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Journal articles on the topic '20th Century German Literature'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Yusupova, Nargiza. "A GLANCE AT GERMAN LITERATURE." International Journal of Advance Scientific Research 02, no. 11 (2022): 20–24. http://dx.doi.org/10.37547/ijasr-02-11-04.

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Anna Seghers is one of the strongest, most active, most effective writers of German literature of the 20th century. Anna Seghers is the pen name of the writer, whose real name is Netty Reiling. Even if fascism reached its peak and threatened the whole world, the writer believed for a lifetime that the German people would be saved from this calamity, and he actively fought with all his might for the restoration of such a free-minded Germany. It is worth saying that Anna Seghers is a great thinker, both as a writer and as an active organizer.

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2

Kazin, Aleksandr L., and Elena V. Zhdanova. "Russian Classical Literature in German Book Graphics of the 20th Century: Peculiarities of Artistic Thinking." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 68 (2023): 96–103. http://dx.doi.org/10.37816/2073-9567-2023-68-96-103.

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The present paper actualizes the issue of graphic interpretation of the artistic text of Russian classics by German graphic artists. The study analyzes the specifics of artistic and imaginative thinking in the German tradition of book illustration by the example of illustrations for publications of Russian classics in the first half of the twentieth century. In particular, the paper examines graphic cycles of German expressionist artists of the 1920s, dedicated to the works of N. V. Gogol and F. M. Dostoevsky, as well as illustrations of Russian classical literature created by German artists w

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3

Kudryavtseva, Tamara V., and Alla A. Strelnikova. "On the Monograph by E.A. Zachevskij “The Man who Lied while telling the Truth. Life and Work of Wolfgang Koeppen” (St. Petersburg, Kriega, 2019. 752 p.)." Studia Litterarum 5, no. 4 (2020): 518–27. http://dx.doi.org/10.22455/2500-4247-2020-5-4-518-527.

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E.A. Zachevsky’s book is the first study about the Western German author Wolfgang Koeppen (1906–1996). For the first time in the national and international literary studies, the monograph offers a detailed survey of the writer’s life and work as well as defines his place and role in the 20th century German literature. The author analyzes philosophic views as well as the properties of his fictional world and highlights the key moments of his peculiar poetic manner. The book touches upon the main issues of the German literary process and integrates Koeppen’s work into this process which allows u

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Romanovska, Alina. "Regional Identity and Multiculturalism: the Baltic Germans of Latgale in the Early 20th Century Latvian Literature." Respectus Philologicus 40, no. 45 (2021): 74–85. http://dx.doi.org/10.15388/respectus.2021.40.45.93.

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In the studies of Latvian culture and history, there is a number of investigations dedicated to the influence of Baltic German culture on Latvian culture. Hence the Latgale region was not given due attention in this regard. The role of the Baltic Germans in this region is peculiar due to its specific history, and it is important to study how the Baltic German culture influences the multicultural identity of Latgale. A project of the Latvian Science Council The Baltic Germans of Latgale in the context of socio-ethnic relations from the 17th until the beginning of the 20th century (2020–2021) is

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Gavryusheva, Alexandra E. "May Ayim: To Be Black." Asia and Africa today, no. 8 (December 15, 2024): 69–75. http://dx.doi.org/10.31857/s0321507524080084.

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The article considers the complexity of the search for identity by the Afro-Germans in the last quarter of the 20th century based on the life path of the prominent teacher, poetess and activist May Ayim. The author presents a number of stages of her literary, scientific and educational activities. And examines the specifics of May Ayim’s self-awareness in the creative direction, studying of legacy and resistance in her poems and essays, as well as the integration of her work into the German-language literary space. Drawing on her literary contributions, political activism, and struggles agains

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Krampen, Günter, and Hans-Werner Wahl. "Geropsychology and Psychology in the Last Quarter of the 20th Century." European Psychologist 8, no. 2 (2003): 87–91. http://dx.doi.org/10.1027//1016-9040.8.2.87.

