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Books on the topic '19th-century Vienna'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Consult the top 33 books for your research on the topic '19th-century Vienna.'

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1

Club, Antique Collectors', ed. Animal embroideries and patterns from 19th century Vienna. Antique Collectors' Club, 2002.

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2

Scott, Derek B. Sounds of the metropolis: The 19th-century popular music revolution in London, New York, Paris, and Vienna. Oxford University Press, 2008.

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3

Kochaver, Victor. Beautiful Vienna regulators of the 19th century: A private collection exhibited to compliment the 20th Annual NAWCC seminar. V. Kochaver, 1999.

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4

Musical life in Biedermeier Vienna. Cambridge University Press, 1988.

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5

Music, criticism, and the challenge of history: Shaping modern musical thought in late nineteenth-century Vienna. Oxford University Press, 2008.

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6

Luise, Lipschitz, ed. Architecture in Vienna, 1850 to 1930: Historicism-Jugendstil-new realism. Springer, 2003.

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7

Music criticism in Vienna, 1896-1897: Critically moving forms. Clarendon Press, 1996.

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8

On architecture. Ariadne Press, 2002.

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9

The memory factory: The forgotten women artists of Vienna 1900. Purdue University Press, 2012.

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10

The religious Enlightenment: Protestants, Jews, and Catholics from London to Vienna. Princeton University Press, 2008.

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11

Beethoven et Vienne. Fayard - Mirare, 2004.

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12

P, Eidelberg Martin, ed. Glass of the avant-garde: From Vienna secession to Bauhaus : the Torsten Bröhan Collection from the Museo Nacional de Artes Decorativas, Madrid. Prestel Verlag, 2001.

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13

Empress Marie Therese and music at the Viennese court, 1792-1807. Cambridge University Press, 2003.

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14

Woodside, Alexander. Vietnam and the Chinese model: A comparative study of Vietnamese and Chinese government in the first half of the nineteenth century. Council on East Asian Studies, Harvard University, 1988.

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15

Serena, Raffaella. Animal Embroideries & Patterns: From 19th Century Vienna. Antique Collectors Club Dist A/C, 2006.

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16

Serena, Raffaella. Embroideries & Patterns from 19th Century Vienna (Embroideries & Patterns from Nineteenth Century Vienna from the Nowotny Collection). Antique Collectors Club Dist A/C, 2006.

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17

Karnes, Kevin. Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. Oxford University Press, Incorporated, 2016.

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18

Scott, Derek B. Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris and Vienna. Oxford University Press, Incorporated, 2012.

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19

Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris and Vienna. Oxford University Press, USA, 2008.

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20

Blaschke, Bertha, and Luise Lipschitz. Architecture in Vienna 1850-1930: New Objectivity. Springer, 2002.

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21

Jaroslava, Bubnová, Wiener Secession, and Galerie Rudolfinum (Prague, Czech Republic), eds. Vienna Secession: 1898-1998 : the century of artistic freedom. Prestel, 1998.

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22

Johann Strauss and Vienna: Operetta and the Politics of Popular Culture (Cambridge Studies in Opera). Cambridge University Press, 2000.

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23

Crittenden, Camille. Johann Strauss and Vienna: Operetta and the Politics of Popular Culture (Cambridge Studies in Opera). Cambridge University Press, 2006.

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24

Hanson, Alice M. Musical Life in Biedermeier Vienna. Cambridge University Press, 2009.

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25

Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna. Oxford University Press, 2014.

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26

Boubnova, Iaroslava, and Czech Republic) Galerie Rudolfinum (Prague. Vienna Secession 1898-1998: The Century of Artistic Freedom (Prestel Art). Prestel, 1998.

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27

Bowman, William D. Priest and Parish in Vienna, 1780 to 1880 (Studies in Central European Histories). Brill Academic Publishers, 2000.

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28

Maerker, Anna. Model experts: Wax anatomies and Enlightenment in Florence and Vienna, 1775-1815. Manchester University Press, 2015.

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29

Model Experts: Wax Anatomies and Enlightenment in Florence and Vienna, 1775-1815. Manchester University Press, 2014.

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30

Violent sensations: Sex, crime, and utopia in Vienna and Berlin, 1860-1914. 2016.

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31

Deiters, Franz-Josef, Axel Fliethmann, Alison Lewis, Cat Moir, and Christiane Weller, eds. Topos Österreich | Topos Austria. Rombach Wissenschaft, 2020. http://dx.doi.org/10.5771/9783968216492.

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Abstract:

Karl Kraus called Austria the “testing facility for the apocalypse”, but also noted that “the streets of Vienna are paved with culture; the streets of other cities with asphalt”. Hugo von Hofmannsthal dismissed the idea that there was an Austrian form of literature as fiction. In his opinion, there was only German literature, into which the works of Austrian writers were subsumed. In this respect, Austria is therefore not a completely straightforward subject. What remains indisputable, however, is that Austria became one of the trendsetters in German-speaking literature and culture from the 19th century onwards. The book ‘Topos Österreich’ (Topos Austria) thus contains studies from the field of literary and cultural studies which focus on modern Austrian literature.

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32

Steffek, Jens. International Organization as Technocratic Utopia. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845573.001.0001.

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As climate change and a pandemic pose enormous challenges to humankind, the concept of expert governance gains new traction. This book revisits the idea that scientists, bureaucrats, and lawyers, rather than politicians or diplomats, should manage international relations. It shows that this technocratic approach has been a persistent theme in writings about international relations, both academic and policy-oriented, since the 19th century. The technocratic tradition of international thought unfolded in four phases which were closely related to domestic processes of modernization and rationalization. The pioneering phase lasted from the Congress of Vienna to the First World War. In these years, philosophers, law scholars, and early social scientists began to combine internationalism and ideals of expert governance. Between the two world wars, a utopian period followed that was marked by visions of technocratic international organizations that would have overcome the principle of territoriality. In the third phase, from the 1940s to the 1960s, technocracy became the dominant paradigm of international institution-building. That paradigm began to disintegrate from the 1970s onwards, but important elements remain until the present day. The specific promise of technocratic internationalism is its ability to transform violent and unpredictable international politics into orderly and competent public administration. Such ideas also had political clout. This book shows how they left their mark on the League of Nations, the functional branches of the United Nations system, and the European integration project.

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33

Smith, Steven C. Music by Max Steiner. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190623272.001.0001.

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During a seven-decade career that spanned from 19th-century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to establish and codify the language of film music. Composers today like John Williams use the same techniques perfected by the classically trained Steiner, in his scores for such motion pictures as Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and more than two hundred other titles. Steiner’s private life was as tumultuous as the films he scored. Born into an Austrian theatrical dynasty, he became one of Hollywood’s highest-paid composers. But he was constantly in debt, due to financial mismanagement, four marriages, and the actions of his emotionally troubled son. Steiner ended his career in triumph: at age 71, although practically blind, he wrote what Billboard called the most successful instrumental single of the era: “Theme from A Summer Place.” Throughout his chaotic life, Steiner was buoyed by a quick wit and an instinctive gift for melody, as he met and worked with a Who’s Who of artists: Johann Strauss Jr., Richard Strauss, George Gershwin, Irving Berlin, Oscar Hammerstein, David O. Selznick, Frank Sinatra, Frank Capra, and many more. This first full biography of Steiner brings to life the previously untold story of a musical pioneer and master dramatist who helped create a vital new art form (and multimillion-dollar industry), while writing many of the greatest scores in cinema history.

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