Relevant bibliographies by topics / 19th century periodicals

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic '19th century periodicals'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "19th century periodicals"

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Kalendarova, V. V. "DEPARTMENTAL AND BRANCH PERIODICALS IN PUBLIC LIFE AT THE BEGINNING OF XIX CENTURY." Bulletin of Udmurt University. Series History and Philology 31, no. 4 (2021): 710–20. http://dx.doi.org/10.35634/2412-9534-2021-31-4-710-720.

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The article examines the question of the public reaction to the appearance of newspapers and magazines focused on the “serious reading”, using the example of branch and departmental periodicals that appeared in Russia in the late 18th - early 19th centuries. Based on the analysis of readers’ and critics’ responses, as well as of circulation of several studied magazines and newspapers and of their future (disappearance or replacement by another periodical), it is concluded that some of these magazines and newspapers faced difficulties in finding “their own” readers. However, there was a demand for some other public administration periodicals in the Russian society at the beginning of the 19th century, which leaded to their commercial success. These periodicals have laid the foundations for the further development of branch and departmental periodical press in Russia, the wide development of this type of press being observed in the second half of the 19th century.
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Dąbrowska, Magdalena. "PIOTRA DUBROWSKIEGO ZWIĄZKI Z POLSKĄ (Z ZAWARTOŚCI I O ZAWARTOŚCI WYBRANYCH CZASOPISM POLSKICH ORAZ ROSYJSKICH POŁOWY XIX WIEKU)." Acta Neophilologica 1, no. XX (2018): 155–67. http://dx.doi.org/10.31648/an.2693.

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The 19th century witnessed a gradual development of Polish-Russian and Russian-Polish cultural and scientific relations in the domain of the periodical press. One of the major representatives of the Slavic studies in the 19th century was Peter Pavlovich Dubrovsky (1812-1882), the author of the first book about Adam Mickiewicz, translator, literary scholar and linguist, editor of the periodical “Jutrzenka. Diennica” (1842--1843) published in Russian and Polish, with the motto: Slavus sum, nihil slavici a me alienum esse puto. “Jutrzenka. Diennica” is presented in the context of two 19th century periodicals: 1. Russian (“Literaturnaya gazeta”), 2. Polish (“Biblioteka Warszawska”). Most attention is paid to the preface to “Jutrzenka. Diennica” and Dubrovsky’s reviews of the almanac “Pierwiosnek” by Paulina Krakowowa (“Literaturnaya gazeta”, 1840).
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Lueck, Therese L. "Women’s Moral Reform Periodicals of the 19th Century." American Journalism 16, no. 3 (1999): 37–52. http://dx.doi.org/10.1080/08821127.1999.10739189.

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Eşanu, Octavian, and Angela Harutyunyan. "Introduction: Art Periodicals Today, Historically Considered." ARTMargins 5, no. 3 (2016): 3–10. http://dx.doi.org/10.1162/artm_e_00155.

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The Introduction to the Special Issue entitled Art Periodicals, Historically Considered sketches an outline of the advent of periodicals in the context of the Enlightenment demand for the public use of reason, and situates the emergence of art periodicals in the context of the advent of autonomous art since the 19th century. The article introduces the contributions to the Special Issue and opens up a way to reposition the question of critique in today's art publishing.
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Ghosh, Saswata. "Health and Society in Bengal: A Selection from Late 19th Century Bengali Periodicals." Social Change 36, no. 2 (2006): 189–92. http://dx.doi.org/10.1177/004908570603600213.

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VanArsdel, Rosemary T. ""The Great Unexplored Continent of 19th-Century Studies": Victorian Periodicals (David De Laura, 1968)." Victorian Periodicals Review 41, no. 1 (2008): 1–5. http://dx.doi.org/10.1353/vpr.0.0018.

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Dolakova, Makka, Andrey Zvonarev, and Dmitry Pashentsev. "Reflection of the financial policy of the Russian Empire at the end of the 19th century on the pages of the newspapers of the Kazan province." OOO "Zhurnal "Voprosy Istorii" 2021, no. 03 (2021): 98–107. http://dx.doi.org/10.31166/voprosyistorii202103statyi03.