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This paper presents bibliometrical results on the development of gerontopsychology in the last quarter of the 20th century. Analyses are based on the psychology literature documented in PsycINFO, covering mainly publications from the Anglo-American region, and PSYNDEX, covering publications from the German-speaking countries, for the years 1977 to 2000. Results show that both literature bodies on gerontopsychology have steadily grown, in absolute terms, since the beginning of the last quarter of the 20th century. The geropsychology literature in the German-speaking countries has grown faster t

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7

Cohen, Stephen M. "Khemye: chemical literature in Yiddish." Bulletin for the History of Chemistry 29, no. 1 (2004): 21–29. https://doi.org/10.70359/bhc2004v029p021.

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The history of chem. literature, confined to the 20th century, written in a lesser-known language, Yiddish, is traced. The Yiddish language is a fusion language of medieval German dialect, some Slavic vocabulary and grammar, a Hebrew-Aramaic component, and even some words of Romance origins. This language is now considered endangered.

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8

Jaeckel, Volker. "LOS ALEMANES COMO PERSONAJES LITERARIOS EN LA LITERATURA COLOMBIANA CONTEMPORÁNEA." Anuari de Filologia. Literatures Contemporànies, no. 9 (December 18, 2019): 41–61. http://dx.doi.org/10.1344/aflc2019.9.5.

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This paper will analyze the image of Germans in Colombian literature from the 1970s to the present day. Although the Germans played an important role in the colonization of the Kingdom of New Granada since the 16th century, we detected a greater presence of this figures with a more decisive role in the novels, in the 19th and especially the 20th centuries. Mainly soldiers, exiles, Jews, emigrants and Nazis of German origin left their traces in the literature of the Latin American country. To carry out the analysis we will present and comment on five novels written in the last 40 years focusing

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9

Shamuratova, G. "The Image of Youth and Social Transformations in German Literature of the 20th Century." Bulletin of Science and Practice 11, no. 5 (2025): 569–73. https://doi.org/10.33619/2414-2948/114/84.

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The supreme goal of twentieth-century German writers was, of course, to achieve the present-day appearance of German society, a country with a high level of culture, advanced art and literature, and a prosperous, prosperous country. This means that from that time onwards, they knew that it was through literature that the dreams of young people could be realized through the transformation of their minds, and that they were able to accomplish this task to a high degree with their perfect creations.

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10

Filippov, Andrei K. "APHORISMS IN EARLY 20TH CENTURY GERMAN-LANGUAGE CHESS TEXTBOOKS." German Philology at the St Petersburg State University 14 (2024): 188–206. https://doi.org/10.21638/spbu33.2024.110.

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The article studies the artistic originality of early 20th century German educational texts on chess. The study aims at analyzing aphoristic statements in classical chess literature as presented by textbooks by Z. Tarrasch and A. Nimzowitsch. In their books, Tarrasch and Nimzowitsch follow a non-academic approach in order to make their works more accessible and engaging for the reader. Numerous fragments of the studied textbooks are characterized by brevity, expressiveness, originality, moralizing and general nature of the thoughts expressed, making them potential aphorisms. The article outlin

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Ančić, Tanja Brešan. "German Language in Dalmatia in the Early 20th Century." Zeitschrift für Slawistik 60, no. 1 (2015): 18–32. http://dx.doi.org/10.1515/slaw-2015-0002.

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12

Eigler, Friederike. "Writing in the New Germany: Cultural Memory and Family Narratives." German Politics and Society 23, no. 3 (2005): 16–41. http://dx.doi.org/10.3167/104503005780979967.

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This article discusses the genre of family narratives in contemporary German literature against the backdrop of cultural memory in postunification Germany.1 Family narratives lend themselves to a critical study of memory as they enact the transmission and transformation of memories from one generation to the next. Thus, these texts serve a pivotal role as both archives for and reflections on individual and collective memories of 20th century Germany history. Since the late 1990s, i.e., almost a decade after the collapse

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13

Zhdanov, Sergey S. "German Borders and Germany as a Boundary: Images of the Liminal Space in the Russian Literature of the Late 18th – Early 20th Centuries." Imagologiya i komparativistika, no. 14 (2020): 186–209. http://dx.doi.org/10.17223/24099554/14/9.

