Academic literature on the topic '20th and 21st century literary history'

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Journal articles on the topic "20th and 21st century literary history"

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Woonseok Park and 조위동. "Integration of East Asian Literary History in the 20th Century A new blueprint for the compilation of literary history of the 21st century." Journal of North-east Asian Cultures 1, no. 40 (2014): 199–205. http://dx.doi.org/10.17949/jneac.1.40.201409.011.

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Moskovskaya, D. "FROM THE HISTORY OF 20TH-CENTURY LITERARY POLITICS. ‘LITERARY HERITAGE’ [LITERATURNOE NASLEDSTVO] AS AN ACADEMIC INSTITUTION." Voprosy literatury, no. 1 (September 30, 2018): 296–333. http://dx.doi.org/10.31425/0042-8795-2018-1-296-333.

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A review of the editorial archive of the Literary Heritage [Literaturnoe nasledstvo] book series at the Manuscripts Department of the Russian Academy’s Gorky Institute of World Literature. The emergence of the new archaeographical publication, Literary Heritage, was at odds with the political context of the early 1930s. I. Zilbershtein’s personality and extensive connections in the publishing world, as well as the favourable disposition of the RAPP (Russian Association of Proletarian Writers) and Stalin himself, helped to launch the series and made sure that it endured despite the RAPP’s downf
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Zymomrya, Mykola, and Nataliia Naumenko. "CONVERGENCE OF LITERARY CONTINENTS." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2020, no. 31 (2020): 182–204. http://dx.doi.org/10.24195/2616-5317-2020-31-12.

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This article represents an analysis of the specifications of elucidating Ukrainian literary process in the first and second thirds of the 20th century, as shown by Professor Yuriy Kovaliv in his “History of Ukrainian Literature. The end of the 19th — the beginning of the 21st century” (sixth and seventh volumes out of 10 volumes planned). The significant textual material in Yu. Kovaliv’s interpretation may become not only a subject to diversely study at philological high schools, but also a powerful factor of scientific enquiries. Since being examined under nontrivial angle and thereinafter de
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Rudova, Oksana S. "Nikolai Gogol's text in the works of Vladimir Nabokov: the history of foundation of the issue in criticism and literary studies." Vestnik of Kostroma State University, no. 2 (2019): 148–53. http://dx.doi.org/10.34216/1998-0817-2019-25-2-148-153.

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The author of the article tried to trace the formation of the idea about the connection of the works of Vladimir Nabokov with Nikolai Gogol's tradition based on the material of the Russian émigréecritics’ works of and literary critics of the 20th—21st centuries. This process is considered as a progressive one, largely specified by the development of researching idea. The émigréecriticism saw the reason for the similarity these writers’ works in their similar aesthetics based on the relationship of the perception of the world and the human. In turn, literary studies of the late 20th century pre
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Hejmej, Andrzej. "Komparatystyka i (inna) Historia Literatury / Comparative Literature Studies and (an Alternative ) History of Literature." Ruch Literacki 53, no. 4-5 (2012): 401–22. http://dx.doi.org/10.2478/v10273-012-0026-y.

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Summary This article examines the relationship between comparative studies and history of literature. While paying special attention to the present-day condition of these two disciplines, the author surveys various approaches, formulated since the early 19th century, which sought to break with the traditional, national model of the history of literature and the ethnocentric model of traditional comparative studies, driven by an impatience with both nationalism and crypto-nationalism. In this context he focuses on the most recent projects of literary history like ‘comparative history of literat
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Charbel, Felipe. "The New Faces of the Historical Novel." História da Historiografia: International Journal of Theory and History of Historiography 13, no. 32 (2020): 19–46. http://dx.doi.org/10.15848/hh.v13i32.1530.

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This article analyzes the problem of referentiality in the historical novel, based on a comparison between its classic and contemporary forms. The first section addresses the “mixture of history and invention” that, following Alessandro Manzoni, was the foremost characteristic of the realist historical novel. The next section discusses how the meta-historical novel of the second half of the 20th century - for example, Disgrace (J. M. Coetzee) and El entenado (Juan José Saer)-eclipsed the problem of referentiality by assuming that the historical novel should operate by its own procedures, and n
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Bührle, Iris Julia. "Three Hamlet ballets from World War II to the Ukrainian crisis." Cahiers Élisabéthains: A Journal of English Renaissance Studies 102, no. 1 (2020): 69–86. http://dx.doi.org/10.1177/0184767820913797.