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The article examines the reflection on the pages of the provincial government periodicals of the financial policy pursued at the end of the 19th century. It reveals the role of the Ministry of Finance in public administration of the period under review. Authors confirm the conclusion about the special significance of the activities of the Ministry of Finance for the economic development of the country.
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Augst, Thomas. "The Commerce of Thought: Professional Authority and Business Ethics in 19th-Century America." Prospects 27 (October 2002): 49–76. http://dx.doi.org/10.1017/s0361233300001137.

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This essay explores the ways that professions seek to claim social distinction by investing particular ways of knowing with moral authority. Through close analysis of popular representations of merchants in conduct books, business manuals, periodicals such asHunt's Merchant's Magazine, and biographical sketches, it describes a pervasive campaign to define business as a form of mental work. Representing the marketplace as a distinctively American school for character, merchants and their advocates sought to appropriate the moral authority traditionally associated with the learned professions of the ministry, the law, and medicine. Developing a critique of elitist pedagogy based on solitary reading, this campaign sought to identity expert knowledge with the practical experience of business. Redefining the relation between study and professional authority, the rhetoric of business helped to alter the symbolic value of education and to transform the nature of ethical reflection for liberal capitalism.
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Stachura-Lupa, Renata. "O emancypacji ze stanowiska konserwatywnego." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 28, no. 1 (2014): 107–20. http://dx.doi.org/10.36770/bp.446.

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The author considers the problem of female emancipation from the angle of the contention between two worldviews: religious conservatism and liberal secularism. The article reviews the development of emancipatory ideas in the second half of the 19th century, the emergence of first periodicals for women, and first female organizations in Poland during the Partitions. Then it shows an evolution of the ideas at the turn of the 19th century. It is against the backdrop of this social context that the author presents the reaction of Polish conservative and clerical circles, which exemplifies the core of the contention—the tussle about emancipation is here understood as part of the debate over moral and social consequences of modernization. In fact, the idea of emancipation was part and parcel of the epoch’s mind-set and generated controversies in the context of all the changes brought about by positivism in Poland.
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Vasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.

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The transition of the 19th into the 20th century in Serbian music history was a period of music criticism, journalism and essay writing. At that time, Serbian musicology had not yet been developed as an academic discipline. After WWI there were many more academic writings on this subject; therefore, the interwar period represents the beginning of Serbian music historiography. This paper analyses Serbian interwar music magazines as source material for the history of Serbian musicology. The following music magazines were published in Belgrade at the time: Muzicki glasnik (Music Herald, 1922), Muzika (Music, 1928-1929), Glasnik Muzickog drustva ?Stankovic? (Stankovic Music Society Herald, 1928-1934, 1938-1941; from January 1931. known as Muzicki glasnik /Music Herald/), Zvuk ( Sound, 1932-1936), Vesnik Juznoslovesnkog pevackog saveza (The South Slav Singing Union Courier, 1935-1936, 1938), Slavenska muzika ( Slavonic Music, 1939-1941), and Revija muzike (The Music Review, 1940). A great number of historical studies and writings on Serbian music were published in the interwar periodicals. A significant contribution was made above all to the study of Serbian musicians? biographies and bibliographies of the 19th century. Vladimir R. Djordjevic published several short biographies in Muzicki glasnik (1922) in an article called Ogled biografskog recnika srpskih muzicara (An Introduction to Serbian Musicians? Biographies). Writers on music obviously understood that the starting point in the study of Serbian music history had to be the composers? biographical data. Other magazines (such as Muzicki glasnik in 1928 and 1931, Zvuk, Vesnik Juznoslovenskog pevackog saveza, and Slavenska muzika) published a number of essays on distinguished Serbian and Yugoslav musicians of the 19th and 20th centuries, most of which deal with both composers? biographical data and analysis of their compositions. Their narrative style reflects the habits of 19th-century romanticism and positivism: in some of these writings the language also has an aesthetic function. Serbian interwar music magazines also published some archival documents contributing to the future research of Serbian music history. Interwar period in the then Yugoslavia was a time of rapid development and modernization in various fields of culture. There was a great demand for music writings of general interest. Therefore, Revija muzike (January - June 1940) was totally oriented towards the popularization of music and the arts (such as drama and film). This magazine also published some popular articles on music history. Serbian interwar music periodicals were least active in the field of musicological analysis. However, in 1934, Branko M. Dragutinovic published a detailed analytic study of Josip Slavenski?s composition Religiofonija (Religiophonics) in Zvuk. There were also some interdisciplinary history articles in Serbian interwar music magazines. Being well aware of the fact that music history comprises not only music itself, but also music writing, schools, institutions and music life, our music writers used ?indirect? sources, such as literature and art, as well as music. Serbian interwar music periodicals opened many fields of research, thus blazing a trail in postwar Serbian musicology.
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Dissertations / Theses on the topic "19th century periodicals"

