrote essays and treatises on the design of acoustic spaces, with a growing attention to the newborn typology of the Opera house, whose evolution is strongly connected to the cultural background of the Italian peninsula. With roots in the Renaissance rediscovery of Vitruvius’s treatise and his acoustic theory, 16th- to 19th-Century Italian authors tackled several issues concerning the construct
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Variano, Angelo. "Spigolature di anglicismi: a proposito di leggings e altri (recenti) forestierismi." Zeitschrift für romanische Philologie 134, no. 2 (2018): 568–79. http://dx.doi.org/10.1515/zrp-2018-0035.

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AbstractThe present article focuses on English-Italian language contact. In detail, we will show that supposedly recent borrowings such as leggings (GRADIT: 2004) or steward (1928) can already be observed in 19th-century Italian translations of English travel literature.
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Saranov, Serhiy. "The problem of creativity and scientific heritage of Machiavelli in the framework of the historiographical assessments of Francesco De Sanctis." SUMY HISTORICAL AND ARCHIVAL JOURNAL, no. 40 (2023): 49–57. http://dx.doi.org/10.21272/shaj.2023.i40.p.49.

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The article deals with the problem of creativity and scientific heritage of Niccolò Machiavelli in the system of historiographic assessments by Francesco De Sanctis (1817-1883). The author states the importance of addressing this issue in the era of globalization, since the era of the Italian Renaissance reflected cardinal changes in the interpretation of the historical process. In addition, in the era of globalization, the question of the system for forming the stages of historiographic assessments of Machiavelli's scientific heritage has significant methodological potential. Of particular in
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Palmarini, Luca. "Su alcuni metodi applicati a grammatiche di italiano per polacchi tra il XIX e il XX secolo." Romanica Cracoviensia 20, no. 4 (2020): 247–59. http://dx.doi.org/10.4467/20843917rc.20.024.13310.

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On some methods applied to Italian grammars for Poles between the 19th and 20th centuries The article aims to compare and analyse Italian grammars and manuals for Polish users published between the second half of the 19th century and the beginning of the 20th century. The purpose is to observe the general trends on the methods proposed, the changes taking place and the possible influences on teaching of Western languages as foreign languages in a historical moment when after the Third Partition Poland had ceased to exist as a sovereign state.
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Lemainque, Ingrid. "Les tableaux italiens du Settecento dans les ventes parisiennes au XVIIe siècle." Studiolo 2, no. 1 (2003): 138–66. http://dx.doi.org/10.3406/studi.2003.1118.

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Ingrid Lemainque, Italian paintings of the Settecento in 18th-century Parisian sales ; In 19th-century France, contemporary Italian painting seems to have been little valued, if one believes the artistic literature of the time. A statistical analysis based on the thorough survey of Parisian sales catalogues between 1730 and 1799 enables one to distinguish a different truth, the presence of a particular taste for Settecento Italian paintings and reveals the importance of landscape and the Venetian school in these sales, to the detriment of more conventional schools and artists.
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Yakushkina, Tatiana V. "Truth and money: Writing and payment for it in the perception of Italian writers of the 18th–19th centuries." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 631–46. http://dx.doi.org/10.21638/spbu09.2023.314.

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The article, based on the Italian literature of the 18th–19th centuries, traces the relationship between the social status of the writer, his attitude to his work, on the one side, and the forms of remuneration for it, on the other. In contrast to the sociological approach, which considers the problem of “writer and money” mainly from the position of the reader, the author of the article, being a historian of literature, considers it from the position of the writer. The author shows that the attitude to literature as a way of earning money is a result of ideological shifts and changes in the w
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Damian, Otilia Ștefania. "Cooperative Learning of Italian Literature in the Post-Pandemic Era." Educatia 21, no. 23 (December 21, 2022): 17–27. http://dx.doi.org/10.24193/ed21.2022.23.02.

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The paper analyses how cooperative learning can be used in teaching literature, specifically 19th century Italian literature. It presents the results of group activities carried out in October 2022 by students from the Faculty of Letters of the “Babes-Bolyai” University of Cluj-Napoca, with specialisation in Italian A and B. These are students attending the Italian Literature II course, taught in Italian. The participants returned to university (face-to-face didactic activities) only in the spring of 2022, in the second semester of their first year of study at a university level. They spent mo
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Munari, Alessandra. "The double nature of ‘source criticism’: Between philology and intertextuality." Forum Italicum: A Journal of Italian Studies 53, no. 1 (2019): 27–52. http://dx.doi.org/10.1177/0014585818813894.

