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Relevant bibliographies by topics / 19th Century Italy

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Academic literature on the topic '19th Century Italy'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "19th Century Italy"

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Moggi-Cecchi, J., S. Crovella, Antonella Bari, and Paola Gonella. "Enamel hypoplasias in a 19th century population from Northern Italy." Anthropologischer Anzeiger 51, no. 2 (1993): 123–29. http://dx.doi.org/10.1127/anthranz/51/1993/123.

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Capasso, L., M. Sciubba, Q. Hua, et al. "Embryotomy in the 19th Century of Central Italy." International Journal of Osteoarchaeology 26, no. 2 (2014): 345–47. http://dx.doi.org/10.1002/oa.2410.

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Dybiec, Anna. "Włochy w perspektywie Dickensa i dziewiętnastowiecznych polskich pisarzy." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 79–93. http://dx.doi.org/10.24917/20811853.17.7.

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Italy in perspective of Dickens and the 19th century Polish writersAbstractThe paper analyzes the way Italy is presented in Dickens’, Kremer’s and Kraszewski’stravelogues and works. They sometimes construct their image of Italy from differentperspectives applying various types of texts and stylistic devices. Special attention was givento similarities and differences between three images of Italy in the 19th century literature.Theoretical aspects of Grand Tour and Dickens’ travel to Italy are shortly discussed.Keywords: Pictures from Italy, Charles Dickens, Józef Ignacy Kraszewski, Józef Kremer,travelogues, pictures of Italy

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Meucci, Renato, and William Waterhouse. "The Cimbasso and Related Instruments in 19th-Century Italy." Galpin Society Journal 49 (March 1996): 143. http://dx.doi.org/10.2307/842397.

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Manfredini, Matteo, Marco Breschi, Alessio Fornasin, Stanislao Mazzoni, Sergio De lasio, and Alfredo Coppa. "Maternal Mortality in 19th- and Early 20th-century Italy." Social History of Medicine 33, no. 3 (2019): 860–80. http://dx.doi.org/10.1093/shm/hkz001.

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Summary Although dramatically reduced in Western and developed countries, maternal mortality is still today one of the most relevant social and health scourges in developing countries. This is the reason why high levels of maternal mortality are always interpreted as a sign of low living standards, ignorance, poverty and woman discrimination. Maternal mortality represents, therefore, a very peculiar characteristic of demographic systems of ancien regime. Despite this important role in demographic systems, no systematic study has been addressed to investigate the impact of maternal mortality in historical Italy. The aim of this article is to shed some light on such a phenomenon by investigating its trend over time and the determinants in some Italian populations between the 18th and the early 20th centuries. The analysis will make use of civil and parish registers linked together by means of nominative techniques, and it will be, therefore, carried out at the micro level.

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Di Fiore, Laura. "Security and border making in 19th-century southern Italy." Journal of the British Academy 9s4 (2021): 137–50. http://dx.doi.org/10.5871/jba/009s4.137.

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The article focuses on the border region between two states in pre-unification Italy, the Kingdom of the Two Sicilies and the Papal States. Although negotiations to define the border precisely started only following the cholera epidemic of 1836�7, the early 19th century already saw the start of greater control of the territory and of the borders by the �administrative monarchies�. Analysed through the lens of securitisation, movement control processes reveal a variable geography of �security spaces� and freedom of movement for different social groups, where state security and collective security needs overlapped.

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Photos-Jones, Effie, B. Barrett, and G. Christidis. "Stevenson at Vulcano in the late 19th century." Proceedings of the Society of Antiquaries of Scotland 147 (November 21, 2018): 303–23. http://dx.doi.org/10.9750/psas.147.1255.

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This project seeks to recover and record the archaeological evidence associated with the extraction of sulfur (and perhaps other minerals as well) by James Stevenson, a Glasgow industrialist, from the volcanic island of Vulcano, Aeolian Islands, Italy, in the second half of the 19th century. This short preliminary report sets the scene by linking archival material with present conditions and by carrying out select mineralogical analyses of the type of the mineral resource Stevenson may have explored. New 3D digital recording tools (structure-from-Motion photogrammetry) have been introduced to aid future multidisciplinary research. This is a long-term project which aims to examine a 19th-century Scottish mining venture in a southern European context and its legacy on the communities involved. It also aims to view Stevenson’s activities in a diachronic framework, namely as an integral part of a tradition of minerals exploration in southern Italy from the Roman period or earlier.