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The paper examines the spatial images of German borders in the Russian literature of the late 18th – early 20th centuries. These ‘liminal’ descriptions of Germany come in several variations. The first is the image of the boundary as a syncretic and transit locus between Russia and Germany, i.e. between Us and Them respectively. Their features are mixed there as in cases of Karamzin’s Livonia or Skalkovsky’s Kurland. Secondly, the booundary can be presented as a certain point, reaching which the narrator / hero finds themselves in a new space, for example, Travemünde during a sea voyage or Eydt

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Choi, Sun-Ah. "Eckardt’s Study of Korean Studies : with a Focus on Korean Folktales." Korea Association of World History and Culture 74 (March 31, 2025): 269–88. https://doi.org/10.32961/jwhc.2025.03.74.269.

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Andreas Eckardt(1884-1974) was a German who laid the foundation for Korean studies. Eckardt studied Korean history, literature, art, and music extensively. After returning to Germany, Eckardt introduced the results of Korean studies in German and English. In other words, Eckardt conducted an activity to promote Korean culture to Western society in the first half of the 20th century. Eckardt collected Korean folktales and translated them into German. Eckardt can be said to be the first Korean scholar to promote Korean culture to Germany. During his stay in Korea, Eckardt collected Korean folkta

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15

Nusser, Tanja. "Apes, Great Apes, and Mankind in 19th and early 20th Century German Literature." Recherches germaniques, HS 10 (July 6, 2015): 217–36. http://dx.doi.org/10.4000/rg.888.

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16

Krutzinna, Leonie, Maike Schmidt, and Morten Øveraas. "Vestlandet – A Place of Cultural Encounter." European Journal of Scandinavian Studies 53, no. 2 (2023): 191–99. http://dx.doi.org/10.1515/ejss-2023-2010.

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Abstract This article focuses on Norwegian–German cultural contacts in Western Norway in the first half of the 20th century. Although rural Western Norway has always been difficult to access, numerous cultural interrelations between German- and Norwegian-speaking artists, writers, and philosophers can be observed. These encounters can be characterised as real exchanges from person to person, but also as exchanges between persons and texts, or between persons and landscape. The article provides an overview of the Vestlandet region as a place of cultural encounter, focusing on the aesthetic, pol

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17

Skrziepietz, Andreas. "Medical student Bertolt Brecht (1898–1956)." Journal of Medical Biography 17, no. 3 (2009): 179–84. http://dx.doi.org/10.1258/jmb.2009.009020.

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Summary Bertolt Brecht was one of the most important dramatists of the 20th century. At the start of his career he studied literature but switched from the humanities to medicine. This paper discusses reasons for this switch, the influence of his medical experiences on his poetic work and why he eventually abandoned his medical career. His political development towards Marxism is described and a short sketch of his theory of theatre is given. He is considered the most important German-speaking dramatist of the 20th century.

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18

Khasanova, Musallam Muminovna. "GERMAN LITERATURE REALISM OF 20th CENTURY: ON THE EXAMPLE OF THE WORKS OF HENRICH BÖLL." Journal of Universal Science Research "ZAMONAVIY TILSHUNOSLIK VA TARJIMASHUNOSLIKNING DOLZARB MUAMMOLARI" mavzusidagi xalqaro ilmiy-amaliy anjuman 3, no. 4 (2025): 327–30. https://doi.org/10.5281/zenodo.15294032.

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The article reveals the role of the famous writer and poet, public figure Heinrich Böll, who played an important role in the development of the approach of realism in the German literature of the 20th century. In addition, the early and post-war novels of the author were analyzed in comparative way.

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19

Kõvamees, Anneli. "Literature Defined by Language? Some Remarks on the Definition of Estonian Literature." Interlitteraria 24, no. 1 (2019): 236–46. http://dx.doi.org/10.12697/il.2019.24.1.17.

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In the era when multiculturalism is one of the key concepts and the relationship between foreign and own is shifting, the definition of national literature has been in the centre of discussions. In Estonia the issue has been raised most prominently in connection with the Estonian Russianlanguage writer Andrei Ivanov (born 1971) whose works have turned out to be difficult to classify. How to define Estonian literature? Is it a literature written in the Estonian language, literature written by Estonians, literature associated with Estonia or is it a literature written in Estonia? Especially smal

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20

Engelbrecht, Wilken. "The Genesis of the Idea ‘Dutch Written Literature’ in Bohemia." Werkwinkel 11, no. 1 (2016): 73–94. http://dx.doi.org/10.1515/werk-2016-0004.

