Relevant bibliographies by topics / 19th-century studies

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic '19th-century studies'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "19th-century studies"

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Rowlands, Thomas F., Jacques de Caso, Dorothy Johnson, and Michael Paul Driskel. "19th-Century Studies." Art Journal 52, no. 3 (1993): 92. http://dx.doi.org/10.2307/777376.

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Hudson, W. D. "Book Reviews : 19th Century Thought Completed." Expository Times 97, no. 8 (1986): 251. http://dx.doi.org/10.1177/001452468609700821.

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Lindblad, B. A. "Meteor Studies." International Astronomical Union Colloquium 98 (1988): 170–72. http://dx.doi.org/10.1017/s0252921100092733.

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Historically meteor astronomy is one area where amateurs have always been able to make significant contributions. In fact, in the 19th century, it was amateur naked eye and telescopic observations which laid down much of the foundations of meteor astronomy. References to this work can be found in any textbook on meteors. The 19th century observers concentrated on counting meteors, estimating magnitudes and plotting the meteor paths on star maps. Their main interest was to determine hourly rates and shower radiants. An important milestone was Denning’s radiant catalogue (Denning 1882), which included 4367 shower radiants. Although it is now believed that many of these radiants are spurious, the catalogue is still a useful reference. Unfortunately Denning and other 19th century observers often combined sporadic meteors observed on different nights into a minor stream radiant. This habit of “radiant hunting” is even today quite popular among some amateur observers. However, in all fairness it should be emphasized that most of the 20th century amateur meteor observers applied very strict criteria to their radiant determinations. Names such as J.M. Prentice in Great Britain, R.A. McIntosh in New Zealand and R. Rigollet in France may be mentioned.
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Feray, Jean-Claude, Manfred Herzer, and Glen W. Peppel. "Homosexual Studies and Politics in the 19th Century:." Journal of Homosexuality 19, no. 1 (1990): 23–48. http://dx.doi.org/10.1300/j082v19n01_02.

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Engmann, Birk, and Holger Steinberg. "Some comparative psychiatric studies in the 19th century." Transcultural Psychiatry 55, no. 3 (2018): 428–40. http://dx.doi.org/10.1177/1363461518767033.

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This article analyses 19th-century publications which dealt with the social and cultural aspects of psychiatric disorders in different parts of the world. Systematic reviews were conducted of three German medical journals, one Russian medical journal, and a relevant monograph. All these archives were published in the 19th century. Our work highlights the fact that long before Kraepelin, several, mostly forgotten, publications had already discussed cultural aspects, social conditions, the influence of religion, the influence of climate, and also “race” as a trigger or amplifier of psychiatric diseases. These publications also reflect racist notions of the colonial period.
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DeNipoti, Cláudio. "A reading community in 19th-century Brazil." International Journal of Cultural Studies 8, no. 1 (2005): 28–43. http://dx.doi.org/10.1177/1367877905050161.

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VAN OYEN, G. "The Doublets in 19th-Century Gospel Study." Ephemerides Theologicae Lovanienses 73, no. 4 (1997): 277–306. http://dx.doi.org/10.2143/etl.73.4.504828.

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Persson, Per-Edvin. "19th century and early 20th century studies on aquatic off-flavours - a historical review." Water Science and Technology 31, no. 11 (1995): 9–13. http://dx.doi.org/10.2166/wst.1995.0388.

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A review of the 19th century and early 20th century literature reveals that a largely correct picture of the role of many microalgae as sources of tastes and odours in water supplies had been obtained by the end of the 19th century. Attention was not paid to actinomycetes as an odour source until the end of the 1920s. Scientific studies on the etiology of off-flavours in fish began in 1910, revealing an essentially modern picture from the beginning.
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Zakrzewski, Richard J. "Geologic Studies in Western Kansas in the 19th Century." Transactions of the Kansas Academy of Science (1903-) 99, no. 3/4 (1996): 124. http://dx.doi.org/10.2307/3627985.