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Breaking with a tradition of action-filled ballets with a heroic protagonist, a number of 20th- and 21st-century choreographies of Hamlet have probed the psychological and political themes of William Shakespeare’s tragedy. Inspired by theatre and film productions, choreographers have also used the medium’s visual language to comment on Shakespeare’s text and open up its interpretive potentialities. This article analyses three adaptations: Robert Helpmann’s 1942 version for the Sadler’s Wells Ballet, Kenneth MacMillan’s 1988 Sea of Troubles for six former Royal Ballet dancers, and Radu Poklitar
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Joseph Ottenheimer, Harriet. "Spelling Shinzwani." Written Language and Literacy 4, no. 1 (2001): 15–29. http://dx.doi.org/10.1075/wll.4.1.03jos.

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This paper surveys the history of dictionary construction and orthographic choice in the Comoros — a former French colony in the Indian Ocean — with special reference to issues of literacy, identity, and politics. Evidence ranging from 16th century wordlists to contemporary bilingual/bidirectional dictionaries, as well as colonial, missionary, and scholarly approaches to lexicography and orthography in the Comoros, are examined and compared. While Arabic-influenced writing systems have a long history in the Comoros, the experiences of colonialism and independence in the 20th century introduced
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Schmidt, Henrike. "Zwischen Literaturgeschichte und Zeitgenossenschaft." Zeitschrift für Slawistik 64, no. 1 (2019): 3–22. http://dx.doi.org/10.1515/slaw-2019-0002.

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Summary The article serves as an introduction to the thematic cluster of papers devoted to the work of Bulgarian poet and literary theoretician Pencho Slaveykov (1866–1912), which present the outcomes of a workshop dedicated to the 150th anniversary of the poet at the Department of Slavic and Hungarian Studies, Humboldt University (Berlin 2016; supported by the German Research Foundation DFG). As Slaveykov, while a leading representative of Bulgarian modern literature, is not an established figure in comparative literary studies, the paper sketches briefly the biography of the author, or rathe
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Tanahashi, Kenji. "Developmental research on curriculum, lessons, and evaluation based on the IB philosophy." Impact 2021, no. 2 (2021): 22–24. http://dx.doi.org/10.21820/23987073.2021.2.22.

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As the world evolves and becomes more globalised and technologically advanced, so too it is necessary for education to evolve. In the 19th and 20th centuries, education focused largely on literacy and numeracy, as well as on accumulating facts across subjects. This was useful at the time but now information is no longer solely stored in analogue and, in fact, there is a huge surplus of information that can be readily accessed. Furthermore, there is a tendency for education to promote patriotic narratives as opposed to a more global view. Although this can help to create a feeling of togetherne
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Dissertations / Theses on the topic "20th and 21st century literary history"

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Schaper, Benjamin. "Poetik und Politik der Lesbarkeit in der deutschen literatur." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8e1e8c05-c0f9-4dda-ad9b-b208ded2432b.

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In 1990, German literary critics agreed that the end of the Cold War should mark the end of politically committed post-war literature. The political caesura prompted a debate about the future of German literature during which the concept of 'readability' evolved as a contested issue. It was championed in particular by the author Matthias Politycki and the publishers Uwe Wittstock and Martin Hielscher. Ever since, 'readability' has remained a benchmark for authors and critics alike in the battle for value and success. The thesis will establish a theoretical basis for 'readability' that draws on
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Masters, Benjamin Scott. "The ethics of excess : style and morality in British fiction since the 1960s." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648740.

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Chapin, Charles Nicholas. "The turn to reading in twentieth-century literary criticism." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609859.

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Ortega, Selena. "Chavez Ravine and Boyle Heights| 20th and 21st Century Displacement of Mexican Communities." Thesis, California State University, Los Angeles, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10245743.

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<p> This study examines and analyzes displacement, under the guise of redevelopment, in urban Mexican communities in Los Angeles-- Ch&aacute;vez Ravine (1944-1959) and Boyle Heights (2000-2015). This investigation also chronicles and interprets the urban renewal process as a systematic attack on the Mexican working- class and disenfranchisement of their communities. This analysis presents qualitative evidence to show the individual impacts associated with involuntary displacement. Furthermore these cases of displacement blocked the economic mobility of displaced residents of Ch&aacute;vez Ravi
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Levi, Rachel M. "A Digital Crisis? Art History and Its Reproductions in the 20th and 21st Century." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/689.

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This thesis analyzes the emergence, presence, and use of digital reproductions in the scholarship of art history and how these reproductions impact individual encounters with art. It will address matters related to the authenticity of reproductions, the development of modern technologies, and the rise of new media, reflecting on issues related to integrating technology into the discipline and proposing how to deal with the digital reproductions in the study of art history.
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Magerski, Christine 1969. "The constitution of the literary field in Germany after 1871 : Berlin modernism, literary criticism and the beginnings of the sociology of literature." Monash University, German Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8724.