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Borghese, A. "THE LIPIZZANER IN ITALY." Animal Genetic Resources Information 10 (April 1992): 67–73. http://dx.doi.org/10.1017/s1014233900003308.

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SUMMARYThe Lipizzaner is one of Europe's most ancient breeds; its history goes back to the early 16th century The original stock came from the North of Italy and Spain; six male lines introduced in the second half of the 18th century and the early 19th century, from Naples, the Austro-Hungarian empire, Denmark and Arabia upgraded the breed to its actual standard. The Italian national stud of Montemaggiore is perpetrating the Lipizzaner tradition. The horses are kept under extensive grazing conditions and all six “families” (Napolitano,Conversaro, Favory, Pluto, Maestoso and Siglavy) are present.

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Piperno, Franco. "Music and Italian National Identity: Mme de Staël’s Corinne ou l’Italie." Studia Musicologica 52, no. 1-4 (2011): 231–40. http://dx.doi.org/10.1556/smus.52.2011.1-4.18.

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Mme De Staël’s Corinne ou l’Italie (1807) offered the most influential statement on Italy and the Italians by a foreign writer in 19th-century Europe. It gives a fruitful opportunity to investigate what a 19th-century foreign writer thought both of Italian music and of music as a symbol of the Italian national identity. The overview of the Italian operatic repertoire and opera productions leads to the conclusion that Italy as a nation was substantially absent from the operatic scene while, on the contrary, the Italian society made of opera the most typical entertainment and of the ‘palchetto’ an unavoidable status symbol. A similar picture of Italian society and opera is already outlined in De Staël’s novel, which created a ‘Romantic’ myth of Italy and a portrait of Italian ‘musicality’ as a typical and essential element of Italy’s cultural identity and as a substitute of a still lacking political identity of that nation. The paper investigates the cultural and philosophical origin of this view of Italian musical culture and its impact on the European perception of Italy as a nation during the 19th century.

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Guseva, Ksenia E. "ENGLISH ARCHITECTURAL CAPRICCIO IN THE CONTEXT OF THE DEVELOPMENT OF LEADING ART STYLES OF THE XIX CENTURY." Articult, no. 4 (2020): 65–77. http://dx.doi.org/10.28995/2227-6165-2020-4-65-77.

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Architectural capriccio in the context of the development of the landscape genre, formed in Italy in the 15th – 16th centuries, has gained currency in English art 19th-century. This was facilitated by cultural, historical, political and social reasons. The methodological features of architectural capriccio in the 19th century was influenced by various artistic and art styles in English. The article is devoted to the prerequisites for the formation and dissemination of “capriccio” in the work of English architects and artists: C. Cockerell, J. M. Gandy, T. Cole and others in the cultural and historical context of the 19th century. The article also points out the creative methods and techniques for the formation of the genre of architectural fantasies in the period of changing style canons, the development of eclecticism and romanticism in the art of the 19th century. The causes of reminiscence of Gothic architectural forms in the capriccio genre by English artists of the 19th century are also discussed in detail in that article.

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Dissertations / Theses on the topic "19th Century Italy"

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Malone, Hannah Olivia. "Nineteenth-century Italian cemeteries : the social and political basis of funerary architecture." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648217.

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Ertz, Matilda Ann Butkas 1979. "Nineteenth-century Italian ballet music before national unification: Sources, style, and context." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11296.