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Abstract Since mid-19th century Dutch and Flemish literature has often been translated into Central European languages. We find authors like Conscience, Multatuli or Heijermans almost everywhere, often with the same works. Until the late 19th century translations were often made via German. Czech had a special position. Though there is not that much translated into this language as into German, until World War II Czech was the language into which was translated more than into other Central European languages. Until the 20s many translators were writers themselves. This gives rise to questions

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21

Sinegubov, S. N., S. P. Shilov, and N. S. Zavorokhina. "«MODUS VIVENDI» OF GERMAN SHIPBUILDING COMPANIES IN THE RECEIPT OF RUSSIAN MILITARY ORDERS AT THE BEGINNING OF THE 20th CENTURY." Vestnik Bryanskogo gosudarstvennogo universiteta 07, no. 04 (2023): 146–52. http://dx.doi.org/10.22281/2413-9912-2023-07-04-146-152.

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The article is devoted to considering the issue of using complex tools for obtaining profitable orders from the Russian authorities by German shipbuilding companies, and primarily by the Schichau company. First of all, legal “gaps” in the Russian legislation of the early 20th century (which generally protected and stimulated the development of domestic military shipbuilding) were very skillfully used by the Germans. Based on an analysis of original and published German and Russian archival materials, published memoirs, as well as research literature, the authors came to a number of conclusions

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22

Bogdanova, Olga A. "“We were born to make a fairy tale come true...”: the estate world in G. Sh. Yakhinaʼs novel “My children”". Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 83, № 5 (2024): 53–63. https://doi.org/10.31857/s1605788024050042.

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Based on the material of G.Sh. Yakhinaʼs landmark novel “My Children” (2018), the article considers modifications of the “estatetopos” in the Russian literature of the 20th – early 21st century, among which are the connotations traditional for Russian classics (the estate as a paradise on earth and the territory of love and family; the estate as a heterotopia; the estate as a universal), qualities that arose in the literature of the Soviet period (the estate as a refuge; the former ownerʼs estate as a public domain; the estate as Kitezh; the estate as a locus of theurgic creativity), as well a

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23

Meibauer, Jörg. "Modern Architecture and Ideology in German Children’s Literature." Libri et liberi 11, no. 2 (2022): 231–52. http://dx.doi.org/10.21066/carcl.libri.11.2.1.

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Architecture, in the real world as well as in the fictional world of children’s literature, seems always to be connected with ideology, i.e. a system of beliefs held by a social group or society as a whole. This is shown with respect to German children’s literature dealing with famous buildings of the 20th century, namely the semi-detached house by Le Corbusier and Pierre Jeanneret in the Stuttgart Weißenhofsiedlung that is portrayed in Hannelore erlebt die Großstadt by Clara Hohrath (1935 [1931]), the Hochhaus an der Weberwiese by Hermann Henselmann in the Berlin Stalinallee, figuring in Die

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24

Lee, Hwajin. "Early 20th Century Literature on German Art History and the Topography of Korean Art." Art History Forum 59 (December 31, 2024): 31–53. https://doi.org/10.14380/ahf.2024.59.31.

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Bakalov, A. S. "ON THE FORMATION OF GERMAN REALISM." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 77 (2021): 81–90. http://dx.doi.org/10.37313/2413-9645-2021-23-77-81-90.

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The relevance of research. In German literary criticism, there is no unambiguous definition of the phenomenon of literary realism, however, at the empirical level, it is understood as a literary system based on a mimetic-oriented depiction of reality, often critically comprehended and subjectively colored due to the norms and ideas that are taking shape in society. Research methodology. Complex and systematic methods of literature analysis are applied. In this article, the author comes to the conclusion that the realism of the turn of the XIX - early XX centuries. retains its main principles o

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Reershemius, Gertrud. "Language Shift Revisited. Linguistic Repertoires of Jews in Low German-Speaking Germany in the Early 20th Century: Insights from the LCAAJ Archive." Journal of Germanic Linguistics 30, no. 2 (2018): 134–66. http://dx.doi.org/10.1017/s1470542717000083.