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Kakooza, Michael Mirembe. "Mid-Victorian weekly periodicals and anti-Catholic discourse 1850-60 : ideology and English identity." Thesis, University of Wales Trinity Saint David, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683162.

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Belknap, Geoffrey David. "'From a photograph' : photography and the periodical print press 1870-1890." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.

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Possehl, Suzanne René. "A women's journal, or, The birth of a Cosmo girl in 19th-century Russia /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20175.

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This thesis examines the role nineteenth-century women's literary journals, specifically Ladies' Journal (1823--1833), played in the development of Russian literature. The longest-lived and most-circulated of the pre-Soviet women's literary journals, Ladies' Journal was well-positioned to have contributed to the on-going formation of a national literature through its influence on the Russian woman writer and reader. Ladies' Journal served as a forum for new Russian women writers and translators. It also promoted the discussion of women's issues. However, Ladies' Journal had a contradictory editorial policy concerning women and literature. While advocating women stake their own ground as writers, Ladies' Journal modeled the type of writer it wanted. The ideal writer was the inspiration of male poets and did not differ from the Romantic heroine or the ideal Romantic woman. This was a gesture in the spirit of the time, but it had consequences for Russian literature and for the poetics and politics of Russian women's journals to come.
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Friedlander, Keith. "Born In a Crowd: Subjecthood Across Authorial Modes In the Nineteenth-Century Writer's Market." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35054.

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This dissertation examines representations of authorship and subjecthood in the Romantic period as products of market position and publishing mode. In doing so, it views the traditional concept of Romantic individualism commonly associated with the solitary poet as a strategy developed to help the author navigate a complex writer’s market. Rather than focusing upon individualism as the defining authorial model for this period, however, my project presents it as one example of a diverse range of representational strategies employed by different authors operating from different positions within the market. To this end, this study compares the authorial model of the independent poet with authors engaged in a variety of other modes of publishing, including hack essayists, serialized poets, periodical editors, and celebrity authors. By examining authors operating across different publishing modes, I demonstrate that each one’s concept of public identity is shaped principally by his or her particular market position, as defined by working relationships with peers, involvement in the particulars of publishing, exchanges with the critical press, and engagement with readers. These authors include William Wordsworth, Lord Byron, Letitia Elizabeth Landon, Charles Lamb, and Francis Jeffrey. By juxtaposing their different models of authorship, this study seeks to bridge the longstanding discourse regarding the social isolation of the Romantic poet with more contemporary streams of scholarship into the material realities of the nineteenth-century publishing industry. Drawing upon the social philosophy of the Frankfurt School and Eric Gans’ theory of Generative Anthropology, I examine how different strategies of representation were developed to preserve personal meaning and sustain public attention. By comparing responses to the rise of the writer’s market and the ubiquity of print culture, this dissertation argues that Romantic period authors demonstrate a distinctly modern understanding of public identity as a product of mediation in mass media culture.
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Albrecht, Carol Padgham. "Music in Public Life: Viennese Reports from the Allgemeine musikalische Zeitung, 1798-1804." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1207754056.

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Thesis (Ph.D.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed July 15, 2009). Advisor: Kazadi wa Mukuna. Keywords: Allgemeine musikalische Zeitung, music journalism, 19th-century Vienna, concert life, Viennese opera. Includes bibliographical references (p. 236-243).
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Geilman, Douglas James. "The Etoile Du Deseret: Portrait of the French Mission, 1851-1852." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/4713.

