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Journal articles on the topic '19th Century Italy'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Moggi-Cecchi, J., S. Crovella, Antonella Bari, and Paola Gonella. "Enamel hypoplasias in a 19th century population from Northern Italy." Anthropologischer Anzeiger 51, no. 2 (1993): 123–29. http://dx.doi.org/10.1127/anthranz/51/1993/123.

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2

Capasso, L., M. Sciubba, Q. Hua, et al. "Embryotomy in the 19th Century of Central Italy." International Journal of Osteoarchaeology 26, no. 2 (2014): 345–47. http://dx.doi.org/10.1002/oa.2410.

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Dybiec, Anna. "Włochy w perspektywie Dickensa i dziewiętnastowiecznych polskich pisarzy." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 79–93. http://dx.doi.org/10.24917/20811853.17.7.

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Italy in perspective of Dickens and the 19th century Polish writersAbstractThe paper analyzes the way Italy is presented in Dickens’, Kremer’s and Kraszewski’stravelogues and works. They sometimes construct their image of Italy from differentperspectives applying various types of texts and stylistic devices. Special attention was givento similarities and differences between three images of Italy in the 19th century literature.Theoretical aspects of Grand Tour and Dickens’ travel to Italy are shortly discussed.Keywords: Pictures from Italy, Charles Dickens, Józef Ignacy Kraszewski, Józef Kremer,travelogues, pictures of Italy

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4

Meucci, Renato, and William Waterhouse. "The Cimbasso and Related Instruments in 19th-Century Italy." Galpin Society Journal 49 (March 1996): 143. http://dx.doi.org/10.2307/842397.

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Manfredini, Matteo, Marco Breschi, Alessio Fornasin, Stanislao Mazzoni, Sergio De lasio, and Alfredo Coppa. "Maternal Mortality in 19th- and Early 20th-century Italy." Social History of Medicine 33, no. 3 (2019): 860–80. http://dx.doi.org/10.1093/shm/hkz001.

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Summary Although dramatically reduced in Western and developed countries, maternal mortality is still today one of the most relevant social and health scourges in developing countries. This is the reason why high levels of maternal mortality are always interpreted as a sign of low living standards, ignorance, poverty and woman discrimination. Maternal mortality represents, therefore, a very peculiar characteristic of demographic systems of ancien regime. Despite this important role in demographic systems, no systematic study has been addressed to investigate the impact of maternal mortality in historical Italy. The aim of this article is to shed some light on such a phenomenon by investigating its trend over time and the determinants in some Italian populations between the 18th and the early 20th centuries. The analysis will make use of civil and parish registers linked together by means of nominative techniques, and it will be, therefore, carried out at the micro level.

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6

Di Fiore, Laura. "Security and border making in 19th-century southern Italy." Journal of the British Academy 9s4 (2021): 137–50. http://dx.doi.org/10.5871/jba/009s4.137.

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The article focuses on the border region between two states in pre-unification Italy, the Kingdom of the Two Sicilies and the Papal States. Although negotiations to define the border precisely started only following the cholera epidemic of 1836�7, the early 19th century already saw the start of greater control of the territory and of the borders by the �administrative monarchies�. Analysed through the lens of securitisation, movement control processes reveal a variable geography of �security spaces� and freedom of movement for different social groups, where state security and collective security needs overlapped.

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Photos-Jones, Effie, B. Barrett, and G. Christidis. "Stevenson at Vulcano in the late 19th century." Proceedings of the Society of Antiquaries of Scotland 147 (November 21, 2018): 303–23. http://dx.doi.org/10.9750/psas.147.1255.

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This project seeks to recover and record the archaeological evidence associated with the extraction of sulfur (and perhaps other minerals as well) by James Stevenson, a Glasgow industrialist, from the volcanic island of Vulcano, Aeolian Islands, Italy, in the second half of the 19th century. This short preliminary report sets the scene by linking archival material with present conditions and by carrying out select mineralogical analyses of the type of the mineral resource Stevenson may have explored. New 3D digital recording tools (structure-from-Motion photogrammetry) have been introduced to aid future multidisciplinary research. This is a long-term project which aims to examine a 19th-century Scottish mining venture in a southern European context and its legacy on the communities involved. It also aims to view Stevenson’s activities in a diachronic framework, namely as an integral part of a tradition of minerals exploration in southern Italy from the Roman period or earlier.

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Borghese, A. "THE LIPIZZANER IN ITALY." Animal Genetic Resources Information 10 (April 1992): 67–73. http://dx.doi.org/10.1017/s1014233900003308.

