Relevant bibliographies by topics / 19th-century U.S

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  1. Journal articles
  2. Dissertations / Theses
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  4. Conference papers

Academic literature on the topic '19th-century U.S'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "19th-century U.S"

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Retallack, J. "Masters and Lords: Mid-19th-Century U. S. Planters and Prussian Junkers." German History 14, no. 1 (1996): 96–98. http://dx.doi.org/10.1093/gh/14.1.96.

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Wellenreuther, Hermann, and Shearer Davis Bowman. "Masters and Lords: Mid-19th-Century U. S. Planters and Prussian Junkers." William and Mary Quarterly 52, no. 2 (1995): 380. http://dx.doi.org/10.2307/2946997.

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Butterfield, R. W. (Herbie), and Scott S. Derrick. "Monumental Anxieties: Homoerotic Desire and Feminine Influence in 19th-Century U. S. Literature." Yearbook of English Studies 30 (2000): 337. http://dx.doi.org/10.2307/3509313.

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Merritt, Raymond H., and Thomas G. Manning. "U. S. Coast Survey vs. Naval Hydrographic Office: A 19th-Century Rivalry in Science and Politics." Journal of American History 77, no. 1 (1990): 315. http://dx.doi.org/10.2307/2078717.

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Stilgoe, John R., and Thomas G. Manning. "U. S. Coast Survey vs. Naval Hydrographic Office: A 19th-Century Rivalry in Science and Politics." Geographical Review 79, no. 3 (1989): 358. http://dx.doi.org/10.2307/215584.

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Rachieru, Silvana. "Between the King and the Sultan: the Romanian Colony in Constantinople at the End of the 19th Century." Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 51, no. 1 (2019): 145–61. http://dx.doi.org/10.17234/radovizhp.51.4.

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Kobryn, Nataliia. "The activity of the singing society «Lutna» (based on the publications of the daily «Dilo» in the 1880s)." Proceedings of Research and Scientific Institute for Periodicals, no. 9(27) (2019): 181–97. http://dx.doi.org/10.37222/2524-0331-2019-9(27)-10.

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The paper seeks to develop new avenues for the study of the singing society «Lutna» (based in Lviv, late 19th century). There were several music associations with differing objectives in musical activities in the 80s of the 19th century in Lviv. Specifically, they were the Galician Musical Society, the Association «Harmony» and the Choir «Lutna». None of them was specifically the Ukrainian institution, but many Ukrainians were the members of the «Lutna». Therefore, the «Lutna» had the repertoire of the Ukrainian musical works and took part in the nationwide musical life of Ukrainians (specifically, in Lviv). The paper aims to study the participation of the «Lutna» in the Ukrainian concerts at the 1880s in Lviv as well as to outline the works of Ukrainian composers and its repertoire. Our research is based on the daily newspaper «Dilo». We used chronological, historiography, comparative and analytical methods to explore the content of publications concerning the «Lutna» and to form the concert chronicle of the choir among the Ukrainian residents of Lviv. Our findings show that the choral society «Lutna» was founded as the «Men Choir of Lviv» to be based on the multinational principles in 1881. The first concert of the renewed society as the mixed choir «Lutna» was held in 1883. The critics of «Dilo» followed the Choir at Ukrainian concerts, analyzed their performing of the Ukrainian music and observed every change of its repertoire. About 20 Ukrainians were indicated in the «Lutna» registry documents spanning 1880s, specifically, A. Vakhnianyn, M. Vitoshynsky, S. Fedak, V. Shukhevych and others. Traditionally, the «Lutna» with S. Cetvinsky’s con ducting participated at the Shevchenko concerts as well as the other national cultural events during the 1880s. The society was the most active in Ukrainian music life at its early years. The musical works by A. Vakhnianyn, M. Verbytskyi, S. Vorobkevych, M. Lysenko, P. Nishchyn skyi and others were in the repertoire of the «Lutna». The «Lutna»’s performing of M. Lysenko’s choral poem «Zapovit» and his cantata «Biut Porohy» and P. Nishchynskyi’s «Zakuvala ta syva zozulia» were the most significant art events of that time. We conclude that the annual concerts of the «Lutna» along with other Ukrainian organizations and the large Ukrainian repertoire of the choir had a significant influence on the revival of the Ukrainian musical life in Galicia at the end of the 19th century. Keywords: Ukrainian concert life, choir society «Lutna», Ukrainian musical critics, the newspaper «Dilo» («Work»), Lviv.
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JEONG, Se-Kwon. "Johns Hopkins Medical School and Medical Researches on Tropical Diseases of the Late Empire U. S. in the late 19th century." Korean Journal of American History 47 (May 31, 2018): 35–73. http://dx.doi.org/10.37732/kjah.2018.47.035.