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This paper analyzes the linguistic repertoires of Jews in the Low German-speaking areas in the first decades of the 20th century, as a contribution to historical sociolinguistics. Based on fieldwork questionnaires held in the archives of the Language and Culture Atlas of Ashkenazic Jewry (LCAAJ), it addresses the question of whether the Jewish minorities spoke a supralectal form of standard German or Koiné forms of dialects, relating this to issues of language shift from Western Yiddish. The study shows that many Jews living in northern Germany during the 1920s and 1930s still had access to a

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Medić, Igor. "Wilde about Wilde — The Translation of Oscar Wilde’s Salomé in Croatian Literature of the Early 20th Century." Przekłady Literatur Słowiańskich 11, no. 1 (2021): 1–22. http://dx.doi.org/10.31261/pls.2021.11.01.05.

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The Irish writer Oscar Wilde was extremely popular in Croatian culture in the first decades of the 20th century. Although Croatian writers of that time generally did not read the original works of British authors but rather their translations, Wilde’s popularity in Germany and Vienna sparked interest in his works among the Croatian readership and spectatorship. This paper explores the translation of Wilde’s Salomé from German by Julije Benešić and Nikola Andrić, and the complex influence that this translation had on Croatian literature of early modernism, relying primarily on the interpretatio

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Gilfanova, Gulnara Tavkilevna, Alfiia Revanerovna Valeeva, and Elena Alexandrovna Nikulina. "The German Novel of the 1960-70s: Artistic Conception of History." Revista Amazonia Investiga 9, no. 26 (2020): 554–57. http://dx.doi.org/10.34069/ai/2020.26.02.62.

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In the German-language literature of the 1960-70s, novelistic prose emerged, which not only narrated about the German identity but also appealed to international solidarity and the formation of historical worldview. The German novel of the second half of the 20th century, associated with the original artistic conception of the history of a yet divided Germany, was given new meaning in the works of such writers as Johannes Bobrowski, Erwin Strittmatter, Franz Fühmann, and Jurek Becker. Bobrowski’s artistic style laid the foundation for a generation of writers following his original creative leg

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Pavlov, N. V. "The War in the Historical Memory of Nations." MGIMO Review of International Relations, no. 2(41) (April 28, 2015): 65–76. http://dx.doi.org/10.24833/2071-8160-2015-2-41-65-76.

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There is no doubt that the most important event of the 20th century was a joint victory of the united front of peoples and states over German fascism. For some that was the victory in the Second World War. For the Russians - the victory in the Great Patriotic War which cost the Soviet Union incredible efforts, enormous sacrifices and material losses. Now when we celebrate the 70thyear since that epoch-making date we turn our attention once more to the lessons of history because the memory of the war has been imprinted deeply on our gene level of Russians and Germans. This is because every fami

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Kharitonova, Natalya Stepanovna. "Silver Age. Interference of the Russian and German Cultures." Journal of Flm Arts and Film Studies 6, no. 4 (2014): 86–95. http://dx.doi.org/10.17816/vgik6486-95.

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The author explores the specific interaction of Russian and German art, their differences, forces of attraction and direct contact. Only conscious and meaningful differences could have reveal the strength and true value of each culture and, most importantly, become a pretext for new and creative quest for ones own way in art. Two-sided interest of Russian and German cultures implies a two-way process mutually contributed and enriched on both parts. The fact that Russian and German art at the turn of the 19th-20th centuries was developing under different conditions does not mean that the exchan

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Detering, Nicolas. "Heroischer Fatalismus." Volume 60 · 2019 60, no. 1 (2019): 317–38. http://dx.doi.org/10.3790/ljb.60.1.317.

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The article re-evaluates the notion of heroic agency by arguing that many instances of heroism in early 20th century German literature rely not on great deeds, but on images of fatalist persistence. After a discussion of the conceptual elements and traditions of heroic persistence, the essay surveys variants of its semanticization between Nietzsche’s amor fati and German exile narrations of the 1940s. The perusal shows that ›heroic attentism‹ in modernist literature is less dependent on the respective political affiliations of the authors, but rather on the concept’s ability to adapt to discur

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Sharypina, T. A. "On the transformation of antique stories and images in German literature of the 20th century." Rossiiskii Gumanitarnyi Zhurnal 5, no. 1 (2016): 22. http://dx.doi.org/10.15643/libartrus-2016.1.3.

