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1

Dietrich, Scheunemann, ed. Avant-garde/Neo-avant-garde. Rodopi, 2005.

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2

Duteurtre, Benoît. Requiem pour une avant-garde. R. Laffont, 1995.

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3

Duteurtre, Benoît. Requiem pour une avant-garde: Essai. Les Belles Lettres, 2006.

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4

Kuspit, Donald B. Health and happiness in 20th-century avant-garde art. Cornell University Press, 1996.

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5

Ades, Dawn. The 20th-century poster: Design of the avant-garde. 2nd ed. Edited by Brown Robert K, Friedman Mildred S, and Walker Art Center. Walker Art Center, 1990.

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6

Los Angeles County Museum of Art., ed. Avant-garde in the eighties. Los Angeles County Museum of Art, 1987.

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7

Dawn, Ades. The 20th-century poster: Design of the avant-garde : posters. 2nd ed. Edited by Brown Robert K, Friedman Mildred S, and Walker Art Center. Walker Art Center, 1990.

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8

Ades, Dawn. Posters: The 20th-century poster : design of the avant-garde. 2nd ed. Edited by Brown Robert K, Friedman Mildred S, and Walker Art Center. Abbeville Press, 1990.

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9

Taylor, Brandon. Avant-garde and after: Rethinking art now. H.N. Abrams, 1995.

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10

Giampiero, Bosoni, and Montreal Museum of Fine Arts., eds. Il modo italiano: Italian design and avant-garde in the 20th century. Montreal Museum of Fine Arts, 2006.

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11

Aronson, Arnold. American avant-garde theatre: A history. Routledge, 2000.

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12

Kuspit, Donald B. The cult of the avant-garde artist. Cambridge University Press, 1993.

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13

Rypson, Piotr. Books and pages: Polish avant-garde and artists' books in the 20th century. Center for Contemporary Art, 2000.

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14

Larry, Austin, and Kahn Douglas 1951-, eds. Source: Music of the avant-garde, 1966-1973. University of California Press, 2011.

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15

Larry, Austin, and Kahn Douglas 1951-, eds. Source: Music of the avant-garde, 1966-1973. University of California Press, 2011.

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16

A, Rabinow Rebecca, Druick Douglas W, Assante di Panzillo Maryline, Metropolitan Museum of Art (New York, N.Y.), Art Institute of Chicago, and Musée d'Orsay, eds. Cézanne to Picasso: Ambroise Vollard, patron of the avant-garde. Metropolitan Museum of Art, 2006.

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17

Ann, Prince Sue, ed. The Old guard and the avant-garde: Modernism in Chicago, 1910-1940. University of Chicago Press, 1990.

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18

Kuspit, Donald B. Idiosyncratic identities: Artists at the end of the avant-garde. Cambridge University Press, 1996.

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19

Mark, Wallace, and Marks Steven 1953-, eds. Telling it slant: Avant-garde poetics of the 1990s. University of Alabama Press, 2002.

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20

van, Schaik Martin, and Máčel Otakar, eds. Exit Utopia: Architectural provocations, 1956-1976. Prestel ; Delft, Netherlands : IHAAU-TU, 2005.

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21

van, Schaik Martin, and Máčel Otakar, eds. Exit Utopia: Architectural provocations, 1956-76. Prestel, 2005.

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22

Ward, Geoff. Language poetry and the American avant-garde. British Association for American Studies, 1993.

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23

Avant-Garde / Neo-Avant-Garde. Rodopi B.V. Editions, 2005.

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24

Jencks, Charles. Post-avant-garde. Wiley-Academy, 1987.

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25

Maconie, Robin. Avant Garde. Scarecrow Press, Incorporated, 2012.

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26

Taylor, Brandon. Avant-Garde and After. Pearson Education, Limited, 1995.

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27

Russian Avant-Garde (Art of Century). Parkstone Press, 2007.

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28

Dawn, Ades, Robert Brown, and Richard Peterson. The 20th-Century Poster: Design of the Avant-Garde. Abbeville Press, 1985.

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29

Histories of Sound Once Removed. Wireless Imagination: Sound, Radio, and the Avant-Garde. The MIT Press, 1994.

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30

Olivier Zahm: Une Avant-Garde Sans... JRP Ringier Kunstverlag AG, 2017.

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31

Kramer, Hilton. Age of the Avant-Garde: 1956-1972. Taylor & Francis Group, 2017.

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32

Knopf, Robert, and Julia Listengarten. Theater of the Avant-Garde, 1890-1950. Yale University Press, 2015.

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33

Warden, Claire. British Avant-Garde Theatre. Palgrave Macmillan, 2012.

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34

British avant-garde theatre. Palgrave Macmillan, 2012.

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35

Sitsky, Larry. Music of the Twentieth-Century Avant-Garde. Greenwood Publishing Group, Inc., 2002. http://dx.doi.org/10.5040/9798400688782.

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Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context. Distinguished contributors from around the world consider specific composers who represent the most progressive musical thinking of their time and place. Editor Larry Sitsky, an eminent Australian composer and teacher, has assembled an accessible, unique, and clearly written collection. Also exploring the links among this diverse group of composers, the guide offers a cross
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36

The new music: The avant-garde since 1945. 2nd ed. Oxford University Press, 1987.

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37

Age of the Avant-Garde: 1956-1972. Taylor & Francis Group, 2017.

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38

Kramer, Hilton. Age of the Avant-Garde: 1956-1972. Taylor & Francis Group, 2017.

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39

Kramer, Hilton. Age of the Avant-Garde: 1956-1972. Taylor & Francis Group, 2017.

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40

Kramer, Hilton. Age of the Avant-Garde: 1956-1972. Taylor & Francis Group, 2017.

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41

Kramer, Hilton, and Roger Kimball. Age of the Avant-Garde: 1956-1972. Transaction Publishers, 2009.

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42

Dickinson, Kay, Thomas Burkhalter, and Benjamin J. Harbert. Arab Avant-Garde: Music, Politics, Modernity. Wesleyan University Press, 2013.

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43

Dickinson, Kay, Thomas Burkhalter, and Benjamin J. Harbert. Arab Avant-Garde: Music, Politics, Modernity. Wesleyan Methodist Church in Australia, The, 2013.

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44

The avant-garde in exhibition: New art in the 20th century. Abrams, 1994.

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45

The avant-garde in exhibition: New art in the 20th century. University of California Press, 1998.

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46

Adlington, Robert. Composing Dissent: Avant-Garde Music in 1960s Amsterdam. Oxford University Press, Incorporated, 2013.

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47

Russell, Charles. AVANT GARDE TODAY: An International Anthology. University of Illinois Press, 1985.

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48

Aronson, Arnold. American Avant-Garde Theatre: A History. Taylor & Francis Group, 2014.

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49

Hundertwasser: Japan and the Avant-garde. Hirmer Publishers, 2013.

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50

Cardullo, Bert, and Robert Knopf. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. Yale University Press, 2008.

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