Relevant bibliographies by topics / 20th Chinese novels

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic '20th Chinese novels'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "20th Chinese novels"

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Phan, Hung Manh. "CHINESE HISTORICAL NOVELS AND VIETNAMESE HISTORICAL NOVELS IN THE SOUTH OF VIET NAM AT THE BEGINNING OF THE 20th CENTURY." Science and Technology Development Journal 15, no. 4 (2012): 5–14. http://dx.doi.org/10.32508/stdj.v15i4.1828.

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At the beginning of the 20th century, novel translation from foreign languages into the national language has played a constructively role in the modernization process of local literature in Viet nam and other Asian countries as well. In the south of Viet nam, the movement of translation of Chinese historical novels has ebulliently occurred, and has influenced the composing tendency of local historical novels – one of the most outstanding trends of southern literature at that time. We have studied on the conversional Meclanism, the exchanges and interactions and the influence of translating ac
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Vo, Nhon Van. "TRANSLATED LITERATURE IN COCHINCHINA IN THE LATE 19th CENTURY AND IN THE EARLY 20th CENTURY." Science and Technology Development Journal 13, no. 1 (2010): 5–12. http://dx.doi.org/10.32508/stdj.v13i1.2099.

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Being colonized by France, Cocochina (the South of Vietnam) was the region where Western literature was introduced into earlier than the North. Truong Minh Ky was considered the first translator of Western literature in Vietnam. His earliest works of translation appeared in 1884. By the early 20th century, introduced to Vietnamese readers were Western literary works not only of French origin but also of British, American and Russian origins; not only poetry, prose but also drama. In the late 19th century, many writers such as Truong Vinh Ky, Huynh Tinh Cua were interested in Chinese literature
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3

Yulianti, Yulianti. "JEJAK BUDDHISME DALAM NOVEL KARYA KWEE TEK HOAY “BOENGA ROOS DARI TJIKEMBANG”: PERSPEKTIF FENOMENOLOGI." SASDAYA: Gadjah Mada Journal of Humanities 2, no. 1 (2019): 255. http://dx.doi.org/10.22146/sasdayajournal.31750.

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In the first half of the 20th century, many Buddhist background texts were published, primarily by private publishers. One of the scriptwriters was a Chinese Peranakan named Kwee Tek Hoay (KTH). As a Chinese philosopher and philosopher, KTH has written many short stories, novels, and translations in the field of kebatinan. The article attempts to investigate Buddhism, especially Buddhist phenomena with a phenomenological paradigm in one of the KTH works entitled Boenga Roes from Tjikembang.
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Chu, Xiaobai. "Memories of the Gate: On the Rhetoric in The Pilgrim’s Progress and Its Chinese Versions." Religions 10, no. 6 (2019): 357. http://dx.doi.org/10.3390/rel10060357.

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The Pilgrim’s Progress was one of the most popular translated novels in China from the late 19th until the 20th century. In this paper, I argue that one of the main reasons for the book’s success in China lies in an intricate rhetoric of the original version, which focuses on the memories of the Gate, and in the skillful transformation of this rhetoric into the Chinese versions. By analyzing this rhetoric and its transformation, this paper shows how The Pilgrim’s Progress marked the cultural memories of the Gate in China’s modern period and provides a theoretical foundation on which studies on
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Tsu, Jing. "Extinction and Adventures on the Chinese Diasporic Frontier." Journal of Chinese Overseas 2, no. 2 (2006): 247–68. http://dx.doi.org/10.1163/179325406788639697.

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AbstractThis article examines the discovery and appropriation of the Chinese diaspora in nationalistic and literary discourse in early 20th-century China. The overseas Chinese experience entered into the main field of vision of the Chinese intellectuals at a strategic moment at the turn of the century, when the diasporic frontier was uncovered only to be re-incorporated into the nationalistic imagination. This analysis begins with a look at Liang Qichao's ambivalent attitude toward the overseas Chinese whom he praised as national colonial heroes on the one hand, and denigrated for tarnishing C
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Lung, Rachel. "The Oral Translator’s “Visibility”: The Chinese Translation of David Copperfield by Lin Shu and Wei Yi." TTR : traduction, terminologie, rédaction 17, no. 2 (2006): 161–84. http://dx.doi.org/10.7202/013277ar.