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Škvorc, Boris. "O Brešićevoj, Bagićevoji Rafoltovoj književno-povijesnoj upisanosti (u filološki "dis/kontinuitet")." Fluminensia 30, no. 1 (2018): 232–72. http://dx.doi.org/10.31820/f.30.1.1.

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This article discusses three recent books that deal with the Croatian literary hi/story. In the first part of the work we discuss the issues of the contemporary post-structural and deconstructionist view of writing history. The argument is based on Alun Munslow’s thesis that it is not possible to write hi/story outside the narrative genre. The starting point of discussion is that hi/story (of literature) is only one of possible modal practices of narration/narrative. This means that history can only be read as one of many narratives while simultaneously it reflects the narrative that is produced by its nature/mode. That in many ways changes the way in which today, in poststructuralist and postmodern perspective, one can (and will) interpret the tradition of literary history as a “practical activity” (interpretation of meaning and/or philological discipline) but also as a story (construction). The tradition of Croatian literary history is very much dependent on the narrative(s) of the nation, the idea of its continuity in time (“diachronic development”) and on viewing literature as the narration of the nation, or as a major way of preserving national memory. In most books on the 19th and the 20th century national literary history this was the prevailing viewpoint of scholars who were constructing the Croatian cannon and national narrative as “agreed upon” hi/story “of the nation” (and its literary memory/canon). The three books discussed in this article, each in its particular way (methodologically and by its idea of how to interpret texts), change, or at least contribute to the change of this traditionalist storytelling that has become hi/story (of national literature). This article simultaneously challenges the tradition of (literary) history writing and interprets various aspects of reading hi/story anew in the works by three contemporary authors. It puts in perspective three different types of “politics of small differences” that form the basis of the original contributions. Brešić’s study into the Croatian 19th century literature shifted from writing the hi/story of writers and national narratives towards the modes of presentation and study of genres. Bagić’s study of contemporary literature for the first time treats traditional literary genres and new media, as well as popular culture, equally, thus allowing new insight into the possibilities of studying both fiction and its discursive frames. The third book discussed here introduces the discussion of the role that contemporary questioning of humanities as a discipline has in both post-structural environment and interpretative community of scholars. In conclusion, the article discusses the possibilities of reading (literary) history anew in the hegemonic environment of school system, academia and cultural paradigm of the “nation”.
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Mukhin, Mikhail Yu, and Nikolay Yu Mukhin. "AUTHORED LEXICAL SYNTAGMATICS IN A SYSTEMATIC INTERPRETATION." Philological Class 26, no. 2 (2021): 103–10. http://dx.doi.org/10.51762/1fk-2021-26-02-08.

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The article considers a stylometric model of systematic interpretation of authored lexical syntagmatics (lexical compatibility) in the classical prose of the 19th century. The article compares the achievements of classical lexicology and modern corpus linguistics and suggest bigrams, i. e. pairs of words used in a common phraseological context, as units of lexical syntagmatics to study texts of great volume. Besides, the articles formulates the requirements for lexical bigrams involved in the lexical-statistical comparison of different individual styles. The article provides examples of original bigrams that recur in different works of the same author over many creative years (e.g., oblokotit’ golovu [to lean a head on elbows] in the novels by L. N. Tolstoy). The problem of cataloguing and systematic interpretation of such recurring stylistic “particulars”, which the author may use deliberately or unconsciously, and the reader may or may not notice in different texts, is posed. On the basis of 19th century classical prose (the works of L. N. Tolstoy, F. M. Dostoevsky, A. P. Chekhov, I. S. Turgenev and I. A. Goncharov), the authors perform a context lexico-statistical comparison of bigrams containing words frequently used by all authors (for example, chelovek/lyudi [person/people], golova [head], govorit’ [to speak], pervyy [first], vdrug [suddenly], dva [two], etc.) is studied. It is noted that each author can identify a different set of words appearing in the original contextual environment. The model of comparative analysis is examined in detail on the example of the contexts of words denoting a person: chelovek/lyudi [person/people], zhenshchina [woman] and rebenok/deti [child/children]. Such combinations as intelligentnyy chekovek [intelligent person], lenivyy chekovek [lazy person], imet’ uspekh u zhenshchin [to succeed with women], deti i vnuki [children and grandchildren] (A. P. Chekhov), nervicheskiy chelovek [nervous person] (I. S. Turgenev), poshchadit’ cheloveka [to spare a person] (F. M. Dostoevsky), kurchavyy chelovek [curly-haired person], nevysokaya zhenshchina [short woman], beremennaya zhenshchina [pregnant woman] (L. N. Tolstoy), zhenshchiny – sozdaniya (prekrasnye, nezhnye, slabye) [women are (beautiful, gentle, weak) creatures] (I. A. Goncharov) are small fragments of authored stylistic systems. The analysis reveals a striking difference between the syntagmatic characteristics of the works of different writers. Conclusions are made about a possible systematic presentation of the material in the form of an authored syntagmatic dictionary of the Russian prose of the 19th century.
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Dissertations / Theses on the topic "19th-century U.S"

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Novotná, Tereza. "Arnošt Hofbauer (1869 - 1944)." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306955.