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Herucová, Marta. "Case Studies in the 19th Century History of Art." Acta Historiae Artium 49, no. 1 (2008): 351–59. http://dx.doi.org/10.1556/ahista.49.2008.1.38.

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Dissertations / Theses on the topic "19th-century studies"

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Van, der Hoek Jessica. "The faithful and/or flattering in 19th Century portraiture." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/13996.

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The nineteenth century's creation of different optical devices such as the camera obscura, the kaleidoscope and the thaumatrope signifies a change in the perception of vision at the time. The aim of this dissertation is to examine the work of four artists with reference to nineteenth century concerns surrounding vision. The scope for this examination is limited to the painted portraiture of Dante Gabriel Rossetti and John Singer Sargent and photographic portraiture of Julia Margaret Cameron and Félix Nadar Tournachon. Rossetti and Cameron represent two Victorian artists whose vision is turned inward to the imagination, with feelings of nostalgia and sentimentalism evoked in their portraits. This dissertation argues that the act of turning the eye inwards to the imagination is at the root of the flattering quality of these two artists' portraits. A further argument is that the sustained use of literary reference is the catalyst to the inward vision seen in these two Victorian artists' work. I examine Dante Gabriel Rossetti‟s later phase of idealised and "flattering" portraits of women in relation to the sonnets that Rossetti began to physically attach to either the frame or canvas of the portrait. The use of literary reference as catalyst to the inward vision is discussed namely through Julia Margaret Cameron‟s photographic portraits based on Alfred, Lord Tennyson's Enoch Arden. Cameron's allegorical and often mythological portraits of women are then analysed in order to establish the "flattering" quality of her portraits. With regards to the two artists who have been termed "faithful", an examination of their more outward vision and focus on the exterior realities is discussed. An exposition surrounding Félix Nadar Tournachon's "faithful" photographic portraits of nineteenth-century celebrities follows the discussion on Cameron. In order to further enquire into the notion of nineteenthcentury celebrities, an examination of John Singer Sargent follows. With the idea of Sargent being torn between the faithful and the flattering, I examine his more faithful Portrait of Madame X in relation to his later flattering celebrity portraits painted in the Grand Manner. In conclusion it will be suggested that Victorian and French ideas of vision and representation differed, exemplified by these four artists. These two very different perceptions of vision, one inward and the other outward, is the root of my distinction between the "faithful" and the "flattering" as manifested in portraiture.
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Rowley, Andrew S. "Professions, class and society: solicitors in 19th century Birmingham." Thesis, Aston University, 1988. http://publications.aston.ac.uk/12184/.

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The thesis provides an analysis of an occupation in the process of making itself a profession. The solicitors' profession in Birmingham underwent a great many changes during the 19th century against a background of industrialisation and urbanisation. The solicitors' conception of their status and role, in the face of these challenges, had implications for successful strategies of professionalisation. The increased prestige and power of the profession, and especially its elite, are examined in their social context rather than in terms of a technical process, or educational and organisational change. The thesis argues that -the profession's social relationships and broad concerns were significant in establishing solicitors as "professional men". In particular these are related to the profession's efforts to gain control of markets for legal services and increase social status. In the course of achieving these aims a concept of profession and a self-image were articulated by solicitors in order to persuade society and the state of the legitimacy of their claims. The concept of the gentlemanly professional was of critical importance in this instance. The successful creation of a provincial professional "community" by the end of the 19th century rested principally on a social and moral conception of professionalism rather than one which stressed specialised training and knowledge, professional organisations and credentials.
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Zheng, Juan. "African American Cultural Products and Social Uplift, the End of the 19th Century - the Early of the 20th Century." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626432.

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Jackson, Kerry Marie. "Peeling back the layers stratification studies in a 19th century mill building /." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/310/.