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SUMMARYThe Lipizzaner is one of Europe's most ancient breeds; its history goes back to the early 16th century The original stock came from the North of Italy and Spain; six male lines introduced in the second half of the 18th century and the early 19th century, from Naples, the Austro-Hungarian empire, Denmark and Arabia upgraded the breed to its actual standard. The Italian national stud of Montemaggiore is perpetrating the Lipizzaner tradition. The horses are kept under extensive grazing conditions and all six “families” (Napolitano,Conversaro, Favory, Pluto, Maestoso and Siglavy) are present.

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9

Piperno, Franco. "Music and Italian National Identity: Mme de Staël’s Corinne ou l’Italie." Studia Musicologica 52, no. 1-4 (2011): 231–40. http://dx.doi.org/10.1556/smus.52.2011.1-4.18.

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Mme De Staël’s Corinne ou l’Italie (1807) offered the most influential statement on Italy and the Italians by a foreign writer in 19th-century Europe. It gives a fruitful opportunity to investigate what a 19th-century foreign writer thought both of Italian music and of music as a symbol of the Italian national identity. The overview of the Italian operatic repertoire and opera productions leads to the conclusion that Italy as a nation was substantially absent from the operatic scene while, on the contrary, the Italian society made of opera the most typical entertainment and of the ‘palchetto’ an unavoidable status symbol. A similar picture of Italian society and opera is already outlined in De Staël’s novel, which created a ‘Romantic’ myth of Italy and a portrait of Italian ‘musicality’ as a typical and essential element of Italy’s cultural identity and as a substitute of a still lacking political identity of that nation. The paper investigates the cultural and philosophical origin of this view of Italian musical culture and its impact on the European perception of Italy as a nation during the 19th century.

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Guseva, Ksenia E. "ENGLISH ARCHITECTURAL CAPRICCIO IN THE CONTEXT OF THE DEVELOPMENT OF LEADING ART STYLES OF THE XIX CENTURY." Articult, no. 4 (2020): 65–77. http://dx.doi.org/10.28995/2227-6165-2020-4-65-77.

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Architectural capriccio in the context of the development of the landscape genre, formed in Italy in the 15th – 16th centuries, has gained currency in English art 19th-century. This was facilitated by cultural, historical, political and social reasons. The methodological features of architectural capriccio in the 19th century was influenced by various artistic and art styles in English. The article is devoted to the prerequisites for the formation and dissemination of “capriccio” in the work of English architects and artists: C. Cockerell, J. M. Gandy, T. Cole and others in the cultural and historical context of the 19th century. The article also points out the creative methods and techniques for the formation of the genre of architectural fantasies in the period of changing style canons, the development of eclecticism and romanticism in the art of the 19th century. The causes of reminiscence of Gothic architectural forms in the capriccio genre by English artists of the 19th century are also discussed in detail in that article.

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11

Cuaz, Marco. "Catholic Alpinism and Social Discipline in 19th- and 20th-century Italy." Mountain Research and Development 26, no. 4 (2006): 358–63. http://dx.doi.org/10.1659/0276-4741(2006)26[358:caasdi]2.0.co;2.

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12

Federico, Giovanni. "Market integration and market efficiency: The case of 19th century Italy." Explorations in Economic History 44, no. 2 (2007): 293–316. http://dx.doi.org/10.1016/j.eeh.2006.02.003.

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13

Moggi-Cecchi, Jacopo, Elsa Pacciani, and Juan Pinto-Cisternas. "Enamel hypoplasia and age at weaning in 19th-century Florence, Italy." American Journal of Physical Anthropology 93, no. 3 (1994): 299–306. http://dx.doi.org/10.1002/ajpa.1330930303.

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14

Vergadou-Mavroudaki, Christina. "Greek composers of the Ionian islands in Italian musical life during the 19th century." Muzikologija, no. 3 (2003): 57–63. http://dx.doi.org/10.2298/muz0303057v.

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During the 19th century most of the Ionian islands played a leading role in the Greek musical life. The vicinity of the islands with Italy combined with the Venetian domination were two facts that helped the creation of strong links between the Ionian islands' and the Italian cultures. The phenomenon of the visits of Greek composers to Italy during the 19th century in order to study at the principal conservatories of the country is one of the most interesting aspects of the history of Ionian music. The relations of individual composers with Italian composers, professors and music institutions are considered together with relevant aspects of Greek and Italian musical ties. The traveling of Greek composers to Italy for educative purposes is regarded not only as a historic phenomenon but also as a major step in their career. References are made regarding their contacts with distinguished Italian composers and intellectuals. Furthermore, the success of Greek composers in Italy is an undoubtful fact. A considerable part of Greek composers' musical works was performed and published in Italy. Facts indicating the success and the effect of Greek composers' work on the Italian musical life are given with references to primary music and literary sources.