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Kudryavtseva, T. V. "Cultural Memory: to 100th Anniversary of A. M. Gorky Stay in German Saarov." Nauchnyi dialog 12, no. 1 (2023): 232–45. http://dx.doi.org/10.24224/2227-1295-2023-12-1-232-245.

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The article presents evidence of A. M. Gorky’s stay in the German city of Saarov in 1922-1923. Within the framework of the historical-contextual approach, an attempt was made to show how the mechanisms for preserving and updating memory function in relation to a particular writer. We are talking about the world-famous classic of Russian / Soviet literature — A. M. Gorky. It is traced how his personality and creative heritage, which once became part of world literature, are perceived in a foreign cultural space of the 21st century (namely, a century after Gorky’s stay in Germany at the beginnin

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Øveraas, Morten. "Den konservative revolusjonen – i Thorleif Schirmer sitt forfattarskap." European Journal of Scandinavian Studies 53, no. 2 (2023): 217–28. http://dx.doi.org/10.1515/ejss-2023-2014.

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Abstract This article asks if the phenomenon of the Conservative Revolution had exponents in rural western Norway in early 20th century. It sheds light on Thorleif Schirmer (1877–1941), a teacher and writer. Schirmer elaborated his ideology with radical and conservative rhetoric, influenced by German literature and politics. He presented a cyclical understanding of culture. To secure its existence, nations should revolutionize its mythical origins. Antisemitism fuelled his theories. The positive reception of Schirmer’s writings, indicates conceptual resemblance between the Scandinavian folk an

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Leon, Crina. "Knut Hamsun between cultural Germany and political Germany." Romanian Journal for Baltic and Nordic Studies 6, no. 2 (2014): 53–61. http://dx.doi.org/10.53604/rjbns.v16i2_4.

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Knut Hamsun (1859-1952) is a Norwegian writer who managed to win a place in world literature by the side of the playwright Henrik Ibsen. Hamsun was a complex figure: he was the Nobel Prize laureate in Literature of 1920 but he was also charged with treason after World War II; he wrote stories drawn from Nordland (in Northern Norway), but he also supported National Socialism. That is why, we will make a distinction between culture and politics, between Hamsun as a literary writer and Hamsun as the author of a series of articles in favour of the Nazis. Beyond the controversial side of his life,

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Gębołyś, Zdzisław. "Cieszyńskie bibliografie terytorialne od końca wieku XIX do początku wieku XXI." Z Badań nad Książką i Księgozbiorami Historycznymi 11 (December 29, 2017): 333–57. http://dx.doi.org/10.33077/uw.25448730.zbkh.2017.42.

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The paper will present the most important accomplishments on the field of documentation and registering of literature from Cieszyn Silesia, firstly bibliographical lists, which were prepared in 19th century to 20th century. Next I would like to describe collective (teamwork) bibliographies, Polish, Czech and German, which register literature from Cieszyn Silesia. Registration of publishing production from Cieszyn Silesia will be showed within the context of complicated and various political, economical an cultural conditions. Critical review of literature revevals the need of registering print

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Veisbergs, Andrejs. "The Latvian Translation Scene at the Beginning of the 20th Century." Baltic Journal of English Language, Literature and Culture 11 (2021): 138–75. http://dx.doi.org/10.22364/bjellc.11.2021.09.

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The first decade of the 20th century was a period of huge advances and expansion in the Latvian translation scene. New, contemporary authors’ works became available to Latvian readers. The Latvian readership was consciously being integrated into general European literary trends. It was also a heyday of periodicals that published numerous translations, including numerous novels. There are countless parallel translations even reaching double digits. Translations included various genres and the traditional Latvian interest in plays was obvious. German was gradually losing its dominant positions a

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Schuler, Anton. "Von der Nachhaltigkeit als Beschränkung zur nachhaltigen Entwicklung als Programm | From Sustainability as a Limiting Factor to a Sustainable Development as a Policy." Schweizerische Zeitschrift fur Forstwesen 151, no. 12 (2000): 497–501. http://dx.doi.org/10.3188/szf.2000.0497.