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Hernandez, Jesse. "Senses In Synthesis: Imaginative Sensing In The 19th Century." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/621.

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During the late 19th century, arts and literature had a surge of sensory awareness, made manifest through sensory analogy, intersensory metaphor, and synaesthesia. This dissertation explores this phenomenon through a study of five poets and artists: Charles Baudelaire, Arthur Rimbaud, Dante Gabriel Rossetti, John Barlas, and Julia Margaret Cameron. Using imaginative sensing, these artists transformed the relationship between artist and observer, assigning greater responsibility to their audience while simultaneously asserting artistic control of their work. Their fascination with sensory mixing and multisensory awareness demonstrates unique ideas about perception and embodiment, ideas that have sparked both controversy and imitation. I begin with a brief history of the condition known as synaesthesia, considering its position as an “abnormal” clinical condition, a desired artistic state of transcendence, and a simple transfer of metaphor. Chapter 1 describes how two French poems brought synaesthesia to public consciousness and prompted a literary movement. In Chapter 2, I explore how poet-painter Dante Rossetti used “acts of attention” and unheard music to demand viewers’ embodied participation. Chapter 3 introduces John Barlas, a relatively obscure British poet who crafted exotic, sensory-laden environments that hovered between the actual and imagined, insisting that the reader use his sensory imagination to participate. Moving to the realm of photography in Chapter 4, I consider Julia Margaret Cameron, whose “out-of-focus” pictures changed photography from a mechanistic technology to high art by incorporating the sense of touch. Historically, the senses have been ranked and separated, with priority given to vision, the sense most associated with reason. I argue that considering the senses as bundles of interconnected experiences and through imagination rather than as isolated methods of physical perception can show how the senses function culturally and give us a much greater understanding of how we process the world. While no time period has regarded the senses with the intensity of the late 19th century, the embodied approach of the era can be applied to our current “sensory revolution” and can impact how we regard technology, cultural studies, and interdisciplinarity. Evaluating how 19th century artists blended the senses through imaginative constructs gives a more thorough explanation of the characteristic sensuality of the period and provides a model for how sensing can function more fully in current endeavors.
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Smith, Sarah Elizabeth. "Colonial contacts and individual burials| Structure, agency, and identity in 19th century Wisconsin." Thesis, The University of Wisconsin - Milwaukee, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1571930.

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<p> Individual burials are always representative of both individuals and collective actors. The physical remains, material culture, and represented practices in burials can be used in concert to study identities and social personas amongst individual and collective actors. These identities and social personas are the result of the interaction between agency and structure, where both individuals and groups act to change and reproduce social structures. </p><p> The three burials upon which this study is based are currently held in the collections of the Milwaukee Public Museum. They are all indigenous burials created in Wisconsin in the 19<sup>th</sup> century. Biological sex, stature, age, and pathologies were identified from skeletal analysis and the material culture of each burial was analyzed using a Use/Origin model to attempt to understand how these individuals negotiated and constructed identities within a colonial system.</p>
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Deitz, Charles. "'A Tomb for the Living': An Analysis of Late 19th-Century Reporting on the Insane Asylum." Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24206.

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This study examines newspaper portrayals of the American insane asylum between 1887 and 1895. The focus is on the way the mental health system was represented to the public in the era of Nellie Bly, the stunt journalist who investigated a Manhattan insane asylum in 1887. The project reveals the ways in which the newspapers aggregated a variety of narratives around the insane asylum which ultimately presented the institution in such a way that served the needs of the press. For those without firsthand knowledge of the insane asylum, the newspaper was the primary source of information. In that medium, there was a system of knowledge created and disseminated, one that integrated and conflated the public answer to mental illness with other sociopolitical issues such as economics, crime, gender, and ethnicity. The content created a meaning in which the deteriorating asylum system was presented contradictorily as an ineffective yet permanent public reality. Furthermore, newspapers reinforced and augmented an existing shame around mental illness. Mental illness evolved from a private/family concern to one of public import over the course of the 19th century. Thus, mental affliction became more than a moral failing or a character flaw; it had been elevated to a social problem to be tended by the government. Therefore, the problem of the mentally ill fell under the jurisdiction of the metro newspaper, which often published articles relaying asylum expenses, investigations into the failing asylums themselves, or speculations as to the cause of a person's sickness.
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Atliman, Selin Adile. "Museological And Archaeological Studies In The Ottoman Empire During The Westernization Process In The 19th Century." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/2/12610176/index.pdf.