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15

Donato, Laura, Roberto Toni, Alessandro Porro, Marco Vitale, Fulvio Barbaro, and Rossana Cecchi. "The Tenchini’s collection: a forensic anthropometric legacy of 19th century Parma, Italy." Forensic Sciences Research 4, no. 1 (2019): 82–87. http://dx.doi.org/10.1080/20961790.2018.1541501.

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16

SANNA, EMANUELE, and MARIA ENRICA DANUBIO. "SEASONALITY OF MARRIAGES IN SARDINIAN PASTORAL AND AGRICULTURAL COMMUNITIES IN THE NINETEENTH CENTURY." Journal of Biosocial Science 40, no. 4 (2008): 577–86. http://dx.doi.org/10.1017/s0021932007002684.

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SummaryThe study of marriage seasonality of populations with different socioeconomic backgrounds may contribute to the better understanding their reproductive behaviours. This study analyses the monthly distribution of marriages in the 19th century in four agricultural villages and four pastoral villages on the island of Sardinia (Italy). The data were derived from 7340 marriage acts (3571 for the four agricultural villages and 3769 for the four pastoral villages). The aim is to ascertain whether the Sardinian agricultural and pastoral communities followed the matrimonial models reported for contemporary Italy and Europe and whether there was a change in the monthly distribution of marriages between the two halves of the 19th century. The results suggest that the marriage seasonality of the Sardinian farmers and shepherds was very similar to the patterns shown in the 19th century by Italian and European agricultural and pastoral communities. The Sardinian farmers preferred to marry in autumn–winter, while the Sardinian shepherds had a very high concentration of marriages in summer–autumn. Both communities avoided marriages in the Advent and Easter periods and in the month of May (dedicated to the Virgin Mary), and the farmers also in August (also dedicated to the Virgin Mary). Despite a certain seasonal stability, there was a significant change in the monthly distribution of marriages between the two halves of the 19th century in both the agricultural and pastoral communities, probably due to a series of laws that transformed the centuries-old socioeconomic system of Sardinia in the second half of the century.

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17

Padrielli, L. "Women in Astronomy - Italy." Highlights of Astronomy 10 (1995): 95–97. http://dx.doi.org/10.1017/s1539299600010388.

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Let me start with a short historical excursion, taking the Bologna University as an example. The Bologna University was founded in 1088, but only at the beginning of 1700, when a deep transformation in the tradition and female behaviour model occurred, women started to approach the academic life mostly in humanities. There were also examples of scientist women, often without a real academic title working side by side with men (generally fathers or husbands).During the 19th century the female presence in the italian universities slowly increased, becoming a reality at the beginning of the 20th century. In the time interval from 1884 to 1900, 224 degrees were assigned to women in Italy (less than 10% of the total): 68.9% in Literature and Philosophy,7.8% in Mathematics, 11.7% in Natural Science, 9.3% in Medicine, and 2.3% in Law. Women were mostly involved in fields related to educational activities, however six out of 224 got a chair at the Universities, five of which in scientific fields.

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18

Mehltretter, Florian, and Juana Von Stein. "Frenchmen in Dante’s Shoes: Sentimental Journeys through Italy in Early 19th Century Literature." Incontri. Rivista europea di studi italiani 33, no. 2 (2018): 38. http://dx.doi.org/10.18352/incontri.10263.

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Manfredini, Matteo. "The effects of nutrition on maternal mortality: Evidence from 19th-20th century Italy." SSM - Population Health 12 (December 2020): 100678. http://dx.doi.org/10.1016/j.ssmph.2020.100678.

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20

Colombo, Alice. "Evangelising 19th-century Italy?: Translation and the transnational migration of cheap Evangelical tracts." Translator 25, no. 2 (2019): 159–73. http://dx.doi.org/10.1080/13556509.2019.1667128.

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21

Desittere, Marcel. "The circumstances of the first prehistoric science in Italy." Antiquity 65, no. 248 (1991): 567–71. http://dx.doi.org/10.1017/s0003598x00080182.

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In another – and perhaps the last – of the sequence of contributions to Antiquity on the subject of the invention of prehistory in various lands, the example of Italy is explored. Again, the basic inspirations, especially from geology, are the same; and again the particular form of Italian prehistory also reflected, and may yet reflect, the special conditions of the nation's cultural and intellectual life in the 19th century.