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This article analyzes so-called ‘source criticism’, and it observes how this discipline historically and conceptually developed into the theory of intertextuality. This research traces the steps of source criticism from the end of the 19th century and through the 20th century, paying special attention to Italian literature; it deals with texts by critics Pio Rajna, Renato Serra, Ernst Robert Curtius, Gian Biagio Conte, Ezio Raimondi and Giuseppe Velli.
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Benardelli, de Leitenburg Mainardo. "Geopolitica della lingua italiana." FUTURIBILI, no. 2 (September 2009): 139–61. http://dx.doi.org/10.3280/fu2008-002015.

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- Language is one of the most widely discussed questions in Italian social and literary history, and Italian has recently been dropped from the list of official languages in the European Community. The author presents a historical overview starting from the 13th century, which saw the beginning of popular literature in poetry, and comprising the development of written and spoken Italian from traditional regional literature to the evolution of the dolce stilnovo, the appearance in the 19th century of the language of Manzoni and his antagonists, the composition of the first Dictionary of the Ita
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Toroš, Ana. "Auto-stereotypes and Hetero-stereotypes in Slovene and Italian Poetry About Trieste From the First Half of the 20th Century." Interlitteraria 21, no. 2 (2017): 290. http://dx.doi.org/10.12697/il.2016.21.2.10.

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This article brings to light the socio-political conditions in the Triestine region, at the end of the 19th century and in the fi rst half of the 20th century. Th ese conditions infl uenced the formation of stereotypical, regionally coloured perceptions of Slovenes and Italians in the Slovene and Italian poetry about Trieste from the fi rst half of the 20th century, which were specific to the Triestine area or rather the wider region around Trieste, where the Slovene and Italian communities cohabited. This article also points out that these stereotypes are constructs. The Italian Triestine lit
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Dissertations / Theses on the topic "19th-century Italian literature"

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Pieri, Giuliana. "The influence of English Pre-Raphaelitism on 19th-century Italian art and literature." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313182.

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Mayo, James Oliver. "Images of Corsica in France: Travel Memoirs and 19th Century Writers." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1764.

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Considered an integral part of Metropolitan France, the island of Corsica is situated nonetheless on the very periphery of the modern state that claims it. Actually situated geographically closer to Italy than to any part of France, its culture and its people are likewise more closely related to their Italians neighbors than to the rest of what Corsicans term "Continental France." Following the acquisition of Corsica, both government officials and bourgeois travelers would seek to visit the island, often recording their findings and publishing these memoirs for others to know of their travels.
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Tsaturyan, Christina Ann. "Sport as Art: The Female Athlete in French Literature." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2347.

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The modern conception of organized, codified sport originated in Europe during the 19th century. At this time, instructors began to institute the practice of certain physical activities at school as a means of teaching morals, forming character, and initiating social exchange. Sport is particularly appropriate for forming men because of its public, physical nature. The values it instills—courage, strength, leadership—are also decidedly masculine. What, then, is made of the female athlete? Are the noble qualities that sports affirm inapplicable to women? In this thesis, I argue that female part
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Balletti-Thomas, Joanne. "Women's writing and the "anxiety of authorship" in nineteenth-century Italy : Bruno Sperani and others." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26718.

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As women's literature emerged in late nineteenth-century Italy, female authors encountered many obstacles. Foremost among them was the near-total absence of Italian female literary role models. Female writers often expressed ambivalence towards the writing of other women, which was considered inferior to male writing. However, their reverence for male writers revealed how conflictive their identities as writers were, and it was an impediment to the establishment of a serious women's literary tradition. In addition to such personal conflicts, these writers also faced the challenge of gaining ac
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Howard, Paul. "Casus Belli : Giuseppe Gioachino waging war between tradition and experimentation." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:eaa66fdb-827c-4c78-bc1d-190000f7d780.

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This thesis explores the notion of opposition in the Sonetti romaneschi by the Roman poet Giuseppe Gioachino Belli (1791-1863). It sees the poet as a warring rebel on the literary scene and examines his poetics and rhetoric of war through his choice of form (the hallowed sonnet structure), language (the ‘rotten’ vernacular) and subject (the downtrodden, previously voiceless underclass); it shows that these cornerstones of Belli’s opus are in polemical response to literary stimuli and intimately connected to the political, religious and sociological upheavals in and beyond Rome in the troubled
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Fonsato, Vanna Marisa. "Giudizi letterari di Isabella Teotochi Albrizzi nel carteggio inedito della Raccolta Piancastelli." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61287.