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The nineteenth century is a period, when great transformations were experienced in the Ottoman Empire. Besides the political, economical and judicial changes, with the impact of the westernization process, important leaps about two important components of cultural life, museology and archeology, were realized in terms of both collecting and protecting the ancient monuments<br>and their exposition. As two interrelated fields of culture and sciences originated from Europe, museology and archeology were incorporated in the cultural life of the Ottoman Empire in the nineteenth century. The Ottoman Empire was acquainted with these two scientific fields through the impacts of both the museological studies in Europe and the excavations of the foreign researchers and archeologists, conducted within the imperial territories. This study aims to observe the emergence of museological and archeological studies in the Ottoman Empire and its development by the impacts of the West. In this study, the origins of the museological and archeological studies, the first attempts in the Ottoman Empire and the development in the continuing process and the judicial acts about the mentioned fields composed in the 19th century are examined chronologically. In this process of development, the works of Osman Hamdi Bey were forming an important part of this thesis.
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Boorn, Alida S. "Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections." Diss., Kansas State University, 2016. http://hdl.handle.net/2097/34472.

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Doctor of Philosophy<br>Department of History<br>Bonnie Lynn-Sherow<br>American Indian material culture collections are protected in tribal archives and transnational museums. This dissertation argues that the Plains Indian people and Euroamerican people cross pollinated each other’s material culture. Over the last two hundred years’ interpretations of transnational material culture acculturation of the 19th - Century North American Plains Indians has been interpreted in venues that include arts and crafts, photography, museums, world exhibitions, tourism destinations, entertainments and literature. In this work, exhibit catalogs have been utilized as archives. Many historians recognize that American Indians are vital participants and contributors to United States history. This work includes discussions about North American Indigenous people and others who were creators of material culture and art, the people who collected this material culture and their motives, and the various types of collections that blossomed from material culture and oral history proffering. Creators included Plains Indian women who tanned bison hides and their involvement in crafting the most beautiful art works through their skill in quillwork and beadwork. Plains Indian men were also creators. They recorded the family’s and tribe’s histories in pictograph paintings. Plains Indian storytellers created material that was saved and collected through oral tradition. Euroamerican artists created biographical images of the Plains Indian people that they interacted with. Collections of objects, legends, and art resulted from those who collected the creations made by the creators. Thus today there exists fine examples of ethno-heirlooms that pay tribute to the transnational acculturation and survival of the American Indian people of the Great Western Northern American Plains. What is most important is the knowledge, and an appreciation for the idea that a transnational cross-pollination of cultures enriched and became rooted in United States history.
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Schuman, Samuel A. "Representation, Narrative, and “Truth”: Literary and Historical Epistemology in 19th-Century France." Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1621948796558803.

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Books on the topic "19th-century studies"

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S, Pathak R. Profiles in literary courage: Studies in English literature. Academic Foundation, 1992.

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Cullen, Mary, and Maria Luddy. Women, power, and consciousness in 19th-century Ireland: Eight biographical studies. Attic Press, 1995.

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Murder hill: A true story of 19th century crime & punishment on Cape Cod. Covered Bridge Press, 2000.

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C, Livesay Harold, ed. Merchants and manufacturers: Studies in the changing structure of nineteenth-century marketing. Elephant Paperbacks, 1989.