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One of John Taylor's most significant achievements during his mission to France, 1849-1851, was the publication of a French-language Latter-day Saint periodical, the Etoile du Déséret. Appearing in twelve issues from May 1851 to December 1852, the Etoile served a variety of functions for the earliest missionaries and members of The Church of Jesus Christ of Latter-day Saints in France. A study of its historical context and of its contents allows readers a glimpse into the circumstances under which the missionaries labored and into the needs of the growing Church. Furthermore, the Etoile provides a vivid example of John Taylor's spiritual leadership, proselytizing methods, and preaching skills.The French Mission was established in 1850, three years after the arrival of the Latter-day Saints in the Salt Lake Valley and two years after a revolution had removed the French monarchy from power and instituted a republic. Although civilization was just taking root in the Great Basin, several members of the Quorum of the Twelve Apostles departed on foreign missions in the fall of 1849, including John Taylor. Elder Taylor, his companion Curtis E. Bolton, and early convert Louis A. Bertrand took advantage of the liberties granted in the French constitution of 1848 in order to inaugurate their publication. The periodical allowed them to spread their message farther than they could have otherwise, since their proselytizing was limited by governmental restrictions and Taylor's difficulties in speaking French.The contents of the Etoile du Déséret reveal that the missionaries used their periodical to introduce Latter-day Saint doctrine and news to readers, in addition to communicating with and instructing fledgling members of the Church. Historical details included in the text allow contemporary readers to create a timeline of events in the early French Mission, such as the establishment of a new branch and the publication of the Book of Mormon in French.This thesis contends that the twelve issues of the Etoile du Déséret considered together reveal a systematic preaching method in John Taylor's writings, personal and spiritual growth on the part of the men who worked on the publication, and the situation of The Church of Jesus Christ of Latter-day Saints during its earliest years in France.
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Viana, Maria Rita Drumond. "\"Não se pode lutar uma batalha com sussurros\": a prática epistolar de W.B. Yeats e sua correspondência para periódicos no século XIX." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-18092015-124131/.

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Uma das mais influentes figuras da literatura irlandesa, o escritor W. B. Yeats conta com uma vasta obra em diversos gêneros (poesia, prosa ficcional, ensaios, teatro, autobiografias) e que se estende por uma longa carreira, do final dos anos 1880 até sua morte, em 1939. Durante todos esses anos de intensa atividade, Yeats acumulou uma profícua correspondência, da qual quase oito mil cartas sobrevivem. Parte de um esforço de décadas, vêm sendo publicados volumes das Collected Letters of W. B. Yeats, um projeto de edição crítica completa da correspondência ativa do autor sob edição-geral de John Kelly para a Oxford University Press. Partindo de uma análise do histórico de publicação das cartas do escritor até o presente momento da edição de John Kelly, esta tese contextualiza as diferentes formas como o rico material das cartas foi utilizado pela crítica do autor e propõe uma exploração das epístolas que Yeats envia a periódicos de língua inglesa para publicação nas seções de Cartas ao Editor, ao final do século XIX. O recorte proposto e a abordagem adotada baseiam-se em um entendimento da correspondência de escritores como um campo de estudo distinto, regido por preocupações que remetem a características específicas do gênero carta. Ancorando-se em diversos outros estudos sobre a escrita epistolar, sejam eles de cunho mais teórico (como DIAZ, 2002), sejam aplicados a escritores específicos (como STANLEY, 2011), a presente pesquisa explora a correspondência aberta do jovem Yeats para ressaltar os usos políticos que ele faz desse tipo de texto. Considerando-se diferentes temas e controvérsias nas quais ele se envolve, partese de uma contextualização do conteúdo referencial das cartas para uma análise das formas como o escritor busca engajar-se com o leitor com o intuito de convencêlo. O estudo revelou que o período escolhido é rico em material sobre a relação entre a literatura e a construção da identidade seja a identidade pessoal e artística do próprio poeta, que busca definir-se em relação à tradição, seja a identidade de toda uma literatura nacional. Para o poeta, definir o cânone nacional irlandês era uma condição essencial para a independência política, uma antiga reinvidicação de parcelas do povo irlandês e que volta a ter grande relevância com os movimentos nacionalistas dos séculos XIX e XX. A análise das estratégias utilizadas por Yeats nas cartas abertas revela uma crescente sofisticação de técnicas e no uso das potencialidades dialógicas e performativas da escrita epistolar e demonstra, concomitantemente, seu amadurecimento como escritor.<br>One of the most influential figures in Irish literature, the writer W. B. Yeats has produced a vast oeuvre spanning many genres (poetry, prose fiction, essays, theater, autobiographies) and extending over a long career, from the late 1880s until his death in 1939. During all these years of intense activity, Yeats accumulated a fruitful correspondence, of which nearly eight thousand letters survive. Part of an effort of decades that have been published as The Collected Letters of W. B. Yeats, an ongoing critical edition of the authors correspondence under the general editorship of John Kelly for the Oxford University Press. From an analysis of the history of publication of the writers correspondence until John Kellys edition, this thesis contextualizes the different ways in which this rich material has been used by Yeats criticism and proposes an exploration of the letters Yeats sends to periodicals for publication in the Letters to the Editor section during the end of the nineteenth century. The proposed focus and approach are based on an understanding of the writers correspondence as a distinct field of study, governed by concerns that refer back to the specific characteristics of the letter genre. Anchored by several other studies on epistolary writing, both from a more theoretical nature (as DIAZ, 2002) or applied to specific writers (as STANLEY, 2011), this research explores the open correspondence of the young Yeats to highlight the political uses of this kind of text. Considering different issues and controversies in which he engages, the study includes a contextualization of the content of the letters and an analysis of the ways in which the writer seeks to engage with readers in order to convince them. The research found that the chosen period is rich in material dealing with the relationship between literature and the construction of identity be it the personal and artistic identity of the poet, who tries to define himself in relation to tradition, or the identity of a national literature. For the poet, defining Irish national canon was an essential condition for political independence a centuries-long aspiration of the Irish people that once again achieves great relevance among the nationalist movements in the nineteenth and twentieth century. The analysis of the strategies used by Yeats in open letters reveals a growing sophistication in terms of the techniques and his use of the dialogical and performative potentials of the epistolary writing, concomitantly revealing how he matures as a writer.
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Sadoun, Clara. "Le roman de La Vie parisienne, 1863-1970: presse, genre, littérature et mondanité, 1863-1914." Doctoral thesis, Universite Libre de Bruxelles, 2010. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209915.