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22

Drakopoulou, Eugenia. ""Pittura Romeica" in Italy: Artistic transfers across the Adriatic sea (18th - 19th centuries)." Historical Review/La Revue Historique 13 (February 24, 2017): 7. http://dx.doi.org/10.12681/hr.11553.

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The complex historical reality of the Adriatic region, an area located even today on the borderline between East and West, is reflected in the works of religious painting and in the painters’ geographical movements. The art of Orthodox regions was mainly influenced by Venice, but also by the rest of Italy, and, as a result, a unique art emerged in the Ionian Islands, which remained under Venetian control until the end of the eighteenth century. In the course of the eighteenth century, political and economic conditions contributed to the growth of the Orthodox communities in Italy. Their members were interested in the art of the country where they lived and prospered, but they simultaneously wished to preserve the “pittura romeica” in the decorations of churches and in the icons used for their personal worship. From Naples to the cosmopolitan Trieste, Orthodox painters, coming mainly from the Ionian Islands, produced artworks which were adapted to the new surroundings, thereby making the Adriatic region once again a privileged area for cultural exchanges.

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23

Antonelli, Mauro, and Siegfried Ludwig Sporer. "The History of Eyewitness Testimony and the Foundations of the "Lie Detector" in Austria and Italy." RIVISTA SPERIMENTALE DI FRENIATRIA, no. 1 (April 2021): 41–66. http://dx.doi.org/10.3280/rsf2021-001003.

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Although little known, the theoretical and methodological roots of lie detection, in particular of the development of the so-called "lie detector", must be placed in central Europe, in particular in Germany, Austria, and later in Italy at the turn of the 19th and 20th century. Focusing on Austria and Italy, we trace this development from Hans Gross in Austria to Vittorio Benussi and his pupil Cesare L. Musatti in Italy. Benussi, initially active at the University of Graz and later at the University of Padua, was the mediating link between the Austrian and Italian legal psychology tradition.

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Cecchi, Alberto, Alessio Passerini, and Daniele Salvestrini. "The Suspension Iron Bridge of the Early 19^th Century Villa Borghese in Florence (Italy)." Advanced Materials Research 133-134 (October 2010): 143–48. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.143.

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Between the 1825 and the 1828, Antonio Carcopino, an engineer, designed a suspension iron cable bridge: this fact shows the interest of the Borghese family for the technological innovations of the 18th and of 19th century.

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Fang, Yibing, and Marco Ceccarelli. "Peculiarities of Evolution of Machine Technology and Its Industrialization in Italy during 19th Century." Advances in Historical Studies 04, no. 04 (2015): 338–55. http://dx.doi.org/10.4236/ahs.2015.44024.

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Federico, Giovanni. "Italy's Late and Unprofitable Forays into Empire." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 16, no. 1 (1998): 377–402. http://dx.doi.org/10.1017/s0212610900007163.

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Italy's colonial history is better known for its failures (notably the battle of Adwa, the major defeat of a Western power by an African army in the 19th century) than for its achievements. Italy succeeded in conquering a substantial «empire» only in the 20th century, when the traditional colonial powers were already in retreat1. But this has not always been the case. The Venetian republic successfully ruled for many centuries the first «colonial» empire in Western Europe 2.

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Aldini, Nicolò Nicoli, Milena Fini, and Roberto Giardino. "Pietro Loreta and His Contribution to Surgery in the 19th Century." American Surgeon 77, no. 3 (2011): 290–96. http://dx.doi.org/10.1177/000313481107700316.

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Pietro Loreta (1831 to 1889), head of surgery at the University of Bologna, Italy, is at present a little-known name. However, in the field of surgery in the second half of the 19th century, his contributions to various areas, especially that of bladder stone treatment and gastric surgery, aroused great interest also at the international level. This survey focuses on both of these subjects that are particularly indicative of Loreta's activity. While he was trying to improve the operation of perineal cystotomy, which was about to be abandoned, he was faced with the new frontier of gastrointestinal tract surgery. Surgery was in rapid transformation, and the practice of a general surgeon still encompassed the domains of different surgical specialities, which would develop individually afterward. Loreta was a pupil of the outstanding surgeon Francesco Rizzoli and some of his pupils such as Alessandro Codivilla and Bartolo Nigrisoli became heads of surgery. His attitude of caution, that he recommended in his writings, is more remarkable considering his problematic nature and might be the most significant and original trait of Loreta's personality.