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Abstract An important feature in the translation history of China in the early 20th century was the collaboration between a Chinese monolingual and a Chinese bilingual in a large-scale translation of Western fiction. Such a collaboration pattern lasted for almost two decades before more Chinese bilinguals were trained in the 1920s. The partnership of Lin Shu (1852-1924) (a prominent written translator) and Wei Yi (1880-1933) (one of Lin Shu’s oral translators) lasted for 10 years, during which they translated over 40 English novels into Chinese. Through textual analyses of their co-translation
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Golubkova, A. A. "Yin Liu, Mikhaylova, M. (2018). Works of the lady owner of the ‘haunted apartment’, or The phenomenon of E. A. Nagrodskaya. Moscow: Common place." Voprosy literatury 1, no. 1 (2020): 288–91. http://dx.doi.org/10.31425/0042-8795-2020-1-288-291.

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The review focuses on the monograph co-written by Doctor of Philology Maria Mikhaylova and the Chinese scholar Yin Liu about Evdokia Nagrodskaya and her works. Contemporary critics dismissed her books as pulp fiction. Yet the researchers prove convincingly that Nagrodskaya’s works reveal a meaning deeper than was assumed by her contemporaries. Moreover, the transgender theme explored in Nagrodskaya’s acclaimed novel The Wrath of Dionysus [ Gnev Dionisa ] remains highly relevant a century upon the book’s first publication. Amongst the mo nograph’s noticeable merits is a detailed overview of mod
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Kwon, Hye Jin. "A Spatial Consideration on Image of Women in Issue – Focusing on the novels of Chinese women writers at the turn of the 20th century." Journal of Human Studies 49 (June 30, 2019): 125–52. http://dx.doi.org/10.33638/jhs.49.6.

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Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l
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Rudenko, Nikolai. "“Evaluating the Four Books” (四書評)". Ming Qing Yanjiu 20, № 1 (2016): 21–54. http://dx.doi.org/10.1163/24684791-12340002.

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The article is devoted to the problem of authorship of Evaluating the Four Books (Sishu ping 四書評), presenting a review of academic discussion that took place in Chinese historiography in 20th century and providing some new ideas as the continuation of this discussion in order to solve the problem. Evaluating the Four Books is often considered to be the work of Li Zhi (李贄, 1527–1602), who is famous for his original ideas and critical attitude toward neo-confucianism in the interpretation of Zhu Xi and the Cheng brothers. Li Zhi died in jail, where he was put in accordance to the order of empero
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Dissertations / Theses on the topic "20th Chinese novels"

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Wong, Chi-hung, and 黃自鴻. "Space in Taiwan urban novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B35808068.

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陳家春 and Ka-chun Chan. "Eros and mainland Chinese novels after the cultural revolution." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212074.

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呂永佳. "西西小說中的「城市空間」 = "Urban space" in Xi Xi's novels". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/791.

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陸✹而. "✹述「九七」 : 香港小說中的時間與✹事 = Narrating "1997" : time and narrative in Hong Kong novels". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/688.

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吳家聲. "從評論走進張承志的小說世界 = Study on Zhang Cheng Zhi's novels through comentaries". Thesis, University of Macau, 2004. http://umaclib3.umac.mo/record=b1636196.

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盧添好. "蘇青小說的倫理敘事研究 = The study of moral (ethical) narration in Sui Qing's novels". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2101685.

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吳笑瑩. "沈從文小說死亡審美研究 = Study on death aesthetics of Shen Cong-wen's novels". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485476.

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王心靈. "現代寓言: 阿來長篇小說研究= A study on Alai's novel as allegory". HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/171.