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The development of sustainability is presented on the basis of quotations from German forestry literature published from the 17th century up until now. At the beginning of this time period, the demand for sustainability was limited to the exploitation of the increment. However, in the 19th century,the conservation of the site's production capacity was included and ‹sustainability› was backed up by arguments such as the forest’s role within the forest economy. In the 20th century,sustainability developed from a mere calculation parameter to a behavioural norm with regard to all interventions de

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Lamm, Mariya A. "The development of Belarusian literature in a multicultural context." Slavic Almanac, no. 1-2 (2020): 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.

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Sinkova L. D. Between text and discourse: Russian literature of the XX-XXI century: history, comparative studies and criticism (lit. - crit. articles, conversations). - Minsk: Parkus plus, 2013. - 296 P. The main characteristics of the Belarusian literature development in the contest of 20th-21th century are demonstrated throughout the review. The key patterns of the poetics progression in Belarusian literature are revealed, alongside with the most noticeable algorithms of the national aesthetics establishment and the specifics of mythopoetic perception. Meaningful characteristics of Belarusia

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Sharp, Ingrid, and Eva Kolinsky. "Women in 20th-Century Germany: A Reader." Modern Language Review 92, no. 4 (1997): 1035. http://dx.doi.org/10.2307/3734298.

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ZAHARIA, Mihaela. "LITERATURE AND ANTHROPOLOGY (ON THE PRODUCTIONS OF ROBERT MÜLLER AND ERNST JÜNGER)." Ezikov Svyat (Orbis Linguarum) 17, no. 2 (2019): 120–32. http://dx.doi.org/10.37708/ezs.swu.v17.i2.14.

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e aim of the article is to examine some works of two authors from the first half of the 20th century, both native speakers of the German language in order to look for common mental constructs and symbols. Many literary critics comparing Robert Müller and Ernst Jünger emphasize the similar roles they played in the literatures of Austria and Germany, respectively. Robert Müller and Ernst Jünger leave the impression that they search for order in the contradictory universe and if they do not find it, they create it. They are both social analysts, they are multi-talented, both dreamers and traveler

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Shapkin, Igor. "Organized Capital and Labor. Activities of Employers Associations of Russia in the Early 20th Century." Journal of Economic History and History of Economics 19, no. 4 (2018): 531–55. http://dx.doi.org/10.17150/2308-2588.2018.19(4).531-555.

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Activity of business associations is of great importance in market environment. Academic literature divides these associations into representative and employer. For the first time employers associations appeared in Germany in the late nineteenth century. They were the reaction of the German business for growing working class movement. History has shown that the process of business self-organization increases in terms of aggravation of social, political and economic contradictions. Employers associations had a significant impact on the development of the so-called monarchical socialism in Germa

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Закутня, А. Ю. "Printed advertising of the end of the 19th — the first half of the 20th centuries in the context of a search of a source basis for a detailed description of the Ukrainian urban koine of this period." Studia Philologica, no. 10 (2018): 39–52. http://dx.doi.org/10.28925/2311-2425.2018.10.6.

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The city as a peculiar form of social organization is interesting for the representatives of many trends of scientific research: economists, sociologists, culturologists, historians, linguists. The subject of our interest is the functioning of the Ukrainian language in the cities of Bukovyna and Galicia at the end of the 19th century — the first half of the 20th century, in the urban environment of the Ukrainian diaspora settlement. Historical and socio-political conditions of the formation of the Ukrainian city koinй as one of the preconditions for the development of Ukrainian literature (par

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Srika, M. "A Critical Analysis on “Revolution 2020” - An Amalgam of Socio- Political Commercialization World Combined with Love Triangle." SMART MOVES JOURNAL IJELLH 7, no. 10 (2019): 6. http://dx.doi.org/10.24113/ijellh.v7i10.10255.