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xxiv, 603 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>Though not widely acknowledged, ballet and its music were important to the nineteenth-century Italian theatre-goer. While much scholarship exists for Italian opera, less study is made of its counterpart even though the ballet was an important feature of Italian theatre and culture. This dissertation is the first in-depth survey of the music for Italian ballets from 1800-1870, drawing from the hundreds of ballet scores in two important collections: The John and Ruth Ward Italian Ballet Collection, part of the Harvard Theatre Collection, and the New York Public Library for the Performing Arts Research Collections. After discussion of primary and secondary sources (Chapters II and III), I provide an overview of the context in which ballets were performed during the period (Chapter IV). In Chapter V I discuss musical styles for mime and for dance, and dance sub-categories such as the pas de deux, ballabile, and national dances. I also explore specific commonly occurring choreo-musical sub-topics such as anger, love, storms, hell, witches, devils, and sylphs. Finally, I examine two complete ballets in detail. Chapter VI on Salvatore Viganò's La Vestale includes a discussion of the hitherto neglected manuscript full score and of the published piano reduction. Chapter VII on Giuseppe Rota's Bianchi e Negri explores the musical and dramatic adaptation of Harriet Beecher Stowe's Uncle Tom's Cabin . While examining the traits of Italian ballet music as a genre and exploring relationships between music, dance, and libretto, this dissertation initiates a wider discussion of the social-political context of ballet music in nineteenth-century Italian theatrical life during the turbulent decades spanning the 'Risorgimento' period.<br>Committee in charge: Marian Smith, Chairperson, Music; Anne McLucas, Member, Music; Marc Vanscheeuwijck, Member, Music; Jenifer Craig, Outside Member, Dance

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Del, Cueto Carlos. "Opera in 1860s Milan and the end of the Rossinian tradition." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609744.

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Halbwidl, Dieter Anton. "The teaching of history at the Habsburg Universities of Vienna, Graz and Innsbruck, compared to Padova and Pavia between 1848 and 1855 /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0003/NQ44449.pdf.

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Balletti-Thomas, Joanne. "Women's writing and the "anxiety of authorship" in nineteenth-century Italy : Bruno Sperani and others." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26718.

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As women's literature emerged in late nineteenth-century Italy, female authors encountered many obstacles. Foremost among them was the near-total absence of Italian female literary role models. Female writers often expressed ambivalence towards the writing of other women, which was considered inferior to male writing. However, their reverence for male writers revealed how conflictive their identities as writers were, and it was an impediment to the establishment of a serious women's literary tradition. In addition to such personal conflicts, these writers also faced the challenge of gaining acceptance by the male-dominated literary community and by their readers. These two groups expected that women's writing conform to a moral code which did not apply to men's writing. This thesis is an analysis of the specific problems that female novelist Bruno Sperani and others faced as they strove to establish themselves in Italian literature.

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Baran, Kemal Mustafa. "Travelling/writing/drawing: Karl Friedrich Schinkel." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613886/index.pdf.

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Finn, Sarah. "'Padre della nazione italiana' : Dante Alighieri and the construction of the Italian nation, 1800-1945." University of Western Australia. European Languages and Studies Discipline Group. Italian Studies, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0085.

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Dante Alighieri is, undoubtedly, an enduring feature of the cultural memory of generations of Italians. His influence is such that the mere mention of a dark wood or lifes journey recalls the poet and his most celebrated work, the Divina Commedia. This study, however, seeks to examine the construction of the medieval Florentine poet, exemplified by the above assertion, as a potent symbol of the Italian nation. From the creation of the idea of the Italian nation during the Risorgimento, to the Liberal ruling elites efforts after 1861 to legitimise the new Italian nation state, and more importantly to make Italians, to the rise of a more imperialist conception of nationalism in the early twentieth century and its most extreme expression under the Fascist regime, Dante was made to play a significant role in defining, justifying and glorifying the Italian nation. Such an exploration of the utilisation of Dante in the construction of Italian national identity during the nineteenth and early twentieth centuries aids considerably in an understanding of the conceptualisation of the Italian nation, of the issues engendered by the establishment of the Italian nation state, and the evolution of these processes throughout the period in question. The various images of Dante revealed by this investigation of his instrumentalisation in the Italian process of nation-building bear only a fleeting resemblance to what is known of the poet in his medieval reality. Dante was born in 1265 to a family of modest means and standing in Florence, at that time the economic centre of Europe, and one of the most important cities of the Italian peninsula. His writings disclosed, however, that he was little impressed by his citys prestige and wealth, being instead greatly disturbed by its political discord and instability, of which he became an unfortunate victim. The violent partisan conflict in Florence and the turbulent political condition of the Italian peninsula in the late thirteenth century had a decisive influence on Dantes life and literary endeavours.