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Palm, Ulrich, Moussa A. Chalah, and Samar S. Ayache. "Brain Stimulation and Neuroplasticity." Brain Sciences 11, no. 7 (2021): 873. http://dx.doi.org/10.3390/brainsci11070873.

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Electrical or magnetic stimulation methods for brain or nerve modulation have been widely known for centuries, beginning with the Atlantic torpedo fish for the treatment of headaches in ancient Greece, followed by Luigi Galvani’s experiments with frog legs in baroque Italy, and leading to the interventional use of brain stimulation methods across Europe in the 19th century [...]

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Lorens, Beata. "Podróże galicyjskiej rodziny ziemiańskiej w XIX wieku na przykładzie Skrzyńskich." Galicja. Studia i materiały 6 (2020): 274–92. http://dx.doi.org/10.15584/galisim.2020.6.13.

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Travels abroad constituted one of the most elitist pastimes of landed gentry in the 19th century. The fashion from the beginning of the 19th century among landowning elites required visiting heath resorts. Staying at such places entailed not only the treatments recommended by doctors but also was of social-entertainment nature. The Skrzyński family, possessing estates in the vicinity of Krosno, Dubiecko and Lviv in 1850s visited mainly Carlsbad, Ostend and Oeynhausen in Westfall, where they wanted to bathe in curative waters. In order to improve her daughter Maria’s health, Emilia Skrzyńska in winter 1877 spent three months in the south of Italy. Moreover, the women went on a pilgrimage to Lourdes in France, in the hope that the miraculous intervention of the Holy Virgin could improve Maria’s health.

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van der Liet, Henk. "”Jeg kunde for Længsel ej sove” Holger Drachmann og den erotiske rejse." European Journal of Scandinavian Studies 49, no. 2 (2019): 375–91. http://dx.doi.org/10.1515/ejss-2019-0028.

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Abstract Inspired by the spatial turn in literary criticism, this article seeks to combine a traditional biographical approach of the versatile oeuvre of the late 19th Century Danish poet, painter and bon vivant Holger Drachmann (1846–1908), with a space-oriented perspective. One of the key concepts of the Scandinavian literature of the latter half of the 19th Century, the era of the so-called Modern Breakthrough, was to promote a literature that dealt with contemporary social issues; at the same time, many of the artists who adhered to this program turned their backs on everyday routine, by frequently travelling and living abroad for long periods. Especially Southern Europe, and in particular Italy was a favorite destination. In Drachmann’s oeuvre too, the lure of the South is omnipresent, but his initial infatuation with Italy shifts radically between his first (1867) and second (1876) journey to the country, from an Orientalist notion of Italy as an eroticised Nirvana, to a horrendously degenerate country. This case study proposes a spatial reading of one of Drachmann’s still well-known poems, ”Sakuntala” (1879), where the lure of travel, exoticism and erotic enticement are brought together in a poem, in which travel is a mere metaphor for the state of mind in which exotic landscapes morph into erotic spaces, while eroticist desire remains forever unfulfilled.

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Verdoya, M., P. Chiozzi, and V. Pasquale. "Thermal log analysis for recognition of ground surface temperature change and water movements." Climate of the Past 3, no. 2 (2007): 315–24. http://dx.doi.org/10.5194/cp-3-315-2007.

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Abstract. A joint analysis of surface air temperature series recorded at meteorological stations and temperature-depth profiles logged in nearby boreholes was performed to estimate conditions existing prior to the beginning of the instrumental record in central-northern Italy. The adopted method considers conductive and advective heat transport in a layered medium and provides simultaneous estimates of the pre-observational temperatures and the Darcy velocities. The reconstruction of the ground surface temperature history using a generalised least-squares inversion method was performed for boreholes where hydrological disturbances to measured temperature logs were proved negligible. Both methods revealed generally coherent climatic changes in the whole investigated area. Climatic conditions were generally warm and comparable with the reference period 1960–1990. The absence of the Little Ice Age seems to be a generic feature of the climate in central-northern Italy. Climate change of the 19th century was generally insignificant with well-balanced periods of cold and warmth. The investigated area became significantly colder only at the end of the 19th century. Cooling culminated around 1950 when it was replaced by rapid warming. Recent warming was not inferred only for one of the investigated holes.

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Gemme, Paola. "Domesticating Foreign Struggles: American Narratives of Italian Revolutions and the Debate on Slavery in the Antebellum Era." Prospects 27 (October 2002): 77–101. http://dx.doi.org/10.1017/s0361233300001149.