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Literature is considered to be an art form or writing that have Artistic or Intellectual value. Literature is a group of works produced by oral and written form. Literature shows the style of Human Expression. The word literature was derived from the Latin root word ‘Litertura / Litteratura’ which means “Letter or Handwriting”. Literature is culturally relative defined. Literature can be grouped through their Languages, Historical Period, Origin, Genre and Subject. The kinds of literature are Poems, Novels, Drama, Short Story and Prose. Fiction and Non-Fiction are their major classification. S

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Castillo Bernal, Maria Pilar. "The translation of scientific literature from German into Spanish at the turn of the 20th century." International Journal of Translation and Interpreting Research 11, no. 2 (2019): 87–105. http://dx.doi.org/10.12807/ti.111202.2019.a08.

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Fiordaliso, Giovanna. "Mito e storia in Medusa (2012) di Ricardo Menéndez Salmón." Caietele Echinox 44 (June 1, 2023): 322–35. http://dx.doi.org/10.24193/cechinox.2023.44.22.

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"Published in 2012, Medusa is the fifth novel by Ricardo Menéndez Salmón, a young Asturian author and an important novelist in the panorama of contemporary Spanish literature. Although the novel plot would seem quite simple – a PhD candidate is writing a thesis on the iconography of evil in the 20th century and ends up reconstructing the biography of Prohaska, a young German who, thanks to his passion for drawing and photography, becomes a propagandist of the Nazi regime – the work results from a complex stratification of different genres and levels of reading, such as the narration of the mai

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Solari, Marco Federici. "Cesare Cases e l’editoria. Un percorso tra pareri e polemiche." L'ospite ingrato 15, no. I (2024): 63–75. http://dx.doi.org/10.36253/oi-16359.

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For almost half a century, Cesare Cases acted as consultant on German literature for the publishing house Einaudi: in hundreds of book reports, he scrutinised the work of the greatest German intellectuals of the 20th century, from Lukács to Adorno, from Brecht to Enzensberger. But his relationship with publishing did not end there. Cases not only worked as a translator, editor, and reviewer of books, actively participating in their promotion and discussion, but, above all, he was an “editorial thinker”, reflecting and intervening on issues such as the relationship between culture and the marke

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Kulakevych, L., and N. Kovalova. "Peculiarities of faustian discourse in Ukrainian literature of the first third of the 20th century." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 16, no. 29 (2023): 35–48. http://dx.doi.org/10.34079/2226-3055-2023-16-29-35-48.

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The purpose of the article is to examine the theoretical aspects of the perception of the Faustian image and related poetics in Ukrainian literary studies. The task of the research is to review the Faustian discourse in the Ukrainian literature of the first third of the 20th century in the context of world literature. The methodology used in the research includes comparative and analytical methods. In the study, the comments are presented on terminological aspects of understanding the image of Faust in Ukrainian literary studies and the poetics associated with it. It is noted that the term "Fa

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Muslimova, O. "INDIVIDUAL APPROACHES TO EVENTS IN AZERBAIJANI AND GERMAN EMIGRATION LITERATURE AND THEIR COMPARATIVE ANALYSIS." Scientific heritage, no. 141 (July 26, 2024): 37–41. https://doi.org/10.5281/zenodo.12907908.

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In this article, the author talked about individual approaches to events in Azerbaijani and German emigration literature and their comparative analysis. Having an important influence on the development of Marxist literary studies, including the literary process of his time, both in Germany and abroad, Franz Mehring also played an important role in the formation of social and political opinion. This influence was also great because Mehring was a well-known historian of the Prussian state and its labor movement, the most talented publicist of the left wing of German social democracy, one of the

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Muslimova, O. "INDIVIDUAL APPROACHES TO EVENTS IN AZERBAIJANI AND GERMAN EMIGRATION LITERATURE AND THEIR COMPARATIVE ANALYSIS." POLISH JOURNAL OF SCIENCE, no. 76 (July 15, 2024): 10–13. https://doi.org/10.5281/zenodo.12741853.

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In this article, the author talked about individual approaches to events in Azerbaijani and German emigration literature and their comparative analysis. Having an important influence on the development of Marxist literary studies, including the literary process of his time, both in Germany and abroad, Franz Mering also played an important role in the formation of social and political opinion. This influence was also great because Mering was a well-known historian of the Prussian state and its labor movement, the most talented publicist of the left wing of German social democracy, one of the fo

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