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Howard, Paul. "Casus Belli : Giuseppe Gioachino waging war between tradition and experimentation." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:eaa66fdb-827c-4c78-bc1d-190000f7d780.

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This thesis explores the notion of opposition in the Sonetti romaneschi by the Roman poet Giuseppe Gioachino Belli (1791-1863). It sees the poet as a warring rebel on the literary scene and examines his poetics and rhetoric of war through his choice of form (the hallowed sonnet structure), language (the ‘rotten’ vernacular) and subject (the downtrodden, previously voiceless underclass); it shows that these cornerstones of Belli’s opus are in polemical response to literary stimuli and intimately connected to the political, religious and sociological upheavals in and beyond Rome in the troubled run-up to Unification. Chapter one, entitled ‘Breaking the mould’, draws on Belli’s explicit declaration of war on his literary predecessors, and considers the influence of the Milanese writer Carlo Porta, arguing that Belli is more inimical than amicable, and not the simple imitator as thought to date. Chapter two, ‘A passage of arms: possessing the dialogue sonnet’, maintains that the fulcrum of Belli’s antagonistic poetics and his realist enterprise lies in his unprecedented use of the dialogue sonnet form and the staging of direct debate. Chapter three, entitled ‘The Battle of the Sexes’, treats opposition at a thematic level, applying gender studies and related theory to Belli for the first time. Chapter four, ‘War and peace: the silent revolution’, examines Belli’s creation of a totally new literary language, fulfilling the criteria for what Deleuze and Guattari, within broadly Marxist parameters, would identify as a ‘minor literature’ in the work of Kafka, in which a major language is somehow wrested from its anchors of power, or ‘deterritorialized’, to subvert the literary world from within. The thesis shows that Belli is more revolutionary than previously thought as a literary innovator, and an understudied giant of modern European literature as opposed to the marginal figure the historiography is wont to maintain.

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Ekstrum, Dave. "Naples and the Emergence of the Tenor as Hero in Italian Serious Opera." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157563/.

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The dwindling supply of castrati created a crisis in the opera world in the early 19th century. Castrati had dominated opera seria throughout the 18th century, but by the early 1800s their numbers were in decline. Impresarios and composers explored two voice types as substitutes for the castrato in male leading roles in serious operas: the contralto and the tenor. The study includes data from 242 serious operas that premiered in Italy between 1800 and 1840, noting the casting of the male leading role for each opera. At least 67 roles were created for contraltos as male heroes between 1800 and 1834. More roles were created for tenors in that period (at least 105), but until 1825 there is no clear preference for tenors over contraltos except in Naples. The Neapolitan preference for tenors is most likely due to the influence of Bourbon Kings who sought to bring Enlightenment values to Naples. After the last castrato retired in 1830 and the casting of contraltos as male heroic leads falls out of favor by the mid-1830s, the tenor, aided by a new chest-voice dominant style of singing, becomes the inheritor of the castrato's former role as leading man in serious Italian opera.

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Fonsato, Vanna Marisa. "Giudizi letterari di Isabella Teotochi Albrizzi nel carteggio inedito della Raccolta Piancastelli." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61287.

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The present work examines the literary criticism expressed by Isabella Teotochi Albrizzi in several of her unpublished letters.<br>The first part outlines the cultural and historical tradition of Venice during the Eighteenth Century. Particular attention is subsequently given to the intellectual role of women, their contribution to the literary salons of the time, and the neoclassical tradition. This first part is essential in that it supplies a valuable context to Isabella Teotochi Albrizzi's writings.<br>In the second part, I examine Isabella Teotochi Albrizzi's literary criticism of major European authors and works. Through these criticisms she exposes her misvision of the literary world to which she aspired, and reveals that although she was influenced by the subtle preromantic tendencies, she remained faithful to the neoclassical school.

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Books on the topic "19th Century Italy"

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Capecchi, Danilo, and Giuseppe Ruta. Strength of Materials and Theory of Elasticity in 19th Century Italy. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-05524-4.

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Garibaldi and the Thousand: May 1860. Cassell, 1989.

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Pischedda, Carlo. 1848: Il vecchio Piemonte liberale alle urne. Centro studi piemontesi, 1998.