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Collins, Kathleen Gail. The camera as an instrument of persuasion: Studies of 19th century propaganda photography. University Microfilms International, 1985.

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Studies on Islam and the Ottoman Empire in the 19th century, 1826-1876. Isis Press, 2001.

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Walls of circumstance: Studies in nineteenth-century music. Scarecrow Press, 1992.

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Divergent modernities: Culture and politics in 19th century Latin America. Duke University Press, 2001.

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Transnational societies, transterritorial politics: Migrations in the (post-) Yugoslav region, 19th-21st century. R. Oldenbourg, 2009.

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H, Brock W., and Hills Richard Leslie 1936-, eds. Chemistry and the chemical industry in the 19th century: The Henrys of Manchester and other studies. Variorum, 1997.

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Book chapters on the topic "19th-century studies"

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Paloposki, Outi. "Translators’ agency in 19th-century Finland." In Doubts and Directions in Translation Studies. John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/btl.72.32pal.

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Hickey, Raymond. "Feature loss in 19th century Irish English." In Studies in Language Variation. John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/silv.2.19hic.

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Rojas, Darío. "Polysemy in 19th century linguistic studies in Chile." In Studies in the History of the Language Sciences. John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/sihols.126.19roj.

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Holmøyvik, Eirik. "Constituent Power and Constitutionalism in 19th Century Norway." In Studies in the History of Law and Justice. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73037-0_7.

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Cano Pavón, José M. "Industrial engineering studies in Spain in the 19th century." In Engineering and Engineers. Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.dda-eb.4.00817.

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Altman, Cristina. "Colonialism, scientific expeditions and linguistics in 19th century Brazil." In Studies in the History of the Language Sciences. John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/sihols.112.17alt.

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Edwards, Howell G. M. "Analytical Studies of Porcelains: Correlation with the Holistic Information About the Eighteenth and Nineteenth Century Factories." In 18th and 19th Century Porcelain Analysis. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42192-2_4.

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Goto, Atsushi. "Surveying and Mapping the Japanese Archipelago in the 19th Century." In Palgrave Studies in Comparative Global History. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2554-1_2.

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Dehqan, Mustafa, and Alessandro Mengozzi. "A KURDISH GARSHUNI POEM BY DAVID OF BARAZNE (19TH CENTURY)." In Hugoye: Journal of Syriac Studies (volume 17), edited by George Kiraz. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463236878-006.

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Johansson, Christine. "11. The use of the it-cleft construction in 19th-century English." In Studies in Corpus Linguistics. John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/scl.31.15joh.

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Conference papers on the topic "19th-century studies"

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Farida, Umma, and Abdurrohman Kasdi. "THE NETWORK OF HADITH STUDIES IN INDONESIA IN THE 17TH - 19TH CENTURY." In International Conference on Qur'an and Hadith Studies (ICQHS 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icqhs-17.2018.45.

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Bakharev, D. S. "Northern Trans-Urals at the end of the 19th century: the experience of ethnodemographic analysis." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-257-265.

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Stieglitz, Margarita. "Peculiarities of Stylistic Evolution of Mid-19th — Early 20th Century St. Petersburg Industrial Architecture." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.90.

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Kozlova, M. A. "The reflections of the concepts “constitution” and “revolution” in the Russian periodicals of the first quarter of the 19th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-328-335.

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Ardiyanti, G., and T. Christomy. "The Encounter of Islam and Javanese in Sultan Ngarum, a 19th Century Manuscript." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296700.

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Kushida, Maria. "Образ писателя-художника как коммуникативный феномен". У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.16.

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The article analyzes the illustrative work of Russian writers of the first quarter of the 19th century. Special attention is paid to the definition of the term "writer-artist", as well as to techniques for creating the image of a writer-Illustrator in a work of fiction. In conclusion, we draw a conclusion about the relationship between literature and painting (on the example of interpreting the creativity of word masters who create illustrations for their works), as well as about the unique communicative nature of the image of the writer-artist.
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FONSECA, Letícia Pedruzzi. "Graphic innovations implemented in the Brazilian press by Julião Machado in the end of the 19th Century." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-075.