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Reporting on the Roman revolution of 1848 as the foreign correspondent of theNew-York Daily Tribune, Margaret Fuller observed that Americans used the same arguments against the political emancipation of Italy that they employed against the social emancipation of blacks in the United States. “Americans in Italy,” she wrote, “talk about the corrupt and degenerate state of Italy as they do about that of our slaves at home.” “They come ready trained,” she explained, “to that mode of reasoning which affirms that, because men are degraded by bad institutions, they are not fit for better.” This essay builds upon Fuller's comment. It examines American accounts of the Italians' mid-19th-century struggle to free their country from its colonial bond to the Austrian empire and substitute local absolutist monarchies with more enlightened forms of government, and demonstrates that the discourse on revolutionary Italy became the site of a reenactment on foreign grounds of the domestic controversy over slavery. The discussion on whether Italians could become republican subjects was liable to become a mediated debate over emancipation and the future of the African bondsmen in the American republic because of the alleged similarities, both historical and “racial,” between the populations of Italy and blacks in antebellum America. Like the slaves in the United States, Italians had been subjected to brutal despotism for centuries, which, within the 19th-century environmental conception of political virtue, was believed to have negatively affected their aptitude for freedom. Like the black slaves, moreover, Italians were placed by racist ideology outside the pale of the dominant Anglo-Saxon racial category, a political as well as a “biological” class marked by the exclusive capacity for self-government.

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Govoni, Paola. "Popularizing science in Italy: a historical perspective. An interview with Paola Govoni." Journal of Science Communication 10, no. 01 (2011): C04. http://dx.doi.org/10.22323/2.10010304.

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The interview concerns the role of scientific books in the Italian society from the 19th century until today. Having played an important role in the formation of a national scientific community, science popularization has offered a ceaseless high-quality production during the past two centuries. On the other hand, even today scientific publications do reach only a narrow élite. In the author’s opinion, only the school system has the power to widen the public for science in Italy.

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Habtu, Hailu. "The Voyage of Däbtära Fesseha Giyorgis to Italy at the end of the 19th Century." Annales d'Ethiopie 16, no. 1 (2000): 361–68. http://dx.doi.org/10.3406/ethio.2000.982.

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35

Cappelli, Gabriele. "Quite a Visible Hand? State Funding and Primary Education in 19th-century France and Italy." Revue d'économie politique 130, no. 1 (2020): 77. http://dx.doi.org/10.3917/redp.301.0077.

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Chiletti, Silvia. "Infanticide and Mental Illness: Theories and Practices involving Psychiatry and Justice (Italy, 19th-20th century)." Histoire, médecine et santé, no. 6 (February 15, 2015): 17–31. http://dx.doi.org/10.4000/hms.691.

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Kos, Mateja, and Žiga Šmit. "PIXE-PIGE analysis of 18th and early 19th century creamware from Slovenia and Northern Italy." Journal of Cultural Heritage 12, no. 2 (2011): 236–42. http://dx.doi.org/10.1016/j.culher.2010.12.010.

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38

Marturano, A., E. Esposito, S. Porfido, and G. Luongo. "Macroseismic characteristics of the main earthquakes of the 19th century in Southern Italy: a review." Tectonophysics 193, no. 1-3 (1991): 241–45. http://dx.doi.org/10.1016/0040-1951(91)90205-7.

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Gracheva, Alla Mikhailovna. "ITALY IN THE RUSSIAN DESTINIES OF THE LATE 19th — FIRST HALF OF THE 20th CENTURY." Russkaya literatura 2 (2021): 255–57. http://dx.doi.org/10.31860/0131-6095-2021-2-255-257.

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Kholbekov, Mukhammadjon. "PERCEPTION AND INTERPRETATION OF CREATIVITY OF ALISHER NAVOI IN FRENCH ORIENTAL STUDIES." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 17–27. http://dx.doi.org/10.26739/2181-1490-2021-1-2.

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Information about Navoi began to reach Europe as early as the 17th century. Over time, he became one of the most famous people of the East in Europe. His works are translated into some European languages in separate fragments. Similar works have been translated in France, England, Italy, Holland, and other countries [Захидов 1961:13-14]. In the 19th century, the study of Navoi art in these countries was especially intensified. His works are translated, scientific works about his work are written, dictionaries for his works are compiled, etc

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Terrone, Martino, Pietro Piana, Guido Paliaga, Marco D’Orazi, and Francesco Faccini. "Coupling Historical Maps and LiDAR Data to Identify Man-Made Landforms in Urban Areas." ISPRS International Journal of Geo-Information 10, no. 5 (2021): 349. http://dx.doi.org/10.3390/ijgi10050349.