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The theme of this thesis is based on my interest in art around 1900and follows my Bachelor thesis. In chronological sequenced chapters will show Arnošt Hofbauer's life story and describe his artistic development, among others it will also analyze foundation of S. V. U. Mánes, periodical Volné směry etc. In the end of the thesis I attached the catalogs of his work from public and private collections for a complete view of his work. The aim of this thesis is to present Hofbauer's creative work in the most integrated form and in cultural-historical context. I attempt to evaluate his position in the Czech art history.
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Books on the topic "19th-century U.S"

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America Spreads Her Sails: U. S. Seapower in the 19th Century. Naval Institute Press, 2015.

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Fairburn, Willaim A. Merchant Sail: U. S. Woodshipbuilders and Shipbuilding Centers Through the 19th Century, Including Packets, Clippers, and Down Easters. Higginson Book Co, 1992.

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Eclipse of Empires: World History in Nineteenth-Century U. S. Literature and Culture. University of Alabama Press, 2013.

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Jones, Gavin. American Hungers: The Problem of Poverty in U. S. Literature, 1840-1945. Princeton University Press, 2009.

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Jones, Gavin. American Hungers: The Problem of Poverty in U. S. Literature, 1840-1945. Princeton University Press, 2009.

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Glazener, Nancy. Literature in the Making: A History of U. S. Literary Culture in the Long Nineteenth Century. Oxford University Press, 2019.

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Smith, Neal Clifford. Letters Home: Genealogical and Family Historical Data on 19th Century German Settlers in Australia,Bermuda,Brazil,Canada,&the U S (Part 1). Westland Publications, 1991.

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Devlin, Athena. Between Profits and Primitivism: Shaping White Middle-Class Masculinity in the U. S. , 1880-1917. Taylor & Francis Group, 2012.

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Rosenthal, Debra J. Race Mixture in Nineteenth-Century U. S. and Spanish American Fictions: Gender, Culture, and Nation Building. University of North Carolina Press, 2005.

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Cholera and Nation: Doctoring the Social Body in Victorian England (S U N Y Series, Studies in the Long Nineteenth Century). State University of New York Press, 2008.

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Conference papers on the topic "19th-century U.S"

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Hanzl, Malgorzata. "Self-organisation and meaning of urban structures: case study of Jewish communities in central Poland in pre-war times." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5098.

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In spatial, social and cultural pluralism, the questions of human intentionality and socio-spatial emergence remain central to social theory (Portugali 2000, p.142). The correlation between individual preferences, values and intentions, and actual behaviour and actions, is subject to Portugali’s theory of self-organisation (2000). Compared to Gidden’s structuralism, which focuses on society and groups, the point of departure for Portugali (2000) are individuals and their personal choices. The key feature in how complex systems `self-organise', is that they `interpret', the information that comes from the environment (Portugali 2006). The current study explores the urban environment formerly inhabited, and largely constructed, by Jews in two central Polish districts: Mazovia and Lodz, before the tragedy of the Holocaust. While the Jewish presence lasted from the 11th century until the outbreak of World War II, the most intensive development took place in the 19th century, together with the civilisation changes introduced by industrialisation. Embracing the everyday habits of Jewish citizens endows the neighbourhood structures they once inhabited with long gone meanings, the information layer which once helped organise everyday life. The main thesis reveals that Jewish communities in pre-war Poland represented an example of a self-organising society, one which could be considered a prototype of contemporary postmodern cultural complexity. The mapping of this complexity at the scale of a neighbourhood is a challenge, a method for which is addressed in the current paper. The above considerations are in line with the empirical studies of the relations between Jews and Poles, especially in large cities, where more complex socio-cultural processes could have occurred. References: Eco, U. (1997) ‘Function and Sign: The Semiotics of Architecture’, in Leich, N. (ed.) Rethinking Architecture: A reader in cultural theory (Routledge Taylor & Francis Group, London) 182–202. Hillier, B. and Hanson, J. (2003) The Social Logic of Space (Cambridge University Press, Cambridge). Marshall, S. (2009) Cities, Design and Evolution (Routledge, Abingdon, New York). Portugali, J. (2000) Self-Organization and the City, (Springer-Verlag, Berlin Heidelberg). Portugali, J. (2006) ‘Complexity theory as a link between space and place’, Environment and Planning A 38(4) 647–664.
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