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Fondée en 1863,la Vie parisienne est une revue illustrée, galante et mondaine qui connut, jusqu'aux années 1930, un très grand succès. La thèse ici présentée s'attache à en retracer l'histoire, à en étudier le discours social, notamment sur les femmes, et son implication - problématique - dans le champ littéraire.<p><br>Doctorat en Langues et lettres<br>info:eu-repo/semantics/nonPublished
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Dean, Camille K. "True Religion: Reflections of British Churches and the New Poor Law in the Periodical Press of 1834." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278395/.

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This study examined public perception of the social relevance of Christian churches in the year the New Poor Law was passed. The first two chapters presented historiography concerning the Voluntary crisis which threatened the Anglican establishment, and the relationship of Christian churches to the New Poor Law. Chapters 4, 5, and 6 revealed the recurring image of "true" Christianity in its relation to the church crisis and the New Poor Law in the working men's, political, and religious periodical press. The study demonstrated a particular working class interest in Christianity and the effect of evangelicalism on religious renewal and social concerns. Orthodox Christians, embroiled in religious and political controversy, articulated practical concern for the poor less effectively than secularists.
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Kroeter, Chloe Melinda. "Art and activism : promoting change through British periodical illustration, 1893-1914." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648341.

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Books on the topic "19th century periodicals"

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Reed, Barbara Straus. The antebellum Jewish press: Origins, problems, functions. Association for Education in Journalism and Mass Communication, 1993.

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Reed, Barbara Straus. The antebellum Jewish press: Origins, problems, functions. Association for Education in Journalism and Mass Communication, 1993.

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Nach berühmten Mustern: Fachzeitschriften des graphischen Gewerbes und kunstgewerbliche Vorlagesammlungen im späten 19. Jahrhundert. P. Lang, 1993.

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The Nineteenth-Century Press in the Digital Age. Palgrave Macmillan, 2012.

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1947-, Johnston Judith, and Green Stephanie 1959-, eds. Gender and the Victorian periodical. Cambridge University Press, 2003.

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Victorian novels in serial. Modern Language Association of America, 1985.

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British Victorian women's periodicals: Beauty, civilization, and poetry. Palgrave Macmillan, 2009.

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Medizinische Belehrung für das Bürgertum: Medikale Kulturen in der Zeitschrift "Die Gartenlaube" (1853-1944). Franz Steiner Verlag, 2012.