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Travelling in and out of Italy: 19th and 20th-century notebooks, letters and essays. Cambridge Scholars Pub., 2011.

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Italy in the age of Pinocchio: Children and danger in the liberal period. Palgrave Macmillan, 2006.

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Ipsen, Carl. Italy in the age of Pinocchio: Children and danger in the liberal era. Palgrave Macmillan, 2006.

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Chinoiserie: The evolution of the Oriental style in Italy from the 14th to the 19th century. Centro Di, 2009.

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Morena, Francesco. Chinoiserie: The evolution of the Oriental style in Italy from the 14th to the 19th century. Centro Di, 2009.

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Lord Byron's life in Italy. University of Delaware Press, 2004.

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Christopher, Newall, and Ashmolean Museum, eds. The pre-Raphaelites and Italy. Ashmolean Museum, University of Oxford, 2010.

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Book chapters on the topic "19th Century Italy"

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Hall, Robert A. "19th-Century Italian." In The History of Linguistics in Italy. John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.11jal.

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Strickland, Elisabetta. "The Grand Tour to Italy." In The Ascent of Mary Somerville in 19th Century Society. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-49193-6_4.

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Fornaciari, G., and L. Capasso. "Natural and artificial 13th–19th century mummies in Italy." In Human Mummies. Springer Vienna, 1996. http://dx.doi.org/10.1007/978-3-7091-6565-2_19.

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Strickland, Elisabetta. "Taking Part in the Unification of Italy." In The Ascent of Mary Somerville in 19th Century Society. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-49193-6_7.

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Thanailaki, Polly. "Spreading the ‘Word of God’. Women-Missionaries and Protestant Education in the Balkans, Greece and Italy." In Gender Inequalities in Rural European Communities During 19th and Early 20th Century. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75235-8_4.

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Ferrari, Ivan, and Aurora Quarta. "San Cataldo (Lecce, Italy): The Historical Evolution Of The Coastal Landscape." In Proceedings e report. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.07.

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San Cataldo is located on the Adriatic sea about 10 km east from Lecce (Italy). Since ancient times it was a port and the remains of a Roman pier are visible: the study illustrate the evolution of its coastal landscape from historical origins until today. The port was renovated in medieval times and also between the 19th and 20th centuries with the construction of a lighthouse, a new pier and a tramway with Lecce. During the last century emerged the tourist vocation of San Cataldo with events of overbuilding characterizing the nowadays coastal landscape.

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Thanailaki, Polly. "‘Caught in the Spider’s Web’. Women’s Schooling in the Rural Communities in Italy and in Parts of the Balkans." In Gender Inequalities in Rural European Communities During 19th and Early 20th Century. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75235-8_2.

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Fang, Yibing, and Marco Ceccarelli. "Medium Size Companies of Mechanical Industry in Northern Italy During the Second Half of the 19th Century." In History of Mechanism and Machine Science. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-22680-4_11.

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Pisanelli, Simona. "Liberty, Labour and Human Rights: Institutional Change and the Intellectual Debate on Slavery in France from Condorcet to the Mid-19th Century." In Economic Thought and Institutional Change in France and Italy, 1789–1914. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25354-1_3.

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Cotticelli, Francesco. "Burladores e Convitati a Napoli tra Sei e Settecento, da Perrucci ad Abri (e oltre)." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.14.

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This essay provides a comparison of select testimonies of the enduring tradition of Convitato di pietra (The Stone Guest) in Central and Southern Italy from the late 17th to the early 19th century. The text by Perrucci, the scenario from the Casamarciano collection, the anonymous revision located in the Italian Castle Archive at the Beinecke Library at Yale, and Abri’s opera tragica (which relies significantly on Perrucci’s setting) testify to the longevity of this plot – as well as of the Spanish repertoire – on the stage, in spite of notable changes, which reveal dramatic transformations in taste and sensitivity on the part of theatre practitioners and the audience.

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Conference papers on the topic "19th Century Italy"

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De Marco, Catia. "Translations of Swedish Literature in Italy in the 19th Century: An outline." In CSS Conference 2019. Centre for Scandinavian Studies Copenhagen – Lund, 2020. http://dx.doi.org/10.37852/63.c111.

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