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In recent years, there has been growing interest in urban geomorphology both for its applications in terms of landscape planning, and its historical, cultural, and scientific interest. Due to recent urban growth, the identification of landforms in cities is difficult, particularly in Mediterranean and central European cities, characterized by more than 1000 years of urban stratification. By comparing and overlapping 19th-century cartography and modern topography from remote sensing data, this research aims to assess the morphological evolution of the city of Genoa (Liguria, NW Italy). The analysis focuses on a highly detailed 1:2’000 scale map produced by Eng. Ignazio Porro in the mid-19th century. The methodology, developed in QGIS, was applied on five case studies of both hillside and valley floor areas of the city of Genoa. Through map overlay and digitalization of elevation data and contour lines, it was possible to identify with great accuracy the most significant morphological transformations that have occurred in the city since the mid-19th century. In addition, the results were validated by direct observation and by drills data of the regional database. The results allowed the identification and quantification of the main anthropic landforms. The paper suggests that the same methodology can be applied to other historical urban contexts characterized by urban and architectural stratification.

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Verdoya, M., P. Chiozzi, and V. Pasquale. "Thermal log analysis for recognition of ground surface temperature change and water movements." Climate of the Past Discussions 3, no. 1 (2007): 95–120. http://dx.doi.org/10.5194/cpd-3-95-2007.

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Abstract. A joint analysis of surface air temperature series recorded at meteorological stations and temperature-depth profiles logged in near-by boreholes was performed to estimate conditions existing prior to the beginning of the instrumental record in central-northern Italy. The adopted method considers conductive and advective heat transport in a horizontally layered medium and provides simultaneous estimates of the pre-observational temperatures and the Darcy velocities. The reconstruction of the ground surface temperature history using an inversion method was performed for boreholes where hydrological disturbances to measured temperature logs were proved to be negligible. Both methods revealed generally coherent climatic changes in the whole investigated area. Climatic conditions were generally warm and comparable with the reference period 1960–1990. The absence of the Little Ice Age in the middle ages seems to be a generic feature of the climate in central-northern Italy. Climate change of the 19th century was generally insignificant with well balanced periods of cold and warmth. The investigated area became significantly colder only at the end of the 19th century. Cooling culminated around 1950 when it was replaced by rapid warming. Recent warming was not inferred only for one of the investigated holes. This discrepancy can be attributed to local environmental conditions.

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Sharova, Elena A. "THE ARTIST A. N. MOKRITSKY IN ITALY IN THE 1840S: LANDSCAPE ART EXPERIENCE." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 289–99. http://dx.doi.org/10.37816/2073-9567-2020-58-289-299.

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The paper explores the art works of A. N. Mokritsky, the painter who lived in Italy in the 1840s and had a strong passion for landscape painting. Being taught by A. G. Venecianov first and then graduating from the Imperial Academy of Arts under K. P. Bryullov, he himself followed the path of teaching and became an outstanding person in the Russian Art History of the second third of the 19th century. Mokritsky came to be known as a painter of an average talent who didn’t leave a distinctive mark on the national art. However, it was him who as a presumable representative of the artistic milieu became an indicator of the changes taking place in this art environment. The article provides a picture of years Mokritsky spent in Italy which is the most important period of his professional development and a prominent time of the Roman colony of the Russian artists as well. The author considers the artist’s close interaction not only with members of the Russian colony in Rome, but also with representatives of European art schools. Involving of archival materials and literary sources allowed to substantially supplement information about the life and work of Mokritsky during his trip abroad. Upon analysis of a significantly expanded list of landscape works created by the artist in this period, the author identified a number of characteristic features of the Italian landscape of the 40s of the 19th century taking into account the works of other painters.

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MYKHAYLYAK, Tamara. "«TRANSPARENT» FRONTIERS OF SCIENCE: ETHNOGRAPHIC PRACTICES OF THE 19TH – EARLY 20TH CENTURY IN UKRAINE AND ITALY." Ethnology Notebooks 155, no. 5 (2020): 1015–21. http://dx.doi.org/10.15407/nz2020.05.1015.

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Lofrano, Giusy, Maurizio Carotenuto, Pietro Todaro, Roberta Maffettone, Silvia Sammataro, and Ioannis K. Kalavrouziotis. "From the Middle Ages to 19th century: a journey into the water system of Palermo (Italy)." International Journal of Global Environmental Issues 14, no. 3/4 (2015): 296. http://dx.doi.org/10.1504/ijgenvi.2015.071848.