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Women writers and journalists in the nineteenth-century south. Cambridge University Press, 2011.

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Social stories: The magazine novel in nineteenth-century America. University of Virginia Press, 2003.

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Book chapters on the topic "19th century periodicals"

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Freitag, Florian. "‘Scribner’s Illustrated New Orleans’: Convergence Culture and Periodical Culture in Late 19th-Century America." In Göttinger Schriften zur Englischen Philologie. Göttingen University Press, 2015. http://dx.doi.org/10.17875/gup2021-1702.

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"Specialist periodicals / Périodiques spécialisés." In Belgian Photographic Literature of the 19th Century. L’édition photographique belge au 19e siècle. Leuven University Press, 2015. http://dx.doi.org/10.2307/j.ctt1b9x1n6.12.

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"Illustrated books and periodicals / Livres et périodiques illustrés." In Belgian Photographic Literature of the 19th Century. L’édition photographique belge au 19e siècle. Leuven University Press, 2015. http://dx.doi.org/10.2307/j.ctt1b9x1n6.11.

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Burnetts, Charles. "Towards a Genealogy of Sentimentalism in the Eighteenth and Nineteenth Centuries." In Improving Passions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748698196.003.0002.

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Chapter One charts a genealogy of the sentimental mode, from the sentimental literary cultures of 18th century Europe through to the widespread success of popular melodrama in Europe and America. It draws connections between the sentimental novel, ‘Moral Sense’ philosophy of the 18th century ‘Scottish Enlightenment’, and 19th century melodrama, as discourses and traditions each bound up with questions relating to affect, the subject and society. While textual analysis of specific texts seeks to draw out the continuities and problematics of sentimentalism as a literary and theatrical genre, a focus remains on establishing the critical contours of the term’s cultural history. The section’s particular aim is to trace the term’s fall from grace while nevertheless establishing its full theoretical significance to film theory. It will also review influential literary scholarship on the cultural gendering of sentimentalism of the period, whether discerned in the ideological consolidation of bourgeois society, the continuance of sentimental narrative in theatrical melodrama and the novel (Stowe, Dickens) or in the various periodicals, guidebooks and assorted paraphernalia that make up a feminizing culture for theorists like Ann Douglas, Jane Tompkins and Lauren Berlant.
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"Advancing an Ecosystem Approach in the Gulf of Maine." In Advancing an Ecosystem Approach in the Gulf of Maine, edited by Michael J. Chiarappa. American Fisheries Society, 2012. http://dx.doi.org/10.47886/9781934874301.ch18.

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&lt;i&gt;Abstract&lt;/i&gt; .—The advent of modern fisheries research during the second half of the 19th century was striking in its historical and ethnographic orientation, a precedent set by such pioneering work as George Perkins Marsh’s &lt;i&gt;Man and Nature &lt;/i&gt; and the collective labor of the U.S. Fish Commission and certain state fish commissions that followed its lead. This approach served to provide more than limited context or introductory remarks for scientific studies but, with compelling clarity, took seriously the historical and cultural experiences of fishing communities in an effort to structure wide public discourse on the pressing concerns confronting the use of fisheries resources. Hoping to employ knowledge of fisheries history and occupational culture in the service of publicly engaged, progressive policy and management, these investigations reached audiences not just through government reports, but also through popular periodicals and fisheries exhibitions. Today, the work of environmental and cultural history—in conjunction with their vital interdisciplinary links to oral history, anthropology, geography, field documentation, and museology—is revitalizing this tradition and establishing important patterns in how fisheries issues are communicated and deliberated in society. Similar to earlier periods, the implications of these contemporary initiatives are important for those stakeholders wishing to participate in the public culture that frames current fisheries life.
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Bressey, Caroline. "The Next Chapter: The Black Presence in the Nineteenth Century." In Britain's Black Past. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621600.003.0018.

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Caroline Bressey turns her attention in this chapter to the 19th century descendants of blacks who had found their way to Britain in the previous century. She focuses on the flawed Victorian depictions of the British black presence (most notably found in the 1875 essay ‘The Black Man’ published in Charles Dickens’s periodical All The Year Round)—which offered narrow sketches of the lives and opportunities of the black population. Bressey offers anecdotal examples of a wider spectrum of employment and lifestyles that blacks were able to partake in and describes how some of the obstacles to uncovering a clearer picture of 19th century blacks in Britain are being eased by the digitization of newspapers, census returns and family papers and diaries. Bressey concludes by calling for more study, propelled by these digital archives, to better understand the diversity of the black British experience.
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Niero, Marina. "Sulla storia dell’Ateneo Veneto." In Venezia 1868: l’anno di Ca’ Foscari. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-294-9/008.