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Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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Warmus, Sarah E. "The lost generation: truth and art." Thesis, Boston University, 2004. https://hdl.handle.net/2144/27792.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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France, Angela. "Hide : a 21st century woman's response to the first person in poetry." Thesis, University of Gloucestershire, 2015. http://eprints.glos.ac.uk/3871/.

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This thesis, titled ‘Hide: A 21st century woman’s response to the first person in poetry’ is a creative and critical examination of the challenges and benefits of the first-person approach in poetry. It is in two parts, consisting of a collection of sixty poems and a critical investigation into the research leading to, and engendered by, the poems. Hide is a place from which to observe, hide is skin, hide is deliberate concealment; all of these meanings can be seen to reflect some of the concerns examined in both the creative and critical parts of the thesis. ‘Hide’s’ layers of meaning directl
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Lin, Syaru Shirley, and 林夏如. "National identity, economic interest and Taiwan's cross-strait economic policy 1994-2009." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B43761896.

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Books on the topic "20th and 21st century literary history"

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A history of multiple sclerosis. Praeger, 2008.

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A History of Multiple Sclerosis. Greenwood Publishing Group, 2010.

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Richard Wright: New readings in the 21st century. Palgrave Macmillan, 2011.

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Harish, Trivedi, and Association for Commonwealth Language and Literature Studies., eds. The nation across the world: Postcolonial literary representations. Oxford University Press, 2007.

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The Cambridge companion to American fiction after 1945. Cambridge University Press, 2012.

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Cross-gendered literary voices: Appropriating, resisting, embracing. Palgrave Macmillan, 2012.

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Michaels, Walter Benn. The shape of the signifier: 1967 to the end of history. Princeton University, 2004.

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The shape of the signifier: 1967 to the end of history. Princeton University, 2004.

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Questions of possibility: Contemporary poetry and poetic form. Oxford University Press, 2004.

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Cachia, Francis. The La Valettes: An experimental dramatic work with a meaning for the 20th and 21st centuries, based on Friedrich Schiller's Die Malteser and its literary background of the 18th century as well as on the historical background of the siege of Malta and the founding of Valletta in the 16th century. Progress Press Co., 1990.

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Book chapters on the topic "20th and 21st century literary history"

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Franco, Raquel Campos, Lili Wang, Pauric O’Rourke, et al. "Civil Society History VII: Late 20th and 21st Century." In International Encyclopedia of Civil Society. Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-93996-4_533.

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Chen, John Z. Ming, and Yuhua Ji. "Reinterpreting History from a (Neo-)Marxist Perspective: Social, Intellectual and Literary Background." In Marxism and 20th-Century English-Canadian Novels. Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46350-5_2.

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Suermann, Harald. "THE HISTORY OF CHRISTIANITY IN IRAQ OF THE 20TH AND 21ST CENTURY." In The Harp (Volume 20 Part 1), edited by Geevarghese Panicker, Rev Jacob Thekeparampil, and Abraham Kalakudi. Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463233082-015.

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Perry, Lauren E. "Teaching the History and Theory of American Comics: 20th-Century Graphic Novels as a Complex Literary Genre." In Teaching Graphic Novels in the English Classroom. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63459-3_5.

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Bohn, Ralf. "Schreiben mit Licht." In Bewegungsszenarien der Moderne. Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-6.

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In the 19th century, the stillness of movement during a photographic exposure required a staging based on academic traditions. Staging is the »spatialization« of a present absence – comparable to »writing« in the sense of Derrida. With the increasing mobility of camera techniques from the 20th century onwards, the focus is no longer on the reproduction of a moment, but instead on its performative invention.With the digital photography of the 21st century, a transformation from theatrical to functional staging takes place. The history of the writing scene of photography illustrates the interplay between concealment through technology and re-aestheticization, which with increasing oscillation turns into motor dizziness.
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"From the 20th to the 21st Century, 1994–2016." In Satanism: A Social History. BRILL, 2016. http://dx.doi.org/10.1163/9789004244962_015.

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Knox, Katelyn E. "Writing, Literary Sape, and Reading in Mabanckou’s Black Bazar." In Race on Display in 20th- and 21st Century France. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781383094.003.0004.

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"Writing, Literary Sape, and Reading in Mabanckou’s Black Bazar." In Race on Display in 20th- and 21st Century France. Liverpool University Press, 2016. http://dx.doi.org/10.2307/j.ctt1g0b8kq.9.

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"PROLOGUE: THE WORLD FROM THE 20th TO THE 21st CENTURY." In A History of the World. Routledge, 2004. http://dx.doi.org/10.4324/9780203641767-8.

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Knox, Katelyn E. "Self-Spectacularization and Looking Back on French History." In Race on Display in 20th- and 21st Century France. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781383094.003.0003.