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The present work examines the literary criticism expressed by Isabella Teotochi Albrizzi in several of her unpublished letters.<br>The first part outlines the cultural and historical tradition of Venice during the Eighteenth Century. Particular attention is subsequently given to the intellectual role of women, their contribution to the literary salons of the time, and the neoclassical tradition. This first part is essential in that it supplies a valuable context to Isabella Teotochi Albrizzi's writings.<br>In the second part, I examine Isabella Teotochi Albrizzi's literary criticism of major E
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Squires, Michele B. "Marcel Schwob Digital Collection." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1355.

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This project outlines the discovery and digitization of previously unpublished correspondence composed by late 19th century author and literary critic, Marcel Schwob. Inspired by the inquiry of Bibliothèque Nationale Librarian Bernard Gauthier, Professor Daryl Lee alerted me to the presence of Marcel Schwob materials at BYU. I found that former BYU Professor John Green established a Marcel Schwob Memorial Collection and successfully published two books using the materials he gathered: Chroniques and Correspondance Inédite. After thoroughly researching the catalogued Schwob materials at BYU and
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Rouvier, Émilien. "«Ci vuole una testa quadrata più di quella d’un geometra !» Tradurre e ritradurre le opere liriche francesi in italiano nell'Ottocento." Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030047.

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En mettant l’accent, dans une première partie, sur l’analyse du contexte de production des traductions italiennes d’opéras français, cette thèse s’attache d’abord à faire émerger une « pragmatique » plutôt qu’une poétique de la traduction, en identifiant les conditionnements externes pesant sur la technique des traducteurs et leur évolution. Le système productif est étudié en passant du général au particulier : de la codification internationale du droit d'auteur et ses retombées pratiques à l’analyse sociologique et micro-historique de la figure du traducteur d’opéra, en passant par l’examen (
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Brambilla, Alberto. "Edmondo De Amicis et la France (1870-1883) : contacts et échanges entre littérature italienne et littérature française à la fin du XIXe siècle." Phd thesis, Université de Franche-Comté, 2011. http://tel.archives-ouvertes.fr/tel-00951573.

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Le travail s'insère dans la vaste perspective des études sur les rapports entre la culture italienne et la culture française dans la seconde moitié du XIX siècle. En particulier nous avons pris en examen la période 1870-1883, c'est-à-dire les années de la conclusion de la guerre franco-prussienne, jusqu'à la crise diplomatique de Tunis (1881) et au passage de l'Italie à l'alliance politique et militaire avec l'Autriche et l'Allemagne. (1886). Dans la vaste production littéraire de De Amicis (connu presque seulement pour la publication de son roman Cuore), la France joue un rôle non secondaire,
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Kim, Hyowon. "Adopted colors identity, race, and the passion for other people's nationalism ; George Eliot, Elizabeth Barrett Browning, and imagining kinship in 19th century nation-building." Saarbrücken VDM Verlag Dr. Müller, 2007. http://d-nb.info/991276604/04.

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Books on the topic "19th-century Italian literature"

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Fleck, Samuel Theodor. The Double in Late 19th Century Italian Literature: Readings in Fogazzaro and his Contemporaries. [publisher not identified], 2017.

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Luca, Somigli, and Moroni Mario 1955-, eds. Italian modernism: Italian culture between decadentism and avant-garde. University of Toronto Press, 2004.

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Virga, Anita. Voglio morire!: Suicide in Italian literature, culture, and society 1789-1919. Cambridge Scholars Publishing, 2013.

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Scalia, Gianni. Fuori e dentro la letteratura: Stranieri e italiani. Pendragon, 2004.

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Bryan, Cheyette, and Valman Nadia, eds. The image of the Jew in European liberal culture, 1789-1914. Vallentine Mitchell, 2004.

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Camerino, Giuseppe Antonio. Profilo critico del Romanticismo italiano. Interlinea, 2009.

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Vance, William L. America's Rome. Yale University Press, 1989.

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1970-, Levine Caroline, and Turner Mark W, eds. From author to text: Re-reading George Eliot's Romola. Ashgate, 1998.

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Fraser, Hilary. The Victorians and Renaissance Italy. Blackwell, 1992.

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Buonomo, Leonardo. Backward glances: Exploring Italy, reinterpreting America (1831-1866). Fairleigh Dickinson University Press, 1996.

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Book chapters on the topic "19th-century Italian literature"

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Comoy Fusaro, Edwige. "Il secondo Ottocento italiano visto dalla Francia." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-597-4.08.