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In the 19th century, the Ateneo Veneto was a place of violent political passions and innovative proposals for the city of Venice, and members were periodically invited to present reports on their activities to the assembly. During the first half of 19th century, under Austrian domination, even if among many difficulties and vicissitudes, the Ateneo had already distinguished itself for its function of discussion and dissemination of the most progressive ideas, both in scientific and humanistic field. Eminent professors and scholars gathered in it, not only from the Venetian disctrict, but also of national and international prestige. In the second half of the 19th century one of the themes that was mostly addressed in the city debate was related to education, so much so that in those years the Ateneo Veneto began to experiment with new educational formulas, by opening its rooms to ‘popular’ lessons. Other topics were modernisation, health, but also a special attention to the emancipation of women. In 1868 the Ateneo organised several initiatives in this direction.
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Spannaus, Nathan. "The Transformation of the Religious Environment." In Preserving Islamic Tradition. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190251789.003.0009.

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The religious and intellectual landscape of the Volga-Ural region changed significantly over the course of the 19th century. This chapter addresses those changes, focusing on three main historical phenomena: the adoption of European approaches and subjects in Islamic education and pedagogy, the introduction of Arabic-script printing and periodical publishing, and the fragmentation of Islamic religious authority. These phenomena all contributed to a new religious and intellectual landscape that arises following the 1905 Revolution, which is marked by debates over the ulama’s stature as foremost religious interpreters and non-ulama elites speaking for Islam and for Muslims alongside scholars. Characterized by conflicts over the continued validity of the Islamic scholarly tradition and the role of ulama, the discourse of this period included new debates and movements, including Jadidism, which emerges out of the broad changes taking place.
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Conference papers on the topic "19th century periodicals"

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Kozlova, M. A. "The reflections of the concepts “constitution” and “revolution” in the Russian periodicals of the first quarter of the 19th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-328-335.

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Mitina, Rimma. "STAGES OF FORMATION AND DEVELOPMENT OF OFFICIAL PERIODICALS IN RUSSIAN PROVINCES IN THE 19TH CENTURY (FOR EXAMPLE NEWSPAPERS PERM PROVINCIAL GAZETTE)." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.076.

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Beris, Yeter, and İsmail Erim Gulacti. "Influences of Japanese prints on European printmaking (in the case of Degas-Manzi partnership)." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p69.

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Contemporary artists have included classical methods together with innovative digital printing technologies to their artistic manufactures and thus their technological production interactions have been reflected on current art as well. Today’s artists have also been in collaboration with each other by involving the digital printing technologies which kept advancing during the recent 20 years in their works of art just like Degas and Manzi did in their relationships of production partnerships in 19th Century. Besides, those opinions which originated from modernism ideas and movements consist of the core of this cooperation post Industrial Revolution era. Therefore, the concept of nationalism, the devastating consequences of the world wars and the latest industrial and technological advancements have all transformed human life irreversibly. Consequently, during this transformation era, various significant movements of art such as Impressionism and Expressionism emerged in the 20th century and representatives of those art movements substituted such a lot of printmaking practices in their works of art. None of those mentioned above took place in other previous movements of art. They reflected their points of view that they display social movements and none of the other artists who represent other senses of art have ever exhibited such a lot of printmaking practices. Thus, various printing technologies which present a new laboratory environment to the artists. As a result of this, printing technologies have been preferred as a sort of new artistic media value and it started to take its prominent place in collections of art as well as in museums during artistic presentations. Within this context, this article aims at studying the phenomenon of art by considering how it has changed during the historical process by examining those works of art which reveal these variations. Common production and working techniques in traditional printmaking, contributions of the technological advantages to the artistic manufacture. Besides, periodical innovations will be examined and presented by introducing an updated point of view to the topic within the content of this article that contain some citations from the second part of the thesis titled “Effects of fine art printmaking on the phenomenon of contemporary art”.
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