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阿來(1959- )，生於四川省的嘉絨藏區，曾任教師、編輯、雜誌社社長等，現專事寫作。在長達三十二年的寫作生涯中，阿來經歷了由新詩至短篇小說、散文至長篇小說的文類轉變，他的作家使命在長篇小說階段得以確立，是有意識地書寫西藏的漢語作家。阿來的長篇小說除了表現本民族的興衰，又是人類共同歷史命運的寫照，他以寓言書寫的方式豐富了文本的內涵。 寓言性是當代中國小說一個值得關注的美學特徵，因此，本文以阿來三部長篇小說為研究對象：《塵埃落定》(1998)、《空山》三部曲(2005、2007、2009)、《格薩爾王》(2009)，分析其中的寓言性藝術意義。這三部作品皆以漢藏文化的交匯與碰撞為題材，反面書寫故鄉因歷史的發展、時代的轉變而表現的不同面向：《塵埃落定》寫的是二十世紀五十年代前土司制度和末代土司家族的滅亡過程；《空山》是五十年代至九十年代的一段村莊史；《格薩爾王》是對藏族英雄史詩的重述，以現代觀念探討歷史發展過程中的命運主題。阿來以長篇小說的形式探究歷史轉型期中，文化與人心的困境，有著內在精神的繼承。 本文以〈現代寓言：阿來長篇小說研究〉為題，嘗試以本雅明的現代寓言理論來探討作品的藝術內涵：「破碎」、「廢墟」、「憂鬱」等美學元素於文本的呈現，這些現代性的特質如何在小說的本土經驗裡被細述彰顯，以帶出作品的普世共性。在探究過程中，我們能了解在文學與歷史的互動關係中，作品的真實內涵及說故事的意義
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馬若楠. "擺渡的意識 :文學改編的另一種解讀 : 從 "敘事倫理" 角度論小說 "白鹿原" 改編 =;Consciousness of ferrying : another interpretation of literary adaptation : an analysis of the adaptation on the Novel Bailuyuan from the perspective of narrative ethics". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954139.

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Huang, Chunliu. "La relation au monde dans Les Thibault de Roger Martin du Gard." Thesis, Artois, 2012. http://www.theses.fr/2012ARTO0001/document.

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L’ensemble romanesque Les Thibault de Roger Martin du Gard (publié de 1922 à 1940) est sous-tendu par un témoignage que l’auteur adresse au lecteur sur le monde réel dans lequel l’écrivain français vécut. L’objectif de cette thèse est d’analyser ce témoignage à travers certains aspects des relations multilatérales entre ces trois pôles que sont la société, l’œuvre et l’auteur. L’œuvre romanesque de Roger Martin du Gard informe la société de son époque autant qu’elle est informée par elle, et l’écrivain, façonné par la société, façonne à son tour une société romanesque. La relation au monde des
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Books on the topic "20th Chinese novels"

1

Jonathan, Chua, ed. The critical Villa: Essays in literary criticism. Ateneo de Manila University Press, 2002.

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Readers, reading and reception of translated fiction in Chinese novel encounters. St. Jerome Pub., 2010.

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Rowling, J. K. Harry Potter à l'école des sorciers. Gallimard Jeunesse, 2001.

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Rowling, J. K. Harry Potter and the Philosopher's Stone. 2nd ed. Bloomsbury, 2010.

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Rowling, J. K. Harry Potter ve felsefe tasi. YKY, 2001.

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Rowling, J. K. Harry Potter & de steen der wijzen. De Harmonie, 1998.

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Rowling, J. K. Harry Potter and the Philosopher's Stone. Ted Smart, 1998.

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Rowling, J. K. Hyāri Paṭāra enḍa di philasaphārasa sṭona. Aṅkura Prakāśanī, 2004.

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Rowling, J. K. Harry Potter Büyülü Taş. Dost Kitabevi Yayinlari, 1999.

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Rowling, J. K. 哈利波特: 神秘的魔法石. Huang guan wen hua chu ban you xian gong si, 2000.

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