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Osipova, Elena A. "Linguoculturological Aspects of Studying Serbian Heroic Epos in the Works of Russian Slavists of the First Half of the 19th Century." In 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210313.045.

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Plekh, O. A. "“Dear sir Mikhailo Matveyevich ...”: letters to the director-general of the Russian-American company M. M. Buldakov in the first quarter of the 19th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-89-98.

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Baeva, Olga. "Architecture of Russian Provincial Theatres of the Second Half of the 19th Century in the Regional and Global Aspects of Culture." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.98.

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Reports on the topic "19th-century studies"

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Tweet, Justin S., Vincent L. Santucci, Kenneth Convery, Jonathan Hoffman, and Laura Kirn. Channel Islands National Park: Paleontological resource inventory (public version). National Park Service, 2020. http://dx.doi.org/10.36967/nrr-2278664.

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Channel Island National Park (CHIS), incorporating five islands off the coast of southern California (Anacapa Island, San Miguel Island, Santa Barbara Island, Santa Cruz Island, and Santa Rosa Island), has an outstanding paleontological record. The park has significant fossils dating from the Late Cretaceous to the Holocene, representing organisms of the sea, the land, and the air. Highlights include: the famous pygmy mammoths that inhabited the conjoined northern islands during the late Pleistocene; the best fossil avifauna of any National Park Service (NPS) unit; intertwined paleontological and cultural records extending into the latest Pleistocene, including Arlington Man, the oldest well-dated human known from North America; calichified “fossil forests”; records of Miocene desmostylians and sirenians, unusual sea mammals; abundant Pleistocene mollusks illustrating changes in sea level and ocean temperature; one of the most thoroughly studied records of microfossils in the NPS; and type specimens for 23 fossil taxa. Paleontological research on the islands of CHIS began in the second half of the 19th century. The first discovery of a mammoth specimen was reported in 1873. Research can be divided into four periods: 1) the few early reports from the 19th century; 2) a sustained burst of activity in the 1920s and 1930s; 3) a second burst from the 1950s into the 1970s; and 4) the modern period of activity, symbolically opened with the 1994 discovery of a nearly complete pygmy mammoth skeleton on Santa Rosa Island. The work associated with this paleontological resource inventory may be considered the beginning of a fifth period. Fossils were specifically mentioned in the 1938 proclamation establishing what was then Channel Islands National Monument, making CHIS one of 18 NPS areas for which paleontological resources are referenced in the enabling legislation. Each of the five islands of CHIS has distinct paleontological and geological records, each has some kind of fossil resources, and almost all of the sedimentary formations on the islands are fossiliferous within CHIS. Anacapa Island and Santa Barbara Island, the two smallest islands, are primarily composed of Miocene volcanic rocks interfingered with small quantities of sedimentary rock and covered with a veneer of Quaternary sediments. Santa Barbara stands apart from Anacapa because it was never part of Santarosae, the landmass that existed at times in the Pleistocene when sea level was low enough that the four northern islands were connected. San Miguel Island, Santa Cruz Island, and Santa Rosa Island have more complex geologic histories. Of these three islands, San Miguel Island has relatively simple geologic structure and few formations. Santa Cruz Island has the most varied geology of the islands, as well as the longest rock record exposed at the surface, beginning with Jurassic metamorphic and intrusive igneous rocks. The Channel Islands have been uplifted and faulted in a complex 20-million-year-long geologic episode tied to the collision of the North American and Pacific Places, the initiation of the San Andreas fault system, and the 90° clockwise rotation of the Transverse Ranges, of which the northern Channel Islands are the westernmost part. Widespread volcanic activity from about 19 to 14 million years ago is evidenced by the igneous rocks found on each island.
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