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This study examines the current reception of second part of the 19th century Italian literature in France. The data come from 4 sources of information: the general book market on foreign literature, the scholarly book market on Italian literature, the programs of Literature in Bachelor and Master curricula of Italian Studies, and the yearly programs of the competitive exam for teachers in Italian (Agrégation). As a result, the champion of second 19th century Italian literature’s reception in French culture is Giovanni Verga, the traditional canon is mostly undiscussed but lately, both large au
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Rebecchini, Damiano. "La letteratura russa dell’Ottocento." In Biblioteca di Studi Slavistici. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0492-7.09.

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Ceccherelli, Andrea. "Trent’anni di studi polonistici italiani (1991-2021). Letteratura polacca dall’Ottocento a oggi." In Biblioteca di Studi Slavistici. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0492-7.14.

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Mitrović, Marija. "Jernej Kopitar nella cultura slovena." In Biblioteca di Studi Slavistici. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-910-2.33.

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According to 19th-century philologist Jernej Kopitar, elite literary traditions and modern written languages originated in folk literature. Leading Slovenian intellectuals of his day, however, including poet France Prešeren and linguist and critic Matija Čop, favored classic poetic forms reminiscent of the Italian Renaissance. In Slovenian literary history, Kopitar has remained a figure of secondary importance; nonetheless, his role in other South Slavic cultures was preeminent. We examine several attempts to revert this tendency and to ascribe to Kopitar, and not only to Čop, a leading role i
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Barisonzi, Michela. "Violence and rape in the Italian fin-de-siècle: Gabriele D’Annunzio’s “La Vergine Orsola”." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-597-4.09.

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This contribution discusses the representation of rape and violence against women in late 19th century Italian literature. In doing so, I focus on a short story, La Vergine Orsola, initially written by Gabriele D’Annunzio in 1884 as part of a short story collection titled Il Libro delle Vergini, later re-published in 1902 in Le Novelle della Pescara. This contribution looks at how the idea of rape is used in this short story as a narrative escamotage to bring to the attention of the reader the question of female entitlement to sexual desire as part of a social critique that D’Annunzio brings f
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Aloe, Stefano. "Аспекты рецепции русской литературы в Италии периода фашизма." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.20.

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Aspects of the reception of Russian culture and literature in Italy during the fascist period. Many studies are dedicated to the reception of Russian literature in Italy with a really extensive bibliography on specific aspects of the question. However, there is still no comprehensive monograph on the subject as a whole. Russian literature became popular in Italy at the end of the ‘80s of the 19th century after being almost completely ignored. A deepened comprehention and awareness of Russian literature was gained in the first decades of the 20th century, when exoticism was gradually supplanted
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Bunis, David Monson. "An Israeli University-Level Approach to Judezmo (Ladino), Traditional Language of the Sephardic Jews." In Teaching Language and Literature On and Off-Canon. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3379-6.ch012.

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Judezmo, or Ladino or Judeo-Spanish, is the traditional language of the Sephardic or Iberian Jews who after 1492 resettled in the Ottoman Empire, many of them remaining in the region into the 21st century. Structurally, Modern Judezmo is composed mostly of elements of popular medieval Ibero-Romance, Ibero-Arabic, Hebrew and Aramaic, Turkish and Balkan languages, and Italian and French. Into the first half of the 20th century, the language was written primarily in the Hebrew alphabet; from the second half of the 19th century, Romanization was also used, leading to the unique Romanization which
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Conference papers on the topic "19th-century Italian literature"

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Badaloni, Giovanna. "Armonizzare l’Antico Spazio al Nuovo Tempo: la Cittadella di Ancona, un patrimonio (in)visibile da riscoprire e rivitalizzare." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20389.

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The Cittadella of Ancona is a relevant case for investigating the challenges and opportunities of enhancing abandoned military heritage. This research highlights the importance of preserving forgotten sites of high historical and cultural value, not only as a collective duty but also as a vital element for sustainable development and urban regeneration. It employs various qualitative and quantitative methods, including scientific and grey literature review, archival research, interviews, site inspections, mapping, photographic surveys, data analysis, and project evaluation. Among the earliest
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Menchetelli, Valeria, Francesco Cotana, and Eleonora Dottorini. "Verso un glossario grafico castellano. Rilievo e catalogazione degli elementi tipologici delle architetture fortificate in Umbria." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20369.

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The architectural heritage of fortified constructions occupies an outstanding place in the collective imagination, both for the tangible presence of landscapes modelled over time by castle structures and for the suggestions born from the process of re-semantisation of the Middle Ages in the 19th century and then consolidated through various media contexts, from literature to painting to cinema. The reading and interpretation of this heritage play a crucial role in the conservation and the enhancement of the defensive architectures scattered across the territory. The tool currently used to anal
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