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Conference papers on the topic "20th and 21st century literary history"

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Romanovska, Alina. "20TH CENTURY HISTORY OF LATVIA IN LITERARY NARRATIVES." In 3rd Arts & Humanities Conference, Barcelona. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2018.003.002.

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D'Aprile, Marianela. "A City Divided: “Fragmented” Urban and Literary Space in 20th-Century Buenos Aires." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.22.

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When analyzing the state of Latin American cities, particularly large ones like Buenos Aires, São Paolo and Riode Janeiro, scholars of urbanism and sociology often lean heavily on the term “fragmentation.” Through the 1980s and 1990s, the term was quickly and widely adopted to describe the widespread state of abutment between seemingly disparate urban conditions that purportedly prevented Latin American cities from developing into cohesive wholes and instead produced cities in pieces, fragments. This term, “fragmentation,” along with the idea of a city composed of mismatching parts, was centra
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Burima, Maija. "TRAVELOGUES IN LATVIAN LITERATURE (LATE 20TH - EARLY 21ST CENTURY): DECONSTRUCTION AND RECONSTRUCTION OF MENTAL BORDERS." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s8.037.

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Capello, Maria Angela, Maria Antonieta Lorente, Isabel Serrano, Monica Flores, and Maria Gabriela Briceno. "The Evolution of Women's Role in Engineering and Geosciences in the Oil Industry From the 20th to the 21st Century: A Documented Case History From Venezuela." In SPE Annual Technical Conference and Exhibition. Society of Petroleum Engineers, 2020. http://dx.doi.org/10.2118/201359-ms.

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Roelofs, Michelle B. "Mass Timber: 19 Century to Today." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0634.

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&lt;p&gt;New mass timber technologies are entering the US market allowing for innovative, sustainable, and affordable designs. As the market embraces mass timber it is important to reflect on the history of mass timber and to learn best practices to ensure sustainable growth of this sector. This paper will discuss the evolution of mass timber in three parts:&lt;/p&gt;&lt;p&gt;19th Century: Large sawn timbers were used to construct impressive warehouse structures that still remain functional and beautiful in our cities today. Logging practices of this era led to deforestation in parts of the Am
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Themelis, Nickolas J. "Current Status of Global WTE." In 20th Annual North American Waste-to-Energy Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/nawtec20-7061.

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This paper is based on data compiled in the course of developing, for InterAmerican Development Bank (IDB), a WTE Guidebook for managers and policymakers in the Latin America and Caribbean region. As part of this work, a list was compiled of nearly all plants in the world that thermally treat nearly 200 million tons of municipal solid wastes (MSW) and produce electricity and heat. An estimated 200 WTE facilities were built, during the first decade of the 21st century, mostly in Europe and Asia. The great majority of these plants use the grate combustion of as-received MSW and produce electrici
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Lisovetc, Irina. "The Modern Multi-Functional Cultural Center (Yeltsin Center) as a Platform for Dialogue Both Public & Private." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-11.

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The article covers the modern multi-functional cultural centre as an institution of Russian culture of the 21st Century in the terms of the interaction of publicity and privacy. On the basis of the institutional approach in cultural theory and the philosophical and aesthetic analysis of the space of the cultural centre, the most important role of this institution in individual and personal assimilation of sociocultural values is substantiated. The objectives (programme) of such an institution, its chronotope and functionality are directed at the involvement of contemporaries into various forms
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Rowley, C., and G. Ford. "Digitally Empowering Naval Fleet Support." In 14th International Naval Engineering Conference and Exhibition. IMarEST, 2018. http://dx.doi.org/10.24868/issn.2515-818x.2018.058.

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Throughout history, the Royal Navy (RN) has invested in technical innovation to gain warfare advantage over its opponents. However, innovation often comes with change to the asset design, its operation and through life support. The most obvious example was during the turn of the 20th century when the RN moved from coal to oil powered propulsion systems, resulting in a major change to the skills of the crew and the support chain. The demands placed on the RN have continued to grow during the 21st century, with a fleet of highly complex surface ships and submarines that provide the UK convention
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Vandenbergh, Alex. "Terra Cotta Flat Arches: A Historic Modern-Day Challenge." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2542.

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&lt;p&gt;At the turn of the 20th century, terra cotta flat arches (TCFA’s) were a popular floor system in steel framed buildings for industrial and office construction in the United States. These arches were lighter but just as fireproof as standard brick arches, and were designed empirically using proprietary allowable load tables, which were based mostly on load testing.&lt;/p&gt;&lt;p&gt;In the 21st century, the proprietary nature of the TCFA makes evaluating these systems problematic for the modern engineer, architect, and contractor. Renovations of buildings with TCFA floor assemblies typ
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