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Manfredini, Matteo. "The Use of Parish Marriage Registers in Biodemographic Studies: Two Case Studies from 19th-Century Italy." Human Biology 75, no. 2 (2003): 255–64. http://dx.doi.org/10.1353/hub.2003.0034.

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Funnell, Warwick, Valerio Antonelli, and Raffaele D'Alessio. "Accounting and psychiatric power in Italy: The royal insane hospital of Turin in the 19th century." Critical Perspectives on Accounting 61 (June 2019): 1–21. http://dx.doi.org/10.1016/j.cpa.2018.08.004.

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Bosch, Sebastian, and Andreas Janke. "Manuscript Illumination in 19th-century Italy. Material Analysis of Two Partial Copies from the Squarcialupi Codex." Open Information Science 5, no. 1 (2021): 63–88. http://dx.doi.org/10.1515/opis-2021-0006.

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Abstract The illuminations in two Italian manuscripts are still a mystery today. Both manuscripts were based fully or partly on the Florentine Squarcialupi Codex (Florence, Biblioteca Medicea Laurenziana, Med. Pal. 87) dating from around 1410/15. With the help of a multi-analytical, non-destructive approach employing mobile instrumentation (XRF spectroscopy, visible reflectance spectroscopy and infrared reflectography), we examined the manuscripts Toronto, Thomas Fisher Rare Book Library, MSS 09700 and Düsseldorf, Kunstpalast, Inv. K 1925-67 for the first time with regard to their production processes. The identification of modern pigments allows them to be contextualized in illumination practices of the 19th century. Manuals of that time provide a wealth of information on specific illumination practices and the availability of writing and painting materials, which correlates with the actual artefacts.

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Kotova, Elena. "The German Question in the Foreign Policy of the Austrian Empire in 1850—1866." ISTORIYA 12, no. 6 (104) (2021): 0. http://dx.doi.org/10.18254/s207987840016050-4.

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For centuries, the House of Austria (the Habsburgs) maintained its leadership in the Holy Roman Empire, and later in the German Union. But in the middle of the 19th century the situation changed, Austria lost its position in Germany, lost to Prussia in the struggle for hegemony. The article examines what factors influenced such an outcome of the German question, what policy Austria pursued in the 50—60s of the 19th century, what tasks it set for itself. The paper traces the relationship between the domestic and foreign policy of Austria. Economic weakness and political instability prevented the monarchy from pursuing a successful foreign policy. The multinational empire could not resist the challenge of nationalism and prevent the unification of Italy and Germany. Difficult relations with France and Russia, inconsistent policy towards the Middle German states largely determined this outcome. The personal factor was also important. None of the Austrian statesmen could resist such an outstanding politician as Bismarck.

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Demchenko, Alexander I. "The Great Saratov Triad of the Early 20th Century." ICONI, no. 3 (2019): 52–64. http://dx.doi.org/10.33779/2658-4824.2019.3.052-064.

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Saratov is justifiably called one of the most significant centers of the artistic culture of the Russian Near-Volga Region. When analyzing the condition of that domain of the plastic arts represented by painting and graphics, it is necessary to state that during the course of the entire 19th century (not to mention the previous century) the figures of the artists were merely episodic: Jean Baptiste Savin, a Frenchman in his origin (famous for his portraits and watercolors), watercolor painter Maria Zhukova, Andrei Godin (who was the first teacher of Mikhail Vrubel) and Feodor Vassiliev (the first instructor of Victor Borisov-Musatov), portraitists and church painters Lev Igorev and Nikolai Rossov. For the most part, the artists who worked beyond the confines of Saratov were its natives, who were veritably well-known artists – Vassily Zhuravlev and Alexei Kharlamov. The high flourishing of painting in Saratov at the end of the 19th and the beginning of the 20th century was prepared by the activities of Hector Baracchi, originally from Italy, and graduate from the St. Petersburg Academy of the Arts Vassily Konovalov. They exerted a decisive influence on the local artistic school, the main representatives of which were Victor Borisov-Musatov, Pavel Kuznetsov, Piotr Utkin, Alexander Savinov, Kuzma Petrov-Vodkin (a native of Khvalynsk), as well as sculptor Alexander Matveyev. However, there were three names which have become the most “celebrated” for Saratov, which led the brilliant assemblage of remarkable artists pertaining to the visual arts and were in the vanguard of the so-called era of “cultural boom,” as the high artistic accomplishments of the late 19th and early 20th century are sometimes referred to. They are Victor Borisov-Musatov, Pavel Kuznetsov and Kuzma Petrov-Vodkin. The present essay is devoted to them.

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